ARTISSIMA
Transcript
ARTISSIMA
radio_sick_definitivo uk_d1:Layout 1 24-10-2007 14:09 Pagina 1 RADIO SICK N°0/1 Electric Repair Enterprise --------------------------------------------------------------- An Artissima Production ARTISSIMA Keren Cytter, Repulsion, 2007, video still. Courtesy Ellen De Bruijne, Amsterdam “If one wants to have a good level of spiritual hygiene, one has to be able to explore all categories. Making with just one of them turns one into an old-fashioned reactionary.” Marc-Olivier Wahler PAGE 5 PRESENT FUTURE PAGE 2 CONSTELLATIONS PAGE 3 VIDEO LOUNGE IN TOWN 14 A CONTEMPORARY CITY In March, when I accepted the post as director of Artissima, I was well aware I was going to be taking on a formidable task which, from many points of view, would be both complex and difficult. It would involve taking over a contemporary art Fair which, even though it had indeed built up a significant tradition, needed to be given new impetus, redesigned and set new objectives. All this was to be accomplished in a highly sophisticated contemporary art market – Italian collectors are held in extremely high esteem abroad – which is certainly not as aggressive and voracious as in America or Britain. Another matter I pondered very carefully was the very particular nature of Artissima, which is a public Fair and the expression of a cultural authority. Originally created as part of a private project, in 2004 Artissima was taken over by the local authorities – Piedmont Region, the Province of Turin, and the City of Turin – who displayed great foresight and entrusted its running to Fondazione Torino Musei. When I say “with foresight”, I mean that on the one hand the Fair ensures significant economic revenues for the city, while on the other it has become one of the most important international events in the city. Piedmont Region and The City of Turin have been PAGE 4 PAGE 7 ARTISSIMA VOLUME investing in the world of contemporary art for some years now, fully realising that – like many other cities around the world – this is a fundamental investment for the cultural life of Turin and for its image and visibility in Italy and abroad. WHAT AND WHY? So what sort of Fair should be created in Turin? What objectives need to be set? First of all, I imagined an international event of great prestige – a cultural event of the highest quality – and, incidentally, this remained true to the original aims of Artissima. I believe that when I was called to Turin to become the director, it was because of my background as an art critic and curator who had trained in New York, and I was expected to create something more than just a minor market that jumbled together a bit of modern and a bit of contemporary, a bit of avant-garde and a bit of something else. In order to ensure works of the highest quality as well as a good turnover for the galleries, the first thing I did was to reduce the number of galleries, taking it down this year to 131 – in other words, 41 fewer than last year – with the aim of reducing it even further in the coming years. This year is bound to be a year of transition, but the idea is to create a true gem of a Fair in due course. With about a hundred galleries it will be a monitoring centre for the finest international research in the field of the visual arts. In line with the overall cultural policy of the city of Turin, I have tried to focus on product excellence and on absolute cultural quality. I am convinced that a contemporary art Fair along these lines will on the one hand encourage the rise of a new form of collecting – one that is young and specialised, capable of investing moderate amounts in future artists. On the other, it will also satisfy the intellectual curiosity of a sizeable group of Italian and foreign collectors, who have long been following contemporary art production “in the making.” EVOLUTION NOT REVOLUTION This is certainly a substantial commitment, and yet it is absolutely essential if this event is to survive. But then again, all the most important international fairs feel the need to renew themselves all the time, and reassess themselves every year. Just like any other economic and cultural event, contemporary art fairs also need to keep evolving all the time, coming up with important new initiatives and constantly arousing interest in an ever-changing, highly dynamic art system. PAGE 7 For this reason, cooperation between the various international fairs is becoming absolutely crucial for their survival, and the new Artissima has every intention of moving in this direction. AN ELABORATE, OPEN, AND INTERNATIONAL EVENT So Artissima is to be a marketplace of the highest quality, a platform on which the latest research can be shown, but it is also to be a flexible instrument at the service of the city and of the entire art system in Italy. A container of art, ideas and events, a vibrant and intense workshop for discussion, in which to have a personal and intellectual experience that is both stimulating and engrossing. This year, together with the important historic group of galleries that have always taken part, Artissima will also be presenting a series of young Italian and international galleries of the highest level. At the Fair, together with the traditional stands, there will also be two sections – Constellations and Present Future – designed as authentic exhibitions. In this issue you will find much of the rich programme of events for this 14th Artissima edition. We look forward to seeing you in Turin in November. Andrea Bellini radio_sick_definitivo uk_d1:Layout 1 RADIO SICK 24-10-2007 14:09 Pagina 2 Electric Repair Enterprise PAGE 2 PRESENT FUTURE For seven years now, Present Future has been an important launching platform for the latest generation of emerging talents. A unique event in the panorama of art fairs in Italy, Present Future is a showcase for the public and critics alike, where they can discover the latest trends on the international art scene. With a team of curators who carefully examine studios and galleries halfway round the world, and under the watchful eyes of a jury that rewards the most interesting artist, Present Future has always set its sights on the most advanced frontiers of research. This year, Present Future is introducing an exciting new feature: an exhibition space specially designed for this section. Instead of presenting their works on normal booths around the art fair, the selected artists will be invited to show their works in an independent and separate area, which is devoted exclusively to Present Future – a new structure specially designed to show these works to their best advantage. Many of them are being shown to the public for the first time. Following an itinerary that is more like an exhibition than a fair, Present Future displays the works of a select group of young artists, enhancing the dialogue between the works whilst creating a tour with constant surprises. The team which has selected 15 artists consists of three young international curators: Cecilia Alemani, art critic and independent curator based in New York; Luca Cerizza, curator of the BSI Collection and art critic based in Berlin; Raimundas Malasauskas, curator at the Artists Space in New York and advisor to the California College of Arts, San Francisco. a surreal and dreamlike landscape suspended between reality and fiction, which will be making its European premiere here. Haris Epaminonda (1980), the artist who represented Cyprus at the last Biennale in Venice, where she attracted the attention of top British critic of The Guardian Adrian Searle, will be showing a series of videos and collages with the Domobaal gallery of London, while the Venezuelan Patricia Esquivias (1979), who works with the Silverman gallery of San Francisco, will be showing her video Reads like the Paper. The disorienting photographs by Anne Hardy (1970) which were shown in the New Forest Pavilion at the last Biennale in Venice and who is at Artissima with the New York gallery Bellwether, portray parallel and sometimes disquieting worlds created in her studio with intricate, almost cinema-style sets. The Australian Helen Johnson (1979) (Sutton gallery – Melbourne) will cover the walls of the fair with her gentle, elegant drawings, while David Maljkovic (1973) who is one of the most closely followed emerging artists on the international scene and who has a solo exhibition at the Kunstverein in these months, will create a site-specific environment for a video and collages in the space of Annet Gelink gallery from Amsterdam. Shown at the first Biennale in Moscow, and followed for some years now by critic and curator Daniel Birnbaum, Michael Riedel (1972), with Isabella Bortolozzi of Berlin, will be making a new work which has been created as a direct response to the surrounding environment of the fair. Also Natascha Sadr Haghighian (Johann König – Berlin) takes her inspiration from the exhibition site at the fair for a new work that investigates social and political representations. Jamie Shovlin (1978), from England, who is taking part in the fair with Unosunove of Rome, and who was noted in 2006 by the critics at Beck’s Futures at the ICA in London, will be showing for the first time his Black Room project – an