time is a cage 2013.mus

Transcript

time is a cage 2013.mus
Suzanne Farrin
TIME IS A CAGE
for solo violin
Notes to the Performer
The line above the staff indicates bow placement (normale, tasto-molto tasto, ponticello, molto-ponticello). These changes should be as
fluid as possible and for the approximate durations indicated by the traditional staff below.
All accidentals apply only to the beat and remain in effect through all tied notes.
Scordatura: please note that the 2nd string is tuned up one half-step (to a Bb). The score is written at pitch.
[3o5]
= "Harmonic Fingered Tremolo"
Move your finger rapidly on the node given (up and down, almost a flapping motion). The harmonic, fingered pitch and open string will
all sound. Aim for a balance of the three elements. The bow does not tremolo during these passages unless indicated with a BT ("bowed
tremolo").
= "Wild Vibrato"
Vibrate on the pitch as fast as possible with little regard for accuracy or evenness.
9
= Dramatically increase bow speed.
Increase bow speed suddenly and with intensity for the duration indicated (the gesture does not carry over through rests).
TIME IS A CAGE
!
!
tasto
norm.
b œœ
œ
œ
scordatura
Violin
!norm.
»60
9j 9j œ-j
9
& j j
j
j
œ
.
b
œ
œ‰ œ . . œ . . œ œœ . . œœ œ . œ
J J
J J
p
f PJ J
% gl.
œ
œ
.
& œ. œ . !
J J œ. œ
f
piu mosso
gl.
9
œ œ
!T
!P
9j 9
>
&
œ . œ œ ˙ œ b œœ œœ .. b œœ œœ œœ .. b œœ œ . œœ œœ
gl.
J
III J
p
ƒ
P
IV
a tempo
9j
!
Emphatic! q
9j
!N
9
9
@ @ @
-j -j
œ œ œ . œ œIV
# œœ # œœ . . œœ œœ œ œ œ . œ œ j
bœ .
J J
sub.p
ƒ
!N
9 9j 9
U
œo ȯ
J
rubato, dolce
œo .
!N
!T
!T
q 84
9j
»
U j j
‰
j
j j œ œ . œ œ..
bœ œ . œ
J J
gl. P
9 9
œ œ œ
œ œ Nœ œ
& œ b œ œ œ b œJ œ b œR œ
5
# 3 p
5
j
œ ‰ (II) b œœ # œœ œœ n œœ
J
F
j j
œœ b œœ œœ # b œœ œœ b œœ b œœ A œ .
nœ.
3
œ ..
"fingered harmonic
tremolo"
3o5]
j
œ œ œ@ wæ .
J (IV)
dolce
[
5
III
IV
II
III
!
œ . b œ œ b œœ
œ. œ œ
œœ .. b œ œ b œ .
œ œ œ.
!N
!
P
j
œo@
5
3
!T
!N
!N
subito tranquillo
(poco meno mosso)
œo
jæ
œ œ-æ œ@
@J P
œo
@J r œo œo œo "
J ˙
œp
#
IV
,
œo
R
œo
poco rit...
$
[so loud that the
open string overpowers
the upper voice]
!
P
!
œæ # # œœ
p
!T
(molto)
T
!
9
P
w
æ
w
"
& >r ! .
œ . b # œœ œ .
R
œ.
F
!
!T
%
[3o5]
>
œ! # # œœ .. œœ œœ œ@. wæ
(molto)
T
III
IV
!N
@ o! œo! œo! ȯæ
@
@
o
@
o
jIVœæ. j œo œo œ œ œ
œ o œ@
œ œ . œo œ œ œ œ œ œ œ ˙
J æ @J @ @ @ @ ! ! ! æ
3
5
molto
ƒ (poss.)
œ
!
œ
˙ #œ
˙
#
œ
œ >
gl.
#
œ
