64 47694-2 - Arts Music

Transcript

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Red Line
"They capture well the rustic or parodistic or comic elements in many of the selections, as well as the more refined ones. They use
their instruments freely, but with good taste. I really enjoyed listening to this program" American Record Guide
"Superb!": 5 Diapasons in the French magazine Diapason "It's above all the quality of the tone and the style which charms us"
"Optimum interpretation" CD Classica
"A very interesting interpretation ... good acquisition" Scherzo
Bach, Johann Sebastian
Orchestra of the Moscow Bach
Suite No. 1 BWV 1066
Adagio and Symphonia from Easter Oratorio Centre / Sergey Miassojedov
BWV 248
Red Line
Orchestra Suites Vol. 2
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Vecchie Letrose/Italian Renaissance Music
L'amor donna, Non dormite, L'è pur morto Feragù, Ci
riuniam (Anonymous), Pavane (Phalese), Su su leva,
Se ben hor, Pan de miglio (Tromboncino), Ma
Syntagma Musicum
magdalena (Attaignant), Le vecchie per invidia,
Vecchie letrose, Sempre mi ride (Willaert), Non si
vedrà (Capirolo), Recercada (Ortiz), O felici
(Arcadelt), Reihentanze (Susato), D'un bel (Zesso) ...
Orchestra Suites Vol. 1
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Arcadelt, Jacob
Attaignant, Pierre
Phalese,
Trombocino,
Willaert,
Capirolo, Ortiz,
Susato, Zesso, Crema, Lasso,
Moderne, Mantovano, Gastoldi
Sinfonia from Cantata BWV 21
Sinfonia from Cantata BWV 209
Orchestra of the Moscow Bach
Centre / Sergey Miassojedov
Motets BWV 225-230
Singet dem Herrn BWV 225
Jesu, meine Freude BWV 227
Coro della Radio Svizzera
Fürchte dich nicht BWV 228
I Barocchisti
Komm, Jesu, komm BWV 229
Diego Fasolis
Der Geist hilft unserer Schwachheit BWV 226
Lobet den Herrn BWV 230
Magnificat BWV 243
Cantata BWV 21 "Ich hatte viel
Bekümmernis"
Motet BWV 225 "Singet dem Herrn ein
neues Lied"
Ensemble Vanitas
Diego Fasolis
Mass in B minor BWV 232
(2 CDs)
Invernizzi, Dawson, Banditelli,
Prégardien, Mertens
Sonatori de la Gioiosa Marca
Diego Fasolis
Johannes-Passion BWV 245
(2 CDs)
Invernizzi, Schubert, Ovenden,
Mertens, van der Meel
Coro Della Radio Svizzera
Ensemble Vanitas
Diego Fasolis
Nancy Argenta, Guillemette
Psalm 51 from Pergolesi's Stabat Mater
Laurens
BWV 1083
I Barocchisti
Cantata BWV 170
Diego Fasolis
Red Line
Blue Line
Red Line
Red Line
Red Line
Blue Line
ARTS MUSIC RETAIL CATALOGUE
"purity of the voices, virtuosity, precision in the phrasing, clean articulation and declamation ... Fasolis excels in the mastership of
directing double choirs" Répertoire
"Simply a terrific recording" American Record Guide
"You can't get enough of this sound ecstasy" Alte Musik Aktuell
5 Stars in CD Classica 4 Stars in Amadeus 4 stars in Musica
"Splendid interpretation by the Coro della Radio Svizzera" Musica e Dischi
"Superb!": 5 Diapasons in the French magazine Diapason
"A perfectly fine rendition ... The opening orchestral outburst springs into action as it should, the trumpets' gleaming tone properly balanced
with the rest of the players, and when the chorus enters it's one grand show ... 9/10" classicstoday.com
"The religious emotions are at their zenith ... Excellent cohesion of the singers ... pure sound of rare intensity" Répertoire
"A very recommended disc" Opera
"Most fine and equilibrated choir sound ... And a very differentiated instrumental interpretation of these sacred pieces" Orpheus
"10 de Répertoire" in French magazine Répertoire "Apocalyptic ... prodigious"
"Exceptional ... very well recorded ... The excellent orchestral playing is wonderfully alive and pointed, and the small Swiss choir (22 strong) articulate precisely and cleanly, as indeed they
do throughout ... heavenly duetting of Invernizzi and Dawson ... brilliantly incisive trumpets and bold, crisp timpani leading onto some thrillingly vibrant choral work ... Fasolis, a conductor
... whose inspired direction galvanises his forces to electrifying effect. This is a highly distinguished set that can take place among the very best versions" Goldberg
"Five first class soloists" Klassik Heute
"Very convincing" FonoForum
5 Stars in Classic CD
"A stunning offer for this price" Scherzo
"Diego Fasolis's new recording offers a stellar line-up of soloists" BBC Music Magazine
"Sensitive, well-shaped performance" American Record Guide
"Vital to Fasolis's inspired leadership are the instrumental ensemble Sonatori della Gioiosa and the Coro della Radio Svizzera, who deliver passionate, world-class performances.....
outstanding" 9/9 from classicsToday.com
"Optimum interpretation: I do not think that you're going to hear every day an interpretation of such perfection and musical significance" CD
Classica
"With magnificent dramatic recitatives ... and a first class musical contribution" Diapason
"The contributions of the soloists are very positive ... A graceful choir and orchestra" American Record Guide
"The soloists are on top form ... I shall certainly return to this" Gramophone
"Belongs to the best" Orpheus
"Not less than seven recordings of 'Tilge Höchster, meine Sünden' have been released in the last ten years. This production is not only the best regarding the recording technique
and the booklet, but also regarding the interpretation ... This recording excels through the exactitude, the concentrated seriousness devoted to the interpretation" Musik & Kirche
"The new production is already welcome due to its interesting program. Also pleasant is the encounter of two stars of the baroque singing, Nancy Argenta and Guillemette Laurens
... The choir impresses with its flexibility ... The instrumentalists are amazing" klassik.com
4 Stars in Musica: "Two exceptional voices: Nancy Argenta and Guillemette Laurens"
"This is a worthy performance by an accomplished period-instrument ensemble and vocal soloists" American Record Guide
"These two recordings confirm the places of Diego Fasolis and the ensemble I Barocchisti among those musicians who really count. The abundance of sound, the intensity of
colours, the enthusiasm of rhythms and the comprehension of the passages all contribute to an interpretation which is both animated and distinguished" Le Monde de la Musique
"warmly coloured performances.... accomplished singing.... sure-footed knowledge of the repertoire....the touch of excellence" Goldberg
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Ouvertüre nach französischer Arts BWV 831
Italienisches Konzert BWV 971
Sonate d-Moll BWV 964
Adagio G-Dur BWV 968
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Organ Masterworks
Toccata and Fugue BWV 565, Chorale
(Cantata BWV 147), Passacaglia and Fugue
BWV 582, Chorale Prelude BWV 699, Organ Arturo Sacchetti
Concerto BWV 593, Prelude and Fugue BWV
539, Chorale Prelude BWV 727, Pastorale
BWV 590, Chorale BWV 733
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N. Argenta, B. Landauer,
D.Auchincloss
I Barocchisti
Diego Fasolis
Cantatas BWV 198 "Trauerode"
BWV 106 "Actus tragicus"
BWV 196
BWV 53
Alfonso Fedi
Blue Line
"Argenta convinces thanks to her secure technique and her differenciated interpretation as maybe one of the best four soloists ... a good recording of the four Bach cantatas" klassik.com
"As expected the recording is once again brilliant" CD-Umschau
"These two recordings confirm the places of Diego Fasolis and the ensemble I Barocchisti among those musicians who really count. The abundance of sound, the intensity of colours, the
enthusiasm of rhythms and the comprehension of the passages all contribute to an interpretation which is both animated and distinguished" Le Monde de la Musique
5 Stars from MUZYKA 21
"a highly recommendable release... notable for the precision of the fine choir and instrumental group and the excellence of the soloists" American Record Guide
"...the strong bass-singer Georg Zeppenfels and the well established mezzo-soprano Guillemette Laurens makes you listen attentively" pizzicato
9 Points from the French magazine Répertoire
Red Line
Red Line
"Fedi is worth owning because he is so consistently inventive and exciting" American Record Guide
Sonatas for Viola da gamba and
harpsichord
Sonata BWV 1028
Sonata BWV 1027
Sonata BWV 1029
Bettina Hoffmann, Alfonso Fedi
Red Line
The complete Sonatas & Partitas for
Solo Violin - Vol. 1
Sonata No. 1 in G minor BWV 1001
Partita No. 1 in B minor BWV 1002
Sonata No. 2 in A minor BWV 1003
Brian Brooks
Blue Line
"It is a more than competent rendition" American Record Guide
"Brian Brooks doesn't just play these works well, he does so with the virtuosity of a Milstein" American Record Guide
4 stars: "A jewel" Musica
The complete Sonatas & Partitas for
Solo Violin - Vol. 2
Partita No. 2 in D minor BWV 1004
Sonata No. 3 in C BWV 1005
Partita No. 3 in E BWV 1006
Das Wohltemperierte Clavier, Teil I
(2CDs)
Brian Brooks
Ottavio Dantone
Blue Line
Blue Line
BWV 846-869
Das Wohltemperierte Clavier, Teil II
(2CDs)
Ottavio Dantone
Blue Line
BWV 870-893
Awarded “R10” in French magazine Repertoire
“an absolute must and a Bach for the Olymp” Pizzicato