installation of works on the American national identity and its complex international relations. The new video I-BE AREA by Ryan Trecartin (1981), the young American talent who wowed the critics at the recent 2006 Whitney Biennial, will be making its European debut at Artissima with the Elizabeth Dee gallery of New York, together with a series of eccentric sculptures made with Lizzie Fitch. Luca Trevisani (1979), winner of the 2007 Furla award, who is represented by Pinksummer of Genoa and Gio’ Marconi of Milan, will show his 6 Degrees of Separation Party, a fascinating pyramidal sculpture made of glasses, which takes up the theory that anyone can make contact with any other person on the planet through six levels of acquaintances. Donelle Woolford (1980), at the fair with Micheline Szwajcer of Antwerp, will be showing a series of paintings of Cubist inspiration, made of scraps of wood that form delicate compositions while also recalling the modernist avant-garde movements. illycaffé, the Present Future partner, will be generously providing the award to the best artist. The jury, composed by Corinne Diserens, Director of MUSEION, Bolzano, Francesco Manacorda, Curator at the Barbican Art Gallery, London, and Susanne Pfeffer, Curator at KW Institute for Contemporary Art, Berlin, will meet during the fair to assign the 10,000 euros prize, which will also allow a project for the “illy Art Collection” designer cups to be submitted. A catalogue, with essays by the curators and pages devoted to the artists will be available at the fair. Artists & Galleries Julieta Aranda, Michael Janssen, Berlin Rosa Barba, Vera Gliem, Köln Becky Beasley, Laura Bartlett, London Rä di Martino, Monitor, Roma Haris Epaminonda, Domobaal, London Patricia Esquivias, Silverman, San Francisco Anne Hardy, Bellwether, New York Helen Johnson, Sutton, Melbourne David Maljkovic, Annet Gelink, Amsterdam Michael Riedel, Isabella Bortolozzi, Berlin Natascha Sadr Haghighian, Johann König, Berlin Jamie Shovlin, 1/9 Unosunove, Roma Ryan Trecartin, Elizabeth Dee, New York Luca Trevisani, Giò Marconi, Milano / Pinksummer, Genova Donelle Woolford, Micheline Szwajcer, Antwerp The artists, who have been selected from more than ten countries, have been invited by the curators to present a work new to the Italian public: many have decided to make special works for the occasion. The curators have focused their attention on young artists who have not yet made their name in Italy, but who are coming to the fore in such countries as the United States, Britain, Germany, the Netherlands, Belgium and Australia. Julieta Aranda (1975), a Mexican artist who lives in New York and works with Michael Janssen in Berlin, will be making her debut in Italy with a new and ambitious sculpture, while Rosa Barba (1972), an Italian artist who has moved to Germany, where she works with the Vera Gliem gallery in Cologne, will be showing one of her films with a truly hypnotic atmosphere. Becky Beasley (1975), from England, who is at the fair with the young Laura Bartlett gallery in London, will be showing photographs, many of which are in black and white, that portray household objects or mysterious little sculptures. With Monitor of Rome, Rä di Martino (1975) will be showing her film The Red Shoes, Haris Epaminonda, Untitled *24, collage, 2007. Copyright the artist, Courtesy Domobaal, London. Collection Thyssen-Bornemisza Art Contemporary, Wien Haris Epaminonda, Untitled *25, collage, 2007. Copyright the artist, Courtesy Domobaal, London. Collection Thyssen-Bornemisza Art Contemporary, Wien radio_sick_definitivo uk_d1:Layout 1 RADIO SICK 24-10-2007 14:09 Pagina 3 Electric Repair Enterprise PAGE 3 CONSTELLATIONSNEW ARTWORKS SELECTED BY MARC-OLIVIER WAHLER AND DANIEL BIRNBAUM ENTRIES 17 galleries from 8 countries have been admitted by the Artissima Board of Directors and the Consulting Committee to the special New Entries section for young galleries set up since 2002 and taking part in the fair for the first time. This exclusive selection offers collectors, professionals and the broader public the most interesting new names on the international art scene: a unique observation post to find out about emerging creativity. An opportunity to find out about the very latest trends in contemporary art and to discover and purchase – tomorrow’s big names today. Pae White, Ghosts and Hosts, 2006. Courtesy francesca kaufmann, Milano For the first time at Artissima the works of the Constellations section, selected by Marc-Olivier Wahler, Director of the Palais de Tokyo, Paris and Daniel Birnbaum, Director of Portikus, Frankfurt, are being shown in a museum-style exhibition. The two distinguished international curators have selected 10 works from more than 90 submitted by the galleries taking part in the fair. GALLERIES 1/9 Unosunove, Roma / 1000eventi, Milano / 41artecontemporanea, Torino / Albion, London / AMT, Como / Analix Forever, Genève / Paul Andriesse, Amsterdam / Art agents, Hamburg / Art : Concept, Paris / Artericambi, Verona / Alfonso Artiaco, Napoli / Artra, Milano / Astuni, Pietrasanta / Laura Bartlett, London / Bellwether, New York / bnd tomasorenoldibracco, Milano / Bortolami, New York / Isabella Bortolozzi, Berlin / Brancolini Grimaldi, Roma, Firenze / Canada, New York / Cardi, Milano / Charim, Wien / cherry and martin, Los Angeles / Ciocca, Milano / Citric, Brescia / Antonio Colombo, Milano / John Connelly Presents, New York / Continua, San Gimignano, Beijing / Raffaella Cortese, Milano / Cosmic, Paris / Guido Costa, Torino / Ellen de Bruijne, Amsterdam / de Expeditie, Amsterdam / Alessandro De March, Milano / Keren Cytter Matt O’Dell Repulsion, 2007, Ellen De Bruijne, Amsterdam New Worship, 2007, Schleicher+Lange, Paris Jimmie Durham Conrad Shawcross Nature Morte with stone and house, to be created, Christine König, Wien Paradigm (Ode the difference engine), 2006 Tucci Russo, Torre Pellice Kristof Kintera Nedko Solakov Cement tower (instant persona skyscraper), to be created, Jiri Svestka, Prague The Missing One, 2007 Continua, San Gimignano, Beijing Maurizio Mochetti James Turrell Travaso di Luce, 1970-2007, Oredaria, Roma Ondo blue, 1968, Albion, London Jonathan Monk Pae White The height of my son when he is sitting on his fathers shoulders 2007, Sonia Rosso, Torino Ghosts and Hosts, 2006 francesca kaufmann, Milano de Multiples, Paris / Elizabeth Dee, New York / Umberto Di Marino, Napoli / domobaal, London / e/static, Torino / Feinkost, Berlin / Figge von Rosen, Köln / Emi Fontana, Milano, Los Angeles / Fonti, Napoli / enricofornello, Prato / Foxy Production, New York / Fruit and Flower Deli, New York / Galerie Im Regierungsviertel, Berlin / Galica, Milano / Annet Gelink, Amsterdam / Glance, Torino / Vera Gliem, Köln / Goff + Rosenthal, New York, Berlin / Haas&Fischer, Zürich / Moti Hasson, New York / Reinhard Hauff, Stuttgart / Hoet Bekaert, Gent / In Arco, Torino / Alison Jacques, London / Michael Janssen, Berlin, Köln / francesca kaufmann, Milano / Nicole Klagsbrun, New York / Klerkx, Milano / Christine König, Wien / Johann König, Berlin / Elaine Levy, Brussels / Magazzino d'Arte Moderna, Roma / Cesare Manzo, Pescara, Roma / Giò Marconi, Milano / Marella, Milano, Beijing / Franco Masoero, Torino / Maze, Torino / Francesca Minini, Milano / Massimo Minini, Brescia / Monitor, Roma / Pio Monti, Roma / Murata & friends, Berlin / Museum 52, London / Newman Popiashvili, New York / Franco Noero, Torino / Nogueras Blanchard, Barcelona / Noire, Torino / Lorcan O’Neill, Roma / OneTwenty, Gent / OREDARIA, Roma / Palma Dotze, Vilafranca Del Penedès / francescopantaleone, Palermo / Alberto Peola, Torino / Emmanuel Perrotin, Paris / Giorgio Persano, Torino / Perugi, Padova / Photo & Contemporary, Torino / Photology, Milano, Bologna / Pianissimo, Milano / Pinksummer, Genova / Postmasters, New York / Produzenten, Hamburg / prometeo, Milano / Reflex, Amsterdam / Regina, Moscow / Rizziero, Pescara / Sonia Rosso, Torino / Perry Rubenstein, New York / Rubicon, Dublin / Lia Rumma, Napoli, Milano / Nikolaus Ruzicska, Salzburg / S.A.L.E.S., Roma / schleicher + lange, Paris / Mimmo Scognamiglio, Napoli, Milano / Suzy Shammah, Milano / Side 2, Tokyo / Silverman, San Francisco / Škuc, Ljubljana / FRANCOSOFFIANTINO, Torino / Diana Stigter, Amsterdam / Sutton, Melbourne / Jiri Svestka, Prague / Micheline Szwajcer, Antwerpen / Ermanno Tedeschi, Torino, Milano / 1/9 Unosunove, Roma AMT, Como Canada, New York Citric, Brescia de Multiples, Paris Feinkost, Berlin Foxy Production, New York Fruit and Flower Deli, New York Galerie Im Regierungsviertel, Berlin Haas&Fischer, Zurich Moti Hasson, New York Elaine Levy, Brussels Museum 52, London Nogueras Blanchard, Barcelona OneTwenty, Gent Pianissimo, Milano Wallspace, New York Ileana Tounta, Athens / TUCCI RUSSO, Torre Pellice / Daniele Ugolini, Firenze / V.M.21, Roma / Georges-Philippe et Nathalie Vallois, Paris / van Gelder, Amsterdam / Vernon, Prague / Vistamare, Pescara / Wallspace, New York / Max Wigram, London / Wilkinson, London / ZERO, Milano / Zonca & Zonca, Milano SELECTING COMMITTEES BOARD OF DIRECTORS Paul Andriesse, Paul Andriesse gallery, Amsterdam / Olivier Antoine, Art : Concept gallery, Paris / Francesca Kaufmann, francesca kaufmann gallery, Milano / Massimo