professional mixing consoles

consoles
professional mixing consoles
783
783
784
standard configuration
28 inputs / 24 channels
(20 mono + 4 stereo)
5 mono modules (I4M)
1 stereo module (I4S)
1 DSP module (DP2)
1 master module
784
standard configuration
36 inputs / 32 channels
(28 mono + 4 stereo)
7 mono modules (I4M)
1 stereo module (I4S)
1 DSP module (DP2)
1 master module
modular mixing consoles with built-in
2 x 160 programs stereo multieffect processors
Designed for sonic quality and creative freedom on all controls, 783 and 784 are fully configurable
thanks to the modular architecture. Four independent monitor sends, stereo multieffect twin
processors and direct-outs on each channel make
783 and 784 the natural choice for studios, bands and
sound companies.
profession
783 and 784 differ only in frame size. 783 houses
up to 6 input modules (mono or stereo), 1 DSP
module and 1 master module. Model 784 can be
configured with up to 8 input modules, plus the
same DSP and master modules.
783 e 784 si differenziano solo per le dimensioni
del telaio. Il modello 783 accetta fino a 6 moduli
di ingresso (stereo o mono), 1 modulo DSP ed
1 modulo master; il modello 784, invece, può
contenere fino a 8 moduli di ingresso stereo o
mono più lo stesso modulo DSP e master del 783.
Die Mixer 783 und 784 unterscheiden sich
lediglich in der Rahmengröße. Das Modell 783
kann bis zu 6 Eingangsmodule (Stereo oder Mono),
1 DSP-Modul und ein Mastermodul aufnehmen.
Das Modell 784 ist hingegen für 8 Eingangsmodule (plus DSP und Mastermodule) konzipiert.
CARATTERISTICHE GENERALI
ALLGEMEINE EIGENSCHAFTEN
• MODULO CANALI DI INGRESSO MONO (I4M)
ingresso MIC bilanciato XLR; ingresso LINE (jack
sbilanciato); alimentazione PHANTOM; INSERT
(jack sbilanciato); uscita diretta del canale (OUT);
regolazione guadagno (GAIN); pulsante PAD
(attenuatore del canale); selettore MIC (ingresso
microfono o linea); filtro passa-alto; EQ a 4 bande
di cui 2 parametriche (HF, HI.MID, LO.MID, LF);
pulsante EQ (on/off); 4 mandate aux A-B-C-D (prefade, post-eq); 2 mandate effetti E1-E2 (post-fade,
post-eq); controllo panorama (PAN); pulsanti L-R,
1-2, 3-4 (per inviare il segnale del canale alle uscite
master L/R, ai submaster 1/2 e 3/4); pulsanti PFL e
ON con indicatori LED; indicatore LED di picco
(PEAK); fader di volume da 100 mm.
• MONO EINGANGSMODUL (I4M)
symmetrische XLR- MIC-Eingänge; unsymmetrische
LINE-Klinken-Eingänge; PHANTOM-Speisung;
INSERT (asymm. Klinke); Direktausgang des Kanals
(OUT); GAIN; PAD-Schalter (schwächt das Mikrophonsignal); MIC-Schalter (Mic oder Line Eingang);
die 4-fach Klangregelung umfaßt einen Höhenregler, 2 parametrische Mitten und einen Baßregler
(HF/HI.MID./LO.MID./LF), sowie einen Hochpaßfilter; EQ-Schalter; 4 Aux-Wege A-B-C-D (pre-fade,
post-eq); 2 Effekt-Wege E1/E2 (post-fade, post-eq);
PAN-Poti; Drucktasten L-R, 1-2, 3-4 für die Zuordnung
des Signals auf die Master L/R-Ausgänge und die
Gruppen 1/2 und 3/4; PFL und ON Drucktasten mit
LED-Anzeige; Peak-LED-Anzeige; Lautstärke-Fader.
• MODULO CANALI DI INGRESSO STEREO (I4S)
a differenza dei canali mono dispongono di 2
ingressi microfonici (L/R MIC) XLR e 2 ingressi jack
di linea (L/R LINE) bilanciati; pulsante che inverte
la fase dell'ingresso R; pulsante MONO; EQ a 3
bande e bilanciamento stereo (BAL).