"Dantone's Well-Tempered Clavier is simply the best available right now ... Dantone opens the door to a new world ... The most important harpsichord
recording ever" American Record Guide
"Superb sonics" classicstoday.com
"One of the best recordings available of the Well-Tempered Clavier ... The combination of the beautiful instrument, excellent recording and uniquely
personal interpretation puts this among the few truly indispensable recordings of this work" musicweb-international.com
5 Stars in Musica
5 Stars in Suonare News
"CD of the month" Scherzo
Awarded “R10” in French magazine Repertoire
“an absolute must and a Bach for the Olymp” Pizzicato
"Dantone's Well-Tempered Clavier is simply the best available right now ... Dantone opens the door to a new world ... The most important harpsichord
recording ever" American Record Guide
"Breathtaking sonics" classicstoday.com
"One of the best recordings available of the Well-Tempered Clavier ... The combination of the beautiful instrument, excellent recording and uniquely
personal interpretation puts this among the few truly indispensable recordings of this work" musicweb-international.com
5 Stars in Musica: "The new ARTS standard is an absolute reference"
5 Stars in Suonare News
"CD of the month" Scherzo
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Handel, George Frideric
Telemann, Georg Philipp
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Mozart, Wolfgang Amadeus
Beethoven, Ludwig van
Giordani, Giuseppe
Lucia Popp and Jorma Hynninen sing
Cantatas and Arias by Bach, Handel,
Telemann
Jauchzet Gott in allen Landen, Großer Herr und
starker König (Bach), Ich danke dem Herren von
ganzem Herzen, Er sendet eine Erlösung seinem
Volk (Telemann), Sie schallt die Posaun, Kommt,
all Ihr Seraphim (Handel)
The Life of Jesus in Music
Excerps from Messiah (Handel)
Excerps from Macc in C minor (Mozart)
Excerps from Cantata 21, Johannes-Passion,
Easter Oratorio, B minor Mass and Magnificat
(Bach), Excerps from Christus am Ölberge
(Beethoven), Excerps from Tre Ore di Agonia
(Giordani)
Lucia Popp
Jorma Hynninen
Carole Dawn-Reinhart
Amsterdam Chamber Orchestra
Marius Voorberg
Various
Arts Archives
Red Line
Her (Lucia Popp's) elegant and shining voice fills all of these tracks with optimism and soul mouvement-nouveau.com
"Popp sings beautifully" TUROK'S CHOICE
"Sheer delight from start to finish" musicweb-international.com
Handel: "Highly interesting cast ... The choir and instrumentalists give their very best" Orpheus
Mozart: "There is an operatic quality to this Mass and Lynda Russell is affecting in the Et Incarnatus est, which is an aria as
demanding and important as any in the operas" musicalpointers.co.uk
Bach (Johannes-Passion): "Optimum interpretation: I do not think that you're going to hear every day an interpretation of such
perfection and musical significance" CD Classica
Giordani: Star for extraordinary repertoire: "Close to the liturgical context, the prayers in this recording are performed expressively
and lucid" FonoForum, Bach (Cantata 21): "Superb!": 5 Diapasons in the French magazine Diapason
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Sammartini, Giuseppe
Geminiani, Francesco
Castrucci, Pietro
Bartók, Béla
Liszt, Franz
Bax, Sir Arnold
Lambert, Constant
Rieti, Vittorio
Sonata in G major, "Pièces de Clavecin"
(Geminiani)
Sonata in G major (Castrucci)
Collection of Old Scot Tunes, Sonata in a
minor (Barsanti)
Der Weihnachtsbaum R 71 (Liszt)
Román Kolinda-Dallamok (Bartók)
Michel Henry, Roberto Gini,
Diana Petech
Pietro Spada
Nonet (Bax)
Concerto for Piano and nine
de Curtis, Feige
instruments (Lambert)
Harmonia Ensemble
Serenade for Violin and little Orchestra Giuseppe Grazioli
(Rieti)
The Complete Symphonies
(5 CDs Box)
Orchestra di Padova e del Veneto
/ Peter Maag
Symphonies Nos. 2 & 4
/ Peter Maag
Red Line
Red Line
Red Line
"Good interpretation" CD Classica
5/5 points in Spanish magazine RITMO
"Interesting, seldom played repertoire" Scherzo
Red Line
"There is a great personality and humanity in these performances" classicstoday.com
"I like especially ... the feeling of naturalness and ´rightness´ that Maag brings to most of his work" musicalpointers.co.uk
"Maag's account of the nine symphonies of Beethoven constitute one of the very finest sets ... Strongest recommendation. Five stars"
amazon.com
"Great value ... breadth, flexibility, wit and an all-pervading sense of musical line are among its many virtues ... a crucial consideration"
Gramophone
"Some of the most personable Beethoven performances I've heard" Gramophone
"the performance fo the Symphony No. 9 is leaving you speechless....overwelmingly!" OAA-Aktuell
Listed in Best Recordings of the Year 1995 in the German magazine Musik & Theater
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Italian Musicians in London
Barsanti, Francesco
Red Line
"Even collectors who swear by their Toscaninis, Furtwänglers and Karajans stand to learn something from Maag" Gramophone
"Absolute excellence" Musica
Symphonies Nos. 3 "Eroica" & 1
/ Peter Maag
Red Line
"...Beethoven's Eroica is played for power as well as sonorous beauty. The 1799 C Major symphony is played for its coy classicism,
its deliberate withholding of harmonic resolutions, its songful, glossy sonorities. This set will bear positive and even surpass
comparisons" Classical disCDigest
"There is always room for a performance of special distinction" Fanfare
"These are fine performances with leisurely pacing and a sense of refined grandeur" American Record Guide
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Piano Concertos Nos. 1-5
Fantasia in C minor for Piano, Chorus
and Orchestra op. 80
(3 CDs)
Galina Vracheva
Kiev Chamber Orchestra & Chorus
Roman Kofman
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Piano Concertos Nos. 1 & 2
Galina Vracheva
Roman Kofman
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Piano Concertos Nos. 3 & 4
Galina Vracheva
Roman Kofman
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Piano Concertos Nos. 5
Fantasia in C minor for Piano, Chorus
and Orchestra op. 80
Galina Vracheva
Roman Kofman
Schottische Volkslieder op. 108
Canti Italiani a cappella WoO 99
Irische Lieder WoO 152, 153
Lieder WoO 141, 123, 149
Lieder verschiedener Völker WoO 157
Cantata campestre WoO 103 "un lieto brindisi"
Kanons WoO 101, 184, 196, Hess 276, 277
Amy Lawrence, Marco Beasley,
Dorothée Labusch
Andrea Marcon, Giorgio Fava,
Walter Vestidello
Diego Fasolis
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Symphonies Nos. 5 & 6 "Pastorale"
/ Peter Maag
Red Line
Red Line
/ Peter Maag
Symphony No. 9 "Choral"
Athestis Chorus
Peter Maag
5 Stars in Musica
"Even collectors who swear by their Toscaninis, Furtwänglers and Karajans stand to learn something from Maag" Gramophone
Red Line
"Rare to listen to such intense and motivated interpretations ... Not even one imperfection" Musica
"Maag's approach echoes Bruno Walter's. But Maag favors a leaner sonority, secures a more richly detailed texture, and draws a
sharper motivic profile ... a Ninth that is aesthetically whole and emotionally compelling" Fanfare
"Rare to listen to such intense and motivated interpretations ... One of the best interpretations ever" 5 Stars in Musica
Red Line
"It's all quite fascinating" classicsToday.com
Red Line
Red Line
Red Line
"This tone is irresistible" Répertoire
Red Line
"A publication to welcome with enthusiasm for the loveliness of this almost undiscoverable music ... High accuracy of the
interpretation and the technical level of the recording" CD Classica
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Hummel, Johann Nepomuk
Hoffmann, Giovanni
"Duilio Galfetti and Diego Fasolis play with such freshness and instinct ... that listening becomes a real pleasure" Klassik Heute
Duilio Galfetti
Diego Fasolis
Red Line
"Concerning the technique, this is an exciting CD ... You won't find anyone for whom the charm of this sound combination would
not be a real inspiration" Salzburger Nachrichten
Piano Trios Vol. 1
Trio No. 7 op. 97 "Archduke"
Trio No. 3 op. 1,3
Trio Italiano
Red Line
"The Trio Italiano produces self-evident lightness in Beethoven's Archduke trio and opus 1/3, renounces the overpressure and
ennobles Beethoven's violence with southern elegance" FonoForum
Piano Trios Vol. 2
Trio No. op. 1 Nr. 1
Trio op. 1 Nr. 2
14 Variations on an original theme op. 44
Trio Italiano
Red Line
Piano Trios Vol. 2
Trio op. 70 No. 1 "Ghost"
Trio op. 70 Nr. 2
Kakadu-Variations
Trio Italiano
Complete works for Winds and Brass
Vol. 1
Octet in E-flat major op. 103
Rondino in E-flat major, WoO 25
Sextet in E-flat major op. 71
Three Duos WoO 27
Complete works for Winds and Brass Vol. 2
Marches and Trios WoO 18-20, Polonaise D
major WoO 21, Ecossaise D major WoO22,
March B flat major WoO 29, Quintet E flat major
Otetto Italiano
Hess 19, Adagio F minor, Three Equale WoO 30,
Trio C major op. 87, Variations C major "Là ci
darem la mano" WoO 28, Allegro and Minuet G
major WoO 26
Otetto Italiano
Red Line
Red Line
Red Line
Quartet Transcriptions
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Mandolin & Fortepiano
