List of Publications - University of Malta

SELECTED PUBLICATIONS
Gloria Lauri-Lucente
Edited Books.
Style in Theory. Between Philosophy and Literature, with an ‘Introduction’ by co-editors Ivan
Callus, James Corby and Gloria Lauri-Lucente (London: Bloomsbury, 2013).
Jane Austen’s Emma: Revisitations and Critical Contexts, with an ‘Introduction’ by coeditors Francesco Marroni and Gloria Lauri-Lucente (Rome: Aracne, 2011).
Edited Journals
Journal of Anglo-Italian Studies, volume editor, Gloria Lauri-Lucente, general editor, Peter
Vassallo, Vol. XII, 2013, Malta University Publishing.
Journal of Anglo-Italian Studies, volume editor, Gloria Lauri-Lucente, general editor, Peter
Vassallo, Vol. XIII, 2014, Malta University Publishing (forthcoming, February 2016)
Merope, ‘Forster Revisited’, co-editor, Special Issue, Anno XIII, n. 60-61, gennaio-luglio, 2015
(forthcoming, January 2016)
Chapters in Books
‘Fidelity to Great Expectations Deepened: Dickens, Lean, and Cuarón’, in Dialogic Dickens:
Invention and Transformation, edited by Allan C. Christensen, Francesco Marroni and David
Paroissien (Chieti, Solfanelli, June, 2015), pp 175-195.
‘Parking Orientalism on Screen: Jane Austen, Edward Said and Patricia Rozema,’ in Rivista
di Studi Vittoriani, XVIII-XIX, 36-37 (luglio 2013-gennaio 2014), pp.45-67.
‘Petrarch and the Birth of Style’, in Style in Theory. Between Philosophy and Literature,
edited by Ivan Callus, James Corby and Gloria Lauri-Lucente (London, Bloomsbury, 2013),
31-48.
‘Pride and Prejudice in Fidelity Criticism. The Case of Jane Austen’s Emma’, in Jane
Austen’s Emma: Revisitations and Critical Contexts, edited by Francesco Marroni and Gloria
Lauri-Lucente (Rome: Aracne, 2011), 37-64.
‘David Lean’s Great Expectations: Transfiguration or Transformation?’, in Francesco
Marroni (ed.), Great Expectations. Nel laboratorio di Charles Dickens (Rome: Aracne, 2006),
243-263
‘’Could you elaborate on that?’ (Well, Yes and No). The Use and Abuse of Gramsci in Said,
Spivak, and Recent Cultural Studies’, (chapter co-authored with Gregory L. Lucente), in
Gregory L. Lucente, Crosspaths in Literary Theory and Criticism. Italy and the United
States, (Stanford: Stanford University Press, 1997), 54-73.
Articles in Refereed Journals
‘Nostalgia and Nostophobia: Filming Englishness and Italianness in A Room with a View and
Where Angels Fear to Tread, Merope, ‘Forster Revisited’, co-editor, Special Issue, Anno XIII,
n. 60-61, gennaio-luglio, 2015 (forthcoming, January 2016)
‘The Narrative of Realism and Myth in Francesco Rosi’s Salvatore Giuliano and Michael
Cimino’s The Sicilian’, in Journal of Anglo-Italian Studies, vol. 12, 2013, 211-227.
‘Adapting Edith Wharton. Martin Scorsese’s The Age of Innocence’, in Rivista di Studi
Vittoriani, Anno XV-XVI, July 2010 – January 2011, nos. 30-31, 7-30.
‘The Fatal Allure of Sicily in Francis Ford Coppola’s The Godfather Trilogy’, in Journal of
Anglo-Italian Studies, Malta University Publishing, vol. 11, September 2011, 149-161.
‘T.S. Eliot and Eugenio Montale. Similar Flowers on Distant Branches?’ in Journal of AngloItalian Studies, Malta University Publishing, vol. X, 2009, 173-187.
‘Absence, Desire and the Female Other in Petrarch and Wyatt’, in Journal of Anglo-Italian
Studies, 8, 2006, 17-32.
‘Reliving the Spectres of the Past: Trezza Azzopardi’s The Hiding Place and Remember Me’,
Anglo Files. Journal of English Teaching, 133, 2004, 74-80.