Minini, Massimo Minini gallery, Brescia / Franco Noero, Franco Noero gallery, Torino / Paolo Zani, Zero gallery, Milano CONSULTING COMMITTEE Marc and Josée Gensollen, Marseille / Maurizio Morra Greco, Napoli / Filiep and Mimi Libeert, Kortrijk / Gregory Papadimitriou, Athens / Renato Preti, Milano radio_sick_definitivo uk_d1:Layout 1 RADIO SICK 24-10-2007 14:09 Pagina 4 Electric Repair Enterprise PAGE 4 AES+F, Last Riot, 2007 – HD video, 1-channel. Courtesy of artists, Marco Noire Contemporary Art (Torino), Ruzicska Galerie (Salzburg), and Triumph Gallery (Moscow) VIDEO LOUNGE WAR, PEACE, AND ECSTASY Artissima 14’s Video Lounge is devoted to the latest trends and the most recent creations of artists who work with film, video and animation. Mixing together the hallucinations, documentaries, visions and digital perceptions of about forty international artists, the Video Lounge opens a window onto the world of contemporary art, guiding the audience on a journey through possible worlds and new landscapes of imagination. Curated by Cecilia Alemani, the program revolves around the themes of WAR, PEACE, AND ECSTASY which have been chosen as the key concepts for an exploration of today’s art, in order to create a fragmentary reconstruction of the hopes and fears that have always shaken our lives. Forming a sort of thematic exhibition, the Video Lounge consists of a mini-anthology in which the artists provide poetic and imaginative interpretations of today’s most topical and dramatic issues. In the modern world’s jumble of countless forms of expression, video and cinema can impose themselves as universal languages, with which artists attempt to offer a new portrayal of reality. Wavering between a desire to take refuge in a place of pure fiction and the need to record reality in all its complexity, today’s artists take to video and arm themselves with cameras to compose a new historical fiction, a new fresco to tell the story of our present. Shown in the Yellow Hall, next to Pavilion 3, which houses the fair, in a specially designed area with sofas and seat that are as comfortable as they are bizarre, the Video Lounge is not just a place where one can let oneself be swept along in a flow of images, for it is also a sort of capsule in which to lose oneself in a journey through sidereal images, new narratives and bitter representations of reality. A lavish daily program of videos will be projected onto three large screens – details of the works being shown will be published in a leaflet at the fair. In order to let the busiest visitors view the vast amount of material on show at the fair, the Video Lounge will be providing 2 video-on-demand stations, where it will be possible to watch the videos in the program at any time and without needing to follow the normal viewing order. WAR, PEACE, AND ECSTASY is a picture gallery that celebrates atrocious violence and mysterious love rituals, collective clashes and little private reconciliations. Wavering between reality and sciencefiction, the spectacular war scenes created by AES+F – a group of Russian artists who came into the limelight during the most recent Biennale in Venice – alternate with images of a domestic and inner conflict imagined by Klara Liden, the young Swedish artist who made a name for herself at the Biennale in Berlin. Desolate views of huge apartment blocks on the remote outskirts of Kiev, intermingled with unexpected explosions, are the ingredients of the video made by the promising French artist Cyprien Gaillard. They will be accompanied by the alienating military ceremonies of the Russian Olga Chernysheva, which were shown at the last Biennale in Moscow. From the exhilarating choreography by Katarzyna Kozyra, through to the mystic processions of Javier Téllez, and on to Dara Friedman’s sensual and ecstatic kisses, the works shown in Video Lounge form a small visual encyclopaedia of the fears and desires of the present day. Aïda Ruilova’s strange rituals, Regina José Galindo’s bloody tortures and Josephine Meckseper’s street protests will be shown together with the works of many other selected artists who work with the galleries taking part in Artissima. radio_sick_definitivo uk_d1:Layout 1 RADIO SICK 24-10-2007 14:09 Pagina 5 Electric Repair Enterprise PAGE 5 ARTISSIMA ALL OVER Artissima All Over presented Marc-Olivier Wahler, a protagonist on the international art scene, in October. This comes after the success of the first series of conferences in Turin and Milan in May, with the participation of one of the most interesting personalities in New York avant-garde, the artist, musician and gallery director Emily Sundblad. Artissima All Over is a new satellite project of Artissima: a year-long series of conferences with the participation of artists, critics, curators and international museum directors, at art academies and other prestigious institutions throughout Italy. It will be a great opportunity for collectors, students and art lovers to meet and discuss with the great names of today’s contemporary art scene. Marc-Olivier Wahler has directed leading cultural institutions including the Centre d’Art Contemporain in Neuchâtel from 1995 to 2000 and, later, the Swiss Institute in New York. Since 2006, he has been director of the Palais de Tokyo in Paris, one of the most active contemporary art museums, and one with an extremely close eye on the latest trends: with 24 exhibitions a year, it is a place of contemporary creativity in the fullest sense of this term. In Wahler’s words: “Art is an authentic moving platform that investigates the various areas of thought and contemporary activity. The Palais de Tokyo is a pilot project that is putting itself at the forefront to create the instruments required to offer a critical reflection on contemporary culture... My exhibitions are based on the dynamics of research and curiosity, not on consolidated aesthetics. It’s like an electric fluctuation between two poles: a dynamic, not a result.” “Contemporary Art. From Yodelling to Quantum Physics.” The title suggested for the Artissima All Over conferences is as provocative and intriguing as Marc-Olivier Wahler himself, a man who intends to contend with and confront the public with a number of thought-provoking questions: “How to get shot of the ‘window vision’ of art, which regards exhibitions and works as fixed points in time and space? Marc-Olivier Wahler How to integrate the notion of a programming conceived of as a cursor, and set in a scenario based on the multiplication of interpretations, the decompartmentalization of intellectual and aesthetic categories and the constant questioning of the bridges between art and our reality?” The locations on the second tour of Artissima All Over included: Turin, Accademia Albertina di Belle Arti (2 October); Siracusa, Galleria di Montevergini (3 October); Palermo, EXPA (4 October); Napoli, Accademia di Belle Arti (5 October). The meetings have been made possible by the support and participation of UniCredit Group, which has been Artissima’s leading partner for a number of editions. illycaffé, partner of the fair for many years, has been supporting Artissima All Over since its first tour. And, to quote Wahler again: “If one wants to have a good level of spiritual hygiene, one has to be able to explore all categories. Making with just one of them turns one into an old-fashioned reactionary.” LISTEN TO THE WRITER After the first two events, which were greeted with extraordinary interest by both visitors and professionals, Artissima 14 is once again planning Ascolta chi scrive – Listen to the writer, a special initiative created for the broader public. The idea is to offer art lovers and inquisitive visitors the opportunity to go round the fair with special guides: critics and journalists who deal with art from the inside, writing for the great Italian journals. They will accompany the public through the fair on an entirely open and individual tour. These tours will be based on the characteristics of the works, or on the artists or techniques, on trends and fashions, or simply on individual passion, curiosity, or personal preferences. These are the names of the exceptional Artissima 14 guides: Luca Beatrice Arte, Pia Capelli Libero, Laura Cherubini Il Giornale, Caroline Corbetta Vogue Italia, Martina Corgnati Chi, Olga Gambari Repubblica, Elena Del Drago Il Manifesto, Alessandra Mammì L’Espresso, Gianluca Marziani Panorama, Adriana Polveroni Repubblica, Ludovico Pratesi Venerdì di Repubblica, Massimiliano Tonelli Exibart. Visitors can choose their “own” personal visit by calling +39 – 011546284 or by sending an e-mail to [email protected]. The event has been made possible by Vanni-occhiali, which is sponsoring Listen to the writer for the second time. FRANCESCO BONAMI Artistic Director of Fondazione Sandretto Re Rebaudengo per L’Arte Manilow Senior Curator, MCA Chicago What will the new Artissima be like? Certainly something new, without intending to be the Basle fair, it will be a new event that takes an innovative approach to combining the art market with discussions and debates about art, confirming the key role of Turin and Piedmont in the development and study of contemporary culture. Artissima has all it takes to become a new