Final programme
Transcript
Final programme
General Information Final programme www.milano2016.icom.museum CONTENT DOWNLOAD THE ICOM MILANO 2016 CONFERENCE APPLICATION AND GET ACCESS TO: Conference Programme List of Speakers Schnittmarke Floor Plans List of Exhibitors Events Social Media Networking With the “My Conference” tool, access and bookmark sessions, presentations and exhibitors Search for “ICOM Milano 2016” in Apple App Store, Google Play Store or Windows App Store App generously sponsored by: Content welcome / bienvenue / bienvenida / benvenuto Invitation to ICOM Milano 2016 Invitation à ICOM Milano 2016 Invitación a ICOM Milano 2016 Invito a ICOM Milano 2016 Conference Venue Floor Plan 6 8 10 12 14 16 General Information / English 22 23 24 25 26 28 30 34 40 Schnittmarke Organisation ICOM Italy ICOM Conference Theme Keynote Speakers Where ICOM from Social Programme General Information A-Z Opening times INFORMATION GÉNÉRALE / franÇais Organisation ICOM Italie ICOM Thème de la conférence Conférenciers Where ICOM from Réceptions et activités Information générale A-Z Horaires d’ouverture 44 45 46 47 48 50 52 56 62 INFORMACIÓN GENERAL / Español Organizadores ICOM Italia ICOM Tema de la conferencia Ponentes Where ICOM from Programa social Información general A-Z horarios de apertura 66 67 68 69 70 72 74 78 84 3 Content INFORMAZIONI GENERALI / ITALIANO Organizzatori ICOM Italia ICOM Tema della conferenza Relatori principali Where ICOM from Programma sociale Informazioni generali A-Z Orari di apertura 88 89 90 91 92 94 96 100 106 Detailed programme SUNDAY 3 JULY SUNDAY 3 JULY Programme Overview 110 Detailed Programme 112 Schnittmarke Detailed programme MONDAY 4 JULY Programme Overview Detailed Programme 120 122 Detailed programme TUESDAY 5 JULY Programme Overview Detailed Programme 152 154 Detailed programme WEDNESDAY 6 JULY Programme Overview Detailed Programme 192 194 Detailed programme SaturDAY 9 JULY Programme Overview Detailed Programme 232 233 OFF-SITE MEETINGS Off-Site Meetings 3, 5, 6 & 7 July 236 Partners, Sponsors & Exhibitors Partners Sponsors Exhibitors Exhibition Floor Plan Institutional Partners Profiles Company Profiles 4 242 243 244 245 246 248 Schnittmarke Content to ICOM Milano 2016 Invitation Welcome Message from the ICOM President Hans-Martin Hinz Dear colleagues of the international museum community, Schnittmarke The forthcoming 24th ICOM General Conference will be held from 3 to 9 July, 2016 in Milan, Italy. We will be delighted to welcome you for what is sure to be an exciting week of discussions and events in a country that is world-renowned for its incredibly rich and diverse cultural heritage. The international museum community will gather together in Milan around the theme of Museums and cultural landscapes, which raises a number of issues dear to all of us, as museums around the world strive to redefine their roles and positions in relation to their communities and with respect to the cultural heritage that lies beyond their walls. Packed with stimulating sessions, networking opportunities and committee meetings, the week-long ICOM General Conference is key in allowing ICOM’s 35,000 members from some 140 countries, alongside other museum professionals from an array of cultural and linguistic horizons, to maintain and expand their expertise and leadership on cultural heritage issues. 6 In the year of ICOM’s 70th anniversary, I count on your presence during this key moment for ICOM in Milan, to celebrate our seven decades of commitment to the protection, preservation and promotion of museums and cultural heritage. It will be my honour to welcome you, together with our Italian hosts, to this momentous event. I am confident that with the help of your contributions and participation, it will be an unforgettable experience. We look forward to gathering together in Milan in 2016! Prof. Dr Hans-Martin Hinz ICOM President Invitation to ICOM Milano Content 2016 Welcome Message from the President of the Italian Organising Committee of ICOM Milano 2016, Alberto Garlandini Welcome to Milan and thank you very much for being here. Everything is ready for the 24th General Conference. ICOM Milano 2016 offers not only world-renowned keynote speakers, professional meetings, scientific discussions and a museum fair, but also a wide array of social events, visits and excursions to Italian museums and monuments. Milan’s Castello Sforzesco will host the Opening Party of the Conference. The castle houses seven museums and on Monday, 4 July, 2016 it will be open exclusively to ICOM Milano 2016 participants: you will have the chance to visit the new Museum of Michelangelo’s Pietà Rondanini and Leonardo’s recently restored frescos in the Sala delle Asse. The Palazzo dell’Arte of La Triennale di Milano will host the Closing Party on Saturday, 9 July, 2016. Participants will be free to visit its park, the new Design Museum and the 2016 International Triennial Exhibitions for design, architecture, visual and decorative arts and audio/video production. Special openings and events at Milan’s museums have been organised every evening. On Tuesday, 5 July the National Museum of Science and Technology opens its doors for an evening for ICOM Milano 2016 participants and Milan residents. On Wednesday, 6 July participants will be offered a free concert at the Duomo, Milan’s Gothic cathedral, with free guided visits to the new Museo del Duomo and access to the roofs of the cathedral, providing astounding views over thousands of marble statues and the cityscape. On Thursday evening, 7 July the 16th century Brera Palace of Art and Science, the National Brera Gallery, the Academy of Fine Arts, the Braidense National Library, the Istituto Lombardo - Academy of Science and Letters, the Botanic Garden and the Astronomical Museum and Observatory will open with special events, exhibitions, installations and guided tours, and a light dinner will be offered to ICOM Milano 2016 participants. Special free visits to the Leonardo’s Last Supper are offered to ICOM Milano 2016 participants from 3 to 9 July in special day and evening slots to be booked on the ICOM Milano 2016 website. Schnittmarke Dear friends and colleagues, Milan is a cosmopolitan and creative city – a city of culture, design and fashion. From May to October 2015, Milan hosted the successful World Exposition Milano 2015, and ICOM Milano 2016 has greatly benefited from the work undertaken for this event: new museums, new subway lines, new infrastructure, new cultural and touristic attractions. With its four subway lines, Milan has a highly efficient transportation network. Participants will receive a free transport pass, and access to a free bike share service allowing them to move quickly and easily from the conference venue to the city’s main museums and monuments. Milan is a gateway to Italy and offers you a unique opportunity to visit some of Italy’s most beautiful cities and landscapes. On Friday, 8 July we are offering participants a great number of surprising excursions in Milan, in Lombardy and in other regions in North and Central Italy. The ICOM Milano 2016 website gives you detailed information about the Conference programme, the events and the excursions we have organised for you. Italian museum professionals and museums await you! I hope you will enjoy your week in Milan and I’m looking forward to everybody’s contributions to this great ICOM event. Dr Alberto Garlandini President of the Italian Organising Committee of ICOM Milano 2016 7 Content À ICOM MILANO 2016 INVITATION Message de bienvenue du Président de l’ICOM Hans-Martin Hinz Chers collègues de la communauté internationale des musées, Schnittmarke La 24e Conférence générale de l’ICOM aura lieu du 3 au 9 Juillet 2016 à Milan (Italie). Nous serons enchantés de vous y accueillir durant une semaine de débats et d’événements, qui promettent d’être passionnants, dans un pays dont la richesse et la diversité du patrimoine culturel sont célèbres dans le monde entier. La communauté internationale des musées se réunira à Milan autour du thème « Musées et paysages culturels », qui soulève une série de questions sur un sujet qui nous est cher, les musées du monde entier s’efforçant sans cesse de redéfinir leur rôle et leur position par rapport à leurs communautés et au patrimoine culturel qui se trouve au-delà de leurs murs. Grâce aux réunions des comités, associées à des sessions enrichissantes et des occasions d’élargir ses relations et son réseau, la Conférence générale de l’ICOM est un événement essentiel pour permettre aux 35 000 membres originaires de plus de 140 pays, ainsi qu’à d’autres professionnels des musées issus d’horizons culturels et linguistiques variés, de préserver et améliorer leurs compétences professionnelles et leur expertise sur les questions relatives au patrimoine culturel. 8 En cette année où nous célébrons les 70 ans de l’ICOM, je compte sur votre présence à Milan, à ce moment clé pour l’ICOM, pour y célébrer nos sept décennies d’engagement pour la protection, la préservation et la promotion des musées et du patrimoine culturel. Ce sera un grand honneur pour moi de vous accueillir à Milan, avec nos hôtes italiens, pour cet événement majeur. Je suis sûr que, grâce à vos contributions et à votre participation, ce sera un moment inoubliable. Nous vous attendons et nous réjouissons de pouvoir tous nous réunir à Milan en 2016 ! Prof. Dr Hans-Martin Hinz Président de l’ICOM INVITATION À ICOM MILANO Content 2016 Message de bienvenue du Président du Comité d’organisation italien d´ICOM Milano 2016, Alberto Garlandini Bienvenue à Milan et un grand merci pour votre présence. Tout est prêt pour la 24e Conférence générale. ICOM Milano 2016 offre non seulement des conférenciers reconnus, des rencontres professionnelles, des discussions scientifiques et un salon professionnel des musées, mais aussi un large éventail d’activités, de visites et d’excursions dans les musées et monuments italiens. Le Castello Sforzesco accueillera la soirée d’ouverture. Le château héberge sept musées qui seront ouverts le lundi 4 juillet exclusivement pour les participants d’ICOM Milano 2016. Ainsi vous aurez la chance de visiter le nouveau Musée de la Pietà Rondanini de Michel-Ange et les fresques récemment restaurées de Leonardo dans la Sala delle Asse. Le Palazzo dell’Arte de la Triennale de Milan accueillera la soirée de clôture le samedi 9 juillet 2016. Les participants auront l’occasion de visiter gratuitement son parc, le nouveau Musée du Design et l’Exposition Internationale Triennale 2016 de design, d’architecture, des arts visuels et décoratifs, et de la production audiovisuelle. Des ouvertures spéciales et des événements seront organisés chaque soir dans les musées de Milan. Le mardi 5 juillet, le Musée National de la Science et Technologie ouvre ses portes pour une soirée spéciale dédiée aux participants d’ICOM Milano 2016 et aux habitants de Milan. Le mercredi 6 juillet, un concert gratuit exceptionnel sera donné au Duomo, la cathédrale gothique de Milan, ainsi que des visites guidées gratuites du nouveau Musée du Duomo et l’accès au toit de la cathédrale qui offre une vue à couper le souffle sur des milliers de statues de marbres et sur le paysage urbain. Le jeudi 7 juillet au soir, le Palais Brera des Sciences et des Arts du XVIIe siècle, la Pinacothèque, l´Académie des beaux-arts, la Bibliothèque Nationale de Brera, l’Institut Lombard des Sciences et des Lettres, le Jardin Botanique, le Musée et l’Observatoire Astronomique proposeront des événements, des expositions, des installations, des visites guidées et une collation sera offerte aux participants d´ICOM Milano 2016. Du 3 au 9 juillet, des visites gratuites de La Cène seront proposées aux participants, sur plusieurs créneaux horaires à réserver sur le site Internet d’ICOM Milano 2016. Schnittmarke Chers amis et collègues, Milan est une ville créative et cosmopolite – une ville de culture, de design et de mode. De mai à octobre 2015, Milan a accueilli l’Exposition Universelle 2015, et ICOM Milano 2016 a grandement bénéficié de tout le travail réalisé à cette occasion : nouveaux musées, lignes de métro, infrastructures et offres touristiques et culturelles. Avec ses quatre lignes de métro, Milan jouit d’un excellent réseau de transports publics. Les participants recevront une carte de transport gratuite, ainsi qu’un service gratuit d’utilisation de vélos qui leur permettra de se déplacer rapidement et facilement du centre des congrès aux différents musées et monuments de la ville. Milan est une porte ouverte sur l’Italie, offrant une opportunité unique de visiter les plus belles villes et paysages d’Italie. Le vendredi 8 juillet, un grand nombre d’excursions à Milan, en Lombardie et dans les régions du Nord et du centre de l’Italie, seront proposées aux participants. Les informations détaillées sur le programme de la Conférence, les événements et les excursions organisés pour vous sont disponibles sur le site Internet ICOM Milano 2016. Les professionnels des musées italiens et les musées attendent votre arrivée ! J’espère que vous profiterez de votre semaine à Milan et je me réjouis par avance de la contribution de chacun à ce grand événement de l’ICOM. Dr Alberto Garlandini Président du Comité d‘organisation italien d´ICOM Milano 2016 9 Content A ICOM MILANO 2016 INVITACIÓN Mensaje de bienvenida del presidente del ICOM Hans-Martin Hinz Estimados colegas de la comunidad museística internacional: Schnittmarke La próxima 24ª Conferencia general del ICOM se celebrará del 3 al 9 de julio de 2016 en Milán (Italia). Nos complace darles la bienvenida a la que será sin duda una apasionante semana de debates y eventos en un país que goza de fama mundial por la increíble riqueza y diversidad de su patrimonio cultural. La comunidad museística internacional se reunirá en Milán en torno al tema Museos y paisajes culturales, el cual plantea una serie de cuestiones apreciadas por todos nosotros, puesto que los museos de todo el mundo luchan por redefinir sus papeles y posiciones en relación con sus comunidades y con respecto al patrimonio cultural que se encuentra más allá de sus muros. Repleta de sesiones estimulantes, oportunidades para establecer redes de contactos y reuniones de las comisiones, la Conferencia General de ICOM es el instrumento que permite a los 35.000 miembros de ICOM procedentes de casi 140 países, en compañía de otros profesionales de museos procedentes de diferentes horizontes lingüísticos y culturales, mantener y ampliar sus conocimientos y su liderazgo en materia de patrimonio cultural. 10 En este año en que se celebra el septuagésimo aniversario del ICOM, cuento con su presencia en este momento tan especial para el ICOM en Milán, para celebrar nuestras siete décadas de compromiso con la protección, preservación y promoción de los museos y el patrimonio cultural. Será un honor para mí darles la bienvenida, junto a nuestros anfitriones italianos, a este evento de gran importancia. Estoy seguro de que, gracias a sus aportaciones y a su participación, será una experiencia inolvidable. Esperamos con gran entusiasmo reunirnos juntos en Milán en 2016. Prof. Dr Hans-Martin Hinz Presidente del ICOM INVITACIÓN A ICOM MILANO Content 2016 Mensaje de bienvenida del Presidente del Comité Organizador italiano de ICOM Milano 2016, Alberto Garlandini ICOM Milano 2016 no sólo ofrecerá discursos de ponentes de fama mundial, reuniones profesionales, debates científicos y una feria museal, sino también una gran variedad de eventos sociales, visitas y excursiones a museos y monumentos italianos. El castillo Sforzesco de Milán acogerá la Fiesta de Apertura de la Conferencia. El castillo alberga siete museos y, el lunes 4 de julio de 2016, estará abierto exclusivamente para los participantes de ICOM Milano 2016: tendrán la posibilidad de visitar el nuevo Museo de la Piedad Rondanini de Miguel Ángel y los frescos de Leonardo, recientemente restaurados, en la Sallad elle Asse. El Palazzo dell’Arte de La Triennale de Milán albergará la Fiesta de Clausura el sábado 9 de julio de 2016. Los participantes de ICOM Milano 2016 podrán visitar libremente su parque, el nuevo Museo del Diseño, y la Exposición Internacional de la Triennale de 2016 sobre arquitectura, artes visuales y decorativas, diseño, moda y producciones audiovisuales. Se han organizado aperturas especiales y eventos en los museos de Milán para cada noche. El martes 5 de julio, el Museo Nacional de Ciencia y Tecnología abrirá sus puertas durante la noche para los participantes de ICOM Milano 2016 y los residentes en Milán. El miércoles 6 de julio, se ofrecerá a los participantes de ICOM Milano 2016 un concierto gratuito especial en el Duomo, la catedral gótica de Milán, con visitas guiadas al nuevo Museo del Duomo y acceso a los tejados de la catedral, los cuales ofrecen unas vistas maravillosas de miles de estatuas de mármol y de la ciudad. La noche del jueves 7 de julio abrirán sus puertas el Palacio de Brera de Arte y Ciencia del siglo xvi, la Galería Nacional Brera, la Academia de Bellas Artes, la Biblioteca Nacional Braidense, el Istituto Lombardo – Academia de Ciencias y Letras, el Jardín Botánico y el Museo Astronómico y Observatorio con eventos especiales, exposiciones, instalaciones y visitas guiadas. Además, se servirá un cóctel para los participantes de ICOM Milano 2016. Se ofrecerán vistas gratuitas especiales a los participantes de ICOM Milano 2016 para ver la Última Cena de Leonardo en franjas horarias especiales que reservar en la página web de ICOM Milano 2016. Schnittmarke Estimados colegas y amigos: Quisiera darles la bienvenida a Milán y aprovechar para darles las gracias. Todo está listo para la XXIV Conferencia General. Milán es una ciudad cosmopolita y creativa; una ciudad de cultura, diseño y moda. De mayo a octubre de 2015, Milán acogió la exitosa Exposición Universal de Milán 2015, e ICOM Milano 2016 se ha beneficiado en gran medida de las obras llevadas a cabo para este evento: nuevos museos, nuevas líneas de metro, nuevas infraestructuras y nuevas ofertas culturales y turísticas. Con sus cuatro líneas de metro, Milán cuenta con una red de transporte público muy eficiente. Los participantes disfrutarán de un abono gratuito para el transporte público, así como también de acceso a un servicio gratuito de alquiler de bicicletas que les permitirá moverse con rapidez y facilidad entre la sede de la conferencia y los principales monumentos y museos de la ciudad. Milán supone una puerta de entrada a Italia y les brinda una oportunidad única para visitar algunos de los paisajes o ciudades más hermosos. El viernes 8 de julio ofreceremos a los participantes un gran número de excursiones sorprendentes en Milán, Lombardía y otras regiones del norte y centro de Italia. La página web de ICOM Milano 2016 les ofrece información detallada sobre el programa de la Conferencia, los eventos y las excursiones que hemos preparado para usted. Los profesionales de los museos y los museos italianos les esperan. Espero que disfruten de su semana en Milán y tengo muchas ganas de conocer sus aportaciones a este gran evento. Dr Alberto Garlandini Presidente del Comité Organizador italiano de ICOM Milano 2016 11 INVITO A ICOM MILANO 2016 Messaggio di benvenuto del Presidente di ICOM Hans-Martin Hinz Cari colleghi della comunità museale internazionale, Schnittmarke La ventiquattresima Conferenza Generale di ICOM si terrà dal 3 al 9 luglio 2016 a Milano. Saremo lieti di accogliervi per quella che sarà sicuramente una settimana ricca di discussioni, dibattiti e eventi nel paese famoso in tutto il mondo per il suo patrimonio culturale incredibilmente ricco e diverso. La comunità museale internazionale si riunirà a Milano trattando l’argomento “Musei e paesaggi culturali” che solleva una serie di temi cari a tutti noi. In effetti, i musei di tutto il mondo si sforzano di ridefinire il proprio ruolo e la propria posizione riguardo alla loro comunità, rispettando il patrimonio culturale che si trova al di fuori delle loro mura. La conferenza di una settimana offrirà una piattaforma per la condivisione e il dialogo su progetti che coprono numerosi campi d’interesse grazie alla presenza di partecipanti provenienti da diversi orizzonti culturali e linguistici, e offrirà un’occasione per sviluppare quadri concettuali inclusivi, interdisciplinari e innovativi in un ambientemuseale dinamico in continua evoluzione. La Conferenza Generale di ICOM è la chiave per permettere ai 35.000 membri ICOM provenienti da quasi 140 paesi di mantenere e far crescere la loro competenza e la loro leadership inmateria di patrimonio culturale grazie a sessioni stimolanti, nuove reti di contatti e riunioni delle commissioni. 12 Nell´anno del 70° anniversario ICOM, conto sulla vostra presenza durante i momenti più significativi di ICOM a Milano, per celebrare 70 anni di impegno nella protezione, preservazione e promozione dei musei e del patrimonio culturale. Sarà mio onore darvi il benvenuto insieme ai nostri ospiti italiani a questo evento di grande importanza. Sono sicuro che, grazie ai vostri contributi e alla vostra partecipazione, rimarrà un momento indimenticabile. Aspettiamo con grande entusiasmo questo incontro che ci riunirà a Milano nel 2016! Prof. Dr Hans-Martin Hinz Presidente di ICOM INVITO A ICOM MILANO 2016 Messaggio di benvenuto del Presidente del Comitato Organizzatore Italiano di ICOM Milano 2016, Alberto Garlandini Benvenuti a Milano e grazie per essere qui. Tutto è ormai pronto per la 24a Conferenza Generale ICOM. ICOM Milano 2016 non solo offre keynote speaker di rilievo internazionale, incontri professionali, dibatti scientifici e una fiera museale, ma anche un´ampia proposta di eventi sociali, visite ed escursioni presso a musei e a monumenti italiani. Il Castello Sforzesco di Milano ospiterà la Festa di Apertura della Conferenza. All´interno del Castello sono presenti 7 musei. Lunedí 4 luglio sarà aperto esclusivamente per i partecipanti di ICOM Milano 2016, che avranno l´opportunità di visitare il nuovo museo della Pietà Rondanini di Michelangelo e la Sala delle Asse di Leonardo, recentemente restaurata. La Triennale di Milano, Palazzo dell´Arte, ospiterà sabato 9 luglio la Cerimonia e la Festa di chiusura. I partecipanti potranno visitare il suo parco, il nuovo Museo del Design e la XXI Esposizione Internazionale Triennale per il design, l´architettura, le arti visive e decorative e le produzioni audio-visive. Aperture straordinarie ed eventi sono stati organizzati ogni sera nei musei di Milano. Martedì 5 luglio il Museo Nazionale della Scienza e della Tecnologia sarà aperto per una serata speciale dedicata ai partecipanti di ICOM Milano 2016 ed alla cittadinanza di Milano. Mercoledí 6 luglio sarà offerto ai partecipanti uno speciale concerto gratuito in Duomo, la cattedrale gotica di Milano, con visite guidate gratuite al Museo del Duomo ed accesso alle terrazze da dove si gode una vista mozzafiato sulle statue di marmo e sul panorama della città. Giovedì 7 luglio Brera invita i partecipanti della Conferenza a visitare i molti spazi e le tante mostre del seicentesco Palazzo delle Scienze e delle Arti: la Pinacoteca, l’Accademia di Belle Arti, la Biblioteca Nazionale Braidense, l’Istituto Lombardo di Scienze e Lettere, l’Orto Botanico ed il Museo e l’Osservatorio Astronomico, con visite guidate ed un rinfresco. I partecipanti di ICOM Milano 2016 avranno inoltre la possibilità di visitare a titolo gratuito l´Ultima Cena di Leonardo in alcuni selezionati orari di visita a loro riservati e prenotabili sul sito della Conferenza. Milano è una città cosmopolita e creativa, una città di cultura, design e moda. Da maggio ad ottobre 2015 Milano ha ospitato con successo EXPO 2015 e ICOM Milano 2016 ha ampiamente beneficiato dello sviluppo che la città ha avuto per questo evento: nuovi musei, nuove linee della metropolitana, nuove infrastrutture, nuove offerte culturali e turistiche. Con le sue 4 linee della metropolitana, Milano ha una rete di trasporti altamente efficiente. I partecipanti riceveranno un pass gratuito per il trasporto pubblico, così come la possibilità di utilizzare gratuitamente il servizio di bike sharing, e potranno muoversi velocemente ed agevolmente tra la sede della Conferenza ed i luoghi e musei di Milano. Milano è una porta di accesso all´Italia ed offre l´opportunità unica di visitare alcune delle più belle città d´Italia e dei più bei panorami. Nella giornata di venerdí 8 luglio offriremo ai partecipanti un gran numero di escursioni a Milano, in Lombardia e nel resto del nord e centro Italia. Schnittmarke Cari amici e colleghi, Sul sito della Conferenza trovate maggiori informazioni sul Programma della Conferenza, gli eventi e le escursioni che abbiamo organizzato per voi. I professionisti museali e i musei italiani Vi aspettano! Spero che possiate godere al meglio di questa settimana milanese e non vedo l´ora di accogliere il vostro contributo a questo grande evento. Ciao e arrivederci a Milano. Dr Alberto Garlandini Presidente del Comitato Organizzatore Italiano di ICOM Milano 2016 13 Conference Venue MiCo - Milano Congressi is conveniently situated in the centre of Milan, 4 km from the Duomo and just 5 minutes from Leonardo’s Last Supper. Four stops of the metro (Portello, Amendola, Lotto, and Domodossola) are located in proximity of the convention centre. Malpensa and Linate airports are respectively 30 minutes and 25 minutes away from MiCo. Designed in 2002 and doubled in size in 2005, the current extension will place MiCo - Milano Congressi among the largest conference facilities in Europe and worldwide. MiCo Via Gattamelata 5, Gate 14 20149 Milano, Italy Schnittmarke www.micomilano.it 14 CC Milano Congressi Conference Content Venue M3 Politecnico University NIGUARDA M5 Lancetti MALPENSA AIRPORT Monte Stella Park M1 Palazzo Lombardia Bosco Verticale Mac Mahon Sondrio Isola district Monumentale Cemetery Portello Pirelli Skyscraper Cenisio San Giuseppe della Pace SANT’AMBROGIO M1 Santa Maria di Lourdes Tre Torri Gerusalemme Chinatown Moscova FATEBENEFRATELLI San Marco OLD FASHION MILANO Pagano Bande Nere Missori Cattolica University Velasca Tower Sant ’Ambrogio San Lorenzo Rotonda della Besana Candia Park Zona Tortona Basiliche Park P.ta Genova hotel AIRPORT Darsena M2 Navigli Porta Romana Bocconi University Basilica Sant’Eustorgio NAVIGLIO PAVESE Romolo OFFICINE DEL VOLO Statale University Colonne underground NAVIGLIO GRANDE 3 metro line yellow Palazzina Liberty POLICLINICO Porta Romana S. Agostino metro line green 2 Sinagoga Guastalla Park Don Giussani Park metro line red 1 Corso XXII Marzo S. Ambrogio San Matteo M1 M2 M3 M5 San Babila Vittorio Emanuele Gallery Cenacolo The Last Supper San Sepolcro Santa Maria del Rosario San Babila Museo del Novecento Gallery of Modern Art San Bernardino alle ossa Dome Museum of Science and Technology San Benedetto Santa Maria della Passione San Fedele Duomo Wagner De Angeli Palestro Sforza Castle Cadorna PALAZZO DELLE STELLINE Santa Maria delle Grazie Primaticcio Palazzo Reale Conciliazione San Protaso Gambara Via Castel Morrone Montenapoleone Corso Vercelli Vergani Park R1 Lanza Triennale Buonarroti Baggio Park Montanelli Park R2 Scala Theatre Santa Francesca Romana Porta Venezia Brera Art Gallery Sempione Park City Life Amendola SAN CARLO H Planetarium PAC Turati Segesta M1 Arena Lotto Giuseppe Meazza Stadium San Siro Ippodromo Lima Repubblica Arco della Pace Domodossola Branca Tower Lido di Milano Unicredit Tower Schnittmarke Milano Congressi Centrale FS SPAZIO EDIT Sempione Portello Loreto M2 Porta Garibaldi Monumentale Ravizza Park N Milan Thermal Baths Sant’Andrea M3 Baravalle Park Lodi metro line lilla 5 shopping bike sharing railway station romantic cocktail restaurant university R dinner ICOM Milano 2016 Entrance 15 Content Floor plan Overview South Wing South Wing - Level +2 Mezzanine Suites 5 to 9 9 North Wing 8 7 6 5 North Wing - Level +2 Silver Plenary White Halls 1 and 2 4 3 3 2 2 1 4 8 3 7 2 Schnittmarke 1 6 1 5 South Wing - Level +2 North Wing - Level +1 Amber Halls 1 to 8 Suites 1 to 4 Yellow Halls 1 to 3 1 Brown Halls 1 to 3 2 1 Blue Halls 1 and 2 3 2 1 Red Halls 1 and 2 2 Museum Fair and Expo Forum 7 Main Entrance 8 9 North Wing - Level 0 Meeting Rooms 7 to 9 First Aid Room North Wing - Level -1 8 1 2 16 1 6 7 2 5 43 Green Halls 1 to 3 5 6 1 3 2 Orange Halls 1 to 3 3 Turquoise Halls 1 and 2 Meeting Rooms 3 to 6 Offices 5 to 8 Floor Content plan South Wing - Level +2 Mezzanine Suites 5 to 9 Suite 6 Suite 5 Suite 7 Suite 8 Suite 9 Schnittmarke South Wing - Level +2 Amber Halls 1 to 8 Brown Halls 1 to 3 Suites 1 to 4 Amber Amber 2 1 Amber Amber 3 4 Amber 5 Amber Amber 7 8 Amber 6 Speakers Lounge Suite 2 Brown 1 Brown 2 Suite 3 Brown 3 Suite 4 Connection passage to North Wing - Level +2 17 Content Floor plan North Wing - Level +2 Silver Plenary Silver Plenary White Halls 1 and 2 White Halls 1 and 2 Connection passage to Connection passage to South Wing - Level +2 South Wing - Level +2 Voting Voting Room Room MemberMembership ship Office Office Silver Silver Plenary Plenary Schnittmarke North Wing - Level +1 Yellow Halls 1 to 3 Yellow Halls 1 to 3 Blue Halls 1 and 2 Blue Halls 1 and 2 Red Halls 1 and 2 Red Halls 1 and 2 Museum Fair and Expo Forum Museum Fair and Expo Forum Expo Expo Forum Forum Networking Networking Lounge Lounge Red Red 2 2 Red Red 1 1 „Where ICOM „Where ICOM from“ from“ Exhibition Exhibition Blue Blue 1 1 Museum Fair Museum Fair and Expo Forum and Expo Forum Yellow Yellow 3 3 Yellow Yellow 2 2 Registration Registration 18 Yellow Yellow 1 1 ICOM ICOM Secretariat Secretariat Meeting Rooms 7 to 9 First Aid Room Floor Content plan 9 Meeting Rooms 8 7 Main Entrance North Wing - Level 0 Meeting Rooms 7 to 9 First Aid Room 9 Meeting Rooms 8 7 Main Entrance Schnittmarke North Wing - Level -1 Green Halls 1 to 3 Orange Halls 1 to 3 Turquoise Halls 1 and 2 Turquoise 2 Meeting Rooms 3 to 6 Offices 5 to 8 3 4 5 6 Meeting Rooms Turquoise 1 Green Halls 1 to 3 Orange Halls 1 to 3 Orange 3 Turquoise Halls 1 and 2 Meeting Rooms 3 to 6 Orange Orange Turquoise 2 1 2 Offices 5 to 8 3 4 5Green6 3 Meeting Rooms Green 2 Green 1 Turquoise 1 8 7 6 Press Office 5 Orange 3 Orange 2 Orange 1 Green 3 Green 2 Green 1 Offices 8 7 Business Centre Offices 6 Press Office 5 Business Centre 19 Schnittmarke General Information General Information Schnittmarke English ORGANISation Conference Organiser ICOM ICOM Italy Maison de l’UNESCO 1 rue Miollis 75732 Paris Cedex 15 France Tel: +33 (0) 1 47 34 05 00 Fax: +33 (0) 1 43 06 78 62 Email: [email protected] via Fabio Filzi, 22 20124 Milano Italy Tel/Fax:+39 (0) 2 4695693 Email: [email protected] Organising Committee Schnittmarke 12 Universités de Lombardie 22 Organising Secretariat For any specific questions on ICOM MILANO 2016 Registration and Excursions: Via K.I.T. Group GmbH Association and Conference Management Kurfürstendamm 71 10709 Berlin Germany Tel: +49 (0) 30 24 603 520 Fax: +49 (0) 30 24 603 200 Email: [email protected] Email: [email protected] Accommodation: Email: [email protected] Exhibition/Sponsoring: Email: [email protected] General Information Icom Italy The Italian National Committee of ICOM is the leading professional association of the museum sector in Italy. It takes care of all the problems closely related to the development and the defense of the profession. ICOM Italy promotes and also coordinates the activities of the Permanent Conference for the Italian Museum Associations. ICOM Italy is present on the national territory thanks to the efforts of the Regional Committees, the continuous research of Thematic Committees studying and regulating the organisation of some of the most important events in the industry, such as the National Conference of Museums of Italy, the ICOM Italy Award for the Museum of the year, the National Assembly of ICOM and the International Museum Day. Schnittmarke During the past 3 years, ICOM Italy organised many side events, stimulated the debates and selected interesting Italian best practices about the Conference Theme. The results of this meticulous and in-depth job will be presented during ICOM Milano 2016. Check the online programme and the App for all the information. 23 CC BY-SA 2.0 David Davies Content icom ICOM AND ICOM GENERAL CONFERENCES The International Council of Museums (ICOM), created in 1946, is a worldwide organisation of museums and museum professionals. ICOM is committed to promoting and protecting natural and cultural heritage, present and future, tangible and intangible. With 35,000 members in almost 140 countries, the ICOM network is made up of museum professionals from a wide range of museumand heritage-related disciplines. ICOM promotes standards of excellence in the museum field, in particular through its ICOM Code of Ethics for Museums, a standard-setting tool for museums, which includes basic principles for museum governance, the acquisition and disposal of collections, and rules for professional conduct. ICOM’s other activities include fighting illicit traffic in cultural goods and promoting risk management and emergency preparedness to protect world cultural heritage in the event of natural or man-made disasters. Schnittmarke Every three years, ICOM’s General Conference gathers the international museum community around a theme chosen by museum professionals. Why attend the 24th ICOM General Conference? Thanks to a rich conference programme stretching over a week, including keynote speeches, International Committees’ sessions, visits and off-site meetings in local museums, and a museum fair, you will have the opportunity to: Meet over 3,000 participants from various cultural backgrounds. Learn from the experience and knowledge of museum professionals from around the world. Stay up-to-date with global issues and the latest trends in your field. Discover and share success stories, innovative practices and challenges. Make new contacts and catch up with old friends. Listen to and brainstorm with the experts. Inspire each other and benefit from a rich environment of mutual learning. 24 Discover and rediscover what Milan and Italy have to offer: Milan is a gateway to Italy. Milan is cosmopolitan and creative: the city of culture, design and fashion, lying in the centre of an area with the highest density of museums in the world. Coming to Milan will offer the chance to visit some of the loveliest art cities in the world (Turin, Verona, Padua, Venice, Genova, Bologna, Florence, Rome and more). They are all well connected to Milan by high-speed train in one to three hours. Coming to Milan will offer participants a taste of the celebrated Italian hospitality, Italian food and the uniquely Italian way of life. How to make the most of your ICOM General Conference experience? Explore what Milan and Italy have to offer: Choose an itinerary for Excursion Day: museums and other cultural sites, walking tours around the city, etc. Check the many social events that are planned in Milan on the evenings of 5 and 6 July. Extend your stay in Italy by choosing among the preand post-conference tours. Examine the conference programme to spot sessions and events of greatest interest to you: Choose among the meetings and activities of ICOM’s 30 International Committees. Be inspired by the daily keynote speeches to embrace visionary and provocative insights and begin another day of conference full of ideas. “Jump” from one session to another to be sure of attending the ones that interest you most. Discover the sponsored sessions and presentations in the Expo Forum, the Conference’s little agora inside the museum fair area, and don´t miss the Panel Discussion session and the Memorial Lecture on 5 July. Meet as many people as possible outside the meeting rooms: Seize the social opportunities by attending lunches, receptions by National Committees, etc. Make new contacts everywhere: during coffee breaks, lunch breaks… Don’t visit the city alone, explore with fellow participants. General Information CONFERENCE Content THEME Who does not know the extraordinary range of landscapes that make up the Italian peninsula, extending from the Alps to the centre of the Mediterranean, with its hinterlands and its rivieras? Who cannot conjure up one of the countless monuments encountered while traveling through Italy, a country unique in the wealth of testimonies, it has accumulated over the ages, like so many layers on a painting, from Antiquity to the Middle Ages, from the Renaissance to the Baroque, from the Neoclassical age to the present day? Equally famous are Italy’s major museums, from the Uffizi Gallery in Florence to the Brera Gallery in Milan; from the Gallerie dell’Accademia in Venice, the Capodimonte in Naples and the Savoia Gallery in Turin to the Vatican Museums in Rome. Their masterpieces are an essential part of the Imaginary Museum described by André Malraux, along with many other works of art which are preserved in churches, in palaces and in the towns and villages of the Bel Paese. Most works are displayed in art and archaeology museums, but also in sites and historic buildings that make Italy a great museo diffuso: an extended museum, an open air museum. The Italian museum scenario is even richer than its well established image. First of all, there are the great museums born of the dynastic collections of pre-unification States (before 1861, Italy was politically divided to several independent states). Then there is the network of civic museums of large and medium-sized towns, and finally, hundreds of small local museums, mostly established in the past few decades. In 2011, Italy had 4,588 museums and similar institutions, breaking down as follows: 3,847 museums, 240 archaeological parks and areas, and 501 monuments and historic buildings. Nearly one out in three municipalities houses at least one museum. Italy is a country where, as André Chastel wrote, “the collection, the building that hosts it and the town around the building are deeply intertwined: these three forms of museums are reflected in each other.” 1 1 Inviting colleagues from all over the world to the 24th General Conference of ICOM, which will be held in Milan from 3 to 9 July, 2016, the Italian National Committee offers a theme dear to Italian museology: the relationship between museums and cultural landscapes. This is a central issue for Italy, but also a strategic perspective for museums around the world as we enter the third millennium. Schnittmarke The landscapes of Italy are world famous. It has been much described and visited throughout the centuries. Italy’s cultural landscapes have been changing. Although endangered by urban and industrial development, many of her celebrated landscapes have been preserved: they may have changed but they have not been deprived of their ancient charm. New landscapes have also emerged, and their expressions of modernity have already become a part of contemporary history, while the very interpretation of landscape has changed and been extended to encompass intellectual as well as visual connotations. This theme presents both an opportunity and a challenge for museums to revive their mission and strengthen their cultural and social role. © Civico Museo Archeologico | Comune di Milano MUSEUMS AND CULTURAL LANDSCAPES Civico Museo Archeologico A. Chastel, Italia museo dei musei, in I musei, TCI, Milano 1980, p. 14 25 Content Speakers Keynote ICOM Milano 2016 will feature five world-renowned keynote speakers, with different backgrounds and approaches. A Nobel Prize-winning Turkish writer, an American artist, an Italian architect and designer, an African political and cultural leader, and an Australian economist will present their enriching, insightful views on culture, art, museums and cultural landscapes. Come to Milan and get a unique chance to listen to and learn from the enlightening experiences of some of the greatest intellectuals of the contemporary world! 4 July Schnittmarke Christo, USA Christo was born in Gabrovo, Bulgaria, on 13 June 1935 and spent his youth under Communist rule. He studied Arts in Sofia and Vienna. JeanneClaude (Jeanne-Claude Marie de Guillebon 1935-2009), also born 13 June 1935, was born of French parents in Casablanca, Morocco, and grew up in Paris, Bern, Switzerland, and Gabès, Tunisia, before finally settling with her family in Paris. In 1957, Christo escaped from Eastern Europe to the West. He was wrapping objects in various materials at that time, though it was through portraiture that he primarily supported himself. The couple met in Paris in 1958 when he was making portraits of Jeanne-Claude‘s mother. In 1961, the artists began collaborating on monumental projects--endeavors in which the medium has largely been fabric, chosen for its fluid and ephemeral qualities. Christo and Jeanne-Claude share joint authorship of the large-scale projects; however, Christo makes the wrapped objects, packages, scale models, and drawings. The projects are solely funded by the sale of these works, as the artists do not accept sponsorship. The Christos‘ early projects, mainly involving extant architecture, managed to both conceal and underscore the essential character and meaning of a site. Over time, their use of fabric has become freer and more open. The realized projects remain installed for a finite time, yet their impermanence heightens their aesthetic appeal. Their works include the wrapping of the Reichstag in Berlin and the PontNeuf bridge in Paris, the 24-mile (39 km)-long artwork called Running Fence in Sonoma and Marin counties in California, and The Gates in New York City‘s Central Park. 26 Orhan Pamuk, Turkey Turkish novelist Orhan Pamuk became the first Nobel laureate in literature ever to emerge from his country. Known for his epic, multifaceted stories in which the protagonist is often caught between two worlds, Pamuk interweaves elements from the West‘s pantheon of postmodern prose into his fiction while also blurring the line between realism and fantasy that is a hallmark of the greatest works of Arabic literature. Orhan Pamuk‘s books have been translated into 63 languages, including Georgian, Malayan, Czech, Danish, Japanese, Catalan, as well as English, German and French. Once a year, Pamuk gives lectures at Columbia University. He created the Museum of Innocence in Istanbul at the same time he wrote his novel, as a perfect symbiosis between museology, literature and cultural landscapes. In 2014, Museum of Innocence received the European Museum of the Year Award (EMYA) given by the European Museum Forum. Pamuk was awarded The Peace Prize, considered the most prestigious award in Germany in the field of culture, in 2005. In the same year, Snow received the Prix Médicis étranger, the award for the best foreign novel in France. In 2006, TIME magazine chose him as one of the 100 most influential persons in the world. The same year, he received the Nobel Prize for Literature, becoming the second-youngest person to receive the award in its history. General Information Keynote Speakers Content 5 July Nkandu Luo, Zambia Nkandu Luo is the current Minister of Gender and Child Development. She has also served as Minister of Health, Minister of Transport and Communications, Minister of Local Government and Housing, Minister of Chiefs and Traditional Affairs. The Honorable Professor Nkandu Luo is Professor of microbiology and immunology and has served as Head of Pathology and Microbiology at the University Teaching Hospital, Lusaka, Zambia. Apart from her training in Microbiology and Immunology, she pursued studies in Immunopathology of infectious Diseases and Epidemiology and Medical Statistics. Prof Luo has carried out a lot of research on HIV/AIDS, TB. Malaria and other infectious diseases. She has been active in teaching of both undergraduate, postgraduate, Biomedical and nursing students. Schnittmarke Michele De Lucchi, Italy Michele De Lucchi is an Italian architect, a prominent figure in movements like Cavart, Alchimia and Memphis. He has designed lamps and furniture for renowed Italian and European companies, such as Artemide, Olivetti, Alias, Unifor, Hermès and Alessi. He has designed working environments and corporate identity for Deutsche Bank, Poste Italiane, Ferrovie dello Stato, Enel, Piaggio, Olivetti, Telecom Italia, Novartis, Intesa Sanpaolo and Unicredit. He has realized architectural projects in Italy and worldwide, including residential, industrial, corporate and cultural buildings, as well as curating exhibitions for the Triennale di Milano, Palazzo delle Esposizioni di Roma, the Neues Museum Berlin, the Galleria d’Italia in Piazza Scala and Museo Pietà Rondanini in Milan. He has recently realized a number of projects for the city of Milan: the pavilions for Expo 2015 (Padiglione Zero, Expo Center, Intesa Sanpaolo) and UniCredit Pavilion in piazza Gae Aulenti. 6 July David Throsby, Australia David Throsby is internationally acclaimed as one of the inventors of cultural economics. A Distinguished Professor in the Economics Department of Macquarie University in Sydney, he is internationally recognized for his research and publications on the economics of art and culture. His current fields of research include the economic situation of creative artists, the creative industries, the economics of cultural heritage, culture and sustainable development, and the links between economic and cultural policy. He is the author of numerous publications including The Economics of the Performing Arts, with Glen Withers (1979), ‘The Production and Consumption of the Arts: A View of Cultural Economics’ in the Journal of Economic Literature (1994), Economics and Culture (2001), and The Economics of Cultural Policy (2010). Together with Victor Ginsburgh he has co-edited two volumes of the Handbook of the Economics of Art and Culture (2006 and 2014) 27 Content Where ICOM From An exhibition to celebrate 70 years of ICOM! By François Mairesse What is an anniversary for? Is it to recall past times? Is it to celebrate the experiences gleaned over the course of time? Or is it to gather those dear to us for a pleasant event? It is always interesting to take advantage of the here and now to take a look back, and at 70, the age of becoming (at least) a grandparent, the time is ripe to recall the memories that have influenced our history, and share them with our grandchildren through family albums. Creating an exhibition about ICOM could seem like a narcissistic exercise in patting ourselves on the back, like a 3D selfie where we all try to fit in. In fact, it is a more ambitious project. The history of ICOM has not always been a long quiet river. Schnittmarke More than 40 years ago, after a sweeping contestation movement in the museum field, noticeable during the General Conference in Paris and Grenoble (1971), the New Museology movement developed, as a response to the museum crisis that highlighted the conventional ways of a western, bourgeois institution. Forty years later, the museum crisis seems long past, and there are more museums than ever before. Alongside the numerous smaller organisations, at times extremely dynamic, but also extremely fragile, huge economic machines have developed around globalised tourism. Museums, vilified in the past due to their old-fashioned approach, nowadays play an important role in global geopolitical issues. This exhibition in itself allows for a possible itinerary evoking, if not all aspects (an impossible mission), some of the dimensions of ICOM, blending places, important events, keynote figures, etc. It is an incomplete tale that it is not an “official” version of the adventure of ICOM, but instead, a selection of stories from its archives that seek to display some of the dimensions of this organisation. An interactive tour The exhibition Where ICOM from retraces, in almost 235m2, the evolution of ICOM over its 70 years of existence, and raises questions about its future directions. An immersive scenography links archive documents – including pictures, posters and videos – to illustrate the rich history of ICOM. A huge timeline and a selection of important dates show the growth of the ICOM network and the achievements of the organisation over time. The main activities of the organisation and the upcoming challenges are addressed in stories and personal points of view from ICOM members. Interactive devices will enable visitors to take part in the debate and share their thoughts. Judging by the number of its employees, ICOM is a small-scale organisation. Nevertheless, the number and diversity of its committees, all of them managed voluntarily, represent a vast and complex network that represents the diversity of the world. Who can actually claim to be familiar with its full scope? 28 © ICOM The role of ICOM has also evolved. Established by a small group of professionals in 1946, the organisation now counts some 36,000 members from a wide array of backgrounds, but united by a common question. The exhibit “Where ICOM from” recalls some of the elements that shape the nature of ICOM and museums, and ask us about the future of this institution. In 1946, the world was recovering from a global conflict followed by a long cold war. Seventy years later, while the world has not experienced another global war, it has never seemed so close to widespread conflict. What role can museums and ICOM play in this context? Georges Henri Rivière playing the shamisen, 1960, Tokyo, Japan General Information Where ICOM Content From Exhibition Where ICOM from, 70 years of the International Council of Museums, from 4 to 6 July 2016 Blue Hall 2, North Wing, level +1 (close to central escalators). Opening expected on 4 July at 12:30 in the exhibition site. Schnittmarke Event organised by the ICOM Endowment Fund, jointly with student from University Paris 1 PantheonSorbonne, and with the generous support of Panasonic, main sponsor of the exhibition. © guerillagraphik It is curious that ICOM, which identifies itself as the museum forum par excellence, had never tried to communicate and contribute to debates more frequently, through the feature that sets it apart – exhibitions. Nevertheless, it has done so through publications, talks, and now, its website and social networks. If there is a defining feature of museums, it is that they represent a unique, collective way of thinking, which aims to spread knowledge in spatial fashion, through objects, images and sounds. This is no easy task: to develop an exhibition, space, time and means are required. The one being presented in Milan does not intend to respond to all of the questions asked here, but to make each visitor wonder, at least for a few minutes, about the facets of the organisation that brings us together, as well as about this highly specific space that museums represent. 