Andante con Variationi D-Dur WoO44 No. 2,
Sonatine C-Dur WoO44 No. 2, Sonatine c-Moll
WoO43 No. 1, Adagio ma non troppo Es-Dur
WoO43 No. 3 (Beethoven)
Grande Sonata op. 37 (Hummel)
Sonata in D minor, Sonata in G major
(Hoffmann)
Schubert, Franz
Mahler, Gustav
Concertgebouw Chamber
String Quartet in D minor D.810 "Death and
Orchestra
the Maiden" (Schubert/Mahler)
Marco Boni
String Quartet in F minor op. 95 "Serioso"
(Beethoven/Mahler)
Quintet in E flat major for piano, Oboe,
Clarinet, Horn and Bassoon K.452
(Mozart)
Quintet in E flat major for Piano, Oboe,
Clarinet, Horn and Bassoon op. 16
(Beethoven)
Michel Dalberto
Members of Ottetto Italiano
Red Line
Blue Line
"The Trio Italiano is mature, strong, warm in tone, polished. This recording is very good and well worth your attention" American
Record Guide
"The performers are in full command of Beethoven´s idiom and summon the character, mood, and expression of these works with
unparalleled musicianship. Sonics are faithful and clean, nicely complementing the woody quality of the ensemble. I have no
reservation about recommending this disc" American Record Guide
Editor’s Choice in German magazine Klassik Heute
"Stunning opportunity" RITMO
"Light, fluid play of the Italians ... with humour, tenderness" Répertoire
"Ottetto Italiano plays with elegance, zest and a keen feeling for the music´s wit and colour. An hour of stress-free late-night
listening" BBC Music Magazine
5 Stars in BBC Music Magazine
"Recommended: relaxed, brilliant, full of fantasy, with a superb sound quality, and spontaneous in the virtuosity of the play ... this
interpretation confirms the excellence of the Ottetto Italiano" Répertoire
"Stunning opportunity" RITMO
"Boni secures exquisite tone from his orchestra" Classic CD
"A first option CD ... high quality of interpretation and price" Scherzo
"Music on a high level" 4 stars in FonoForum
"Boni heading the excellent Concertgebouw chamber orchestra, he restitutes all the verve, the urgency and the suffering ... a
flamboyant reading" Diapason
Editor's Choice: "A product of great quality ... One of the most interesting pianists of the last years ... Fantastic technique ... A
splendid issue" Compact Disc Classics
"Artistic judgement: optimum" Audiophile Sound
"The Italians achieve here a Mozart in full beauty ... a very touching version, not only because of its charm, of the fruity timbres of
the winds ... (it's living!), of the humour, the tenderness, but also because of Dalberto ... in perfect osmosis with his partners. A
nice CD, enthusiastic ..." Répertoire
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Giordani, Giuseppe
Opera Arias
Cornelius, Peter
Lortzing, Albert
Kienzl, Wilhelm
Schubert, Franz
Die Zauberflöte, Zaide (Mozart)
Der Barbier von Bagdad (Cornelius)
Undine, Der Waffenschmied (Lortzing)
Der Kuhreigen (Kienzl)
Fierabras (Schubert)
Fidelio (Beethoven)
Bellini, Vincenzo
Bellini, Vincenzo
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Bellini, Vincenzo
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(Giordani)
Donizetti, Gaetano
Verdi, Giuseppe
Puccini, Giacomo
Leoncavallo, Ruggero
Mascagni, Pietro
Various
Red Line
Fritz Wunderlich,
Radio-Sinfonieorchester Stuttgart,
Berner Stadtorchester / Carl
Schuricht, Alfons Rischner, Hans
Müller-Kray
"Fascinating archive material from both ends of the admired tenor's short career" Gramophone
"One of the most beautiful record of Lieder ever recorded ... breathtaking" Pizzicato
"impeccable diction ... youthful, golden, agile voice ... Incredibly light singing. Excellent accompaniments throughout"
classicstoday.com
"beyond the shadow of a doubt ... A real muss" klassik.com
"a beautiful recording, great sound ... There has hardly ever been a more beautiful tenor voice" American Record Guide
La Sonnambula - Highlights
Lind, Matteuzzi, Salomaa,
Ganassi, Donzelli, De Candia,
Pastoor/
Orchestra of Eastern Netherlands
/
Gabriele Bellini
"Recording Excellent" Gramophone
4 Stars in RITMO: "Lind is the star, Matteuzzi the tenor with very spectacular high notes"
"Most touching is probably the youth of the interprets ... At that time, people started speaking about Eva Lind ... Matteuzzi was already a
champion of the extremely high notes" Diapason
"I intend to give this set a prominent spot on my record shelves and hope you will share my enthusiasm" American Record Guide
"The director has a good precision and still makes a lyrical flow in the music possible" KLASSIK heute
La Sonnambula
(2 CDs)
Lind, Matteuzzi, Salomaa,
Ganassi, Donzelli, De Candia,
Pastoor/
/
Gabriele Bellini
Famous Opera Choruses
Norma (Bellini)
Don Pasquale (Donizetti)
Nabucco, I Lombardi alla Prima Crociata,
Macbeth, Il Trovatore (Verdi)
Madama Butterfly, Turandot (Puccini)
Pagliacci (Leoncavallo)
Cavalleria Rusticana (Mascagni)
Coro e Orchestra Maggio Musicale
Fiorentino
Maurizio Arena
Red Line
Red Line
Berio, Luciano
Boulez, Pierre
Berio, Luciano
Sciarrino, Salvatore
Bussotti, Sylvano
Xenakis, Iannis
Lieder
" Wonderful phrasing, admirable timbre, perfect technique...." Pizzicato
"In our "musically correct" times it is always exciting to listen again to Fassbaender in an unusual and interesting program " TIMBRE DE PLATINE from Opéra
"Fassbaender offers an astonishing and intelligent rendition of these scores "fin de siècle" Crescendo
"Recommandable" 4 Diapason from the French magazine Diapason
5 Stars from MUSICA: "Admirable Berg, Intense, theatrical but never self satisfying Mahler"
"...these sad tales.... find perfect response from the singer (Fassbaender)....Wustman is an admirably alert and perceptive partner throughout" Gramophone
"...as only Fassbaender can recreate them (Mahler's kolksongs): lusty, larger than life and brimming with attitude and, finally, anguished pain" BBC Music Magazine
Brigitte Fassbaender
John Wustmann
Folk Songs, Sequenza VI, Les Mots sont Contempoartensemble
allés... (Berio)
Luisa Castellani
Dérive (Boulez)
Mauro Ceccanti
Introduzione all'oscuro (Sciarrino)
Nascosto (Bussotti)
Différences (Berio)
Waarg (Xenakis)
Contempoartensemble /
Mauro Ceccanti
"Recording Excellent" Gramophone
4 Stars in RITMO: "Lind is the star, Matteuzzi the tenor with very spectacular high notes"
"Most touching is probably the youth of the interprets ... At that time, people started speaking about Eva Lind ... Matteuzzi was already a
champion of the extremely high notes" Diapason
"I intend to give this set a prominent spot on my record shelves and hope you will share my enthusiasm" American Record Guide
"The director has a good precision and still makes a lyrical flow in the music possible" KLASSIK heute
"Despite its limitations this issue could open the door to a highly enjoyable and fulfilling road of discovery" musicweb-international.com
Red Line
Berg, Alban
Mahler, Gustav
Ogermann, Claus
Red Line
Red Line
5 notes in French magazine Opéra International: "A disc to put between all ears!"
"Love of doing music and feeling for style" FonoForum
"A breathtaking rendition of Berio's Sequenza VI for solo viola ... Virtuoso mastership ... An impressive interpretation" Musik &
Markt
"A personal and original reading" Répertoire
The first CD being part of the exhibition in the Museum of Modern Art (MoMA)
"The interpretation is voluptuous, majestic and incredibly precise" Répertoire
"Most enterprising issue of this label ... The Contempoartensemble under Mauro Ceccanti plays with real passion" Classic CD
"The ContempoArt Ensemble has a tremendous power of fascination" FonoForum
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Orfeo
Red Line
"Directed with plenty of spirit by Claudio Scimone ... title role is sung splendidly by Dolores Ziegler" Gramophone
"The performance is very pleasing. High praise goes to Claudio Scimone both for his confidence in the score and for his lively, perceptive
direction" American Record Guide
"A festival of vibrating life" Musik + Theater
"A recording filled with wonderful voices" Orpheus
"A charming Gluck in Italian" FonoForum
"Fascinating" Fanfare
Sinfonie Vol. 1
Sinfonia op. 35 No. 2 in E flat major
Sinfonia op. 35 No. 4 in F major
Sinfonia op. 35 No. 5 in E flat major
Accademia Strumentale Italiana /
Giorgio Bernasconi
Red Line
Giorgio Bernasconi
Red Line
Giorgio Bernasconi
Red Line
"The strings play with excellent ensemble ... understanding and worthwhile interpretations" American Record Guide
Sinfonie Vol. 2
Boccherini, Luigi
Sinfonia op. 37 No. 1 in C major
Sinfonia op. 21 No. 3 in C major
Sinfonia op. 37 No. 3 in D minor
Sinfonie Vol. 3
Boccherini, Luigi
Sinfonia op. 35 No. 1 in D major
Sinfonia op. 45 in D minor
Sinfonia op. 41 in C minor
4 Cello Concertos
47568-2
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Boccherini, Luigi
47285-2
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Bertoni, Ferdinando
Dolores Ziegler, Cecilia Gasdia,
Bruce Ford,
Ambrosian Opera Chorus /
John McCarthy, I Solisti Veneti /
Claudio Scimone
Boccherini, Luigi
Boïledieu, François-Adrien
Dittersdorf, Karl Ditters von
Concerto
Concerto
Concerto
Concerto
No.
No.
No.
No.