• STEREO EINGANGSMODUL (I4S)
mit den gleichen Features, nur 2 symmetrische
XLR Mikrofon-Eingänge (L/R MIC) und 2 KlinkenEingänge (L/R MIC); Phase-Drehtaste für den
rechten Eingang; MONO-Schalter, 3-Band EQ und
Stereo-Balance (BAL).
• MODULO DSP (DP2)
i 2 processori multieffetto stereo incorporati
(DSP a 56 bit con conversione Delta Sigma a 24 bit)
con 160 programmi ciascuno dispongono di:
display a cristalli liquidi (su 2 righe, E1 ed E2);
manopola PROGRAMS per la selezione dei programmi; pulsante E1/E2 per programmare il processore
E1 o E2 sul display; pulsante LOAD per caricare il
programma selezionato; rampe a 5 LED per i livelli
di ingresso (INPUT LEVEL); controlli di TONO;
mandate aux/monitor A/B/C/D (pre-fade);
controlli BAL per bilanciare gli effetti stereo sulle
coppie di uscite selezionate L/R, 1/2 o 3/4; pulsanti
L-R, 1-2 e 3-4 per inviare l'effetto alle relative uscite;
pulsanti PFL e ON con indicatori LED; indicatore LED
di picco (PEAK); fader di volume da 100 mm; prese
jack per interruttore a pedale (E1 ed E2 FT/SW).
• DSP-MODUL (DP2)
die 2 eingebauten stereo Multieffekt-Prozessoren,
(56-Bit DSP mit 24-Bit Delta-Sigma Konverter), je
mit 160 Programmen, verfügen über:
Zweizeilen-Flüssigkristall-Sichtanzeige; PROGRAMSDrehknopf für die Auswahl der Programme; E1/E2Knopf zum Wählen von E1 oder E2 auf der Sicht
anzeige; LOAD-Knopf zum Laden des ausgewählten
Programms; 5-Segment Eingangspegel-LED Anzeigen (INPUT LEVEL); Klangregler (TONE); A/B/C/D
Aux/Monitor-Sends (pre-fade); Balance-Regler
(BAL); Drucktasten L-R, 1-2, 3-4 für die Zuordnung
der Effekte auf die entsprechende Ausgänge;
PFL und ON Drucktasten mit LED-Anzeige;
Peak-LED-Anzeige; 100mm Fader; Klinkenbuchsen
für Ein/Aus Fußschalter (E1 u. E2 FT/SW).
MAIN FEATURES
• MONO INPUT MODULE (I4M)
balanced XLR MIC input; unbalanced jack LINE
input; PHANTOM power switch; channel INSERT
(unbalanced stereo jack); channel direct OUT;
GAIN control; input attenuation switch (PAD);
microphone input selector switch (MIC); high-pass
filter switch; 4-band EQ, with 2 semi-parametric
sections (HF/HI.MID./LO.MID./LF); EQ on/off switch;
4 aux sends A-B-C-D (pre-fade, post-eq); 2 effect
sends E1-E2 (post-fade, post-eq); stereo PAN;
L/R-1/2-3/4 switches (channel routing to the L/R,1/2
and 3/4 busses); channel PFL (solo) and ON switches,
with LED indicators; PEAK LED indicator; 100 mm
VOLUME fader.
• STEREO INPUT MODULE (I4S)
same features of the mono channels except for:
2 XLR MIC inputs and 2 jack LINE inputs (L/R);
phase reverse button; MONO button; 3-band EQ
and stereo balance (BAL).
• DSP MODULE (DP2)
the 2 built-in stereo multieffect processors (56-bit
DSP with 24-bit Delta-Sigma conversion) each with
160 programs and independent controls feature:
2-line (E1/E2) Liquid Crystal Display; PROGRAMS
selection wheel; E1/E2 button (allows operating
on LCD line E1 or E2); LOAD button (loads the
selected program); dual 5-segment input level
LED array; TONE controls; A-B-C-D monitor sends
(pre-fade); stereo balance controls (BAL) of the
effects in the selected output pairs L/R, 1/2 or 3/4;
L/R-1/2-3/4-switches (effects routings to the L/R,1/2
and 3/4 busses); PFL (solo) and ON switches, with
LED indicators; PEAK LED indicator; 100 mm VOLUME fader; FOOTSWITCH jacks for remote control
of the 2 effects processors (E1 and E2 FT/SW).