phenomenon – a fair in the making. In other words, an event that is in a state of constant transformation in order to respond to changes in the art system as they occur. With an eye on today’s market, of course, but also on what it might be tomorrow, without being obsessed either by a possible boom or some impending crisis. Artissima is an investment in which to invest – to invest in art. IDA GIANELLI Director of Castello di Rivoli, Museum of Contemporary Art I believe that every country with a complex and elaborate art system must contemplate having its own top-level fair. There are a number of these in Italy but, when one looks at the world of contemporary art, it is increasingly Artissima that is at the focus of attention, for with its many events it acts as a monitoring centre of all that is new. radio_sick_definitivo uk_d1:Layout 1 RADIO SICK 24-10-2007 14:09 Pagina 6 Electric Repair Enterprise PAGE 6 TWO-DAY SEMINAR ON CURATORIAL PRACTICES Chaired by Måns Wrange / CuratorLab, Konstfack, Stockholm. Some of the greatest names on the international art scene will be debating two themes: Ronald Jones Artist, critic and Professor of the Department of Interdisciplinary Studies and WIRE at Konstfack, Stockholm, and a regular contributor to art magazines including Artforum and Frieze Curating Friction – Between censorship and repressive tolerance Caroline Corbetta Art critic and independent curator, Milan. She is professor of Contemporary Art Phenomenology at the Carrara Accademia of Bergamo. She is a regular writer for Vogue Italia, Domus and Contemporary Magazine Coloring Outside the lines – When the borderlines between artists and curators blur Meg Cranston Artist and curator based in Los Angeles and professor at Otis College of Art and Design, LA Marysia Lewandowska Artist and Professor at the Department of Fine Art and WIRE and CuratorLab at Konstfack, Stockholm Speakers: Joshua Decter Independent curator and teacher at Bard College, NY. He is a contributor to art magazines, including Flash Art Francesco Manacorda Writer, critic. Curator, Barbican Art Gallery, London. Writes regularly for Flash Art, Metropolis and Domus Ute Meta Bauer Curator and Associate Professor and Director of the Visual Arts Program at the Massachusetts Institute of Technology, Cambridge Yu Yeon Kim Independent curator based in New York City and Seoul, Korea. Kim is the curator of the project MZ_2000 Demilitarized Zone between North and South Korea Chus Martinez Director Frankfurter Kunstverein and former curator Sala Rekalde, Bilbao Luca Cerizza Curator and critic, Berlin. Curator of the BSI art collection, he teaches “curatorial practice” at the NABA art college of Milan. He regularly writes for Frieze and Tema Celeste Vasif Kortun Director of Platform Garanti, Istanbul. Also founding director of the Project Istanbul Museum of Contemporary Art (2000-2003) and head curator and director of the 3rd International Biennial Istanbul Artissima is also hosting several other events and presentations: MANIFESTA 7 THE EUROPEAN CONTEMPORARY ART BIENNIAL AT ARTISSIMA Meskerem Assegued Addis Abeba, Ethiopia. Critic and curator, director of the Zoma Contemporary Art Center in Addis Abeba, and a member of the selection committee for the Africa Pavilion at the 52nd Biennale in Venice Mariangela Mendez Prencke Bogotá, Colombia. Critic and curator, Faculty Member, Arts and Classical Disciplines Programme, Universidad de los Andes, Bogotà In cooperation with illycaffé, which is also a partner of the fair in Present Future section, devoted to emerging talents, three young curators from Colombia, Ethiopia and India Suman Gopinath, Bangalore, India. An independent critic and curator, she has curated several exhibitions in India and throughout Europe. In 2005 she set up and still runs Colab Art & Architecture in Bangalore Friday, November 9 Saturday, November 10 Sunday, November 11 h. 11.30 a.m. illy Present Future Award Ceremony h. 11.30 a.m. Presentation of the book This is contemporary! – Come cambiano i musei d’arte contemporanea by Adriana Polveroni. Speakers: Fabio Cavallucci, Anna Mattirolo, Catterina Seia, Pierluigi Sacco. Moderator: Guido Curto h. 11.30 a.m. Contemporary Art and Economy. A grant for a better understanding. A conference by UniCredit Private Banking and Fondazione Giovanni Agnelli. Speakers: Anna Detheridge, Guido Curto, Walter Santagata h. 1.00 p.m. Presentation of Manifesta 7 h. 1.00 p.m. Award of the Grant for young Italian artists by the Amici Sostenitori of the Castello di Rivoli. Speakers: Carla Ferraris, Marcella Beccaria h. 12.30 a.m. Pagine Bianche d’Autore /Vinci New York Prize-giving for the winning Artists, by SEAT Pagine Gialle (Yellow Pages) in collaboration with DARC and GAI. Speakers: Giovanna Incisa Cattaneo, Teresa Macrì, Luca Majocchi, Ezio Bertino, Anna Mattirolo, Fiorenzo Alfieri, Luigi Ratclif h. 2.30 p.m. Curatorial Seminar part I – Curating friction. Between censorship and repressive tolerance h. 4.30 p.m. Curatorial Seminar part I – Coloring Outside the lines. When the borderlines between artists and curators blur h. 6.30 p.m. Eco e Narciso. Laboratorio Artistico Permanente. Presentation of the programme of public art by Provincia di Torino. Speakers: Valter Giuliano, Elena Del Drago, a.titolo, Rebecca de Marchi programme updated on 26/09/2007 Anton Vidokle Artist, curator and founding director of e-flux, New York have been invited to take part in the seminar, thus offering evidence of the new frontiers of contemporary art. In line with its commitment to coffee producers, with whom it has created a relationship of interchange and the creation of value for both sides over the past fifteen years and more, the company has decided to support artists and creative minds in the countries where it purchases its raw materials, helping them establish themselves on the international art scene. h. 2.30 p.m. Curatorial Seminar part II – Coloring Outside the lines. When the borderlines between artists and curators blur h. 4.30 p.m. Curatorial Seminar part II – Curating Friction. Between Censorship and repressive tolerance h. 6.30 p.m. Guido Carbone Award for New Entries Launch of the editorial project covering the life and works of Guido Carbone. Presentation of the exhibition This world is fantastic: 20 years with Guido, scheduled for May 2008, Palazzo Bricherasio, Turin h. 3.00 p.m. Panel PAV / Park of Living Art Speakers: Nicolas Bourriaud, Piero Gilardi, Francesco Poli, Lorenza Perelli, Domenico Quaranta, Jun Takita, Franco Torriani, Ivana Mulatero h. 5.00 p.m. Presentation of the book ORIGINAL, venti anni di Biennale dei giovani artisti dell’Europa e del Mediterraneo. Speakers: Fiorenzo Alfieri, Luigi Ratclif, Jury Krpan, Alessandro Stillo, Martin Angioni h. 6.00 p.m. Art for business Forum An introduction to the project by Valeria Cantoni, Trivioquadrivio, Milan in collaboration with Università Cattolica, Milan radio_sick_definitivo uk_d1:Layout 1 RADIO SICK 24-10-2007 14:09 Pagina 7 Electric Repair Enterprise PAGE 7 IN TOWN ARTISSIMA VOLUME THE LINKS, INSPIRATION AND INFLUENCES BETWEEN THE VISUAL ARTS AND MUSIC As we mentioned in the first issue of Radio Sick, this year sees the birth of ARTISSIMA VOLUME, an entire section devoted to music edited by NERO Magazine. For the first time in Italy, some of the most highly acclaimed musicians on the contemporary scene will be taking part in unconventional locations as part of Artissima, a fair devoted to the visual arts. With a series of live performances, this project aims to reveal the interconnections, sources of inspiration and influences between the visual arts and music. This controversial relationship has in fact been an intermittent process and a series of spontaneous graftings and ramifications on which ARTISSIMA VOLUME intends to build up its own structure. AN OUTSTANDING GUEST, MERZBOW, ONE OF THE GREATEST EXPONENTS OF WORLDWIDE NOISE ARTISSIMA VOLUME is no ordinary festival, but rather a moment of encounter between musical imagination and that of the visual arts. A series of projects that, in different ways and without documentary links, create a varied, constantly changing world: live sets that interpret architectural spaces, exhibitions that are authentic performances, and artists who have a sort of “second life” in the music world. Here, even the venues play a decisive role: each context has been chosen on the basis of musical and acoustic needs, but also on logistic, historical and social grounds. The locations are very different, though all are of great impact and force, each one is designed not only as the ideal setting for clearly defined performances, but also as elements that can contribute to the final content. Here is some information in advance about the programme: for the opening evening of Artissima, on Thursday 8 at Lingotto, there will be an outstanding guest, Merzbow, one of the greatest exponents of worldwide noise, and the founder of what has been coined “Japanoise”. On Friday 9, there will be an evening of concerts and DJ-sets based on the concept of the “solo” performance – in other words performances carried out by soloists. On Saturday 10 there will be a special event for the contemporary art night: an evening with one of the most interesting