10 in D major G.483
2 in D major G.479
3 in G major G.480
9 in B flat major, G.482
Wen-Sinn Yang
Streicherakademie Bozen
Georg Egger
Blue Line
5 Stars in German magazine FonoForum
nominated for the German “Audiophile Reference Award
Editor’s choice in Compact Discs Classics
"My ears are wiggling in enjoyment" American Record Guide
"A sweetness of tone, purity of line ... quite disarming" International Record Review
"fine cellist, remarkably good orchestra, beautifully recorded" American Rec. Guide
"Yang encapsulates the elegance and charm of the melodic writing while still giving great energy ... Elegance ... charm ... energy ... sparkling
passagework and vividly characterised melodic lines" The Strad
"marvelous performances" classicstoday.com
Harp Concertos
Concerto op. 4 No. 6 (Handel)
Concerto (Dittersdorf)
Premier Concerto (Boïledieu)
Claudia Antonelli /
Innsbrucker Kammerorchester /
Hans Ludwig Hirsch
Red Line
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19.08.2009
47603-2
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Bossi, Marco Enrico
47672-2
Organ Works
Boulanger, Lili
Debussy, Claude
Satie, Erik
Milhaud, Darius
Ravel, Maurice
Tailleferre, Germaine
Poulenc, Francis
Ibert, Francis
Schero, Inno trionfale, Halleluja, Siciliana,
Étude symphonique, Chant du soir, Entrée
Pontificale, Ave Mria, Rédemption, Thèmes
et Variations, Pièce Héroïque, "Fatemi la
Grazia", Ländliche Szene
Arturo Sacchetti
Musique & Art Nouveau
La Plus que Lente, Rêverie, Clair de Lune (Debussy),
Gymnopédie No. 1, Le Piccadilly, Gnossienne No. 3
(Satie), D'un vieux jardin, D'un jardin clair, Cortège
Cristina Ariagno
(Boulanger), Trois Rag-Caprices (Milhaud), Pavane
(Ravel), Pastorale, Romance, Hommage (Tailleferre),
Mouvements perpétuels (Poulenc), Le petit âne blanc,
A giddy girl (Ibert)
Red Line
"an interesting concept ... Cristina Ariagno makes a good case ideas in the notes, and the designs an illustrations complement this
most effectively ... Sound engineer Matteo Costa has furnished an absolutely gorgeous, plush sound with rich deep bass" American
Record Guide
Blue Line
"An authentic pearl" Musica
"An enthusiastic recital of French music from the decades straddling the nineteenth and twentieth centuries" musicwebinternational.com
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Arts Archives
"Kempe's testament. Highly recommended!" klassik.com
"A magnificent complete collection. Recommended" CD Compact
"A very nice work, coherent, constantly high level and wonderful classicism" Répertoire
"These versions are magnificent examples of the great brahmsian who was Kempe ... a twilight Brahms" Amadeus
"a breathing, vibrating interpretation ... a reference recording" Musik + Theater
"Kempe's musicianship bears the listener along on a tidal wave" klassik-heute.de
"A grandiose direction" Contrappunti
Arts Archives
"A magnificent complete collection. Recommended" CD Compact
"These versions are magnificent examples of the great brahmsian who was Kempe ... a twilight Brahms" Amadeus
"A very nice work, coherent, a constantly high level and wonderful classicism" Répertoire
"Kempe's testament. Highly recommended!" klassik.com
"a breathing, vibrating interpretation ... a reference recording" Musik + Theater
"A grandiose direction" Contrappunti
"Kempe ... gets a warm patina from his Munich players, a linear, directed luster ... the readings are more than solid and represent a
gifted conductor in his natural milieu" Audiophile Audition (audaud.com)
43013-2
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Münchner Philharmoniker /
Rudolf Kempe
"Love of doing music and feeling for style" FonoForum
Münchner Philharmoniker /
Rudolf Kempe
47136-2
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5 notes in French magazine Opéra International: "A disc to put between all ears!"
Brahms, Johannes
Hungarian Dances
for piano four hands
Duo Hector Moreno Norberto Capelli
43126-2
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Brahms, Johannes
Red Line
Brahms, Johannes
Liebeslieder-Waltzer
Op. 52 & Op. 65
Chöre Op. 93A & Op. 104
Martin Galling, Michael Leuschner
/ Gächinger Kantorei / Helmuth
Arts Archives
Rilling
"A real joy from start to finish. Engaging and warm-hearted music-making that walks on the bright side of the street" musicwebinternational.com
"pleasant listening" BALLET REVIEW
Piano Concerto No. 2
Academic Festival Overture
Alexis Weissenberg / Orchestra
Sinfonica della RAI di Torino /
Peter Maag
"An unattended document ... Excellent concert performance" classicstodayFrance.com
"Another outstanding document from the archives of Italian Radio with the great Peter Maag. The concerto also finds Weissenberg
on top form and these are rightly performances to treasure" classical.net
"pure nostalgia" FonoForum
"Maag... leads a fine reading of the overture and an involved accompaniment" Turok's Choice
"A sleeper disc that is simultaneously a wake-up call for an enchanting 80 minutes of music" AUDAUD.com
43038-2
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Berio, Luciano
Folk Songs, Sequenza VI, Les Mots sont Contempoartensemble
allés... (Berio)
Luisa Castellani
Dérive (Boulez)
Mauro Ceccanti
Brahms, Johannes
43058-2
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Boulez, Pierre
Brahms, Johannes
Symphony No. 1
Brahms, Johannes
Alto Rhapsody Op. 53
Brahms, Johannes
Lieder - Liebestreu, Meine Lieder, An eine
Äolsharfe, Auf dem Kirchhofe, Über die Heide,
Im Garten, Verzagen, Es hing der Reif,
Nachklang, O kühner Wald, Wehe, so willst du
mich wieder, Gestillte Sehnsucht, Geistliches
Wiegenlied, Mädchenlied, Die Mainacht,
Ständchen, In stiller Nacht, Von ewiger Liebe
Red Line
Arts Archives
Lucia Valentini-Terrani
Orchestra Sinfonica RAI di Torino
/
Arts Archives
Coro e Orchestra Sinfonica RAI di
Milano
Peter Maag
"Thanks to the efforts of Arts we can rediscover the importance of the artistic legacy of Peter Maag. ... the orchestra engages itself like the conductor, litterally burning in a dazzling and
memorable finale" classicstodayfrance.com
"Lucia Valentini-Terrani's voice is a magnificent instrument which can withstand such close scrutiny, rich, even and luscious in a very Italian way, but always in sympathy with the
music....Maag's conducting is again heartfelt" musicweb-international.com
"Maags interpretations are terrific, because they are the exact opposite of showmanship: Their artistic integrity and inner density are exemplary and truly open up new horizons"
mouvementnouveau.com
"..the quality of the sound is truly superb...Maag's reading of the Symphony is truly one of the most powerful and gripping I#ve yet to come across....Urgently recommended" Fanfare
"unusually exciting and persuasive reading of Brahm's First Symphony by Peter Maag" TUROK'S CHOICE
"...you shouldn't miss this exciting Brahms from Peter Maag. The musical happening is garantied" Pizzicato
"Recommendable... magnificent introspective sections" Diapason
Irwin Gage
Thomas Riebl
Award of the German Critics association Editor’s Choice in German magazine Klassik Heute
Editor’s Choice in Compact Disc Classics Recommended “!!” by Japanese Record Geijutsu
„Platinum stamp“ and editor’s choice in French magazine International Opera
Awarded “R10” in Répertoire: "Eminently subtle ... Fassbaender is master in creating atmosphere"
5 Diapasons in Diapason: "A voice which springs to your soul and drags your heart"
"Fassbaender ... was one of the great mezzo exponents of lieder ... She's entirely at home in the songs and wisely chooses a mix of the familiar
and the not-so-familiar, all sung in a warm voice, clear and bell-like at the top of her range ... An unreserved recommendation"
classicstoday.com
Red Line
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Lieder
Lucia Popp, Geoffrey Parsons
Brahms, Johannes
Lieder (without singer)
Wie rafft ich mich auf, An eine Äolsharfe, Alte Liebe,
Die Mainacht, O komme holde Sommernacht,
Mädchenlied, Dein blaues Auge, Wiegenlied,
Botschaft, Auf dem Kirchenhofe, Wie bist Du meine
Königin, Ständchen, Feldeinsamkeit, Auf dem See,
Das Mädchen spricht, Vergebliches Ständchen,
Sonntag, Von ewiger Liebe
Brahms, Johannes
Trio für Horn, Violine und Klavier Es-Dur
op. 40
Peter Damm,
Sonate für Klarinette und Klavier f-Moll, Josef Suk,
op. 120 No. 1
Dieter Klöckner,
Sonate für Klrinette und Klavier Es-Dur, Werner Genuit
op. 120 No. 2
Brahms, Johannes
Schumann, Robert
Sonata in f minor op. 34b for 2 Pianos
(Brahms)
Pianoquintett op. 44 Revised Version
for 2 Pianos (Schumann)
Irwin Gage
Begoña Uriarte
Karl-Hermann Mrongovius
Red Line
Red Line
Red Line
Blue Line
Brahms, Johannes
Schumann, Robert
Gallus, Jacobus
da Victoria, Tomás Ludovico
da Palestrina, Giovanni Pierluigi
Nascus, Giovanni
de Kerle, Jacobus
Arthur Rubinstein
Orchestra Sinfonica di Torino
BRAHMS – Piano Concerto No. 2 op. 83 della RAI - André Cluytens
in B flat major
Orchestra A. Scarlatti di Napoli
SCHUMANN - Piano Concerto op. 54 in della RAI - Franco Caracciolo
A minor
19.08.2009
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Bayern 4 Klassik - CD-Tip: "Wonderful how subtle and intellegent both artists responde to each other in an agonic way: multiple
dances seem to lead us through emotional regions"
"These exquisitely balanced recordings by the two-piano team testify to a thorough command of their medium and the romantic
style they address with shattering authority" Audiophile Audition
"a sensitive interpretation from the duo..... the brilliant recording technique brings this pleasure to perfection" Robert Schumann
Gesellschaft
Missa ad imitationem Pater noster, Puer
concinite, Repleti sunt (Gallus)
A Ceremony of Carols (Britten)
Una hora, O Regem Coeli (da Victoria)
Hodie Christus natus est (da Palestrina)
Incipit lamentatio (Nascus)
Sanctus - Hosanna - Benedictus (de Kerle)
Wiener Sängerknaben / Anton
Neyder, Hans Gillesberger
Arts Archives
Arts Archives
"The Vienna Boy's Choir ... are superb ... The short work for four voices by Giovanni Nascus ... is certainly one of the best things on
this CD ... The last of the liturgical pieces is the Sanctus, Hosanna and Benedictus from Jacobus de Kerle ... is extremely beautiful
... I recommend this disc to all those interested in 16th century church music" musicweb-international.com
"The "Wiener Sängerknaben" sing very precisely and in dynamically outstanding balanced differentiation" klassik.com
Liederzyklen
Brüggemann, Kurt
Die Ferne Flöte
In meine Träume rufen die Trommeln von
Afrika
Cornelia Melián, Sebastian Bluth,
Sylvia Hewig-Tröscher
Red Line
Buonamente, Giovanni Battista
6<RA F E=h ahcs>7
"How could this release remain unpublished for so long? An outstanding pianist. Splendid" Piano News
„Absolute pure Interpretation“ RITMO
„A great Irwin Gage“ MUSICA
"You can hear as never before Brahms's wonderful rhythmic interchanges and his dramatic changes of texture" American Record
Guide
Arthur Rubinstein
plays
Britten,
Benjamin
43060-2
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Brahms, Johannes
Mahler, Gustav
"A treasure indeed. The well remembered soprano in fine voice and at the top of interpretative form in an intelligent program ... they bring all
their considered artistry to bear" Gramophone
Gramophone: "Awards“ & “Editor's Choice"
"The voice is full of light and her charm irresistible" Répertoire
"Incredibly convincing" FonoForum
10/10 from classicstoday.com: "Popp's Mahler is the highlight of this release. To hear her sing ...with such playfulness mixed with virtuosity is
to be begiled by this music once again"
Seicento Italiano
Castello, Dario / Marini, Biagio / Merula,
Tarquinio / Trabaci, Giovanni Maria /
Falconiero, Andrea / Frescobaldi, Girolamo / 17th Century Italian Music
Kapsberger, Johann Hieronymus / Picchi,
Canzoni, Sonate, Capricci, Gagliarde, Sinfonie
Giovanni / Storache, Bernardo
Accademia Bizantina
Ottavio Dantone
Blue Line
"Artistically and technically a first class recording" 5 Stars in German magazine FonoForum
"The ensemble (Accademia Bizantina) presents an outstanding performance, the music sounds airy and light, spontaneously and sometimes a little bit crazy
- just like it's suppose to be" Crescendo
"Well played, very recommendable" Toccata
"wyl" 5 Stars from MUZYKA 21
"With every note and every work spring seems to be getting closer even more quickly" Brigitte
"The selection of works presented on those recording is indeed a small treasure chest full of wonderful gems that are worth rediscovering. The Accademia
Bizantina under the direction of Ottavio Dantone is an ideal ensemble for this kind of music, etching out interpretations full of elegance and color. The
perfect intonation of instruments..." Classical Net
"one hour of pure delight...wonderful music performed with rare engagement and good taste by Accademia Bizantina" 5 Stars from MUSICA
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Busoni, Ferrucio
Bussotti, Sylvano
Berio, Luciano
Xenakis, Iannis
47203-2
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Chaconne (Bach BWV 1004)
Präludium und Fuge (Bach BWV 533)
Toccata, Adagio und Fuge (Bach BWV 564)
Pietro Spada
Red Line
Complete Transcriptions for Piano-Vol.