• MASTER MODULE
2 external effects sends (EFF SEND 1/2) each with
level control and PFL (solo) switch, with LED
indicator; 2 stereo returns each with: GAIN control,
stereo BAL, PFL (solo) and ON switches, with LED
indicators; PEAK LED indicator; A-B-C-D aux sends;
L/R-1/2-3/4-switches (effects routings to the L/R,1/2
and 3/4 busses); 100 mm VOLUME fader;
4 aux/monitor sends each with:
4-band EQ, unbalanced XLR AUX output, INSERT
stereo jack socket, 10-segment output level LED
array, PFL (solo) switch, with LED indicator,
100 mm VOLUME fader;
4 groups (submaster) each with:
unbalanced XLR GROUP output, INSERT stereo
jack socket, 10-segment output level LED array,
PAN control, PFL switch, with LED indicator,
L/R switch (sends the group signal to the master L/R),
100 mm VOLUME fader;
L/R MASTER OUTPUTS (balanced XLRs) + INSERT
stereo jack sockets; MONO OUT (balanced XLR)
for the master L+R mono signal, with volume
control, PRE/POST master switch and INSERT
stereo jack socket; LINE IN L/R-1/2 unbalanced
stereo jack line inputs, each with volume control;
L/R CONTROL ROOM (jack outputs) and TAPE
IN/OUT L/R (stereo PIN sockets) with independent
level controls; multipin socket for the external
power supply (D.C. SOCKET); master PHANTOM
power switch; 10-segment output level LED arrays
for L and R master outputs and PFL; TALKBACK
input (balanced XLR), with volume control and
switches TALK-to-AUX, TALK-to-L/R (routings to
the L/R or Aux busses); stereo PHONES output
with volume control and PFL LED; MASTER L/R
volume faders (100 mm).
• MODULO MASTER
2 mandate effetto (EFF SEND 1/2) con volumi
indipendenti e pulsanti PFL con indicatori LED;
2 ritorni effetti stereo ognuno con: guadagno
(GAIN), bilanciamento stereo (BAL), pulsanti PFL e
ON con indicatori LED; indicatore LED di picco (PEAK);
mandate aux A-B-C-D; pulsanti di indirizzamento
alle uscite master L/R ed ai gruppi 1/2 e 3/4; fader
di volume da 100 mm.
4 linee aux/monitor ognuna con:
EQ a 4 bande, uscita AUX sbilanciata XLR, presa
jack stereo INSERT, indicatore di livello a 10 segmenti,
pulsante PFL con indicatore LED e fader di volume;
4 gruppi (submaster) ognuno con:
uscite sbilanciate XLR (GROUP OUT), presa jack
stereo INSERT, indicatore di livello a 10 segmenti,
controllo PAN, pulsante PFL con indicatore LED,
pulsante L/R (invia il segnale del gruppo alle
uscite L/R) e fader di volume;
uscite MASTER L/R (XLR bilanciati) + jack stereo
INSERT; uscita master MONO (XLR bilanciato) con
volume indipendente, pulsante PRE/POST master
e jack stereo INSERT; ingressi stereo LINE IN L/R1/2 (jack sbilanciati) ognuno con controllo di
volume; CONTROL ROOM L/R (uscite jack) e TAPE
IN/OUT L/R (prese PIN stereo) con volumi indipendenti; presa multipolare per il collegamento
dell'alimentazione esterna (D.C. SOCKET);
interruttore master alimentazione PHANTOM;
indicatori di livello a 10 segmenti per le uscite
master L/R e per PFL; ingresso TALKBACK (XLR
bilanciato) con controllo di volume e pulsanti
TALK-to-AUX, TALK-to-L/R (per inviare il segnale
alle uscite L/R oppure alle uscite Aux); uscita cuffia
(PHONES) con controllo di volume e indicatore
LED PFL; fader di volume MASTER L/R (100 mm).