29 Content Social Programme OPENING PARTY – 4 July CLOSING CEREMONY AND PARTY – 9 July Castello Sforzesco La Triennale di Milano Monday, 4 July, 2016 19:30 – 23:30 Piazza Castello Closest Metro Stations: Cairoli, M1, Red Line Saturday, 9 July, 2016 19:30 – 00:00 Viale Emilio Alemagna, 6 Closest Metro Station: Cadorna, M1, Red Line The Opening Party will be held on Monday 4 July at Castello Sforzesco, the famous 15th century castle in Milan’s centre. On that occasion, participants will have the opportunity to visit all the museums in the Castle and especially the new display of Michelangelo’s Pietà Rondanini and Leonardo’s newly restored frescos in the “Sala delle Asse”. A welcome cocktail will be offered, as well as musical entertainment. The party will start at 19:30 and end at 23:30. Entrance will be guaranteed only upon showing your ICOM Milano 2016 name badge. The Closing Ceremony and Party will be held on Saturday 9 July at Triennale’s Palazzo dell’Arte. Starting from 19:30, participants will be allowed to visit the Triennale’s Museum of Design, its park and the 21st International Triennial Exhibitions for architecture, visual and decorative arts, design, fashion and audio/video production. The Closing Ceremony will take place at 20:00. During the ceremony, the ICOM flag will officially pass from ICOM Milano 2016 to ICOM Kyoto 2019 and the 25th ICOM General Conference will be presented. After the Ceremony the Closing Party will start! © EcilaAlice © fedewild Schnittmarke 30 General Information Social Programme Content SOCIAL EVENTS – 5 and 6 July evening (and more!) GREAT CONCERT IN DUOMO – The Veneranda Fabbrica del Duomo Milan Cathedral More than 40 museums in Milan will open exceptionallyduring the evening and organise special events for ICOM Milano 2016! The complete list of the social events, with the map and all the details about opening times and other useful information are available on the conference website (http://network.icom.museum/icom-milan-2016/socialevents/social-events/) and are constantly updated. Some events are open to a limited number of participants: no reservation is needed and the participants will granted access upon availability. Some very special events are planned! Wednesday, 6 July, 2016 20:00 – 21:00 Piazza del Duomo The Duomo will host a special dedicated concert for ICOM Milano 2016 participants. OPEN NIGHT | Special ICOM Milano 2016 Concert programme Special opening for the general public and ICOM Milano 2016 participants. The National Museum of Science and Technology Leonardo da Vinci, the largest technical and scientific museum in Italy, opens its doors to the entire city during the 24th ICOM General Conference in Milan. A special OPEN NIGHT to discover the Museum’s collections, experiments and interactive workshops and enjoy the evening in the 16th century monastery cloisters. Dive into the world of the Enrico Toti submarine and experience the life of sailors on-board. Discover Leonardo’s artistic techniques and venture between new diets, DNA and the major ingredients of our food. Relax with live classical, jazz and rock and roll music. The Railway Pavilion comes alive with contemporary dance and live music performances. Atmospheres of a cathedral “The great Duomo pipe organ and the majesty of the brass instruments” A dialogue in music Nikolaj Rimskij-Korsakov (1844-1908) (pipe organ and brass instruments) Procession of Nobles Georg Friedrich Haendel (1685-1759) And the Glory of the Lord (brass instruments) Giovanni Gabrieli (1557-1612) Canzon Undicesimi Toni (pipe organ and brass instruments) Edward Elgar (1857-1934) Military March n.1 (pipe organ and brass instruments) Gabriel Fauré (1845-1924) (brass instruments) Pavane Marcel Dupré (1886-1971) (pipe organ and brass instruments) Poème Héröique Eugène Gigout (1844-1925) (pipe organ and brass instruments) Grand Choeur Dialogué Alessandro La Ciacera (second organist of the Duomo) Doctor Brass Quintet Giorgio Tosatti, trumpet Matteo Macchia, trumpet Jaime Carrasco, trombone Marco Anastasio, bass tuba Tommaso Ruspa, horn © Museo Nazionale della Scienza e della Tecnologia Leonardo da Vinci di Milano Tuesday, 5 July, 2016 18:30 – 23:30 Via San Vittore 21 Schnittmarke © Pedro National Museum of Science and Technology Leonardo da Vinci, Milan 31 Content Social Programme AN EVENING IN THE BRERA PALACE FOR ICOM MILANO 2016 THE LAST SUPPER Palazzo di Brera Several time slots during the whole week. Piazza Santa Maria delle Grazie, 2 Cenacolo Vinciano The 17th century Palace of the Sciences and the Arts opens its doors with a public event specially for ICOM Milan 2016. After a welcome by the Brera’s Directors, its leading institutions – the Pinacoteca, the Academy of Fine Arts, the Braidense National Library, the Istituto Lombardo Academy of Science and Letters, the Botanical Garden, the INAF (Museum and Astronomical Observatory) – will stay open exceptionally until 10:15 pm with events, exhibitions, installations and guided tours. The Brera’s institutions will be open to the public, and a light dinner will be offered exclusively to ICOM 2016 guests while seats last – reservations are obligatory. Schnittmarke Reservation: [email protected] The Last Supper is situated in Milan in the ex-refectory near the Sanctuary of Santa Maria delle Grazie. It was painted between 1494 and 1498 by Leonardo da Vinci and it is known all over the world. The Last Supper shows one of the most important scenes, and the richest in meaning from the Gospel according to John. © On MiBACT Licence - PoloM useale della Lombardia Thursday, 7 July, 2016 18:30 – 22:15 Via Brera 28, Milano © Pinacoteca di Brera Thanks to scientists, art critics and restorers from all over the world, the original painting, altered by extensive retouching that did not conform to the peculiar characteristics of Leonardo da Vinci’s work, was brought to light again. 32 A special agreement with the Italian Ministry of Culture Heritage Activities and Tourism will invite ICOM Milano 2016 participants to visit the Last Supper, thanks to the reservation of several timeslots during the entire week. All booking details are available on the Conference website. General Information Social Programme Content LOMBARDIA Valcamonica Varese Crespi d’Adda Iseo Lake Monza Bergamo Torino Pavia Monferrato PIEMONTE Vicenza Lago di Garda Brescia Mantova Piacenza Musei del Cibo Parma Modena Bologna EMILIA-ROMAGNA Genova LIGURIA Lunigiana Firenze Schnittmarke Milan VENETO Certaldo / Castelfiorentino TOSCANA Excursion Day Excursion Day is an ICOM General Conference tradition: one day off to discover the host city as well as north and central Italy! This year, Excursion Day will take place on Friday, 8 July. For more information, please have a look at the Conference website (http://network.icom. museum/icom-milan-2016/excursion-day/excursionday-proposals/) or visit the “Social Programme” counter in the registration area. PRE- AND POST-CONFERENCE TOUR The Organising Committee selected about 50 tours, proposed and organised by experienced travel agencies and partners. Tours are tailored-made for ICOM Milano 2016 participants. Costs and details are available on the Conference website (http://network.icom.museum/icom-milan-2016/tours/ pre-and-post-conference-tours/). All the information about the organising travel agencies and partners are available at the Tours desk located in the Museum Fair & Expo Forum (Exhibition Area, North Wing, level +1). TOURS FOR ACCOMPANYING PERSONS Two different tours have been organised for accompanying persons with the special partnership of Musement. Tours are free of charge for regularly registered accompanying persons. A limited number of tickets is available. Discover more on the Conference website (http://network. icom.museum/icom-milan-2016/tours/accompanyingpersons-tours/)! 33 Content Information A-Z General Accommodation Should you need to book a hotel or have any questions regarding your reservation, please visit the accommodation counter in the registration area in the North Wing on level +1. Accompanying persons Accompanying persons will have a restricted access to the conference. Entrance to the Museum Fair & Expo Forum and conference sessions is not included. Accompanying persons are allowed to join all the social events taking place outside the conference centre (Opening, Party, Special Open Night, Concert in Duomo, Excursions, Closing Ceremony and Party and free tours). ICOM Affiliated Organisations Schnittmarke The Affiliated Organisations are associations or international bodies dedicated to museums and museum professionals in a given region. These organisations participate in ICOM’s activities and contribute to the influence of the organisation and its network while maintaining their autonomy. Any international organisation made up of at least two-thirds of museums or museum professionals can become an ICOM Affiliated Organisation. The 21 Affiliated Organisations are represented by their Presidents within the Advisory Committee. Please find the ICOM Affiliated Organisations below: AEOMAssociation of European Open-Air Museums AFRICOM International Council of African Museums AIMA International Association of Agricultural Museums AMOIAssociation of Museums of the Indian Ocean CAM Commonwealth Association of Museums CIMAM International Committee for Museums and Collections of Modern Art EXARC International Organisation of Archaeological Open Air Museums and Experimental Archaeology FIHRMFederation of International Human Rights Museums HO!IHands On! International Association of Children’s Museums IACCC International Association of Corporate Collections of Contemporary Art IACM International Association of Customs/Tax Museums 34 IAMFA International Association of Museum Facility Administrators IAMH International Association of Museums of History IATM International Association of Transport and Communications Museums ICAM International Confederation of Architectural Museums ICMM International Congress of Maritime Museums MAC Museums Association of the Caribbean MINOM International Movement for a New Museology PIMA Pacific Islands Museum Association SADCAMSouthern Africa Development Community Association of Museums and Monuments SIBMAS International Association of Libraries and Museums of the Performing Arts Automated Teller Machine (ATM) There is an ATM in the MiCo in the North Wing on level +1 right next to the entrance of the Museum Fair & Expo Forum. When coming up the escalators, it is on your right hand side. Badge Printing Terminals Participants have the opportunity to scan the barcode on their registration confirmation at the Badge Printing Terminals in order to get their name badge printed. The Badge Printing Terminals are generously sponsored by the company ETT s.p.a.. Business Centre The Business Centre is located in Office 5 in the North Wing on level -1. Participants have the possibility to print material, make copies, scan or fax during the following opening hours: Sunday, 3 July Monday, 4 July Tuesday, 5 July Wednesday, 6 July Saturday, 9 July The following rates apply Copy / Printing (single face): A4 B&W € 0.20 A3 B&W € 0.30 A4 colour size € 0.50 A3 colour size € 0.70 08:00 – 19:00 08:00 – 19:00 08:00 – 19:00 08:00 – 19:00 08:00 – 18:00 General Information General Information Content A-Z Outgoing faxes:Basic fixed rate € 1.50 Italy € 0.30 Europe € 0.60 Intercontinental € 1.00 Incoming faxes:Fixed rate € 0.20 Ream of paper:500 sheets € 5.00 Participants can visit the Triennale’s Museum of Design, park and the 21st International Triennial Exhibitions for architecture, visual and decorative arts, design, fashion and audio/video production. Coffee Breaks Catering areas are located in the Museum Fair & Expo Forum area in the North Wing on level +1. Lunch bags and coffee breaks will be provided to all full registered participants from 3 to 6 July and on 9 July. Certificate of Attendance The official Certificate of Attendance for ICOM Milano 2016 will be available after the Conference. Participants will be able to download it from the Participant Platform. Charging Stations There will be mobile phone charging stations located throughout the conference venue and free of charge. Cloakroom, Luggage The cloakroom is located in the registration area in the North Wing on level +1. The following rate apply: € 2.50 per coat and € 3.00 for luggage. The cloakroom will be open during the following times: Sunday, 3 July Monday, 4 July Tuesday, 5 July Wednesday, 6 July Saturday, 9 July 08:00 – 19:00 08:00 – 19:00 08:00 – 19:00 08:00 – 19:00 08:00 – 18:00 Climate Milan has a humid subtropical climate with continental influences. Milan’s climate is similar to much of northern Italy’s inland plains, with hot, humid summers and cold, foggy winters. In summer, humidity levels are high and peak temperatures can reach temperatures above 35 °C (95 °F). Closing Ceremony and Party The Closing Ceremony (within the limit of the number of places available on a first-come-first-served basis) will be held on Saturday, 9 July, at 19:30 followed by the Closing Party at 20:00 at Triennale Palazzo dell’Arte. Coffee will be served to all registered delegates in the Museum Fair & Expo Forum in the North Wing on level +1 from 4 to 6 July as well as on 3 and 9 July in the Silver Foyer in the North Wing on level +2 during the following times: Sunday, 3 July: Monday, 4 July: Tuesday, 5 July: Wednesday, 6 July Saturday, 9 July: 10:30 – 11:00 and 15:00 - 15:30 (Silver Foyer) 15:45 – 16:15 (Museum Fair & Expo Forum) 10:30 – 11:00 and 16:30 – 17:00 (Museum Fair & Expo Forum) 11:00 – 11:30 and 15:45 – 16:15 (Museum Fair & Expo Forum) in the morning (Silver Foyer) Schnittmarke Catering Areas Conference Bag The conference bag will be available at the conference bag counter in the registration area in the North Wing on level +1. Exhibitors will get one conference bag per booth which will be distributed to them during the first conference day. The ICOM Milano 2016 Conference Bag is generously supported by Haroutunian Foundation. Currency The Italian currency is the euro which comes in denominations of 5, 10, 20, 50, 100, 200 and 500 euro notes as well as coins of 1, 2, 5, 10, 20, 50 cents and 1 and 2 euros. Electricity In Italy, the voltage is at 220v a/c. Plugs are 2 pins so an adaptor may be necessary. Excursion Day Excursion Day is an ICOM General Conference tradition: one day off to discover the host city as well as north and central Italy! This year, Excursion Day will take place on Friday, 8 July. For more information, please have a look at the Conference website (http://network.icom.museum/ icom-milan-2016/excursion-day/excursion-day-proposals/). 35 Content Information A-Z General Expo Forum The Expo Forum is a separate area in the Museum Fair & Expo Forum (North Wing, level +1) where exhibitors/ sponsors can give a presentation to participants. The schedule is published in the programme part of this brochure as well as on a designated sign in the Expo Forum area. Film, Photo and Video Recording ICOM and K.I.T. Group work together to create a comprehensive overview of the conference interactions and events which may be of promotional interest to the organisation. Accordingly, please be advised that you may be filmed or photographed at any time (in the meeting rooms, Expo Forum, during social events, etc.) and that any presentations you deliver (keynote speech, presentation, etc.) may be recorded. Schnittmarke First Aid All security agents of the MiCo are trained in first aid. They are your first contact point. A first aid room is situated in the North Wing on level 0. You may also contact anyone at the registration counter which is located in the North Wing on level +1. ICOM Milano 2016 Conference App The ICOM Milano 2016 Conference App is designed to enhance the experience of the participants before, during and after the conference, by placing the following features and information at their fingertips: Interactive Conference Programme List of Speakers and Exhibitors Maps and Floor Plans Social Programme Networking Social Media Conference Survey The ICOM Milano 2016 Conference App is generously sponsored by the company Guardian Glass Europe. Insurance and Liability The Conference Organiser, ICOM or ICOM Italy and the MiCo shall not be held liable for personal injury or any loss or damage to the belongings of conference delegates, either during or as a result of the conference. Delegates should check the validity of their own insurance. 36 ICOM International Committees The International Committees bring together experts of museum specialties. Chairpersons represents each International Committee within ICOM’s Advisory Committee. The 30 International Committees are global think tanks on museum, and heritage matters. They define museum professional’s standards, share scientific information, establish partnerships with other organisations and develop recommendations for ICOM members. Please find the ICOM’s international committees below: AVICOM Audiovisual and New Technologies of Image and Sound CAMOC Collections and Activities of Museums of Cities CECA Education and Cultural Action CIDOC Documentation CIMCIM Museums and Collections of Musical Instruments CIMUSET Museums and Collections of Science and Technology CIPEG Egyptology COMCOL Collecting COSTUME Museums and Collections of Costume DEMHIST Historic House Museums GLASS Museums and Collections of Glass ICAMT Architecture and Museum Techniques ICDAD Museums and Collections of Decorative Arts and Design ICEE Exhibitions and Exchange ICFA Museums and Collections of Fine Arts ICLM Literary Museums ICMAH Museums and Collections of Archaeology and History ICME Museums and Collections of Ethnography ICMEMO Memorial Museums in Remembrance of the Victims of Public Crimes ICMS Museum Security ICOFOM Museology ICOM-CC Conservation ICOMAM Museums of Arms and Military History ICOMON Money and Banking Museums ICR Regional Museums ICTOP Training of Personnel INTERCOM Museum Management MPR Marketing and Public Relations NATHIST Museums and Collections of Natural History UMAC University Museums and Collections General Information General Information Content A-Z ICOM LAC PHOTOGRAPHIC EXHIBITION Participants have the opportunity to visit a special photo exhibition organised by ICOM LAC. Place: Foyer Gold, South Wing, level +2 Title: Cultural Landscapes of Latin America and the Caribbean Region From Sunday, 3 July to Wednesday, 6 July 08:30 – 18:00 Museum Fair & Expo Forum Wi-Fi will be available for all registered delegates free of charge at the MiCo. You can connect to the network “ICOM_Milano_2016” with the password below and upon acceptance of the general conditions. Conference delegates are invited to visit the Museum Fair & Expo Forum which will be open during the following times: Monday, 4 July Tuesday, 5 July Wednesday, 6 July Password: icom2016 The ICOM Milano 2016 Wi-Fi network is generously sponsored by Hubei Provincial Museum. Internet Area The internet area is located in the Museum Fair & Expo Forum area in the North Wing on level +1. It is free of charge to all registered delegates. There is also a printer available for printing e.g. boarding passes. Language The conference languages are English, French, Spanish, and Italian. 12:30 – 18:00 09:00 – 18:00 09:00 – 18:00 Name Badge A name badge is required for admittance to all official conference sessions and events. Each delegate is required to present the badge in order to gain access to the conference. The name badge must be clearly displayed. If an attendee loses, misplaces or forgets their name badge, a handling fee of € 50.00 will be charged for a new badge and the lost badge will be invalidated. If someone claims that the badge is in the hotel and will be brought back the next day, we take € 40.00 and hand out a receipt. If the second badge is given back the next day, the € 40.00 is refunded. The name badge is generously sponsored by Haroutunian Foundation. Lunch Lunch bags will be provided to all full registered participants in the dedicated areas in the Museum Fair & Expo Forum in the North Wing on level +1 from 4 to 6 July as well as on 3 and 9 July in the Silver Foyer in the North Wing on level +2 as follows: Sunday, 3 July Monday, 4 July Tuesday, 5 July Wednesday, 6 July Saturday, 9 July The Membership Office is located in the White 1 Hall in the North Wing on level +2 and will be open during the following times: Schnittmarke Internet Access Membership Office 12:30 – 13:30 (Silver Foyer) 12:30 – 14:00 (Museum Fair & Expo Forum) 13:00 – 14:00 (Museum Fair & Expo Forum) 13:00 – 14:00 (Museum Fair & Expo Forum) 14:00 – 15:00 (Silver Foyer) National Committees The National Committees are the main tools of communication between the General Secretariat and ICOM members. The 119 National Committees ensure that the interests of the organisation are managed in their respective countries. The National Committees represent their members within ICOM and they contribute to the implementation of the organisation’s programmes. Networking Lounge The Networking Lounge is located in the Museum Fair & Expo Forum in the North Wing on level +1. The Networking Lounge is generously sponsored by Goppion S.p.A and Goppion MuseumLab, Paul Bernhard Exhibit Design & Consulting, The Hettema Group and THK Co., Ltd.. 37 Content Information A-Z General Opening Ceremony The Opening Ceremony will take place in the Silver Plenary on Monday, 4 July at 09:30 – 12:30. All registered delegates are invited to attend this event. Opening Party The Opening Party will be held on Monday, 4 July from 19:30 at the Castello Sforzesco, the famous 15th century castle in Milan’s centre. On that occasion, participants will have the opportunity to visit all the museums of the Castello including the new display of Michelangelo’s Pietà Rondanini and Leonardo’s newly restored frescos in the Sala delle Asse. Off-Site Meetings Schnittmarke On Thursday, 7 July ICOM International Committees organise their meetings outside the conference venue. Unless specified those meetings are dedicated for the members of each specific Committee. A detailed schedule of the Off-Site meetings can be found in the programme part of this brochure. People with Disabilities The MiCo is accessible to conference participants with disabilities. Pre- and Post-Conference Tours Pre- and post- conference tours are not organised by ICOM Milano 2016. All tours have to be booked in advance based on the deadlines indicated on the Conference website. You can find all the information about the organising travel agencies at the Tours desk located in the Museum Fair & Expo Forum (Exhibition Area, North Wing, level +1). Press / Media The press office is located in the Office 6, North Wing, level -1 and will be open during the following times: Sunday, 3 July Monday, 4 July Tuesday, 5 July Wednesday, 6 July Saturday, 9 July 38 10:00 – 19:00 08:00 – 18:30 08:00 – 18:30 08:00 – 18:30 08:00 – 17:30 Press Contact: Ms Maria Gatón Fraile Head of Communications Department and Public Relations ICOM - International Council of Museums E-mail: [email protected] Mr Stefano De Angelis / Mr Filippo Cristini Head of Italian Press Agency (Studio De Angelis) E-mail: [email protected], [email protected] The press conference will take place on Thursday, 30 June in the Museo Nazionale della Scienza e della Tecnologia Leonardo da Vinci in the Biancamano room. For more information, please visit the Conference website (http:// net wor k .icom.museum / icom-mil an-2016/media / press/). Programme Changes / Date of Print The organisers shall not be held liable for any changes in the programme due to external or unforeseen circumstances. Changes notified after the print deadline (6 June) are displayed online on the Conference website and available through the conference application. public transportation The registration fee includes the public transportation ticket of Milan. The ticket will be provided at the conference bag desk at the MiCo (North Wing, level +1). Regional Alliances The Regional Alliances are forums designed to promote dialogue and the sharing of information between the National Committees, museums and the museum professionals of a given region. The National Committees can be members of a Regional Alliance established in their geographical area. The Presidents of the five ICOM Regional Alliances sit on the Advisory Committee. Please find the ICOM Regional Alliances below: ICOM ARABArab Countries Alliance ICOM ASPACAsia-Pacific Alliance ICOM EUROPE Europe Alliance ICOM LACLatin America & Caribbean Alliance ICOM SEESouth East Europe Alliance General Information General Information Content A-Z Registration Voting Room The registration counter is located in the registration area in the North Wing on level +1 and will be open during the following times: The voting room is located in the White 2 Hall in the North Wing on level +2 and will be open during the following times: Sunday, 3 July Monday, 4 July Tuesday, 5 July Wednesday, 6 July Saturday, 9 July Monday, 4 July and Tuesday, 5 July 08:00 – 19:00 08:00 – 18:30 08:00 – 18:30 08:00 – 18:30 08:00 – 17:30 08:00 – 19:00 Water Dispensers Water dispensers are located throughout the conference venue and are free of charge. social events (5 and 6 july) More than 40 museums in Milan will exceptionally open during the evening and organise special events for ICOM Milano 2016! Schnittmarke The complete list of the social events, with the map and all the details about opening times and other useful information are available on the Conference website (http:// net wor k .icom.museum / icom-mil an-2 016/socialevents/social-events-july-5-and-6/) and are constantly updated. Some events are open to a limited number of participants: no reservation is needed and the participants will be granted access upon availability. Some very special events are planned! Speakers Lounge The speakers lounge is located in Suite 1, South Wing, level +2 and will be open during the following times: Sunday, 3 July Monday, 4 July Tuesday, 5 July Wednesday, 6 July Saturday, 9 July 08:00 – 19:00 08:00 – 18:30 08:00 – 18:30 08:00 – 18:30 08:00 – 17:30 Survey A survey about the conference will be available through the conference app after the conference. This survey will help us better understand the needs and wishes of the participants. VOLUNTEERS Volunteers will assist you during the whole Conference. They are all wearing a special t-shirt in order you can easily recognise them. The volunteers t-shirt is generously sponsored by the company Arteria. 39 opening times Press Office Registration Sunday, 3 July Monday, 4 July Tuesday, 5 July Wednesday, 6 July Saturday, 9 July 08:00 – 19:00 08:00 – 18:30 08:00 – 18:30 08:00 – 18:30 08:00 – 17:30 12:30 – 18:00 09:00 – 18:00 09:00 – 18:00 Cloakroom, Luggage Sunday, 3 July Monday, 4 July Tuesday, 5 July Wednesday, 6 July Saturday, 9 July 08:00 – 19:00 08:00 – 19:00 08:00 – 19:00 08:00 – 19:00 08:00 – 18:00 Voting Room Schnittmarke Monday, 4 July Tuesday, 5 July 08:00 – 19:00 08:00 – 19:00 Membership Office Sunday, 3 July Monday, 4 July Tuesday, 5 July Wednesday, 6 July 40 10:00 – 19:00 08:00 – 18:30 08:00 – 18:30 08:00 – 18:30 08:00 – 17:30 Speakers Lounge Museum Fair & Expo Forum Monday, 4 July Tuesday, 5 July Wednesday, 6 July Sunday, 3 July Monday, 4 July Tuesday, 5 July Wednesday, 6 July Saturday, 9 July 08:30 – 18:00 08:30 – 18:00 08:30 – 18:00 08:30 – 18:00 Sunday, 3 July Monday, 4 July Tuesday, 5 July Wednesday, 6 July Saturday, 9 July 08:00 – 19:00 08:00 – 18:30 08:00 – 18:30 08:00 – 18:30 08:00 – 17:30 Business Centre Sunday, 3 July Monday, 4 July Tuesday, 5 July Wednesday, 6 July Saturday, 9 July 08:00 – 19:00 08:00 – 19:00 08:00 – 19:00 08:00 – 19:00 08:00 – 18:00 General Information Borromean Islands Schnittmarke Prado Museum Van Gogh Museum Villa Panza #1 ONLINE PARTNER FOR CULTURAL INSTITUTIONS Reach new customers and increase your bookings through our website, app, affiliate partners and offline travel agencies network; sell on your own website, generating vouchers and e-tickets as well as accepting instant payments. [email protected] - +39 02 4538 6900 - musement.com Schnittmarke INFORMATION GÉNÉRALE INFORMATION GÉNÉRALE Schnittmarke franÇais Content Organisation Organisateurs de la conférence ICOM ICOM Italie Maison de l’UNESCO 1 rue Miollis 75732 Paris Cedex 15 France Tel: +33 (0) 1 47 34 05 00 Fax: +33 (0) 1 43 06 78 62 Email: [email protected] via Fabio Filzi, 22 20124 Milan, Italie Tel/Fax:+39 (0) 2 4695693 Email: [email protected] Comité d’organisation Schnittmarke 12 Universités de Lombardie 44 Bureau organisateur Pour toute question concernant ICOM MILANO 2016 Inscription et excursions : Via K.I.T. Group GmbH Association and Conference Management Kurfürstendamm 71 10709 Berlin Allemagne Tel: +49 (0) 30 24 603 520 Fax: +49 (0) 30 24 603 200 Email: [email protected] Email: [email protected] Hébergement : Email: [email protected] Exposition / Sponsoring : Email: [email protected] Depuis 3 ans, ICOM Italie a organisé de nombreux événements, a suscité des débats et a choisi les meilleures pratiques italiennes en lien avec le thème de la conférence. Les résultats seront présentés durant ICOM Milano 2016. Pour plus d’information, consultez le programme en ligne et l’application dédiée. CC BY-SA 3.0 Carlo Dell’Orto Schnittmarke Le Comité National de l’ICOM est la principale association professionnelle du secteur des musées en Italie. Il s’occupe de tous les problèmes étroitement liés au développement et à la défense de la profession. ICOM Italie cherche à promouvoir et à coordonner les activités de la Conférence Permanente pour les Associations de Musées Italiens. ICOM Italie est représenté sur l’ensemble du territoire grâce aux efforts des Comités Régionaux, et à la recherche constante de Comités Thématiques chargés de l’étude et de la régulation de l’organisation des principaux événements de l’industrie, tels que la Conférence nationale des musées d’Italie, le Prix du Musée de l’Année accordé par ICOM Italie, l’Assemblée nationale de l’ICOM et la Journée internationale des musées. INFORMATION GÉNÉRALE Icom Italie Content ICOM ICOM ET LES CONFÉRENCES GÉNÉRALES DE L’ICOM Créé en 1946, le Conseil international des musées (ICOM) est l’organisation internationale des musées et des professionnels des musées. L’ICOM s’engage à promouvoir et à protéger le patrimoine culturel et naturel, actuel et futur, tangible et intangible. Regroupant plus de 35 000 membres répartis dans plus de 140 pays, l’ICOM constitue un réseau de professionnels des musées et du patrimoine ou de professionnels œuvrant dans des disciplines connexes. Schnittmarke L’ICOM promeut des normes d’excellence dans le domaine muséal, en particulier grâce à son Code de déontologie pour les musées qui fixe les normes minimales des pratiques professionnelles en matière de gouvernance, d’acquisition et de cession des collections, ainsi que les règles de conduite professionnelle. Parmi les activités de l’ICOM figurent la lutte contre le trafic illicite des biens culturels, la gestion des risques et la préparation aux situations d’urgence pour protéger le patrimoine culturel mondial en cas de catastrophes naturelles ou d’origine humaine. Tous les trois ans, la Conférence générale de l’ICOM réunit la communauté internationale des musées autour d’un thème défini par les professionnels du domaine muséal. Pourquoi participer à la 24e Conférence générale de l’ICOM ? Grâce à un programme très riche s’étalant sur une semaine, composé de discours inauguraux, de sessions de comités internationaux, de visites et de rendez-vous dans les musées locaux, ainsi que d’un salon professionnel des musées, vous pourrez : Rencontrer plus de 3 000 participants issus de contextes culturels variés. Apprendre grâce à l’expérience des professionnels des musées du monde entier Rester informé sur les problématiques mondiales et les dernières tendances dans votre domaine. Découvrir et échanger sur les « success story », les pratiques novatrices et les défis à relever. Nouer de nouveaux contacts et retrouver d’anciennes connaissances. Ecouter et interagir avec des experts. Bénéficier d’un environnement d’apprentissage mutuel riche. 46 Découvrir et redécouvrir ce que Milan et l´Italie ont à offrir : Milan est une porte ouverte sur l’Italie. Milan est une ville cosmopolite et créative, la ville de la culture, du design et de la mode, qui se trouve au centre de la zone géographique regroupant la plus grande densité de musées au monde. Venir à Milan vous donnera l’opportunité de visiter quelques-unes des villes d’art les plus aimées au monde (Turin, Vérone, Padoue, Venise, Gênes, Bologne, Florence, Rome…). Situées pour les plus éloignées d’entre elles à trois heures de Milan, elles sont bien desservies par des trains à grande vitesse. Venir à Milan vous donnera un avant-goût de l’Italie, sa célèbre hospitalité, sa cuisine et sa dolce vita unique. Comment profiter pleinement de la Conférence générale de l’ICOM ? Explorez ce que Milan et l’Italie peuvent vous offrir : Choisissez un parcours pour la journée d’excursions : musées et sites culturels, promenade à travers la ville, etc. Renseignez-vous sur les événements planifiés à Milan, les soirées des 5 et 6 juillet. Prolongez votre séjour en Italie en choisissant l’un des voyages organisés avant et après la conférence. Choisissez dans le programme de la conférence ce qui vous intéresse le plus : Choisissez parmi les réunions et activités des 30 comités internationaux de l’ICOM. Venez assister aux présentations de conférenciers de renom qui vous feront partager leur point de vue visionnaire et stimulant. Passez d’une session à l’autre pour vous assurer d’avoir choisi le thème qui vous intéresse le plus. Découvrez les sessions sponsorisées et les présentations dans le Forum situé à l’intérieur du salon professionnel des musées, et ne manquez pas les sessions de rencontre-débat et la Memorial Lecture le 5 juillet. Rencontrez un maximum de personnes en dehors des salles de conférence : Inscrivez-vous à des activités de réseautage: déjeuners thématiques, réceptions des comités nationaux, etc. Nouez de nouveaux contacts partout où vous allez: lors des pauses café, des déjeuners ou des excursions… Ne visitez pas la ville seul, joignez-vous à d’autres participants. THÈME DE LA CONFERENCE Content Ses grands musées sont tout autant célèbres : les Offices à Florence, la Pinacothèque de Brera, les Galeries de l’Académie à Venise, le Capodimonte à Naples, la Galerie Sabauda ou les musées du Vatican, tous font partie intégrante de cet immense patrimoine. Leurs œuvres d’art comptent pour une part essentielle dans ce Musée imaginaire que décrivait André Malraux, tout comme celles que recèlent les églises, les palais seigneuriaux, les villes et les bourgs du Bel Paese. Ces musées d’art et d’archéologie, mais aussi les sites et monuments historiques font de l’Italie un vaste « musée à ciel ouvert », le museo diffuso. Le panorama muséal italien est bien plus riche et diversifié qu’il n’est représenté habituellement. Il est d’abord constitué de grands musées issus des collections dynastiques des États pré-unitaires (avant 1861, l’Italie était divisée en plusieurs États indépendants), mais aussi d’un réseau majeur de musées municipaux des principales villes italiennes. Il vient également s’enrichir de centaines de petits musées locaux, dont la plupart ont été créés au cours des dernières décennies. En 2011, l’Italie recensait 4 588 musées et établissements assimilés : 3 847 musées, 240 aires et parcs archéologiques, 501 sites et monuments historiques. Près d’une municipalité sur trois compte au moins un musée. L’Italie est un pays où, comme l’a décrit André Chastel, « Tout est diffèrent quand par une sorte d‘emboîtement exemplaire la collection s‘inscrit dans l‘édifice qu‘enveloppe la cité et que se répondent ces trois formes du musée». 1 1 En invitant leurs collègues du monde entier à la 24e Conférence Générale de l’ICOM qui se tiendra à Milan du 3 au 9 juillet 2016, le comité national italien leur propose de réfléchir à un thème cher à la muséologie italienne : le rapport entre musées et paysages culturels. C´est non seulement une question centrale pour l’Italie, mais aussi une perspective stratégique pour les musées du monde entier en ce troisième millénaire. Ce thème constitue à la fois une opportunité et un défi pour les musées, en vue de repenser la définition de leur mission et renforcer leur rôle culturel et social. Schnittmarke Qui ne connaît pas l’extraordinaire diversité des paysages de la péninsule italienne, avec ses rivieras et ses arrière-pays, qui s’étend des Alpes jusqu’au cœur de la Méditerranée ? Qui n’a pas gardé à l’esprit l’un des innombrables monuments que l’on peut observer en Italie, ce pays unique, sorte de tableau aux multiples patines, où toutes les époques ont laissé leur empreinte, de l’Antiquité à nos jours, en passant par le Moyen Âge, la Renaissance, le Baroque, le néoclassicisme ? Les paysages culturels italiens ont évolué. Menacés par le développement urbain et industriel, ces paysages célèbres ont toutefois été préservés. En dépit de leur transformation, ils ont su conserver leur authenticité. De nouveaux paysages ont aussi fait leur apparition, expression d’une modernité déjà en partie historique. La notion même de paysage a changé et ne cesse de gagner de nouveaux territoires mentaux et visuels. © Civico Museo Archeologico | Comune di Milano Le paysage italien est connu dans le monde entier. Il a été décrit, représenté et visité à toutes les époques. INFORMATION GÉNÉRALE MUSÉES ET PAYSAGES CULTURELS Civico Museo Archeologico A. Chastel, Italia museo dei musei, in I musei, TCI, Milano 1980, p. 14 47 CONFÉRENCIERS ICOM Milano 2016 accueillera cinq personnalités de renom, venues d’horizons différents. Un écrivain turc lauréat du prix Nobel, un artiste américain, un architecte et designer italien, une responsable politique africaine, et un économiste australien présenteront leurs points de vue visionnaires et éclairants sur la culture, l’art, les musées et les paysages culturels. Venir à Milan est une occasion unique de découvrir et d’apprendre des expériences enrichissantes de certains des plus grands intellectuels du monde contemporain ! 4 juillet Schnittmarke Christo, USA Christo est né le 13 juin 1935 à Gabrovo en Bulgarie et a passé son enfance sous le régime communiste. Il a étudié l’art à Sofia et à Vienne. JeanneClaude (Jeanne-Claude Marie de Guillebon 1935-2009), est née, également le 13 juin 1935, de parents français, à Casablanca au Maroc et a grandi à Paris, à Bern en Suisse ainsi qu’à Gabès en Tunisie, avant que sa famille ne s’installe définitivement à Paris. En 1957, Christo s’échappe de l’Europe de l’Est vers l’Ouest. A cette époque, il enveloppe des objets de différents matériaux même s’il vit principalement de l’art du portrait. Le couple se rencontre à Paris en 1958 lorsqu’il réalise le portrait de la mère de Jeanne-Claude. En 1961, les deux artistes démarrent leur collaboration sur des projets monumentaux – dans lesquels le support principal est le tissu, choisi pour son caractère éphémère et sa fluidité. Si Christo et Jeanne-Claude créent ensemble des projets à grande échelle, Christo réalise les objets enveloppés, emballages, modèles réduits et dessins. Les artistes n’acceptant pas de sponsoring, les projets sont financés uniquement par la vente des œuvres. Les premiers projets de Christo, impliquant principalement de l’architecture existante, dissimulent autant qu’ils ne soulignent le caractère essentiel et signifiant d’un site. Au fil du temps, l’utilisation qu’ils font du tissu devient plus libre et plus ouverte. Les projets réalisés sont temporaires et leur caractère éphémère intensifie d’autant leur attrait esthétique. Parmi leurs œuvres les plus marquantes on peut citer l’emballage du Reichstag à Berlin et du PontNeuf à Paris, l’œuvre de 39 km de long, appelée Running Fence dans les comtés de Sonoma et de Marin en Californie et The Gates dans Central Park à New York. 48 Orhan Pamuk, Turquie Romancier turc, Orhan Pamuk est le premier lauréat du prix Nobel de littérature de son pays. Connu pour ses épopées, histoires à multiples facettes où le protagoniste est souvent tiraillé entre deux mondes, Pamuk entrelace dans sa fiction des éléments de prose occidentale post-moderne en brouillant les frontières entre la réalité et l’imaginaire caractéristique des plus grandes œuvres de la littérature arabe. Ses livres sont traduits en 63 langues, anglais, allemand et français mais aussi en géorgien, malais, tchèque, danois, japonais, catalan. Chaque année, Pamuk donne des cours à l’université Columbia. En accord avec son roman éponyme, il créé le Musée de l’Innocence à Istanbul, symbiose parfaite entre la muséologie, les paysages littéraires et culturels, Prix du musée européen de l’année 2014 décerné par le Forum européen du musée. En 2005, il reçoit le Prix de la Paix, récompense la plus prestigieuse dans le domaine de la culture en Allemagne ainsi que le Prix Médicis étranger pour son ouvrage Neige, meilleur roman étranger en France. En 2006, le Time magazine le désigne comme une des 100 personnalités les plus influentes au monde. La même année, il reçoit le Prix Nobel de littérature, devenant ainsi la deuxième personne la plus jeune à recevoir cette distinction. CONFÉRENCIERS Nkandu Luo, Zambie Nkandu Luo est actuellement ministre du genre et du développement de l’enfance. Elle a également été ministre de la santé, ministre des transports et communications, ministre du gouvernement local et du logement, ainsi que ministre des chefferies et des affaires traditionnelles. Professeur en microbiologie et en immunologie, Nkandu Luo a dirigé le service de pathologie et microbiologie du Centre hospitalier universitaire, Lusaka, Zambie. En parallèle de sa formation en microbiologie et immunologie, elle a suivi des études en immunopathologie des maladies infectieuses, en épidémiologie et en statistique médicale. Nkandu Luo a effectué de nombreuses recherches sur le VIH/ Sida, la tuberculose, la malaria et d´autres maladies infectieuses. Elle a également enseigné à des étudiants de premier, second et troisième cycles ainsi qu’à des étudiants en médecine et des étudiant infirmiers. Schnittmarke Michele De Lucchi, Italie Architecte italien, Michele De Lucchi a joué un rôle important dans les mouvements comme Cavart, Alchimia et Memphis. Il a conçu des lampes et des meubles pour des entreprises italiennes et européennes les plus connues, comme Artemide, Olivetti, Alias, Unifor, Hermès et Alessi. Il a créé les environnements de travail et l’identité visuelle de la Deutsche Bank, Poste Italiane, Ferrovie dello Stato, Enel, Piaggio, Olivetti, Telecom Italia, Novartis, Intesa Sanpaolo ainsi que d’Unicredit. Il a réalisé des projets architecturaux, bâtiments résidentiels, industriels, culturels et des entreprises, en Italie et dans le monde entier, il a également assuré le commissariat d’exposition pour la Triennale Di Milano, Palazzo delle Esposizioni di Roma, le Neues Museum Berlin, la Galleria d’Italia à la Piazza Scala et le Museo Pietà Rondanini à Milan. Plus récemment, il a réalisé un certain nombre de projets pour la ville de Milan : les pavillons pour l’Expo 2015 (Padiglione Zero, Expo Centre, Intesa Sanpaolo) ainsi que le pavillon UniCredit sur la place Gae Aulenti. INFORMATION GÉNÉRALE 5 juillet 6 juillet David Throsby, Australie David Throsby est inter-nationalement connu comme étant l’un des inventeurs de l’économie de la culture. Professeur émérite au département d’économie de l’université Macquarie à Sydney, il est reconnu dans le monde entier pour ses travaux et ses publications sur l’économie de l’art et de la culture. Ses domaines de recherche actuels portent sur la situation économique des artistes créateurs, les industries culturelles, l’économie du patrimoine culturel, la culture et le développement durable ainsi que sur les liens entre la politique économique et culturelle. Il est l’auteur de nombreuses publications dont The Economics of the Performing Arts, avec Glen Withers (1979), ‘The Produc- tion and Consumption of the Arts: A View of Cultural Economics’ in Journal of Economic Literature (1994), Economics and Culture (2001), et The Economics of Cultural Policy (2010). Il a par ailleurs rédigé, en collaboration avec Victor Ginsburger, deux volumes de l’ouvrage Handbook of the Economics of Art and Culture (2006 et 2014). 49 Content Where ICOM From Une exposition pour célébrer les 70 ans de l’ICOM ! Par François Mairesse A quoi sert un anniversaire ? A évoquer le temps qui passe ? A fêter l’expérience acquise au fil des années ? A rassembler des êtres chers autour d’un événement heureux ? Il est toujours intéressant de profiter du moment présent pour faire le point et 70 ans, l’âge d’être (au moins) grand-père, constitue une étape qui permet d’évoquer les souvenirs marquants de son histoire à ses petits-enfants, à travers ses albums de famille… Exposer l’ICOM pourrait certes apparaître comme un exercice d’autocongratulation un peu narcissique, sorte de selfie en trois dimensions, en espérant que tout le monde soit dans le champ. Mais c’est aussi potentiellement beaucoup plus que cela. Schnittmarke L’histoire de l’ICOM n’a pas toujours ressemblé à un long fleuve tranquille. Il y a un peu plus de quarante ans, après un mouvement de contestation généralisé du musée qui avait notamment transparu lors de sa Conférence générale à Paris et Grenoble (1971), se développait la Nouvelle muséologie, réponse à la crise muséale qui pointait du doigt les manières compassées d’une institution occidentale et bourgeoise. Quarante ans plus tard, la crise muséale semble loin et les musées n’ont jamais été aussi nombreux. A côté de nombre de petites organisations parfois fort dynamiques mais aussi très fragiles, quelques grandes machines économiques se développent autour d’un tourisme mondialisé ; le musée naguère vilipendé pour son caractère dépassé est revenu au centre d’enjeux géopolitiques mondiaux. la diversité du monde. Combien sont ceux qui peuvent se targuer d’en connaître les contours ? Cette exposition constitue, en soi, un possible itinéraire permettant d’évoquer, sinon tous les aspects de l’ICOM (une mission impossible), du moins certaines de ses dimensions, en mêlant lieux, événements marquants, personnalités attachantes, etc. Une histoire incomplète, qui ne constitue pas la version « officielle » de l’aventure de l’ICOM, mais plutôt une sélection de témoignages issus de ses archives, cherchant à montrer quelques-unes des dimensions de cette organisation. Un parcours interactif Sur près de 235m2, l’exposition Where ICOM from retrace l’évolution de l’ICOM au cours de ses 70 années d’existence et interroge sur ses orientations futures. Une scénographie immersive associe des documents d’archives – incluant photographies, affiches et vidéos – pour illustrer la riche histoire de l’ICOM. Une large frise chronologique et une visualisation data de l’association montrent la croissance du réseau ICOM et les réussites de l’organisation au fil des années. Les principales activités de l’organisation et ses défis à venir sont abordés au travers des récits et points de vue personnels des membres de l’ICOM. Des dispositifs interactifs permettent aux visiteurs de participer à la discussion et de donner leur opinion. Si l’on compte le nombre de ses employés, l’ICOM est de taille bien modeste. Le nombre et la diversité de ses comités nationaux ou internationaux, tous gérés de manière bénévole, constitue cependant un réseau considérable et d’une complexité extraordinaire, reflétant 50 © ICOM Le rôle de l’ICOM a lui aussi évolué. Formée par un petit groupe de professionnels en 1946, l’organisation fédère aujourd’hui près de 36 000 membres, issus de milieux parfois très différents, mais rassemblés autour d’une problématique commune. L’exposition Where ICOM from vient rappeler certains des éléments qui constituent la nature de l’ICOM et du musée, et interroger sur le futur de cette institution. En 1946, le monde se relevait d’un conflit mondial et allait s’engager dans une longue guerre froide. Soixante-ans plus tard, si le monde n’a pas connu de nouveau conflit mondial, il n’a jamais semblé aussi proche d’affrontements généralisés. Quel peut être le rôle du musée et de l’ICOM dans ce contexte ? Georges Henri Rivière jouant du shamisen, 1960, Tokyo, Japon Where ICOM Content From Exposition Where ICOM from, 70 ans du Conseil international des musées, du 4 au 6 juillet 2016 INFORMATION GÉNÉRALE Blue Hall 2, aile Nord, niveau +1 (à proximité des escalators centraux). Vernissage prévu le 4 juillet 2016, à 12h30, sur le site de l’exposition. Schnittmarke Un événement organisé par le Fonds de dotation de l’ICOM, en coopération avec les étudiants de l’université Paris 1 Panthéon-Sorbonne et avec le généreux soutien de Panasonic, mécène principal de l’exposition. © guerillagraphik Il est curieux que l’ICOM, se présentant comme le forum par excellence du champ muséal, n’ait pas plus souvent tenté de communiquer et de donner matière à réflexion par le biais de ce médium qui fait sa spécificité – l’exposition – plutôt que par des livres, des revues, des colloques ou maintenant un site Internet et les réseaux sociaux. S’il est bien une singularité du musée, c’est justement ce moyen de réflexion particulier, collectif, visant à présenter de manière spatiale des connaissances, par le biais d’objets, d’images, de son. On sait que la chose n’est pas facile : pour monter une exposition, il faut de l’espace, du temps et des moyens. Celle présentée à Milan n’a pas pour vocation de répondre à toutes les questions posées ici, mais d’amener chacun des visiteurs à s’interroger, au moins quelques minutes, sur les facettes de l’organisation qui nous réunit aussi bien que sur ce lieu tellement spécifique que constitue le musée. 