Leonardo Galeazzi - In Art Management
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Leonardo Galeazzi - In Art Management
Saverio Clemente Leonardo Galeazzi Baritone Andrea De Amici Luca Targetti Leonardo was born in Terni and trained in singing under Carlo Guidantoni. He also studied acting with director Rita Riboni and appeared in several plays including A Sip of Earth by H.Böll, All My Robots by Asimov and An Angel Came to Babylon by Dürrenmatt. In 2001 he was a finalist in the Corradetti Competition in Padova, won the Belli Competition in Spoleto and made his debut at the Teatro Caio Melisso with Il mondo della Luna by F.J.Haydn (Bonafede). For several years he sang bass roles in several operas by Donizetti, Don Pasquale and L’elisir d’amore, Rossini’s Il Barbiere di Siviglia and L’Italiana in Algeri, Puccini’s La Bohème and Mozart’s Le nozze di Figaro. In 2005 he began to sing as a baritone under Alain Billard, won the Titta Ruffo Competition in Pisa, appeared at the Miskolc Festival in L'Italiana in Algeri, at the Roman Theatre in Taormina in Madama Butterfly by G.Puccini and at the Teatro Piccinni in Bari as Fiorello in Il Barbiere di Siviglia directed by Steven Mercurio. In subsequent seasons he sang the leading role in Don Pasquale and Belcore in L’elisir d’amore at the Teatro della Fortuna in Fano, Morales in Carmen at the Teatro Politeama in Catanzaro and at the Teatro Cilea in Reggio Calabria. In 2006 he won the audience prize at the Corradetti Competition in Padova and in 2007 won the Toti dal Monte Competition, making his debut as Guglielmo in Così fan tutte by Mozart in Treviso and Pordenone. In 2008 he appeared at the Teatro Sociale in Como for the Pocket Opera production of La Cenerentola by Rossini (Dandini) and in Como, Brescia, Cremona, Pavia, Reggio Calabria and Catanzaro in two separate productions of Turandot (Ping). He is particularly interested in sacred music. His repertoire includes the Krönungsmesse, the Missa Brevis and the Requiem by Mozart, The Messiah by Händel and Petite Messe Solennelle by Rossini, performed with such prestigious ensembles as I solisti in Perugia, Accademia Hermans in Terni, Cappella Musicale in Assisi and Istituzione Sinfonica Abruzzese. His most recent commitments include Die Fledermaus by J.Strauss (Franck) with Oliver Von Dohnanji and Werther by J.Massenet (Albert) with Alain Guingal in Catanzaro, L’elisir d’amore (Belcore) at the Donizetti Festival in Bergamo and at the Teatro Verdi in Trieste, Lucia di Lammermoor (Enrico) and The Merry Widow (Baron Zeta) in Reggio Calabria, Koukourgi by Cherubini in Klagenfurt, The Barber of Seville by Paisiello in Sassari and Gemma di Vergy by Donizetti (Guido) at the Donizetti Festival in Bergamo. At Teatro del Maggio Fiorentino he sang in Gianni Schicchi (main role), Orfeo all’Inferno by Offenbach (Giove) and L’amour des tres Oranges (Pantalone), in Bergamo Il Furioso all’isola di San Domingo di Donizetti and Don Giovanni (Leporello) at the Teatro Sociale in Como. Among the upcoming engagements: La scala di seta for Circuito Lirico Lombardo, La Fanciulla del West in Milan, Il Signor Bruschino in Lausanne, Don Pasquale in Biel, Il Barbiere di Siviglia in Saint-Cére. December 2015 InArt Management Via San Gregorio 53, 20124 Milano Tel. +39 02 97 37 41 66 / Fax +39 02 97 37 42 33 [email protected] www.inartmanagement.com
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