2
47575-2
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Busoni, Ferrucio
Caccini, Giulio
Caccini, Giulio
Caldara, Antonio,
Giordani, Scarlatti, Cimador,
Marcello, Piccinni, Martini,
Parisotti, Cimarosa, Scarlatti,
Monteverdi, Gluck
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Complete Transcriptions for Piano-Vol.
1
Caccini, Giulio
Monteverdi, Claudio
Frescobaldi, Girolamo
Dowland, John
D'India, Sigismondo
Jones, Robert
Handel, Georg Friedich
Carissimi, Giacomo
Capirolo, Antonio
Phalese,
Trombocino,
Attaignant, Willaert,
Ortiz, Arcadelt,
Toccata und Fuge (Bach BWV 565)
Choral Preludes (Bach BWV 631, 645, 659,
734, 639, 617, 637/705, 615, 665)
Nascoto (Bussotti)
Waarg (Xenakis)
Mauro Ceccanti
Renato Bruson
RIAS-Sinfonietta Berlin
Roberto Paternostro
Jonas
Beatus Vir
Dives Malus
Red Line
Red Line
Red Line
"The pianist ... fascinates with his musical imagination, a crystalline sound of enormous purity - the use of the pedal is exceptional and an interpretation and technical mastership" Scherzo
"Some of the most exquisite musical statements of the early Italian baroque. I am pleased to have discovered such an adept
performance ... particularly beautiful for all of the improvised nuances and virtuosic flourishes" American Record Guide
"The voice is always warm and full, the singing line has an irreproachable homogeneity. The fans of this superb belcantist will be
delighted" Diapason
Red Line
"Bruson was in good, attractive voice for this recital " musicweb-international.com
William Matteuzzi
Münchner Barocksolisten
Hubert Hoffmann
Hans Ludwig Hirsch
"Matteuzzi sings with appropriate vehemence, even rage, all the while keeping a firm grasp over the florid writing, and ending with
a brilliant high note! We really get the best of both worlds here" Classical.net
Blue Line
"refined performances" TUROK'S CHOICE
Syntagma Musicum
Oratorios
Carissimi, Giacomo
"Pietro Spada's booklet notes reveal a deep understanding of the issues" International Record Guide
Pietro Spada
Madrigali, Arie & Canzoni
Dite o del foco mio, Deh deh dove son fuggiti, Odi
Euterpe, Fillide mia, Aur'amorosa, Udite udite
Tania d' Althann, P. Cherici,
amanati, Dovrò dunque morire, Con le luci d'un bel
Accademia Monteverdi / H.-L.
ciglio, Se voi lagrime e pieno, Amarilli mia bella, Torna
deh torna, Fere selvaggia, Dalla porta d'oriente, Tutto Hirsch
'l dì piango, O che felice giorno, Vedrò 'l mio sol, Belle
rose porporine
Arie Antiche - Caro mio ben (Giordani), Già il
sole del Gange, Sento nel core, O cessate
(Scarlatti), Amarilli, Tu ch'hai le penne (Caccini),
Bel Nume (Cimador), Quella fiamma (Marcello),
Sebben crudele, Come raggio di sol (Caldara), O
nuit (Piccini), Plaisir d'amour (Martini), Se tu
m'ami (Parisotti), Resta in pace (Cimarosa), O
del mio dolce ardor (Gluck)
Dolci miei sospiri - Arie Antice
Dolci miei sospiri, Damigella tutta bella, Quanto
l'alba in oriente, Confintebor tibi Domine
(Monteverdi), Entro nava dorata, O mior cor
(Frescobaldi), In Darkness let me dwell, Come
again sweet love, If my complains, Go crystal
tears (Dowland), Apritevi inferni (Carissimi), Mi
palpita il cor (Handel), Ite caldi sospiri (Jones),
etc..
"Pietro Spada's booklet notes reveal a deep understanding of the issues" International Record Guide
Piccollo, Invernizzi, Tiso, Bez,
Cantor, Beasley, Di Donato,
Nennemann, Bettini, Zanasi,
Abete, Schesig
Sonatori della Gioiosa Marca
Diego Fasolis
Red Line
Red Line
"The most attractive features of this new issue are the excellence of the choir and the lively spirit in which the music is conveyed to
the listener" BBC Music Magazine
"Magnificent ... The CD is a recommendation by all means for its artistic quality, and of course, due to its price" Scherzo
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Carissimi, Giacomo
Monteverdi, Claudio
Dowland, John
D'India, Sigismondo
Jones, Robert
Caccini, Giulio
Casella, Alfredo
Respighi, Ottorino
etc..