51 RÉCEPTIONS ET ACTIVITÉS SOIRÉE D´OUVERTURE – 4 juillet CÉRÉMONIE ET SOIRÉE DE CLÔTURE – 9 juillet Castello Sforzesco Lundi 4 juillet 2016 19:30 – 23:30 Piazza Castello La station de métro la plus proche : Cairoli, M1, ligne rouge La soirée d´ouverture se déroulera le lundi 4 juillet au Castello Sforzesco, le célèbre château du XVe siècle situé au centre de Milan. À cette occasion, les participants auront l´opportunité de visiter tous les musées du Castello, la nouvelle présentation de Pietà de Michelangelo ainsi que les fresques nouvellement restaurées de Léonardo dans la “Sala Delle Asse”. Un cocktail de bienvenue sera offert, accompagné de musique. La soirée débutera à 19:30 et prendra fin à 23:30, l´accès sera seulement garanti sur présentation du badge ICOM Milano 2016. La Triennale di Milano Samedi 9 juillet 2016 19:30 – minuit Viale Emilio Alemagna, 6 La station de métro la plus proche: Cadorna, M1, ligne rouge La cérémonie et la soirée de clôture se dérouleront le samedi 9 juillet à la Triennale Palazzo dell´Arte. À partir de 19:30, les participants auront la possibilité de visiter le Musée du Design de la Triennale, son parc et la 21ème Exposition internationale de la Triennale sur l´architecture, les arts visuels et décoratifs, le design, la mode et la production audiovisuelle. La cérémonie de clôture sera célébrée à 20:00, le drapeau de l’ICOM sera officiellement remis par ICOM Milano 2016 à ICOM Kyoto 2019 qui présentera la 25 Conférence générale de l’ICOM. La soirée de clôture débutera après la cérémonie. © EcilaAlice © fedewild Schnittmarke 52 RÉCEPTIONS ET ACTIVITÉS ÉVÉNEMENTS ET ACTIVITÉS – 5 et 6 juillet au soir (et plus !) INFORMATION GÉNÉRALE CONCERT AU DUOMO – La Veneranda Fabbrica del Duomo Cathédrale de Milan Plus de 40 musées à Milan seront exceptionnellement ouverts le soir et organiseront des événements spécialement pour ICOM Milano 2016 ! La liste complète des événements, ainsi que la carte et tous les détails concernant les horaires d´ouverture et autres informations utiles sont disponibles sur le site de la conférence (http://network.icom.museum/icom-milan-2016/ social-events/evenements-sociaux/L/2/) et sont mis à jour régulièrement. Quelques événements sont ouverts à un nombre limité de participants : accès dans la limite des places disponibles et sans réservation. D’autres événements spécifiques sont également programmés ! Mercredi 6 juillet 2016 20:00 – 21:00 Piazza del Duomo Le Duomo accueillera un concert spécialement dédié aux participants d´ICOM Milano 2016. OPEN NIGHT | Soirée spéciale ICOM Milano 2016 © Museo Nazionale della Scienza e della Tecnologia Leonardo da Vinci di Milano Mardi 5 juillet 2016 18:30 – 23:30 Via San Vittore 21 Ouverture spéciale pour le public et les participants d´ICOM Milano 2016. Le Musée National des Sciences et des Technologies Léonard de Vinci, le plus grand musée scientifique et technique en Italie, ouvre ses portes à toute la ville durant la 24e Conférence générale de l´ICOM à Milan. Une OPEN NIGHT spéciale pour découvrir les collections du musée, les ateliers expérimentaux et interactifs, et profiter de la soirée dans le monastère du XVIe siècle. Laissez-vous transporter dans le sous-marin d’Enrico Toti et expérimentez la vie de marins à bord. Découvrez les projets et techniques artistiques de Léonard mais aussi les nouveaux régimes alimentaires, l´ADN et les principaux ingrédients de la nourriture. Détendez-vous au son de la musique classique, jazz et rock and roll. Le Pavillon du chemin de fer s´animera avec de la danse contemporaine et des performances de musique live. Schnittmarke © Pedro Musée National des Sciences et des Technologies Léonard de Vinci, Milan Programme du concert L´atmosphère d´une cathédrale “Les grandes orgues du Duomo et la majesté des cuivres” Un dialogue en musique Nikolaj Rimskij-Korsakov (1844-1908) (grandes orgues et cuivres) Procession of the Nobles Georg Friedrich Haendel (1685-1759) And the Glory of the Lord (cuivres) Giovanni Gabrieli (1557-1612) Canzon Undicesimi Toni (grandes orgues et cuivres) Edward Elgar (1857-1934) Marche Militaire n°1 (grandes orgues et cuivres) Gabriel Fauré (1845-1924) (cuivres) Pavane Marcel Dupré (1886-1971) (grandes orgues et cuivres) Poème Héröique Eugène Gigout (1844-1925) (grandes orgues et cuivres) Grand Choeur Dialogué Alessandro La Ciacera (deuxième organiste du Duomo) Doctor Brass Quintet Giorgio Tosatti, trompette Matteo Macchia, trompette Jaime Carrasco, trombone Marco Anastasio, tuba Tommaso Ruspa, cor 53 RÉCEPTIONS ET ACTIVITÉS UNE SOIRÉE AU PALAIS BRERA LA CÈNE Palais Brera Cenacolo Vinciano Jeudi 7 juillet 2016 18:30 – 22:15 Via Brera 28, Milan Plusieurs créneaux horaires proposés durant la semaine Piazza Santa Maria delle Grazie, 2 La Cène est située à Milan dans l´ancien réfectoire près © Pinacoteca di Brera Schnittmarke Réservation : [email protected] 54 du Sanctuaire de Santa Maria delle Grazie. Connue dans le monde entier, elle a été peinte entre 1494 et 1498 par Léonard de Vinci. La Cène montre une des scènes les plus importantes et significatives de l’Évangile selon Jean. © On MiBACT Licence - PoloM useale della Lombardia Le Palais des Sciences et des Arts, qui date du XVIIe siècle, ouvre ses portes pour un événement public organisé spécialement pour ICOM Milano 2016. Après un discours de bienvenue du directeur de Brera, ses institutions principales – La Pinacothèque, l´Académie des beaux-arts, la Bibliothèque Nationale de Brera, l’Institut Lombard des Sciences et des Lettres, le Jardin Botanique, l’INAF (Musée et Observatoire Astronomique) – resteront exceptionnellement ouvertes jusqu´à 22:15 proposant des événements, des expositions, des installations et des visites guidées. Les institutions de Brera seront ouvertes au public et un dîner sera offert exclusivement aux invités d´ICOM Milano 2016 – sur réservation obligatoire. Grâce aux scientifiques, aux critiques d´art et aux restaurateurs du monde entier, la peinture originale, modifiée par de nombreuses retouches non conformes aux caractéristiques particulières du travail de Léonard de Vinci, a été remise en lumière. Grâce à un accord spécial avec le ministère italien des activités culturelles et du tourisme, les participants d´ICOM Milano 2016 pourront visiter La Cène, plusieurs créneaux horaires ont été réservés durant la semaine entière. Tous les détails concernant les réservations sont disponibles sur le site de la conférence. RÉCEPTIONS ET ACTIVITÉS Content INFORMATION GÉNÉRALE LOMBARDIA Valcamonica Varese Crespi d’Adda Iseo Lake Monza Bergamo Torino Pavia Brescia Mantova Piacenza Monferrato PIEMONTE Vicenza Lago di Garda Musei del Cibo Parma Modena Bologna EMILIA-ROMAGNA Genova LIGURIA Lunigiana Firenze Schnittmarke Milan VENETO Certaldo / Castelfiorentino TOSCANA Journée d’excursion La journée d´excursion est une tradition lors de la Conférence générale de l’ICOM : un jour libre pour découvrir la ville d’accueil ainsi que l’Italie centrale et du Nord ! Cette année, le jour d’excursion aura lieu le vendredi 8 juillet. Pour plus d’informations, consultez le site Internet de la conférence (http://network.icom.museum/icommilan-2016/excursion-day/journee-dexcursion/L/2/). Circuits pré- et post-conférence Le Comité d’organisation a choisi environ 50 excursions, proposées et organisées par des agences de voyage expérimentées et des partenaires. Les excursions sont sur mesure pour les participants d’ICOM MILANO 2016. Les coûts et les détails sont disponibles sur le site Web de Conférence (http://network.icom.museum/ icom - mil an -2 016 / voy age s /circuit s- pre - et- p os tconference/L/2/). Toutes les informations concernant les agences de voyage organisatrices et les partenaires sont disponibles sur le stand dédié situé au salon professionnel des musées et Forum d’Expo (espace d’exposition, aile Nord, niveau +1). EXCURSIONS POUR LES PERSONNES ACCOMPAGNANTES Deux excursions sont proposées gratuitement pour les personnes accompagnantes inscrites à la conférence, en partenariat avec Musement. Nombre de places limité, plus d’information sur le site Internet (ht tp: //net wor k .icom.museum / icom-mil an-2016/ voyages/visites-pour-les-accompagnants/L/2/) ! 55 Information Générale A-Z Accès Internet Le Wi-Fi sera disponible gratuitement au MiCo pour les participants inscrits. Vous devez rechercher le réseau “ICOM_Milano_2016”, insérer le mot de passe ci-dessous et accepter les conditions générales. Mot de passe : icom2016 Le Wi-Fi est généreusement financé par Hubei Provincial Museum. Accompagnants Schnittmarke Les personnes accompagnantes auront un accès limité à la conférence. L’accès au salon professionnel des musées & Expo Forum ainsi qu’aux sessions de la conférence n’est pas inclus. Les personnes accompagnantes sont autorisées à participer à toutes réceptions et activités en dehors du centre de conférence (cérémonie d’ouverture, nocturnes spéciales, concert au Duomo, excursions, cérémonie et soirée de clôture, et circuits gratuits). Alliances régionales Les Alliances régionales sont des forums ayant vocation à participer du dialogue et de l’échange d’informations entre les Comités nationaux, les musées et les professionnels des musées d’une région donnée. Les Comités nationaux peuvent être membres d’une Alliance régionale établie dans sa zone géographique. Les Présidents des 5 Alliances régionales de l’ICOM siègent au Comité consultatif. ICOM ARABEAlliance régionale de l’ICOM pour les pays arabes ICOM ASPACAlliance régionale de l’ICOM pour l’Asie- Pacifique ICOM EUROPEAlliance régionale de l’ICOM pour l’Europe ICOM LACAlliance régionale de l’ICOM pour l’Amérique latine et les Caraïbes ICOM SEEAlliance régionale de l’ICOM pour l’Europe du sud-est Application de la Conférence ICOM Milano 2016 L’application de la Conférence ICOM Milano 2016 a été conçue pour améliorer l’expérience des participants avant, pendant et après la conférence en leur offrant les fonctionnalités et informations suivantes : 56 Programme interactif de la Conférence Conférenciers Liste des intervenants et des exposants Cartes et plans d’accès Réceptions et activités Réseautage Réseaux sociaux Questionnaire d’évaluation de la Conférence L’application de la Conférence ICOM Milano 2016 est généreusement financée par la société Guardian Glass Europe. Assurance et responsabilité L´organisateur de la conférence, l’ICOM, ICOM Italie et le MiCo ne pourront être tenus responsables des blessures personnelles, des pertes ou des dégâts aux effets personnels des participants à la conférence. Les participants doivent vérifier la validité de leur propre assurance. Badge Un badge nominatif sera exigé pour accéder à toutes les sessions officielles de la conférence ainsi qu’aux événements. Chaque participant est prié de présenter son badge, celui–ci doit être visible. En cas de perte, des frais de traitement de 50.00 € seront facturés pour la fabrication d’un nouveau badge, le badge perdu ne sera plus valide. En cas d’oubli, une caution de 40.00 € sera exigée en échange d´un badge temporaire, celle-ci sera remboursée le jour suivant à la restitution du badge temporaire. Le badge est généreusement financé par Haroutunian Foundation. Bornes d’impression des badges Les participants pourront imprimer leur badge nominatif en scannant le code barre qui figure sur leur confirmation d‘inscription sur les bornes d’impression dédiées. Les bornes d’impression des badges sont généreusement financées par la société ETT s.p.a. Bureau de vote Le bureau de vote est situé dans la salle White 2 dans l’aile Nord au niveau +2 et sera ouvert aux horaires suivants : Lundi 4 juillet et mardi 5 juillet 08:00 – 19:00 Information Générale A-Z Le bureau des membres est situé dans la salle White 1 dans l’aile Nord au niveau +2 et sera ouvert aux horaires suivants : De dimanche 3 juillet au mercredi 6 juillet 08:30 – 18:00 Bornes de recharge Des bornes de recharge pour téléphones portables, en accès gratuit, sont situées dans tout le centre de conférence. Centre d´affaires Le centre d´affaires est situé dans la salle Office 5 dans l´aile Nord au niveau -1. Les participants peuvent imprimer, faire des photocopies, scanner ou faxer. INFORMATION GÉNÉRALE Bureau des membres Les participants pourront visiter le Musée de Design de la Triennale, son parc et la 21e Exposition internationale de la Triennale sur l´architecture, les arts visuels et décoratifs, le design, la mode et la production audiovisuelle. Certificat de présence Le certificat officiel de présence à ICOM Milano 2016 sera disponible après la conférence. Les participants pourront le télécharger depuis la plate–forme des participants. Changement de programme Les organisateurs ne pourront être tenus responsables d´aucun changement de programme survenu en raison de circonstances externes ou imprévues. Les changements notifiés après le délai d´impression (le 6 juin) seront actualisés sur le site Internet de la conférence et disponibles sur l´application de la conférence. Horaires d’ouverture : 08:00 – 19:00 08:00 – 19:00 08:00 – 19:00 08:00 – 19:00 08:00 – 18:00 Tarifs : Photocopie/Impression (recto) : A4 noir et blanc 0.20 € A3 noir et blanc 0.30 € A4 couleur 0.50 € A3 couleur 0.70 € Fax sortant :Tarif de base 1.50 € Italie 0.30 € Europe 0.60 € Intercontinental 1.00 € Fax entrant : Prix unique 0.20 € Rame de Papier : 500 feuilles 5.00 € Cérémonie d´ouverture La cérémonie d´ouverture se déroulera dans la salle Silver Plenary le lundi 4 juillet de 09:30 à 12:30. Tous les participants inscrits sont invités à participer à cet événement. Cérémonie et soirée de clôture La cérémonie de clôture (accès dans la limite des places disponibles et selon l’ordre d’arrivée) se déroulera le samedi 9 juillet à 19:30 et sera suivie de la soirée de clôture à partir de 20:00 à la Triennale Palazzo dell´Arte. Circuits pré- et post-conférence Schnittmarke Dimanche 3 juillet Lundi 4 juillet Mardi 5 juillet Mercredi 6 juillet Samedi 9 juillet Les circuits pré- et post-conférence ne sont pas organisés par ICOM Milano 2016. Tous les circuits doivent être réservés en avance selon les délais indiqués sur le site Internet de la Conférence. Vous pourrez retrouver toutes les informations concernant les agences de voyages organisatrices au niveau du stand dédié situé au salon professionnel des musées & Forum Expo (espace d’exposition, aile Nord, niveau +1). Climat Milan a un climat subtropical humide avec des influences continentales. Le climat de Milan est semblable aux plaines intérieures d’une grande partie de l’Italie du Nord, avec des étés chauds, étouffants et des hivers froids, brumeux. En été, le niveau d’humidité est haut et les températures maximales peuvent dépasser les 35°C (95 °F). Comités internationaux Les Comités internationaux rassemblent les experts des spécialités muséales et sont représentés au sein du Comité consultatif de l’ICOM par leurs Présidents. Véritables centres de réflexion mondiale sur les questions muséales et plus largement de patrimoine, les 30 Comités internationaux de l’ICOM définissent les standards professionnels des musées, échangent des informations scientifiques, développent des collaborations avec d’autres organisations et élaborent des recommandations qu’ils transmettent aux membres de l’ICOM. 57 Information Générale A-Z Schnittmarke AVICOM CAMOC CECA CIDOC CIMCIM CIMUSET CIPEG COMCOL COSTUME DEMHIST GLASS ICAMT ICDAD ICEE ICFA ICLM ICMAH ICME ICMEMO ICMS ICOFOM ICOM-CC ICOMAM ICOMON ICR ICTOP INTERCOM MPR NATHIST UMAC 58 Comité international pour l’audiovisuel et les nouvelles technologies de l’image et du son Comité international sur les collections et activités des musées des villes Comité international pour l’éducation et l’action culturelle Comité international pour la documentation Comité international pour les musées et collections d’instruments de musique Comité international pour les musées et collections des sciences et techniques Comité international pour l’égyptologie Comité international pour le développement des collections Comité international pour les musées et collections du costume Comité international pour les demeures historiques-musées Comité international pour les musées et collections du verre Comité international pour l’architecture et les techniques muséographiques Comité international pour les musées des arts décoratifs et du design Comité international pour les échanges d’expositions Comité international pour les musées et collections des beaux–arts Comité international pour les musées littéraires Comité international pour les musées et collections d’archéologie et d’histoire Comité international pour les musées et collections d’ethnographie Comité international pour les musées à la mémoire des victimes de crimes publics Comité international pour la sécurité dans les musées Comité international pour la muséologie Comité pour la conservation Comité international des musées d’armes et d’histoire militaire Comité international pour les musées ban caires et monétaires Comité international pour les musées régionaux Comité international pour la formation du personnel Comité international pour la gestion des musées Comité international pour le marketing et les relations publiques dans les musées Comité international pour les musées et collections des sciences naturelles Comité international pour les musées et les collections universitaires Comités nationaux Les Comités nationaux constituent les principaux vecteurs de communication entre le Secrétariat général et les membres de l’ICOM. Les 119 Comités nationaux de l’ICOM assurent la gestion des intérêts de l’ICOM dans leur pays respectifs, représentent leurs membres au sein de l’ICOM et contribuent à la réalisation des programmes de l’ICOM. Déjeuner Des boites-repas seront fournies à tous les participants inscrits, dans les zones dédiées situées au salon professionnel des musées et Forum Expo dans l´aile Nord au niveau +1 du 4 au 6 juillet ainsi que le 3 et le 9 juillet dans le Silver Foyer dans l´aile Nord au niveau +2 aux horaires suivants : Dimanche 3 juillet 12:30 – 13:30 (Silver Foyer) Lundi 4 juillet 12:30 – 14:00 (Salon professionnel des musées et Forum Expo) Mardi 5 juillet 13:00 – 14:00 (Salon professionnel des musées et Forum Expo Mercredi 6 juillet 13:00 – 14:00 (Salon professionnel des musées et Forum Expo) Samedi 9 juillet 14:00 – 15:00 (Silver Foyer) Distributeur automatique de billets Un distributeur automatique de billets est situé dans le MiCo dans l´aile Nord au niveau +1, juste après l´entrée du salon professionnel des musées et Forum Expo, en haut des escaliers roulants, sur votre droite. Distributeurs d´eau Des distributeurs d´eau, en accès gratuit, sont situés dans tout le centre de conférence. Electricité En Italie, la tension fonctionne à 220V AC. Les prises ont 2 broches, un adaptateur peut être nécessaire. Enregistrement Le comptoir d´enregistrement est situé dans la zone d´enregistrement dans l´aile Nord au niveau +1. Horaires d’ouverture : Dimanche 3 juillet Lundi 4 juillet Mardi 5 juillet Mercredi 6 juillet Samedi 9 juillet 08:00 – 19:00 08:00 – 18:30 08:00 – 18:30 08:00 – 18:30 08:00 – 17:30 Information Générale A-Z Espace de networking L´espace de networking est généreusement financé par Goppion S.p.A and Goppion MuseumLab, Paul Bernhard Exhibit Design & Consulting, The Hettema Group et THK Co., Ltd.. Espace de restauration Les zones de restauration sont situées dans le salon professionnel des musées et Forum Expo dans l´aile Nord au niveau +1. Les boîtes-repas et les pauses café seront proposées, du 3 au 6 juillet et le 9 juillet, à tous les participants inscrits. Espace des conférenciers L’espace des conférenciers est situé dans la Suite 1, aile Sud, niveau +2. Horaires d’ouverture : Dimanche 3 juillet Lundi 4 juillet Mardi 5 juillet Mercredi 6 juillet Samedi 9 juillet 08:00 – 19:00 08:00 – 18:30 08:00 – 18:30 08:00 – 18:30 08:00 – 17:30 Espace Internet L’espace Internet est situé au salon professionnel des musées et Forum Expo dans l´aile Nord au niveau +1. L´accès à Internet est gratuit pour tous les participants inscrits. Une imprimante est également disponible pour imprimer des documents (cartes d’embarquement…). Evènements sociaux (5 et 6 juillet) Plus de 40 musées à Milan seront exceptionnellement ouverts le soir et organiseront des événements spécialement pour ICOM Milano 2016 ! La liste complète des événements, ainsi que la carte et tous les détails concernant les horaires d´ouverture et autres informations utiles sont disponibles sur le site de la conférence et sont mis à jour régulièrement (http://network.icom.museum/icommilan-2016/social-events/evenements-sociaux/L/2/). Quelques événements sont ouverts à un nombre limité de participants : accès dans la limite des places disponibles et sans réservation. D’autres événements spécifiques sont également programmés! Les participants ont l´opportunité de visiter une exposition spéciale de photographie organisée par ICOM LAC. Lieu: Foyer Gold, Aile Sud, niveau +2 Titre: Les paysages culturels de l´Amérique Latine et des Caraïbes Film, Photo et enregistrement vidéo ICOM et K.I.T. Group travaillent ensemble afin de créer un panorama complet des échanges et des événements de la conférence destiné à un usage promotionnel de l’organisation. Vous pouvez donc être filmés ou photographiés à tout moment (dans les salles de réunion, le Forum Expo, pendant les événements sociaux, etc.) et les interventions que vous ferez (discours, présentations, etc.) sont susceptibles d’être enregistrées. Forum Expo Le Forum Expo est une zone séparée du salon professionnel des musées où les exposants auront l´opportunité de faire une présentation destinée aux participants. Le programme est publié dans la partie « Programme » dans cette brochure ainsi que sur le panneau dans la zone du Forum Expo. Schnittmarke L´espace de networking est situé dans le salon professionnel des musées et Forum Expo dans l´aile Nord au niveau +1. INFORMATION GÉNÉRALE EXPOSITION DE PHOTOGRAPHIE D`ICOM LAC Hôtel Si vous devez réserver un hôtel ou si vous avez des questions concernant votre réservation, un point d´information pour les hôtels est situé au niveau du comptoir d´enregistrement dans l´aile Nord au niveau +1. Journée d´excursion La journée d´excursion est une tradition lors de la Conférence générale de l’ICOM : un jour libre pour découvrir la ville d’accueil ainsi que l’Italie centrale et du Nord ! Cette année, le jour d’excursion aura lieu le vendredi 8 juillet. Pour plus d’informations, consultez le site Internet de la conférence (http://network.icom.museum/icommilan-2016/excursion-day/journee-dexcursion/L/2/). Langues Les langues de la conférence sont l´anglais, le français, l´espagnol et l´italien. Monnaie La monnaie italienne est l’euro, qui se compose de billets de 5, 10, 20, 50, 100, 200 et 500 euros ainsi que de pièces de monnaie de 1, 2, 5, 10, 20, 50 centimes,1 et 2 euros. 59 Information Générale A-Z Organisations Affiliées d’ICOM Les Organisations affiliées sont des associations ou des conseils internationaux qui se consacrent aux musées et aux professionnels des musées dans une région donnée. Tout en gardant leur autonomie, ces organisations s’associent aux activités de l’ICOM et contribuent au rayonnement de l’organisation et de son réseau. Toute organisation internationale composée d’au moins deux tiers de musées ou de professionnels de musées peut devenir une Organisation affiliée de l’ICOM. Les 20 Organisations affiliées de l’ICOM sont représentées par leur Président au sein du Comité consultatif. Schnittmarke AEOMAssociation des musées de plein air européens AFRICOM Conseil international des musées africains AIMA Association internationale des musées d’agriculture AMOIAssociation des musées de l’océan Indien CAMAssociation des musées du Commonwealth CIMAM Comité international pour les musées et collections d’art moderne EXARCOrganisation internationale des musées archéologiques de plein-air et d’archéologie expérimentale FIHRMFédération internationale des musées des droits de l’homme HO!IHands-On! International L’association de musées des enfants IACCCAAssociation internationale des collections d’entreprise d’art contemporain IACMAssociation internationale des musées des douanes et des taxes IAMFAAssociation internationale des administrateurs de bâtiments muséaux IAMHAssociation internationale des musées d’histoire IATMAssociation internationale des musées de transports et de communication ICAM Confédération internationale des musées d’architecture ICMM Congrès international des musées maritimes MACAssociation des musées des Caraïbes MINOM Mouvement international pour une nouvelle muséologie PIMAAssociation des musées des îles du Pacifique SADCAMMAssociation des musées et des monuments de la communauté pour le développement de l’Afrique australe SIBMASSociété internationale des bibliothèques et musées des arts du spectacle 60 Pauses café Le café sera servi à tous les participants inscrits dans les zones dédiées au salon professionnel des musées et Forum Expo situé dans l´aile Nord au niveau +1, du 4 au 6 juillet ainsi que les 3 et 9 juillet dans le Silver Foyer dans l´aile Nord au niveau +2 aux horaires suivants : Dimanche 3 juillet 10:30 – 11:00 et 15:00 - 15:30 (Silver Foyer) Lundi 4 juillet 15:45 – 16:15 (Salon professionnel des musées et Forum Expo) Mardi 5 juillet 10:30 – 11:00 et 16:30 – 17:00 (Salon professionnel des musées et Forum Expo) Mercredi 6 juillet 11:00 – 11:30 et 15:45 – 16:15 (Salon professionnel des musées et Forum Expo) Samedi 9 juillet dans la matinée (Silver Foyer) Personnes à mobilité réduite Le MiCo est accessible aux personnes à mobilité réduite. Premiers soins Tous les agents de sécurité du MiCo sont formés aux premiers secours. Ils seront votre premier contact. Une salle consacrée aux premiers secours est située dans l’aile Nord au niveau 0 (niveau de l’entrée principale). Vous pouvez également contacter les personnes travaillant à l´enregistrement situé dans l´aile Nord au niveau +1. Presse / Médias Le bureau de presse est situé dans la salle Office 6, aile Nord au niveau -1et sera ouvert aux horaires suivants : Horaires d’ouverture : Dimanche 3 juillet Lundi 4 juillet Mardi 5 juillet Mercredi 6 juillet Samedi 9 juillet 10:00 – 19:00 08:00 – 18:30 08:00 – 18:30 08:00 – 18:30 08:00 – 17:30 Contact presse : Mme Maria Gatón Fraile Responsable du service communication et relations extérieures ICOM - International Council of Museums Courriel : [email protected] Mr Stefano De Angelis / Mr Filippo Cristini Responsable de l’agence de presse italienne (Studio De Angelis) Courriel : [email protected] [email protected] Information Générale A-Z Un questionnaire d’évaluation destiné à mieux comprendre les besoins et les souhaits des participants sera disponible sur l´application à l’issue de la conférence. Réunions hors les murs (Off-Site Meetings) Le jeudi 7 juillet, les Comités internationaux de l´ICOM organisent leurs réunions en dehors du centre de conférence. Sauf indication contraire, ces réunions sont réservées aux membres de chaque Comité international. Le programme est publié dans la partie « Programme » dans cette brochure. Sac de la conférence Les sacs de la conférence seront disponibles au comptoir dédié situé dans la zone d’enregistrement dans l’aile Nord au niveau +1. Les exposants recevront un sac par stand qui leur sera distribué lors du premier jour de conférence. L´inscription comprend l’accès aux transports publics de Milan, le ticket sera distribué au comptoir d’enregistrement, remise des sacs, au MiCo (aile Nord, niveau +1). Vestiaire et bagages Le vestiaire est situé dans la zone d’enregistrement dans l’aile Nord au niveau +1. Tarifs : 2,50 € par manteau et 3,00 € par bagage. Horaires d’ouverture : Dimanche 3 juillet Lundi 4 juillet Mardi 5 juillet Mercredi 6 juillet Samedi 9 juillet 08:00 – 19:00 08:00 – 19:00 08:00 – 19:00 08:00 – 19:00 08:00 – 18:00 VOLONTAIRES Des volontaires vous aideront pendant toute la Conférence. Ils portent tous un t-shirt spécifique afin que vous puissiez facilement les reconnaître. Schnittmarke Questionnaire Transports publics INFORMATION GÉNÉRALE La conférence de presse se déroulera le jeudi 30 juin au Musée National des Sciences et Technologies Léonard de Vinci dans la salle Biancamano. Pour plus de renseignements, consultez le site internet de la conférence (http:// net wor k .icom.museum / icom-mil an-2016/media / presse/L/2/). Le t-shirt des volontaires est généreusement financé par la compagnie Arteria. Les sacs de la conférence sont généreusement financés par Haroutunian Foundation. Salon professionnel des musées et Forum Expo Les participants à la conférence sont invités à visiter le salon professionnel des musées et Forum Expo qui sera ouvert aux horaires suivants : Lundi 4 juillet Mardi 5 juillet Mercredi 6 juillet 12:30 – 18:00 09:00 – 18:00 09:00 – 18:00 Soirée d´ouverture La soirée d´ouverture se déroulera le lundi 4 juillet dès 19:30 au Castello Sforzesco, le célèbre château du XVe siècle situé au centre de Milan. A cette occasion, les participants auront l´opportunité de visiter tous les musées du Castello ainsi que la nouvelle présentation de la Pietà de Michelangelo et les fresques nouvellement restaurées de Leonardo dans la “Sala Delle Asse”. 61 horaires d’ouverture Enregistrement Dimanche 3 juillet Lundi 4 juillet Mardi 5 juillet Mercredi 6 juillet Samedi 9 juillet Bureau de presse 08:00 – 19:00 08:00 – 18:30 08:00 – 18:30 08:00 – 18:30 08:00 – 17:30 Salon professionnel des Musées et Forum Expo Espace des conférenciers Lundi 4 juillet Mardi 5 juillet Mercredi 6 juillet Dimanche 3 juillet Lundi 4 juillet Mardi 5 juillet Mercredi 6 juillet Samedi 9 juillet 12:30 – 18:00 09:00 – 18:00 09:00 – 18:00 Vestiaire et bagages Dimanche 3 juillet Lundi 4 juillet Mardi 5 juillet Mercredi 6 juillet Samedi 9 juillet 08:00 – 19:00 08:00 – 19:00 08:00 – 19:00 08:00 – 19:00 08:00 – 18:00 Bureau de vote Schnittmarke Lundi 4 juillet Mardi 5 juillet 08:00 – 19:00 08:00 – 19:00 Bureau des membres Dimanche 3 juillet Lundi 4 juillet Mardi 5 juillet Mercredi 6 juillet 62 Dimanche 3 juillet Lundi 4 juillet Mardi 5 juillet Mercredi 6 juillet Samedi 9 juillet 08:30 – 18:00 08:30 – 18:00 08:30 – 18:00 08:30 – 18:00 10:00 – 19:00 08:00 – 18:30 08:00 – 18:30 08:00 – 18:30 08:00 – 17:30 08:00 – 19:00 08:00 – 18:30 08:00 – 18:30 08:00 – 18:30 08:00 – 17:30 Centre d´affaires Dimanche 3 juillet Lundi 4 juillet Mardi 5 juillet Mercredi 6 juillet Samedi 9 juillet 08:00 – 19:00 08:00 – 19:00 08:00 – 19:00 08:00 – 19:00 08:00 – 18:00 © Musée Rodin Paris FR CELEBRATING 190 YEARS OF CRAFTSMANSHIP IN ENGINEERING DISPLAY SOLUTIONS This year Meyvaert is celebrating its 190th anniversary. All the more reason to highlight two of our latest achievements. In November 2015, the prestigious Musée Rodin reopened in Paris and our company was selected to create, deliver and erect the display cases and museum furniture. Meyvaert’s contribution has enabled the museum to beautifully present In March 2016, the Grammy Museum Mississippi was inaugurated. Meyvaert produced, transported and installed numerous custom-made display solutions for this fascinating new museum. The high-quality freestanding cases and wall recessed showcases are equipped with the latest security mechanisms and conservation systems, enabling the Grammy Mississippi to offer the public an engaging and unforgettable museum visit. VISIT US AT OUR BOOTH N°25 . WE LOOK FORWARD TO MEE TING YOU. DOK NOORD 3 9000 GENT BELGIUM CONTACT FRANK BOOT T: +32 9225 5427 E: [email protected] http://www.meyvaertmuseum.be Schnittmarke © Grammy Museum Mississippi more than 600 works of sculpture inside the renovated 18th century Hôtel Biron. Schnittmarke Schnittmarke ESPAÑOL INFORMACIÓN GENERAL INFORMACIÓN GENERAL ORGANIZADORES Organizadores de la conferencia ICOM ICOM Italia Maison de l’UNESCO 1 rue Miollis 75732 Paris Cedex 15 Francia Tel: +33 (0) 1 47 34 05 00 Fax: +33 (0) 1 43 06 78 62 Email: [email protected] via Fabio Filzi, 22 20124 Milano Italia Tel/Fax:+39 (0) 2 4695693 Email: [email protected] Comité Organizador Schnittmarke 12 Universités de Lombardie Secretaría de Organización ICOM MILANO 2016 Via K.I.T. GroupGmbH Association and Conference Management Kurfürstendamm 71 10709 Berlín Alemania Tel: +49 (0) 30 24 603 520 Fax: +49 (0) 30 24 603 200 Email: [email protected] 66 Para cualquier pregunta relacionada con Inscripciones y excursiónes: Email: [email protected] Alojamiento: Email: [email protected] Exposición/Patrocinio: Email: [email protected] Icom Italia INFORMACIÓN GENERAL El Comité Nacional Italiano del ICOM es la principal asociación profesional del sector museístico en Italia. Este Comité vela por todos los problemas estrechamente relacionados con el desarrollo y la defensa de la profesión. ICOM Italia promueve y coordina las actividades de la Conferencia Permanente para las Asociaciones de Museos Italianos. ICOM Italia está presente en el territorio nacional gracias a los esfuerzos de los Comités Regionales y la investigación constante por parte de Comités Temáticos que estudian y regulan la organización de algunos de los más importantes acontecimientos de la industria, tales como la Conferencia Nacional de los Museos de Italia, el Premio al Museo del Año de ICOM Italia, la Asamblea Nacional del ICOM y el Día Internacional de los Museos. Schnittmarke Durante los 3 últimos años, ICOM Italia ha organizado numerosos eventos, ha promovido los debates y ha escogido las mejores prácticas más interesantes de Italia sobre el Tema de la Conferencia. El resultado de este trabajo se presentará durante ICOM Milano 2016. Consulte en el programa en línea y en la aplicación toda la información. 67 CC BY 2.0 John Picken ICOM ICOM Y LAS CONFERENCIAS GENERALES ICOM El Consejo Internacional de Museos (ICOM), fundado en 1946, es una organización mundial de los museos y los profesionales de los museos. El ICOM se dedica a la promoción y protección del patrimonio natural y cultural, presente y futuro, material e inmaterial. Con más de 35.000 miembros en casi 140 países la red del ICOM está formada por profesionales de los museos que abarcan un gran abanico de disciplinas relacionadas con la museística y el patrimonio. Schnittmarke El ICOM promueve normas de excelencia en el ámbito museístico, en particular a través del Código de Deontología del ICOM para los Museos, una herramienta que establece normas para los museos, que incluye los principios básicos para la gerencia de museos, la adquisición y disposición de colecciones y las normas de conducta profesional. Las otras actividades del ICOM incluyen la lucha contra el tráfico ilícito de bienes culturales y la promoción de la prevención y la gestión en situaciones de emergencia para proteger el patrimonio cultural mundial provocado por desastres naturales o el ser humano. La Conferencia General de ICOM reúne cada tres años a la comunidad museal internacional para debatir acerca de un tema elegido por los profesionales de los museos. ¿Por qué asistir a la 24 a conferencia general del ICOM? Gracias al interesante programa de la Conferencia, que dura toda una semana y se compone de ponentes destacados, sesiones organizadas por los Comités internacionales, visitas y reuniones “off-site” en museos locales, así como también la gran feria museal, usted podrá: Reunirse con más de 3.000 participantes de diferentes ámbitos culturales. Aprender de la experiencia y el conocimiento de profesionales de museos del mundo entero. Mantenerse al día con los problemas mundiales actuales y las últimas tendencias en su campo. Descubrir y compartir historias de éxito, prácticas innovadoras y desafíos. Establecer nuevos contactos y retomar amistades con viejos conocidos. Escuchar a expertos y reflexionar con ellos. Inspirarse mutuamente y beneficiarse de un ambiente de aprendizaje mutuo. 68 Descubrir y Redescubrir Qué ofrecen Milán e Italia: Milán es la puerta de entrada a Italia. Milán es una ciudad cosmopolita y creativa. Milán es una ciudad de cultura, diseño y moda, y está situada en el centro del área con la mayor concentración de museos de todo el mundo. Al venir a Milán podrá visitar algunas de las ciudades artísticas más hermosas del mundo: Turín, Verona, Padua, Venecia, Génova, Bolonia, Florencia o Roma entre otras, a las que se puede llegar desde Milán en tres horas como máximo gracias a los trenes de alta velocidad. Si viene a Milán podrá disfrutar de la famosa hospitalidad italiana, así como de la comida y el estilo de vida italiano. ¿Cómo aprovechar al máximo su experiencia en la Conferencia general del ICOM? Explora lo que Milán e Italia tienen para ofrecerle Seleccione un itinerario para el Día de excursión: museos y otros lugares culturales, recorrido a pie por la ciudad, etc. Descubra los muchos eventos sociales que tendrán lugar las noches de los días 5 y 6 de julio. Prolongue su estancia en Italia al escoger entre los tours anteriores o posteriores a la Conferencia Analice el programa de la conferencia para escoger las sesiones y eventos que más le interesan: Escoja entre las reuniones y actividades de los treinta Comités internacionales del ICOM. Déjese inspirar por los ponentes destacados de las sesiones plenarias y aceptar ideas visionarias y provocadoras, para empezar otro día de la conferencia lleno de ideas. “Salte” de una sesión a otra para asistir a aquellas que le son de interés. Descubra las sesiones patrocinadas y las presentaciones en el Expo Forum, el pequeño ágora de la Conferencia, dentro del área donde se ubica la feria museal y no se pierda los paneles de discusión y las “Memorial Lectures” previstas para el martes 5 de julio. Conozca a tantos profesionales como le sea posible, fuera de las salas de reuniones Aproveche los momentos para socializar al asistir a comidas, recepciones de los Comités nacionales, etc. Haga nuevos contactos en cualquier lugar, pausas para café, comidas… No visite la ciudad solo, hágalo junto a otros participantes. TEMA DE LA CONFERENCIA De igual fama gozan los principales museos italianos, desde la Galería Uffizi en Florencia hasta la Galería Brera en Milán; desde la Galería de la Academia en Venecia, el Museo de Capodimonte en Nápoles y la Galería Saboya en Turín hasta los Museos Vaticanos en Roma. Sus obras maestras son una parte esencial del museo imaginario descrito por André Malraux, junto con muchas otras obras de arte que se conservan en iglesias, palacios y ciudades y pueblos del Bel Paese. La mayoría de las obras se exponen en museos de arte y arqueológicos, pero también en sitios y edificios históricos que hacen de Italia un gran museo difuso: un museo extenso, un museo al aire libre. El panorama museístico italiano es incluso más rico que la buena imagen que se tiene de él. En primer lugar, existen excelentes museos nacidos de las colecciones de las dinastías anteriores a la unificación de los estados (antes de 1861, Italia se dividía políticamente en varios estados independientes). En segundo lugar está la red de museos municipales de las ciudades de gran o mediano tamaño y, por último, se encuentran los cientos de pequeños museos locales, la mayoría de ellos creados en las últimas décadas. En 2011 Italia tenía 4588 museos e instituciones similares: 3847 museos, 240 parques y espacios arqueológicos y 501 monumentos y edificios históricos. Aproximadamente uno de cada tres municipios alberga por lo menos un museo. Italia es un país en el que, tal y como André Chastel escribió, "la colección, el edificio que la alberga y la ciudad que rodea el edificio están ligados profundamente: estas tres formas de museos se reflejan las unas en las otras." ¹ 1 INFORMACIÓN GENERAL ¿Quién no conoce la extraordinaria variedad de paisajes que conforman la península itálica, que se extiende desde los Alpes hasta el centro del Mediterráneo, con sus paisajes de interior y de costa? ¿Quién no tiene en mente al menos uno de los innumerables monumentos que se pueden encontrar al viajar por Italia, un país que ofrece un palimpsesto estratificado único de testimonios que van desde la Antigüedad hasta la Edad Media, desde el Renacimiento hasta el Barroco y desde el Neoclasicismo hasta la actualidad? En su invitación a colegas de todo el mundo para la 24a Conferencia general del ICOM, que tendrá lugar en Milán del 3 al 9 de julio de 2016, el Comité nacional italiano propone un tema apreciado por la museología italiana: la relación entre los museos y los paisajes culturales. Se trata de un asunto clave en Italia, pero también de una perspectiva estratégica para los museos del tercer milenio de todo el mundo. El tema supone tanto una oportunidad como un desafío para los museos a la hora de revivir su misión de reforzar su papel cultural y social. Schnittmarke El paisaje italiano es famoso en el mundo entero y ha sido descrito y visitado en todas las épocas. Los paisajes culturales italianos han ido cambiando. A pesar de la amenaza del desarrollo urbanístico e industrial, muchos de sus célebres paisajes se han conservado y, aunque han cambiado, no han perdido su antiguo encanto. También han surgido nuevos paisajes y su expresión de modernidad ya ha pasado a formar parte de la historia, al tiempo que la idea de paisaje ha cambiado y se ha ampliado hasta comprender nuevos territorios que atraen tanto a la razón como a los sentidos. © Civico Museo Archeologico | Comune di Milano Museos y Paisajes Culturales Civico Museo Archeologico A. Chastel, Italia museo dei musei, in I musei, TCI, Milano 1980, p.14. 69 PONENTES La 24a Conferencia general del ICOM contará con la presencia de cinco ponentes destacados de renombre mundial, con formación y enfoques diferentes. Un Premio Nobel turco de Literatura, un artista americano, un arquitecto y diseñador italiano, una líder política y cultural africana y un economista australiano expondrán sus reflexiones agudas y enriquecedoras sobre cultura, arte, museos y temática cultural. ¡Venga a Milán y no pierda la oportunidad de escuchar y aprender de las enriquecedoras experiencias de algunos de los mayores intelectuales del mundo contemporáneo! 4 de julio Schnittmarke 70 Christo, EE. UU. Christo nació el 13 de junio de 1935 en Gabrovo, Bulgaria, y pasó su infancia bajo el régimen comunista. Estudió arte en Sofía y Viena. Jeanne-Claude (19352009) también nació el 13 de junio de 1935, aunque lo hizo en Casablanca, Marruecos. Su infancia discurrió entre París, Berna (Suiza) y Gabes (Túnez), antes de que su familia se instalara definitivamente en París. En 1957, Christo escapa de Europa del Este hacia el oeste. En aquel entonces, Christo envolvía los objetos en diferentes materiales, aunque vivía principalmente del arte del retrato. La pareja se encuentra en 1958 mientras él pinta el retrato de la madre de Jeanne-Claude. Orhan Pamuk, Turquía Novelista turco, Orhan Pamuk es el primer Premio Nobel de Literatura de su país. Conocido por sus epopeyas, historias multifacéticas en las que el protagonista se ve atrapado en dos mundos, Pamuk une en su ficción elementos de la prosa occidental postmoderna al difuminar los límites de la realidad y el imaginario característico de las obras más importantes de la literatura árabe. Sus obras se han traducido en 63 idiomas, como el inglés, alemán y francés, aunque también en georgiano, malayo, checo, danés, japonés o catalán. Cada año, Pamuk imparte clases en la Universidad de Columbia. En 1961, los dos artistas dan comienzo a sus colaboraciones en proyectos monumentales: proyectos en los que el material principal es el tejido por su carácter efímero y su fluidez. Mientras Christo y Jeanne-Claude conciben juntos proyectos a gran escala, Christo también se dedica a los objetos envueltos, embalajes, modelos y dibujos. Los artistas no aceptan patrocinadores, los proyectos se financian únicamente mediante la venta de obras. Los primeros proyectos de Christo dependían principalmente de la arquitectura existente, por lo que no destacaban la identidad y el carácter de sus ubicaciones. Con el paso del tiempo, el uso que hacen de los tejidos pasa a ser más libre y abierto. Los proyectos en los que trabajan son temporales y su carácter efímero intensifica a la vez su atractivo estético. Entre sus obras más destacadas podemos nombrar los envoltorios del Reichstag en Berlín y del Pont-Neuf en París, la obra de 39km de largo, titulada Running Fence, en los condados californianos de Sonoma y Marin, o The Gates en Central Park, New York. De acuerdo con su novela epónima, funda el Museo de la Inocencia en Estambul: una combinación perfecta de museología, paisajes literarios y culturales galardonada con el premio de Museo Europeo del Año 2014 que concede el Foro Europeo de los Museos. En 2005 recibió el Premio de la Paz, el distintivo más importante en el ámbito de la cultura en Alemania, así como también el Premio Médicis extranjero por su obra Nieve, mejor novela extranjera en Francia. En 2006, la revista Time le escoge entre las 100 personas más influyentes del mundo. Ese mismo año, Pamuk recibe el Premio Nobel de Literatura, por lo que se convierte en la segunda persona más joven en recibir tal distinción. PONENTES 5 de julio Aparte de su formación en microbiología e inmunología, también ha estudiado la inmunopatología de enfermedades infecciosas, y la epidemiología y estadísticas médicas. La Prof.ª Luo ha llevado a cabo numerosas investigaciones sobre el VIH/SIDA, la tuberculosis, la malaria, y otras enfermedades infecciosas. También ha desempeñado un papel activo en la formación de estudiantes de biomedicina y enfermería, tanto de grado como de posgrado. Schnittmarke De Lucchi ha acometido proyectos arquitectónicos en Italia y en todo el mundo, entre los que se incluyen edificios residenciales, industriales, corporativos y culturales, además de organizar exposiciones para la Triennale de Milán, el Palazzo delle Esposizioni de Roma, el Neues Museum de Berlín, o la Gallerie d’Italia en la Piazza Scala y el Museo Piedad Rondanini en Milán. En los últimos años, De Lucchi ha ejecutado varios proyectos para la ciudad de Milán: pabellones para la Expo 2015 (Padiglione Zero, Expo Center, Intesa Sanpaolo) y el pabellón Unicredit en Piazza Gae Aulenti. Nkandu Luo, Zambia Nkandu Luo es la actual ministra de Género y Desarrollo. Luo también ha sido ministra de Transporte y Comunicaciones, de Administración Local y Vivienda y ministra de Líderes y Asuntos Tradicionales. Nkandu Luo destaca en el ámbito académico por ser catedrática de microbiología e inmunología, y ha dirigido el Departamento de Patología y Microbiología del Hospital Universitario de Lusaka, Zambia. INFORMACIÓN GENERAL Michele De Lucchi, Italia Michele De Lucchi es un arquitecto italiano que destacó en movimientos como Cavart, Alchimia y Memphis. Diseñó lámparas y mobiliario para las marcas italianas y europeas más conocidas, como Artemide, Olivetti, Alias, Unifor, Hermès o Alessi. También concibió ambientes de trabajo e identidades corporativas para Deutsche Bank, Poste Italiane, Ferrovie dello Stato, Enel, Piaggio, Olivetti, Telecom Italia, Novartis, Intesa Sanpaolo y Unicredit. 6 de julio David Throsby, Australia David Thorsby es conocido internacionalmente como uno de los “inventores” de la economía cultural. Catedrático distinguido del Departamento de Economía de la Universidad de Macquarie en Sídney, se le reconoce en el plano internacional por sus investigaciones y publicaciones sobre la economía del arte y la cultura. Sus campos de investigación actual abarcan la situación económica de artistas creativos, las industrias creativas, la economía del patrimonio cultural, la cultura y el desarrollo sostenible, y los vínculos entre políticas económicas y culturales. Thorsby es autor de numerosas publicaciones, entre las que se incluyen. The Economics of the Performing Arts, con Glen Withers (1979), The Production and Consumption of the Arts: A View of Cultural Economics’ en el Journal of Economic Literature (1994), Economics and Culture (2001), y The Economics of Cultural Policy (2010). Thorsby también ha coeditado conjuntamente con Victor Ginsburgh dos volúmenes del Handbook of the Economics of Art and Culture (2006 y 2014). 71 Where icom from Por François Mairesse ¿Para qué sirve un aniversario? ¿Para rememorar otros tiempos? ¿Para conmemorar la experiencia adquirida durante el transcurso de los años? ¿Para reunir a seres queridos en un evento agradable? Siempre resulta interesante aprovechar el momento actual para hacer una recapitulación y, 70 años, la edad de ser (al menos) abuelo, supone un buen momento para evocar los recuerdos que han marcado su historia y contarlos a sus nietos, a través de los álbumes de familia… Hacer una exposición sobre el ICOM podría parecer un ejercicio de autocongratulación algo narcisista, como un “selfie” en tres dimensiones en el que todos queremos aparecer. Schnittmarke En realidad, se trata de un desafío mucho más ambicioso. La historia del ICOM no ha sido siempre la de un río largo y tranquilo. Hace algo más de cuarenta años, después de un movimiento contestatario generalizado en los museos, que se pudo observar durante la Conferencia General de París y Grenoble (1971), se desarrolló la Nueva Museología, como respuesta a la crisis de los museos que señalaba las formas sobrias de una institución occidental y burguesa. Cuarenta años más tarde, la crisis de los museos parece lejana y nunca han existido tantos museos como ahora. Junto a las numerosas organizaciones a veces pequeñas y frágiles, aunque también fuertes y dinámicas en algunos casos, se han desarrollado grandes máquinas económicas en torno a un turismo mundializado. Los museos, antaño atacados por su carácter desfasado, se encuentran hoy en el centro de desafíos geopolíticos mundiales. El papel del ICOM también ha evolucionado. Formada por un pequeño grupo de profesionales en 1946, la organización integra hoy a casi 36.000 miembros, procedentes de ambientes en ocasiones muy diferentes, pero unidos alrededor de una problemática común. La exposición “Where ICOM from” nos recuerda algunos de los elementos que conforman la naturaleza del ICOM y de los museos, y nos pregunta sobre el futuro de esta institución. En 1946, el mundo se recuperaba de un conflicto mundial, al que le seguiría una larga guerra fría. Sesenta años más tarde, a pesar de que el mundo no ha vivido otro conflicto bélico mundial, en ningún momento ha estado tan cerca de enfrentamientos generalizados. ¿Cuál puede ser el papel de los museos y del ICOM en este contexto? Si nos fijamos en el número de empleados, el ICOM es más bien una organización de tamaño modesto. No obstante, el número y la diversidad de sus comités, todos ellos gestionados de forma voluntaria, conforman una red considerable. 72 ¿Cuántos de estos pueden jactarse de conocer los límites? Esta exposición constituye, en sí misma, un itinerario posible que permite evocar, si no todos los aspectos (una misión imposible), algunas de las dimensiones del ICOM, puesto que mezcla lugares, eventos importantes, personalidades entrañables, etc. Una historia incompleta, que no constituye una versión “oficial” de la aventura del ICOM, pero sí es una selección de testimonios procedentes de sus archivos que pretenden mostrar algunas de las dimensiones de esta organización. Un recorrido interactivo La exposición Where ICOM from rastrea, en casi 235m2, la evolución del ICOM durante sus 70 años de existencia y hace preguntas sobre su futura orientación. Una escenografía inmersiva que asocia documentos de archivo – entre los que se incluyen fotografías, paneles y videos – para ilustrar la rica historia del ICOM. Un gran friso cronológico y una muestra de fechas importantes que muestran el crecimiento de la red del ICOM y los éxitos de la organización a lo largo de los años. Las actividades principales de la organización y los desafíos por venir se tratan en relatos y puntos de vista personales de los miembros del ICOM. Los dispositivos interactivos permitirán a los visitantes participar en el debate y dar su opinión. © ICOM ¡Una exposición para celebrar los 70 años del ICOM! Georges Henri Rivière tocando el shamisen, 1960, Tokio, Japón Where ICOM From Exposición Where ICOM from, 70 años del Consejo Internacional de Museos, del 4 al 6 de julio de 2016 Blue Hall 2, Ala Norte, nivel +1 (cerca de las escaleras mecánicas centrales). Inauguración prevista el 4 de julio de 2016 a las 12:30 en el lugar de la exposición. INFORMACIÓN GENERAL Schnittmarke Evento organizado por el Fondo de Dotación del ICOM, en colaboración con los estudiantes de la Universidad París 1 Panteón-Sorbona y con el apoyo generoso de Panasonic, patrocinador principal de la exposición. © guerillagraphik Resulta curioso que, el ICOM, que se presenta como el foro por excelencia de los museos, no haya intentado comunicar y aportar a la reflexión, con más frecuencia, a través de la particularidad que lo hace diferente – la exposición –, mientras que si lo ha hecho, a través de libros, revistas, coloquios o, en la actualidad, páginas web o redes sociales. Si hay una singularidad de los museos, es que constituyen justamente un medio de reflexión particular, colectivo, que pretende divulgar de forma espacial conocimientos por medio de objetos, imágenes o sonidos. Es evidente que no es una cuestión fácil: para montar una exposición, hacen falta espacio, tiempo y medios. Esta que se presenta en Milán no pretende dar respuesta a todas las preguntas que se hacen aquí, pero sí llevar a cada uno de sus visitantes a preguntarse, por lo menos durante unos minutos, acerca de las facetas de la organización que nos agrupa, así como también acerca de este lugar tan específico que constituyen los museos. 