groups currently on the international art and music scene. In collaboration with Club to Club, the night will end with a special party, featuring some of the leading names of international DJing will be performing. radio_sick_definitivo uk_d1:Layout 1 RADIO SICK 24-10-2007 14:10 Pagina 8 Electric Repair Enterprise PAGE 8 ARTISSIMA Museo Nazionale del Cinema, Mole Antonelliana Saturday 10 November from h. 9.00 p.m. to h. 1.00 a.m. Artissima 14 Cinebus Lingotto Fiere Sunday 11 November Curated by Davide Quadrio, BizArt/Arthub ARTISSIMA FUMETTO 6 – 18 November Opening on 5 November at 7.30 p.m. Camera di Commercio di Torino, Palazzo Birago di Borgaro Curated by Daniele Ratti and Sergio Pignatone An exhibition of the works of GIPI, the great Italian draughtsman who is currently considered to be one of the most significant personalities in the field at an international level. GIPI is the pseudonym of Gianni Pacinotti. Having made his debut as an illustrator and satirical draughtsman, Gipi gradually shifted towards narrative drawing, creating illustrated tales and cartoon stories, as well as video and animated shorts. He has published three books: Esterno Notte, Appunti per una storia di guerra, his first comic-strip novel, and his more recent Gli innocenti, which creates an atmosphere like that of Jim Jarmusch’s early films, with a poetic celebration of detail and a magnificent ability to describe apparently commonplace events and make them special. Artissima Fumetto investigates the fascinating world of comics, which has erroneously been considered by some as a minor art form. This is an opportunity for art lovers to discover the very latest and most topical forms of expression and to involve a broader and more varied public in an event devoted to contemporary art. The exhibition has been made possible thanks to the support of the Camera di Commercio di Torino. Shanghai continues to conjure up an idea of exoticism and decadence, together with a childlike curiosity to see the secret of its futuristic development unveiled. We who have been here for so long and have seen places change and disappear – as streets have widened, and pedestrians and cyclists have been squeezed into hidden alleyways, with cars turning from taxis all of the same colour into the most amazing limousines – the city appears to have been desecrated and at times suffocated, corrupted and standardised. As Sine Bepler says: “a striking aspect of the convulsive increase of high-rise buildings is that although their façades display diverse and excessive extravaganza, in typological terms, they are all exactly the same.” I don’t even remember my own Shanghai – the Shanghai of twenty years ago, with no lights at night and with September floods that overwhelmed it for weeks on end. Before the age of refrigerators, when drinks were still caught in blocks of dripping ice, and coffee was a legacy of the old colonial life, in dark cafés with boisterous groups of old nostalgists brought up the British way. Stories of another age. Then things changed, I became involved in the local art scene, BizArt started up in café basements and ageing garages, and there was the excitement and ingenuousness of thinking we were doing something new and important: the idealism of twenty-year-olds, with the impetus of those who have no tomorrow. The years fly by in Shanghai, and each month changes the one that follows. In just a few years, we went from technological prehistory to the digital era. LED screen and LCDs are everywhere – in taxis and skyscraper lobbies, in the subway and on entire façades of buildings, or on huge screens taken out at night on barges on the river Pujiang, so bright that you just cannot help but look at them. What I’m trying to get across in this latest version of Shanghai is its inevitable contradictions, for it is bent through the eyes of artists until it becomes a fictitious, distorted reality that nevertheless conceals extravagant details somewhere between poetry and drama, revealing once again the true face of Shanghai. It is the Shanghai beyond the dazzling lights, the Shanghai of the people who live there and who trade their own survival – which is not that far away. It never is. Yang Fudong, Robber South, 2001. Courtesy Yang Fudong and BizArt We’ll see Shanghai through the eyes of local artists, who experience it and take it in every day. I asked Zhang Ding and Liang Yue to show two original works, which are currently being made. Song Tao, on the other hand, will be showing a work I’m very fond of: My Pretty Zhang Jiang, almost a soap opera: the meeting online, the sleep she denies, the initiatory rite, the reawakening and then recognition. Love revealed. Yang Fudong, will be presenting Robber-south, a work made some time ago, partly by BizArt for a “Rotterdam. City of Culture” project in 2001. The story of an immigrant who becomes a lingdao – a white-collar worker – it is a work that still moves me. Designed for projection on the big screen, it made its debut in a historic park in Shanghai, the Fuxing, at a time when “public” art events were still extremely rare and difficult to put on. In the video, the city is seen from below. It is a city that already no longer exists, an introduction to the drama of getting rich as the ultimate and only yardstick of success and power. Contrasting with this work, Melanie Jackson presents an animation video, Made in China. It is the idea of a (possibly) unseen Shanghai, based on an iconographic study that is in a sense removed from direct experience. Melanie creates an image of Shanghai that demythologises its historic role and describes a possible personal crisis in a ruthless all-devouring system. The gracefulness of the animation and the liveliness of the storyboard transform the story into a tale of fantasy. Alexander Brandt, a German artist who lives in Shanghai, is showing The Next Second, a multimedia installation presented in China as a single-channel video. Private-life dramas revealed in Shanghai. The question is: “has it already happened or is it about to?” As Alexander writes: “A tiny random action, a second of unmindfulness, an unconscious shade in our facial expression. The smallest detail matters. Though we didn’t mean to, we realize that within a fraction of time our life has taken an unwanted, irreversible course. Obviously it could have all come different, if in that moment we had done something else. The next second, everything could be different...” Life goes on outside – the public life of little heroes of nothingness. David Cotterrell is showing Hero, a video clip in which he narrates of the people who direct the city traffic – those “social servants”, most of whom are pensioners and who, armed with a whistle, attempt to control the human surges on the streets of Shanghai. Xu Zhen’s historic Shouting video of 1998, one of the artist’s first works, reveals the other face of the hero – the mass that moves within the alienation of the city: along the river, in the underground railways, on the Bund walk, the legendary place of the past that looks out towards its future, for indeed, Pudong, the new, post-modern city is on the other side, the financial centre and tomorrow’s ideal (and that of the 2010 Universal Expo). Yang Zhenzhong’s work, Na xiong na er is subtitled Skycrapers: Phallic Symbols?. In spite of the obvious imagery and, I might add, its conceptual simplification, this video offers an exciting and iconoclastic pause, an opera buffa, an obscene laugh. The city as a phallus, in which architecture is no more than space snatched from the sky. radio_sick_definitivo uk_d1:Layout 1 RADIO SICK 24-10-2007 14:10 Pagina 9 Electric Repair Enterprise PAGE 9 CINEMA The city then decomposes into aesthetic images, into twilight surfaces, and the districts jumble up together. Who is going? Who is coming? Where are we? The spectator and the artist lose their way in this avalanche of pictures without any particular guiding thread: Huang Kui’s Go away, Pierre Giner’s latest creation still under production, and the Mattia Matteucci+Patrick Tuttofuoco duo with The Green Sky. In this immersion, somewhere between an aestheticising journey to the netherworld and a documentary experience, between a passage on the surface and an implicit tale, the city is recognisable thanks to some architectural symbols. It is the anonymous metropolis of mangas: the capital of everything possible. The review starts and ends with Olivo Barbieri’s A Silent Story and Riverscape #1 Night, China Shanghai 07. A Silent Story is an imaginary flight over the city, a hallucinated daydreaming nightmare and the contrary of the exotic dream, beyond the red revolution (which? when?). No comment. Riverscape #1 Night, on the other hand, is the opposite – an out-of-focus night, a trip along the river between the past (Bund) and a present continuum (Pudong). The circle closes around the Shanghai night, shortly before the drizzle (maoyu) sets in and drenches all, causing mould to form everywhere, with the sounds of the port once again reminding us of the arrivals and departures that, at the turn of the last century and for decades after, made this city the legend of the Orient. A free land and one of the world capitals of decadence. Shanghype! portrait