• MASTER-MODUL
2 Effekt-Send (EFF SEND 1/2) je mit unabhängigem
Lautstärkeregler und PFL-Taste (mit LED-Anzeige);
2 Stereo-Effekt-Returns je mit: GAIN, BalanceRegler (BAL), PFL und ON Drucktasten mit LEDAnzeige; Peak-LED-Anzeige; A-B-C-D Aux Sends;
Drucktasten L-R, 1-2, 3-4 für die Zuordnung der
Effekte auf die entsprechende Ausgänge;
100mm Lautstärke-Fader;
4-Aux/Monitorausgänge je mit:
4-Band-Klangregelung, asymmetrische XLR-AUXAusgangsbuchse, INSERT Stereoklinkebuchse,
10-Segment LED-V.U.Meter, PFL-Taste mit LEDAnzeige, 100 mm-Fader;
4 Subgruppen je mit:
asymmetrische XLR-Buchsen (GROUP OUT),
INSERT Stereoklinkenbuchse, 10-Segment LEDAnzeige, PAN-Poti, PFL-Taste mit LED-Anzeige,
L/R Taste (schickt das Signal dieser Subgruppe auf
den Masterausgang) und 100 mm-Fader;
L/R MASTER-Ausgänge (symmetrische XLR) +
INSERT Stereoklinkenbuchse; symmetrischer XLR
MONO-Ausgang mit Lautstärkeregler, PRE/POST
master Schalter und INSERT Stereoklinkenbuchse;
Stereo-Eingänge LINE IN L/R-1/2 (asymmetrische
Klinken), je mit Lautstärkeregler; CONTROL ROOM
L/R (Klinken-Ausgänge) und TAPE IN/OUT L/R
(stereo Cinch-Buchsen) je mit unabhängigem Lautstärkeregler; Anschluß des Stromversogungs-Kabels
(D.C. SOCKET); PHANTOM-Schalter; 10-Segment
LED-V.U.Meter für L, R und PFL; TALKBACK (symmetrischer XLR-Eingang) mit Lautstärkeregler und
Drucktasten TALK-to-AUX, TALK-to-L/R (legen das
Signal auf die L/R- oder die Aux-Ausgänge); StereoKlinkenbuchse für Kopfhörer (PHONES) mit Lautstärkeregler und PFL-LED Anzeige; 100 mm
Lautstärkefader der MASTER L/R .
professional mixing consoles
MONO INPUT CHANNEL
STEREO INPUT CHANNEL
DSP MODULE
MASTER MODULE
783/784
professional
783 y 784 se diferencian solamente en las dimensiones del bastidor. El modelo 783 acepta hasta 6
módulos de entrada (mono o estéreo), 1 módulo
DSP y 1 módulo master. El 784 puede contener
hasta 8 módulos de entrada (mono o estéreo)
más los mismos módulos DSP y master del 783.
783 et 784 ne se différencient qu’au niveau des
dimensions du châssis. Le 783 peut contenir
jusqu’à 6 modules d’entrée (stéréo ou mono),
1 module DSP, 1 module principal; le 784 peut
contenir jusqu’à 8 modules d’entrée, plus les
mêmes modules DSP et principal que le 783.
CARACTÈRISTICAS GENERALES
CARACTÈRISTIQUES GENERALES
• MODULO CANALES DE ENTRADA MONO (I4M)
entrada microfónica (MIC) balanceada XLR; entrada de línea (LINE) desbalanceada jack; alimentación
PHANTOM; INSERT (jack desbalanceado); salida
del canal (OUT); regulación de la ganancia(GAIN);
pulsador PAD y pulsador MIC; filtro pasa-alto;
EQ de 4 bandas dos de las cuales paramétricas
(HF/HI.MID./LO.MID./LF); pulsador EQ (on/off));
4 envíos aux A-B-C-D (pre-fade, post-eq); 2 envíos
de efectos E1-E2 (post-fade, post-eq); PANpot;
pulsadores L-R, 1-2, 3-4 (para enviar la señal del
canal a las salidas master L/R y a los submaster 1/2
o 3/4); pulsadores PFL y ON con indicadores LED;
indicador LED de pico (PEAK); atenuador de 100mm.
• CANAUX D'ENTRÉE MONO
entrée MIC (XLR symétrique); entrée LINE (jack
asymétrique); alimentation PHANTOM; INSERT
(jack asymétrique); sortie du canal (OUT); réglage
du GAIN; poussoir PAD; sélecteur MIC (microphone ou ligne); filtre passe-haut; égaliseur à 4 bandes
dont 2 paramétriques (HF, HI.MID, LO.MID, LF);
poussoir EQ (on/off); 4 départs aux A-B-C-D (prefade, post-eq); 2 départs effets E1-E2 (post-fade,
post-eq); potentiomètre PAN; poussoirs L-R, 1-2,
3-4 (pour envoyer le signal aux sorties master L/R,
aux submasters 1/2 et 3/4); poussoirs PFL et ON
avec voyants LED; voyant LED de crête (PEAK);
fader de volume (100mm).