73 PROGRAMA SOCIAL FIESTA DE APERTURA – 4 de julio CEREMONIA DE CLAUSURA Y FIESTA – 9 de julio Castello Sforzesco La Triennala di Milano Lunes, 4 de julio, 2016 19:30 – 23:30 Piazza Castello Estaciones de metro: Cairoli, M1, línea roja Sábado, 9 de julio, 2016 19:30 – 24:00 Viale Emilio Alemagna, 6 Estación de metro: Cadorna, M1, línea roja La Fiesta de Apertura tendrá lugar el lunes 4 de julio en el Castillo Sforzesco, el famoso castillo del siglo xv en el centro de Milán. Para tal occasion, los participantes tendrán la oportunidad de visitar todos los museos del Castillo, en especial la nueva exposición de la Piedad Rondanini de Miguel Ángel y los frescos recientemente restaurados de Leonardo en la “Sala delle Asse”. Se ofrecerá un cóctel de bienvenida, y habrá música en directo. La fiesta dará comienzo a las 19:30 y concluirá a las 23:30. Solo se podrá acceder mostrando el distintivo con nombre de ICOM Milano 2016. La Ceremonia de Clausura y Fiesta tendrá lugar el sábado 9 de julio en el Palazzo dell’Arte de la Triennale. Los participantes, a partir de las 19:30, podrán visitar el Museo del Diseño, el parque y las exposiciones de la xxi Exposición Internacional de la Triennale sobre arquitectura, artes visuales y decorativas, diseño, moda y producciones audiovisuales. La Ceremonia de Clausura se celebrará a las 20:00. Durante la ceremonia, la bandera del ICOM pasará oficialmente de ICOM Milano 2016 a ICOM Kyoto 2019 y se presentará la xxv Conferencia General del ICOM. La Fiesta de Clausura comenzará al término de la Ceremonia. © EcilaAlice © fedewild Schnittmarke 74 programa social EVENTOS SOCIALES – Noches del 5 y 6 de julio (¡y más!) Catedral de Milán Miércoles, 6 de julio, 2016 20:00 – 21:00 Piazza del Duomo INFORMACIÓN GENERAL ¡Más de 40 museos en Milán abrirán de forma extraordinaria por las noches y oganizarán eventos especiales para ICOM Milano 2016! La lista completa de eventos sociales, con mapa y todos los detalles sobre horarios e información están disponibles en la página web de la conferencia (http://network.icom. museum/icom-milan-2016/social-events/eventossociales/L/1/), y se actualizan constantemente. Algunos eventos tienen aforo reducido: no es necesario reservar y los participantes accederán según la disponibilidad. ¡Hay previstos algunos eventos muy especiales! GRAN CONCIERTO EN EL DUOMO – La Veneranda Fabbrica del Duomo El Duomo acogerá un concierto especial dedicado a los participantes en ICOM Milano 2016. OPEN NIGHT | Especial para ICOM Milano 2016 Museo Nacional de Ciencias y Tecnología Leonardo da Vinci, Milán Una aperture especial para el público en general y los paricipantes en ICOM Milano 2016. El Museo Nacional de Ciencias y Tecnología Leonardo da Vinci, el museo científicotécnico más grande de Italia, abre sus puertas para toda la ciudad durante la xxiv Conferencia General del ICOM en Milán. Una OPEN NIGHT especial para descubrir las colecciones del museo, los experimentos, los talleres interactivos y disfrutar la noche en los claustros del monasterio del siglo xvi. Sumérjase en el mundo del submarino Enrico Toti y conozca la vida de sus marineros a bordo. Descubra las destrezas artísticas de Leonardo y sorpréndase con nuevas dietas, el AND y los ingredientes principales de nuestra comida. Relájese con música clásica, jazz y rock and roll en directo. El Pabellón Ferroviario cobra vida con la danza contemporánea y actuaciones musicales en directo.and live music performances. Schnittmarke © Museo Nazionale della Scienza e della Tecnologia Leonardo da Vinci di Milano © Pedro Martes, 5 de julio, 2016 18:30 – 23:30 Via San Vittore 21 Programa del concierto Atmósferas de una cathedral “El gran órgano de tubo del Duomo y la majestuosidad de los instrumentos de viento-metal” Diálogo musical Nikolaj Rimskij-Korsakov (1844-1908) (órgano de tubo e instrumentos de viento-metal) Procesión de Nobles Georg Friedrich Händel (1685-1759) Y La Gloria de Dios (instrumentos de viento-metal) Giovanni Gabrieli (1557-1612) Canzon Undicesimi Toni (órgano de tubo e instrumentos de viento-metal) Edward Elgar (1857-1934) Marcha Militar n.º 1 (órgano de tubo e instrumentos de viento-metal) Gabriel Fauré (1845-1924) (instrumentos de viento-metal) Pavane Marcel Dupré (1886-1971) (órgano de tubo e instrumentos de viento-metal) Poème Héröique Eugène Gigout (1844-1925) (órgano de tubo e instrumentos de viento-metal) Grand Choeur Dialogué Alessandro La Ciacera (segundo organista del Duomo) Quinteto Doctor Brass Giorgio Tosatti, trompeta Matteo Macchia, trompeta Jaime Carrasco, trombón Marco Anastasio, tuba Tommaso Ruspa, trompa 75 PROGRAMA SOCIAL NOCHE EN EL PALACIO BRERA PARA ICOM MILANO 2016 LA ÚLTIMA CENA Palazzo di Brera Varias franjas temporales durante toda la semana. Piazza Santa Maria delle Grazie, 2 Cenacolo Vinciano El Palacio de las Ciencias y de las Artes de siglo xvii abre sus puertas con un evento especial para ICOM Milan 2016. Tras una bienvenida por los directores del Brera, sus instituciones principales – la Pinacoteca, la Academia de Bellas Artes, la Biblioteca Nacional Braidense, el Istituto Lombardo – Academia de las Ciencias y las Letras, el Jardín Botánico, el INAF (Museo y Observatorio Astronómico) – permanecerán abiertos de forma excepcional hasta las 22:15 con eventos, exposiciones, instalaciones y visitas guiadas. Las instituciones del Brera estarán abiertas al público y se servirá una cena ligera exclusiva para los invitados de ICOM 2016 en función de la disponibilidad – las reservas son obligatorias. La Última Cena se encuentra en Milán, en el antiguo refectorio cerca del Santuario de Santa Maria delle Grazie. Leonardo da Vinci la pinto entre 1494 y 1498 y es conocida en todo el mundo. La Última Cena refleja una de las escenas más significativas del Evangelio de San Juan. © On MiBACT Licence - PoloM useale della Lombardia Jueves, 7 de julio, 2016 18:30 – 22:15 Via Brera 28, Milano Schnittmarke Reservas: [email protected] © Pinacoteca di Brera Gracias a científicos, críticos de arte y restauradores de todo el mundo, la pintura original, alterada por muchos retoques que no se ajustaban a las particularidades de la obra de Leonardo da Vinci, volvió a salir a la luz. 76 Un acuerdo especial con el Ministerio de Bienes y Actividades Culturales y Turismo de Italia permitirá a los participantes en ICOM Milano 2016 visitar la Última Cena, gracias a la reserva de varias franjas temporales durante toda la semana. Todos los detalles sobre las reservas se encuentran disponibles en la página web de la conferencia. programa social LOMBARDIA Valcamonica Varese Crespi d’Adda Iseo Lake Monza Bergamo Pavia Monferrato PIEMONTE Mantova Piacenza Musei del Cibo Parma Modena Bologna EMILIA-ROMAGNA Genova LIGURIA Lunigiana Firenze Schnittmarke Torino Vicenza Lago di Garda Brescia INFORMACIÓN GENERAL Milan VENETO Certaldo / Castelfiorentino TOSCANA Día de excursión El Día de Excursión es una tradición de la Conferencia General del ICOM: un día para descubrir la ciudad sede, así como también el norte y centro de Italia. Este año, el Día de Excursión tendrá lugar el viernes 8 de julio. Para más información, consulte la página web de la conferencia (http://network.icom.museum/icom-milan-2016/ excursion-day/dia-de-excursion/L/1/) o visite el mostrador de Programas Sociales en el área de registro. Tour pre y post conferencia El Comité Organizador ha escogido alrededor de 50 tours, propuestos y organizados por agencias de viajes y socios con experiencia. Los tours están diseñados a medida para los participantes de ICOM Milano 2016. Los detalles y los precios están disponibles en la página web de la Conferencia (http://network.icom.museum/icom-milan-2016/tours/ tour-pre-y-post-conferencia/L/1/). Toda la información sobre las agencias de viajes y socios organizadores estará a su disposición en el mostrador de Tours, situado en la Feria Museal y Foro de la Exposición (Zona de Exposición, Ala Norte, nivel +1). TOURS PARA ACOMPAÑANTES En asociación especial con Musement, se han organizado dos tours diferentes para acompañantes. Los tours no tienen coste alguno para los acompañantes debidamente inscritos. La disponibilidad de plazas es limitada. ¡Descubra más en la página web (http://network.icom. museum/icom-milan-2016/tours/visitas-para-losacompanantes/L/1/)! 77 Información General A-z Abono del Transporte Público El transporte público se incluye en la tarifa de inscripción. El abono del transporte público se entregará en el mostrador de bolsas de la conferencia en MiCo (Ala Norte, nivel +1). Acceso a Internet Habrá wifi disponible para todos los delegados inscritos sin coste adicional en MiCo. Busque la red “ICOM_ Milano_2016”, introduzca la contraseña que aparece a continuación y acepte las condiciones generales. Contraseña: icom2016 Aplicación de la Conferencia ICOM Milano 2016 La aplicación de la Conferencia ICOM Milano 2016 está diseñada para mejorar la experiencia de los participantes antes, durante y después de la conferencia, al presentar las características y la información que se detalla en sus pestañas: Programa Interactivo de la Conferencia Ponentes Destacados Lista de Ponentes y Expositores Planos y Mapas Programa Social Redes de Trabajo Redes Sociales Encuesta de la Conferencia El wifi está patrocinado por Hubei Provincial Museum. Acompañantes Schnittmarke El acceso de los acompañantes tendrán acceso restringido a la conferencia. La entrada a Feria Museal y Foro de la Exposición no está incluida. No obstante, los acompañantes sí podrán asistir a los eventos sociales que se celebren fuera del centro de conferencias (Ceremonia y Fiesta de Apertura, Noche Especial de Puertas Abiertas, Concierto del Duomo, Excursiones, Ceremonia y Fiesta de Clausura, y tours sin coste adicional). Alianzas Regionales Las Alianzas Regionales suponen foros concebidos para promover el diálogo y la difusión de información entre los Comités Nacionales, museos y profesionales de los museos de una región en concreto. Los Comités Nacionales pueden ser miembros de una Alianza Regional de su área geográfica. Los Presidentes de las cinco Alianzas Regionales del ICOM forman parte del Comité Consultivo. A continuación, encontrará una lista de las alianzas regionales del ICOM: ICOM ARABAlianza para los Países Árabes ICOM ASPACAlianza para Asia-Pacífico ICOM EUROPEAlianza para Europa ICOM LACAlianza para América Latina y el Caribe ICOM SEEAlianza para el Sureste de Europa Alojamiento En caso de que necesite reservar hotel o tenga preguntas sobre su reserve, visite el mostrador de información sobre alojamiento en la zona de inscripción del Ala Norte, en el nivel +1. 78 La aplicación de la Conferencia ICOM Milano 2016 está patrocinada por la empresa Guardian Glass Europe. Bolsa de la Conferencia La bolsa de la conferencia estará disponible en el mostrador de bolsas de la conferencia de la zona de inscripción en el nivel +1 del Ala Norte. Los expositores recibirán una bolsa de conferencia por cada stand, que se les repartirá durante el primer día de la conferencia. La bolsa de la conferencia está patrocinada por Haroutunian Foundation. Cambios en el Programa / Fecha de Impresión Los organizadores no se responsabilizarán de ningún cambio en el programa por razones externas o improvistas. Los cambios notificados tras la fecha de impresión (6 de junio) se mostrarán en línea en la página web de la conferencia y disponibles a través de la aplicación de la conferencia. Cajero Automático Hay un cajero automático en MiCo, en el nivel +1 del Ala Norte, junto a la entrada de la Feria Museal y Foro de la Exposición. Si sube por las escaleras mecánicas, lo encontrará a su derecha. Centro de Negocios El Centro de Negocios se ubica en la Oficina Cinco del Ala Norte, en el nivel -1. Los participantes tienen la posibilidad de imprimir materiales, hacer fotocopias, escanear o enviar un fax durante el horario de apertura: Información General A-z 08:00 – 19:00 08:00 – 19:00 08:00 – 19:00 08:00 – 19:00 08:00 – 18:00 Copia / Impresión (una cara): Tamaño A4 € 0.20 Tamaño A3 € 0.30 Tamaño A4 color € 0.50 Tamaño A3 color€ 0.70 Envío de faxes:Envío básico € 1.50 Italia € 0.30 Europa € 0.60 Intercontinental € 1.00 Recepción de faxes: Precio único € 0.20 Paquete de folios: 500 folios € 5.00 Ceremonia de Apertura La Ceremonia de Apertura tendrá lugar en el Plenario Plata el lunes 4 de julio, de 09:30 a 12:30. Todos los delegados inscritos están invitados a asistir a este evento. Ceremonia de Clausura y Fiesta La Ceremonia de Clausura (sala con aforo limitado que se completará por orden de llegada) tendrá lugar el sábado 9 de julio a las 19:30, seguida de la Fiesta de Clausura a las 20:00 en el Palazzo dell’Arte de la Triennale. Los participantes podrán visitar el Museo del Diseño de la Triennale, su parque y la xxi Exposición Internacional de la Triennale sobre arquitectura, artes visuales y decorativas, diseño, moda y producciones audiovisuales. Certificado de Asistencia El Certificado oficial de Asistencia a ICOM Milano 2016 estará disponible tras la conferencia. Los participantes podrán descargarlo desde la Plataforma del Participante. Clima Milán tiene un clima subtropical húmedo con influencias continentales. El clima de Milán se asemeja al del interior del norte de Italia, con veranos calurosos y sofocantes, e inviernos fríos y nebulosos. En verano, los índices de humedad son altos y las temperaturas máximas pueden llegar a superar los 35 °C (95 °F). Las bolsas de comida se entregarán a todos los participantes inscritos en las zonas dedicadas de la Feria Museal y Foro de la Exposición, en el nivel +1 del Ala Norte del 4 al 6 de julio, así como también el 3 y el 9 de julio en el Vestíbulo Plata, en el nivel +2 del Ala Norte como se indica a continuación: INFORMACIÓN GENERAL Se aplicarán las siguientes tarifas: Comida Domingo, 3 de julio 12:30 – 13:30 (Vestíbulo Plata) Lunes, 4 de julio 12:30 – 14:00 (Feria Museal y Foro de la Exposición) Martes, 5 de julio 13:00 – 14:00 (Feria Museal y Foro de la Exposición) Miércoles, 6 de julio 13:00 – 14:00 (Feria Museal y Foro de la Exposición) Sábado, 9 de julio 14:00 – 15:00 (Vestíbulo Plata) Comités Internacionales de ICOM Los Comités Internacionales reúnen a expertos de las especialidades museales. Los Presidentes representan a cada comité en el Comité Consultivo del ICOM. Los 30 Comités Internacionales constituyen gabinetes estratégicos globales sobre museos, y por lo general, sobre asuntos de patrimonio. Definen las normas de los profesionales de los museos, comparten información científica, establecen asociaciones con otras organizaciones y desarrollan recomendaciones para los miembros del ICOM. A continuación, encontrará la lista de Comités Internacionales del ICOM: Schnittmarke Domingo, 3 de julio Lunes, 4 de julio Martes, 5 de julio Miércoles, 6 de julio Sábado, 9 de julio AVICOMAudiovisual y Nuevas Tecnologías de Imagen y Sonido CAMOC Colecciones y Actividades de Museos de Ciudades CECAEducación y Acción Cultural CIDOCDocumentación CIMCIM Museos y Colecciones de Instrumentos Musicales CIMUSET Museos y Colecciones de Ciencia y Tecnología CIPEGEgiptología COMCOLColeccionismo COSTUME Museos y Colecciones de Vestidos DEMHIST Museos de Casas Históricas GLASS Museos y Colecciones de Vidrio ICAMTArquitectura y Técnicas Museográficas ICDAD Museos y Colecciones de Artes Decorativas y Diseño ICEEExposiciones e Intercambio ICFA Museos y Colecciones de Bellas Artes ICLM Museos Literarios ICMAH Museos y Colecciones de Arqueología e Historia 79 Información General A-z ICME Museos y Colecciones de Etnografía ICMEMO Museos Conmemorativos en Recuerdo de Víctimas de Crímenes Públicos ICMSSeguridad de los Museos ICOFOMMuseología ICOM-CCConservación ICOMAM Museos de Armas e Historia Militar ICOMON Museos del Dinero y la Banca ICR Museos Regionales ICTOPFormación del Personal INTERCOMGestión de Museos MPR Mercadotecnia y Relaciones Públicas NATHIST Museos y Colecciones de Historia Natural UMAC Museos de Universidad y Colecciones Comités Nacionales Schnittmarke Los Comités Nacionales son las herramientas principales de comunicación entre la Secretaría General y los miembros del ICOM. Los 119 Comités Nacionales garantizan que los intereses de la organización se gestionan en dichos países. Los Comités Nacionales representan a sus miembros en el ICOM y contribuyen a implementar los programas de la organización. Día de Excursión El Día de Excursión es una tradición de la Conferencia General del ICOM: un día para descubrir la ciudad sede, así como también el norte y centro de Italia. Este año, el Día de Excursión tendrá lugar el viernes 8 de julio. Para más información, consulte la página web de la conferencia (http://network.icom.museum/icom-milan-2016/ excursion-day/dia-de-excursion/L/1/). Distintivo con nombre Se requerirá un distintivo con nombre para entrar a todos los eventos y sesiones oficiales de la conferencia. Cada delegado deberá presentar su distintivo para acceder a la conferencia. El distintivo deberá mostrarse de forma clara. Si un asistente pierde u olvida su distintivo con nombre, se le cobrará una tasa de 50.00€ para obtener un nuevo distintivo, mientras que el distintivo anterior quedará anulado. En el supuesto de que alguien afirme que su distintivo se encuentra en el hotel y lo traerá al día siguiente, se le cobrarán 40.00€ y se le entregará un recibo. Si el distintivo (el segundo) se devuelve al día siguiente, se reembolsarán estos 40.00€. El distintivo está patrocinado por la empresa Haroutunian Foundation. 80 Electricidad El voltaje en Italia es de 220v a/c. Los enchufes son de 2 clavijas, por lo que un adaptador sería necesario. Encuesta Una encuesta sobre la conferencia estará disponible en la aplicación de la conferencia tras la finalización de la misma. Esta encuesta nos servirá para entender mejor las necesidades y los deseos de los participantes. EVENTOS SOCIALES – Noches del 5 y 6 de julio (¡y más!) ¡Más de 40 museos en Milán abrirán de forma extraordinaria por las noches y oganizarán eventos especiales para ICOM Milano 2016! La lista completa de eventos sociales, con mapa y todos los detalles sobre horarios e información están disponibles en la página web de la conferencia (http://network.icom. museum/icom-milan-2016/social-events/eventossociales/L/1/), y se actualizan constantemente. Algunos eventos tienen aforo reducido: no es necesario reservar y los participantes accederán según la disponibilidad. ¡Hay previstos algunos eventos muy especiales! Feria Museal y Foro de la Exposición Los delegados de la conferencia podrán visitar la Feria Museal y Foro de la Exposición, que se encontrará abierto en el siguiente horario: Lunes, 4 de julio Martes, 5 de julio Miércoles, 6 de julio 12:30 – 18:00 09:00 – 18:00 09:00 – 18:00 Fiesta de Apertura La Fiesta de Apertura se celebrará el lunes 4 de julio desde las 19:30 en el Castillo Sforzesco, el famoso castillo del siglo xv en el centro de Milán. Para tal ocasión, los participantes tendrán la oportunidad de visitar la nueva exposición de la Pietà Rondandini de Miguel Ángel y los frescos recientemente restaurados de Leonardo en la Sala delle Asse. Foro de la Exposición El Foro de la Exposición es una parte separada de la zona Feria Museal y Foro de la Exposición (Ala Norte, nivel +1), en la que los expositores/patrocinadores pueden organizar presentaciones ante los participantes. Información General A-z Fuentes de Agua El guardarropa estará situado en la zona de inscripción, en el nivel +1 del Ala Norte. Se aplicarán las siguientes tarifas: 2.50€ por abrigo y 3.00€ por maleta. El guardarropa estará abierto durante los siguientes horarios: 08:00 – 19:00 08:00 – 19:00 08:00 – 19:00 08:00 – 19:00 08:00 – 18:00 ICOM LAC EXPOSICIÒN FOTOGRÁFICA Los participantes tienen la oportunidad de visitar una exposición fotográfica especial organizada por ICOM LAC. Lugar: Foyer Gold, Ala Sur, nivel +2 Título: Paisajes Culturales de América Latina y del Caribe Idioma Los idiomas oficiales de la conferencia son el inglés, el francés, el español y el italiano. Inscripción El mostrador de inscripción se encuentra en la zona de inscripción del Ala Norte, en el nivel +1, y estará abierta durante el siguiente horario: 08:00 – 19:00 08:00 – 18:30 08:00 – 18:30 08:00 – 18:30 08:00 – 17:30 Moneda La moneda italiana es el euro, que se reparte en billetes de 5, 10, 20, 50, 100, 200 y 500, así como también en monedas de 1, 2, 5, 10, 20, 50 céntimos, y de 1 y 2 euros. 08:30 – 18:00 INFORMACIÓN GENERAL Guardarropa y Equipaje Domingo, 3 de julio Lunes, 4 de julio Martes, 5 de julio Miércoles, 6 de julio Sábado, 9 de julio La Oficina de Miembros estará ubicada en el Recibidor White Hall 1 del nivel +2 del Ala Norte, y estará abierta en el siguiente horario: Del domingo 3 al miércoles 6 de julio Habrá fuentes de agua repartidas por toda la sede de la conferencia, sin coste adicional. Domingo, 3 de julio Lunes, 4 de julio Martes, 5 de julio Miércoles, 6 de julio Sábado, 9 de julio Oficina de Miembros Organizaciones Afiliadas del ICOM Las Organizaciones Afiliadas constituyen asociaciones o consejos internacionales dedicadas a los museos, o bien profesionales de los museos en una región concreta. Estas organizaciones participan en las actividades del ICOM y contribuyen a la influencia de la organización y su red, a la vez que mantienen su autonomía. Toda organización que se componga de, al menos, dos tercios de museos o de profesionales de los museos pueden convertirse en Organización Afiliada del ICOM. Las 21 Organizaciones Afiliadas están representadas por sus presidentes en el Comité Consultivo del ICOM. A continuación, encontrará un listado con las Organizaciones Afiliadas del ICOM: Schnittmarke El horario se publicará en la parte de programación de este folleto, así como también en un cartel concreto de la zona de Foro de la Exposición. AEOMAsociación de Museos al Aire Libre Europeos AFRICOM Consejo Internacional de Museos Africanos AIMAAsociación Internacional de Museos de Agricultura AMOIAsociación de Museos del Océano Índico CAMAsociación de los Museos de la Mancomunidad CIMAM Comité Internacional para Museos y Colecciones de Arte Moderno EXARCOrganización Internacional de Museos de Arqueología al Aire Libre y de Arqueología Experimental FIHRMFederación Internacional de Museos de Derechos Humanos HO!IHands On! Asociación Internacional sobre los Niños en los Museos IACCCAsociación Internacional de Colecciones Corporativas de Arte Contemporáneo IACMAsociación Internacional de Museos Aduaneros IAMFAAsociación Internacional de Administradores de Instalaciones Museales IAMHAsociación Internacional de Museos de Historia 81 Información General A-z IATMAsociación Internacional de Museos de Transporte y Comunicaciones ICAM Confederación Internacional de Museos de Arquitectura ICMM Congreso Internacional de Museos Marítimos MACAsociación de Museos del Caribe MINOM Movimiento Internacional para una Nueva Museología PIMAAsociación de Museos de las Islas del Pacífico SADCAMAsociación Comunitaria para el Desarrollo de Museos y Monumentos en África Austral SIBMASAsociación Internacional de Bibliotecas y Museos para las Artes Escénicas Pausas para el Café Schnittmarke El café se servirá a todos los delegados inscritos en la Feria Museal y Foro de la Exposición, en el nivel +1 del Ala Norte del 4 al 6 de julio, así como también el 3 y el 9 de julio en el Vestíbulo Plata del Ala Norte, en el nivel +2 en los horarios siguientes: Domingo, 3 de julio: 10:30 – 11:00 y 15:00 - 15:30 (Vestíbulo Plata) Lunes, 4 de julio: 15:45 – 16:15 (Feria Museal y Foro de la Exposición) Martes, 5 de julio: 10:30 – 11:00 y 16:30 – 17:00 (Feria Museal y Foro de la Exposición) Miércoles, 6 de julio 11:00 – 11:30 y 15:45 – 16:15 (Feria Museal y Foro de la Exposición) Sábado, 9 de julio: durante la mañana (Vestíbulo Plata) Película, Fotografías y Grabación de Video El ICOM y K.I.T. Group trabajan juntos para crear una perspectiva general de los hechos y eventos de la conferencia que puedan ser de interés promocional para la organización. Por ello, le informamos que podrá ser grabado o fotografiado en cualquier momento (en las salas de reunión, Foro de la Exposición, eventos sociales, etc.) y que toda presentación que realice (discurso destacado, presentación, etc.) podrá ser grabado. Personas con Discapacidades El MiCo es accesible para los participantes en la conferencia discapacitados. 82 Prensa / Medios La oficina de prensa se encontrará en la Office 6 del Ala Norte, nivel -1 y estará abierta en el siguiente horario: Domingo, 3 de julio Lunes, 4 de julio Martes, 5 de julio Miércoles, 6 de julio Sábado, 9 de julio 10:00 – 19:00 08:00 – 18:30 08:00 – 18:30 08:00 – 18:30 08:00 – 17:30 Contacto de Prensa: Srta. Maria Gatón Fraile Responsable del Departamento de Comunicación y Relaciones Públicas del ICOM – Consejo Internacional de Museos Correo electrónico: [email protected] Mr Stefano De Angelis / Mr Filippo Cristini Head of Italian Press Agency (Studio De Angelis) E-mail: [email protected], [email protected] La rueda de prensa se celebrará el jueves 30 de junio en el Museo Nazionale della Scienza e della Tecnologia Leonardo da Vinci, en la sala Biancamano. Para más información, consulte la página web de la conferencia (http://network. icom.museum/icom-milan-2016/media/prensa/L/1/). Primeros Auxilios Todos los agentes de seguridad de MiCo tienen formación en primeros auxilios. Ellos suponen su primer punto de contacto. En el nivel 0 del Ala Norte hay una sala de primeros auxilios. También podrá contactar con cualquiera del mostrador de inscripción, que estará situado en el nivel +1 del Ala Norte. Puntos de carga Habrá puntos de carga de teléfonos móviles repartidos por toda la sede de la conferencia, sin coste alguno. Reuniones Fuera de la Sede El jueves 7, los Comités Internacionales del ICOM organizarán sus reuniones fuera de la sede de la conferencia. Salvo que se indique lo contrario, dichas reuniones estarán dedicadas para los miembros de cada comité específico. El horario se publicará en la parte de programación de este folleto. Información General A-z Tours Pre y Post conferencia La sala de votación se encuentra en el Recibidor White Hall 2 del Ala Norte, en el nivel +2, y se encontrará abierta durante el siguiente horario: Los tours pre- y postconferencia no los organiza ICOM Milano 2016. Todos los tours deben reservarse por anticipado, de conformidad con los plazos estipulados en la página web de la Conferencia. Encontrará toda la información sobre las agencias organizadoras en el mostrador de Tours de la Feria Museal y Foro de la Exposición (Zona de Exposición, Ala Norte, nivel +1). 08:00 – 19:00 Salón de Contactos El Salón de Contactos estará situado en la zona Feria Museal y Foro de la Exposición, en el nivel +1 del Ala Norte. El Salón de Contactos está patrocinada por Goppion S.p.A and Goppion MuseumLab, Paul Bernhard Exhibit Design & Consulting, The Hettema Group y THK Co., Ltd.. Los voluntarios estarán a su disposición durante toda la Conferencia. Todos ellos vestirán una camiseta especial para poderlos reconocer fácilmente. La camiseta de los voluntarios está patrocinada por la empresa Arteria. Salón de Ponentes El salón de ponentes estará ubicado en la Suite 1 del Ala Sur, en el nivel +2, y estará abierto durante el siguiente horario: Domingo, 3 de julio Lunes, 4 de julio Martes, 5 de julio Miércoles, 6 de julio Sábado, 9 de julio VOLUNTARIOS 08:00 – 19:00 08:00 – 18:30 08:00 – 18:30 08:00 – 18:30 08:00 – 17:30 Seguro y Responsabilidad El Organizador de la Conferencia, el ICOM, ICOM Italia o MiCo no se responsabilizarán de daños personales o cualquier pérdida o daño en las pertenencias de los delegados de la conferencia, ya sea durante o como resultado de la conferencia. Los delegados deberán comprobar la validez de su propio seguro. Zona de Internet La zona de Internet estará situada en el área de Feria Museal y Foro de la Exposición en el nivel +1 del Ala Norte. No tiene coste adicional para los delegados inscritos. También hay disponible una impresora para imprimir, por ejemplo, tarjetas de embarque. Schnittmarke Lunes 4 y Martes 5 de julio INFORMACIÓN GENERAL Sala de Votación Zonas de Restauración Las Zonas de Restauración se encontrarán en la zona de la Feria Museal y Foro de la Exposición del Ala Norte, en el nivel +1. Las bolsas de almuerzo y las pausas para el café se ofrecerán a todos los participantes inscritos del 3 al 6 y el 9 de julio. Terminales de Impresión de Distintivos Los participantes tendrán la oportunidad de escanear el código de barras que figura en su confirmación de inscripción en los Terminales de Impresión de Distintivos para imprimir sus distintivos con nombre. Los Terminales de Impresión de Distintivos están patrocinada por la empresa ETT s.p.a. 83 horarios de apertura Prensa / Medios Inscripción Domingo, 3 de julio Lunes, 4 de julio Martes, 5 de julio Miércoles, 6 de julio Sábado, 9 de julio 08:00 – 19:00 08:00 – 18:30 08:00 – 18:30 08:00 – 18:30 08:00 – 17:30 12:30 – 18:00 09:00 – 18:00 09:00 – 18:00 Guardarropa, Equipaje Domingo, 3 de julio Lunes, 4 de julio Martes, 5 de julio Miércoles, 6 de julio Sábado, 9 de julio 08:00 – 19:00 08:00 – 19:00 08:00 – 19:00 08:00 – 19:00 08:00 – 18:00 Sala de Votación Schnittmarke Lunes, 4 de julio Martes, 5 de julio 08:00 – 19:00 08:00 – 19:00 Oficina de Miembros Domingo, 3 de julio Lunes, 4 de julio Martes, 5 de julio Miércoles, 6 de julio 84 10:00 – 19:00 08:00 – 18:30 08:00 – 18:30 08:00 – 18:30 08:00 – 17:30 Salón de Ponentes Feria Museal y Foro de la Exposición Lunes, 4 de julio Martes, 5 de julio Miércoles, 6 de julio Domingo, 3 de julio Lunes, 4 de julio Martes, 5 de julio Miércoles, 6 de julio Sábado, 9 de julio 08:30 – 18:00 08:30 – 18:00 08:30 – 18:00 08:30 – 18:00 Domingo, 3 de julio Lunes, 4 de julio Martes, 5 de julio Miércoles, 6 de julio Sábado, 9 de julio 08:00 – 19:00 08:00 – 18:30 08:00 – 18:30 08:00 – 18:30 08:00 – 17:30 Centro de Negocios Domingo, 3 de julio Lunes, 4 de julio Martes, 5 de julio Miércoles, 6 de julio Sábado, 9 de julio 08:00 – 19:00 08:00 – 19:00 08:00 – 19:00 08:00 – 19:00 08:00 – 18:00 Concept: Paola Marras - Niklas Events Visit our new division Arterìa Safe_Tech at ICOM 2016 Hall B, Box 39 Frames, display cases, conservation technologies and more... www.arteriasafetech.it Milano | Roma | Firenze | Venezia | Torino | Malpensa www.arteria.it Schnittmarke INFORMACIÓN GENERAL the Italian Leading Company in the Art Logistics Schnittmarke INFORMAZIONI GENERALI ITALIANO Schnittmarke INFORMAZIONI GENERALI ORGANIZZATORI Organizzatori della conferenza ICOM ICOM Italy Maison de l’UNESCO 1 rue Miollis 75732 Paris Cedex 15 France Tel: +33 (0) 1 47 34 05 00 Fax: +33 (0) 1 43 06 78 62 Email: [email protected] via Fabio Filzi, 22 20124 Milano Italy Tel/Fax:+39 (0) 2 4695693 Email: [email protected] Comitato Organizzatore 12 Universités de Lombardie Schnittmarke 88 Segreteria Organizzativa Per qualsiasi domanda riguardo a ICOM MILANO 2016 Iscrizioni ed escursioni: Via K.I.T. Group GmbH Association and Conference Management Kurfürstendamm 71 10709 Berlin Germany Tel: +49 (0) 30 24 603 520 Fax: +49 (0) 30 24 603 200 Email: [email protected] Email: [email protected] Hotel: Email: [email protected] Mostra/Sponsorizzazione: Email: [email protected] Icom Italia INFORMAZIONI GENERALI Il Comitato Nazionale Italiano ICOM è l’associazione professionale leader in Italia nel settore dei Musei. ICOM Italia si occupa dei problemi connessi allo sviluppo ed alla difesa della professione museale. ICOM Italia promuove e coordina le attività della Conferenza Permanente delle Associazioni Museali Italiane. ICOM Italia è presente sul territorio grazie all’impegno dei Coordinamenti Regionali, alla continua ricerca delle Commissioni Tematiche per lo studio e la regolamentazione dell’organizzazione di alcuni dei più importanti eventi del settore, come la Conferenza Nazionale dei musei d’Italia, il Premio ICOM Italia-Musei dell’anno, l’Assemblea Nazionale ICOM e l’International Museum Day. Schnittmarke Durante gli ultimi 3 anni, ICOM Italia ha organizzato molti eventi, ha stimolato il dibattito ed ha selezionato interessanti best practice italiane sul Tema della Conferenza. Il risultato di questo lavoro meticoloso ed approfondito sarà presentato durante ICOM Milano 2016. Verificate tutte le informazioni sul programma on-line e sulla App. 89 GFDL License Jakub Halun icom ICOM E LE CONFERENZE GENERALI ICOM Il Consiglio Internazionale dei Musei (ICOM), creato nel 1946, è un’organizzazione internazionale di musei e di professionisti museali. ICOM è dedita a promuovere e proteggere il patrimonio naturale e culturale, presente e futuro, tangibile ed intangibile. Con 35.000 membri in quasi 140 Paesi, il network ICOM è composto di professionisti museali afferenti a molti ambiti disciplinari diversi, dei musei e del patrimonio culturale. ICOM promuove standard di eccellenza nel campo museale, in particolare attraverso il suo Codice etico per i musei, uno strumento che fornisce un quadro di riferimento per gli standard museali, che include linee guida per la governance dei musei, l’acquisizione e la disposizione delle collezioni e norme per la condotta professionale. Tra le altre attività svolte da ICOM si annoverano la lotta al traffico illecito di beni culturali e la promozione della gestione del rischio e delle emergenze, al fine di proteggere il patrimonio culturale mondiale in caso di disastri naturali o causati dal’uomo. Ogni tre anni, la Conferenza Generale di ICOM riunisce la comunità museale internazionale su un tema scelto dai professionisti museali. Perché partecipare alla 24a Conferenza Generale ICOM ? Schnittmarke Grazie ad un programma della Conferenza ricco e che si estende per un’intera settimana, composto di relatori di alto livello, sessioni organizzate dai Comitati Internazionali, visite e meeting “off-site” in musei locali e la grande fiera museale, sarete in grado di: Incontrare oltre 3.000 partecipanti di diversa formazione culturale. Imparare dall’esperienza e dalle conoscenze dei professionisti museali di tutto il mondo. Mantenersi aggiornati sulle questioni globali e le ultime tendenze del settore. Scoprire e condividere successi, pratiche innovative e nuove sfide. Creare nuovi contatti e ritrovare vecchi amici. Ascoltare e confrontarsi con gli esperti. Ispirarsi a vicenda approfittando di un ambiente ricco di insegnamenti reciproci. 90 Scoprire e riscoprire cosa Milano e l’Italia hanno da offrire: Milano è la porta di accesso all’Italia. Milano è una citta cosmopolita e creativa. Milano è una città di cultura, design e moda e si trova al centro dell’area con maggiore concentrazione di musei del mondo. Venendo a Milano avrete la possibilità di visitare alcune tra le più belle città d’arte del mondo (Torino, Verona, Padova, Venezia, Genova, Bologna, Firenze, Roma.. ), tutte raggiungibili da Milano con massimo tre ore di viaggio, grazie ai treni ad alta velocità. Venendo a Milano avrete la possibilità di sperimentare la celebre ospitalità italiana, così come il cibo e lo stile di vita italiano. Come sfruttare al meglio la tua esperienza alla Conferenza Generale di ICOM? Esplora l’Italia e la città di Milano: Scegli il programma per la giornata di escursione: visite di musei e altri siti culturali, escursioni a piedi per la città, etc. Scopri i molti eventi sociali che si terranno il 5 e 6 luglio sera. Prolunga il tuo soggiorno in Italia: scegli di fare un tour prima o dopo la conferenza. Individua e scegli gli eventi di maggiore interesse per te: Scegli tra le riunioni e le attività dei 30 Comitati internazionali di ICOM. Lasciati ispirare dai keynote speakers delle sessioni plenarie, accogliendo la sfida di idee visionarie e provocatorie, iniziando così un altro giorno di Conferenza pieni di idee. “Salta” da una sessione all’altra per essere sicuro di partecipare al tema che ti interessa di più. Scopri le sessioni sponsorizzate e le presentazioni all’Expo Forum, la piccola agora della Conferenza, collocata nell’area che ospita la fiera museale, e non perdetevi le Panel Discussion e le Memorial Lecture previste per martedì 5 luglio. Incontra quante più persone possibile, fuori dalle sale riunioni Iscriviti alle sessioni di networking: pranzi a tema, ricevimenti di Comitati Nazionali, etc. Crea nuovi contatti durante le pause caffè, pause pranzo, anche in coda… Visita la città in compagnia degli altri partecipanti. TEMA DELLA CONFERENZA Il paesaggio italiano è universalmente noto. È stato descritto, rappresentato, visitato in ogni tempo e in ogni modo. Chi, al mondo, non ha presente la straordinaria gamma di paesaggi di questa penisola che dalle Alpi si prolunga sino al centro del Mediterraneo con il suo entroterra e le sue riviere? Chi non ha nella mente almeno uno degli innumerevoli monumenti che si incontrano percorrendola, nello stratificato palinsesto di testimonianze che vanno dall’antichità al medioevo, dal rinascimento al barocco, dall’età neoclassica fino ai giorni nostri? Nell’invitare i colleghi di tutto il mondo alla 24a Conferenza generale di ICOM che si terrà a Milano dal 3 al 9 luglio 2016, il Comitato nazionale italiano ha proposto loro di affrontare un tema caro alla museologia italiana: il rapporto tra musei e paesaggi culturali. Una questione centrale per l’italia, ma anche una prospettiva strategica per i musei del Terzo Millennio in tutto il mondo. Un’occasione e una sfida per il rilancio e il rinnovamento della loro missione e per il rafforzamento del loro ruolo culturale e sociale. A. Chastel, Italia museo dei musei, in I musei, TCI, Milano 1980, p. 14 © Civico Museo Archeologico | Comune di Milano Il panorama museale italiano è più ricco e diversificato della sua immagine consolidata: accanto ai grandi musei nati dalle collezioni dinastiche degli Stati preunitari e alla rete maggiore dei musei civici dei grandi e medi centri, sono oggi centinaia i piccoli musei locali, nati soprattutto negli ultimi decenni. in italia esistono – il dato si riferisce al 2011 – 4588 musei e istituti “similari”: 3847 musei, 240 aree e parchi archeologici, 501 monumenti e complessi monumentali. Quasi un comune su tre ospita almeno un museo e in alcune regioni vi è almeno un museo ogni due comuni in un paese in cui, come ha scritto André Chastel “grazie a una sorta d‘incastro esemplare, la collezione s‘iscrive nell‘edificio che la città riveste, e queste tre forme di museo si rispondono mutualmente” ¹ 1 INFORMAZIONI GENERALI Altrettanto celebri sono i suoi grandi musei, dagli Uffizi a Brera, alle Gallerie dell’Accademia di Venezia, da Capodimonte alla Galleria Sabauda fino ai Musei Vaticani, parte integrante di tale enorme patrimonio. Le loro opere d‘arte sono parte essenziale di quel Museo immaginario descritto da André Malraux, insieme alle tantissime altre custodite nelle chiese, nelle dimore signorili, nelle città e nei borghi del Bel paese. Musei d’arte e d’archeologia soprattutto, ma non solo e anche siti e complessi monumentali che fanno dell’Italia un grande museo diffuso, un “museo a cielo aperto”. I paesaggi culturali italiani sono andati cambiando. Pur aggrediti dallo sviluppo urbano e industriale, molti degli scorci ammirati dal mondo si sono conservati, mutati ma non per questo deprivati del loro fascino antico. E sono anche sorti nuovi paesaggi, espressione di una modernità divenuta in parte già storia, mentre l’idea stessa di paesaggio è cambiata e si estesa a sempre nuovi territori della mente e dello sguardo. Schnittmarke MUSEI E PAESAGGI CULTURALI Civico Museo Archeologico 91 Relatori Principali La 24a Conferenza Generale ICOM ospiterà cinque relatori di fama internazionale, di differenti formazioni e con differenti approcci. Un premio Nobel turco per la letteratura, un artista americano, un architetto e designer italiano, una donna africana leader politica e culturale e un economista australiano presenteranno le loro visioni acute e capaci di arricchire le nostre prospettive su cultura, arte, musei e paesaggi culturali. Venite a Milano e non perdete l’opportunità di ascoltare ed imparare dalle illuminanti esperinze di alcuni dei più grandi intellettuali del mondo contemporaneo! 4 luglio Christo, Stati Uniti d´America Christo è nato a Gabrovo, Bulgaria, il 13 giugno 1935 ed ha passato la sua gioventù sotto le regole comuniste. Ha studiato arte a Sofia e a Vienna. Anche Jeanne-Claude (Jeanne-Claude Marie de Guillebon 1935-2009) era nata il 13 giugno 1935, da genitori francesi a Casablanca, Marocco. Prima di stabilirsi definitivamente con la famiglia a Parigi, è cresciuta a Berna in Svizzera ed a Gabès in Tunisia. Nel 1957 Christo fugge dall´Europa dell´Est verso Ovest. A quel tempo avvolgeva già gli oggetti in vari materiali, anche se principalmente si manteneva facendo ritratti. La coppia si incontrò a Parigi nel 1958, quando Christo stava facendo ritratti della madre di Jeanne-Claude. Schnittmarke Nel 1961, gli artisti hanno iniziato a collaborare su progetti monumentali, imprese in cui il principale materiale utilizzato è stato il tessuto, scelto per le sue qualità fluide ed effimere. Christo e Jeanne-Claude condividono la paternità congiunta dei progetti su larga scala; tuttavia, è Christo ad impacchettare gli oggetti e realizzare pacchetti, modelli in scala e disegni. I progetti sono finanziati esclusivamente dalla vendita di queste opere, dal momento che gli artisti non accettano sponsorizzazioni. I primi progetti di Christo, che coinvolgevano principalmente l’architettura esistente, miravano sia a nascondere che a sottolineare il carattere essenziale ed il significato di un sito. Nel corso del tempo l’uso del tessuto è diventato più libero e aperto. I progetti realizzati restano installati per un tempo finito, eppure il loro provvisorietà accresce il loro fascino estetico. Le loro opere includono l’avvolgimento del Reichstag a Berlino e il Pont-Neuf a Parigi, l´opera lunga 24 miglia (39 km) chiamato Running Fence nelle contee di Sonoma e Marin in California, e The Gates nel Central Park di New York City. 92 Orhan Pamuk, Turchia Lo scrittore turco Orhan Pamuk è stato il primo premio Nobel per la letteratura del suo paese. Noto per le sue storie epiche e sfaccettate, in cui il protagonista è spesso preso tra due mondi, Pamuk intreccia elementi dal Pantheon occidentale della prosa postmoderna con la sua narrativa, sfocando la linea tra realismo e fantasia, che è una caratteristica delle più grandi opere della letteratura araba. I libri di Orhan Pamuk sono stati tradotti in 63 lingue, tra cui georgiano, malese, ceco, danese, giapponese, catalano, oltre che in inglese, tedesco e francese. Pamuk tiene una volta all’anno una lettura alla Columbia University. Nel 2014, il Museo dell’Innocenza di Orhan Pamuk ha ricevuto il Premio del museo europeo dell’anno (EMYA) proposta dal Forum europeo Museum di Tallinn, in Estonia. Nel 2005 Pamuk ha ricevuto il Peace Prize, considerato il premio più prestigioso in Germania nel campo della cultura. Nello stesso anno, Snow riceve Le Prix Médicis étranger, il premio per il miglior romanzo straniero in Francia. Nel 2006 la rivista TIME lo sceglie come una delle 100 persone più influenti del mondo. Ha ricevuto il premio Nobel 2006 per la letteratura, diventando la seconda persona più giovane a ricevere il premio nella sua storia. Relatori Principali 5 luglio Michele De Lucchi, Italia Michele De Lucchi è un architetto italiano. È stato una figura di spicco di movimenti come Cavart, Alchimia e Memphis. Ha disegnato lampade e arredi per le più famose aziende italiane ed europee, come Artemide, Olivetti, Alias, Unifor, Hermès ed Alessi. Ha progettato ambienti lavorativi e definito la corporate identity di aziende quali Deutsche Bank, Poste Italiane, Ferrovie dello Stato, Enel, Piaggio, Olivetti, Telecom Italia, Novartis, Intesa Sanpaolo, Unicredit. INFORMAZIONI GENERALI Ha realizzato progetti architettonici in Italia e nel mondo: edifici residenziali, industriali, aziendali e culturali. Ha curato l´allestimento di mostre presso la Triennale di Milano, il Palazzo delle Esposizioni di Roma, il Neues Museum Berlin, le Gallerie d’Italia in Piazza Scala e il nuovo Museo Pietà Rondanini a Milano, oltre a realizzare diversi importani progetti per la città di Milano: i padiglioni di Expo 2015 (Padiglione Zero, Expo Center, Intesa Sanpaolo) e il palazzo UniCredit in piazza Gae Aulenti. Nkandu Luo, Zambia L´Onorevole Professore Nkandu Luo è l´attuale Ministro per le Pari Opportunità e lo Sviluppo dei Bambini. Precedentemente ha ricoperto la carica di Ministro della Salute, Ministro dei Trasporti e delle Comunicazioni, Ministro degli Enti Locali e degli Alloggi, il Ministro dei Capi e degli Affari Tradizionali. L’Onorevole Professore Nkandu Luo è professore di microbiologia e immunologia e ha servito come Direttore della facoltà di Patologia e Microbiologia presso lo University Teaching Hospital a Lusaka, Zambia. Oltre alla sua formazione in Microbiologia e Immunologia, ha proseguito gli studi in Immunopatologia delle malattie infettive e Epidemiologia e Statistica Medica. L’Onorevole Professore Luo ha effettuato molta ricerca su HIV / AIDS, sulla tubercolosi, sulla malaria e su altre malattie infettive. E´stata attiva nell’insegnamento di studenti universitari e laureati nel campo della biomedica e dell´infermieristica. 6 luglio Schnittmarke David Throsby, Australia David Throsby è internazionalmente riconosciuto come uno degli inventori dell´economia della cultura. Illustre professore presso il Dipartimento di Economia dell´Università di Macquarie a Sydney, Throsby è riconosciuto a livello globale per le sue ricerche e pubblicazioni sull’economia dell’arte e della cultura. I suoi attuali ambiti di ricerca includono la situazione economica degli artisti creativi, le industrie creative, l’economia del patrimonio culturale, la cultura e lo sviluppo sostenibile ed i legami tra la politica economica e culturale. È autore di numerose pubblicazioni tra cui The Economics of the Performing Arts con Glen Withers (1979), The Produc- tion and Consumption of the Arts: A View of Cultural Economics’ nel Journal of Economic Literature (1994), Economics and Culture (2001) e The Economics of Cultural Policy (2010). Insieme a Victor Ginsburgh ha co-curato due volumi del Handbook of the Economics of Art and Culture (2006 e 2014). 93 Where ICOM From Una mostra per celebrare i 70 anni di ICOM! di François Mairesse Qual è lo scopo di un anniversario? È quello di ricordare i tempi andati? È quello di celebrare le esperienze raccolte nel corso del tempo? Oppure è quello di raccogliere le persone a noi care per un evento piacevole? È sempre interessante cogliere spunto dal qui e ora per dare uno sguardo al passato e all’età di 70 anni – quando si è ormai nonni - i tempi sono maturi per richiamare i ricordi che hanno influenzato la nostra storia e condividerli con i nostri nipoti attraverso album di famiglia. Creare una mostra su ICOM potrebbe sembrare un esercizio narcisistico in cui darci da soli compiaciute pacche sulle spalle, una sorta di selfie 3D in cui tutti noi cerchiamo di comparire. Nella realtà si tratta di un progetto molto più ambizioso. La storia di ICOM non è sempre stata un corso d’acqua che scorre tranquillo. Oltre 40 anni fa, dopo un movimento di contestazione radicale nel campo museale particolarmente evidente durante la Conferenza Generale di Parigi e Grenoble (1971), il movimento “New Museology” si sviluppa come una risposta alla crisi dei musei, che evidenzia gli approcci convenzionali di un’istituzione occidentale e borghese. Quaranta anni dopo la crisi dei musei sembra ampiamente superata e ci sono ora nel mondo sempre più musei. Oltre alle numerose piccole organizzazioni - al tempo estremamente dinamiche, ma anche estremamente fragili – si è sviluppata intorno al mondo del turismo globalizzato una macchina economica enorme. I musei, in passato denigrati a causa del loro approccio ormai superato, giocano oggi un ruolo imporante nelle questioni geopolitiche globali. Se dovessimo giudicarla per il numero dei suoi dipendenti, ICOM dovrebbe essere considerata un’organizzazione di piccole dimensioni. Tuttavia, il numero e la diversità dei suoi Comitati, tutti gestiti a livello volontario – rappresentano una rete vasta e complessa, corrispondente alla diversità del mondo. Chi può realmente affermare di avere familiarità con tutta la sua portata? Questa mostra vuole evocare un possibile itinerario che coinvolga, se non tutti gli aspetti di ICOM (missione impossibile), almeno alcune delle sue dimensioni principali, eventi importanti, figure di spicco, luoghi di condivisione, ecc. E‘ una storia incompleta che non è una “versione ufficiale” dell’avventura di ICOM, bensì una selezione di storie dai suoi archivi che cercano di visualizzare alcune delle dimensioni di questa organizzazione. Un tour interattivo La mostra Where ICOM from ripercorre - in quasi 235m2 - l’evoluzione di ICOM lungo i suoi 70 anni di esistenza e solleva domande sulle sue direzioni future. Una scenografia coinvolgente mette insieme vari documenti d’archivio - comprese immagini, locandine e video – al fine di illustrare la ricca storia di ICOM. Attraverso una cronologia degli eventi ed una selezione di date importanti viene mostrata la crescita del network ICOM e le conquiste della organizzazione nel corso del tempo. Le principali attività dell’organizzazione e le prossime sfide vengono raccontate attraverso storie e punti di vista personali di membri ICOM. Alcuni dispositivi interattivi permetteranno ai visitatori di prendere parte al dibattito e condividere i loro pensieri. Schnittmarke © ICOM Anche il ruolo di ICOM si è evoluto. Fondata da un piccolo gruppo di professionisti nel 1946, l’organizzazione conta oggi circa 36.000 membri provenienti da molti ambiti diversi, ma uniti da una domanda comune. La mostra “Where ICOM from” richiama alcuni degli elementi che caratterizzano la natura di ICOM e dei musei e ci pone delle domande sul futuro di questa istituzione. Nel 1946 il mondo si stava riprendendo da un conflitto globale, seguito da una lunga guerra fredda. Settanta anni dopo, sebbene il mondo non abbia visto accadere un’altra guerra mondiale, ci troviamo in una situazione di conflitto diffuso. Quale ruolo possono i musei ed ICOM svolgere in questo contesto? Georges Henri Rivière suona lo shamisen, 1960, Tokyo, Giappone 94 Where ICOM From Mostra Where ICOM from, 70 anni di International Council of Museums, dal 4 al 6 luglio 2016 In Blue Hall 2, ala Nord, livello + 1 (vicino alle scale mobili). Inaugurazione: 4 luglio alle ore 12:30 presso l’area espositiva. Evento organizzato da ICOM Endowment Fund, in collaborazione con gli student dell’Università Parigi 1 Pantheon-Sorbonne e con il generoso supporto di Panasonic, sponsor principale della mostra. © guerillagraphik Schnittmarke INFORMAZIONI GENERALI È curioso come ICOM - che si identifica come il forum dei musei per eccellenza - non abbia mai cercato di comunicare e contribuire più frequentemente ai dibattiti anche attraverso uno dei suoi tratti distintivi, ovvero le mostre. Tuttavia lo ha fatto attraverso pubblicazioni, conferenze e più recentemente attraverso il suo sito web ed i social network. Se c’è una caratteristica che contraddistingue i musei è che essi rappresentano in maniera unica un modo di pensare collettivo, che ha lo scopo di diffondere la conoscenza in modo spaziale, attraverso oggetti, immagini e suoni. Questo non è un compito facile: per sviluppare una mostra sono necessari spazio, tempo e mezzi. Quella che viene presentata a Milano non ha la pretesa di rispondere a tutte le domande poste qui, ma di mettere ciascun visitatore nella condizione di interrogarsi, almeno per qualche minuto, sugli aspetti che tengono insieme ICOM e sulla specificità di cosa rappresentano i musei. 