William Matteuzzi
Hubert Hoffmann
Hans Ludwig Hirsch
Italia (Casella)
La Boutique Fantasque (Rossini/Respighi)
Moldavian National Symphony
Orchestra / Silvano Frontalini
Blue Line
Red Line
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Castelnuovo-Tedesco, Mario
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Castello, Dario
Marini, Biagio / Merula, Tarquinio / Trabaci, Seicento Italiano
Giovanni Maria / Falconiero, Andrea /
Frescobaldi, Girolamo / Kapsberger,
17th Century Italian Music
Johann Hieronymus / Buonamente,
Giovanni Battista / Picchi, Giovanni /
Storache, Bernardo
Paganini, Niccolo
Giuliani, Mauro
Regondi, Giulio
Legnani, Luigi
Italian Virtuoso
Gran Sonata in La Maggiore (Paganini)
Capriccio Diabolico (Castelnuovo-Tedesco)
Gran Sonata Eroica (Giuliani)
Introduzione e Capriccio (Regondi)
Introduzione, Tema, Variazioni e Finale
(Legnani)
Accademia Bizantina
Ottavio Dantone
Edoardo Catemario
Blue Line
Blue Line
"For lovers of a most seldom program" CD Compact
"The performances are consistently spirited and energetic, and Catemario's charisma comes through even on recording. His
technique is formidable and his tempos fearless" American Record Guide
"The interpretation of this music is sparkling and full of fireworks" Compact Disc Classics
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19.08.2009
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(Geminiani)
minor (Barsanti)
Diana Petech
Red Line
Music for Strings
Catalani, Alfredo
Puccini, Giacomo
Orchestra da Camera di S. Cecilia
Crisantemi, Minuetti I-II, Scherzo, Quartetto,
/ A. Vlad
3 Fugas (Puccini)
Serenatella, A sera (Catalani)
47517-2
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Barsanti, Francesco
Charpentier, Gustave
Weber, Carl Maria von
Goetz, Hermann
Verdi, Giuseppe
Puccini, Giacomo
Massenet, Jules
Smetana, Bedrich
Dvoràk, Antonín
Opera Arias
Zauberflöte, Le Nozze di Figaro (Mozart)
Der Freischütz (Weber), Der widerspenstigen
Zähmung (Goetz), Rigoletto (Verdi), Gianni
Schicci (Puccini), Manon (Massenet), Louise
(Charpentier), The bartered bride (Smetana),
Rusalka (Dvorák)
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Castrucci, Pietro
Chausson, Ernest
Satie, Erik
Fauré, Gabriel
Offenbach, Jacques
Massenet, Jules
D'Indy, Vincent
Lalo, Edourad
Gymnopédies
Gymnopédies Nos. 1 & 3 (Satie), Elégie,
Berceuse (Fauré), Intermezzo et Barcarolle
Orchestra da Camera di Trento e
(Offenbach), Crépuscule (Massenet),
Verona / Diego Dini Ciacci
Chanson Perpétuelle (Chausson), Suite "dans
le style ancien" (D'Indy), Deux Aubades
(Lalo)
Red Line
Lucia Popp
Münchner Rundfunkorchester
Kurt Eichhorn
Red Line
Red Line
"Lucia Popp was forty-three when she gave this recital ... It shows her in marvelous voice in her early maturity ... Technically what is so impressive is, inter alia, control
of dynamics when going up; she maintains scrupulous dynamic gradients and seldom forces the voice. And there is quite enough power at the climaxes as well"
musicweb-international.com
Award of the German Critics association
"Popp had one of the most individual, responsive voices, with its rapid vibrato, exquisitely poised high notes and forward, beautifully articulated diction." Gramophone
"A touching souvenir of her later style" Gramophone
"One of the most accomplished recitals from Lucia Popp" Orpheus
"A sensibility of high level" Scherzo
"A great voice" CD Compact
"Lovers of quality singing and of Lucia Popp’s particular skills should add this clear and well-recorded disc to their collection" musicweb-international.com
"Conductor Ciacci shows excellent judgement in matters of tempos and dynamics" American Record Guide
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19.08.2009
43066-2
47102-2
47696-2
ORT - Orchestra della Toscana/
Donato Renzetti
Chopin, Frédéric
4 Ballades, Fantaisie, Barcarolle, 4
Mazurkas op. 30
47575-2
Sinfonia in re maggiore
Médée Overture
Ifigenia in Aulide Overture
Le crescendo Overture
Cimador, Giovanni Battista
Giordani, Scarlatti, Caccini,
Marcello, Caldara, Piccinni,
Martini, Parisotti, Cimarosa,
Scarlatti, Monteverdi, Gluck
Renato Bruson
Roberto Paternostro
Alessandra Ammara
A. Antoniozzi, J. Williams,
S. Patterson, G. Banditelli,
P. Salomaa, W. Matteuzzi /
/ Gabriele Bellini
47117-2
6<RA F E=hfhfcl>0
Cherubini, Luigi
Orchestra Sinfonica e Coro RAI di
Milano
Peter Maag
Cimarosa, Domenico
Il Matrimonio Segreto
(3 CDs)
47575-2
6<RA F E=hgjgcn>2
Les Abencerages
(2 CDs)
Cimarosa, Domenico
Cimador, Marcello, Caldara,
Piccinni, Martini, Parisotti,
Renato Bruson
Roberto Paternostro
Gradus ad Parnassum op. 44
(4 CDs)
47687-2
6<RA F E=hbac t>8
Cherubini, Luigi
Clementi, Muzio
The Art of playing on the Pianoforte
exemplified in a series of Exercises, in the
Strict and in the Free Styles
Marco Sollini, Andrea Bacchetti
Bruno Canino, Luca Rasca
Francesco Cipoletta,
Maurizio Baglini, Paolo Zannini,
Gianluca Luisi, Enrico Pompili,
Roberto Prosseda
Arts Archives
Red Line
Blue Line
Clementi, Muzio
Complete Piano Works - Vol. 1-9
(9 CDs Box)
Pietro Spada
"... Glorious sound..... A splendid Margheria Rinaldi........absolutely recommendable!" Musik & Markt
"Maags atmospheric and virtuosic Cherubini is a real discovery in many ways and an absolute must for every lover of operas. Very good" Pizzicato
"Rinaldi has a bright, strong voice for Noraime, with the right gleam in it..... Ortiz answers her with a good heroic ring........ Snarski makes an excellent showing as Alamir with
strong dark bass.....a highly interesting opera and a real rarity" Gramophone
"Soloists , choir and orchestra all perform magnificently under Peter Maag's committed baton with a recording that brings out the fine characteristics of this unjustly neglected
work. Full marks to ARTS for resurrecting this legendary performance" classical.net
"Rinaldi is excellent throughout...the recording is thoroughly professional, reproducing orchestra and voices clearly, honestly, and in good balance... this performance is a great
discovery" Fanfare
"This is a fine work, and this is a good performance, well-recorded, and recommended" classicstoday.com
"The Orchestra della Toscana under Donato Renzetti gives sharply featured, emphatic
performances with beautifully transparent realisation of the many felicitous counterpoints" Classic CD
"I think this is the finest recorded performance of the symphony ... If you missed it before, grab it quickly" Fanfare
"A warm orchestra sound and a breathtaking Cantabile show on which high technical level this orchestra plays." FonoForum
"She [Alessandra Ammara] plays deep in the keys, she has a wonderfully warm, rich tone, her phrasing is highly musical, and in the
end one comes away with a very satisfying feeling of her ability to play this repertoire." Fanfare
"Klangschön balanciert sie [Alessandra Ammara] das pastorale Thema der Ballade Nr. 2 aus, wuchtig-kraftvoll geht sie den PrestoTeil an. Ebenfalls überzeugend: die dritte Ballade. Das Highlight der CD ist jedoch die kantable Barcarolle...." FonoForum
"Masterfully, thoughtfully played by Ammara, the Op. 30 set achieves the same epic expressiveness as the Four Ballades, only more
laconically" Audiophile Audition
delighted" Diapason
Red Line
Red Line
"Gabriele Bellini ... paces the work admirably and secures alert playing ... the music trips along with vivacity and sparkle"
Gramophone
"... to stand beside the best on record ...Susan Patterson is charm
personified in the female role" Classic CD
"very pleasing performance" IOC
"Excellent quality" Rassegna Melodrammatica
"The voices are on a good level ... The orchestra is well conducted" Audio Review
delighted" Diapason
Red Line
"This is genuine manna for piano etude addicts ... 9/9" ClassicsToday.com
Blue Line
"Very good record" French Magazine Répertoire
"An extremely homogeny interpretation that matches greatly to the many facets of the aesthetically eminent work" FonoForum
Recommended “!!” by Japanese Record Geijutsu
Complete Edition Nos. 1-100ter
47510-2
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Ortiz, Rinaldi, Mars, Dupouy,
Snarski
Red Line
"Spada's playing is lively and stylish ... The sound is clean and lifelike, and the notes informative." Fanfare about 47225-2, 47226-2,
47227-2
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19.08.2009
47520-2
47223-2
47224-2
47225-2
47226-2
6<RA F E=hc fct>8
47227-2
6<RA F E=hc ecu>9
47228-2
6<RA F E=hc dcl>0
47229-2
6<RA F E=hfcacl>0
Clementi, Muzio
Complete Piano Works - Vol. 10-18
(9 CDs Box)
Pietro Spada
Clementi, Muzio
Complete Piano Works Vol. 1
Sonata in La bemolle Maggiore
Sonata in Fa Maggiore op. 1 No. 1
Sonata in Si bemolle Maggiore op. 1 No. 2
Sonata in Sol Maggiore op. 1 No. 3
Sonata in La Maggiore op. 1 No. 4
Duetto in Si bemolle Maggiore op. 1 No. 6
Sonata in Do Maggiore op. 2 No. 2
Pietro Spada / Giorgio Cozzolino
Clementi, Muzio
Duetto in Do Maggiore op. 3 No. 1
Duetto in Mi bemolle Maggiore op. 3 No. 2
Clementi, Muzio
Sonata in Mi bemolle Magiore op. 7 No. 1
Sonata in Sol Minore op. 7 No. 3
Sonata in Sol Minore op. 8 No. 1
Sonata in Mi bemolle Maggiore op. 8 No. 2
Duetto in Si bemolle Maggiore op. 8 No. 3
Clementi, Muzio
Sonata in Mi bemolle Magiore op. 9 No. 1
Sonata in Re Maggiore op. 10 No. 2
Clementi, Muzio
Clementi, Muzio
Sonata in Re Maggiore op. 16 "La Chasse"
Capriccio in Si bemolle Maggiore op. 17
Sonata in Do Maggiore op. 20
Clementi, Muzio
Duetto in Fa Maggiore op. 14 No. 2
Pietro Spada
Duetto in Re Maggiore op. 21 No. 1
Duetto in Do Maggiore op. 22 No. 3 "La Chasse"
Red Line
47233-2: "The two brilliant capricci are challenged with great technical glamour" CD Classica
47236-2: 5 Stars in Classic CD: "In any case, this is an outstandingly interesting disc, well recorded and wholly stimulating"
Red Line
Red Line
Red Line
Red Line
Red Line
"Spada's playing is lively and stylish ... The sound is clean and lifelike, and the notes informative." Fanfare
Red Line
Red Line
13 of 68
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47230-2