of the city Mirafiori Motor Village Friday 9 November, h. 7.00 p.m. Preview of the project and conference “The OFF story of the contemporary art revolution in Shanghai” Shanghai’s aspiration and desire to again become the legendary place it once was, the need to be an international and modern SHANGHYPE! PORTRAIT OF THE CITY FROM DAWN TO DUSK China and the idea of power that Shanghai is seeking between local identity and globalisation, are to some extent symbolised and investigated in the Artissima Cinema preview. The “off” story of the contemporary art revolution in the late 1990s is presented through documents, catalogues and documentary videos. Alexander Brandt e Davide Quadrio offer an untold vision of Shanghai. The art of the suburbs and of closures. A journey through three exhibitions that have made their mark on the art experience in Shanghai. A group of artists who challenged the city of Shanghai from its suburbs. Pictures from the city’s past, when negotiations with the government for “proper” visibility were at the heart of the art work of an avant-garde group headed by Xu Zhen, Yang Zhenzhong and Alexander Brandt, and supported by the organisation of BizArt. Art for sale, 1999: Fang Mingzhen and Fang Mingzhu, 2004; Solo exhibition, 2006. A part and backdrop of this evening will be the presentation of Hipic.org, an image for all time: an online project as a place of the ephemeral, where a photo sums up in 30 seconds the need for vision before disappearing for all time in a cybernetic void: forever. Art without an artist, art without economic value, art that appears and disappears, the quest for attention and observation, knowing that this is the sole possibility in the world and the only simultaneous moment in the world (of the worldwide web). Hipic, a democratic archive location with no hope for the future, is very fitting in the case of Shanghai and China today: this idea of a continuous move towards something else, with no past and possibly with no idea of the future either – this impertinent, optimistic and flattering present that leaves no time other than for a cursory glance at reality. A glance like so many others: totally useless. Yang Fudong, Robber South, 2001. Courtesy Yang Fudong and BizArt radio_sick_definitivo uk_d1:Layout 1 RADIO SICK 24-10-2007 14:10 Pagina 10 Electric Repair Enterprise Gilbert & George – Four Knights (Quattro cavalieri), 1980 © gli artisti / the artists. Southampton City Art Gallery Max Ernst, Rêves et hallucinations, collage, 1926. Musée d’Unterlinden, Colmar. ------------------------------------------------------------------------------------------------------------------------------------------ -------------------------------------------------------------------------------------------------------------------------------- CASTELLO DI RIVOLI Gilbert & George: Major Exhibition GAM GALLERIA CIVICA D’ARTE 17 October 2007 – 13 January 2008 Curated by Jan Debbaut, former director of the Tate Collections, and Ben Borthwick, assistant curator at Tate Modern Castello di Rivoli is hosting the largest and most comprehensive retrospective ever of the work of Gilbert & George. Designed by the artists themselves, the exhibition retraces their entire artistic career from their debut to the present day, with about five hundred and fifty works, as well as a generous selection of archive material from their own private collection. The show, which is on the second and third floors of Castello di Rivoli, presents historic works from the 1970s and large-format works from later periods, all the way through to their most recent creations. The exhibition was opened at Tate Modern in London, in February 2007, and was shown at the Haus der Kunst in Munich. Gilbert & George made some works for the display inspired by the terror attacks in London, which the artists themselves referred to as “chilling” and which they have continued making up to the present day. The exhibition opened at Tate Modern in London in February, 2007, after traveling to Haus der Kunst, in Munich. -------------------------------------------------------------------------------------------------------------------------------- PAGE 10 MODERNA E CONTEMPORANEA DI TORINO ------------------------------------------------------------------------------------------------------------------------------------------ ---------------------------------------------------------------------------- Collage/Collages From Cubism to New Dada FONDAZIONE MERZ, TURIN Gino De Dominicis 9 October 2007 – 6 January 2008 8 November 2007 – 6 January 2008 Curated by Maria Mimita Lamberti, professor of the History of Contemporary Art at the University of Turin and Maria Grazia Messina, teacher of the History of Contemporary Art at the University of Florence. Curated by Andrea Bellini and Laura Cherubini L.P: Like Boetti, also Gino De Dominicis was a brilliant artist but he was fully recognised (especially abroad) only after his death. Why? L.C: Alighiero and Gino were not an organic part of the system and, in different ways, they undermined its foundations. I can’t imagine two artists (or two people) more different one from the other. Alighiero was a great traveller, Gino almost immobile. Alighiero had a keen eye on all aspects of the contemporary world – and always kept ahead of it – while Gino was alien to all current events. Alighiero was open to the young and to all forms of cooperation, while Gino appeared to live in an ivory tower. Alighiero always used to invite friends and young artists to his home, and was proud that his dining table could seat up to thirty-five people. And he adored his family, his children, and little Giordano. Gino was alone, though not reclusive, and he used to go out at night and get back in the early hours – that’s the part of his life that I shared with him. Alighiero was attracted to the Orient, and he had lived almost ten years in Kabul – he became almost resigned to Rome because the Soviet invasion prevented him from going back to Afghanistan. You could almost say that Gino was “Rome-centric”. For Alighiero it was important that his little tapestries could be referred to neither as multiples nor as single works (or were both one and the other), while Gino aimed for the uniqueness of each work. I’m very proud of the fact that they were two such dear friends of mine and the two artists I believed in the most. I’m happy about the interest and love they’ve inspired in the younger generations. Part of a series of exhibitions devoted to twentieth-century art, which started with the international exhibition Metropolis. The Avant-garde Movements’ Vision of the City, 1910-1920, a precise historical analysis that was highly acclaimed by both visitors and critics alike, GAM – Galleria d’Arte Moderna e Contemporanea in Turin is putting on a second exhibition, entitled Collage/Collages from Cubism to New Dada. This exhibition offers the public a historic overview of the technique of collage, which started with the experiments of Pablo Picasso and Georges Braque and was widely taken up by the other avant-garde movements, from the Futurists in Italy to the Dadaists, as the most immediate and consistent means for expressing themselves in the controversial tensions of the contemporary world. Starting out from this premise, the visitor will be taken through the artistic history of the twentieth century, from the 1910s to the early 1960s, to assess the fruitfulness and resistance of what may seem to be a banal and fragile technique, but that in actual fact can be opened up to sophisticated variations of meaning: from Dada provocations to the impertinence of the Surrealists, and on to the most recent contaminations in a scenario that gradually spread from Europe to the United States. -------------------------------------------------------------------------------------------------------------------------------- A few questions put by Luca Lo Pinto to Laura Cherubini Luca Lo Pinto: The solo exhibition that you and Andrea Bellini curated for Villa Arson in Nice in November will be coming to Fondazione Merz, now with an extra group of works, so that it can be seen by the Italian and international public during Artissima. Laura, who is Gino De Dominicis? Laura Cherubini: A magnificent artist, one who was not afraid of making a masterpiece. L.P: How was this solo display of Gino De Dominicis’s works devised? Did you try to examine some particular aspects of his studies? L.C: The exhibition is a contribution to our knowledge of De Domincis’s work. In no way does it claim to be comprehensive, for it is not anthological, even though there are works from various periods. It concentrates mainly on painting because the artist believed totally in this art form and believed he had found a medium that was the highest expression of a profoundly unitary work. This exhibition provides an opportunity to pave the way for new shows in the future, and for more systematic studies to come. ---------------------------------------------------------------------------- ------------------------------------------------------------------------------------------------------------------------------------------- --------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------- PEGGY