95 programma sociale FESTA DI APERTURA – 4 LUGLIO ceremonia e festa di chiusura – 9 LUGLIO Castello Sforzesco La Triennale di Milano Lunedi 4 liglio 19:30 – 23:30 Piazza Castello Metro: Cairoli, M1, Linea Rossa Sabato 9 liglio 19:30 – 24:00 Viale Emilio Alemagna, 6 Metro: Cadorna, M1-M2, Linea Rossa-Linea Verde Schnittmarke 96 La Ceremonia e Festa di Chiusura si terrà sabato 9 luglio presso il Palazzo dell’Arte di Milano. A partire dalle 19:30, i partecipanti potranno visitare il Museo del Design, il parco e la XXI Esposizione Internazionale della Triennale per l’architettura, le arti visive e decorative, il design, la moda e le produzioni audiovisive. La Cerimonia di Chiusura si terrà alle 20:00. Durante la Cerimonia la bandiera ufficiale di ICOM passerà da ICOM Milano 2016 a ICOM Kyoto 2019 e verrà presentata la 25° Conferenza Generale ICOM. Dopo la cerimonia avrà inzio la festa. © EcilaAlice © fedewild La Festa di Apertura si terrà lunedì 4 luglio al Castello Sforzesco, il famoso castello del 15° secolo situato nel centro di Milano. In questa occasione i partecipanti avranno l’opportunità di visitare tutti i Musei del Castello e specialmente il nuovo allestimento della Pietà Rondanini di Michelagelo e la Sala delle Asse con gli affreschi di Leonardo, recentemente restaurati. Accoglieranno i partecipanti un cocktail di benvenuto e un accompagnamento musicale. La festa inzierà alle 19:30 e finirà alle 23:30. L’ingresso sarà garantito solo dietro l’esibizione del badge nominale ICOM Milano 2016. programma sociale EVENTI SOCIALI SERALI – 5-6 LUGLIO (e oltre!) Grande Concerto in Duomo – Veneranda Fabbrica del Duomo Duomo di Milano Mercoledì 6 Luglio 2016 20:00 21:00 Piazza del Duomo Il Duomo ospiterà un concerto speciale e riservato per i partecipanti alla Conferenza ICOM Milano 2016. INFORMAZIONI GENERALI Più di 40 musei a Milano saranno aperti la sera in via straordinaria e organizzeranno eventi speciali per ICOM Milano 2016. La lista completa degli eventi sociali, con la mappa e i dettagli degli orari di apertura e altre informazioni utili sono disponibili sul sito ufficiale della Conferenza (http:// net wor k .icom.museum / icom-mil an-2 016/socialevents/programma-sociale/L/7/) a sono costantemente in aggiornamento. Alcuni eventi sono aperti per un numero limitato di persone: la prenotazione, salvo pochi casi, non è necessaria e i partecipanti saranno ammessi secondo la disponibilità dello spazio. In programma molti eventi speciali! OPEN NIGHT | Speciale ICOM Milano 2016 Museo Nazionale della Scienza e della Tecnologia Leonardo da Vinci, Milano Apertura speciale al pubblico e ai partecipanti alla Conferenza Generale. Il Museo Nazionale della Scienza e della Tecnologia Leonardo da Vinci, il più grande museo tecnico scientifico in Italia, apre le sue porte a tutta la città in occasione della Conferenza Generale ICOM Milano 2016. Una OPEN NIGHT speciale per scoprire le collezioni, sperimentare nei laboratori interattivi e godersi la serata nei chiostri del monastero del 16° secolo. Immergiti nel mondo del sottomarino Enrico Toti tra periscopio, sonar e camere e rivivi le avventure dei marinai durante la navigazione. Scopri la tecnica dell’affresco di Leonardo o avventurati tra nuovi cibi, DNA e gli ingredienti principali dei nostri alimenti. Per rilassarsi musica dal vivo tra classica, jazz e Rock and Roll. Il Padiglione Ferroviario si animerà tutta la sera con performance di danza contemporanea e live music. Programma Musicale Atmosfere di una Cattedrale “Il Grande Organo del Duomo e la solenne regalità degli Ottoni” Un dialogo in musica Nikolaj Rimskij-Korsakov (1844-1908) (organo e ottoni) Procession of Nobles Georg Friedrich Haendel (1685-1759) And the Glory of the Lord (ottoni) Giovanni Gabrieli (1557-1612) Canzon Undicesimi Toni (organo e ottoni) Edward Elgar (1857-1934) Military March n.1 (organo e ottoni) Gabriel Fauré (1845-1924) (ottoni) Pavane Marcel Dupré (1886-1971) (organo e ottoni) Poème Héröique Eugène Gigout (1844-1925) (organo e ottoni) Grand Choeur Dialogué Alessandro La Ciacera (secondo organista del Duomo di Milano) Doctor Brass Quintet Giorgio Tosatti, tromba Matteo Macchia, tromba Jaime Carrasco, trombone Marco Anastasio, Basso Tuba Tommaso Ruspa, Corno Schnittmarke © Museo Nazionale della Scienza e della Tecnologia Leonardo da Vinci di Milano © Pedro Martedì 5 luglio 2016 18:30 – 23:30 Via San Vittore 21 97 programma sociale Una serata a Palazzo di Brera per Icom 2016 Ultima Cena Palazzo di Brera Cenacolo Vinciano Giovedì 7 luglio 2016 18:30 – 22:15 Via Brera 28, Milano Diversi turni disponibili durante tutta la settimana Piazza Santa Maria delle Grazie, 2 Gli istituti sono aperti al pubblico mentre la partecipazione agli eventi e al buffet è strettamente riservata ai soci ICOM Milano 2016 e esclusivamente su prenotazione, fino a esaurimento posti. Per prenotazioni: [email protected] L’Ultima Cena si trova a Milano nell’ex-refettorio nei pressi del Santuario di Santa Maria delle Grazie. E ‘stato dipinto tra il 1494 e il 1498 da Leonardo da Vinci ed è conosciuta in tutto il mondo. © On MiBACT Licence - PoloM useale della Lombardia Il seicentesco Palazzo delle Scienze e delle Arti di Brera apre le sue porte con un evento pubblico dedicato a ICOM Milano 2016. Dopo il saluto istituzionale dei Direttori, la Pinacoteca, l’Accademia di Belle Arti, la Biblioteca Nazionale Braidense, l’Istituto Lombardo di Scienze e Lettere, l’Orto Botanico, il Museo e l’Osservatorio Astronomico restano aperti eccezionalmente fino alle ore 22:15 con una serie di eventi, mostre, installazioni e visite guidate dedicate. Nel corso della serata verrà offerto un light dinner esclusivo riservato agli ospiti di Icom prenotati. Schnittmarke © Pinacoteca di Brera L’Ultima Cena mostra una delle scene più importanti e più ricca di significato dal Vangelo secondo Giovanni. Grazie a scienziati, critici d’arte e restauratori di tutto il mondo, si è potuta riscoprire l’originalità del dipinto che era stata manomessa dai tanti ritocchi non conformi alle caratteristiche peculiari di Leonardo da Vinci. 98 Un accordo speciale con il Ministero dei Beni e delle Attività Culturali e del Turismo consentirà ai partecipanti a ICOM Milano 2016 di visitare il Cenacolo, grazie alla possibilità di prenotare alcuni turni durante tutta la settimana. Tutti i dettagli della prenotazione sono disponibili sul sito della conferenza. programma sociale LOMBARDIA Valcamonica Varese Crespi d’Adda Iseo Lake Monza Bergamo Milan Torino Pavia Monferrato Vicenza Lago di Garda Brescia Mantova Piacenza Musei del Cibo Parma INFORMAZIONI GENERALI PIEMONTE VENETO Modena Bologna EMILIA-ROMAGNA Genova LIGURIA Lunigiana Firenze Certaldo / Castelfiorentino TOSCANA excursion day (GIORNATA DI ESCURSIONE) Tour pre- e post-conferenza Il Comitato Organizzatore ha selezionato circa 50 tour, proposti ed organizzati da tour operator e partner di esperienza. I tour sono stati pensati su misura per i partecipanti di ICOM Milano 2016. Costi e dettagli sono disponibili sul sito dell Conferenza (http://network.icom. museum/icom-milan-2016/viaggi/viaggi-pre-e-postconferenza/L/7/). Tutte le informazioni su tour operator e partner sono disponibili presso il punto informativo “Tour”, situato nell´area della Fiera Museale e dell´Expo Forum (ala nord, livello +1). Schnittmarke L´Excursion Day è una tradizione delle Conferenze Generali ICOM: un giorno al di fuori del centro congressi per scoprire la città ospitante, così come il nord e centro Italia! L´Excursion Day è venerdí 8 luglio. Per maggiori informazioni, consultare il sito web (http://network. icom.museum/icom-milan-2016/excursion-day/ excursion-day/L/7/) oppure rivolgersi al desk “Social Programme” situato nell´area di registrazione. Tour per accompagnatori Grazie al supporto di Musement, sono stati organizzati due tour gratuiti per gli accompagnatori. I tour sono grauiti per gli accompagnatori regolarmente registrati. I tour sono a numero chiuso. Per saperne di più, visitare il sito (http://network. i c o m . m u s e u m / i c o m - m i l a n -2 0 16 / v i a g g i / v i s i t e accompagnatori/L/7/)! 99 Informazioni Generali A-Z accessibilità Il MiCo è accessibile ai partecipanti con disabilità. Accompagnatori Gli accompagnatori avranno un accesso limitato alla conferenza. L´ingresso alla Fiera Museale e all´Expo Forum e alle sessioni della conferenza non sono incluse. Gli accompagnatori possono prendere parte agli eventi sociali che avvengono fuori del centro congressi (Festa di Apertura e di Chiusura, Eventi Sociali, Escursioni, Tour per Accompagnatori). Alleanze Regionali Le Alleanze Regionali sono dei forum che hanno l´obiettivo di promuovere il dialogo e la condivizione delle informazioni tra i Comitati Nazionali, i musei ed i professionisti museali di una specifica area geografica. I Comitati Nazionali possono essere membri di una Alleanza Regionale. I presidenti delle cinque Alleanze Regionali fanno parte dell´Advisory Committee. Le Alleanze Regionali sono: ICOM ARAB Arab Countries Alliance ICOM ASPACAsia-Pacific Alliance ICOM EUROPE Europe Alliance ICOM LACLatin America & Caribbean Alliance ICOM SEE South East Europe Alliance App di ICOM Milano 2016 Schnittmarke L´App di ICOM Milano 2016 è pensata per migliorare l´esperienza dei partecipanti prima, durante e dopo la Conferenza, grazie alle seguenti funzionalità ed informazioni a portata di dito: Programma interattivo della Conferenza Relatori principali (Keynote Speakers) Lista dei relatori e degli espositori Mappe Programma Sociale Networking Social Media Questionario di valutazione L´App di ICOM Milano 2016 è generosamente sponsorizzata da azienda Guardian Glass Europe. Aree Ristoro Le aree ristoro sono posizionate all´interno dell´area della Fiera Museale e dell´Expo Forum, ala Nord, livello +1. I lunch box ed i Coffee Break saranno distribuiti dal 3 al 6 luglio ed il 9 luglio a tutti i partecipanti registrati. 100 Assicurazione e responsabilità Gli organizzatori della conferenza, ICOM o ICOM Italia ed il MiCo non possono essere considerati responsabili per danni personali o per qualsiasi perdita o danno procurato alle proprietà dei partecipanti alla Conferenza, né durante la conferenza né come causa di attività legate alla Conferenza. I partecipanti debbono verificare la validità della propria assicurazione. Attestato L´attestato di partecipazione ufficiale di partecipazione per ICOM Milano 2016 sarà disponibile dopo la Conferenza. I partecipanti avranno la possibilità di scaricarlo dalla Piattaforma dei Partecipanti. Badge nominativo I partecipanti debbono indossare il badge nominativo per accedere al Centro Congressi, alle sessioni ed agli eventi della Conferenza. Il badge nominativo deve essere facilmente visibile. In caso di perdita o di dimenticanza del bage nominativo, sarà possibile richiederne uno nuovo a fronte del pagamento di € 50.00. Il vecchio badge sarà disattivato. Se il partecipante ha dimenticato il badge in hotel, può chiedere di portarlo il giorno successivo: in questo caso sará trattenuto un deposito di € 40.00 e rilasciata una ricevuta. Il deposito sarà restituito quando sarà mostrato il badge nominativo precedentemente dimenticato. Il badge nominativo è generosamente sponsorizzata da Haroutunian Foundation. Bancomat All´interno del MiCO è disponibile un bancomat. È situato al livello +1 dell´ala Nord, vicino all´ingresso dell´area dedicata alla Fiera Museale ed all´Expo Forum, salendo dalle scale mobili a destra. Borse Congressuali Le borse congressuali saranno distribuite presso l´omonimo banco, situato nell´area di registrazione (ala Nord, livello +1). Agli espositori sarà distribuita, durante il primo giorno di conferenza, una borsa per ciascuno stand. Le borse congressuali è generosamente sponsorizzata da Haroutunian Foundation. Informazioni Generali A-Z Il Business Centre si trova nell´Office 5, ala Nord, livello -1. I partecipanti hanno la possibilità di stampare, fare copie, fare scansioni o inviare un fax durante i seguenti orari: Domenica 3 luglio Lunedì 4 luglio Martedì 5 luglio Mercoledì 6 luglio Sabato 9 luglio 08:00 – 19:00 08:00 – 19:00 08:00 – 19:00 08:00 – 19:00 08:00 – 18:00 Vengono applicate le seguenti tariffe: Cambio di programma / data di stampa Gli organizzatori non possono essere considerati responsabili per qualsiasi cambio nel programma dovuto a circostanze esterne o impreviste. I cambi notificati dopo la data di stampa (6 giugno) sono aggiornati sul sito web della conferenza e disponibili tramite l´App della conferenza. Cerimonia di Apertura La Cerimonia di Apertura avrà luogo nella sala Silver, lunedì 4 luglio dalle 09:30 alle 12:30. Tutti i partecipanti sono invitati a prendere parte a questo evento. Clima Milano ha un clima umido subtropicale con influenze continentali, simile a quello delle pianure del nord Italia, con estati calde e afose, e inverni freddi e nebbiosi. In estate il livello di umidità è molto alto e la temperatura può raggiungere temperature sopra i 35 °C. coffee break I Coffee Break saranno servite a tutti i partecipanti registrati nell´area della Fiera Museale e dell´Expo Forum, situata nell´ala Nord, al livello +1, dal 4 al 6 luglio così come il 3 ed il 9 luglio nel Silver Foyer nell´ala Nord al livello +2. Le Coffee Break sono previste nei seguenti orari: 10:30 – 11:00 e 15:00 - 15:30 (Silver Foyer) 15:45 – 16:15 (Fiera Museale ed Expo Forum) 10:30 – 11:00 e 16:30 – 17:00 (Fiera Museale ed Expo Forum) 11:00 – 11:30 e 15:45 – 16:15 (Fiera Museale ed Expo Forum) la mattina (Silver Foyer) Comitati Internazionali I Comitati Internazionali riuniscono esperti di diverse specialità museali. Ciascun Comitato Internazionale è rappresentato all´interno dell´Advisory Committee di ICOM dal proprio Presidente. I 30 Comitati Internazionali sono luoghi dove ragionare apertamente sui musei e, più in generale, sulle questioni relative al patrimonio culturale. Definiscono gli standard per i professionisti museali, condividono informazioni scientifiche, stabiliscono partnership con altre organizzazioni e sviluppano raccomandazioni per i membri ICOM. Di seguito la lista dei 30 Comitati Internazionali: INFORMAZIONI GENERALI COPIE / STAMPE (un lato) formato A4 b/n € 0.20 formato A3 b/n € 0.30 formato A4 a colori € 0.50 formato A3 a colori € 0.70 INVIO FAX Quota fissa € 1.50 Italia € 0.30 Europa € 0.60 Intercontinentale € 1.00 RICEZIONE FAX Prezzo singolo € 0.20 RISMA DI CARTA 500 sheets € 5.00 Domenica 3 luglio Lunedì 4 luglio Martedì 5 luglio Mercoledì 6 luglio Sabato 9 luglio AVICOM Audiovisual and New Technologies of Image and Sound CAMOC Collections and Activities of Museums of Cities CECA Education and Cultural Action CIDOC Documentation CIMCIM Museums and Collections of Musical Instruments CIMUSET Museums and Collections of Science and Technology CIPEG Egyptology COMCOL Collecting COSTUME Museums and Collections of Costume DEMHIST Historic House Museums GLASS Museums and Collections of Glass ICAMT Architecture and Museum Techniques ICDAD Museums and Collections of Decorative Arts and Design ICEE Exhibitions and Exchange ICFA Museums and Collections of Fine Arts ICLM Literary Museums ICMAH Museums and Collections of Archaeology and History ICME Museums and Collections of Ethnography ICMEMO Memorial Museums in Remembrance of the Victims of Public Crimes ICMS Museum Security ICOFOM Museology Schnittmarke Business CentRE 101 Informazioni Generali A-Z ICOM-CC Conservation ICOMAM Museums of Arms and Military History ICOMON Money and Banking Museums ICR Regional Museums ICTOP Training of Personnel INTERCOM Museum Management MPR Marketing and Public Relations NATHIST Museums and Collections of Natural History UMAC University Museums and Collections Comitati Nazionali I Comitati Nazionali sono il principale strumento di comunicazione tra il Segretariato Generale ed i membri di ICOM. I 119 Comitati Nazionali assicurano che gli interessi dell´organizzazione siano gestiti al meglio nelle respettive nazioni. I Comitati Nazionali rappresentano i loro membri all´interno di ICOM e contribuiscono all´implementazione del programma dell´organizzazione. Distributori di acqua Diversi distributori di acqua a titolo gratuito sono distribuiti nel Centro Congressi. Elettricità In Italia, il voltaggio è 220v a/c. Le prese hanno 2 buchi, quindi può essere necessario un adattatore. Eventi sociali serali (5-6 Luglio) Schnittmarke Più di 40 musei a Milano saranno aperti la sera in via straordinaria e organizzeranno eventi speciali per ICOM Milano 2016. La lista completa degli eventi sociali, con la mappa ed i dettagli degli orari di apertura ed altre informazioni utili sono disponibili sul sito ufficiale della Conferenza (http:// net wor k .icom.museum / icom-mil an-2 016/socialevents/programma-sociale/L/7/) e sono costantemente in aggiornamento. Alcuni eventi sono aperti per un numero limitato di persone: la prenotazione, non è necessaria ed i partecipanti saranno ammessi secondo la disponibilità dello spazio. Sono in programma molti eventi speciali! 102 Excursion Day (giornata di escursione) L´ Excursion Day è una tradizione delle Conferenze Generali ICOM: un giorno al di fuori del centro congressi per scoprire la città ospitante, così come il nord e centro Italia! L´Excursion Day è venerdí 8 luglio. Per maggiori informazioni, consultare il sito web (http://network. icom.museum/icom-milan-2016/excursion-day/excursion-day/L/7/). Expo Forum L´Expo Forum è un´area separata nella Fiera Museale e dell´Expo Forum (Ala Nord, livello +1) dove gli espositori/ sponsor possono fare un presentazione ai partecipanti. L´orario è pubblicato nella parte dedicata al programma in questa brochure così come su un´ insegna dedicata nell´area del Expo Forum. Festa di apertura La Festa di Apetura si terrà lunedì 4 luglio dalle 19:30 al Castello Sforzesco, il famoso castello del 15° secolo, situato nel centro di Milano. I partecipanti avranno l´opportunità di visitare tutti i musei del Castello, inclusa la nuova collocazione della Pietà Rondanini e la Sala delle Asse di Leonardo, recentemente restaurata. Festa e cerimonia di chiusura La cerimonia di chiusura (accesso nel limite dei posti disponobili e secondo l´ordine di arrivo) si terrà alle 19:30 sabato 9 luglio seguita dalla festa di chiusura alle 20:00 presso la Triennale Palazzo dell´Arte. I partecipanti potranno visitare il Museo del Design, il parco e le mostre della XXI Triennale Esposizione Internazionale per l´architettura, le arti visive e decorative, il design, la moda e le produzioni audio-video. Fiera Museale ed Expo Forum I partecipanti sono invitati a visitare la Fiera Museale ed a seguire la programmazione dell´Expo Forum. L´aera è aperta ai visitatori con i seguenti orari: Lunedì 4 luglio Martedì 5 luglio Mercoledì 6 luglio 12:30 – 18:00 09:00 – 18:00 09:00 – 18:00 Informazioni Generali A-Z Fotografie e video riprese MOSTRA FOTOGRAFICA DI ICOM LAC ICOM e K.I.T. Group lavorano insieme al fine di creare una panoramica esaustiva della Conferenza e degli eventi che potrebbero avere un interesse promozionale per l´organizzazione. Pertanto La informiamo che potrebbe essere ripreso e/o fotografato in qualsiasi momento (nelle sale, presso l´Expo Forum, durante gli eventi sociali, etc.) e che le Sue presentazioni a titolo di relatore possono essere registrate. Internet Point L´Internet Point è situato nell´area della Fiera Museale e dell´Expo Forum, ala Nord, livello +1. È gratuito per tutti i partecipanti registrati. È disponibile anche una stampante per stampare (es. stampa della carta di imbarco). Iscrizioni I desk di registrazione sono situati nell´ala Nord, livello +1 e sono aperti secondo i seguenti orari: 08:00 – 19:00 08:00 – 18:30 08:00 – 18:30 08:00 – 18:30 08:00 – 17:30 Lingue Le lingue ufficiali della Conferenza sono inglese, italiano, francese e spagnolo. OFF-SITE MEETINGS Giovedì 7 luglio i Comitati Internazionali di ICOM organizzano i loro meeting al di fuori del Centro Congressi. Salvo differenti indicazioni, questi meeting sono dedicati ai membri dei rispettivi Comitati. L´orario è pubblicato nella parte dedicata al programma in questa brochure. Organizzazioni Affiliate Le Organizzazioni Affiliate sono associazioni o consigli internazionali dedicati ai musei ed ai professionisti museali di una specifica area geografica. Queste organizzazioni partecipano alle attività ICOM e contribuiscono all´influenza dell´organizzazione e del suo network, pur tuttavia mantenendo la loro autonomia. Qualsiasi organizzazione internazionale i cui membri siano per almeno due terzi musei o professionisti museali può diventare una Organizzazione Affiliata. Le 21 Organizzazioni Affiliate sono rappresentate dai loro Presidenti all´interno dell´Advisory Committee. Di seguito l´elenco delle Organizzazioni Affiliate: Schnittmarke 08:00 – 19:00 08:00 – 19:00 08:00 – 19:00 08:00 – 19:00 08:00 – 18:00 La Networking Lounge è generosamente sponsorizzata da Goppion S.p.A and Goppion MuseumLab, Paul Bernhard Exhibit Design & Consulting, The Hettema Group e THK Co., Ltd.. INFORMAZIONI GENERALI Il guardaroba è situato nell´area registrazione, ala Nord, livello +1. Il costo per le giacche è di € 2.50 cad. ed il costo per i bagagli è di € 3.00 cad. Il guardaroba è aperto secondo i seguenti orari: Domenica 3 luglio Lunedì 4 luglio Martedì 5 luglio Mercoledì 6 luglio Sabato 9 luglio Networking Lounge La Networking Lounge è situata presso l´area della Fiera Museale e dell´Expo Forum, ala Nord, livello+1. Guardaroba, bagagli Domenica, 3 luglio Lunedí, 4 luglio Martedí, 5 luglio MercoledÌ, 6 luglio Sabato, 9 luglio I partecipanti hanno l´opportunità di visitare una speciale mostra fotografica organizzata da ICOM LAC. Luogo: Foyer Gold, Ala Sud, livello +2 Titolo: Paesaggi culturali dell´America Latina e delle Regioni Caraibiche AEOMAssociation of European Open-Air Museums AFRICOM International Council of African Museums AIMA International Association of Agricultural Museums AMOIAssociation of Museums of the Indian Ocean CAM Commonwealth Association of Museums CIMAM International Committee for Museums and Collections of Modern Art EXARC International Organisation of Archaeological Open Air Museums and Experimental Archaeology 103 Informazioni Generali A-Z FIHRMFederation of International Human Rights Museums HO!IHands On! International Association of Children’s Museums IACCC International Association of Corporate Collections of Contemporary Art IACM International Association of Customs/Tax Museums IAMFA International Association of Museum Facility Administrators IAMH International Association of Museums of History IATM International Association of Transport and Communications Museums ICAM International Confederation of Architectural Museums ICMM International Congress of Maritime Museums MAC Museums Association of the Caribbean MINOM International Movement for a New Museology PIMA Pacific Islands Museum Association SADCAMSouthern Africa Development Community Association of Museums and Monuments SIBMAS International Association of Libraries and Museums of the Performing Arts Pranzi I partecipanti regolarmente registrati riceveranno un coupon per il ritiro di un lunch box presso le aree dedicate: dal 4 al 6 luglio presso la zona della Fiera Museale e dell´Expo Forum (ala Nord, livello +1), mentre il 3 ed il 9 luglio presso la sala Silver (ala Nord, livello +2). La distribuzione dei lunch box avverrà secondo i seguenti orari: Schnittmarke Domenica 3 luglio 12:30 – 13:30 vicino alla sala Silver Lunedì 4 luglio 12:30 – 14:00 Fiera Museale e dell´Expo Forum Martedí 5 luglio 13:00 – 14:00 Fiera Museale e dell´Expo Forum Mercoledí 6 luglio 13:00 – 14:00 Fiera Museale e dell´Expo Forum Sabato 9 luglio 14:00 – 15:00 vicino alla sala Silver Prenotazioni alberghiere Per qualsiasi informazione relativa alle prenotazioni alberghiere, rivolgersi al desk Accommodation situato nell´area di registrazione a livello +1 dell´ala Nord. 104 Primo soccorso Tutto il personale di Sicurezza del MiCo è formato per dare assistenza di primo soccorso e sono le prime persone a cui rivolgersi in caso di necessità. Un punto di primo soccorso è situato nell´ala Nord al livello 0. È possibile inoltre contattare il personale ai desk di registrazione, situati nell´ala Nord, al livello +1. Questionario di valutazione Al termine della Conferenza sull´App sarà disponibile un questionario di soddisfazione sulla Conferenza stessa. Il questionario aiuterà gli organizzatori a comprendere meglio le necessità ed i desideri dei partecipanti. Sala di voto La sala di voto è situata nella sala White 2 nell´ala Nord al livello +2 e sarà aperta secondo i seguenti orari : Lunedì 4 luglio e martedì 5 luglio 08:00 – 19:00 Sala relatori (Speakers Lounge) La Speaker Lounge è situata nella Suite 1, ala Sud, livello +2 e sarà aperta secondo i seguenti orari: Domenica 3 luglio Lunedí 4 luglio Martedì 5 luglio Mercoledì 6 luglio Sabato 9 luglio 08:00 – 19:00 08:00 – 18:30 08:00 – 18:30 08:00 – 18:30 08:00 – 17:30 Stampa e media La sala stampa è situata nell´Office 6, ala Nord, livello – 1 e seguirà i seguenti orari di apertura: Domenica 3 luglio Lunedí 4 luglio Martedì 5 luglio Mercoledì 6 luglio Sabato 9 luglio 10:00 – 19:00 08:00 – 18:30 08:00 – 18:30 08:00 – 18:30 08:00 – 17:30 Contatti: Ms Maria Gatón Fraile Direttore del Dipartimento Comunicazione e Pubbliche relazioni ICOM - International Council of Museums E-mail: [email protected] Informazioni Generali A-Z Stefano De Angelis / Filippo Cristini Capo Ufficio Stampa dell´Agenzia Stampa Italiaba (Studio De Angelis) Email: [email protected], [email protected] La Conferenza Stampa si terrà giovedì 30 giugno, presso il Museo Nazionale della Scienza e della Tecnologia Leonardo da Vinci, nella sala Biancamano. Per maggiori informazioni, consultare il sito web http://network.icom. museum/icom-milan-2016/media/giornalisti/L/7/ . Stazioni di ricarica Terminali per la stampa dei badge I partecipanti possono stampare il proprio badge autonomamente, scansionando il codice a barre contenuto nella conferma di registrazione presso i terminali appositi. Molti volontari assisteranno i partecipanti durante l´intera Conferenza. I volontari indossano una maglietta speciale che consentirà di riconoscerli facilmente. La maglietta dei volontari è generosamente sponsorizzata dall´azienda Arteria. WI-FI I partecipanti regolarmente registrati possono accedere ad Internet tramite la rete WI-FI gratuita del MiCo. Per navigare, selezionare la rete “ICOM_Milano_2016”, inserire la password indicata qui di seguito ed accettare le Condizioni Generali. INFORMAZIONI GENERALI Ci saranno stazioni di ricarica per i telefoni cellulari localizzate in tutta la sede del convegno e sono gratuite. VOLONTARI Password: icom2016 La rete Wi-FI è generosamente sponsorizzata da Hubei Provincial Museum. I terminali per la stampa dei badge sono generosamente sponsorizzati dall´azienda ETT s.p.a. Tour Pre- e Post-Conferenza I tour pre- e post- Conferenza non sono organizzati da ICOM Milano 2016. Tutti i tour debbono essere prenotati anticipatamente, in base alle scadenze indicate sul sito della Conferenza. Nell´area dedicata alla Fiera Museale ed all´Expo Forum (ala Nord, livello + 1) si trova un punto informazioni sui Tour, dove sono disponibili i contatti delle varie agenzie di viaggio. Trasporti Schnittmarke Un pass settimanale per i trasporti pubblici di Milano è incluso nella quota di registrazione. Il pass sarà distribuito ai desk di borse congressuali (ala Nord, livello +1). Ufficio soci L´ufficio soci è situato nella sala White 1 nell´ala Nord al livello +2 e sarà aperto secondo i seguenti orari: Da domenica 3 luglio al mercoledì 6 luglio 08:30 – 18:00 Valuta La valuta italiana è l´Euro, che circola in banconote da 5, 10, 20, 50, 100, 200 e 500 ed in monete da 0.1, 0.2, 0.5, 10, 20, 50 centesimi e da 1 e 2 Euro. 105 orari di apertura Iscrizioni Domenica 3 luglio Lunedì 4 luglio Martedì 5 luglio Mercoledì 6 luglio Sabato 9 luglio Sala stampa 08:00 – 19:00 08:00 – 18:30 08:00 – 18:30 08:00 – 18:30 08:00 – 17:30 Fiera Museale ed Expo Forum Lunedì 4 luglio Martedì 5 luglio Mercoledì 6 luglio 08:00 – 19:00 08:00 – 19:00 08:00 – 19:00 08:00 – 19:00 08:00 – 18:00 Sala di voto Lunedì 4 luglio Martedì 5 luglio 08:00 – 19:00 08:00 – 19:00 Ufficio soci Domenica, 3 luglio Lunedí, 4 luglio Martedí, 5 luglio MercoledÌ, 6 luglio Schnittmarke 106 10:00 – 19:00 08:00 – 18:30 08:00 – 18:30 08:00 – 18:30 08:00 – 17:30 Sala relatori (Speakers Lounge) 12:30 – 18:00 09:00 – 18:00 09:00 – 18:00 Guardaroba, Bagagli Domenica, 3 luglio Lunedí, 4 luglio Martedí, 5 luglio MercoledÌ, 6 luglio Sabato, 9 luglio Domenica 3 luglio Lunedí 4 luglio Martedì 5 luglio Mercoledì 6 luglio Sabato 9 luglio 08:30 – 18:00 08:30 – 18:00 08:30 – 18:00 08:30 – 18:00 Domenica 3 luglio Lunedí 4 luglio Martedì 5 luglio Mercoledì 6 luglio Sabato 9 luglio 08:00 – 19:00 08:00 – 18:30 08:00 – 18:30 08:00 – 18:30 08:00 – 17:30 Business Center Domenica 3 luglio Lunedì 4 luglio Martedì 5 luglio Mercoledì 6 luglio Sabato 9 luglio 08:00 – 19:00 08:00 – 19:00 08:00 – 19:00 08:00 – 19:00 08:00 – 18:00 Schnittmarke Legend ICOM Presentation for Newcomers ICs, NCs, RA, AO SPECIALIST MEETING / OFF-SITE MEETING Internal ICOM Meeting Schnittmarke Internal ICs, NCs, RA Meeting Lunch / Coffee Break Memorial Lectures Museum Fair & Expo Forum Mentoring Session for Young Professionals Official Partner Session Panel Discussion Plenary Session Registration / Voting Social Events Sponsored Session „Where ICOM from“ Exhibition Detailed programme SUNDAY 3 JULY Schnittmarke Detailed programme SUNDAY 3 JULY SUNDAY 33 JULY JULY North Wing ROOM Registration Area LEVEL +1 Silver Plenary +2 White Hall 1 +2 Turquoise Hall 1 -1 Turquoise Hall 2 -1 Orange Hall 1 -1 Orange Hall 2 -1 Orange Hall 3 -1 NATHIST CIPEG ICLM CIMUSET ICMEMO 8:00 8:30 9:00 Registration Membership Office 9:30 Advisory Committee Meeting 10:00 10:30 Coffee Break (Foyer Silver) 11:00 11:30 Advisory Committee Meeting 12:00 12:30 Lunch (Foyer Silver) 13:00 13:15 13:30 13:45 Advisory Committee Meeting 14:00 14:30 15:00 Coffee Break (Foyer Silver) 15:15 15:30 15:45 NCs Chairs Meeting (ICs Chairs Meeting is held in Amber Hall 5, South Wing, level +2) 16:00 16:30 17:00 17:30 18:00 18:30 19:00 South Wing ROOM Suite 2 Suite 3 Suite 4 Suite 5 Suite 6 Suite 7 Suite 8 LEVEL +2 +2 +2 +2 M +2 M +2 M +2 M CIDOC – WG Meeting EXHIBITION DOC CIDOC – WG Meeting LIDO CIDOC – WG Meeting CRM CIDOC – WG Meeting RESEARCH ENVIRONMENTS CIDOC – WG Meeting LIDO CIDOC – WG Meeting CRM 9:00 9:30 10:00 10:30 11:00 11:30 12:00 Schnittmarke 12:30 13:00 13:30 14:00 14:15 14:30 14:45 15:00 15:15 DEMHIST 15:30 15:45 16:00 CIMCIM 16:30 17:00 17:15 CIDOC 17:30 18:00 18:30 110 ICMS ICMAH ICOM Europe ICAMT GLASS SUNDAY 3 JULY North Wing Green Green Hall 1 Hall 2 -1 -1 Green Hall 3 -1 Meeting Room 3 -1 Meeting Room 4 -1 Meeting Room 5 -1 Meeting Room 6 -1 Meeting Room 7 0 Meeting Room 8 0 Meeting Room9 0 ROOM LEVEL 8:00 8:30 9:00 9:30 10:00 10:30 11:00 11:30 12:00 12:30 13:00 13:15 13:30 13:45 14:00 14:30 15:00 Detailed programme SUNDAY 3 JULY 15:15 15:30 15:45 16:00 ICR 16:30 17:00 17:30 AVICOM ICOMAM ICTOP ICOFOM CAMOC ICME ICEE ICOM Arab ICOM Switzerland 18:00 18:30 19:00 South Wing Suite 9 Amber Hall 1 Amber Hall 2 Amber Hall 5 Amber Hall 6 Amber Hall 8 ROOM +2 M +2 +2 +2 +2 +2 LEVEL 9:00 9:30 CIDOC – WG Meeting ARCHAEOLOGICAL SITES 10:00 10:30 11:00 11:30 12:00 12:30 Schnittmarke 13:00 13:30 14:00 CIDOC – WG Meeting DIGITAL PRESERVATION 14:15 UMAC 14:30 14:45 15:00 15:15 15:30 15:45 ICs Chairs Meeting 16:00 16:30 17:00 17:15 17:30 MPR ICOMON COSTUME INTERCOM 18:00 18:30 111 SUNDAY 3 JULY 2016 08:00 – 19:00 | Registration Area (North Wing - Level +1) Registration Notes 08:30 – 18:00 | White Hall 1 (North Wing - Level +2) Membership Office 09:00 – 10:30 | Silver Plenary (North Wing - Level +2) Advisory Committee Meeting 09:00 – 13:00 | Suite 6 (South Wing - Level +2 M) CIDOC – WG Meeting EXHIBITION DOC Exhibition and Performance documentation Chair: Gabriel Bevilcqua 09:00 – 13:00 | Suite 7 (South Wing - Level +2 M) CIDOC – WG Meeting LIDO 09:00-10:00 Welcome and introduction 10:00-11:00 Implementing LIDO Gordon McKenna 11:00-12:00 The common catalogue of data fields for prints and drawings: A guide to high-quality LIDO data Angela Kailus 12:00-13:00 Two case studies to the enriched, LIDO-based description of objects: The context of the 19th-century ornamental prints and of the plaster casts Julia Katona 09:00 – 13:00 | Suite 8 (South Wing - Level +2 M) CIDOC – WG Meeting CRM Schnittmarke 09:00 – 13:00 | Suite 9 (South Wing - Level +2 M) CIDOC – WG Meeting ARCHAEOLOGICAL SITES 09:00-13:00 Archaeological Archive Standard Archaeological projects generate records that help users comprehend the results. Some projects, like excavations, are destructive processes and therefore the subsequent archive is the only evidence remaining of the archaeology encountered. It is vital, therefore, that the archive facilitates future research, particularly by those with no direct involvement in the original project. The nature of archaeological archives has changed dramatically since the early 1990s. This has resulted in changing demands on digital and physical access, long-term preservation, standardization of documentation and interoperability for searching across databases and digital publications. A number of excellent national and local standards and detailed guidance on the creation, preparation and deposition of archaeological archives have been produced by large and small organizations. The aim of this standard is to outline the common international requirements. 112 SUNDAY 3 JULY 2016 10:30 – 11:00 | Silver Foyer (North Wing - Level +2) Coffee Break Notes 11:00 – 12:30 | Silver Plenary (North Wing - Level +2) Advisory Committee Meeting 12:30 – 13:30 | Silver Foyer (North Wing - Level +2) Lunch Break 13:30 – 15:00 | Silver Plenary (North Wing - Level +2) Advisory Committee Meeting 14:00 – 17:00 | Suite 6 (South Wing - Level +2 M) CIDOC – WG Meeting EXHIBITION DOC Chair: Gabriel Bevilcqua 14:00 – 17:00 | Suite 7 (South Wing - Level +2 M) CIDOC – WG Meeting LIDO Detailed programme SUNDAY 3 JULY 14:00-15:00 Collaborative development of LIDO terminology Angela Kailus Regine Stein 15:00-16:00 LIDO Terminology: Discussion and approval of first set of recommendations 16:00-17:00 AOB: Issues, ideas, questions, suggestions from participants 14:00 – 17:00 | Suite 8 (South Wing - Level +2 M) CIDOC – WG Meeting CRM 14:00-14:10 Introduction to the WissKI Guenther Goertz Siegfried Krause Schnittmarke 14:00 – 17:00 | Suite 9 (South Wing - Level +2 M) CIDOC – WG Meeting DIGITAL PRESERVATION Chair: Susanne Nickel 14:00-14:45 Chairs report 14:45-15:30 Follow up PERSIST guidelines 15:30-16:15 Communication and membership 16:15-17:00 Agenda for 2016-2019 113 SUNDAY 3 JULY 14:00 – 18:00 | Amber Hall 1 (South Wing - Level +2) UMAC – University Museums and Collections Board Meeting Notes 15:00 – 15:30 | Silver Foyer (North Wing - Level +2) Coffee Break 15:00 – 18:00 | Suite 5 (South Wing - Level +2 M) DEMHIST – Historic House Museums Board Meeting 15:30 – 17:30 | Silver Plenary (North Wing - Level +2) NCs Chairs Meeting 15:30 – 17:00 | Suite 2 (South Wing - Level +2) CIMCIM – Museums and Collections of Musical Instruments Board Meeting 15:30 – 17:30 | Amber Hall 5 (South Wing - Level +2) ICs Chairs Meeting 16:00 – 18:30 | Meeting Room 9 (North Wing - Level 0) ICR – Regional Museums Board Meeting 17:00 – 18:30 | Suite 7 (South Wing - Level +2 M) CIDOC – Documentation Board Meeting 17:15 – 18:30 | Suite 8 (South Wing - Level +2 M) ICMS – Museum Security Board Meeting 17:30 – 18:30 | Turquoise Hall 1 (North Wing - Level -1) NATHIST – Museums and Collections of Natural History Board Meeting Schnittmarke 17:30 – 18:30 | Turquoise Hall 2 (North Wing - Level -1) CIPEG – Egyptology Board Meeting 17:30 – 18:30 | Orange Hall 1 (North Wing - Level -1) ICLM – Literary Museums Board Meeting 17:30 – 18:30 | Orange Hall 2 (North Wing - Level -1) CIMUSET – Museums and Collections of Science and Technology Board Meeting 17:30 – 18:30 | Orange Hall 3 (North Wing - Level -1) ICMEMO – Memorial Museums in Remembrance of the Victims of Public Crimes Board Meeting 114 SUNDAY 3 JULY 17:30 – 18:30 | Green Hall 1 (North Wing - Level -1) AVICOM – Audiovisual and New Technologies of Image and Sound Board Meeting Notes 17:30 – 18:30 | Green Hall 2 (North Wing - Level -1) ICOMAM – Museums of Arms and Military History Board Meeting 17:30 – 18:30 | Green Hall 3 (North Wing - Level -1) ICTOP – Training of Personnel Board Meeting 17:30 – 18:30 | Meeting Room 3 (North Wing - Level -1) ICOFOM – Museology Board Meeting Detailed programme SUNDAY 3 JULY 17:30 – 18:30 | Meeting Room 4 (North Wing - Level -1) CAMOC – Collections and Activities of Museums of Cities Board Meeting 17:30 – 18:30 | Meeting Room 5 (North Wing - Level -1) ICME – Museums and Collections of Ethnography Board Meeting 17:30 – 18:30 | Meeting Room 6 (North Wing - Level -1) ICEE – Exhibitions and Exchange Board Meeting 17:30 – 18:30 | Meeting Room 7 (North Wing - Level 0) ICOM Arab Board Meeting 17:30 – 18:30 | Meeting Room 8 (North Wing - Level 0) ICOM Switzerland Board Meeting Schnittmarke 17:30 – 18:30 | Suite 2 (South Wing - Level +2) ICMAH – Museums and Collections of Archaeology and History Board Meeting 17:30 – 18:30 | Suite 3 (South Wing - Level +2) ICOM Europe Board Meeting 17:30 – 18:30 | Suite 4 (South Wing - Level +2) ICAMT – Architecture and Museum Techniques Board Meeting 17:30 – 18:30 | Suite 6 (South Wing - Level +2 M) GLASS – Museums and Collections of Glass Board Meeting 115 SUNDAY 3 JULY 17:30 – 18:30 | Suite 9 (South Wing - Level +2 M) MPR – Marketing and Public Relations Board Meeting Notes 17:30 – 18:30 | Amber Hall 2 (South Wing - Level +2) ICOMON – Money and Banking Museums General Assembly and Board Meeting 17:30 – 18:30 | Amber Hall 6 (South Wing - Level +2) COSTUME – Museums and Collections of Costume Board Meeting 17:30 – 18:30 | Amber Hall 8 (South Wing - Level +2) INTERCOM – Museum Management Board Meeting Facilitating public access to the prussian cultural heritage using cutting edge technology Wednesday July 6, 2016 | 11:15 - 12:00 Expo Forum area in Exhibition Area Schnittmarke Affiliate Partner Integration Reseller 6JGYGNEQOGUQNWVKQP Web based software for visitor management www.gomus.de Detailed programme SUNDAY 3 JULY Schnittmarke Notes 117 Legend ICOM Presentation for Newcomers ICs, NCs, RA, AO SPECIALIST MEETING / OFF-SITE MEETING Internal ICOM Meeting Schnittmarke Internal ICs, NCs, RA Meeting Lunch / Coffee Break Memorial Lectures Museum Fair & Expo Forum Mentoring Session for Young Professionals Official Partner Session Panel Discussion Plenary Session Registration / Voting Social Events Sponsored Session „Where ICOM from“ Exhibition Detailed programme MONDAY 4 JULY Schnittmarke Detailed programme MONDAY 4 JULY MONDAY 4 JULY North Wing ROOM Registration Exhibition Silver Area Area Plenary LEVEL +1 +1 +2 White Hall 1 +2 White Hall 2 +2 Red Hall 1 +1 Red Hall 2 +1 Blue Hall 1 +1 Blue Hall 2 +1 Yellow Hall 1 +1 Yellow Hall 2 +1 8:00 8:30 9:00 Registration Voting Room Membership Office 9:30 10:00 Opening Ceremony and Keynote Speeches 10:30 11:00 11:30 12:00 12:15 12:30 12:45 13:00 Case Study Panasonic Business Museum Fair and Expo Forum* (Lunch Break 12:30 - 14:00) 13:15 13:30 13:45 Panel Discussion „Where ICOM from“ Exhibition Case Study Fulldome.pro ICOM Presentation for Newcomers 14:00 14:15 NATHIST 14:30 Joint Session INTERCOM and FIHRM Case Study Intesa Sanpaolo 14:45 Joint Session ICMS ICOFOM, CAMOC, and MINOM 15:00 15:15 15:30 15:45 Coffee Break 16:00 16:15 16:30 Museum Fair and Expo Forum* 17:00 17:15 17:30 18:00 18:30 19:00 South Wing ROOM Suite 3 Suite 4 Suite 5 Suite 6 Suite 7 Brown Hall 1 Brown Hall 2 Brown Hall 3 LEVEL +2 +2 +2 M +2 M +2 M +2 +2 +2 ICR MPR CIDOC 13:30 Schnittmarke 14:00 ICAMT 14:30 Joint Session ICDAD ICMEMO and The University of Exeter 15:00 15:30 16:00 16:30 17:00 CIDOC CIDOC 17:30 18:00 19:30 23:30 Opening Party (Castello Sforzesco) *The schedule of the Expo Forum can be found in the „Detailed Programme“ part. 120 MONDAY 4 JULY North Wing Yellow Turquoise Turquoise Orange Hall 3 Hall 1 Hall 2 Hall 1 +1 -1 -1 -1 Orange Hall 2 -1 Orange Hall 3 -1 Green Hall 1 -1 Green Hall 2 -1 Green Hall 3 -1 Meeting Room 3 -1 Meeting Room 4 -1 Meeting Room 5 -1 ROOM LEVEL 8:00 8:30 9:00 9:30 10:00 10:30 11:00 11:30 12:00 12:15 12:30 12:45 13:00 Open Forum on ICOM Resolutions 2016 13:15 13:30 13:45 14:00 ICOMON GLASS CIPEG ICLM CIMUSET Joint Session COMCOL and ICFA AVICOM ICOMAM ICOM Russia ETHCOM ICTOP 14:15 14:30 14:45 15:00 15:15 15:30 15:45 16:00 Detailed programme MONDAY 4 JULY 16:15 16:30 17:00 17:15 17:30 GLASS 18:00 18:30 19:00 South Wing Amber Hall 1 Amber Hall 2 Amber Hall 3 Amber Hall 4 Amber Hall 5 Amber Hall 6 Amber Hall 7 Amber Hall 8 ROOM +2 +2 +2 +2 +2 +2 +2 LEVEL +2 13:30 14:00 CIMCIM CECA ICEE Joint Session COSTUME and ICME ICMAH UMAC 14:30 Schnittmarke DEMHIST 15:00 15:30 16:00 16:30 17:00 ICEE Opening Party (Castello Sforzesco) 17:30 18:00 19:30 23:30 121 MONDAY 4 JULY 08:00 – 18:30 | Registration Area (North Wing - Level +1) Registration Notes 08:00 – 19:00 | White Hall 2 (North Wing - Level +2) Voting 08:30 – 18:00 | White Hall 1 (North Wing - Level +2) Membership Office 09:30 – 12:30 | Silver Plenary (North Wing - Level +2) Opening Ceremony and Keynote Speeches 09:30 – 11:00 Welcome Hans-Martin Hinz, President of ICOM, Germany Alberto Garlandini, President of the Italian Organising Committee, Italy Daniele Jalla, President of ICOM Italy, Italy Dario Franceschini, Minister of Cultural Heritage and Activities and Tourism, Italy Mario Giro, Deputy Minister of Foreign Affairs and International Cooperation, Italy Francesco Bandarin, Assistant Director-General for Culture, UNESCO, Italy Roberto Maroni, President of the Regional Government of Lombardy, Italy Mayor of Milan, Italy ICOM’s 70th Birthday Presentation of “Where ICOM from” exhibition François Mairesse, Chair of ICOFOM, Université Sorbonne Nouvelle, France Presentation of “Museums, Ethics and Cultural Heritage” (Routledge, 2016) Bernice Murphy, former Vice President of ICOM 11:00 – 11:20 Introduction Galina Alekseeva, Chair of ICLM-Literary Museums, Russia Keynote Speech (video) Orhan Pamuk, Turkey Schnittmarke Turkish novelist, screenwriter, academic and recipient of the 2006 Nobel Prize in Literature 11:20 – 12:25 Introduction Luigi Di Corato, Director of Fondazione Brescia Musei, Italy Keynote Speech Christo, United States The environment artists Christo and Jeanne-Claude (1935-2009) created some of the most spectacular largescale artworks of the 20th century 12:25 – 12:30 Invitation to the opening of the “Where ICOM from” Exhibition & Museum Fair and Expo Forum 122 MONDAY 4 JULY 12:30 – 14:00 | Red Hall 2 (North Wing - Level +1) Case Study Panasonic Business Ancient times seen through a modern lens - How to enrich the visitor experience with todays’ technology Chair: Hartmut Kulessa, Germany Notes Johan Ahrenfeldt, Denmark Jonas Oxenbøll Petersen, Denmark Hartmut Kulessa, Germany 12:30 – 18:00 | Exhibition Area (North Wing - Level +1) Museum Fair & Expo Forum (Lunch Break 12:30-14:00) 12:30 – 13:15 | Expo Forum (Exhibition Area) Expo Forum: Empreinte, Presence, Sycomore 3 leading French companies in museum communication 12:30 – 12:45 PRESENCE: Visitor’s expectations and immersive technologies Mattias Delattre, La Madeleine, France 12:45 – 13:00 SYCOMORE: Enhancing the visitor experience Fabrizio Di Maria, Italy Detailed programme MONDAY 4 JULY 13:00 – 13:15 Empreinte: Empreinte-signes des temps: Seal of quality for integrated outdoor signage systems Rosaria Puglisi, Italy 12:30 – 18:00 | Blue Hall 2 (North Wing - Level +1) “Where ICOM from” Exhibition 12:30 – 13:45 | Yellow Hall 3 (North Wing - Level +1) Resolutions Committee – Open Forum on ICOM Resolutions 2016 Schnittmarke 12:45 – 13:45 | Yellow Hall 1 (North Wing - Level +1) ICOM Presentation for Newcomers 12:45 – 13:00 Introduction Anne-Catherine Robert-Hauglustaine, General Director, ICOM 13:00 – 13:15 Presentation of ICOM and the General Conference Maria Gaton Fraile, Head of Communications Department and Public Relations, ICOM 13:15 – 13:30 Presentation of ICOM Milano 2016 Alberto Garlandini, President of the Italian Organising Committee, Italy Barbara Landi, Italian Project Manager, ICOM 2016 Milano 123 MONDAY 4 JULY 13:30 – 13:45 Presentation of ICOM membership and its advantages Notes Matteo Tassi, Head of Membership Department, ICOM 13:00 – 14:00 | Red Hall 1 (North Wing - Level +1) Panel Discussion What does the new UNESCO Recommendation on the Promotion and Protection of Museums and Collection, their diversity and role in society mean for museums? Francesco Bandarin, Assistant Director-General for Culture, UNESCO François Mairesse, Chair of ICOFOM, Université Sorbonne Nouvelle, France Paola Marini, Director of the Gallerie dell‘Accademia in Venice, Italy Tereza Scheiner, Prof., UNIRIO, Brazil 13:00 – 13:30 | Blue Hall 1 (North Wing - Level +1) Case Study Fulldome.pro Digital Art and the Art of Digital Chair: Yana Fedorova, Thailand 13:00 – 13:15 Fulldome as a new media format, provides a multitude of possibilities for art and creative people. No longer constrained by traditional frame or screen, artwork can fully engage the audience, capture attention, promote better understanding and even awaken deeper feelings. Yana Fedorova, Thailand 13:15 – 13:22 Showcasing Samskara project Andrew Jones, United States 13:22 – 13:29 Showcasing Black Shoals project Lise Autogena, United Kingdom Schnittmarke 13:35 – 13:55 | Expo Forum (Exhibition Area) Expo Forum: Zeutschel GmbH Presentation of Digital Objects in 3D Michael Luetgen, Germany 13:30 – 18:00 | Suite 7 (South Wing - Level +2 M) ICAMT – Architecture and Museum Techniques 13:30 – 13:45 Opening Jean Hilgersom 13:45-14:00 Lecture, Triennale Giuliana Ricci 124 MONDAY 4 JULY 14:00-14:15 The architecture and the prospectives Notes Margherita Guccione 14:15-14:30 Architecture archives and museum project Elena Pelosi, Italy 14:30-14:45 Architecture competitions for the Ministry of cultural and heritage in Italy Elena Pelosi, Italy 14:45-15:00 Architecture competition for the Guggenheim in Helsinki, Finland Antonello Alici, Italy 15:00-15:15 Presentation 1 15:15-15:30 Presentation 2 15:30-15:45 Presentation 3 Detailed programme MONDAY 4 JULY 15:45-16:00 Presentation 4 16:00-18:00 Building museums: Lessons learned Martha Morris Schnittmarke 14:00 – 18:00 | Red Hall 2 (North Wing - Level +1) NATHIST – Museums and Collections of Natural History 14:00 – 14:30 Welcome Speech 14:30 – 15:30 Italian Museums’ sense of nature Michele Lanzinger, Italy 15:30 – 15:45 Beware of the stuffed animals! Exploring the role and use of taxidermy specimens in some permanent exhibitions in natural history museums in the Netherlands, France and UK Anneke Groen, The Netherlands 15:45 – 16:15 Coffee Break 125 MONDAY 4 JULY Exhibition, education and outreach 16:15 – 16:30 Science as culture – Connecting traditional museums with contemporary science Notes Paul Smith, United Kingdom 16:30 – 16:45 Out of the (rhetoric) box. Fine tuning the strategic planning of NHM’s cultural actions to upgrade the institution to the multiple needs of current society Antonia Caola, Italy Massimo Bernardi, Italy 16:45 – 17:00 WHY and HOW museums and colleges benefit schools by sharing the preparation of science teachers Maritza Macdonald, United States 17:00 – 17:15 Art/Nature. A pilot project at the museum für Naturkunde Berlin Anita Hermannstädter, Germany 17:15 – 17:30 Breaking the borders between nature and culture : Anthropocene as an opportunity to enrich the collections and the exhibitions Nicolas Kramar, Switzerland 17:30 – 17:45 On Expedition: An interdisciplinary project engaging museums, classrooms and community in learning through art and nature Roberta Altman, United States 17:45 – 18:00 Panel Discussion Schnittmarke 14:00 – 18:00 | Blue Hall 1 (North Wing - Level +1) Joint Session INTERCOM (Museum Management) and FIHRM (Federation of International Human Rights Museums) Welcome and keynote speeches 14:00 – 14:17 Welcome: Management and ethics – What and why? Ole Winther, Denmark 14:17 – 14:34 Welcome: The ethical museum David Fleming, Director of the Museums of Liverpool, Chair of the Human Rights Museums Association, United Kingdom 14:34 – 14:51 The economy of culture in postindustrial times Pier Luigi Sacco, Italy 126 MONDAY 4 JULY 14:51 – 15:08 New models of participatory management in local museums Notes Lourena Sancho Querol, Portugal 15:08 – 15:25 Whose Global Village? Cross-cultural perspectives on the Future of the Internet Ramesh Srinivasan, United States 15:25 – 15:42 Questions and answers 15:42 – 16:12 Break Ethical perspectives and museum management Chair: Ida Brændholt Lundgaard, Denmark 16:15 – 16:35 Learning from success Tali Gavish, Israel 16:35 – 16:55 To fund or not to fund – Some critical reflections from a governing body Marie Skoie, Norway Detailed programme MONDAY 4 JULY 16:55 – 17:15 Many considerations to make – Many needs to balance Kathrin Pabst 17:15 – 17:35 Ancient carvings, living symbols an sacred space - Returning to today’s American Indians the sacred truths of the Jeffers Petroglyphs Andrea Kaier 17:35 – 17:55 Panel debate Schnittmarke 14:00 – 18:00 | Yellow Hall 1 (North Wing - Level +1) Joint Session ICOFOM (Museology), CAMOC (Collections and Activities of Museums of Cities), and MINOM (New Museology) Museums and urban cultural landscapes Chairs: Marlen Mouliou, Greece Joana Sousa Monteiro, Portugal François Mairesse, France Mário Moutinho Eric Sandweiss, United States 14:00 – 14:15 Opening speeches 127 MONDAY 4 JULY 14:15 – 14:35 Home-Town & other ambiguous constructs Notes Jette Sandahl, Denmark 14:35 – 14:55 Musealizing the world: Museums devouring landscapes and cultures Bruno Brulon Soares, Brazil 14:55 – 15:15 UN 2030 Agenda – Rethinking ecomuseology and urbanism Amareswar Galla, India 15:15 – 15:30 Questions and answers 15:30 – 16:00 Coffee Break 16:00 – 16:15 The urban bias of the museum : Cities devouring museums and cultures Saena Sadhighian, France 16:15 – 16:30 The creative cultural landscape Rainey Tisdale, United States Linda Norris, United States 16:30 – 16:45 Socio-museology approaches to engaging with contested spaces Robert Heslip, Ireland Schnittmarke 16:45 – 17:15 Questions and answers 17:15 – 18:00 Final debate: “Museums and urban cultural landscapes in the contemporary world: Conceptual issues, critical challenges” 14:00 – 18:00 | Yellow Hall 2 (North Wing - Level +1) ICMS – Museum Security 14:00 – 14:10 Opening speech chairperson ICMS for ICMS conference Willem Heckman, Canada 14:10 – 14:15 Break 14:15 – 14:45 Year in review Bob Combs, United States 128 MONDAY 4 JULY 14:45 – 14:50 Break Notes 14:50 – 15:30 Building partnerships to protect the world’s cultural heritage and landscapes Vernon Rapley, United Kingdom 15:30 – 16:00 Coffee Break 16:00 – 16:30 Museum as active protection site: The shared responsibility in cultural landscape Tiziana Maffei, Italy 16:30 – 18:00 Business meeting for members of ICMS, including election of board 2016 – 2019 14:00 – 18:00 | Yellow Hall 3 (North Wing - Level +1) ICOMON – Money and Banking Museums Developing numismatic landscapes: Exploring display, management and education 14:00 – 14:15 Introduction to ICOMON and today’s sessions Detailed programme MONDAY 4 JULY Mieka Harris Effrosyni Nomikou, United Kingdom 14:15 – 14:40 Mind, money and miniatures Francine Farr, United States 14:40 – 15:05 Moneda e historia Juan Christóbal Diax Negrete, Mexico Schnittmarke 15:05 – 15:30 Establishing banking museums. Challenges and opportunities Rajib Locahn Sahoo, India 15:30 – 15:55 Developing museum bank Indonesia’s display 15:55 – 16:20 Break 16:20 – 16:45 Connecting coins and classroms Mieka Harris 16:45 – 17:10 Coin collections of Banbhore museum: The epic story of local landscape Zahida Quadri, Pakistan 129 MONDAY 4 JULY 17:10 – 17:35 Plenary and networking Notes Mieka Harris 17:35 – 18:00 Plenary and networking Effrosyni Nomikou, United Kingdom 14:00 – 17:15 | Turquoise Hall 1 (North Wing - Level -1) GLASS – Museums and Collections of Glass Museums and cultural landscapes 14:00 – 14:15 The technology museum of Glass in La Granja and his social and cultural environment Paloma Pastor, Spain 14:15 – 14:30 Glass production and its influence on the cultural landscape Jože Rataj, Slovenia 14:30 – 14:45 Czech Glass and the cultural landscape Milan Hlaveš, Czech Republic 14:45 – 15:00 From