• MODULO CANALES DE ENTRADA ESTÉREO (I4S)
son practicamente idénticos, salvo por la presencia
de 2 entradas micro balanceadas XLR (L/R MIC) y
2 entradas de línea balanceadas jack (L/R LINE);
pulsador que inverte la fase de la entrada R; botón
MONO; EQ de 3 bandas ; control del balance (BAL).
• CANAUX D'ENTRÉE STÉRÉO
ils se differencient des canaux mono pour les
2 entrées micro symétriques XLR (L/R MIC) et 2
ligne jack symétriques (L/R LINE); poussoir pour
inverser la phase du canal R; poussoir MONO;
égaliseur à 3-bandes et balance stéréo (BAL).
• MODULO DSP (DP2)
los 2 procesadores multiefecto éstéreo incorporados
(DSP de 56 bit con conversión Delta-Sigma de 24 bit)
cada uno con 160 programas, son dotados de:
display con cristales líquidos (de dos lineas, E1 y E2);
botón regulador PROGRAMS que permite seleccionar los programas; pulsador E1/E2 que permite
pasar de la linea E1 a la E2 en el display; pulsador
LOAD que permite cargar el programa seleccionado; 2 rampas de LED para el nivel de entrada (INPUT
LEVEL); controles de tono (TONE); envios monitor
A/B/C/D (pre-fade); controles BAL por el balance
de los efectos estéréo en las salidas L/R, 1/2 o 3/4;
pulsadores L-R, 1-2, 3-4 (para enviar los efectos a
las salidas master L/R y a los submaster 1/2 y 3/4);
pulsadores PFL y ON con indicadores LED; indicador
LED de pico (PEAK); atenuadores de 100 mm; tomas
jack para conmutadores de pedales (E1 y E2 FT/SW).
• MODULE DSP (DP2)
les 2 multieffets stéréo intégrés (DSP à 56-bit
avec conversion Delta-Sigma à 24-bit) chacun à
160 programmes sont dotées de:
affichage à cristaux liquides (à deux lignes, E1
et E2); bouton PROGRAMS pour selectionner les
programmes; poussoir E1/E2 permet de choisir
si agir sur le processeur E1 ou E2 sur l'affichage;
poussoir LOAD (pour charger le programme
sélectionné); rampes niveaux d'entrées à 5 LED;
contrôles de tonalité (TONE); departs aux/monitor
A/B/C/D (pre-fade); contrôles BAL pour le balancement de les effets stéréo aux sorties L/R, 1/2 ou 3/4;
poussoirs L-R, 1-2 et 3-4 pour envoyer l'effet aux
correspondants sorties; poussoirs PFL et ON avec
voyants LED; voyant LED de crête (PEAK); faders
de volume (100mm); prises jack (E1 et E2 FT/SW)
pour interrupteurs à pédale.
• MODULO MASTER
2 envíos de efectos (EFF SEND 1/2) con mandos
independientes y pulsadores PFL;
2 retornos de efectos estéreo cada uno con:
ganancia (GAIN), control del balance estéréo (BAL),
pulsadores PFL y ON con indicadores LED; indicador
LED de pico (PEAK); envios monitor A/B/C/D; pulsadores L-R, 1-2, 3-4 (para enviar la señal a las salidas
master L/R y a los submaster 1/2 y 3/4); atenuador
de 100 mm.