GUGGENHEIM AND THE SURREAL IMAGINARY 10 November 2007 – 8 March 2008 Vercelli, Arca – ex Church Of San Marco, Piazza San Marco 1 Curated by Luca Massimo Barbero On the 10th of November Piedmont Region and City of Vercelli, in a joint collaboration with the Peggy Guggenheim Collection will launch the exhibition “Peggy Guggenheim and the surreal imaginary”: a selection of fifty works from the Venetian and New York collections. The visitor will be made witness to the pioneers of the surreal imaginary through a tour of the works by Marc Chagall, Giorgio de Chirico, Pablo Picasso, Joan Mirò, Salvador Dalì, Max Ernst, René Magritte, Alberto Giacometti, Ives Tanguy. The exhibition will crown the inauguration of the renovated exhibiton space Arca, a ultra modern structure housed within the medieval church of San Marco, famous monument of the city. ---------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------- ALIGHIERO AND GINO WERE NOT AN ORGANIC PART OF THE SYSTEM AND, IN DIFFERENT WAYS, THEY UNDERMINED ITS FOUNDATIONS radio_sick_definitivo uk_d1:Layout 1 RADIO SICK 24-10-2007 14:10 Pagina 11 Electric Repair Enterprise ------------------------------------------------------------------------------------------------------------------------------------------ ------------------------------------------------------------------------------------------------------------------------------------------- PINACOTECA GIOVANNI E MARELLA AGNELLI LEONOR ANTUNES AT BARRIERA Why Africa? The Pigozzi Collection Curated by Aurélie Voltz 6 October 2007 – 3 February 2008 Curated by André Magnin A new cultural programme devoted to the theme of collecting makes its debut at Pinacoteca Giovanni e Marella Agnelli with the “Why Africa? The Pigozzi Collection exhibition” - the most important collection of contemporary African art in the world. Initially started up in 1989 thanks to the encounter between Jean Pigozzi and André Magnin, the current art director of the collection and curator of the exhibition, the collection is constantly evolving and further works by artists of various generations in sub-Saharan Africa are constantly being added. The show includes drawings, paintings, sculptures, photographs, installations and some site-specific works, including one based on the new FIAT 500 by the artist Esther Mahlangu. A series of works by 16 recently deceased artists illustrates the magnificence of contemporary art production in Africa, overcoming the stereotype of folklore and decorative art of the postcolonial period, to enter into dialogue with Western art and to develop its own independent forms. ---------------------------------------------------------------------------------------------------------------------------------------- CITY OF TURIN 10 th Luci d’artista 6 November 2007 – 13 January 2008 Olaf Metzel, Best, 2006, videoinstallazione Babette Mangolte – Trisha Brown WATER MOTOR, 1978, still da video Marine Hugonnier – Travelling Amazonia, 2006, still da video Courtesy Fondazione Sandretto Re Rebaudengo, Torino ------------------------------------------------------------------------------------------------------------------------------------------ FONDAZIONE SANDRETTO RE REBAUDENGO STOP & GO - New films and videos from the Sandretto Re Rebaudengo Collection 23 October 2007 – 6 January 2008 Curated by Francesco Bonami After the 2005 exhibition, in which a sizeable part of the Collection was put on show to celebrate the tenth anniversary of the foundation, this new display provides an opportunity to see how and in what directions the Collection has been growing. It will bring the public up to date on the role of film and video over the past few years, with a large corpus of works that now provide a fundamental overview of the history of contemporary art. A special section of the exhibition is devoted to the travel trilogy by Marine Hugonnier, A Film Trilogy, which is being presented in cooperation with the Philadelphia Museum of Art and the Kunsthalle in Berne. Artists: Miguel Calderòn, Douglas Gordon & Philippe Parreno, Marine Hugonnier, Amar Kanwar, Babette Mangolte, Olaf Metzel, Song Tao, Catherine Sullivan, Clemens Von Wedemeyer, Jordan Wolfson. ------------------------------------------------------------------------------------------------------------------------------------------ PAGE 11 On 10 November 2007, a group of collectors from Turin will be opening their Barriera exhibition space, named after its location in the outskirts of the city, on the way to Milan. This 600 square-metre space was set up to house and store their private collections, and to invite young artists to produce new works. The Portuguese artist Leonor Antunes, who lives in Berlin, would appear to be the most suitable person to inaugurate this project. Her refined perception of space, architecture, and light will enhance this medicine factory building that dates from the 1930s. Antunes’s on-site installation will also be a response to the history, culture and architecture of Turin. The exhibition takes its inspiration from Carlo Mollino, the Italian who is known as much for his architecture and furniture as for his airplane design and his erotic photos with their outrageous touch. Leonor Antunes will create a unique setting in order to display a group of five sculptures. In a reference to those in the neighbourhood, curtains will be used to cover the windows, thus producing a dark space where each sculpture will be illuminated by a particular ceiling lamp. The sculptures, made variously of wood, copper, aluminium and leather, and life-size, enlarged or reduced in scale, will be indirect or distant quotations from the work of Carlo Mollino, duplicating elements created by the architect. The pattern of the ceiling of the Teatro Regio and some other parts of Italian interiors such as the Casa del Sole will be transcribed and reinterpreted in Leonor Antunes’s style. Scandinavian shelves from the 1960s, from the time of the Italian architect’s furniture, will display a series of abstract collages made of overlapping photo cut-outs from baroque interiors, thereby creating confusing optical effects. The lighting, architectural elements and collages, which have all been devised with the muse in mind, will create for Barriera a delicate encounter between a delirious inventor and a particular sculptural study, investigating measures, materials and volumes through our own habitats. Now in its tenth year, the Luci d’Artista initiative has become one of the symbols of Turin, which for some years now has been considered as one of Europe’s leading centres of contemporary art. The light installations of great artists such as Pistoletto, Merz, Casorati, Buren, Vercruysse and De Maria trace an imaginary route between the museums and galleries, and by lighting up the streets and squares of the city centre, they give the local population and visitors the chance to come into direct contact with contemporary art. This year’s Luci d’Artista, a key event in the programme of Contemporary Arts Torino Piemonte, which includes public and private initiatives relating to the contemporary world throughout the local territory, includes the mounting of 18 installations in different places. The main new feature will be Nicola De Maria’s work, Regno dei fiori: nido cosmico di tutte le anime, which will be enlarged and placed in the monumental Piazza Vittorio Veneto, one of the largest squares in Italy. Previously located in Piazza Carlina, the work will be of spectacular impact, as it will involve 106 street lamps and 16 cornucopias in the square. It will also be the star of the opening on 6 November in Piazza Vittorio with live sound by Vladislav Delay, the great international artist who has worked with musicians of the calibre of Scissor Sisters, Massive Attack, Craig Armstrong and Ryuichi Sakamoto. -----------------------------------------------------------------------------------------------------------------------------------------This will be organised together with the CARLINA Club to Club Festival. Carol Rama Another change will be the return of Jan Vercruysse’s Luminous Fountain in Piazzetta Carol, sempre. Editi ed inediti dal 1939 al 1993 Reale: theatrical red smoke from five tanks 7 November – 9 Dicember 2007 placed in parallel rows will add an aura of fascination to a place that is itself magic. Curated by Cristina Mundici ------------------------------------------------------------------------------------------------------------------------------------------ In the catalogue a tribute to Carol Rama by Corrado Levi ------------------------------------------------------------------------------------------------------------------------------------------- JEFF MILLS, THE LIVING LEGEND OF DETROIT TECHNO ------------------------------------------------------------------------------------------------------------------------------------------ CLUB TO CLUB 7th International Festival of Electronic Arts and Music 8. 9. 