Murano to Brazil: The path of Mario Seguso Regina Lara, Brazil Marcello Kammer, Brazil 15:00 – 15:15 New cultural approaches to glass museums Teresa Almeida, Portugal 15:15 – 15:30 The history of the Hermitage collection of Western European Glass Schnittmarke Elena Anisimova, Russia 15:30 – 15:45 Discussion 15:45 – 16:15 Break Updates on glass museums and collections 16:15 – 16:30 Medieval glass collections from Bosnia and Herzegovina Aleksandar Jasarevic, Bosnia and Herzegovina 16:30 – 16:45 Glass conservation, an intricate matter: Three situations, different answers but the same thread Silvia Ferucci, Italy Lamberto Tronchin, Italy 130 MONDAY 4 JULY 16:45 – 17:00 Study the deterioration resulting from Burial environment on archaeological Glass of Fayoum Egypt Excavations Notes Rasha Taha, Egypt 17:00 – 17:15 Discussion and conclusions 17:15 – 18:30 | Turquoise Hall 1 (North Wing - Level -1) GLASS – Museums and Collections of Glass General Assembly 14:00 – 18:00 | Turquoise Hall 2 (North Wing - Level -1) CIPEG – Egyptology Egyptological landscapes 14:00 – 14:45 CIPEG Opening session Gabriele Pieke Daniela Picchi Detailed programme MONDAY 4 JULY 14:45 – 15:45 Reports of the institutions 15:45 – 16:45 Keynote lecture Christian Greco, Italy 16:45 – 17:15 Coffee Break 17:15 – 17:30 The Egyptian collection of the Civic Archaeological Museum of Milan – Works in progress towards a new permanent Egyptian gallery Anna Provenzali Sabrina Ceruti Schnittmarke 17:30 – 18:00 Past and Future of the egyptian collection of the National Archaeological Museum in Naples Stefania Manieri Rosanna Pirelli Valeria Sampaolo 14:00 – 18:00 | Orange Hall 1 (North Wing - Level -1) ICLM – Literary Museums Shaping the cultural landscapes: The role of writers’ and composers’ museums 14:00 – 14:20 Introductory word & Questions and answers Galina Alekseeva, Chair of ICLM-Literary Museums, Russia 131 MONDAY 4 JULY 14:20 – 14:40 Mapping out a literary landscape. A paradigm & Questions and answers Notes Maria Gregorio, Italy 14:40 – 15:00 The State A.S. Pushkin Museum in changeable city landscape Evgeny Bogatyrev, Russia 15:00 – 15:20 The House Museum as a home of culture Giuseppe Albano, Italy 15:20 – 15:40 The Role of Guo Moruo Memorial Museum in Shicha Lake cultural landscapes Wang Jing, China Chen Yu, China 15:40 – 16:10 Coffee Break 16:10 – 16:30 Authors/Composers museums and town identities. From Wienna and Bonn to Stockholm and Karlskoga & Questions and answers Stefan Bohman, Sweden 16:30 – 16:50 Shaping the cultural landscapes: The role of writers’ and composers’ museums & Questions and answers Francesca Allegri, Italy Adriano Rigoli 16:50 – 17:10 Music as a hostage of word, or shift of musical landscape after the end of the Soviet era & Questions and answers Alla Bayramova, Azerbaijan Schnittmarke 17:10 – 17:30 From museum exhibits to theater performance. Musical performance as a means of preservation and actualization of the creative heritage of the composer Nazib Zhiganov & Questions and answers Alexej Egorov, Russia 17:30 – 17:50 The museum’s border expansion Antra Medne, Latvia Maira Valtere, Latvia 14:00 – 18:00 | Orange Hall 2 (North Wing - Level -1) CIMUSET – Museums and Collections of Science and Technology Contemporary heritage: Shaping the landscape of future memory 132 MONDAY 4 JULY 14:00 – 14:10 Welcome Notes Jytte Thorndahl, Denmark 14:10 – 14:30 Scene setting from the chair Laura Ronzon, Italy 14:30 – 15:00 Keynote speech Yves Winkin, France 15:00 – 15:30 Keynote speech Catherine Cuenca, France 15:30 – 15:50 Foodtopia: Museum Boerhaave and The First Artificial Hamburger Dirk van Delft, The Netherlands 15:50 – 16:10 The most beautiful road in Finland – The landscape of a modern society and the construction of the Tarvo motorway Linda Leskinen, Finland Detailed programme MONDAY 4 JULY 16:10 – 16:30 Wind turbines as part of the cultural landscape in Denmark Jytte Thorndahl, Denmark 16:30 – 16:50 Scientific temper or scientific heritage: Some reflections on the role of history (or lack thereof) at the National Council of Science Museums, India Anwesha Chakraborty, India 16:50 – 17:10 Engaging with contemporary social issues – The challenges and complexity for a national natural science museum Schnittmarke Wen-Ling Lin, United Kingdom 17:10 – 17:30 Particular landscapes of science museums Bernard Blache, France 17:30 – 17:50 An historic opportunity for science centers and collection based museums Anthony Bud Rock, United States 17:50 – 18:00 Questions and answers 133 MONDAY 4 JULY Notes 14:00 – 18:00 | Orange Hall 3 (North Wing - Level -1) Joint Session ICFA (Museums and Collections of Fine Arts) and COMCOL (Collecting) Meaning of heritage Chair: Léontine Meijer-van Mensch 14:00 – 14:20 Introduction 14:20 – 14:40 Creating a ‘sense of place’. Art in the public space, private collecting and the museum Stefanie Knoll, Germany 14:40 – 15:00 Mapping and sharing collections. A COMCOL initiative in Brazil Claudia Porto, Brazil 15:00 – 15:20 Moving beyond objects: ways to communicate a sense of place, in the representation of cultural heritage in ethnography museums Yee-Yin Yao, Sweden 15:20 – 15:40 The Keir Collection and convivencia: a Jewish, Muslim and Christian art collection’s engagement with the Cultural Texas Landscape Virginia Curry, United States Schnittmarke 15:40 – 16:00 Discussion 16:00 – 16:20 Coffee Break 16:20 – 16:40 Intangible Heritage 2.0. How to collect, curate and present the digital landscape as the new public space Matthias Henkel, Germany 16:40 – 17:00 The influence of Waqf on the development of museums in Iran Roshanak Saadati, Iran Hadi Zandkarimi, Iran 17:00 – 17:20 Sense of place and political transformation: a perspective from South Africa Helene Vollgraaff, South Africa 17:20 – 17:40 (Re)shaping national memory: A study on the National Palace Museum and its South Branch Museum, Taiwan Pang-Yen Cheng, Taiwan 134 MONDAY 4 JULY 17:40 – 18:00 Discussion Notes 14:00 – 18:00 | Green Hall 1 (North Wing - Level -1) AVICOM – Audiovisual and New Technologies of Image and Sound History of multimedia in museums Chair: Bob Haroutunian 14:00 – 14:30 Guides us in an excursus on the experiments in technology for museums Marco Tonon, Founder of AVICOM in 1991 14:30 – 15:00 Early years of AVICOM and the importance of social media for communication with the public as a new task of AVICOM Michael Faber, Founder vice president of AVICOM 15:00 – 15:30 Changing the technological interpretation of cultural heritage in museums, pilot study result of winners 2000 and 2015 F@imp festivals in Budapest Janòs Tari, Chair of AVICOM 15:30 – 16:00 Challenging, mapping and forging the digital transformation in museums 1975-2015 Detailed programme MONDAY 4 JULY Stephane Bezombes 16:00 – 17:00 Discussion and conclusion Schnittmarke 14:00 – 18:00 | Green Hall 2 (North Wing - Level -1) ICOMAM – Museums of Arms and Military History Up to date research work, new projects 14:00 – 15:45 General Assembly 15:45 – 16:00 Coffee Break 16:00 – 16:15 The highly fashionable ethnic uniforms of the Zouaves: An early example of cultural exchange Ilse Bogarts, Belgium 16:15 – 16:30 “Extremely temperamental” – Revisiting the cossack uniform from the Powerhouse Museum. Zoe Scott, Australia 16:30 – 16:45 Engineer Helge Palmcrantz and the Swedish Machine Gun Andreas Ohlsson, Sweden 135 MONDAY 4 JULY 16:45 – 17:00 Questions and discussions 17:00 – 17:15 Museum collecting work and international activities Notes Elena Porodina, Russia 17:15 – 17:30 War comes to the museum: Collections management in the Royal Museum of the Armed Forces and Military History (Brussels) from 1923 to the present. Natasja Peters, Belgium 17:30 – 17:45 The “Churchill’s yacht” in Canada – How to restore, preserve and put on display a naval witness of WW2 when nobody can tell us the complete and true story! André Kirouac, Canada 17:45 – 18:00 Questions and discussions 14:00 – 18:00 | Green Hall 3 (North Wing - Level -1) ICOM Russia 14:00 – 18:00 | Meeting Room 3 (North Wing - Level -1) ETHCOM - Ethics Committee Annual Board Meeting 14:00 – 18:00 | Meeting Room 4 + 5 (North Wing - Level -1) ICTOP – Training of Personnel Schnittmarke 14:00 – 18:00 | Suite 5 (South Wing - Level +2 M) Joint Session ICMEMO (Memorial Museums in Remembrance of the Victims of Public Crimes) and The University of Exeter Memory of dictatorships in Latin America, Eastern Europe and Post- Soviet States 14:00 – 14:05 Opening of ICMEMO Conference/Greetings - Acknowledgements/Introductions Karen Franklin Ophelia Leon 14:05 – 14:30 Commemorating the victims of Stalinist repressions: Case of two memorial sites in Minksk and Astana Nelly Bekus, United Kingdom 14:30 – 14:55 Memory of women – Prisoners in Alzhir museum Anar Khassenova, Kazakhstan 14:55 – 15:15 Practicing Democracy at Memorial Sites? A training experience (not only) in Belarus Barbara Thimm 136 MONDAY 4 JULY 15:15 – 15:30 Questions and answers 15:30 – 15:50 Coffee Break Notes 15:50 – 16:15 Cultural landscapes of war? Reconstruction, museification and memorialisation in post-Yugoslav cities Gruia Badescu, United Kingdom 16:15 – 16:40 Memory dilemmas and debates: Examples of Argentina, Chile and Peru Ricardo Brodsky 16:40 – 17:05 Didactics of Trauma: How to represent and transmit narratives in museums dedicated to Memory and Human Rights. The case of Villa Grimaldi in Chile. Roberto Fuertes, Chile 17:05 – 17:55 Round table – Questions and answers Detailed programme MONDAY 4 JULY 14:00 – 18:00 | Suite 6 (South Wing - Level +2 M) ICDAD – Museums and Collections of Decorative Arts and Design Board Meeting 14:00 – 18:00 | Amber Hall 1 (South Wing - Level +2) DEMHIST – Historic House Museums Historic houses and the interpretation of the cultural, social and urban landscape 14:00 – 14:10 Institutional greetings John Barnes 14:10 – 14:40 Introduction to the conference Schnittmarke Rosanna Pavoni Gianluca Kannes Annalisa Zanni Margherita Pellino 14:40 – 15:00 Relational landscapes and vision of the territory between objects, biographies and expository writing Mario Turci 15:00 – 15:20 Reversed historic house museum: Yugodom rental apartment in Belgrade Sanja Iguman Milos Nicic 137 MONDAY 4 JULY 15:20 – 15:40 The Casa Martelli Museum in Florence: An example of interaction with the social landscape Notes Monica Bietti 15:40 – 16:00 Coffee Break 16:00 – 16:20 FAI for Casa Campatelli. From the Middle Ages to the 20th century, a paradigm of cultural and social themes in the heart of San Gimignano Lucia Mannini Lucia Borromeo 16:20 – 16:40 The space of identity and the poetry of Marino Moretti Manuela Ricci 16:40 – 17:00 The House-Museums of Italian immigrants in Brazil as a cultural landscape nucleus Karin Magnavita de Carvalho 17:00 – 17:20 Changing ownerships and hidden ‘others’: The development of a cultural landscape focused on, enclosed around and surveyed by Petworth House Janet Sinclair 17:20 – 18:00 Discussion Schnittmarke 14:00 – 18:00 | Amber Hall 2 (South Wing - Level +2) CIMCIM – Museums and Collections of Musical Instruments Musical instrument museums: Interpreting the present 14:00 – 14:30 Beyond education – Models of musical instruments and their meanings for research and the public Frank P. Bär, Germany 14:30 – 15:00 A museum, an experience, or both? Darryl Martin, United Kingdom 15:00 – 15:30 100 years of symbiosis between museum research and contemporary instrument making Klaus Martius, Germany 15:30 – 16:00 Coffee Break 138 MONDAY 4 JULY 16:00 – 16:30 The various faces of the ‘Authentic’ in musical instrument collections: A problem or an opportunity? Notes Panagiotis Poulopoulos, Germany 16:30 – 17:00 Interpreting the past through the present and stimulating the present through the past Sabine K. Klaus, United States 17:00 – 17:30 The use of history for vitalisation of contemporary musical life Madeleine Modin, Sweden 17:30 – 18:00 Musical instrument museums: Interpreting the present. Whose present – And whose past? Marie Martens, Denmark 14:00 – 18:00 | Amber Hall 3 + 4 (South Wing - Level +2) CECA – Education and Cultural Action City museums/Local history Chair: Nicole Gesché-Koning Detailed programme MONDAY 4 JULY 14:00 – 14:30 CECA Opening session Emma Nardi Silvia Mascheroni 14:30 – 15:00 About time, metamorphosis and creativity, natural dynamics and ways of looking Nicolas Gilsoul, France 15:00 – 15:15 A content proposal for the historic town of Rishon Lezion: An open urban museum Schnittmarke Tsila Hayun, Israel 15:15 – 15:30 Creating the Montreal archaeology and history complex: A museum’s importance and responsibility in preserving and protecting a heritage district Francine Lelièvre, Canada 15:30 – 15:45 The Museum of Republic and the Cultural Landscapes Magaly Cabral, Brazil 15:45 – 16:15 Coffee Break 16:15 – 18:00 General Assembly 139 MONDAY 4 JULY 14:00 – 17:00 | Amber Hall 5 (South Wing - Level +2) ICEE – Exhibitions and Exchange Communicating, connecting and innovating with style 14:00 – 14:15 Opening remarks 14:15 – 15:00 Keynote Speaker Notes Communicating with style 15:30 – 16:00 New styles in audience engagement/exhibition design Hillary Spencer, United Kingdom 16:00 – 16:30 Exploring history through a life-size graphic novel: The mankind of deadly skies – Air War, 1914-1918 Caroline Dromaguet 16:30 – 17:00 A History of the world in 100 objects: Tailoring content for audiences at home and abroad Amanda Mayne 17:00 – 18:00 | Amber Hall 5 (South Wing - Level +2) ICEE – Exhibitions and Exchange Board Meeting 14:00 – 18:00 | Amber Hall 6 (South Wing - Level +2) Joint Session COSTUME (Museums and Collections of Costume) and ICME (Museums and Collections of Ethnography) The future of the ethnographic museum and COSTUME collections: Addressing colonialism and its legacies Chairs: Schnittmarke Ulf Dahre Sylvia Wackernagel 14:00 – 14:15 The Sardinian Ethnographic and Costume Museum Paolo Piquereddu 14:15 – 14:30 Kyoto, a treasure house of traditional Japanese costume Aki Yamakawa, Japan 14:30 – 14:45 The ethnographic holdings of the von Parish Costume Library in Munich Esther Sophia Sünderhauf, Germany 14:45 – 14:55 Questions and answers 140 MONDAY 4 JULY 14:55 – 15:10 Fabrication de mannequins pour porter son identité – La collection Premiers Peuples Caroline Bourgeois, Canada 15:10 – 15:25 Do we still need an 15 of Siberian clothing in the museum in the age of globalization? About a loan of ethnographic objects from animal materials and the issue of their contaminant loads Christine Müller-Radloff, Germany 15:25 – 15:40 The Costume of queen Tamar as a symbol of Georgian political orientation and strength George Kalandia, Georgia Detailed programme MONDAY 4 JULY 15:40 – 15:50 Questions and answers 15:50 – 16:10 Coffee Break 16:10 – 16:15 Introduction and welcome 16:15 – 16:25 Innovative curatorial practices in Indian ethnographic museums Supreo Chanda, India 16:25 – 16:35 The blind spot: Effects of global trade, patronage and collecting history in the Colonial period Desiree Nanuses, Namibia 16:35 – 16:45 Reflections on museum interventions addressing the legacies of colonialism Sylvia Wackernagel Schnittmarke Notes 16:45 – 16:55 Repatriation, geography and mediation Brittany Lauren Wheeler, United States 16:55 – 17:05 Questions and answers 17:05 – 17:15 Africa accessioned Jeremy Silvester, Namibia 141 MONDAY 4 JULY 17:15 – 17:25 The museum is (not) just a building III: In whose name (do) we speak? Identifying an absent “African” and present “Museum” community at the Museum of African Art in Belgrade Notes Emilia Epštajn, Serbia Zdravko Pečar, Serbia 17:25 – 17:35 How can we protest our misrepresentation in museums of foreign countries? Takibata Mariko, Japan 17:35 – 17:45 Making a difference by intermediating differences: The ethnographic collections of Ghent University Pauline van der Zee, Belgium 17:45 – 17:55 Questions and answers 17:55 – 18:00 Closing speech Jean Druesedow Viv Golding 14:00 – 18:00 | Amber Hall 7 (South Wing - Level +2) ICMAH – Museums and Collections of Archaeology and History Site museums, territory, city: Definitions and contents 14:00 – 14:40 The museum of Bibracte Vincent Guichard, France 14:40 – 15:20 Grasse perfume museum and its territory Marie Grasse, France Schnittmarke 15:20 – 16:00 The History Museum of Marseille in 1983, a political project Myriame Morel-Deledalle, France 16:00 – 16:40 Identify, recognize, and conservation of territory: The example of Carthage Archaeological Park Leïla Sebai, Tunisia 16:40 – 17:20 The National Archaeology Museum of Spain, past between national identity and social diversity Gonzalo Ruiz Zapatero, Spain 17:20 – 18:00 Landscapes for the future? Daniele Jalla, Italy 142 MONDAY 4 JULY 14:00 – 18:00 | Amber Hall 8 (South Wing - Level +2) UMAC – University Museums and Collections Connected landscapes 14:00 – 14:20 University museums. Visibility and social impact. L. F. Rico Mansard 14:20 – 14:40 University collections as an important part of the German cultural landscape. C. Weber M. Stricker 14:40 – 15:00 Bring to life the sleeping academic heritage in universities and high school institutes. I. M. García L. Mayo M.J. Gómez 15:00 – 15:20 Reconfiguring the landscape as a tool for understanding and interpreting the territory starting from the collections of the Italian university museums network. Detailed programme MONDAY 4 JULY E. Corradini E. Endrighi 15:20 – 15:40 Building the history of the Rios region from its museums: Associative work experience driven by the university museums. K. Weil M. Godoy 15:40 – 16:10 Coffee Break 16:10 – 16:17 Sorting and preservation of faunal remains from the archaeological contexts to identify economy of Neolithic people in north east China. Case studies: Shangjifangyingzi and Wangbabozi. Schnittmarke Notes Suratissa Dissanayake Tang Zhuo-Wei Zhu Hong 16:17 – 16:24 Preserving the intangible past for future generations. J. McKenzie-Clark S. McKenzie-Clark 143 MONDAY 4 JULY Notes 16:24 – 16:31 Overcoming the collections – A new perspective for museums of agricultural history in Italy L. Mariani G. Forni O. Failla Gianpiero Fumi T. Maggiore Eduardo Rovida, Italy 16:31 – 16:38 How to reconstruct and analyse landscapes through an university research centre and archive of contemporary communication. F. Zanella 16:38 – 16:45 Universidad Tecnológica de El Salvador: A development of a new cultural landscape of San Salvador historical center. M. R. Campos Solórzano 16:45 – 16:52 Kemeiede in the pursuit of the research and the protection of cultural landscapes of school past. S. Trouli A. Hourdakis 16:52 – 16:59 Reconstruct cultural landscape and local identity? Case study of the museum of Kaohsiung Medical University historical archives and southern Taiwan medical history in Taiwan. Yi-Jen Chen 16:59 – 17:06 A Toulouse university project to reconstruct its past scientific landscape. Schnittmarke N. Séjalon-Delmas A. C. Jolivet 17:06 – 17:13 Cultural landscape and the vision of the international Christian university as the “university for tomorrow”. A. Fukuno M. Gushima 17:13 – 17:20 Above and below: A case study on the Protection of Puerto Galera’s cultural landscape. E. C. Bunquin 17:20 – 17:27 The University of Eastern Philippines Centre for Samar Studies (Uep Css): Preserving and promoting the Samareño cultural landscape. L. M. E. de la Rosa 144 MONDAY 4 JULY 17:27 – 17:34 Asutosh Museum of Indian art and the cultural landscape. Notes Supreo Chanda, India Indrani Bhattacharya 17:34 – 17:41 One museum – Two landscapes: Medical and historical. M. Grassmann 17:41 – 17:48 The cultural heritage of marine life: The case of the museum “G. Olivi” in Chioggia. M. González Moreno 17:48 – 17:55 The cultural heritage and its role in Cuban universities. The CUJAE. A. E. Portero Ricol M. Cristóbal Fariñas R. Machado Jardo M. González Moreno 14:00 – 18:00 | Brown Hall 1 (South Wing - Level +2) ICR – Regional Museums Museums, landscapes and horizons – Understand what you have, know where you are, see where you´re going Chair: Yiannis Markakis Detailed programme MONDAY 4 JULY 14:00 – 14:15 Welcome Rune Holbek 14:15 – 14:30 ICR´s newest publications Jean Aase Sue Hanna Metka Fjus Irena Žmuc Schnittmarke 14:30-14:50 The historic Ox road Tuulia Tuomi, Finland 14:50-15:10 The Olympics for peace and tolerance at Gan-Hashlosha museum of archaeology Dror Segal, Israel 15:10-15:30 The Pumapungo museum and Ancestral park and their relation with Cuenca and surrounding height structures Jonathan Koupermann, Ecuador 15:30-15:50 Seeds of future Mazhar Naveed, Pakistan 145 MONDAY 4 JULY 15:50-16:10 The museum and “The Others” – 2016-2018 Notes Christina Miedico, Italy 16:10-16:40 Coffee Break 16:40-17:00 A Milan museum accessible for all Claudia Carraro, Italy Anna Pericoli, Italy Isabella Tiziana Steffan, Italy 17:00-17:20 A wire fence dividing the cultural landscape of Tyrol Sylvia Mader, Austria 17:20-17:40 Inclusion – New challenges for museums Dagmar Bittricher, Austria 17:40-18:00 The Haciendas Route: A historical landscape in Yucatán Blanca González, Mexico 14:00 – 18:00 | Brown Hall 2 (South Wing - Level +2) MPR – Marketing and Public Relations Telling stories that connect 14:00 – 14:30 Welcome to MPR programme Marjo-Riitta Saloniemi 14:30 – 15:30 Telling stories that connect Clare Hughes Schnittmarke 15:30 – 16:00 Coffee Break 16:00 – 16:15 Linking the past and the present to create a heritage narrative and attract new audiences Nina Zdravič Polič 16:15 – 16:30 Two major masterpieces Elles Kamphuis 16:30 – 16:45 Birthplace of the Soviet Union? The new story for the Lenin Museum Minna Karhunsaari 146 MONDAY 4 JULY 16:45 – 17:00 Dark tourism in Sarajevo and the role of the historical museum of Bosnia and Herzegovina Notes Marija Kamber Theofanis Karafotias Theodora Tsitoura 17:00 – 17:15 Tell a good story of Beijing – Promoting Beijing culture in museum Bai Jie 17:15 – 17:30 Good stories are the glue between museums and audience – To use good stories to connect with audiences Yan Hongbin 17:30 – 17:45 One website for everyone? Simona , Ph.D. Juračková, 17:45 – 18:00 Questions and answers Detailed programme MONDAY 4 JULY 14:00 – 18:00 | Brown Hall 3 (South Wing - Level +2) CIDOC – Documentation Welcome to work with CIDOC Chair: Monika Hagedorn-Saupe 14:00 – 15:30 An overview of CIDOC’s ten active working groups and their current projects Monika Hagedorn-Saupe 15:30 – 15:40 Archaeology Working Group Stephen Stead Schnittmarke 15:40 – 15:50 Research environments and CRM SIG presentation for newcomers : Presenting applications and demo, discussing collaborations Martin Doerr 15:50 – 16:14 Co-reference working group Mika Nyman 16:14-16:38 Digital preservation Susanne Nickel 16:38-17:02 Exhibition documentation Gabriel Bevilacqua 147 MONDAY 4 JULY 17:02-17:26 Intangible cultural heritage WG Notes Manvi Seth 17:26-17:50 Information centers WG Monika Hagedorn-Saupe 14:15 – 14:45 | Red Hall 1 (North Wing - Level +1) Case Study Intesa Sanpaolo 14:30 – 14:50 | Expo Forum (Exhibition Area) Expo Forum: Semantika Mastering Web & Mobile: 5 easy tools to engage your visitors Sašo Zagoranski, Slovenia 15:00 – 15:20 | Expo Forum (Exhibition Area) Expo Forum: opificio della luce The illuminator of the Mona Lisa: The history and adventure in the project Toshiba Paolo De Vecchi, Italy Marco Angelini, Italy 15:45 – 16:15 | Exhibition Area (North Wing - Level +1) Coffee Break 15:45 – 16:30 | Expo Forum (Exhibition Area) Expo Forum: Tianyu Cultural Group www.chinamuseum.com: Your perfect gateway to the Chinese museum community Schnittmarke www.chinamuseum.com or Museum Exhibitions on Tour, acts as a bridge between Chinese museums and you. The session will present some key figures and facts about Chinese museums and exhibitions and walk you through the main functionalities of the platform which can benefit your museums 16:00 – 18:00 | Suite 3 (South Wing - Level +2) CIDOC – Documentation Introductory Workshop: Introduction to LIDO – Lightweight Information Describing Objects Chairs: Erin Coburn Regine Stein Emmanuelle Delmass-Glass 16:00 – 18:00 | Suite 4 (South Wing - Level +2) CIDOC – Documentation Introduction to documentation standards Chair: Jonathan Whitson-Cloud 148 MONDAY 4 JULY 16:00 – 16:10 Spreading the word: Explaining what Museum Documentation is – And why it’s important Notes Angela Kipp Rupert Shepherd 16:10 – 16:20 International Image Interoperability Framework (IIIF) supporting research projects at the Yale Centre for British Art Emmanuelle Delmas-Glass 16:20 – 16:30 A textile thesaurus – Merging and enlarging the existing vocabularies Dorothee Haffner 16:30 – 16:40 Mind the gaps: Missing connections in museum documentation Michael Jones 16:40 – 18:00 Workshop exploring the themes of papers presented Detailed programme MONDAY 4 JULY Schnittmarke TM Uniquely - Patented and engineered - Made in Germany Only FRANK EUROPE provides the ultimate aesthetic and truly easy-to-use demountable showcases. The FRANK showcase system is light and highly stable. Patented and award winning. The NEW ABSOLUTE cases are the most minimalistic glass demountable cases for all purposes. FIND OUT FOR YOURSELF So, it's available in Acrylic (FRANK) and now also in Glass (ABSOLUTE) … but always unique! Legend ICOM Presentation for Newcomers ICs, NCs, RA, AO SPECIALIST MEETING / OFF-SITE MEETING Internal ICOM Meeting Internal ICs, NCs, RA Meeting Lunch / Coffee Break Memorial Lectures Museum Fair & Expo Forum Mentoring Session for Young Professionals Official Partner Session Schnittmarke Panel Discussion Plenary Session Registration / Voting Social Events Sponsored Session „Where ICOM from“ Exhibition Detailed programme TUESDAY 5 JULY Schnittmarke Detailed programme TUESDAY 5 JULY TUESDAY 5 JULY North Wing ROOM Registration Exhibition Silver Area Area Plenary LEVEL +1 +1 +2 White Hall 1 +2 White Hall 2 +2 Red Hall 1 +1 Red Hall 2 +1 Blue Hall 1 +1 Blue Hall 2 +1 Yellow Hall 1 +1 Yellow Hall 2 +1 Yellow Hall 3 +1 ICOFOM NATHIST ICOMON 8:00 8:30 9:00 Registration 9:30 Voting Room Membership Office Museum Keynote Fair and Speeches Expo Forum* Coffee Break 10:00 10:30 11:00 11:30 „Where ICOM from“ Exhibition Museum Fair and Expo Forum* 12:00 12:30 MPR Joint Session INTERCOM and FIHRM 12:45 13:00 Lunch Break 13:15 13:30 Case Study Case Study ETT s.p.a. Goppion MuseumLab ICOM Memorial Lectures 13:45 14:00 14:15 Museum Fair and Expo Forum* 14:30 14:45 15:00 Panel Discussion Case Study SOYO Technology Development Co., Ltd. Case Study Case Study MiBACT Goppion MuseumLab 15:15 15:30 15:45 MPR 16:00 ICOFOM NATHIST 16:30 Coffee Break 17:00 17:30 Museum Fair & Expo Forum* 18:00 18:30 19:00 South Wing ROOM Suite 2 Suite 3 Suite 4 Suite 7 Suite 9 Brown Hall 1 Brown Hall 2 Brown Hall 3 LEVEL +2 +2 +2 +2 M +2 M +2 +2 +2 CIDOC CIDOC ICAMT ICR CAMOC ICMS CIDOC 9:00 9:30 10:00 10:30 11:00 11:30 ICOM US 12:00 12:30 13:00 13:30 14:00 14:15 ICMS Schnittmarke 14:30 14:45 15:00 ICDAD ICR 15:30 16:00 16:30 ICOM LAC CIDOC CIDOC CIDOC 17:00 17:30 18:00 18:30 18:30 23:30 152 Special Open Night (National Museum of Science and Technology Leonardo Da Vinci) and many other events in Milan! *The schedule of the Expo Forum can be found in the „Detailed Programme“ part. Joint Session ICOM-CC, ICMS and DRTF Joint Session CIDOC and ICOMON TUESDAY 5 JULY North Wing Turquoise Turquoise Orange Hall 1 Hall 2 Hall 1 -1 -1 -1 Orange Hall 2 -1 Orange Hall 3 -1 Green Hall 1 -1 Green Hall 2 -1 Meeting Room 3 -1 Meeting Room 4 -1 Meeting Room 5 -1 Meeting Room 6 -1 ROOM LEVEL 8:00 8:30 9:00 9:30 10:00 10:30 11:00 Joint Session GLASS and ICDAD CIPEG ICLM CIMUSET Joint Session AVICOM ICFA and COMCOL Joint Session ICOM Arab ICOMAM and ICMEMO ICTOP WG ICOM France/ ICOM Italy 11:30 12:00 12:30 12:45 13:00 13:15 Case Study Fondazione cassa di risparmio di firenze Mentoring Sessions for Young Professionals ICOM SEE 13:30 13:45 14:00 14:15 14:30 14:45 15:00 15:15 ICOM Arab ICOM-ASPAC Meeting of CIMUSET the international museum organisations Joint Session AVICOM ICFA and COMCOL Joint Session ICOMAM and ICMEMO 15:30 ICTOP Conferenza permanente delle associazioni museali italiane 15:45 16:00 16:30 17:00 17:30 18:00 18:30 19:00 South Wing Amber Hall 2 Amber Hall 3 Amber Hall 4 Amber Hall 5 Amber Hall 6 Amber Hall 7 Amber Hall 8 ROOM +2 +2 +2 +2 +2 +2 +2 +2 LEVEL Detailed programme TUESDAY 5 JULY Amber Hall 1 9:00 9:30 CIMCIM 10:00 10:30 11:00 DEMHIST CECA ICEE COSTUME ICMAH UMAC 11:30 12:00 12:30 13:00 13:30 14:00 14:15 14:30 14:45 CIMCIM Schnittmarke DEMHIST 15:00 15:30 ICMAH CECA ICEE COSTUME UMAC 16:00 16:30 17:00 17:30 18:00 18:30 Special Open Night (National Museum of Science and Technology Leonardo Da Vinci) and many other events in Milan! 18:3023:30 153 TUESDAY 5 JULY 08:00 – 18:30 | Registration Area (North Wing - Level +1) Registration Notes 08:00 – 19:00 | White Hall 2 (North Wing - Level +2) Voting 08:30 – 18:00 | White Hall 1 (North Wing - Level +2) Membership Office 09:00 – 18:00 | Exhibition Area (North Wing - Level +1) Museum Fair & Expo Forum 09:00 – 10:30 | Silver Plenary (North Wing - Level +2) Keynote Speeches 09:00 – 09:45 Introduction Claudio Salsi, Director, Civic Museums and Castello Sforzesco, Italy Keynote Speech Michele De Lucchi, Italy Architect, and was a prominent figure in movements such as Cavart, Alchimia and Memphis 09:45 – 10:30 Introduction Hans-Martin Hinz, President of ICOM Keynote Speech Nkandu Luo, Zambia Minister of Gender and Child Development and former Minister of Culture and Traditional Affairs in Zambia 09:00 – 18:00 | Blue Hall 2 (North Wing - Level +1) “Where ICOM from” Exhibition 09:00 – 13:00 | Amber Hall 2 (South Wing - Level +2) CIMCIM – Museums and Collections of Musical Instruments Musical instrument museums: Interpreting the present 09:00 – 09:30 Ethno-organology in Italy in the 21st century Cristina Ghirardini, Italy Schnittmarke 09:30 – 10:00 Speaking for themselves: Ethnography as an avenue for representing cremonese luthiery Kathleen R. Wiens, United States 10:00 – 10:30 Sounds from the past, resounding in the present Veleria Bellomia, Italy 154 TUESDAY 5 JULY 10:30 – 11:00 Coffee Break Notes 11:00 – 12:00 Musical instruments in museums of different origins and profiles: An assessment of new displays L. Torp B. Strauchen-Scherer V. Villa G. Rossi Rognoni D. Martin S. Berdux M. Ruiz N. Emelina 12:00 – 12:30 The land of accordions: Considerations for a survey to build the first ecomuseum of mechanical bellow aerophones in Italy Raffaele Pinelli, Italy 12:30 – 13:00 Layers and presentation of the connotations of music instrument collection. Case study of the chime-bell of marquis Yi of Zeng Xiang Zhang, China Anna Wang 10:30 – 11:00 | Exhibition Area (North Wing - Level +1) Coffee Break 10:30 – 13:30 | Suite 2 (South Wing - Level +2) ICOM US Meet and Greet area Detailed programme TUESDAY 5 JULY 10:40 – 11:00 | Expo Forum (Exhibition Area) Expo Forum: Frank Europe GmbH Demountable Frank showcases: Now, also in glass (Absolute) Philippe Plessers, Belgium 11:00 – 13:00 | Red Hall 2 (North Wing - Level +1) MPR – Marketing and Public Relations Deepening connections 11:00 – 11:15 #startdrawing Schnittmarke Marieke de Klein 11:15 – 11:30 “Virtual museums: Know time” – A concept for a virtual museum, its stakeholders and its marketing Prof. Dr. Bernd Günter 155 TUESDAY 5 JULY 11:30 – 11:45 Working together gives better returns in marketing and business by looking different: The Story of the Amsterdam Museums Notes Björn Stenvers 11:45 – 12:00 Staying connected between visits – Telling great stories to deepen affinity and build loyalty Meghan Curran 12:00 – 12:15 How can a local cultural institution be united? A case study on the Ueno Welcome Passport as a tool for local cultural connection Yasuhiro Sekiya 12:15 – 12:30 Radio Museum, a wing toward cultural connections Damon Monzavi, Iran 12:30 – 12:45 The role of events at the Rijksmuseum the Netherlands Gaby Laudy 12:45 – 13:00 Questions and answers 11:00 – 13:00 | Blue Hall 1 (North Wing - Level +1) Joint Session INTERCOM (Museum Management) and FIHRM (Federation of International Human Rights Museums) Ethics in current museum landscapes Chair: David Fleming, Director National Museums Liverpool, President of Federation of International Human Rights Museum and President of Museums Associoation, United Kingdom 11:00 – 11:20 Welcome David Fleming, Director National Museums Liverpool, President of Federation of International Human Rights Museum and President of Museums Associoation, United Kingdom 11:20 – 11:40 Practical guide to museum ethics Sally Yerkovich, United States Schnittmarke 11:40 – 12:00 The revised Code of Ethics in the UK Alistair Brown, United Kingdom 12:00 – 12:20 ICOM’s code of practice and illicit trafficking France Desmarais 156 TUESDAY 5 JULY 12:20 – 12:40 Women’s Museums are important for women’s education, empowerment and self-confidence Notes Astrid Schönweger 12:40 – 13:00 Panel Debate 11:00 – 13:00 | Yellow Hall 1 (North Wing - Level +1) ICOFOM – Museology The predatory museum 11:00 – 11:10 Opening speeches François Mairesse, Chair of ICOFOM, Université Sorbonne Nouvelle, France Lynn Maranda 11:10 – 11:48 En amont et en aval du musée cannibale Marc-Olivier Gonseth, Switzerland 11:48 – 12:25 Inside the Belly of the museum, metabolism of heritage action André Gob, Belgium 12:25 – 12:45 Questions and answers 12:45 – 13:00 Opening of the poster session Detailed programme TUESDAY 5 JULY 11:00 – 13:00 | Yellow Hall 2 (North Wing - Level +1) NATHIST – Museums and Collections of Natural History 11:00 – 12:00 A natural history museum of the community, by the community, for the community Ian Miller, United States Mathern Miller, United States Andréa Giron, United States 12:00 – 13:00 Posters Schnittmarke 11:00 – 13:00 | Yellow Hall 3 (North Wing - Level +1) ICOMON – Money and Banking Museums Developing numismatic landscapes: Exploring digital numismatic landscapes 11:00 – 11:10 Outline of today’s sessions Effrosyni Nomikou, United Kingdom 157 TUESDAY 5 JULY 11:10 – 11:35 Kyprios character: Concept and realization of an educational website with open access tools and linked data associations Notes Evangeline Markou, Greece 11:35 – 12:00 La numismatique au musee: Collections, expositions, reseau Joelle Bouvry, France 12:00 – 12:25 Studying changes in the cultural landscape with the help of coins finds from the territory of Slovenia Alenka Miškec, Slovenia 12:25 – 13:00 Plenary: Exploring numismatic landscapes 11:00 – 13:00 | Turquoise Hall 1 (North Wing - Level -1) Joint Session GLASS (Museums and Collections of Glass) and ICDAD (Decorative Arts and Design) Cooperation and sharing in decorative arts 11:00 – 11:15 Reflections on glass. The historical and archaeological glass collection of the Antwerp Museum aan de Stroom, collectie Vleeshuis, Antwerp (Belgium). Danielle Caluwé, Belgium Annemie De Vos, Belgium 11:15 – 11:30 Light and Glass Society – Research and cooperation on the history of glass chandeliers. Helena Koenigsmarková, Czech Republic 11:30 – 11:45 Sebastian Herkner – Glasswork. Contemporary Design and traditional craftsmanship: Sharing the experience. Rosita Nenno, Germany 11:45 – 12:00 Gomide´s stained glass windows installed at Parque da Água Branca´s Entrance Portal Regina Lara Silveira Mello, Portugal Paula Eduardo Barbosa, Brazil Schnittmarke 12:00 – 12:15 The museum and the arts and crafts workshop. Interaction and renewal of local tradition in the local landscape. Nirit Shalev-Khalifa, Israel 12:15 – 12:30 The Triumph of Amphitrite: A story of resurrection through creative partnerships Reino Liefkes 158 TUESDAY 5 JULY 12:30 – 13:00 Discussion Notes 11:00 – 14:45 | Turquoise Hall 2 (North Wing - Level -1) CIPEG – Egyptology Egyptological landscapes 11:00 – 11:30 Unveiled Egypt in Lombardia. Digging in LBC Lombardia Beni Culturali Portal Anna Maria Ravagnan, Italy 11:30 – 12:00 An Egyptian collection in the landscape of recently united municipal museums: The Hanover case Christian Loeben 12:00 – 12:30 Egyptian collections in Japan, an overview Nozumo Kawai 12:30 – 12:45 A new Near Eastern collection of the Archaeological Museum in Bologna Daniela Picchi 12:45 – 13:45 Lunch Break 13:45 – 14:15 Egyptian archives and collections in the Reiss-Engelhorn-Museen Mannheim Eva Gervers Detailed programme TUESDAY 5 JULY 14:15 – 14:45 Between the museum and the archive: Photography, archaeology, and histories of Egyptology Christina Riggs 11:00 – 13:00 | Orange Hall 1 (North Wing - Level -1) ICLM – Literary Museums Shaping the cultural landscapes: The role of writers’ and composers’ museums 11:00 – 11:15 The Open Space Novel Alexander Sholokhov, Russia Schnittmarke 11:15 – 11:30 A literary voyage in Odense & Questions and answers Ejnar Stig Askgård, Denmark 11:30 – 11:45 The Hans Christian Andersen Trail & Questions and answers Ane Grum-Schwensen, Denmark 159 TUESDAY 5 JULY 11:45 – 12:15 Coffee Break 12:15 – 12:30 When the building of the museum is narrating Notes Narine Khachaturyan, Armenia 12:30 – 12:45 Literature Museums leading the way with Social Media & Questions and answers Nadia Kulakova, Russia 12:45 – 13:00 Museum houses and their historic, architectural and cultural ties with the territory: A few examples of writers and musicians Massimo Tosi, Italy 11:00 – 13:00 | Orange Hall 2 (North Wing - Level -1) CIMUSET – Museums and Collections of Science and Technology Digital landscapes and digital cultures 11:00 – 11:10 Scene setting from the chair Paolo Cavallotti, Italy 11:10 – 11:30 Re-aligning digital for the responsive and participatory museum Kajsa Hartig, Sweden 11:30 – 11:50 The material of the digital: Interpreting and participating in technoscientific heritage Tilly Blyth, United Kingdom 11:50 – 12:10 Revenge of the Nerds. Rebooting industrial heritage in the digital age Ann Cronin, New Zeland 12:10 – 12:30 Displaying digital culture Johanna Vähäpesola, Finland Schnittmarke 12:30 – 12:50 The new role of museums in encouraging continuous learning in the contemporary digital age Yoshikazu Ogawa, Japan 12:50 – 13:00 Questions and answers 160 TUESDAY 5 JULY 11:00 – 13:00 | Orange Hall 3 (North Wing - Level -1) Joint Session ICFA (Museums and Collections of Fine Arts) and COMCOL (Collecting) Shared responsibility Chair: Klaus Weschenfelden, Germany 11:00 – 11:20 Common heritage - Divided responsibility: An introduction Notes Klaus Weschenfelden, Germany 11:20 – 11:40 Public art in the city of Athens: Shared responsibility as a new form of collecting and caring Alexandra Bounia, Greece 11:40 – 12:00 Shared responsibility in preservation of objects of art, monuments and archaeological sites: Rules, practices and new perspectives in Italy Adelaide Maresca Compagna, Italy 12:00 – 12:20 ICOM France and Museums, territorial systems and urban landscapes as the new public space Jacques Kuhnmunch, France 12:20 – 12:40 The Ceilãndia’s Water Reservoir and the heritage relations in Brasilia Vinicius Carvalho Pereira, Brazil 12:40 – 13:00 Discussion Detailed programme TUESDAY 5 JULY 11:00 – 13:30 | Green Hall 1 (North Wing - Level -1) AVICOM – Audiovisual and New Technologies of Image and Sound Technological cultural landscapes Chair: Simona Caraceni 11:00 – 11:15 Introduction of the topic Simona Caraceni 11:15 – 12:00 The landscape of the Hungarian Museums by data visualisation. Ildikó Fejes, Head of department, Hungarian National Museum Schnittmarke 12:00 – 12:30 “Agile Museums? Yes!” - A lecture on how Agile IT projects catalyze the museums to transform rapidly and thus influence their positive change of management and organizational culture Gábor Tatai 161 TUESDAY 5 JULY 12:30 – 13:00 Nanjing Museum: Chinese Museum’s Development under condition of new technologies 13:00 – 13:30 Internet +: The future development strategy of the Digital Shanghai Museum on behalf of the digitization committee of Chinese Museums Association Notes Jiang Hu, China 11:00 – 13:00 | Green Hall 2 (North Wing - Level -1) Joint Session ICOMAM (Museums of Arms and Military History) and ICMEMO (Memorial Museums in Remembrance of the Victims of Public Crimes) The ethical and educational issue of dark tourism 11:00 – 11:10 Introduction and greetings Julie Higashi, Japan 11:10 – 11:40 Thana-Tourism: Journeys to the dead Jörg Skriebeleit, Germany 11:40 – 12:05 New face of Katy Museum - The monument Slawomir Frattczak, Poland 12:05 – 12:20 The house of Katyn relics as a tourist attraction on the map of Warsaw museums – An ethical dimension Magdalena Sasal, Poland 12:20 – 12:50 Discussion 11:00 – 13:00 | Meeting Room 3 (North Wing - Level -1) ICOM Arab General Assembly & Elections 11:00 – 13:00 | Meeting Room 4 + 5 (North Wing - Level -1) ICTOP – Training of Personnel 11:00 – 13:00 | Meeting Room 6 (North Wing - Level -1) WG ICOM France/ICOM Italy Schnittmarke 11:00 – 13:00 | Suite 3 (South Wing - Level +2) CIDOC – Documentation Paper Presentations: CIDOC CRM SIG and research environments WG, part 1 Chair: Christian-Emil Ore 11:00 – 11:30 Using CIDOC CRM in “150 years of Canadian art” linked open data demonstration project Heather Dunn 162 TUESDAY 5 JULY 11:30 – 12:00 Documenting buildings archaeology with CIDOC CRM. The CRMba extension Notes Paola Ronzino 12:00 – 12:30 Using the CIDOC CRM to evaluate an ontology on narratives Carlo Meghini 12:30 – 13:00 CRMarchaeo: A CIDOC CRM extension to support archaeological excavations” Achille Felicetti 11:00 – 13:00 | Suite 4 (South Wing - Level +2) CIDOC – Documentation Encyclopaedia of museum practice wiki Chair: Jonathan Whitson-Cloud 11:00 – 11:10 Implementing standards at Sao Paulo State secretariat of Culture museums Alexandre Matos Renata Vieira Motta 11:10 – 11:20 EEXCESS – The practical tools for museum professionals Gordon McKenna 11:20 – 13:00 Discussion Detailed programme TUESDAY 5 JULY 11:00 – 13:00 | Suite 7 (South Wing - Level +2 M) ICAMT – Architecture and Museum Techniques Paper Session 11:00 – 11:15 Lecture Mr Camuflo 11:15 – 11:30 Lecture Mr Joppolo 11:30 – 11:45 Lecture Ms Corbellani-Valentini Schnittmarke 11:45 – 12:00 Lecture Ms Rostago 12:00 – 12:15 Paper Presentation 5 163 TUESDAY 5 JULY 12:15 – 12:30 Paper Presentation 6 12:30 – 12:45 Paper Presentation 7 12:45 – 13:00 Paper Presentation 8 Notes 11:00 – 13:00 | Suite 9 (South Wing - Level +2 M) ICR – Regional Museums Museums, landscapes and horizons – Understand what you have, know where you are, see where you´re going Chair: Jane Legget 11:00 – 11:20 Cultural landscapes and museums as a prospering interactive dependence Otto Lohr, Germany 11:20 – 11:40 Rethinking regional geological heritage: From museum objects to interdisciplinary tourist routes Yulija Glazyrina, Russia 11:40 – 12:00 Aperture of need Wafa Akhtar, Pakistan 12:00 – 12:20 A new museum for an old cultural landscape: The Museo Altepepialcalli case Paulina Sánchez Rojas, Mexico 12:20 – 12:40 The nature park Lonjsko Polje – A historical rural landscape Jasmina Uroda Kutlić, Croatia 12:40 – 13:00 Climate vs History: The creation of a modern European Capital and the challenge of reality Leonidas Argyros, Greece 11:00 – 13:00 | Amber Hall 1 (South Wing - Level +2) DEMHIST – Historic House Museums Historic houses and the interpretation of the cultural, social and urban landscape Schnittmarke 11:00 – 11:30 Keynote Speaker 11:30 – 11:50 Vizcaya Museum and Gardens: Reflections on relevance in a changing landscape Remko Jansonius 164 TUESDAY 5 JULY 11:50 – 12:10 Musical soundscapes in the historic house museum Notes Jeanice Brooks 12:10 – 12:30 The count’s residence at Larvik and its importance for urban development over the centuries Aina Aske 12:30 – 13:00 Discussion 11:00 – 13:00 | Amber Hall 3 + 4 (South Wing - Level +2) CECA – Education and Cultural Action Community/Participation/Interpretation Chair: Emma Nardi 11:00 – 11:15 Shared memory between Spain and Morocco throught landascape and heritage education Rosa María Hervás Avilés, Spain Elena Tiburcio Sánchez, Spain Francisca Navarro Hervás, Spain 11:15 – 11:30 The Museum of Civilizations and the cultural landscape in Grassland – Cameroon: Impact, limits and challenges in the XXIth century Tatuébu Zacharie Duflot, Cameroon 11:30 – 11:45 Inside outside and vice versa Arja van Veldhuizen, The Netherlands Detailed programme TUESDAY 5 JULY 11:45 – 12:00 Pachacamac Archaeological Sanctuary: Teaching for conservation Denise Pozzi-Escot, Peru 12:00 – 12:15 Learning together: A collaborative project on community traditional knowledge Subhra Devi, India 12:15 – 12:30 Museum and community Anna Soffici, Italy Nicoletta Matteuzzi Schnittmarke 12:30 – 12:45 Ecomuseu da AmazOnia: An instrument of valorization and appropriation which is responsible for the heritage at Cotijuba Island – Pará-Belém Maria Terezinha Resende Martins, Brazil Alvaro Campelo, Portugal 12:45 – 13:00 Discussion 165 TUESDAY 5 JULY 11:00 – 13:00 | Amber Hall 5 (South Wing - Level +2) ICEE – Exhibitions and Exchange Innovating with style 11:00 – 11:30 Thinking outside the box to deliver powerful temporary exhibitions Notes Manon Delaury, United Kingdom 11:30 – 12:00 How to keep it up with touring exhibitions? Agnès Ruiz, France 12:00 – 12:30 Investigation into the new style of contemporary museum exhibitions Feng-Ying Ken, Taiwan Shin-Chieh Tzeng, Taiwan 12:30 – 13:00 Fashion at the museum Yoonji Kim, Korea 11:00 – 13:00 | Amber Hall 6 (South Wing - Level +2) COSTUME – Museums and Collections of Costume General Forum 11:00 – 13:00 | Amber Hall 7 (South Wing - Level +2) ICMAH – Museums and Collections of Archaeology and History Eco museums, natural and cultural parks, community museums, interpretation centers 11:00 – 11:24 FEMS/Fresnes Ecomuseum Alexendre Delarge 11:24 – 11:48 The new project of Albert Kahn Museum and Garden Valerie Perles 11:48 – 12:12 Territory museums, new perspectives for Tunisia ? Taher Ghalia, Tunisia Schnittmarke 12:12 – 12:36 Community museums and interpretation centers in cultural landscapes, exemples from Senegal Abdoulaye Camara, Senegal 12:36 – 13:00 Territory and society Museums Projects, exemples of Mayotte and Guyane Michel Colardelle 166 TUESDAY 5 JULY 11:00 – 13:00 | Amber Hall 8 (South Wing - Level +2) UMAC – University Museums and Collections Campus landscapes 11:00 – 11:20 Museums beyond the wall, landscapes beyond the architecture. Notes Hu Ying 11:20 – 11:40 The value and strategies of preserving campus landscape at Cheng-Kung university museum Mei-Fang Kuo 11:40 – 12:00 Museology evaluation: Diagnosis and outlines of university museal landscapes. L. Julião P. Roberto Sabino E. C. de Freitas Rocha 12:00 – 12:20 Hard edges: Challenges in preserving the cultural landscape of Ust Manila. I.C. Abano A.M.H. Bautista 12:20 – 12:40 Cultural goals of the new permanent 15 of the University of Tartu Natural History Museum: Visions from 15 authors. R. Mägi 12:40 – 13:00 Reshaping the cultural landscape of research in the museum with ‚the study‘. Detailed programme TUESDAY 5 JULY H.-L. Chalk M. Munro 11:00 – 13:00 | Brown Hall 1 (South Wing - Level +2) CAMOC – Collections and Activities of Museums of Cities General Assembly and Elections Chair: Jelena Savic 11:00 – 13:00 | Brown Hall 2 (South Wing - Level +2) ICMS – Museum Security 11:00 – 11:30 Lynda Albertson, Italy Schnittmarke 11:30 – 12:00 Internal controls in the handling of museum objects and specimens key to securing museum collections Lovemore Mazibuko, Malawi 167 TUESDAY 5 JULY 12:00 – 12:30 Some aspects of protecting the martyrdom museums in Poland Notes Paulina Florjanowicz, Poland Krzysztof Osiewicz, Poland 12:30 – 13:00 Problems facing museums in the changing Kenyan landscape Freda Nkirote, Kenya 11:00 – 13:00 | Brown Hall 3 (South Wing - Level +2) CIDOC – Documentation Session Workshop/clinic: How to capitalize on museum documentation Is your documentation an expensive necessity, or a valuable resource? Nicholas Crofts Christian Greco, Italy This workshop clinic, aimed at museum directors and documentation managers, provides practical tips, innovative solutions and awe-inspiring insights to help release the full potential of your collections information. 