‘Filming Jane Austen’, Rivista di studi vittoriani, 15, Anno VIII, Gennaio 2003, 5-21.
‘Memory, Oblivion and Nostalgia in Trezza Azzopardi’s The Hiding Place,’ Humanitas, II,
2003, 125-131.
‘Verba versus res in Shakespeare’s Reversal of Petrarchan Epideictic Rhetoric’, Journal of
Anglo-Italian Studies, 7, 2002, 19-33.
‘Giovanni Cecchetti and the Voices of Poetry’, Forum Italicum, Vol. 32, No. 1, 1998, 172176.
‘Nota a Said,’ Allegoria, 8, 1991, 77-85.
‘Critica femminista e interpretazione testuale’, L'ombra d'Argo, 11-12, 1987, 234-242.
‘Nota a Eagleton’, L'ombra d'Argo, 7-8, 1986, 147-149.
‘Critica dell'ermeneutica e politicita` dell'inconscio nell'ultimo libro di Fredric Jameson’,
L'ombra d'Argo, 5-6, 1985, 141-146.
‘Crime and Punishment in the Court of the Inquisition 1600- 1640’, Archivum, I, 1981, 44-64.
Interviews in Refereed Journals
‘Sanguineti: La vera poesia, se rinascerà, ripartirà dalla contestazione,’ Interview conducted
by Gregory L. Lucente and Gloria Lauri-Lucente, Madrelingua, Supplemento di ‘Pagine
della Dante’, no. 4, Anno III, 2014.
‘Intervista con Fabio Grassadonia and Antonio Piazza,’ Cinergie. Il cinema e le altre arti,
www.cinergie.it, June 2014.
‘The Average and the Excellent: Literary Possibilities and Cultural Ambiguities,’ Interview
conducted by Gloria Lauri-Lucente and Ivan Callus with Francesco Marroni, Word and Text.
A Journal of Literary Studies and Linguistics, Vol. 111, Issue 1, June 2013, 93-101
Peer-Reviewed Proceedings of International Conferences
“Changed Forms, Migrating Identities: Ovid’s Metamorphoses and the Posthuman”, in
Proceedings of the International Symposium “Abhinc Annos Quinque et Viginti, ed. Horatio
Vella, University of Malta, forthcoming.
‘History, Film, and Mafia Narratives. The Case of Francesco Rosi's Salvatore Giuliano,’in At
the Borders of (Film) History. Temporality, Archaeology, Theories, ed. Alberto Bertrane,
Giuseppe Fidotta, Andrea Mariani (Udine, 2015, FilmForum), 399-408.
‘Reflections on Film Style and its Schools: a Case Study on Noir, Neo-Noir and Transmedial
Noir’, in Il cinema si impara? Can We Learn Cinema (Udine, 2012, FilmForum), 259-266
(with Ivan Callus), ‘Archive Refusal in Angelopoulos’s Ulysses’ Gaze’, in The Archive,
Convegno Internazionale di studi sul cinema, 17 (Udine, FilmForum, 2011), 353-359.
(with Ivan Callus), ‘Filming Oblivion: Posthuman Experience in Alexander Sokurov and
Maurice Blanchot’, in Dall’inizio, alla fine/In the very beginning, at the very end. Teorie del
cinema in prospettiva/Film Theories in Perspective, ed. Francesco Casetti, Jane Gaines,
Valentina Re, Convegno Internazionale di studi sul cinema, 16 (2010) (Udine, FilmForum:
2010), 423-32.
‘Period Theory in the Film History of Fredric Jameson’, in Le età del cinema / The Ages of
Cinema, ed. Enrico Biasin, Roy Menarini, Federico Zecca, 14 (2007) (FilmForum Udine:,
2008), 63-71.
‘Surface or Depth? Style in Film Noir and Mafia Narratives’, in Lo stile cinematografico/
Film Style, ed. Enrico Biasin, Giulio Bursi, Leonardo Quaresima, 13 (2006), Udine
(FilmForum Udine:, 2007), 177-185.
Entries
‘Verismo’, in Encyclopedia of Italian Literary Studies, ed. by Gaetana Marrone, Paolo Puppa
and Luca Somigli (New York and London: Routledge, 2007), Vol. 2: 1972-1975, .