10 November 2007 Turin/Barcelona Akufen, William Basinski, Digitalism, D-I-R-T-Y, Fairmont, Fovea Hex, Stefan Goldmann, Green Velvet, James Holden, Kalabrese, Larsen, Jeff Mills, Tobi Neumann, Onur Ozer, Mauro Picotto, Troy Pierce, Undo, Mika Vainio of the Pan Sonic, Xplosiva, Vladislav Delay ... These are the key artists of the seventh Club to Club, the electronic arts and music event, which has become one of the leading Italian festivals. In November, Club to Club contributes to the role of Turin as capital of the contemporary arts, interacting with the events and exhibitions that are fully supported by the institutions, in the month devoted to Contemporary Arts Torino – Piemonte. In three intense days and nights, there will be international shows and productions – some exclusive to this programme – featuring artists, DJs, musicians, video artists, and performers selected from among the leading innovators on the world scene, in clubs and highly original venues, and involving different life styles and types of music. Together with Artissima, Club to Club is organising a glamour-meets-experimentation gala event for the opening of the festival on Thursday 8 November, together with a new and important mystery event specially devised for the closure on the night of Saturday 10 November. The Friday evening event, at the heart of the festival, will see Club to Club contemporaneously in Turin and Barcelona, in seven leading clubs in the two cities. ------------------------------------------------------------------------------------------------------------------------------------------ TURIN THE CAPITAL OF CONTEMPORARY ARTS radio_sick_definitivo uk_d1:Layout 1 RADIO SICK 24-10-2007 14:10 Pagina 12 Electric Repair Enterprise PAGE 12 SATURDAY 10 CONTEMPORARY NIGHT FOR THE FIRST TIME IN ITALY A CONCERT BY MATHEW SAWYER & THE GHOSTS AN EXTRAORDINARY EVENT WITH DJ SET BY JEFF MILLS AND TROY PIERCE ------------------------------------------------------------------------------------------------------------------------------------------- INSTITUTIONS AND OTHER SPACES ------------------------------------------------------------------------------------------------------------------------------------------Accademia Albertina di Belle Arti Via Accademia Albertina, 6 Proposte XXII – Leap into the Void Curated by a.titolo Nuovi Arrivi – L’arte come esistenza. La vita come opera d’arte Curated by Olga Gambari ------------------------------------------------------------------------------------------------------------------------------------------Palazzo Bricherasio Via Lagrange, 20 Juventus 110 anni a opera d’arte Curated by Luca Beatrice ------------------------------------------------------------------------------------------------------------------------------------------MIAAO – Museo Internazionale delle Arti Applicate Oggi Via Maria Vittoria, 5 Afterville, Astronave Torino – Turin spaceship company Curated by Enzo Biffi Gentili, Luisa Perlo and Undesign ------------------------------------------------------------------------------------------------------------------------------------------- Matthew Sawyer & the Ghosts SPECIAL ART GALLERIES OPENING FROM NINE TO MIDNIGHT / EXHIBITIONS AND PERFORMANCES IN MUSEUMS AND ART FOUNDATIONS ----------------------------------------------------------------------------------------------------------------------------------------ART & SOUND NIGHT Promoted by City of Turin and Piedmont Region as part of the collective exhibitions Nuovi Arrivi e Proposte. Accademia Albertina di Belle Arti via Accademia Albertina, 6 h. 9.30 p.m. Nuovi Arrivi presents I giorni del Futuro Passato by Maurizio Vetrugno (light & sound show, fashion show, performance, happening) h. 11.30 p.m. Proposte presents Dj-set Roger Rama with music by Nicola Campogrande ------------------------------------------------------------------------------------------------------------------------------------------- GALLERIES ------------------------------------------------------------------------------------------------------------------------------------------Allegretti Contemporanea via San Francesco d’Assisi, 14 Stanze, Salvatore Astore ------------------------------------------------------------------------------------------------------------------------------------------41 artecontemporanea Via Mazzini, 41 Porteño de Romaña, Marco Di Giovanni Vernissage ------------------------------------------------------------------------------------------------------------------------------------------Giampiero Biasutti Via della Rocca, 6b Pittura Angelica, Jan Knap ------------------------------------------------------------------------------------------------------------------------------------------programme updated on 26/09/2007 ------------------------------------------------------------------------------------------------------------------------------------------- ------------------------------------------------------------------------------------------------------------------------------------------- Carlina Piazza Carlo Emanuele II, 17a Carol, Sempre Maze Via Mazzini, 40 Mario Ybarra Jr. – Vernissage ------------------------------------------------------------------------------------------------------------------------------------------- ------------------------------------------------------------------------------------------------------------------------------------------- Guido Costa Projects Via Mazzini, 24 Paul Fryer – Vernissage Cinebus Artists’ video, group show Franco Noero Via Giolitti, 52/a Phillip Lai – Vernissage ------------------------------------------------------------------------------------------------------------------------------------------Cristiani Galleria di Via Porta Palatina 13 Souvenir di Vietri sul Mare, Ugo La Pietra ------------------------------------------------------------------------------------------------------------------------------------------e/static Spazio Blank, Via Reggio, 27 This is the time (and this is the record of the time), group show – Vernissage Via Parma, 31 Two spaces (walking), Rolf Julius ------------------------------------------------------------------------------------------------------------------------------------------- Trans+port via Tirreno 19 Inauguration of the space Gru. Variazioni per coro di sei gru e alto parlanti, video installation by Gianluca e Massimiliano De Serio. Transport+port is a new and independent space where young artists are invited to submit site specific works supported by the Cultural Association Passaporto, in collaboration with Transcultural. Marco Noire Via Mazzini, 50/c Last Riot, AES+F – Vernissage ------------------------------------------------------------------------------------------------------------------------------------------Alberto Peola Via della Rocca, 29 Gabriele Arruzzo – Vernissage ------------------------------------------------------------------------------------------------------------------------------------------- ------------------------------------------------------------------------------------------------------------------------------------------- Giorgio Persano Piazza Vittorio Veneto, 9 Paolo Grassino Via Principessa Clotilde, 45 Jan Dibbets 9 –11 NOVEMBER 2007 LINGOTTO FIERE Gagliardi Art System Corso Vittorio Emanuele II, 90 Epoche – Special Project, Carlo Steiner + Paola Risoli – Vernissage ------------------------------------------------------------------------------------------------------------------------------------------- www.artissima.it / [email protected] Photo & Contemporary Via dei Mille, 36 Hairetikos, Alessandro Bulgini – Vernissage ------------------------------------------------------------------------------------------------------------------------------------------- ------------------------------------------------------------------------------------------------------------------------------------------- Glance Via San Massimo, 45 Ezra Johnson – Vernissage Sonia Rosso Via Giulia di Barolo, 11/h Mathew Sawyer – Vernissage ------------------------------------------------------------------------------------------------------------------------------------------- ------------------------------------------------------------------------------------------------------------------------------------------- In Arco Piazza Vittorio Veneto, 3 Venti anni con gli amici, groups show for the 20th anniversary of the gallery – Vernissage FRANCOSOFFIANTINO Via Rossini, 23 Patty Chang – Vernissage ------------------------------------------------------------------------------------------------------------------------------------------- MAIN PARTNER UNICREDIT GROUP – UNICREDIT PRIVATE BANKING ------------------------------------------------------------------------------------------------------------------------------------------- Ermanno Tedeschi Via C. Ignazio Giulio, 6 Biolandscape, Enrico Tommaso de Paris PARTNER ILLYCAFFÉ Franco Masoero Via Giulia di Barolo, 13 Carol Rama – Vernissage ------------------------------------------------------------------------------------------------------------------------------------------- ------------------------------------------------------------------------------------------------------------------------------------------- REGIONE PIEMONTE PROVINCIA DI TORINO CITTÀ DI TORINO WITH THE SUPPORT OF CAMERA DI COMMERCIO DI TORINO COMPAGNIA DI SAN PAOLO / FONDAZIONE CRT ASSOCIATE PARTNERS IRIDE / JACOBACCI & PARTNERS / MIRAFIORI MOTOR VILLAGE / VANNI