13:00 – 14:00 | Exhibition Area (North Wing - Level +1) Lunch Break 13:00 – 13:45 | Expo Forum (Exhibition Area) Expo Forum: Collège Montmorency The training of the complete museum technician : Versatility at your grasp Josianne Blouin, Canada Michel Paradis, Canada 13:15 – 14:15 | Red Hall 2 (North Wing - Level +1) Case Study Goppion MuseumLab The Living Museum: A Collaborative Work Model for Building Museums and Facilitating Client Vision Harlow Tighe, Director of Museum Services, Goppion MuseumLab, Italy Fabrizio Bardelli, Architect and Site Manager, Goppion SpA , Italy Katrina Smith, Business Development Manager Middle East Region, Goppion SpA, Italy Schnittmarke 13:15 – 14:15 | Yellow Hall 1 (North Wing - Level +1) Panel Discussion How can museums contribute to countering illicit traffic in cultural goods? Moderator: France Desmarais, ICOM`s Director of Programmes and Partnerships Eric Dorfman, Director of Carnegie Museum of Natural History, Chair of NATHIST, United States Khaled El-Enany, Minister of Antiquities, Egypt Markus Hilgert, Director of the Ancient Near East Museum in the Pergamon, Germany 168 TUESDAY 5 JULY 13:15 – 14:15 | Orange Hall 1 (North Wing - Level -1) Case Study Fondazione cassa di risparmio di firenze Cultural landscapes and museums: Foundations and local authorities for integrated territorial development Chair: Cristina Acidini, Italy 13:15 – 13:25 Opening speech Notes Cristina Acidini, Italy 13:25 – 13:35 Institutional greetings Monica Barni, Italy Umberto Tombari, Italy 13:35 – 13:42 Bank foundations in Italy and policies for local museums Marco Cammelli, Italy 13:42 – 13:50 Tuscan museum enhancement schemes Luciano Barsotti, Italy 13:50 – 14:02 The Widespread Museum of Tuscany Antonio Paolucci, Italy 14:02 – 14:15 Best practices and impacts Barbara Tosti, Italy Detailed programme TUESDAY 5 JULY 13:15 – 14:15 | Orange Hall 2 (North Wing - Level -1) Mentoring Session for Young Professionals 13:15 – 13:30 Mentoring Session for Young Professionals Luigi Di Corato, Director of Fondazione Brescia Musei, Italy 13:30 – 13:45 Questions and answers 13:45 – 14:00 Mentoring Session for Young Professionals Yousef Khacho, Head of Exhibitions at Qatar Olympic and Sports Museum, Qatar Museums, ICEE board member, Qatar Schnittmarke 14:00 – 14:15 Questions and answers 13:15 – 13:45 | Red Hall 1 (North Wing - Level +1) case study ett s.p.a. A new organization for Italian Museums 169 TUESDAY 5 JULY 13:15 – 15:15 | Meeting Room 6 (North Wing - Level -1) ICOM SEE – South East Europe Board meeting Notes 13:30 – 15:00 | Blue Hall 1 (North Wing - Level +1) ICOM Memorial Lectures Convened by ICOM Austria, CECA, ICEE, ICTOP, INTERCOM, and ICOM Italy 13:30 – 13:45 Opening/Welcome/Commemoration Danielle Spera, Austria Hans-Martin Hinz, President of ICOM 13:45 – 13:55 Introduction to the ICOM Memorial Lectures 2016 Anne-Catherine Hauglustaine-Robert, Director General of ICOM 13:55 – 14:15 An ethical vision of nature, culture, heritage, and museums’ continuing social mission – ICOM 70 years´ jubilee lecture Bernice Murphy, Immediate Past President, INTERCOM, Australia 14:15 – 14:30 Museums and changing cultural landscapes – Fourth Alma S. Wittlin memorial lecture René Rivard, Canada 14:30 – 14:45 Revisiting Weil´s cabinet of curiosity – Eleventh Stephen E. Weil Memorial Lecture Cristina Vannini, Italy 14:45 – 14:55 Discussion David Fleming, Director National Museums Liverpool, President of Federation of International Human Rights Museum and President of Museums Associoation, United Kingdom 14:55 – 15:00 Closing remarks Lynne Teather, President, ICTOP Schnittmarke 14:00 – 14:45 | Expo Forum (Exhibition Area) Expo Forum: PropaGroup spa PROPADYN: The innovative humidity stabilizer Davide Salvatore, Italy 14:00 – 15:00 | Yellow Hall 2 (North Wing - Level +1) Case Study SOYO Technology Development Co., Ltd. Smart Tour Guide Technology, the most important tool to discover the museums Chair:John Tang 170 TUESDAY 5 JULY 14:00 – 15:30 | Brown Hall 2 (South Wing - Level +2) ICMS – Museum Security 14:00 – 14:30 4 November 1966; Florence Notes Simona Tordi, Italy 14:30 – 15:00 The implications of culture on international security Erika Jensen, United States 15:00 – 15:30 Break 14:15 – 15:45 | Red Hall 1 (North Wing - Level +1) Case Study MiBACT A new organization for italian museums Chair: Ugo Soragni, Italy 14:15 – 14:30 Opening speech Ugo Soragni, Italy 14:30 – 15:10 Peter Aufreiter, Italy Angela Tecce, Italy 15:10 – 15:30 Discussing Marilena Pirrelli, Italy Detailed programme TUESDAY 5 JULY 15:30 – 15:45 Questions and answers 14:15 – 15:15 | Red Hall 2 (North Wing - Level +1) Case Study Goppion MuseumLab The Living Museum: Exhibition Design, Facsimile Fabrication and Collection Presentation Paul Bernhard, President, Paul Bernhard Exhibit Design & Consulting, United States Troy Woods, Paul Bernhard Exhibit Design & Consulting, United States Adeline Rispal, Architect and Exhibition Designer, Studio Adeline Rispal, France Michael Dunn, Architect and Exhibition Designer, Tropman & Tropman Architects, Australia Schnittmarke 14:30 – 18:30 | Suite 2 (South Wing - Level +2) ICDAD – Museums and Collections of Decorative Arts and Design Cultural landscapes from arts and crafts to decorative arts and design 14:30 – 15:00 A birds-eye view: Management landscapes from arts and crafts to design to the fine arts James Bradburne 171 TUESDAY 5 JULY 15:00 – 15:15 The Embriacchi workshop of North Italy. Caskets with Certosina patterns. Notes Pall Martina, Austria 15:15 – 15:30 Temptation and fall. Figurative gilded decoration on leather caskets around 1600. Focus on a North Italian writing desk in the collections of the German Leather Museum. Rosita Nenno, Germany 15:30 – 15:45 Because of Tuberculosis. History and contemporary situation in production of tapestries and gobelins in Czech Republic. Martina Lehmannová, Czech Republic 15:45 – 16:00 The Handicrafts Museums and its role in the shaping of Russian cultural landscape at the turn 19th/20th century. Elena Titova, Russia 16:00 – 17:00 Coffee Break General Assembly 17:00 – 17:15 Summer kimono born in the snow: The Changing landspape of Echigo Jōfu. Melissa Rinne, Japan 17:15 – 17:30 The birth of the Ubiquitous landscape in Japanese Lacquers Nagashima Meiko, Japan 17:30 – 17:45 Artistic and cultural landscape within an economic opportunity: A brief view to Iranian decorative art verity Golnaz Tayeebeh Golsabahi, Iran 17:45 – 18:00 Protection of landscapes in dynamic networks with visitors and the center of museums. Proposal for the upgrading of museums utilisation and realization. Rovetta Alberto, Italy Eduardo Rovida, Italy Gabriele Guidi, Italy Schnittmarke 14:30 – 18:30 | Suite 9 (South Wing - Level +2 M) ICR – Regional Museums Museums, landscapes and horizons – Understand what you have, know where you are, see where you´re going Chair: Carrie-Ann Lunde 14:30 – 14:50 Scanning cultural Horizons – Past, present and future John Magnussen, Australia Jaye McKensie-Clark, Australia 172 TUESDAY 5 JULY 14:50 – 15:10 Evolving tradition – Social participation for the symbolic revival of the regional museum of Anthropology Palacio canton Notes Giovanna Elizabeth Jaspersen García, Mexico 15:10 – 15:30 Archaeology and museum: Strategies for the valorization and protection of archaeological Iron Age sites in Côte d’Ivoire Héléne Kiénon-Kaboré, Cote D`Ivoire 15:30 – 15:50 How can shared responsibility for the cultural and physical landscape be organized between museums and their source communities? Wilbard Lema, Tanzania 15:50 – 16:10 The Tower of Ouranoupolis, a landmark of various worlds Eleni Stoumpou-Katsamouris, Greece 16:10 – 16:30 Challenges and choices in Pennsylvania’s forests Susan E. Hanna, United States 16:30 – 17:00 Coffee break 17:00-17:20 Regional city museum and garden city – Exhibition as a catalyst for action Kenjii Saotome, Japan 17:20 – 17:40 Radio museum, a wing toward new horizons of cultural landscapes Detailed programme TUESDAY 5 JULY Damon Monzavi, Iran Reza Dabirinezhad 17:40 – 18:00 Summary: ICR Sessions 1, 2 and 3 Jean Aase, Norway 14:30 – 18:30 | Amber Hall 1 (South Wing - Level +2) DEMHIST – Historic House Museums Historic houses and the interpretation of the cultural, social and urban landscape Schnittmarke 14:30 – 14:50 The establishment of a house museum saves a neighborhood and initiates a new appreciation for preserving historic buildings Ann Scheid 14:50 – 15:10 Painful pasts, a diversefuture, Karen Blixen House (Kenya) Josephine MuthoniThang’wa 173 TUESDAY 5 JULY 15:10 – 15:30 Come for the views, stay for noucentisme: How a house museum offers multiple access points Notes Jordi Falgàs 15:30 – 15:50 La Casa Museo del Greco y su papel en la configuración de la ciudad y el turismo de Toledo Ana Carmen Lavín 15:50 – 16:30 Coffee Break 16:30 – 18:30 General meeting 14:30 – 18:30 | Amber Hall 2 (South Wing - Level +2) CIMCIM – Museums and Collections of Musical Instruments Musical instrument museums: Interpreting the present 14:30 – 15:00 Creative programming within an uncreative budget Mimi S. Waitzman, United Kingdom 15:00 – 15:30 ‘Fanfare’ and the art of music in the Metropolitan Museum of Art’s reframed musical instrument galleries Bradley Strauchen-Scherer, United States 15:30 – 16:00 History of the Musikinstrumenten-Museum Berlin between 1933 and 1945 Heike Fricke, Germany 16:00 – 16:30 The Development of a new kind of audio controller. Linking historic musical instrument technologies with up-to-date sound generation and control Thomas Lerch, Germany 16:30 – 17:00 An extended stage: NCPA performing arts museum Gao Hongbo, China 17:00 – 17:30 The museo del Paesaggio Sonoro at the crossway between past and present Schnittmarke Guido Raschieri, Italy 17:30 – 18:00 Museo Fernandez Blanco Art Museum: Interpreting the present Leila Makarius, Argentina 15:00 – 18:00 | Meeting Room 3 (North Wing - Level -1) ICOM Arab Meeting of the new board 174 TUESDAY 5 JULY 15:00 – 18:00 | Suite 7 (South Wing - Level +2 M) ICOM LAC Board meeting Notes 15:00 – 18:00 | Amber Hall 7 (South Wing - Level +2) ICMAH – Museums and Collections of Archaeology and History Scriptwriting and animation of natural scenery/culture 15:00 – 15:36 „Roman Limes on the Rhine“ Renger De Bruin, The Netherlands 15:36 – 16:12 The Memorial of Waterloo – 1815 Jean-Pierre Garrabos, Belgium 16:12 – 16:48 „Recovery/reconstruction of cultural landscapes „“in situ““ or displaced example of Africa House, El Jem“ Myriame Morel-Deledalle, France 16:48 – 17:24 Strategy of communication on the national archaeological Georgian sites: Dmanisi, Dzaliza, Vani Natia Khuluzauri, Georgia 17:24 – 18:00 The relation of museums to cultural landscape on conflict territories, south-east boarders Turkish examples Burçak Madran, Turkey Detailed programme TUESDAY 5 JULY 15:30 – 18:30 | Red Hall 2 (North Wing - Level +1) MPR – Marketing and Public Relations Making cultural connections 15:30 – 16:30 Making Cultural Connections Zefeng You 16:30 – 16:45 Coffee Break 16:45 – 17:00 From elderly to bebè: Enlarge museum audience, enlarge community Romina Mancuso Schnittmarke 17:00 – 17:15 Marketing the Museum as a landscape of cultural memory Carol Scott 175 TUESDAY 5 JULY 17:15 – 17:30 Museums as marketing instruments for cultural quarters Notes Dr. Adla Ragab Dr. Nora Ebeid 17:30 – 17:45 Open-Air Novel: Developing connections – Cultural connections Natalia Trofimenko 17:45 – 18:00 Art in Village – Turn a city into a museum Susan Lin 18:00 – 18:15 Abbonamento Musei a successful network to enhance the relationship between citizens and museums Francesca Leon 18:15 – 18:30 Questions and answers 15:30 – 18:30 | Yellow Hall 1 (North Wing - Level +1) ICOFOM – Museology The predatory museum 15:30 – 16:00 Predatory museums in specific cultural landscapes Tereza Scheiner, Brazil 16:00 – 16:30 Predatory Museology: Theoretical approaches and focuses for the building of a specific field and object Luciana Menezes de Carvalho, Brazil Tereza Scheiner, Brazil 16:30 – 17:00 Conscious museum Anna Leshchenko, Russia 17:00 – 17:30 Ecomuseology in Scotland and Costa Rica: Paradigm or predator? Karen Brown Schnittmarke 17:30 – 18:00 El museo como depredador de otros espacios culturales, una reflexión sobre las políticas culturales del Estado Mexicano Scarlet Galindo 18:00 – 18:30 Museo depredador: Co-constructor de paisaje, México Freire Rodríguez Saldaña 176 TUESDAY 5 JULY 15:30 – 18:30 | Yellow Hall 2 (North Wing - Level +1) NATHIST – Museums and Collections of Natural History Natural history collections 15:30 – 15:45 Fatal relationship between natural history collections and society in Slovenia Breda Činč Juhant, Slovenia 15:45 – 16:00 Type specimens in the insect collections of the Vietnam National Museum of Nature, Hanoi Hong-Thai Pham, Vietnam 16:00 – 16:15 The numerical revolution in the Paris “Museum” naturalist collections Pierre-Yves Gagnier, France 16:15 – 16:30 DNA Barcoding – A new role of museum collections Ivona Kautmanova, Slovakia Jan Kautman, Slovakia 16:30 – 16:45 Developing new touring exhibitions: Pivot points of science and culture Amina Darwish, United Kingdom 16:45 – 17:00 Panel discussion 17:00 – 17:30 Coffee Break Detailed programme TUESDAY 5 JULY Natural history exhibitions 17:30 – 17:40 Crossover - When nature & art intersect Linda Carioni, Italy 17:40 – 17:50 Monkey business Alanna Davidson, United Kingdom 17:50 – 18:00 The “International Nature Exhibition” – A new concept for a worldwide exhibition format Christopher Garthe, Germany 18:00 – 18:10 Developing new touring exhibitions: Pivot points of science and culture Schnittmarke Notes Amina Darwish, United Kingdom 177 TUESDAY 5 JULY 18:10 – 18:20 Fish, fishing and fishing-depedent communities: A travelling exhibition to commonwealth Small Island Developing States (SIDS) Notes Nicolas Watts, United Kingdom 18:20 – 18:30 Panel discussion 15:30 – 18:30 | Turquoise Hall 2 (North Wing - Level -1) ICOM-ASPAC – Asia-Pacific ICOM-ASPAC Work Report Dr. Song Xinchao, Chair of ICOM-ASPAC Activity Report from National Committees Discussion Election for the ICOM-ASPAC Board (2016-2019) Short speech from the new Chair 15:30 – 18:30 | Orange Hall 1 (North Wing - Level -1) Meeting of the international museum organisations 15:30 – 18:30 | Orange Hall 2 (North Wing - Level -1) CIMUSET – Museums and Collections of Science and Technology Work and Industry in the heritage of modern landscapes Chair: Irena Marušič, Slovenia 15:30 – 15:40 Introduction Irena Marušič, Slovenia 15:40 – 15:48 Partnering to engage: Steam and the cultural landscape of Thirlmere Judith Coombes, Australia 15:48 – 15:56 The heritage of coal mining in the Netherlands: when memory turns into history Mijke Harst Van den Berg, The Netherlands 15:56 – 16:04 The Museum as the vehicle of communication between technology – Industry and cultural landscapes: The case of the network of Museums of the Piraeus Bank Cultural Foundation Kostis Kalapothakis, Greece Schnittmarke 16:04 – 16:12 The heritage of coal mining in the Netherlands: When memory turns into history Serge Langeweg, The Netherlands 16:12 – 16:20 A new conception of Reserve store for scientific and technical heritage. Cooperation between museums and territory development policy : A challenge for a landscape Juliette Raoul-Duval, France 178 TUESDAY 5 JULY 16:20 – 16:28 Dolní oblast Vitkovice – From Steelworks to Cultural and Science Centre Anna Schaefers, Germany 16:28 – 16:36 Cultural heritage in planning Mette Kristine Slyngborg, Denmark Digital landscapes and digital cultures Chair: Paolo Cavallotti, Italy 16:45 – 16:55 Introduction Paolo Cavallotti, Italy 16:55 – 17:03 Technological social network for cultural heritage Tania Basterrica, Chile 17:03 – 17:11 The research on learning with digital technologies in exhibitions Hong Liao, China 17:11 – 17:19 Communication of “circles of friends”: Function and application of WeChat in science and technology museums Yuhua Liu, China 17:19 – 17:27 Let the digitization of museum beyond the significance of text Ximing Pan, China Detailed programme TUESDAY 5 JULY Contemporary heritage: Shaping the landscape of future memory Chair: Laura Ronzon, Italy 17:30 – 17:40 Introduction Laura Ronzon, Italy 17:40 – 17:48 Departmental museums of communication in Russia’s cultural landscape Nina Borisova, Russia 17:48 – 17:56 The visitors’ behavior of an experimental project for reviving scientific instruments in a new science museum Schnittmarke Notes Jeng-Horng Chen, Taiwan 17:56 – 18:04 Sustainability in museums: Local approaches for community impact Stacey Freeman, United States 179 TUESDAY 5 JULY 18:04 – 18:12 Towards invisibility – Three dimensional models and institutional memory Notes Jane Insley, United Kingdom 18:12 – 18:20 The role of collaboration between museum professionals and educators in the teaching history of science and technology courses Olga Krasnyak, South Korea 18:20 – 18:28 The museum of Astronomy and Related – MASTSciences in the landscape of São Cristóvão neighborhood Maria Esther Valente, Brasil Isabel Henze, Brasil 15:30 – 18:30 | Orange Hall 3 (North Wing - Level -1) Joint Session ICFA (Museums and Collections of Fine Arts) and COMCOL (Collecting) Historic houses and their fine art Chair: Giuliana Ericani 15:30 – 15:50 Collecting fine art to cultural landscapes. Participatory frameworks of interpretation and display Nicole Moolhuijsen, Italy 15:50 – 16:10 Museum building as the meaning maker in the case of IRHM Aysegul Guchan, Turkey 16:10 – 16:30 Interpreting the artistic heritage of a cathedral. The case of the Skovgaard Museum and Joakim Skovgaard‘s decoration of Viborg Cathedral Anne-Mette Villumsen, Denmark 16:30 – 16:50 Discussion 16:50 – 17:10 Experience of the collecting and the development of collections in Grassland-Cameroon: An analysis from the actions of the project COE/IFA Zacharie Duflot Tatuebu, Cameroon Schnittmarke 17:10 – 17:30 A scenario of public behaviors in art museums of Shanghai Xianya Xu, China 17:30 – 17:50 The sense of place. An experiment of Museum Civico di Bracciano with the children Cecilia Sodano, Italy 17:50 – 18:10 Discussion 180 TUESDAY 5 JULY 15:30 – 18:30 | Green Hall 1 (North Wing - Level -1) AVICOM – Audiovisual and New Technologies of Image and Sound General Assembly Notes 15:30 – 18:30 | Green Hall 2 (North Wing - Level -1) Joint Session ICOMAM (Museums of Arms and Military History) and ICMEMO (Memorial Museums in Remembrance of the Victims of Public Crimes) The ethical and educational issue of dark tourism 15:30 – 15:40 Summary of morning session 2 introduction of session 3 Eva-Sofii Ernstell 15:40 – 16:05 Wewelsburg castle – An attraction pole of “Dark Tourism”. How to deal with this phenomenon at a memorial site? Kirsten John-Stucke, Germany 16:05 – 16:30 “Let there be Light!”, the German tank museum as a failed dark exhibition? Ralf Raths, Germany 16:30 – 17:00 Discussions 17:00 – 17:30 Coffee Break 17:30 – 17:50 A new perspective on a dark chapter: Tuol Sleng Genocide Museum for Peace Education Chhay Visoth, Cambodia Detailed programme TUESDAY 5 JULY 17:50 – 18:10 War museums in Iran Maysam Abdoly, Iran 18:10 – 18:30 Discussions 15:30 – 18:30 | Meeting Room 4 + 5 (North Wing - Level -1) ICTOP – Training of Personnel Schnittmarke 15:30 – 18:30 | Meeting Room 6 (North Wing - Level -1) Conferenza permanente delle associazioni museali italiane Different views on a common theme „Museums and cultural landscapes“: AMACI (Associazione Musei Arte Contemporanea Italiani) AMEI (Associazione Musei Ecclesiastici Italiani) ANMLI (Associazione Nazionale Musei Locali e Istituzionali) ANMS (Associazione Nazionnale Musei Scientifici) MUSEIMPRESA CASE DELLA MEMORIA ICOM ITALIA (International Council of Museums Italia) SIMBDEA (Società Italiana per la Museografia e i Beni Demoantropologici) 181 TUESDAY 5 JULY 15:30 – 18:30 | Suite 3 (South Wing - Level +2) CIDOC – Documentation Training session: Introduction to Museum Processes WG MPI 15:30-16:30 Introduction to museum process Notes Walter Koch ▪ Introduction and explanation of basic definitions ▪Domain (museum) specific issues and requirements ▪Application (process/procedures) related standards and frameworks (e.g. SPECTRUM) ▪ Use case: “Modelling the Object Entry Procedure” (group exercise) ▪ Discussion of implementation issues ▪ The SOOM-Project: Implementation of a “Service Oriented Object Management” system as baseline for an adaptive Museum Collection Management System 16:30-17:00 Discussion 17:00-17:30 Break Session, introductory workshop Chair: Susanne Nickel 17:30-18:30 Introduction to digital preservation Susanne Nickel The session will start with a short introduction to the work of the WG. A discussion on current projects on digital preservation will follow. The second hour we will work on a definition of digital preservation and its documentation starting from existing definitions as for example in UNESCO guidelines. 15:30 – 18:30 | Suite 4 (South Wing - Level +2) CIDOC – Documentation Paper Presentations: CIDOC CRM SIG and research environments WG, part 2 Chair: Christian-Emil Ore 15:30 – 16:06 Selected WissKI projects at the Germanic National Museum in Nuremberg Siegfried Krause 16:06 – 16:42 Designing an appication ontology for architectural 3D reconstruction Schnittmarke Piotr Kuroczynski 16:42 – 17:18 Researchspace Dominic Oldman 17:18 – 17:54 Modelling the iconographic discourse George Bruseker 182 TUESDAY 5 JULY 17:54 – 18:30 Discussion about the future of the research environments working group Notes 15:30 – 18:30 | Amber Hall 3 + 4 (South Wing - Level +2) CECA – Education and Cultural Action Poster session Chair: Marie-Clarté O´Neill 15:30 – 17:00 Best practice session Marie-Clarté O´Neill 17:00 – 17:05 Celebrating our city’s riches: Three stories from Logan Robyn Daw, Australia 17:05 – 17:10 The digital contents design for people with hearing impairment in science museums based on collaboration with a University Ryohei Egusa, Japan 17:10 – 17:15 Meeting the public outside the museum Nicole Gesché-Koning 17:15 – 17:20 “Discover Permian period!”: Museum beneath their feet Yuliya Glazyrina, Russia 17:20 – 17:25 Acts into saving the old short-wave station in suburban Pori (Finland) Pia Hovi Assad, Finland Detailed programme TUESDAY 5 JULY 17:25 – 17:30 The creation of the Sugar Cane Museum Leila Heck, Brazil Alice Registro Fonseca, Brazil Tania Cristina Registro, Brazil 17:30 – 17:35 Promoting cultural continuity through revitalizing museum collections. A case study of collaboration between museum of Xiaolin Pinpu indigenous people and their community inTaiwan Yiping Lu, Japan Schnittmarke 17:35 – 17:40 Archival material in private hands. The case of the Educational Museum in Belgrade Maja Nikolova, Serbia 17:40 – 17:45 European conference “L‘Europe des musées”, Paris, 21-24 June 2017 François Parain, France 183 TUESDAY 5 JULY 17:45 – 17:50 Museums and cultural landscapes, special reference to Sigiriya Museum Notes Kamani Perera, Sri Lanka 17:50 – 17:55 Bringing the inside out: Reaching new audiences Piyanan Petcharaburanin, Thailand Pantira Suwansatit, Thailand 17:55 – 18:00 Maramures living treasure within European cultural heritage Rodica Silvia Pop, Romania Livia Sima 18:00 – 18:05 Museum education as (in)visibility of boundaries Raska Pranskuniene, Lithuania 18:05 – 18:10 The creation of the House Museum of Italian Memory and the visitors Alice Registro Fonseca, Brazil 18:10 – 18:15 The social technologies of community ecomuseums and museums: Innovation, recognition, praxis Maria Terezinha Resende Martins, Brazil 18:15 – 18:20 The Milan model of youth engagement Elyse Resnick, United States Martha Friel, United States Gualtiero Carraro, Italy 18:20 – 18:25 The Museum of Contemporary Art of Crete as a vehicle to familiarize children with ist surrounding cultural landscape Sofia Trouli, Greece Anastasiadis Panagiotis, Greece Kostas Xristidis, Greece 18:25 – 18:30 Artistic education for the heritage – Building cultural tourism routes Nicoleta Zagura, Romania Schnittmarke 15:30 – 18:30 | Amber Hall 5 (South Wing - Level +2) ICEE – Exhibitions and Exchange Connecting with audiences in style 15:30 – 16:00 Interactive exhibitions as a means of informal film education for the public Terazi Krizkovska, Czech Republic 184 TUESDAY 5 JULY 16:00 – 16:30 „Geneva at the heart of time“ by Capital Museum – Beijing in collaboration with the Museum of Art and History, Geneva – Geneva & Vacheron Constantin Notes Laura Zani, Switzerland 16:30 – 17:00 Break 17:00 – 17:30 Creating the experience of Alexander McQueen: Savage Beauty Rachel Murphy, United Kingdom 17:30 – 18:00 Kids deserve good design too Megan Smith, United States 18:00 – 18:30 Connecting audience at the heart of China’s museum boom Yu Zang, China 15:30 – 18:30 | Amber Hall 8 (South Wing - Level +2) UMAC – University Museums and Collections Social landscapes 15:30 – 15:40 University museums, cultural identity and social responsibility B. Rothermel J. Hartz J. Deupi 15:40 – 15:50 Museums of engagement – Communities of diversity Detailed programme TUESDAY 5 JULY N. Scott 15:50 – 16:00 Coffee Break Inform-all Landscapes Chair: Barbara Rothermel 17:00 – 17:05 The Utrecht University Museum. P. Voogt Schnittmarke 17:05 – 17:10 The Student Engager project. K. Guyan 17:10 – 17:15 University and other education museums as the chance for discussion on the changing pedagogical part of the cultural landscape. Š. Branko 185 TUESDAY 5 JULY Notes 17:15 – 17:20 The role of university museums in the study of cultural landscapes. I. K. Karaia 17:20 – 17:25 University museum as a platform for inter-disciplinary cooperation and integration: Applying photogrammetry and 3D modeling on artifacts and cultural landscape for exhibition, rescue, and research Jeng-Horng Chen 17:25 – 17:30 University campus and collections combining as a cultural landscape – Nudging and critical thinking M.N. Lanng L. Zwisler A.B. Sørensen 17:30 – 17:35 Connecting the dots: Shaping the cultural landscape of San Fernando City, Pampanga. A.M.H. Bautista E. M. A. Castro 17:35 – 17:40 Designing a scientific landscape. Integrated management of the University of Pavia museum system. M. Montanari C. Berizzi S. Maggi 17:40 – 17:45 From past to present landscape: Collections, multimedia interaction and cultural activities for an unique experience throughthe territory resources. SMA University of Camerino (Italy). M. Invernizzi A. Blasetti M.L. Magnoni G. Crocetti R. Tacchi 17:45 – 17:50 UMACs and cultural landscapes. K. Van Dyke Schnittmarke 17:50 – 17:55 The Asutosh Museum of Indian art of the University of Calcutta. Supreo Chanda, India I. Bhattacharya 17:55 – 18:00 Heritage built the moral landscape: The University City of Bogotá (1936-2015). E. Castell 186 TUESDAY 5 JULY 18:00 – 18:05 Audience, lens, participation and museum – How to modify a cultural landscape?. Notes M. Bukowski 18:05 – 18:10 University landscape as a specific part of cultural landscape O. Dostál 18:10 – 18:15 University landscape: A challenge for university collections? M. Heruc 18:15 – 18:20 General discussion 15:30 – 18:30 | Brown Hall 1 (South Wing - Level +2) CIDOC – Documentation Intagible heritage Chair: Manvi Seth 15:30 – 18:30 | Brown Hall 2 (South Wing - Level +2) Joint Session ICOM-CC (Conservation), ICMS (Museum Security), and DRTF (Disaster Relief Task Force) Disaster Risk Reduction for Museums in Crisis 15:30 – 16:30 Disaster Risk Reduction for Museums Corine Wegener, United States Willem Heckman, Canada Marco Ciatti, Italy Detailed programme TUESDAY 5 JULY 16:30 – 16:45 Coffee Break 16:45 – 17:45 Panel Discussion – Museum Leadership in Safeguarding Heritage at Risk around the World – moderated by France Desmarais, Director of Programmes at ICOM Markus Hilgert, Germany Corine Wegener, United States Lisa Pilosi 17:45 – 18:30 Cultural Property Protection in conflict – CIMIC (civil-military cooperation) Schnittmarke Peter Stone, United Kingdom Capitano Francesco Provenza, Italy 15:30 – 18:30 | Brown Hall 3 (South Wing - Level +2) Joint Session CIDOC (Documentation) and ICOMON (Money and Banking Museums) Workshop: An encyclopaedia of museum practice, how to collaborate over language barriers Chair: Jonathan Whitson-Cloud 187 TUESDAY 5 JULY 15:30 – 18:30 How to collaborate over language barriers Notes Jonathan Whitson-Cloud Session, introductory workshop Chair: Susanne Nickel 17:30 – 17:40 Introduction to digital preservation Susanne Nickel 16:30 – 17:00 | Exhibition Area (North Wing - Level +1) Coffee Break 16:40 – 17:00 | Expo Forum (Exhibition Area) Expo Forum: Cincinnati USA & ICMEMO ICMEMO 2017 & ICOM meetings in Cincinnati USA Douglass McDonald, United States Karen Franklin Schnittmarke An impeccable piece of superb craftsmanship. And behind it some dragon thing. The undetectable glass for exhibition display. Visit us at stand #41 or learn more at guardianclarity.com. CLARIT Y Detailed programme TUESDAY 5 JULY Schnittmarke Notes 189 Legend ICOM Presentation for Newcomers ICs, NCs, RA, AO SPECIALIST MEETING / OFF-SITE MEETING Internal ICOM Meeting Internal ICs, NCs, RA Meeting Lunch / Coffee Break Memorial Lectures Museum Fair & Expo Forum Mentoring Session for Young Professionals Official Partner Session Panel Discussion Plenary Session Registration / Voting Schnittmarke Social Events Sponsored Session „Where ICOM from“ Exhibition Detailed programme WEDNESDAY 6 JULY Detailed programme WEDNESDAY 6 JULY Schnittmarke WEDNESDAY 6 JULY North Wing ROOM Registration Exhibition Silver Area Area Plenary LEVEL +1 +1 +2 White Hall 1 +2 Red Hall 1 +1 Red Hall 2 +1 Blue Hall 1 +1 Blue Hall 2 +1 Yellow Hall 1 +1 Yellow Hall 2 +1 Yellow Hall 3 +1 ICOFOM NATHIST ICOMON 8:00 8:30 9:00 Registration 9:30 Museum Fair Keynote and Expo Speech Forum* and Panel Discussion 10:00 10:30 Membership Office „Where ICOM from“ Exhibition 11:00 Coffee Break 11:30 12:00 Museum Fair and Expo Forum* 12:30 13:00 ICMS Joint Session INTERCOM and FIHRM Lunch Break 13:15 13:30 Case Study Case Study Case Study Goppion YXLON Inter- MAE MuseumLab national GmbH 13:45 14:00 14:15 Case Study MiBACT Case Study Goppion MuseumLab Museum Fair and Expo Forum* 14:30 15:00 ICMS 15:30 15:45 Joint Session INTERCOM and FIHRM ICOFOM NATHIST ICOMON Coffee Break 16:00 16:15 16:30 Museum Fair and Expo Forum* 16:45 17:00 17:30 17:45 18:00 18:30 South Wing ROOM Suite 3 Suite 4 Suite 5 Suite 6 Suite 7 Suite 8 Brown Hall 1 Brown Hall 2 Brown Hall 3 LEVEL +2 +2 +2 M +2 M +2 M +2 M +2 +2 +2 CIDOC ICMEMO ICDAD ICAMT CAMOC ICLM MPR CIDOC ICDAD Eco-museums Eco-museums Joint Session MPR CAMOC and ICR CIDOC 9:00 9:30 10:00 10:30 11:00 11:30 12:00 12:30 CIDOC 13:00 13:15 13:30 14:00 14:30 15:00 Eco-museums 15:30 15:45 16:00 16:15 16:30 Schnittmarke 16:45 17:00 17:15 CIDOC CECA 17:30 17:45 18:00 192 18:30 18:30 23:30 Concert in Duomo of Milan (20:00 - 21:00) and many other events in Milan! *The schedule of the Expo Forum can be found in the „Detailed Programme“ part. WEDNESDAY 6 JULY North Wing Turquoise Turquoise Orange Hall 1 Hall 2 Hall 1 -1 -1 -1 Orange Hall 2 -1 Orange Hall 3 -1 Green Hall 1 -1 Green Hall 2 -1 Green Hall 3 -1 Meeting Room 3 -1 Meeting Meeting Meeting Room 4 Room 5 Room 6 -1 -1 -1 ROOM LEVEL 8:00 8:30 9:00 9:30 Disaster Risk Management Committee 10:00 10:30 11:00 11:30 Ecomuseums CIPEG ICR CIMUSET Joint Session AVICOM ICFA and COMCOL ICOMAM ICME MDWG 12:00 ICTOP 12:30 13:00 13:15 13:30 Mentoring Sessions for Young Professionals 13:45 Blue Shield Netherlands 14:00 14:15 ICMAH ICOM-CC CIPEG 14:30 CIMUSET ICFA AVICOM ICOMAM COMCOL ICTOP ICOM Russia 15:00 15:30 15:45 16:00 16:15 16:30 16:45 17:00 17:30 17:45 „The Destruction of Memory“ realised by Tim Slade 18:00 18:30 South Wing Amber Hall 1 Amber Hall 2 Amber Hall 3 Amber Hall 4 Amber Hall 5 Amber Hall 6 Amber Hall 7 Amber Hall 8 ROOM +2 +2 +2 +2 +2 +2 LEVEL +2 +2 9:00 9:30 CIMCIM 10:00 10:30 11:00 11:30 ICEE CIMCIM CECA CECA COSTUME UMAC 12:30 Detailed programme WEDNESDAY 6 JULY ICOM Slovenia 12:00 13:00 13:15 13:30 Joint Session ICOM Netherlands, CECA, ICOMOS NL, EXARC and ICOM MPR ICEE CIMCIM CECA 14:00 14:30 COSTUME ICLM UMAC UMAC 15:00 15:30 15:45 16:00 16:15 16:30 16:45 Schnittmarke Workshop on Guidelines for Women’s and Gender-related museums 17:00 17:15 17:30 17:45 18:00 18:30 Concert in Duomo of Milan (20:00 - 21:00) and many other events in Milan! 18:30 23:30 193 WEDNESDAY 6 JULY 08:00 – 18:30 | Registration Area (North Wing - Level +1) Registration Notes 08:30 – 18:00 | White Hall 1 (North Wing - Level +2) Membership Office 09:00 – 18:00 | Exhibition Area (North Wing - Level +1) Museum Fair & Expo Forum 09:00 – 11:00 | Silver Plenary (North Wing - Level +2) Keynote Speech and panel discussion 09:00 – 09:45 Introduction George Abungu, Vice-President of ICOM Executive Council Keynote Speech David Throsby, Australia Australian economist, particularly well known as a cultural economist 09:45 – 10:40 Panel discussion „Social role of museums: New migrations, new challenges“ David Fleming, Director National Museums Liverpool, President of Federation of International Human Rights Museums and President of Museums Association, United Kingdom Robin Hirst, Director Collections, Research and Exhibitions Museum Victoria, Australia Marlen Mouliou, CAMOC Chair, Faculty of History and Archaeology, National and Kapodistrian University of Athens, Greece Giusi Nicolini, Mayor of Lampedusa and Linosa, Italy The discussion will be led by Brenda Emmanus, BBC London News’ Art, Culture and Entertainment Correspondent 10:40 – 11:00 ICOM‘s new visual identity 09:00 – 18:00 | Blue Hall 2 (North Wing - Level +1) „Where ICOM from“ Exhibition 09:00-11:00 | Turquoise Hall 1 (North Wing - Level -1) Disaster Risk Management Committee 09:00 – 11:30 | Amber Hall 2 (South Wing - Level +2) CIMCIM – Museums and Collections of Musical Instruments Musical instrument museums: Interpreting the present 09:00 – 09:30 A new exhibition model for Museum Collections: The TIDE Project Eric De Visscher, France Schnittmarke 09:30 – 10:00 The Soldier’s Musical Arsenal Cleveland Johnson, United States 194 WEDNESDAY 6 JULY 10:00 – 10:30 The preservation of electronic musical instruments, a challenge in the face of technological obsolescences Notes Thierry Maniguet, France 10:30 – 11:00 The MUSICES-Project: Making 3D-CT imaging more accessible to a wide range of stakeholders Sebastian Kirsch, Germany 11:00 – 11:30 Coffee Break 11:30 – 13:00 | Amber Hall 2 (South Wing - Level +2) CIMCIM – Museums and Collections of Musical Instruments General Assembly 10:40 – 11:00 | Expo Forum (Exhibition Area) Museum Fair & Expo Forum Expo Forum: smARTravel Chair: Alessandro D’Amatto, Switzerland 10:40-11:00 smARTravel – Art in the palm of your hand! Alessandro D’Amatto, Switzerland Enhancing the value of museum artworks through qualitative content written by industry experts and audio content registered in mother tongue by professionals, this easy-to-use smartphone application will make visitors experience unique. smARtravel is not only a multimedia guide, but a complete service tailored to customers needs. 11:00 – 11:30 | Exhibition Area (North Wing - Level +1) Coffee Break Detailed programme WEDNESDAY 6 JULY 11:15 – 12:00 | Expo Forum (Exhibition Area) Museum Fair & Expo Forum Expo Forum: Giant Monkey Software Engineering GmbH Facilitating public access to the prussian cultural heritage using cutting edge technology Chair: Lion Vollnhals, Germany How the deployed technology facilitates visitors access to the divers offering of 19 museums in a single online shop. (Lion Vollnhals, Berlin, DE) How the deployed technology facilitates affiliate and reseller structures thereby increasing the museums reach. (Lion Vollnhals, Berlin, DE) How the deployed technology facilitates online booking of individual group offerings trough live availability checks. (Lion Vollnhals, Berlin, DE) Schnittmarke 11:30 – 13:00 | Red Hall 2 (North Wing - Level +1) ICMS – Museum Security 11:30 – 12:00 Virtual reality and immersive environment for security of Movable Cultural Heritage Sergio Olivero, Italy 195 WEDNESDAY 6 JULY 12:00 – 12:30 Making use of new technology to protect cultural heritage Notes Stephane Thefo, France 12:30 – 13:00 The ICMS annual conference in Boston (USA) in 2017 Stephen St. Laurent, United States 11:30 – 13:00 | Blue Hall 1 (North Wing - Level +1) Joint Session INTERCOM (Museum Management) and FIHRM (Federation of International Human Rights Museums) Politics and display Chair: Francoise McClafferty 11:30 – 11:40 Dancing with Lenins Kalle Kalio 11:40 – 11:50 Manichaen Museums Camilo Sánchez, Colombia 11:50 – 12:00 Ethics, social activism, and Human Rights Carla Prat, Mexico 12:00 – 12:10 The making of the museum for international democracy – Changing politics Susana Meden, Argentina 12:10 – 12:20 From the historical reflection to civil consciousness: An experimental project to connect a history museum with present day issues Guido Vaglio, Italy 12:20 – 12:30 Panel debate 11:30 – 13:00 | Yellow Hall 1 (North Wing - Level +1) ICOFOM – Museology The predatory museum 11:30 – 12:00 Do predators go digital? Discussing museum ethics in the digital habitat Georgios Papaioannou Sofia Paschou Schnittmarke 12:00 – 12:30 Du musée prédateur au musée symbiotique : L’enrichissement de la collection des œuvres nouveaux médias dans les institutions muséales Ji Eun Park 196 WEDNESDAY 6 JULY 12:30 – 13:00 Predatory act and story construction in art museums. About exhibitions display and its meaning Notes Susanna Muston, Italy 11:30 – 13:15 | Yellow Hall 2 (North Wing - Level +1) NATHIST – Museums and Collections of Natural History Academic landscape 11:30 – 11:40 Outside the museum: Formative and interdisciplinary experiences Luciana Pasqualucci, Brazil 11:40 – 11:50 Enabling the urban landscape museum of architecture projects: Architetural project case studies of Natural History Museums done by graduate students the FIAM FAAM - UNIVERSITY CENTER - São Paulo - Brazil Ivanise Lo Turco, Brazil Dimas Bertolotti, Brazil Fernando Mauro Neto, Brazil Andrea Bartkevicius Cruz, Brazil 11:50 – 12:00 The geological time in Natural History Museums´ narrative: A comparative analysis Rebeca Bombonato, Brazil 12:00 – 12:15 Panel discussion Thematic landscape of ICOM NATHIST´s meeting 12:15 – 12:30 Current challenges in the Natural History Museum sector: Results from a targeted focus group Eric Dorfman, United States Detailed programme WEDNESDAY 6 JULY 12:30 – 12:45 Museums in the Anthropocene: Toward the history of humankind within biosphere & technosphere Osamu Kamei, Japan 12:45 – 13:00 Evolution in our museums: Contributing to the cultural and scientific landscape for the XXI century Maria Isabel Landim, Brazil 13:00 – 13:15 Panel discussion Schnittmarke 11:30 – 13:00 add separatioon | Yellow Hall 3 (North Wing - Level +1) ICOMON – Money and Banking Museums General Assembly 197 WEDNESDAY 6 JULY 11:30 – 13:30 | Turquoise Hall 1 (North Wing - Level -1) Eco-museums Plenary Session 11:30 – 12:30 Introduction of the theme „Museums and cultural landscapes” organized by the Network of Italian ecomuseums 12:30 – 13:30 Library of publications edited by the ecomuseums Notes 11:30 – 13:00 | Turquoise Hall 2 (North Wing - Level -1) CIPEG – Egyptology Egyptological landscapes 11:30 – 12:00 Egyptology at the department of ancient orient in Pushkin Museum: Our first 100 years Olga Vassilieva 12:00 – 12:30 Ramesses the Great in Karlsruhe Anna Gnyp 12:30 – 13:00 Cosmogony and Theology of Hermopolis Magna. Tuna el-Gebel as part of a ritual landscape from the Late to the Roman Period Regine Schulz 11:30 – 13:00 | Orange Hall 1 (North Wing - Level -1) ICR – Regional Museums General Assembly and elections 11:30 – 13:00 | Orange Hall 2 (North Wing - Level -1) CIMUSET – Museums and Collections of Science and Technology General Assembly 11:30 – 13:00 | Orange Hall 3 (North Wing - Level -1) Joint Session ICFA (Museums and Collections of Fine Arts) and COMCOL (Collecting) Historic houses and their fine art Chair: Peter van Mensch 11:30 – 11:50 Interior ensembles: The added values of objects in their surroundings Eloy Koldeweij, The Netherlands Schnittmarke 11:50 – 12:10 The Karen Blixen House: Contextualizing the interactions and collections of a baroness in Kenya Kiprop Lagat, Kenya 198 WEDNESDAY 6 JULY 12:10 – 12:30 Fine art collection for Buddhist temple Notes Tsogbayar Orkhon, Mongolia 12:30 – 12:50 The art of making art exhibitions. Giving new meaning and significance to the former artists residence of H.W. Mesdag Pascal Arts, The Netherlands 12:50 – 13:00 Discussion 11:30 – 13:00 | Green Hall 1 (North Wing - Level -1) AVICOM – Audiovisual and New Technologies of Image and Sound „Internet festival of museum multimedia „Media Geek: Cultural heritage“ Chair: Natalia Tolsataya 11:30 – 12:00 Internet Festival of Museum Multimedia „Museum Geek „: From national to international festival, a new communication channel with museum community: “virtual and real” Tatyana Pchelyanskya, Russia Olga Kissel, Russia 12:00 – 12:30 F@IMP 2.0 online platform development of the pilot festival in november 2016 (MUZEUM@DIGIT) Benedek Varga, Director of HNM Budapest Ildikó Fejes, Head of department, Hungarian National Museum Discussion 12:30 – 13:00 Preserving, sharing, and using sound and image content across cultures the SOIMA way ICCROM/SOIMA practice preservation and sharing Aparna Tandon Samuel Franco Arce Detailed programme WEDNESDAY 6 JULY 11:30 – 13:00 | Green Hall 2 (North Wing - Level -1) ICOMAM – Museums of Arms and Military History „Dark memories as attractions in the cultural landscape; Good or bad examples of collections and items, monuments, memories, battlefields, forteresses, etc. „ 11:30 – 11:45 Ways of peace – Le vie delle Pace, dedicated to the history of the former battlefield and serve not only as places of memory, but also a reminder to peace Christoph Hatschek, Austria Schnittmarke 11:45 – 12:00 A bench, a mirror, a street-sign: Language of WWII‘s sensitive memory Dr. Pnina Rosenberg, Israel 199 WEDNESDAY 6 JULY 12:00 – 12:15 The influence of the Soviet ideology on museum activities in Latvia during the 1940s – 1960s and nowadays situation Notes Juris Ciganovs, Latvia 12:15 – 12:30 Learning from the errors of the past: The Mob museum Marta Soligo, United States 12:30 – 12:45 Patarei – A well-known but untold story of dark tourism in the context of architectural and cultural heritage. Hellar Lill, Estonia 12:45 – 13:00 Questions and discussions 11:30 – 13:00 | Green Hall 3 (North Wing - Level -1) ICME – Museums and Collections of Ethnography Borderlands and bridges: Art and identity Chair: Pauline van der Zee, Belgium 11:30 – 11:50 Multiculturalism and Ethnographic Museums in Israel: The case of a regional Bedouin Museum Havazelet Yahel, Israel Ruth Kark, Israel Noam Perry, United States 11:50 – 12:00 Migration as Art (MasA) Stephen Copland, Australia 12:00 – 12:10 Beyond the borders – The museum as a pretext to encourage relation Sarah Gamaire, France 12:10 – 12:20 Developing a ‘home place’ and interpretative communities in museums to challenge racism Dr. Patrizia Schettino, Switzerland 12:20 – 12:30 Questions and answers 12:30 – 13:00 Elections Schnittmarke 11:30 – 14:00 | Meeting Room 3 (North Wing - Level -1) MDWG Working Session 200 WEDNESDAY 6 JULY 11:30 – 13:00 | Meeting Room 4 + 5 (North Wing - Level -1) ICTOP – Training of Personnel Notes 11:30 – 13:00 | Suite 3 (South Wing - Level +2) CIDOC – Documentation Project presentations: Archaeological archive standard and international core data standard for archaeological and architectural heritage Chair: Stephen Stead Pierre Choffe International core data standard for archeological and architectural heritage (CS) The documentation of buildings, monuments and archaeological sites, plays an essential role in promoting the understanding, conservation, preventive maintenance and preservation of the archaeological and architectural heritage. Within Europe, a wide range of recording methods are employed in the compilation of inventories, often within a national framework. The compilation of these inventories may have occurred for a variety of reasons. However, some of these reasons enjoy a more widespread currency, in particular those relating to the protection of cultural heritage, and to providing some form of public access to the information held. 11:30 – 13:00 | Suite 4 (South Wing - Level +2) CIDOC – Documentation Museum process implementation Chair: Walter Koch 11:30 – 12:00 „The change of the museum documenting work processes in the digital era. The actual practices (e.g. SPECTRUM-Procedures, Business Process or Workflow Management, ...) in this field.“ Walter Koch 12:00 – 12:30 Condition reporting in the digital era: A case study of articheck‘s applications in Fine Art collections and 15s Jennifer Hefner Detailed programme WEDNESDAY 6 JULY 12:30 – 13:00 Using modern technology to support museum activities. Case study: Estonians Deported to Siberia: Soviet Red Terror 1940-1960 Andres Uueni 11:30 – 13:00 | Suite 5 (South Wing - Level +2 M) ICMEMO – Memorial Museums in Remembrance of the Victims of Public Crimes Member presentations 11:30 – 11:32 Introduction Daniel Dratwa Schnittmarke 11:32 – 11:40 Memory, identity, patrimony, commemorations Gabriela Römer 201 WEDNESDAY 6 JULY 11:40 – 11:48 Museum of Memory and Human Rights in Chile, cultural landscapes for memorial pedagogies Notes Sigal Meirovich 11:48 – 11:56 People, place, and our past: Curatorial reflections on the interpretation of difficult histories Laura-Edythe Coleman 11:56-12:04 Finding the tone to speak on GULAG nationwide: Gulag History Museum and the Association of Memory Museums of Russia Anna Stadinchuk 12:04-12:12 The Memorial Park Kragujevački oktobar: Memorial park, museum and cultural events Katarina Babić 12:12-12:20 Artificial landscapes and meaning Jane E. Klinger 12:20-12:28 Challenging the social amnesia and politics of oblivion through the Hrant Dink Site of Memory, Istanbul Nayat Karakose 12:28-12:44 Questions and answers 12:44-13:00 ICMEMO Membership Meeting 11:30 – 13:00 | Suite 6 (South Wing - Level +2 M) ICDAD – Museums and Collections of Decorative Arts and Design Cultural landscapes from arts and crafts to decorative arts and design 11:30 – 11:45 Exchange Museum – The new face on Bridgetowns´ cultural landscape. Allison-Faith Callender, Barbados 11:45 – 12:00 From craftsman to the designers-history of the Decorative Arts Museum in Georgia Irina Koshoridze, Georgia Schnittmarke 12:00 – 12:15 Reframing ancient skills in present Chinese cultural museum landscapes Sofia Bollo 202 WEDNESDAY 6 JULY 12:15 – 12:30 An ordinary extraordinare. A case study on Wazir Khan Mosque. Notes Fatima Farooq, Pakistan 12:30 – 12:40 Discussion Detailed programme WEDNESDAY 6 JULY 11:30 – 13:15 add separatin| Suite 7 (South Wing - Level +2 M) ICAMT – Architecture and Museum Techniques Some players museums 11:30 – 11:40 Paper Presentation 9 11:40 – 11:50 Paper Presentation 10 11:50 – 12:00 Paper Presentation 11 12:00 – 12:10 Paper Presentation 12 12:10 – 12:20 Paper Presentation 13 12:20 – 12:30 Paper Presentation 14 12:30 – 12:40 Paper Presentation 15 12:40 – 12:50 Paper Presentation 16 12:50 – 13:00 Paper Presentation 17 13:00 – 13:10 Paper Presentation 18 11:30 – 13:00 | Suite 8 (South Wing - Level +2 M) CAMOC – Collections and Activities of Museums of Cities Emerging strategies, state-of-the-art project examples 11:30 – 11:35 Welcome and introduction Jelena Savic Schnittmarke 11:35 – 11:40 Museum taking us into the city Jerneja Batič, Slovenia 203 WEDNESDAY 6 JULY 11:40 – 11:45 Scotland’s urban past Notes Rebecca Bailey, United Kingdom 11:45 – 11:50 Immigraton and representation in São Paulo Carolina Vasconcellos Vilas Boas, Brazil 11:50 – 11:55 The concept of cultural landscapes in the Immigration Museum of the State of Sao Paulo Marília Bonas, Brazil 11:55 – 12:00 Nigeria’s Brazilian quarters, the mandate of preserving public monuments and the issue of sustainable development in Nigeria Louisa Nnenna Onouha, Nigeria 12:00 – 12:05 Around the corner, how MAS uses its collections to connect to its diverse cultural landscapes Lieve Willekens, Belgium 12:05 – 12:10 Baraka – A quarter for refugees. A best practice example how to design cultural landscape Susanne Anna, Germany 12:10 – 12:25 Discussion Looking into the future, new territories for city museums 12:25 – 12:30 Future of city museums in India Abdur Rasheed, India 12:30 – 12:35 The cultural heritage of suburbia – The case of Greater Copenhagen 1945-2015 Mette Tapdrup Mortensen, Denmark 12:35 – 12:40 The cultural landscape of street art in Italy Paola Boccalatte, Italy 12:40 – 12:45 The city museum and city Planning: The Museum of the city’s experience Chet Orloff, United States 12:45 – 12:50 Reach - out Museum. New practices inside and outside the museum spaces Schnittmarke Michela Bassanelli, Italy Francesca Lanz, Italy 12:50 – 13:00 Discussion 204 WEDNESDAY 6 JULY 11:30 – 13:00 | Amber Hall 1 (South Wing - Level +2) ICEE – Exhibitions and Exchange Business Meeting and Elections Notes 11:30 – 13:00 | Amber Hall 3 + 4 (South Wing - Level +2) CECA – Education and Cultural Action Community/Participation/Interpretation Chair: Arja van Veldhuizen, The Netherlands 11:30 – 11:45 Cultural landscapes: Researching and promoting heritage education with a link between art and science Franca Zuccoli, Italy 11:45 – 12:00 Museum done by us: The cultural landscape as a product of an educational community Odalice Priosti,, Brazil Márcio Pinto De Oliveira, Brazil Nelson Pereira Mendonça Junior, Brazil 12:00 – 12:15 Find your public by bringing the collection to them Michael Fuhr, Germany Schools and environment Chair: Arja van Veldhuizen, The Netherlands 12:15 – 12:30 Museo Escolar Hugo Gunckel Marta Cerda Silva, Chile Miguel Hernández Mella, Chile Lita Vega Trujillo, Chile 12:30 – 12:45 Student reports from a historical flooding Anna Tiedink, The Netherlands Detailed programme WEDNESDAY 6 JULY 12:45 – 13:00 Discussion 11:30 – 13:00 | Amber Hall 5 (South Wing - Level +2) CECA – Education and Cultural Action Chair: Colette Dufresne-Tassé 11:30 – 11:45 Displaying & engaging visitors in difficult issues: A study of visitors comments on “when the South wind blows” exhibition Schnittmarke Chia-Li Chen, Taiwan Hsu Huang, Taiwan 205 WEDNESDAY 6 JULY 11:45 – 12:00 Impacts’ assessment of the Delphi’s Region candidate for cultural capital of Europe on the local community Notes Georgios Panagiaris, Greece 12:00 – 12:15 The museum as a local development environment. An experience of citizen participation Rosa María Hervás Avilés, Spain Antonia María Sánchez Lázaro, Spain Magdalena Castejón Ibáñez, Spain 12:15 – 12:30 The role of Rice Science Museum in Philippine rice research and development Diadem Gonzalez-Esmero, Philippines 12:30 – 12:45 Multi-sensory engagement of museums’ publics: Research into docents’ training at the Montreal Museum of Fine Arts Manon Douesnard, Canada Jean-Luc Murray, Canada 12:45 – 13:00 Discussion 11:30 – 13:00 | Amber Hall 6 (South Wing - Level +2) COSTUME – Museums and Collections of Costume 11:30 – 13:00 | Amber Hall 8 (South Wing - Level +2) UMAC – University Museums and Collections Community landscapes 11:30 – 11:45 Re-imagining university heritage through virtual cultural landscapes Karen Brown A. Miller 11:45 – 12:00 Cultural landscapes: A challenge for university museums. The potential of thematic routes G. Weisinger Cordero M. del Carmen Maza 12:00 – 12:15 Museum for each one, heritage of every one of us: Playing of building ideas about museums and heritages in south of Minas Gerais: heritage education, perspectives and practices in a university museum. Luciana Menezes de Carvalho, Brazil Schnittmarke 12:15 – 12:30 Connecting classical heritage with present city life – A case study. V. Norskov 206 WEDNESDAY 6 JULY 12:30 – 12:45 The role of the science and technology museum in the development of Patras University cultural landscape. Notes P. Theologi-Gouti Pr E. Vitoratos 12:45 – 13:00 (Re) contextualizing ethnic landscape: Chinese ethnographic museum of university from 1945 to 1980. Hui Du 11:30 – 13:00 | Brown Hall 1 (South Wing - Level +2) ICLM – Literary Museums Shaping the cultural landscapes: The role of writers‘ and composers‘ museums 11:30 – 11:40 The role of the Thomas Bernhard House in the Austrian Cultural Landscape & Questions and answers Sàrolta Schredl, Austria 11:40 – 11:50 The joint Hungarian-Chinese exhibition titled The Power of Poetry Gulyás Gabriella, Hungary 11:50 – 12:00 The Literary Museum and Urban Renaissance: The Moscow State Museum of S.A. Yesenin and Moscow‘s New Urbanism & Questions and answers Svetlana Shetrakova, Russia 12:00 – 12:30 Coffee Break 12:30 – 12:40 Jorasanko Heritage Hub: Preserving the history of Bengal renaissance & Questions and answers Baisakhi Mitra Detailed programme WEDNESDAY 6 JULY 12:40 – 12:50 Between place and time – The Word and the Image – The Sigfrido Bartolini Home in Pistoia Simonetta Bartolini, Italy 12:50 – 13:00 Promoting a district‘s tourism, economy and cultural heritage through virtual technology in the third millennium Marco Capaccioli, Italy Schnittmarke 11:30 – 13:00 | Brown Hall 2 (South Wing - Level +2) MPR – Marketing and Public Relations General Assembly 207 WEDNESDAY 6 JULY 11:30 – 13:00 | Brown Hall 3 (South Wing - Level +2) CIDOC – Documentation Panel: UNESCO/PERSIST Guidelines 11:30 – 12:00 The UNESCO PERSIST content taks force and the Guidelines for the selection of digital heritage for longterm-preservation Notes Clement Oury 12:00 – 12:50 Panel discussion 12:50– 13:00 Questions and answers 12:00 – 13:00 | Amber Hall 7 (South Wing - Level +2) ICOM Slovenia 12:00 – 12:15 Introduction Tanja Roženbergar, Slovenia 12:15 – 12:30 The Wheel, museums and galleries of Ljubljana 12:30 – 12:45 The Flute, National Museum of Slovenia 12:45 – 13:00 Discussion 13:00 – 14:00 | Exhibition Area (North Wing - Level +1) Lunch break 13:00 – 13:20 | Expo Forum (Exhibition Area) Expo Forum: Les Films Grain de Sable 13:00 – 13:10 Short presentation of the Baghdad 3D, the future of our origins project, characters, partners, purpose, schedule Ivan Erhel, France 13:10 – 13:13 Broadcasting of the teaser Bagdad 3D, the Future of our Origins Ivan Erhel, France 13:13 – 13:16 Presentation of the SUMER VR application, an experience of immersive virtual reality inside the most beautiful sites of Iraq Schnittmarke Ivan Erhel, France 208 WEDNESDAY 6 JULY 13:16 – 13:19 Presentation of the Mesopotamia 3D exhibition, an exhibition of 3D printed and holographic artefact masterpieces Notes Ivan Erhel, France 13:19 – 13:23 Questions and demonstration of different experiences of VR immersion inside some of the most beautiful sites of Iraq Ivan Erhel, France 13:15 – 14:15 | Red Hall 1 (North Wing - Level +1) Case Study Goppion MuseumLab The Living Museum. New Technology: Smart Solutions and Multimedia Innovations for Enhancing Visitor Experience Anthony Pruett, Senior Vice President, The Hettema Group, United States Phil Hettema, President and Creative Executive, The Hettema Group, United States Alain Dupuy, President, Innovision, France Stephen CK Petri, Architect and Exhibition Designer, Reich+Petch, Design International, Canada Giancarlo Cotrufo, Project Manager, Goppion SpA, Italy 13:15 – 14:00 | Red Hall 2 (North Wing - Level +1) Case Study YXLON International GmbH Condition diagnosis and 3D-data analysis of cultural property using X-ray CT at a Japanese museum Setsuo Imazu, Japan Dr. Imazu talks about his 10 years of experience of Japanese cultural heritage inspection with X-ray and CT (Computed Tomography). 