Articles in Refereed Websites
‘Cavalleria rusticana and Metatextuality in Francis Ford Coppola’s The Godfather 111’,
online publication, British Council Seminars, www.britishcouncil.org/14.
Review articles
‘Giuseppe Mazzotta, The Worlds of Petrarch, 1993; The World at Play in Boccaccio's
Decameron, 1986; Dante, Poet of the Desert: History and Allegory in the Divine Commedy,
1980; Dante's Vision and the Circle of Knowledge’, 1993 (review article co-authored with C.
Frisch & G. L. Lucente), Michigan Romance Studies, 16, 1996, 215-231.
‘Gramsci, Freire, and Transformative Education’, (review article of Peter Mayo, Gramsci,
Freire and Adult Education and Liberating Praxis), Journal of Mediterranean Studies, Vol.
15, No. 1, 2005, 167-176.
Reviews
Giuseppe Mazzotta. Reading Dante. New Haven: Yale UP. 2014. Pp. 293. Giuseppe
Mazzotta. Confine quasi orizzonte. Saggi su Dante. Roma: Edizioni di Storia e Letteratura,
2014. Pp. 137, “ Italian Bookshelf,” ed. by Dino Cervigni and Anne Tordi, in Annali
d’italianistica. Volume 32 (2014), pp. 616-620. Available on line:
http://www.biblio.org/annali
Fredric Jameson, Archaelogies of the Future. The Desire Called Utopia and Other Science
Fictions, in Allegoria, Anno XIX, 56, luglio-dicembre, 2007, 261;
Francesco Marroni, Le vene del tempo, in Annali d’italianistica, vol. 24, 2007, 518-519;
Romano Luperini, La fine del postmoderno, in Annali d’italianistica, vol. 24, 2006, 440-442;
Terry Eagleton, Sweet Violence. The Idea of the Tragic, in Allegoria, Anno XV, 44, maggioagosto, 2003, 167-169.
Giovanni Cecchetti, Counterpoints/Contrappunti, New York: Peter Lang, 1997, in Italica,
Vol. 76, No. 1, Spring, 1999, 117-119.
Peter Pedroni, Translation and Introduction, Last Act in Urbino, by Paolo Volponi, New
York: Italica Press, in Annali d'italianistica (co-authored with G. L. Lucente), Vol.15, 1997,
427-430.
Giuseppe Mazzotta, The Worlds of Petrarch, Durham: Duke University Press, 1993, in
Italian Culture, XII, 1994, 287-291.
Translations from Italian to English
‘Bread and Travel’, P. Matvejevic in Migrazioni: Il viaggio nella poesia da Omero ai nostri
giorni, ed. Filippo Bettini (Roma: Edizioni dell’agenzia romana per la preparazione del
Giubileo, 2000), 98.
Romano Luperini, ‘Benjamin's Baudelaire, Allegory, Interpretation’, Quaderni
d'italianistica, 12, 1991 (co-translated with H. Fudemoto), 103-111.
Translations from English to Italian
Fredric Jameson, ‘Sul postmoderno.’ Dall’Introduzione a Postmodernism, or the Cultural
Logic of Late Capitalism, Avanguardia, 1, 1996, 10-24.
Edward Said, ‘Avversari, lettori, seguaci e comunita`’, Allegoria, 8, 1991, 57-76.
Gregory Lucente, ‘Decostruzione, marxismo e femminismo nella teoria letteraria
contemporanea negli Stati Uniti’, Teoria e critica letteraria oggi, ed. R. Luperini (Milano:
FrancoAngeli, 1991), 26-43.
Terry Eagleton, ‘L'idealismo nella critica americana’, L'ombra d'Argo, 7-8, 1986, 131-146.
Forthcoming book projects
Victorian Afterlives: Filmic Revisitations of Nineteenth-Century Fiction and Beyond ( a book
series on ‘Victorian and Edwardian Studies’ edited by Francesco Marroni for Peter Lang,
forthcoming, 2016).
Encounters. Interviews with Writers, Critics, and Filmmakers, Malta University Publishing
(forthcoming, 2016).
L’Arte della Mafia. Sue rappresentazioni letterarie e cinematografiche (Macerata:
Liberilibri, forthcoming, 2017).
‘Mutatas Formas’: Posthumanism and Transembodiment in Ovid, Dante, and Petrarch
(Brill, forthcoming, 2017).