Koyunbaba
Transcript
Koyunbaba
Koyunbaba Suite für Gitarre (op. 19) I Carlo Domeniconi 1985 Moderato (REAL) 8 (SCORDATUR) 3 3 3 3 3 3 Fine 8 1 8 2 8 2 1 4 Koyunbaba, p.1 8 2 1 2 8 8 2 4 8 8 2 3 2 3 Koyunbaba, p.2 8 3 3 3 8 3 V 3 3 3 3 3 8 3 2 3 2 8 2 2 dal segno al Fine 8 X 2 2 2 V2 morendo Koyunbaba, p.3 II Mosso 8 Fine 3x 8 2 3 arm. 19 3 8 VII 2 2 4 3 p 8 2 2 2 2 2 2 8 Koyunbaba, p.4 8 2 8 2 1 8 2 2 8 2 2 d.s. al Fine 8 2 2 Koyunbaba, p.5 III Cantabile 8 2 4 8 VII V 8 V 8 3 3 3 3 8 3 Koyunbaba, p.6 8 2 3 3 3 8 3 3 3 3 3 3 8 arm.12 2 2 2 8 2 2 2 2 8 2 a m i a p m i p Koyunbaba, p.7 8 8 8 8 p 8 Koyunbaba, p.8 8 2 V p p 8 p p 8 p 4 p 5 8 p p p p p p p p 5 8 Koyunbaba, p.9 A 8 2 p p 2 p p B rip. A B 8 8 2 2 8 2 2 8 Koyunbaba, p.10 8 V i p 8 VII i p i p 8 8 VIII i p i 3 p 3 rubato. accelerando 8 3 m.s. p 3 3 a i m a a m.d. Koyunbaba, p.11 rubato a tempo 3 8 3 3 3 a tempo 3 accelerando 8 3 rall. rubato 8 3 3 3 8 3 3 3 3 morendo 8 3 Koyunbaba, p.12 IV Presto A 8 2 3 3 2 2 3 2 2 2 3 2 3 B 8 2 3 2 3 2 3 2 3 2 3 2 3 8 3 3 p 3 3 3 3 p 8 3 3 3 3 3 3 D.C. A - B 8 3 3 3 3 3 3 Koyunbaba, p.13 8 4 4 8 4 4 4 4 4 4 4 4 4 4 4 4 8 D.C. A B poi C 8 D 8 2 3 2 1 Koyunbaba, p.14 8 1 1 1 2 1 2 D.C. A 1 2 B poi 1 2 2 2 E 8 1 1 2 p 2 p p p p p p p F D.C. A B poi C D 8 4 5 8 1 1 1 2 2 2 2 2 2 2 2 2 H G 8 2 1 2 1 2 1 2 1 2 1 2 1 1 1 2 1 Koyunbaba, p.15 8 2 2 1 2 1 2 1 2 1 1 2 1 rip. G H 8 2 2 1 2 1 2 1 2 1 2 2 2 8 2 2 1 2 1 2 1 2 1 2 1 1 1 8 2 1 2 1 2 1 2 1 2 2 1 1 rip. A B E F 2 8 2 1 2 1 2 1 2 1 2 1 2 1 Koyunbaba, p.16 5 6 arm. 7 rasgueado 8 4 come sopra come sopra come sopra come sopra 8 4 come sopra come sopra come sopra come sopra 5 6 8 arm. 5 4 4 come sopra come sopra come sopra come sopra D.C. A B 8 4 come sopra come sopra c. s. c. s. c. s. c. s. 3x 8 2 3 3 2 2 3 2 2 2 3 2 1 Koyunbaba, p.17 rip. E F 8 2 3 2 3 2 3 2 3 2 3 2 3 Moderato (Tempo I) 8 1 2 2 8 1 2 8 1 3 3 3 3 3 3 8 Pak, Tae-yun (HiTEL ID: thilbong) 1995. 10. 21. Saturday Koyunbaba, p.18 Das obere System ist die reale Tonhöhe, das untere eine Griffschrift (Scordatur). Dafür habe ich als Basis die normale Stimmung 8 genommen (so bleiben die 3 Bass-Saiten gleich). Es empfiehlt sich aber, die Gitarre nicht 8 sondern 8 zu stimmen. The upper system gives the sounding pitch. The lower system shows the fingerings (’scordatura’). Therefore I basically took the usual tuning 8 so you can keep the three lower strings. But I suggest to tune the guitar 8 not 8 * Anmerkung zu Seite 5 und Seite 14 ossia: 8 Pak, Tae-yun (HiTEL ID: thilbong) 1995. 10. 21. Saturday 8 Koyunbaba, p.19