47231-2
6<RA F E=hcdacl>0
Clementi, Muzio
Pietro Spada
Clementi, Muzio
Sonata in Fa diesis Minore op. 25 No. 5
Pietro Spada
Red Line
Red Line
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6<RA F E=hcdhco>3
19.08.2009
Sonata
Sonata
Sonata
Sonata
Sonata
in
in
in
in
in
Fa Maggiore op. 26
La Maggiore op. 33 No. 1
Fa Maggiore op. 33 No. 2
Do Maggiore op. 33 No. 3
Fa Maggiore
Pietro Spada
Red Line
47233-2
Sonata in sol Minore op. 34 No. 2
Capriccio in La Maggiore op. 34 No. 3
Capriccio in Fa Maggiore op. 34 No. 4
Pietro Spada
Red Line
"The two brilliant capricci are challenged with great technical glamour" CD Classica
47234-2
Clementi, Muzio
Sonatinas op. 36 No. 1-6
Pietro Spada
Red Line
47235-2
6<RA F E=hcdecr>6
Clementi, Muzio
Clementi, Muzio
47236-2
6<RA F E=hcd cs>7
Clementi, Muzio
Clementi, Muzio
47237-2
6<RA F E=hcdc t>8
47232-2
Sonata
Sonata
Sonata
Sonata
in
in
in
in
Sol Maggiore op. 40 No. 1
si Minore op. 40 No. 2
Re Maggiore op. 40 No. 3
Mi bemolle Maggiore op. 41
Pietro Spada
Red Line
Sonata in Si bemolle Maggiore op. 46
Capriccio in mi Minore op. 47 No. 1
Capriccio in Do Maggiore op. 47 No. 2
Pietro Spada
Red Line
"In any case, this is an outstandingly interesting disc, well recorded and wholly stimulating" CLASSIC CD
Clementi, Muzio
Sonata in re Minore op. 50 No. 2
Sonata in sol Minore op. 50 No. 3
Pietro Spada
Red Line
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19.08.2009
47386-2
47387-2
47388-2
Finale, 5 Duettinos, Canone per Cherubini,
Toccata, Musical Characteristics
Pietro Spada
George Darden
Clemtenti, Muzio
Fantasie with Variations "Au clair de la lune" Pietro Spada
12 Monferrine
7 Studios
Cornelius, Peter
Opera Arias
Lortzing, Albert
Kienzl, Wilhelm
Schubert, Franz
Fidelio (Beethoven)
Courtois, Jean
Quagliati, de Rore,
Non Papa, Merulo,
Guami, da Palestrina,
de Gorzanis, Verdelot,
Nanino, Crequillon,
Gabrieli
The Italian Cornetto - Virtuoso Music
from Italian 16th Century for Cornett,
Organ und Harpsichord
Crema, Joan Maria da
Phalese,
Trombocino,
Capirolo, Ortiz,
Arcadelt, Susato, Zesso, Lasso,
Syntagma Musicum
Crequillon, Thomas
Nanino, Verdelot,
Courtois, Quagliati,
de Rore, Non Papa,
Merulo, Guami,
da Palestrina,
de Gorzanis, Gabrieli
43009-2
Red Line
"Optimum Interpretation: Spada's extraordinary personality as a musician transforms these pieces into fascinating and thrilling
works" CD Classica
47348-2
6<RA F E=da jcp>4
Red Line
47504-2
6<RA F E=hdi cr>6
Clemtenti, Muzio
Black Joke, Mr. Collick's Minuet, Rondo,
Pietro Spada
"Batti, batti", Canon ad Diapason, 2 Allegros,
6 Monferrine Postume, Tarantella, Arie Russe
47348-2
6<RA F E=hdihcs>7
Clemtenti, Muzio
47501-2
6<RA F E=hdigct>8
D'Albert, Eugen
Tiefland
(2 CDs)
Red Line
"A formidable compendium of pianistic wisdom" Scherzo
Fritz Wunderlich,
Arts Archives
Müller-Kray
classicstoday.com
Doron David Sherwin,
Andrea Marcon
"Superb!": 5 Diapasons in the French magazine Diapason: "This disc is a delicacy not to be missed"
Andrea Marcon
Marton, Kollo, Weikl, Moll
Münchner Rundfunk Orchester
Marek Janowski
Red Line
Red Line
Red Line
Red Line
5/5 points in Spanish magazine RITMO "The interpretation is from every point of view excellent"
"At such a bargain price this is an operatic set that everyone who loves full blooded late Romantic music should snap up without
hesitation" musicweb-international.com
"An absolute reference" Ópera actual
"Cecilia Gasdia sings with an exquisite musicality" CD Compact
"An almost perfect cast" Audio
"..splendidly upholstered score... " musicweb-international.com
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47576-2
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Dalla Casa, Girolamo
Il Secondo Libro de Madrigali a Cinque
Voci con i passagi
Cecchi, Fabris, Balconi, Fagotto,
Abete
Tubery, Ghielmi, Tapella, Dallapè
Il Terzo Suono
Gian Paolo Fagotto
Debussy, Claude
Jean-Pierre Armengaud
Blue Line
Red Line
Préludes (1er & 2ème Livre)
6<RA F E=hieacm>1
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6<RA F E=hcdicn>2
19.08.2009
47578-2
47579-2
47840-2
6<RA F E=hfhjcr>6
Red Line
including World Premiere:
Les soirs illuminé par l'ardeur du charbon
Debussy, Claude
Suite Bergamasque
Chidren's Corner
Danse Bohémienne, Deux Arabesques, Mazurka,
Rêverie, Tarantelle styrienne, Ballade (Slave),
Valse romantique, Nocturne, La plus que lente,
Pièce pour l'oeuvre du "Vêtement blessé", The
little Nigar
Blue Line
"Jean-Pierre Armengaud, who starts here a new integral recording, was right to be audacious, since he has something to say about
these works. His interpretation is fresh, full of wonderful sonorities, nicely pricking you like a bunch of flowers" Répertoire
"Nice dynamic gradations and sparkling repeated notes in La sérénade interrompue ... excellently varied chord voicing in Canope"
classicstoday.com
"We may be hearing more of this gifted pianist. I hope so" American Record Guide
"Sensitive readings of the first two Images OublIées ... and a buoyant Masques that features nicely sprung notes" classicstoday.com
"Armengaud ... is able to listen, he has a feeling for remote sounds, for opposing, even contrasting expressions ... Armengaud has a great
understanding for Debussy" klassik.com
"Spontaneous, natural expression ... spectacular ... poetic" Répertoire
"Virtuous" Scherzo
"A good recording" Pizzicato
"Clear contours ... An honest vision" Le Monde de la Musique
Debussy, Claude
Ètudes 1er Livre, Ètudes 2éme Livre, Ètudes Jean-Pierre Armengaud
retouvée, Pour le Piano, L'isle joyeuse,
Hommage à Joseph Haydn, Élégie
Blue Line
Complete Piano Works
Debussy, Claude
(4 CD-Box)
including Piano Works Vol. 4
not available as single CD!!!
43059-2
6<RA F E=hfhics>7
Debussy, Claude
Images, Masques, Estampes, Prélude de La
Demoiselle élue, D'un cahier d'esquisses
Debussy, Claude
L' Enfant prodigue
Honegger, Arthur
Symphony No. 3 "Liturgique" H 186
47238-2
6<RA F E=hfh ct>8
47577-2
"The quality of singing and playing is quite high and is captured in excellent sound ... An important contribution to the recorded
literature of the madrigal" American Record Guide
4 stars: "Welcome with enthusiasm this release" Musica
"An extreme joy" Scherzo
International Record Prize Antonio Vivaldi 2001
Debussy, Claude
Trio pour piano et cordes (Ravel)
Trio pour violon, violoncelle et piano
(Debussy)
Ravel, Maurice
"the set is highly recommended" TUROK'S CHOICE
Red & Blue Line
"Jean-Pierre Armengaud leaves us an interpretation where the colour rules:....the first sensation must remain the basic point,
sending the too analytical readings off-balance" resmusica.com
10 Points from Crescendo Belgium
"...a colossal addition to Clytens' discography, a rare work, superbebly done here and another crucial discovery by ARTS.... the RAI Orchestra play with absolute superb panache all around
especially in the soul searching final movement.... soloists, chorus and orchestra come together quite magically" Classical Net
"...with a terrific line-up of soloists....I can recommend this disc for the Debussy alone. Happyly, Honegger ....as a very exciting performance with a positively crushing account of the apocalyptic
finale... a real collector's item" classicstoday.com
"Cluytens offers a perfect and wonderful reading of the youthful cantata "L'Enfant prodigue". Even stronger are the results with the powerful and dazzling interpretation of Honegger" Amadeus
"brilliant and colorful allurement.... expressive soloists" Musik & Markt
"The cast of characters is excellent.... a perfect interpretation of this extensive work" klassik.com
"... a so far undiscovered treasury with an outstanding discographical value... prominet singer.... never ending deversivied sound expansion... an enritchment for the catalogue that makes us h
5 notes from Opèra international
"two overall fascinating interpretations.... to be sure one of the best (or even the best) interpretation of this music... in every part convincing.... excellent and well balanced singer" Pizzicato
Micheau, Mollet, Sénéchal
Torino
André Cluytens
Trio Italiano
Red Line
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19.08.2009
47672-2
47711-2
47285-2
47271-2
Gymnopédies
(Lalo)
47530-2
6<RA F E=hcifcl>0
D'Indy, Vincent
Chausson, Ernest
Satie, Erik
Fauré, Gabriel
Offenbach, Jacques
Massenet, Jules
Lalo, Edourad
47217-2
6<RA F E=hchbcs>7
etc..
47218-2
6<RA F E=h b cl>0
D'India, Sigismondo
Monteverdi, Claudio
Dowland, John
Jones, Robert
Caccini, Giulio
Carissimi, Giacomo
47219-2
6<RA F E=hghc n>2
Debussy, Claude
Satie, Erik
Boulanger, Lili
Milhaud, Darius
Ravel, Maurice
Poulenc, Francis
Ibert, Francis
Cristina Ariagno
William Matteuzzi
Hubert Hoffmann
Hans Ludwig Hirsch
Blue Line
Record Guide
Blue Line
Red Line
Harp Concertos
Claudia Antonelli /
Hans Ludwig Hirsch
Donizetti, Gaetano
Chamber Music & Complete Piano Music
Pietro Spada
(6 CDs Box)
Donizetti, Gaetano
Chamber Music Vol. 1 for Violin and Piano
Variazioni in Fa Maggiore, Scherzo in Re
Maggiore, Sonata in Fa Maggiore, Variazioni Rodolfo Bonucci, Pietro Spada
in Si bemolle, Amusement Pathétique tiré de
l'opéra Anna Bolena, Impromptu
Donizetti, Gaetano
Chamber Music Vol. 2 for Harp, Cello, Flute, Oboe,
Trio
Larghetto e Allegro in Sol Maggiore per Vl. e Arpa,
Largo in sol minore per Vcl. e Pno., Sonata in Do
Maggiore per Fl. e Pno, Sonata in Fa Maggiore per
Ob. e Pno, Studio in Do Maggiore per Cl., Trios per
Vl., Vcl. e Pno in Mi bemolle Maggiore e in Re
Maggiore, Larghetto e Allegro in Do Maggiore per Fl.,
Fag. e Pno
Claudia Antonelli, Arturo Bonucci,
Rodolfo Bonucci, Marco
Costantini, Augusto Loppi,
Vincenzo Mariozzi, Angelo
Persichilli, Pietro Spada
Donizetti, Gaetano
Chamber Music Vol. 3 for Strings, Guitar and Winds
Introduzione per archi in Re Mag., 4 Notturni per fiati
e archi, Amusement pathétique tiré de l'opéra Anna
Bolena per violino e archi, Quintetto per archi in Do
Mag., Sinfonia per fiati in Re Mag., Larghetto per fiati
in Fa Mag., Moderato per fiati e organo in Si bemolle
Mag., Marcia per fiati e cassa in Fa Mag.