4 envíos aux/monitor, cada uno con:
EQ de 4 bandas, salida desbalanceada XLR AUX,
toma jack estéreo INSERT, rampas de LED para el
nivel, pulsador PFL con indicador LED y atenuador
de volumen;
4 grupos (submaster), cada uno con:
salidas desbalanceadas XLR (GROUP OUT), toma
jack estéreo INSERT, rampas de LED para el nivel,
PANpot, pulsador PFL con indicador LED, pulsador
L/R (para enviar la señal de cada grupo a las salidas
L/R) y atenuador de volumen;
salidas balanceadas MASTER L/R (XLR) + jack
estéreo INSERT; salida balanceada master MONO
(XLR) con volumen independiente, pulsador
PRE/POST master y jack estéréo INSERT; entradas
estéreo LINE IN L/R- 1/2 (jack desbalanceados), con
controles de volumen; CONTROL ROOM L/R (salidas
jack) y TAPE IN/OUT L/R (tomas PIN estéreo) con
volumenes independientes; toma para la alimentación externa (D.C. SOCKET); interruptor PHANTOM;
rampas de LED para el nivel de las salidas master L,
R y PFL; entrada TALKBACK (XLR balanceado) con
control de volumen y pulsadores TALK-to-AUX y
TALK-to-L/R (para enviar la señal a las salidas aux
A/B/C/D o L/R); salida para casco estéreo (PHONES),
con control de nivel y indicador LED PFL;
atenuadores de volumen MASTER L/R (100 mm).
• MODULE MASTER
2 départs effets (EFF SEND 1/2) avec volumes indépendants et poussoirs PFL avec voyants LED;
2 retours stéréo chacun avec:
contrôle de GAIN, balance stéréo (BAL), departs
aux/monitor A/B/C/D (pre-fade); poussoirs L-R, 1-2
et 3-4 pour envoyer l'effet aux correspondants sorties; poussoirs PFL et ON avec voyants LED; voyant
LED de crête (PEAK); faders de volume (100mm);
4 départs aux/moniteur chacun avec:
EQ à 4 bandes, sortie AUX asymétriques XLR,
prise jack stéréo INSERT, crêtemètres à LED à 10
segments pour le contrôle de niveau, poussoir PFL
avec voyant LED et fader de volume (100mm);
4 groupes (submaster) chacun avec:
sorties asymétriques XLR (GROUP OUT), prise jack
stéréo INSERT, crêtemètres à LED à 10 segments
pour le contrôle de niveau, contrôle PAN,
poussoir PFL avec voyant LED, poussoir L/R (pour
envoyer le signal de chaque group aux sorties L/R)
et fader de volume;
sorties MASTER L/R (XLR symétriques) + prises jack
stéréo INSERT; sortie master MONO (XLR symétrique)
avec volume indépendant, poussoir PRE/POST
master et jack stéréo INSERT; entrées stéréo LINE
IN L/R-1/2 (jacks asymétriques) avec volumes;
CONTROL ROOM L/R (sorties jack) et TAPE IN/OUT
L/R (prises PIN stéréo) avec volumes indépendants;
prise multipolaire pour l'alimentation externe
(D.C. SOCKET); interrupteur PHANTOM; crêtemètres
à LED à 10 segments pour le contrôle des niveaux
des sorties master L/R et PFL; entrée TALKBACK
(XLR symétrique) avec contrôle de volume et poussoirs TALK-to-AUX et TALK-to-L/R (pour envoyer le
signal aux sorties L/R ou aux sorties Aux A/B/C/D;
prise pour casque (PHONES) avec volume et
voyant LED PFL; faders MASTER L/R (100 mm).
mixing
783/784
Designed and manufactured in Italy by:
Elettronica Montarbo srl
40057 Cadriano Granarolo Emilia Bologna (Italy)
phone: +39 051 766437 fax: +39 051 765226
e-mail: [email protected] internet: www.montarbo.com
Specifications and features are subject to change without prior notice.
The contents of this publication may not be reproduced in any manner without
prior written permission of Elettronica Montarbo srl. All rights reserved.
2 x 160 PROGRAMS / EFFECTS INDEX
000 010 STEREO GEN. Adds a short delay to
the signal to create a pseudo stereo effect out
of mono sources.
• Mono input channels:
Micro (sensitivity / impedance)
Line (sensitivity / impedance)
Insert-in (sensitivity / impedance)
Channel out (nom. level / impedance)
Phantom power supply
Channel gain range
Equalization
011 030 HALO It’s a digital recreation of the
old magnetic Montarbo reverb. A typical 60s effect,
with a real vintage character.
031 040 ECHO Classic multiplex effect. Delay time
increases with program number.
041
050 ECHO + REV. Delay and reverb blended together make for the
impressive effect you can listen on most contemporary productions.