13:15 – 14:15 | Blue Hall 1 (North Wing - Level +1) Case Study MAE 13:15 – 14:15 | Yellow Hall 1 (North Wing - Level +1) Case Study MiBACT Sleeping Beauty. Proposal for Italian Museums in the World Detailed programme WEDNESDAY 6 JULY 13:15 – 13:30 Opening speech Ugo Soragni, Italy 13:30 – 14:00 Sleeping Beauty: Proposal for Italian Museums in the world Fabio Pagano, Italy 14:00 – 14:15 Questions and answers Schnittmarke 209 WEDNESDAY 6 JULY 13:15 – 14:15 | yellow Hall 3 (North Wing - Level +1) Case Study Goppion MuseumLab Goppion EducationLab: Conservation Issues, Solutions and Innovations Notes Andrea Sartori, Business Development Manager, Goppion SpA, Italy Pamela Hatchfield, Head of Objects Conservation at Museum of Fine Arts, Boston and President of the American Institute for Conservation, USA Giuseppe Ciccaldo, Branch Manager, THK GmbH Italian Branch, Italy Peter Hohenstatt, Business Development Manager, Goppion SpA, Italy 13:15 – 14:15 | Turquoise Hall 2 (North Wing - Level -1) Mentoring Session for Young Professionals 13:15 – 13:30 Eiji Mizushima (Japan), Professor, University of Tsukuba, Founder & CEO, MARC ASPAC: Museum & Culture Advanced Research Center in Asia Pacific, Former Vice-Chair ICOM Japan, Board member ICOFOM 13:30 – 13:45 Questions and answers 13:45 – 14:00 Luis Reppeto Malaga (Peru), Director, Museo de artes y tradiciones populares, Lima 14:00 – 14:15 Questions and answers 13:15 – 16:15 | Amber Hall 5 (South Wing - Level +2) Joint Session ICOM Netherlands, CECA (Education and Cultural Action), ICOMOS NL (Monuments and Sites), EXARC (Archaeological Open Air Museums and Experimental Archaeology) and ICOM MPR The Roman Frontier along the River Rhine, the role of museums in revitalizing cultural landscapes Chairs: Drs. Astrid Hertog (board member ICOM NL) Prof. Dr. Renger De Bruin (board member ICOM NL, The Netherlands) 13:15 – 13:35 Introduction to the Roman Frontiers in Europe and along the River Rhine. Tourism, museums, lessons from the past. Prof. David Breeze 13:35 – 13:55 Castellum Hoge Woerd , other site examples in NL and the Museum’s role Drs. Erik Graafstal 13:55 – 14:15 Xanten and the Museums’s Role in interpreting the Roman Limes. Schnittmarke Dr. Martin Müller 14:15 – 14:35 Coffee Break 210 WEDNESDAY 6 JULY 14:35 – 14:55 Making the invisible visible: Interpretation Frameworks and museum projects along the Roman Limes in Southern Germany Notes Dr. Christof Flügel 14:55 – 15:15 The Roman Limes, a memoryscape which can be developed into a challenging tourist destination by using storylines as a connecting thread between landscape and museums in order to make the past visible and tangible Drs. Frederike van Ouwerkerkk 15:15 – 15:30 Value of WHS for governing bodies, cooperation between two countries, differences in the heritage ‘landscapes’ especially concerning museums Tamar Leene MA Dr. Thomas Otten 15:30 – 15:35 ICOMOS NL, UNESCO and museums Drs. Jurn Buisman 15:35 – 15:55 Coffee Break 15:55 – 16:15 Panel discussion 13:30 – 14:15 | Expo Forum (Exhibition Area) Expo Forum: rsf In search for the Ideal Guiding solutions in a Multimedia age Bechara Yared, Owner, and manager of RSF In a Multimedia age, it is easy to forget and ignore the real operational needs for a guiding solution. It is also difficult to decide on how much and what multimedia to use? And on the best tools to communicate these medias. Detailed programme WEDNESDAY 6 JULY The presenter will reflect on RSF’s more than 40 years experience developing audio visual solutions dedicated to the museum fields. He will share survey results in the search for the “Ideal Audioguide”. He will then explore the question of „What is an Ideal Multimedia guide”? 13:30 – 17:00 | Green Hall 3 (North Wing - Level -1) Blue Shield Netherlands Inspiration and network meeting Blue Shield National Committees Chairs: Robyn Riddett, Australia Kristel Witkam Schnittmarke 13:30 – 14:00 Welcome by Blue Shield Netherlands Angela Dellebeke, The Netherlands 211 WEDNESDAY 6 JULY 14:00 – 14:30 Keynote Blue Shield Italy Notes Tiziana Maffei, Italy 14:30 – 15:00 Keynote Blue Shield International Karl Habsburg-Lothringen 15:00 – 15:30 Keynote Blue Shield International Peter Stone, United Kingdom 15:30 – 16:00 Best Practices 16:00 – 16:30 Challenges and possibilities for mutual support 16:30 – 17:00 Discussion, summary and outcome of the workshops 14:00 – 18:00 | Orange Hall 1 (North Wing - Level -1) ICMAH – Museums and Collections of Archaeology and History General Assembly and Elections 14:30 – 17:30 | Red Hall 2 (North Wing - Level +1) ICMS – Museum Security 14:30 – 15:00 Changes in Chinese cultural landscapes Tian Kai, China 15:00 – 15:30 Developing an effective emergency management plan. A proposal Isabella Fiorentini, Italy 15:30 – 16:00 Coffee Break 16:00 – 16:30 Security Games. Cultural Heritage and Museum Protection in Card and Board Games Elena Franchi, Italy 16:30 – 17:00 Protection of Cultural Heritage against Cyber Threats in the new Digital Cultural Landscapes Kim Jongsok, Korea Schnittmarke 17:00 – 17:30 Risk Analysis Dick Drent, The Netherlands 212 WEDNESDAY 6 JULY 14:30 – 18:00 | Blue Hall 1 (North Wing - Level +1) Joint Session INTERCOM (Museum Management) and FIHRM (Federation of International Human Rights Museums) Sustainability and ethics Chair: Sharon Granville, United Kingdom 14:30 – 14:40 Ethical challenges for museum modernization –The National Museum of History Notes Yui Tan Chang, Taiwan 14:40 – 14:50 Collecting biological material: Borders and definitions Ekaterini Malea, Greece Georgios Panagiaris, Greece 14:50 – 15:00 Strangeness and acceptance of minority groups in Science Museums Silvania Nascimento, Brazil 15:00 – 15:10 Panel debate 15:10 – 15:20 Coffee Break Social responsibility and engagement Chairs: Rosario Ramos, Mexico Nicoleta Zagura, Romania 16:15 – 16:32 Welfare stories from the edge of society - The ethical dilemmas Sarah Smed, Denmark Jakob Knage Rasmussen, Denmark 16:32 – 16:49 The values and achievements of the Juming Museum Wu Shun-Ling, Taiwan Detailed programme WEDNESDAY 6 JULY 16:49 – 17:06 The new Museum Tommaso Crudeli and Article 18 of the Universal Declaration for Human Rights Raoul Crudeli, Italy 17:06 – 17:23 Responding to ethical demands through curating Irene Capolmi, Denmark 17:23 – 17:40 Nigeria Museum’s work against illicit trafficking of Nok Terracotta Schnittmarke Adeniyi Jude Aribido, Nigeria 17:40 – 17:57 Panel debate 213 WEDNESDAY 6 JULY 14:30 – 18:30 | Yellow Hall 1 (North Wing - Level +1) ICOFOM – Museology The predatory museum 14:30 – 14:55 En finir avec le musée prédateur? Les métamorphoses du musée ethnologique Notes Fabien Van Geert, Belgium 14:55 – 15:20 Reformulating the museum discourse in critical ethnology exhibitions. Limits and ambiguities in the reform at the Museum der Kulturen, Basel and the Musée d‘ethnographie de NeuchâteL Gaëlle Crenn, France 15:20 – 15:45 L’achat, nouveau terrain de chasse du musée d’ethnographie ? Audrey Doyen, Switzerland 15:45 – 16:15 Coffee Break 16:15 – 16:40 L’Autre en Nous, le cas des Premières Nations dans les musées de société et d’histoire au Québec Marie-Charlotte Franco, Canada 16:40 – 17:00 Expérimenter une zone de contact autour d’objet venus d’ailleurs (Imagine a contact zone on objects from elsewhere) Emmanuelle Cadet 17:00 – 17:20 Exposing the predator, recognising the prey: New institutional strategies for a reflexive museology Camilla Pagani 17:20 – 17:45 Images and indigeneous voices from the „field“. Museum Representions of the world of Benin City and its Palace in Contemporary Displays of Royal Objects Taken by British Military Forces in 1897 Felicity Bodenstein 17:45 – 18:30 Mnemosophy Tomislav Sola, Croatia Schnittmarke 14:30 – 18:30 | Yellow Hall 2 (North Wing - Level +1) NATHIST – Museums and Collections of Natural History Natural history museums & landscape 14:30 – 15:30 AGM 2016 214 WEDNESDAY 6 JULY 15:30 – 15:45 „Natural History Museums in cultural landscapes” – The example Ruhr Museum Notes Ulrike Stottrop, Germany 15:45 – 16:00 The edible landscape in the century-old Camphor Factory as museum’s devotion in conservation of farmland biodiversity Chi-Ming Chen, Taiwan 16:00 – 16:15 Panel discussion 16:15 – 16:45 Coffee Break 16:45 – 17:00 Arctic Gallery 2017 - New approaches to describing natural history in a cultural landscape Ailsa Barry, Canada 17:00 – 17:15 Urban naturalist project: Citizen exploration of urban nature in historic landscape Phaedra Hui-Shih Fang, Taiwan 17:15 – 17:30 Museological strategies of the landscape representation. The case museum of human evolution (BURGOS, SPAIN) Raquel Nogal, Spain 17:30 – 17:45 The museum territory as an educational platform Anna Klukina, Russia 17:45 – 18:00 Nuestra señora de la natividad del Acaray, a forgotten mission Ana Elisa Burrò, Paraguay Detailed programme WEDNESDAY 6 JULY 18:00 – 18:15 Yes – In my backyard – Being relevant to the community Dorit Wolenitz, Israel 18:15 – 18:30 Panel discussion Schnittmarke 14:30 – 18:30 | Yellow Hall 3 (North Wing - Level +1) ICOMON – Money and Banking Museums Professional development workshop lead by money and medals network UK 14:30 – 15:00 Establishing National Networks Henry Flynn 215 WEDNESDAY 6 JULY Notes Notes 15:00 – 16:30 Skills development workshop: Display techniques Henry Flynn 16:30 – 17:00 Coffee Break 17:00 – 18:30 Discussion on standards for collections and museums 14:30 – 18:30 | Turquoise Hall 1 (North Wing - Level -1) ICOM-CC – Conservation Loans and environmental guidelines – Current procedures and perspectives 14:30 – 14:46 Welcome Kristiane Strætkvern, Denmark 14:46 – 15:02 Objects that travel: What risks? What rules? What to wear? Stefan Michalski 15:02 – 15:18 Museum experience J. Sengupta, India 15:18 – 15:34 The conservators’ role in loans Kristiane Strætkvern, Denmark 15:34 – 15:50 Museum exhibitions and loans Roberta Saraiva Coutinho, Brazil 15:50 – 16:15 Coffee Break 16:15 – 16:30 Case studies L. Souza, Brazil 16:30 – 18:15 Open dialogue with participants W. Wei 18:15 – 18:30 Closing W. Wei L. Souza, Brazil Schnittmarke 216 WEDNESDAY 6 JULY Notes Notes 14:30 – 18:30 | Turquoise Hall 2 (North Wing - Level -1) CIPEG – Egyptology Egyptological landscapes 14:30 – 15:00 Amenhotep CIT 10, rescue and restoration Rania El-Atfy 15:00 – 15:30 Evaluation of Modified Laponite Solvent-Gel as a Poultice in removing papyrus attachment with poor quality cardboard backing Amr Mostafa 15:30 – 16:00 Coffee Break 16:00 – 16:30 Refurbishment of the Tutankhamen permanent display Mohamed Gamal 16:30 – 17:00 Break 17:00 – 18:30 General Assembly 14:30 – 18:30 | Orange Hall 2 (North Wing - Level -1) CIMUSET – Museums and Collections of Science and Technology Work and industry in the heritage of modern landscapes 14:30 – 14:50 Scene setting from the chair Kalle Kallio, Finland 14:50 – 15:10 Darjeeling Himalayan Railway – Dream, development, promotion and integration in the cultural landscape Indrani Bhattacharya, India Detailed programme WEDNESDAY 6 JULY 15:10 – 15:30 Industrial heritage making in Taiwan: The hybrid landscape of modernity and colonial narrative Chao-Shiang Li, United Kingdom 15:30 – 15:50 Semiotic and ethnographic approachment to industrial heritage Veronica Ortega Ortiz, Mexico Schnittmarke 15:50 – 16:10 The industrial heritage of the Anthropocene Jana Golombek, Germany Torsten Meyer, Germany 217 WEDNESDAY 6 JULY 16:10 – 16:30 Scene setting from the chair Notes Renè Capovin, Italy 16:30 – 16:50 What future for museums of and for the people? Christopher Burgess, United Kingdom 16:50 – 17:10 The good, the bad and the ugly: Labour heritage in Tampere Kalle Kallio, Finland 17:10 – 17:30 Landscape with people. The “Heritage-isation” of the Ruhr area Dagmar Kift, Germany 17:30 – 17:50 Integrating the industrial landscape through the regional narrative – The heritage of industry and labour and the landscape in the Rupel area Bruno De Corte, Belgium 17:50 – 18:30 Questions and answers 14:30 – 18:30 | Orange Hall 3 (North Wing - Level -1) ICFA – Museums and Collections of Fine Arts Board Meeting and General Assembly 14:30 – 18:30 | Green Hall 1 (North Wing - Level -1) AVICOM – Audiovisual and New Technologies of Image and Sound „Internet festival of museum multimedia „“Media Geek: Cultural heritage“““ Chair: Simona Caraceni 14:30 – 15:00 Introduction 15:00 – 15:30 MuseoMix: A French paradigm applied in italian museums Davide Baruzzi Rosanna Spanò 15:30 – 16:00 SvegliaMuseo: The main italian Social Network community Francesca Gottardo Valeria Gasparotti 16:00 – 16:30 Osservatori.net: An institutional insight on web strategies and social network museum experiences Schnittmarke Michela Arnaboldi Eleonora Lorenzini 218 WEDNESDAY 6 JULY 16:30 – 17:00 Questions and answers Notes 17:00– 18:00 Meeting of the italian Coordinamento Audio-Visivi and Nuove Tecnologie ICOM Italia 14:30 – 18:30 | Green Hall 2 (North Wing - Level -1) ICOMAM – Museums of Arms and Military History „Dark memories as attractions in the cultural landscape; Good or bad examples of collections and items, monuments, memories, battlefields, forteresses, etc.” 14:30 – 14:45 The Polish Army Museum in Warsaw: A study of the significance of location and historic environment Marcin Ochman, Poland 14:45 – 15:00 Fortifications and landscape in the Montefeltro and Emilia Romagna at the end of the Middle age. Mario Scalini, Italy 15:00 – 15:15 Warsaw Citadel: Location of the complex of museums in the place of Polish Martyrology Aleksandra Dzwonek, Poland 15:15 – 15:30 Questions and discussions 15:30 – 15:45 Unesco Heritage site of Suomenlinna and the museums located on it Lauri Haavisto, Finland 15:45 – 16:00 First World War’s Christmas Battles: Inside out Robert Linis, Latvia Detailed programme WEDNESDAY 6 JULY 16:00 – 16:15 Cultural landscapes and the heritage of first world war. Remembering the Isonzo Front 1915-17 in museums and cultural preservation Kaja Sirok, Slovenia Schnittmarke 16:15 – 16:45 Coffee Break 16:45 – 17:00 Questions and discussions 17:00 – 17:15 For memoration and in the name of Etarnal Glory Svetlana Uspenskaia, Russia 219 WEDNESDAY 6 JULY 17:15 – 17:30 Extremely far and incredibly quiet, the Jewish Notes Tal de Lange, Israel 17:30 – 17:45 Beyond the gable wall: Creating balance and bite in representations of Northern Ireland at the National Army Museum Rebecca Newell, United Kingdom 17:45 – 18:00 A new museum in a military-historical landscape Paul van Brakel, The Netherlands 18:00 – 18:15 Questions and discussions 18:15 – 18:30 Summary of all sessions 14:30 – 18:30 | Meeting Room 3 (North Wing - Level -1) COMCOL – Collecting General Assembly and Board Meeting 14:30 – 18:30 | Meeting Room 4 + 5 (North Wing - Level -1) ICTOP – Training of Personnel General Assembly and Elections 14:30 – 18:30 | Meeting Room 6 (North Wing - Level -1) ICOM Russia 14:30 – 16:30 | Suite 3 (South Wing - Level +2) CIDOC – Documentation Board Meeting 14:30 – 18:30 | Suite 4 (South Wing - Level +2) Eco-museums Laboratories 14:30 – 16:30 Comparing experiences about the theme of the Conference 16:30 – 18:30 Conclusion of the workshop Schnittmarke 14:30 – 16:00 | Suite 6 (South Wing - Level +2 M) ICDAD – Museums and Collections of Decorative Arts and Design Cultural landscapes from arts and crafts to decorative arts and design 14:30 – 14:45 Plastic bags as elements of urban landscapes and museum collections Christian Hoerack, Switzerland 220 WEDNESDAY 6 JULY 14:45 – 15:00 Radio museum, a wing toward cultural landscapes Notes Damon Monzavi, Iran 15:00 – 15:15 Posters and cityscape. The poster collection at Vienna City Library. Julia Koenig, Austria 15:15 – 15:30 House Museum „Three Roofs“. A surprising multi-sensorial balcony in Lombard landscape Anna Maria Ravagnan, Italy 15:30 – 15:55 Final discussion 14:30 – 18:30 | Suite 7 (South Wing - Level +2 M) Eco-museums Workshop 14:30 – 18:30 | Suite 8 (South Wing - Level +2 M) Eco-museums Workshop 14:30 – 17:30 | Amber Hall 1 (South Wing - Level +2) ICEE – Exhibitions and Exchange Market place of exhibitions and ideas 17:30 – 18:30 Travel story telling workshop for audioguides 14:30 – 18:30 | Amber Hall 2 (South Wing - Level +2) CIMCIM – Museums and Collections of Musical Instruments Musical instrument museums: Interpreting the present 14:30 – 15:00 Old violin versus old violin Martin Kirnbauer, Switzerland Detailed programme WEDNESDAY 6 JULY 15:00 – 15:30 Inside a Stradivari. New insights by means of high resolution computed tomography Rudolf Hopfner, Austria 15:30 – 16:00 A study on the timbral quality of violins based on descriptors extracted from the sound Fabio Antonacci, Italy Schnittmarke 16:00 – 16:30 Coffee Break 221 WEDNESDAY 6 JULY Notes 16:30 – 17:00 A computer aided approach for the analysis of UV-Induced fluorescence images of historical violins Marco Malagodi, Italy 17:00 – 17:30 Neutron imaging: An alternative perspective into musical instruments Davis Mannes, Germany 17:30 – 18:00 Understanding futuristic materials of the past: A technical study of ebonite and vulcanite in the collection of Musical Instruments of the Metropolitan Museum of Art Adriana Rizzo, United States 18:00 – 18:30 Brass sheets for the manufacture of Replica Adrian V. Steiger, Switzerland 14:30 – 18:30 | Amber Hall 3 + 4 (South Wing - Level +2) CECA – Education and Cultural Action Research session Chair: Pino Monaco 14:30 – 14:45 Museum of People’s Free Thinking Niovi-Vasiliki Zarampouka-Chatzimanou, Greece Marina Tsekou, Greece 14:45 – 15:00 This is horrible! Do negative emotions have to be proscribed during a visit to a Fine Arts Museum Elisabeth Meunier, Canada Colette Dufresne-Tassé 15:00 – 15:15 Three cases of using object-based learning with university students: A comparison of their rationales, impact and effectiveness Cheung-on Tam, Hong Kong, China 15:15 – 15:30 Museums Without Walls – Cultural heritage study for public school children of Pakistan Farida Syeda, Pakistan 15:30 – 15:45 Creating transformative collectors for heritage sustainability: Experience from Black Tai village in Petchaburi province, Thailand Jitjayang Yamabhai Patoo Cusripituck, Thailand Schnittmarke 15:45 – 16:00 Engaging with members of migrant comunities through interviews Insa Müller, Norway 222 WEDNESDAY 6 JULY 16:00 – 16:15 Can exhibitions change the climate? Looking for the impact of natural history museums on their visitors Notes Stephanie Wintzerith 16:15 – 16:45 Coffee Break Digital solutions Chair: Stephanie Wintzerith 16:45 – 17:00 Beyond museum walls. Education and cultural actions in support of a dialogue between museums and the cultural landscape where they belong Alexandra Tranta, Greece 17:00 – 17:15 Museum without Walls application, used by 40 finnish museums Leena Tornberg, Finland 17:15 – 17:30 A multimedial storytelling for a silk museum Sarah Orlandi, Italy Marco Boldrini Paolo Pioltelli 17:30 – 18:00 Discussion 18:00 – 18:30 Book Presentation 14:30 – 18:30 | Amber Hall 6 (South Wing - Level +2) COSTUME – Museums and Collections of Costume Individuality versus tradition Detailed programme WEDNESDAY 6 JULY 14:30 – 18:30 | Amber Hall 7 (South Wing - Level +2) ICLM – Literary Museums General Meeting and presentation of the new book of proceedings 14:30 – 15:30 | Amber Hall 8 (South Wing - Level +2) UMAC – University Museums and Collections General Assembly 14:30 – 18:30 | Brown Hall 1 (South Wing - Level +2) Joint Session CAMOC (Collections and Activities of Museums of Cities) and ICR (Regional Museums) Museums and landscape communities Chair: Sue Hanna Schnittmarke Maria Ignez Mantovani Franco Afsin Altayli, Turkey 223 WEDNESDAY 6 JULY Notes 14:30 – 14:45 Opening Addresses 14:45 – 15:00 Navigating freedom: Social cohesion policies and the democratic cultural landscape of Durban’s Liberation Heritage Route Bonginkosi Zuma, South Africa Steven Kotze, South Africa 15:00 – 15:15 Interpretation, inheritance and development of regional cultural landscapes: A case of the new hunan provincial museum Chen Jianming, China 15:15 – 15:30 Helsinki City Museum as an expert of cultural environment and challenges of participation and open society Tiina Merisalo, Finland 15:30 – 15:45 From the museum to the landscape Irena Žmuc 15:45 – 16:00 Cemeteries in the city of Stockholm: A culture-historical characterization/ Slaughterhouse District: Stockholm city museum and the transformation of an urban cultural landscape Lena Lundberg, Sweden Sebastian Ulvsgärd, Sweden 16:00 – 16:15 Regional identity as shaped by physical and cultural landscapes Carrie-Ann Lunde 16:15– 16:30 Coffee Break 16:30 – 16:45 Planning culture & cultural planning: Museums and cultural landscapes Afsin Altayli, Turkey 16:45 – 17:00 A regional museum in a city of volcanoes: Auckland Museum’s cultural landscape – A case study Jane Legget 17:00 – 17:15 Cityscape as a marketing tool or as life space of residents? Makiko Ruike, Austria Schnittmarke 17:15 – 17:30 Where the orange trees grow – A challenging cultural landscape in Argolid, Greece Stefanos Keramidas, Greece 224 WEDNESDAY 6 JULY 17:30 – 17:45 Preserve cultural heritage and landscape through city museum Notes Chunni (Jenny) Chiu, Japan 17:45 – 18:00 Questions and answers 18:00 – 18:30 Closing session 14:30 – 18:30 | Brown Hall 2 (South Wing - Level +2) MPR – Marketing and Public Relations Using values to connect 14:30 – 16:00 Using values to connect workshop Jay Geneske 16:00 – 16:30 Coffee Break 16:30 – 16:45 Marketing and branding at the core of strategic change Javier Jimenez 16:45 – 17:00 Stedelijk X – Influencer marketing at the museum Karin Sommerer Frederike van Dorst 17:00 – 17:15 Building relationships on broken relationships – A (hundred year old) new museum making emotional connections Tove Vesterbacka 17:15 – 17:30 Developing museum work with audience Päivi Partanen Detailed programme WEDNESDAY 6 JULY 17:30 – 17:45 Exhibition co-creation and rebranding the Sarawak Museum – Establishing a sense of belonging by co-sharing oral histories Hans van de Bunte 17:45 – 18:00 Questions and answers 18:00 – 18:30 MPR Programme Wrap-up, details for July 7 study trip Schnittmarke 14:30 – 15:45 | Brown Hall 3 (South Wing - Level +2) CIDOC – Documentation General Assembly 225 WEDNESDAY 6 JULY Notes 15:30 – 18:30 | Amber Hall 8 (South Wing - Level +2) UMAC – University Museums and Collections Special UMAC Landscapes 15:30 – 15:35 UMAC TFT, a plan of action D. Verschelde 15:35 – 15:40 Protecting university museum collections: A task force L. King 15:40 – 15:45 The Polish Association of University Museums H. Kowalski M. Grassmann M. Bukowski 15:45 – 15:50 University museums network in Japan and the Kyoto 2019 conference Y. Kurihara Defined landscapes 16:00 – 16:20 University museums and the urban landscape: Islands or lighthouses? Y. Winkin 16:20 – 16:40 The role of university museums on the process of new cultural layers in case of Istanbul. N. Özdemir H. Sivri Gökmen 16:40 – 17:00 University museums and collections as keepers of the history of (their) landscape and surroundings N. Nyst 17:00 – 17:20 Building a new university: The changing educational landscape of the late 18th and early 19th centuries, at the University of St Andrews. J. Burdge 17:20 – 17:40 University cultural heritage of CUJAE in Havana city (Cuba). A methodology to preserve and promote the movable goods and the landscape. C. Marrero Leivas Schnittmarke 17:40 – 18:00 Activity of Jagiellonian university museum in discovering and studying the history and culture of Cracow city and its alma mater. J. Ślaga K. Stopka 226 WEDNESDAY 6 JULY 18:00 – 18:20 The role of the university in shaping the cultural landscape of Strasbourg: Past, present and future. Notes S. Soubiran D. Issenmann 15:45 – 16:15 | Exhibition Area (North Wing - Level +1) Coffee break 16:30 – 18:00 | Amber Hall 5 (South Wing - Level +2) Workshop on Guidelines for Women’s and Gender-related museums 16:45 – 17:45 | suite 5 (South Wing - Level +2 M) CECA – Education and Cultural Action Market of ideas Chair: Zeljka Jekavic 16:45 – 16:52 Open School Michael Gyldendal, Denmark 16:52 – 16:59 Discover culture and heritage at your doorstep – The School Heritage Corners Programme Asmah Alias, Singapore 16:59 – 17:06 The role of museums on labor and maltreated children’s culturalization Negar Sagharichi, Iran Maryam Almasi, Iran 17:06 – 17:13 Sustainability in museums: Local approaches for community impact Stacey Freeman 17:13 – 17:20 (Un)Real engagement: Reality gaming and youth in museums Detailed programme WEDNESDAY 6 JULY JooKyung Rheea, Korea Hosan Kim, Korea 17:20 – 17:27 The Getty College Night: Interdisciplinary partnerships beyond the museum’s walls Peter Tokofsky, United States Irina D. Costache, United States J. Andrew Morris, United States Schnittmarke 17:27 – 17:34 Flipped museum, how visual thinking strategies and collaborative work improve competence skills and engage in museum visit Vincenza Ferrara, Italy 227 WEDNESDAY 6 JULY 17:34 – 17:41 A museum as large as a city Notes Meysam Abdoli, Iran 17:30 – 18:30 | Green Hall 3 (North Wing - Level -1) Documentary „The Destruction of Memory“ Realised by Tim Slade (Vast Productions) Over the past century, cultural destruction has wrought catastrophic results across the globe. This war against culture is not over - it‘s been steadily increasing. Based on the book of the same name by Robert Bevan, “The Destruction of Memory” tells the whole story - looking not just at the ongoing actions of Daesh (ISIS) and at other contemporary situations, but revealing the decisions of the past that allowed the issue to remain hidden in the shadows for so many years. http://destructionofmemoryfilm.com Schnittmarke 228 Detailed programme WEDNESDAY 6 JULY Schnittmarke Notes 229 Legend ICOM Presentation for Newcomers ICs, NCs, RA, AO SPECIALIST MEETING / OFF-SITE MEETING Internal ICOM Meeting Internal ICs, NCs, RA Meeting Lunch / Coffee Break Memorial Lectures Museum Fair & Expo Forum Mentoring Session for Young Professionals Official Partner Session Panel Discussion Plenary Session Registration / Voting Social Events Sponsored Session „Where ICOM from“ Exhibition Schnittmarke Detailed programme SaturDAY 9 JULY Detailed programme Saturday 9 July Schnittmarke SaturDAY 9 JULY North Wing ROOM Registration Area Silver Plenary Meeting Room 3 LEVEL +1 +2 -1 8:00 8:30 9:00 9:30 10:00 Registration Extraordinary General Assembly followed by General Assembly 10:30 11:00 11:30 12:00 12:30 13:00 13:30 14:00 14:30 15:00 15:30 16:00 ICOFOM Lunch (Foyer Silver) Advisory Committee Meeting 16:30 17:00 17:30 18:00 19:30 20:00 19:30 – 20:00 Closing Ceremony (Sala d’Onore, La Triennale) 20:00 00:00 20:00 – 00:00 Closing Party (La Triennale) Executive Council Informal Meeting Schnittmarke Saturday 9 JULY 08:00 – 17:30 | Registration Area (North Wing - Level +1) Registration Notes 09:00 – 14:00 | Silver Plenary (North Wing - Level +2) Extraordinary General Assembly followed by General Assembly (Coffee Break included) Extraordinary General Assembly Presentation of the revised Statutes of ICOM (Per Rekdal, Chair of the Working Group on Governance) General Assembly President’s Annual Report 2015 Finances Resolutions Approval of the Strategic Plan 2016 – 2022 Approval of a new Honorary Member The dates and venues of the 32nd Ordinary General Assembly Results of the election of the Executive Council for 2016 – 2019 and appointment of the President of ICOM for 2016 – 2019 13:00 – 14:00 | Meeting Room 3 (North Wing - Level -1) ICOFOM – Museology General Assembly 14:00 – 15:00 | Silver Foyer (North Wing - Level +2) Lunch Break 15:00 – 17:00 | Silver Plenary (North Wing - Level +2) Advisory Committe Meeting 17:00 – 18:00 | Meeting Room 3 (North Wing - Level -1) Executive Council Informal Meeting Schnittmarke Detailed programme Saturday 9 JULY 233 Legend ICOM Presentation for Newcomers ICs, NCs, RA, AO SPECIALIST MEETING / OFF-SITE MEETING Internal ICOM Meeting Internal ICs, NCs, RA Meeting Lunch / Coffee Break Memorial Lectures Museum Fair & Expo Forum Mentoring Session for Young Professionals Official Partner Session Panel Discussion Plenary Session Registration / Voting Social Events Sponsored Session „Where ICOM from“ Exhibition Schnittmarke Off-site Meetings SunDAY 3 JULy TueSDAY 5 JULy WEDNESDAY 6 JULY THURSDAY 7 JULy OFF-SITE MEETINGS Schnittmarke Off-site Meetings Notes SunDAY 3 JULy 17:30 – 18:30 | OFF-SITE ICOM-ASPAC Melià Milano Hotel, 17:30-18:30 TueSDAY 5 JULy 15:30 – 18:30 | OFF-SITE CAMOC and ICAMT Mudec, 15:30-18:30 CIPEG Visit University Archives, 15:30-18:30 WednesDAY 6 JULy 08:00 – 21:00 | OFF-SITE ICMEMO Museo della Memoria, Milan, 8:00 – 21:00 DEMHIST Storie Milanesi museums, 11:30 – 18:00 GLASS 11:30 – 18:00 ICDAD Museo Bagatti-Valsecchi, 17:00 – 19:00 ThursdAY 7 JULy 07:30 – 21:00 | OFF – SITE AVICOM Biella, 11:00 – 18:00 CAMOC and ICR Bologna, 7:30 – 21:00 Palazzo Pepoli and Bologna Urban Center, Bologna, 11:00 – 18:00 CECA Museo di Storia Naturale, 10:00 – 11:30 Triennale di Milano, Triennale Design Museum, 10:00 – 11:30 Mudec – Museo delle Culture, 10:00 – 16:30 Orto Botanico di Brera, Università di Milano, 10:00 – 16:30 Palazzo Moriggia, Museo del Risorgimento, 12:00 – 13:30 Museo del Novecento, 14:30 – 16:30 Museo Nazionale Scienza e Tecnologia “Leonardo da Vinci”, 14:45 – 16:30 Università Cattolica del Sacro Cuore, 15:00 – 16:30 Pinacoteca di Brera, 15:30 – 18:00 Schnittmarke 236 Off-site Meetings CIDOC Turin, 11:30 – 13:00 Egyptian Museum, 14:00 – 16:00 CIMCIM Violin Museum, Cremona, 9:00 – 18:00 CIMUSET Villaggio Crespi, Crespi d’Adda (BG), 08:00-19:00 Taccani Hydroelectric powerplant, Trezzo d’Adda (MI), 08:00-19:00 Museum of the Hydroelectric power, Cedegolo (BS), 08:00-19:00 CIPEG Visit Egyptian Collection, 11:00 – 13:00 Visit Palazzoo Morando, 14:30 – 15:45 Pinacoteca di Brera, 16:15 – 18:15 Gallerie d’Italia and the exhibition, 19:30 – 21:00 COMCOL 11:00 – 18:00 COSTUME Duomo di Milano, 9:00 – 10:30 La Scala Museum, 11:00 – 12:00 Teatro alla Scala, 12:00 – 14:00 Laboratori Scala Ansaldo or Fondation Ferré, 15:00 – 16:30 Armani Museum, 17:00 – 18:00 DEMHIST Casa Museo Ugo Da Como, 8:00 – 21:00 GLASS Glass collections,Turin, 11:00 – 18:00 ICAMT Politecnico, 9:30 – 16:30 ICDAD Castello Sforzesco, 9:00 – 10:30 Museo dei Mobile e delle Sculture Lignee/Museo delle Arti Decorative, 9:00 – 10:30 Fondazione Prada, 11:00 – 12:30 Villa Necchi Campiglio, 14:30 – 15:30 Triennale, 16:30 – 18:30 Fondazione Achille Castiglione, 19:00 – 20:00 OFF-SITE MEETINGS ICEE Milano, 10:00 – 12:00 Mudec, 15:00 – 19:00 ICFA 11:00 – 18:00 237 Schnittmarke Notes Off-site Meetings Notes ICLM Museo Donizetti, Bergamo, 11:00 – 18:00 ICMAH Museum of Science, Trento, 10:00 – 18:00 ICME Mudec, 11:30 – 14:30 ICMEMO Fossoli Camp, Carpi, 11:00 – 18:00 Modena, 11:00 – 18:00 Museo del Deportato, 11:00 – 18:00 ICMS Visit Museo Poldi Pezzoli, 10:00 – 11:00 ICOFOM Università Cattolica del Sacro Cuore, 9:00 – 14:30 ICOM-CC Pinacoteca di Brera, Milan, 9:00 – 11:00 Milan, 11:00 – 18:00 ICOMAM The Royal Armoury, Turin, 11:00 – 18:00 The Artillery Museum, Turin, 11:00 – 18:00 The Museo Pietro Micca and the Siege of Turin 1706, Turin, 11:00 – 18:00 ICOMON Visit to Museum of Savings, Turin, 11:00 – 18:00 ICTOP 11:00 – 18:00 INTERCOM 11:00 – 18:00 MPR 11:00 – 18:00 NATHIST 11:00 – 18:00 UMAC University Museums, Turin, 11:00 – 18:00 ICOM US Reception, Hosted by the US Consulate General in Milan (The Residence), 18:30 – 20:30 (invite only) Schnittmarke 238 Saturday Notes 9 JULY Schnittmarke OFF-SITE MEETINGS 239 Schnittmarke partners, Sponsors & Exhibitors Partners, Sponsors & Exhibitors Saturday 9 July Partners Institutional Partners Excursion day partners Ministero degli Affari Esteri e della Cooperazione Internazionale We thank all the partners that supported the great number of Excursion Day proposals. The complete list is available on the Conference website. pre- and post- conference tours partners We thank all the partners that supported the great number of Pre- and Post- Conference Tours. The complete list is available on the Conference website. tours for accompanying persons A special thanks to MUSEMENT for the Accompanying Persons Tours. MUSEMENT is ICOM Milano 2016 Travel Partner. main media partners Partners The complete list of Media Partners is available on the Conference website. 242 Saturday Sponsors 9 july Main sPONSORS Gold sPONSORS sILVER sPONSORS bRONZE sPONSORS EXPERIENCING YOUR STORY sPONSORS Giant Monkey Software Engineering GmbH Haroutunian Foundation Partners, Sponsors & Exhibitors 243 Saturday 9 July Exhibitors Exhibitor Booth number Absolute Museum & Gallery Products AFSP - Atelier des Fac-Similés du Périgord AKZU LIGHTSYSTEM CO., LTD. Alfavision ART & CULTURE TRANSLATED ARTERIA SAFETECH ARtGlass ARTIS VIVENDI Beijing Auto Museum Beijing Qiyi Wenbo Culture Co.,Ltd (MPT-EXPO) Bresciani srl - Materials and Equipment for the Restoration and Conservation BROADMESSE CREATIVE INTERNATIONAL COMPANY (HK) LIMITED Capital Museum Capitale Cultura Group Chen Yun Memorial China Science and Technology Museum Chinese Association of Museums Chinese Museums Association - Hubei Provincial Museum Chongqing Hongyan Revolution History Museum Cincinnati USA & ICMEMO CITTA‘ DI TORINO ClickNetherfield Collège Montmorency CP & EXPONA EXHIBITIONS Cultural Heritage Partners DACA vetrina d’autore Eco-Counter Effektschmiede GmbH Empreinte ETT s.p.a. FORTECHO™ ARTWORK PROTECTION SOLUTIONS FRANK EUROPE Fulldome.pro Groglass Gsnet Group Guardian Glass Europe Goppion MuseumLab hongbowang.net ICOM ITALY IDU INTERACTIVE Inbolun ∧ China INNER MONGOLIA MUSEUM International Museum Construction Congress ITALVETRINE S.R.L. Jiangsu Da Mei Tian Di Cultural Industry Co.,Ltd Kern Studer AG KVORNING DESIGN & COMMUNICATION MARCO PIERI MEYVAERT MiBACT - Direzione generale Musei monalitag® by EDITAG 244 12 4d 14 24 43c 39 70 58 57 49 36 49 54 70 52 48 65 7 46 13 91 31 21 62 70 20 23 13a 68 18 85 84 3 26 70 41 29 49 41b 11 95 44 16 73 56 63 5b 37 25 42 3c Exhibitor Booth number Musement Museo Internazionale delle Ceramiche in Faenza - MIC museofabber.com MUSEUM CONNECTIONS Museum International, ICOM/Wiley MUSEUM MANUFACTORY Museumspartner MyTemplArt® Nanjing VITA Information Technology Co., Ltd NOMAD EXHIBITIONS OPIFICIO DELLA LUCE OTT ART & APICE & ARTSYSTEM Panasonic Business Paul Bernhard Exhibit Design & Consulting Peking Man Site Museum at Zhoukoudian Présence Preservatech PROMPERÚ PROPAGROUP SpA Regione Lombardia Routledge RSF SAFIR Self Electronics Germany GmbH SHANXI MUSEUM SKINSOFT smARTravel Sooeasy Penguin Pass SOYO Technology Development Co., Ltd. Suzhou Museum Sycomore T&D Corporation Japan Testo Spa The Administration Bureau of Dr.Sun Yat‘-sen‘s Mausoleum The Hettema Group The Japanese National Committee for ICOM THK CO., LTD Tianjin Hengda Wenbo Science&Technology Co., Ltd. Tianjin Wangda Displaying Tools Co., Ltd. TIANYU CULTURAL GROUP TOMORROW LTD Tru Vue, Inc. TUOMI Universcience University Products/ Lineco Vastari Vitrinen- und Glasbau REIER GmbH Xergy Inc. XPONIA YXLON International GmbH Zeutschel GmbH ZHEJIANG PROVINCIAL MUSEUM Zone Display Cases 22 43a 19 10 41a 60 15 43b 69 5a 59b 8 35 29 47 68 87 76 40 27 17 83 9 4c 53 28 3b 70 32 45 68 33 93 55 29 4b 29 51 90 50 86 61 2b 94 6 38 82 2a 3a 59a 34 53 4a Exhibition Saturday Floor9Plan july North Wing - Level +1 Museum Fair and Expo Forum 3c Expo Forum 20 15 21 16 3a 2b 5a 8 12 13 18 2a 3 22 17 23 3b 11 9 5b 10 6 13a 24 19 34 92 93 91 94 90 14 7 29 Networking Lounge 33 35 95 38 73 Exhibitor Help Desk 69 27 4d 25 28 26 61 51 44 41a 62 52 45 41b 53 63 76 59a 65 59b 54 46 55 47 56 48 57 49 41 42 50 60 68 4b 32 37 58 70 4a 31 36 39 40 4c 43a 43b China Pavilion 43c Museum Fair and Expo Forum 87 86 85 84 83 82 Partners, Sponsors & Exhibitors 245 INSTITUTIONAL PARTNERS PROFILES MiBACT - Ministero dei beni e delle attività culturali e del turismo The Ministry of Cultural Heritage and Activities and Tourism is the Ministry of culture of the Italian Republic. The vast national tangible and intangible heritage, constituting the country’s identity, has determined the development of a complex and pervasive system for its protection and management. Ministero degli Affari Esteri e della Cooperazione Internazionale This system embodies a comprehensive and holistic approach whereby protection, maintenance, valorisation and promotion of national heritage are tools for the administration and for the development of the territory. The Ministry operates at the national level in close cooperation with the local administrations, municipalities, academies and universities. It has a capillary structure composed of Central Institutes, regional museums networks, museums, Regional Secretariats, sectorial Superintendences, State Archives and Libraries. MAECI The Ministry of Foreign Affairs and International Cooperation is responsible for the State’s functions, tasks and duties in matters concerning Italy’s political, economic, social and cultural relations with other countries. Our duty, therefore, is to ensure that the international and European activities of Italy’s other ministries and government offices are consistent with the country’s international policy objectives. Our Ministry operates through a network of offices throughout the world: embassies, permanent missions to the international organisations, special diplomatic delegations, consular offices and Italian cultural institutes. Regione Lombardia Regione Lombardia is the regional government of a dynamic and competitive land, situated in the North of Italy with a population of nearly 10 million inhabitants, distributed over an area of approx. 24,000 km². The role of the government authority is to guide, plan, coordinate and control the management of the territory. Regione Lombardia has always paid particular attention to the preservation and enhancement of cultural heritage and to the promotion of cultural events. With more than 360 museums and cultural institutes, over 1.300 public libraries, around 2.000 catalogues of local authorities, 10 World Heritage sites, 69.000 creative and cultural companies, around 1.000 theaters, auditoriums and cinemas, Lombardia has a leading role on the Italian cultural scene. 246 INSTITUTIONAL PARTNERS PROFILES THE CITY OF MILAN Milan is an international city, a crossroads of economic, financial and cultural exchange, at the forefront on innovation. It is the European city that hosts the highest number of diplomatic missions and consular offices. 18% of its population comes from other countries: Milan is home to about 300,000 citizens of different nationalities, belonging to over 150 different ethnic groups, and over 500 associations that refer to foreign communities. Arts, literature and the sciences flourish in Milan during the centuries. The city is now open to the influences of European culture and overseas and credited as one of the most active centers for the dissemination of ideas. The Milan Museum System is a diversified aggregation of artistic and historical venues and sites of great significance and value, comprising public museums and spaces managed by the city administration or by private entities and foundation that together provide a wide ranging and multifaceted cultural offer. A common heritage that aims to become ever more widespread and accessible. The Administration is the reference point for international and cultural strategies, essential to the development of the city future. Partners, Sponsors & Exhibitors 247 company profiles ARTERIA SAFETECH Arterìa, the Italian leading company in the art logistics, with branches in Milan, Rome, Florence, Venice, Turin and Malpensa, is today offering a wide range of services and products dedicated to museums, galleries and art dealers through its exclusive “secure” network. Packing and transportation, storage and shipping, handling and installation, frames and display cases and more… Arterìa l’arte viaggia con noi. Artis Vivendi ARTIS VIVENDI is supplier of museum shops with a concept of different items in highest quality. Scarfs, bags, spectacle cases, mirrors, pins, boxes & fans. culture innovation trust Culture Innovation Trust is a network devoted to management and innovation for culture, promoted by Capitale Cultura Group (Italy-Switzerland) and involving the top consultancy firm Cultural Heritage Partners (US); ARtGlass (Italy), leader in Wearable Augmented Reality for heritage sites; Sooeasy-Penguin Pass (Switzerland, Italy), developing revolutionary smart access mobile services; Gsnet Group (Italy) with its unique 3&4D interactive lab for museums. Ett s.p.a. ETT is a digital and creative company specialising in technological, cultural and scientific knowledge integration. Our wide-ranging solutions, awarded as best practices at the international level, include New Media innovative platforms and products for the creative and cultural industry. People and Technology: an international corporation with the Italian Touch. Fulldome.pro Fulldome.pro is a creator and of 360° immersive fulldome cinema experiences. We provide the best value in the industry – unbeatable visuals at the best price. Our revolutionary software and cutting edge manufacturing have allowed us make an incredible 360° experience simpler and more accessible than ever. Goppion MuseumLab, PBE, THG and THK Goppion S.p.A. is the recognized global leader in the field of museum casework engineering and design, and collaborates with the world’s most prominent museums, protecting the greatest icons of cultural heritage, including the Mona Lisa, the Crown Jewels of England and Leonardo da Vinci manuscripts. Goppion MuseumLab provides design-assist and museum planning services with specialized teams composed of curators, designers, architects and expert consultants. It is main sponsor for ICOM 2016 with Paul Bernhard Exhibit Design & Consulting (PBE), The Hettema Group (THG) and THK Co., Ltd. PBE creates exhibitions with its diverse team of designers, artists, fabricators, animators, programmers, media producers, writers and content specialists. 248 company profiles THG is the premiere place-making and experiential design studio in the multimedia industry, creating acclaimed projects worldwide. THK has developed many unique products, including seismic isolation systems that protect important artworks worldwide, including Michelangelo‘s Pietà Rondanini at Castello Sforzesco. Company links Exhibitor names: www.goppion.com www.pbexhibits.com www.thehettemagroup.com www.thk.com Goppion S.p.A. and Goppion MuseumLab Paul Bernhard Exhibit Design & Consulting The Hettema Group THK Co., Ltd. Guardian Glass Europe Guardian Industries offers outstanding Clarity™ for museum showcases. As a leading global manufacturer of float glass and fabricated glass products, Guardian produces its Guardian Clarity™ double-sided, anti-reflective glass using a state-of-the-art, magnetron sputtering glass coating technology. Clarity glass enables a light transmission of 97% and a reflection of less than 1%, compared to architectural float glass, which offers a light transmission of 90% and a reflection of 8%. Museum operators across Europe are opting to use Clarity glass in some of their most demanding applications. For more information, please visit www.guardianclarity.com. Hubei Provincial Museum Hubei Provincial Museum is one of China’s most famous and impressive attractions. Standing by the beautiful East Lake, the museum was opened in 1956 to showcase diverse of Hubei’s incredible archaeological finds. It is the only provincial comprehensive museum in the province. The museum collects, protects, and exhibits the cultural relics discovered in the province. Since 1953, the museum has collected over 200,000 cultural relics, including pottery, porcelains, jade, bronze vessels, ancient weapons, and ancient musical instruments. Among these cultural relics, 812 are listed as first-class relics of China, and 16 are considered national treasures. During the recent 8 years, Hubei Provincial Museum actively in international exhibition exchanges, imported and exported numbers of exhibitions and created phenomenal audience attendance figures around the world, and frequently cooperated with great international museums, such as British Museum, the Uffizi Gallery in Florence, the Metropolitan Museum, Los Angeles County Museum of Art, and Russian Pushkin National Museum. Partners, Sponsors & Exhibitors 249 company profiles INTESA SANPAOLO The Bank’s commitment to culture is seen in a host of projects which fall under its Progetto Cultura plan. The values which have inspired it involve protecting, promoting and increasing awareness of the artistic and cultural assets which make up Italy’s incomparable heritage, and returning them to public display. The Group has therefore created three hubs where art and culture can be enjoyed and promoted, each one part of “Gallerie d’Italia”: Gallerie di Piazza Scala in Milan, Gallerie di Palazzo Leoni Montanari in Vicenza and Gallerie di Palazzo Zevallos Stigliano in Naples. Another key objective for Progetto Cultura is to help safeguard Italy’s cultural heritage. The Bank’s commitment is put into practice through the “Restituzioni” Project, launched in 1989. This restoration programme for Italy’s artworks and monuments is promoted, sponsored and overseen by Intesa Sanpaolo in conjunction with the country’s national Superintendencies. Meyvaert Meyvaert has been producing museum grade showcases for 70 years. Our cutting-edge engineering and manufacturing solutions provide our worldwide customers with the latest exhibition possibilities to optimally present, preserve and protect collections. From large-scale museum projects to individual showcases, we deliver high quality display solutions conforming to stringent conservation standards. Museum Manufactory EXPERIENCING YOUR STORY Museum Manufactory is the first French-German group specialized in setting up innovative exhibition venues such as museums, showrooms, visitor centers, touring exhibition, etc. Museum Manufactory brings a 360 degree expertise in order to offer fullintegrated services including study, design, manufacture, installation and maintenance. Panasonic Business Panasonic Business’ goal is to improve the working lives of business professionals through technology. We help capture and communicate information through security and Pro AV cameras, PBX telephones, projectors, displays and much more…. In the museum world, we deliver innovative lamp-free projection and resistant high quality professional screens creating a truly unforgettable visitor experience. RSF RSF is a French manufacturer of AV equipment dedicated for museums and exhibitions. RSF offers the most innovative range of audioguides and AV solutions. References include prestigious sites such as the Uffizi in Florence and the Prado in Madrid. RSF supplies the multimedia guides for the new “Meet Vincent Van Gogh” exhibitions. 250 company profiles SOYO TECHNOLOGY DEVELOPMENT CO., LTD SOYO Technology Development Co.,Ltd is a leading solution provider on smart tour guide area for Museum,touism market. We have engaged in this area for over 12 years and now we can complete over 50 smart tour guide system for museum a year. SOYO technology offers complete solutions from product to service, include digital wireless audio/video tour guide system smart APP tour guide system, 3D VR show technology and the related service such as language translation, audio record, video program according to the document provided by customer. SOYO is the Topthree smart tour guide solution provider in the world. We can install the digital wireless tourism guide system in more than 50 museums and tourist attractions a year all over the world. You‘re welcome to contact us Web: www.tp-wireless.com Email: [email protected] Tel: +86-755-83866822-815 fondazione cassa di risparmio di firenze The Fondazione Cassa di Risparmio di Firenze (FCRF) is a foundation with banking origins. Its history goes back to 1829, when a group of 100 citizens decided on their own initiative to set up the “Società della Cassa di Risparmio”, that was to encourage saving and a prudent approach to money among the less affluent. Continuing in the footsteps of the original Cassa, today the FCRF operates directly through its own projects or through operating entities or by making contributions to initiatives proposed by third parties that pursue objectives aligned with its own statutory and programmatic aims. The performance of its activity is directed in particular towards fostering culture and art, conserving and enhancing the cultural, landscape, environmental and agricultural heritage, furthering scientific research and technological innovation even in the medical and health field and the education of young people. It also supports voluntary work and associations and is committed to helping those in need of solidarity, care and rehabilitation. Tianyu Cultural Group Tianyu Cultural Group provides its expertise to Chinese museums in areas of exhibition production, exhibition exchange, museum education and design of cultural products. The website www.chinamuseum.com acts as a bridge between Chinese museums and you: it is your perfect gateway to the Chinese museum community. YXLON YXLON International designs and produces radioscopic and CT inspection systems for the widest variety of applications and fields. Not only the largest producers in the aviation & aerospace, automotive or electronics industry belong to YXLON’s customers, but museums, universities and institutes worldwide benefit from the advanced X-ray technology as well. Partners, Sponsors & Exhibitors 251 Notes 252 Notes Partners, Sponsors & Exhibitors 253 Notes 254 Tianyu Cultural Group As the only company in China providing specialised full-range services to museums, Tianyu Cultural Group is dedicated to the professional management of Chinese museums. It provides services ranging from museum planning and the production of permanent exhibitions to the daily maintenance of museums. Since its creation in 2003, Tianyu Cultural Group has delivered premium services to more than one hundred museums in China, including the National Museum, the Palace Museum, the Capital Museum and the Summer Palace. www.tysmchina.com Its services encompass: Exhibition planning, design, production and mounting Touring exhibitions Museum educational programming Museum cultural products Design and maintenance of digital museums Management of museums’ social media profiles Platform of information exchange for museums www.chinamuseum.com The platform is a free service provided by the Chinese Museums Association for its members. Member museums can publish exhibitions on the platform, creating an information exchange network. It is furthermore a bridge between Chinese museums and their international partners for exhibition exchanges. The platform introduces Chinese exhibitions to the world and showcases exhibitions from around the world to Chinese museums. The platform is run and supported by Tianyu Cultural Group. Tianyu Cultural Group is seeking out museums and institutions serving museums as partners. Together, we can work better with Chinese museums. Promoting Chinese exhibitions to the world, Tianyu Cultural Group aims to share the essence of Chinese culture and history with you. Chinese Museums Association, Art Exhibitions China, Chinese Academy of Cultural Heritage, Weekly of Chinese Cultural Relics Paris: Beijing: [email protected] [email protected] +33 611779540 +86 18911559780 Cover photo: © Roberto Mascaroni