j œ œ #œ
#œ œ œ #œ. œ .
œ œ œ œ. œ . œ œ œ œ œ ˙
œ ˙
æ
æ
æ
subito p poss.
F
P
legato e prestissimo posibile
dolce
! !
!T !
!P
9 œ9
[Fingered Harmonic Tremolo: move your finger rapidly
on the node given (up and down, almost a flapping motion).
N The harmonic, fingered pitch and open string will
N
all sound. Aim for a balance of the three elements.
The bow does not tremolo unless indicated with "BT"].
!N
œ
#
œ
œ
" %
gl.
œ œ b œœ œ # œ
œ œ #œ #œ
œ
#œ. ! #œ. œ œ œ. œ
#
œ
œ
œ bœ œ œ œ
#œ #œ #œ
œœ
œ. œ œ. œ œ œ. œ œ œ œ œ œ œ œ œ œ œ
J J
J F
p
5
5
9
j3 œ œ
#œ œ
œœ œœ œœ œœ # œœ œœ .. œ œ œ œ
J
F
f 3p
sub.
j j
j
œ
œœ . . ˙˙
œœ œ # œ œ œ . œ œ œ œ . œ œ .
œ
Ó
J
J
( )
J
3
sub.p
p
P
p sub.
f sub.
!
!N
99
3
(molto)
T
Suzanne Farrin
(2007)
œ
œ
n
(molto)
T
9 œ œ 9 œj
[
œ
œ
!N
9
.
bœ œ œ bœ.
3o5]
near the tip
3
œœ ˙
p
.
œœ
œ@.k œ! œæ
œ. œ œ
@ ! æ
P
bend
legato poss.
!
T
»9120
Puo Mosso, Meditative q
II
!
N
œ bœ œ bœ œ
J
3
"j
o o o
oœ œo œ œ œ œo œo
œo
œo b # œœJ
F
#
!P
9
.
œ bœ
j%
œœ . .
J
( )
3
æœ # œ@j
œ œ
æ @J
3
!N
œ.
œ bœ.
f
bend
œ@lœ@
œœ
@@
>
@œ# # œ@œ
œ
@ @
ƒ
œ@œ .. n œ
@
sub.P
9
œ #œ œ œ
œ œ.
œ bœ œ bœ œ bœ.
J
3
sub.
p
o o o o
œ " glissando
molto lento
œœœ
j
‰
b # œœ ..
bœ
J
#
f
Time is a Cage
III---II
tremolo
& ˙ b b ˙˙
!N
j
b b œœ
J
legato poss.
!
tasto
o@ ! !o o
(.œ ) œ ( oœ) œ(œ ) (œ )
œ
&
æ
œ œ œ œœ ..
sub.#
œœ .. b œ
N œ
!
%
nœ
P
gl.
III
IV
3o5
]
o
( œ)
œ œ ‰ bœ œ. ‰
œ œ ‰ n œ œ . œ œæ wæ
@J æœ w
3
# $
3
N
ord.
(no trem)
[
"fingered harmonic
tremolo" (See note on page 1).
[
3o5
o ]
(œ )
b œ œœ@..
sub.
#
!P
!
P
9
o
o
wwæ
p
[BT: bowed tremolo]
(œ )
wwæ
b ˙˙æ..
P
(œ )
BT
o
(œ )
œœ@ œœ@
Í
!
wæ
w
p
5
BT
o
( œ)
œ@ ˙ . Ó
œ@
œ œ ˙.
ß p
[
3o5]
oæ
( œ)
o
œ œ .(œ ) ˙æ ˙ .
œ œ. ˙ ˙.
ß p
not a
harm.
Œ
!
3
j
!
@œ . œ(œo) œæ œ@(œo ) œ
œ. œ œ œ œ
ß ß
tasto (moltissimo)
9
o
o
oœ
( œ)
o
BT
BT ( œ)
( œ ) BT( )
j
œ@ œ@
æ œ@j œ œ@.
æœ .
b
œ
œ
œ.
œ œ œ œ. œ œ œ œ œ.
3
p
9 3o5o˙æ
[
(no
trem)
(œ )
j
œ ˙
P
]
!
o œo œo œo
o
o
œ
b
œ
o
II
o œo œ b œ
III b œ
at the tip
[
3o5]
æ o
j ˙ (œ)
-œ ˙
F
(no
trem)
P
molto accel.
al fine
œ œ œ œ œ œ œ œ œ
@ @ @ @ @ @ @ @ æ
5
# 3
ÿ.
R
[let the bow "put out"
the last pitch: move the
bow so far tasto that it
comes in contact
with the finger]
&‰
sonno beato J.S.
œ . ( œo!) BT
o
o
@ ! @ @ @ ! œ@.
œ . œœ œœ .. b œœ œœ œœ œœ œœ œ .
ƒ ƒ
ç$
(œ )
BT
o
(œ )
( œ)
oj
œ@ .
œ.
ƒ
(œ )
j
œ@ .( œo)
œ.
ƒ

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