051
061
060 VOICE REV. Reverbs specially tailored to enhance vocals’ character.
070 PERCUSSION REV. Ambience effects that enrich both acoustic and
• Stereo input channels:
Micro (sensitivity / impedance)
Line L/R (sensitivity / impedance)
Channel gain range
Equalization
electronic percussions. It is specially suited to sampled signals (keyboards, electronic
drums, samplers..).
071
081
080 HALO + REVERB Halo and Reverb effects blended together.
089 PING PONG Basically an auto-panned delay, popular on many rock
hits, the samples are being routed alternatively to full left and full right master.
090 BOUNCE This effect produces repeats whose frequency starts widely spaced
to become closer and closer.
091 100 EARLY REFLECTIONS Adds early reflections without the decaying
reverb. Useful to thicken many different sounds. It is specially suited to sampled signals
(keyboards, electronic drums, samplers..).
101
110 STEREO FLANGER It may be considered as a very intense chorus,
with two voices crossing their stereo image and with feedback acting as 'comb filter'.
The frequencies corresponding to the filter's notches and peaks change continuously,
producing thus the typical flanging sound.
111
120 STEREO CHORUS It produces a warm and rich sound. Three voices
are derived from the input signal and are sent to the Left and Right channels and
to the center. The result is that even the thinner voice will sound like an ensemble.
It is ideal to enliven a guitar accompainment and to 'fatten' a voice.
121
130 DETUNE Slightly after the tuning of the source to stimulating a
'doubling' effect with an increased tuning alterations.
131
136 DUAL PITCH A wonderful 'harmonizer' with two voices trasposing
the input signal pitch in real-time. Your voice will be automatically accompanied by
a chorus.
137
140 SINGLE PITCH Harmonizer with one voice trasposing the input signal
151
160 PITCH CHANGE + REV. Unmistakably a 'must' of many 80's records,
starts at low level, builds up and quit abruptly. Usually served with percussion.
783 and 784
come equipped with
flight case and
external power supply
unit.
- 66dB / 2,2 k
- 48dB / 10KΩ
40dB
HF ±15dB @ 15 kHz
MF ±15dB @ 600 Hz
LF ±15dB @ 50 Hz
• All channels:
Equivalent input noise
Crosstalk (between channels)
Peak LED indicator
Fader (throw / attenuation)
-127dB
> 70dB / 1kHz
+ 16dB, 8dB before clipping
100mm / > 80dB
• Dual Multieffect DSP
A-D and D-A conversion
Internal DSP
Bandwidth
24 bit Delta/Sigma conversion
56 bit
40Hz ÷ 15kHz
• External effect send
Nominal level
2
0dB
• Effect return (stereo)
Nominal level
2
-10dB
• Monitor outputs
Nominal level / max. level
Insert-in/out: nominal level
Equalization
4
0dB / +22dB
0dB
HF ±15dB @ 15 kHz
HMid ±15dB @ 3,5 kHz
LMid ±15dB @ 400 Hz
LF ±15dB @ 50 Hz
• Master outputs
Nominal level / max. level
Insert-in/out: nominal level
Frequency response
THD
SN ratio
L, R, 4 sub, C. Room, Mono
0dB / +26dB
0dB
25Hz ÷ 30kHz, (+0dB/-2dB)
< 0,01%
82dB (nom.levels)
pitch in real-time.
141 150 PITCH CHANGE + REV. The combination of the two effects will make
your voice sound warmer and thicker. The Pitch Change will add a voice in the center of
the stereo image, thus creating an harmonizer effect. A warm Plate-type Reverb effect,
particularly suited to voice, is added in cascade.
- 64dB / 2,2 kΩ
- 38dB / 15 kΩ
0dB / 10kΩ
0dB / 600Ω
48 V
52dB
HF ±15dB @ 15 kHz
H.Mid 0,5÷10 kHz
H.Mid (level) ±15dB
L.Mid (freq) 0,15÷2,5 kHz
L.Mid ±15dB
LF ±15dB @ 50 Hz
• L/R Tape in-out: Nominal levels
In: - 20dB
• Headphones: Load impedance
200 ÷ 600Ω
Out: -10dB
• Dimensions:
783: 113,5 (W) x 11 (H) x 75,6 (D) cm
784: 140 (W) x 11 (H) x 75,6 (D) cm
• Weights:
783: 44 kg
784: 50 kg