Vincenzo Bolognese, Mario Gangi,
Rodolfo Bonucci, Alexandra
Stefanato, Dino Asciolla, Arturo
Bonucci, Massimo Taddei, Pietro
Spada
Red Line
Red Line
"Spada's sympathetic pianism does much to illuminate the complete piano music" BBC Music Magazine
47219-2: "Particularly sound intensive adaptations for chamber orchestra" FonoForum
47219-2: "The interpretation is always of quality, with a very special mention for the violinist Vincenzo Bolognese you plays like a
diva in the famous 'Al dolce Guidami'" Répertoire
47381-2-47383-2 "Pietro Spada realizes an interpretation which guides the listener into the smallest details and refinements with
elegance and the whole expressiveness necessary for an unmatchable mastership" CD Compact
Red Line
Red Line
"Particularly sound intensive adaptations for chamber orchestra" FonoForum
Red Line
"The interpretation is always of quality, with a very special mention for the violinist Vincenzo Bolognese you plays like a diva in the
famous 'Al dolce Guidami'" Répertoire
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47730-2
47381-2
47382-2
6<RA F E=hdic n>2
Complete Piano Music
(3 CD Box)
Donizetti, Gaetano
Complete Piano Music Vol. 1
Allegro in fa Minore, La Ricordanza, Allegro
vivace in Sol Maggiore, Allegro in Do Maggiore III, Larghetto in la Minore "Una furtiva lagrima", Pietro Spada
Presto in fa Minore, Larghetto in Do Maggiore,
Adagio ed Allegro in Sol Maggiore, Due motivi
celebre Maestro Fäer messi in suonata
6<RA F E=hfc ct>8
19.08.2009
47366-2
47711-2
47522-2
6<RA F E=h b cl>0
Red Line
Red Line
Donizetti, Gaetano
Donizetti, Gaetano
Donizetti, Gaetano
Donizetti, Gaetano
6<RA F E=hdg cp>4
Pietro Spada
6 Valzer, Giuseppina (Polka-Mazurka), 6
Sinfonias, Capriccio
Pietro Spada
Red Line
47383-2
6<RA F E=hdibco>3
47151-2
6<RA F E=h dacq>5
Donizetti, Gaetano
Bellini, Vincenzo
Verdi, Giuseppe
Puccini, Giacomo
Mascagni, Pietro
Dowland, John
Monteverdi, Claudio
Jones, Robert
Caccini, Giulio
Carissimi, Giacomo
D'India, Sigismondo
Durante, Francesco
Fuga in sol minore, Pastorale, Grande
Pietro Spada
Offertorio, Variazioni in Mi bemolle Maggiore,
Variazioni in Sol Maggiore, Variazioni in Mi
Maggiore
Linda di Chamounix
(3 CDs)
A. Antoniozzi, L. Canonici, D. Di
Stefano, P. Salomaa, S. Ganassi,
M. Devia, Kor van de Nationale
Reisopera/ Andrew Wise,
/ Gabriele Bellini
Red Line
Red Line
"Pietro Spada realizes an interpretation which guides the listener into the smallest details and refinements with elegance and the whole expressiveness necessary for an
unmatchable mastership" CD Compact
"Amusing, intriguing and well done music. Rarities to be discovered to complete the understanding of one of the great Italian composers of the 'Ottocento' " Amadeus
"Spada convinces the listener about the quality of Donizetti's Piano music and nobody knows this music better than him ... It is worth to discover the other side of the king of
belcanto and of the Italian opera of the first part of the 19th Century" CD Classica
"Pietro Spada's graceful, fluent fingerwork perfectly suits the music's intimate dimensions" classicstoday.com
"Spada's play of this charming music is exquisite" Pizzicato
"Pietro Spada realizes an interpretation which guides the listener into the smallest details and refinements with elegance and the whole
expressiveness necessary for an unmatchable mastership" CD Compact
"Amusing, intriguing and well done music. Rarities to be discovered to complete the understanding of one of the great Italian composers of the
'Ottocento' " Amadeus
"Spada convinces the listener about the quality of Donizetti's Piano music and nobody knows this music better than him ... It is worth to
discover the other side of the king of belcanto and of the Italian opera of the first part of the 19th Century" CD Classica
discover the other side of the king of belcanto and of the Italian opera of the first part of the 19th Century" CD Classica
discover the
other side of the king of belcanto and of the Italian opera of the first part of the 19th Century" CD Classica
"The Italian Mariella Devia sings the part with lyrical grace and fine characterisation. Her coloratura is an integral part of her voice and interpretation ...
Given the fine performance and budget price I recommend every lover of the bel canto genre to go out and buy it. Now. It is superb mature Donizetti well
performed. I cannot envisage another studio recording in the near or distant future so why wait?" musicweb-international.com
"Superb!": 5 Diapasons in the French magazine Diapason "Mariella Devia wins with her luminous singing"
"Mariella Devia sings with purity of tone and brilliancy of range and technique ... Outstanding performance by Petteri Salomaa" Gramophone
"Mariella Devia lightens a virtuos coloratura firework. The Orchestra of Eastern Netherlands shows top form" Opernwelt
"Good Italian opera style. It's a must." American Record Guide
"Exceptional interpretation" CD Classica
"Recording of the month. Go ahead and buy it!" Orpheus Oper International
Norma (Bellini)
Madama Butterfly, Turanfot (Puccini)
etc..
Lamentationes Jeremiae Prophetae
Vespro Breve
Fiorentino
Maurizio Arena
William Matteuzzi
Hubert Hoffmann
Hans Ludwig Hirsch
Red Line
Blue Line
Roberta Invernizzi, Emanuela
Galli, Dorothee Labusch,
Annemieke Cantor, Rosa
Dominguez, Marco Beasley,
Antonio Abete, Furio Zanasi
Sonatori de la Gioiosa marca
Diego Fasolis
Red Line
"The Sonatori de la Gioiosa Marca is one of Italy's best period-instrument groups" Gramophone
"I would recommend Fasolis over his competition to those seeking an ideal introduction to Durante's music" American Record Guide
"Great musicality and unbelievable historical technical aptitude" Scherzo
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47356-2
47221-2
Dussek, Jan Ladislav
Music for Harp
Sonata in F major "The Lass of Richmond
Hill"
Sonata in E flat major op. 34 No. 1
Sonata in B flat major
Sonata in C minor
Sonata Nos 1-6
Dvorák, Antonín
Symphony No. 9 op. 95 "From the New Amsterdam Philharmonic
World"
Orchestra / Arpád Jóo
47638-2
6<RA F E=hcec q>5
10 Sonatas (Scarlatti)
Sonata in F major (Pergolesi)
2 Divertimenti, Studio II (Durante)
47287-2
6<RA F E=hc bcn>2
Barocco Napoletano
Pergolesi, Giovanni Battista
Scarlatti, Domenico
47517-2
6<RA F E=hdfgcs>7
Durante, Francesco
Complete Works for Cello and
Orchestra
Dvorák, Antonín
Dvorák, Antonín
Tchaikovsky, Peter Ilyich
Dvorák, Antonín
Goetz, Hermann
Verdi, Giuseppe
Puccini, Giacomo
Massenet, Jules
Smetana, Bedrich
Concerto in B minor B 191 op. 104
Polonaise in A major B 94
Silent Woods B 182 (op. 68 No. 5)
Rondo in G minor B 181 op. 94
Serenade for Strings op. 48 in C major
(Tchaikovsky)
Sereade for Strings op. 22 in E major
(Dvorák)
Opera Arias
Rusalka (Dvorák)
Edoardo Catemario
Elena Zaniboni
Wen-Sinn Yang
Sinfonica Helvetica
Deutsches Kammerorchester
Grzegorz Nowak
Amadeus Chamber Orchestra /
Agnieszka Duczmal
Red Line
Red Line
Red Line
Blue Line
6<RA F E=dabacl>0
19.08.2009
47707-2
43010-2
6<RA F E=h ahcs>7
Seicento Italiano
Fall, Leo
Operetta Arias
Lehar, Franz
Strauss, Johann Jr.
Zeller, Carl
Kalman, Emmerich
Triebel
Giuditta, Der Zarewitsch,
Das Land des Lächelns (Lehar)
Die Rose von Stambul (Fall), Die Fledermaus
(Strauss), Der Vogelhändler (Zeller), Gräfin
Mariza (Kalman), Pfälzer Wein (Triebel)
Accademia Bizantina
Ottavio Dantone
"Immaculate technique ... perfect intonation" Gramophone
"Both well played and recorded ... first-rate ensemble ... a worthy souvenir of one of the brightest young talents in the cello world" The Strad
"An exciting young soloist ... A fine expansive reading which matches with the very best ... a disc to treasure for some excellent cello playing" classical.net
"First-rate performance ... one that's remarkable for its meding of passion and intelligence" classicstoday.com
"Yang deeply enters the concerto, plays softly or with fire as the music requires it. Drive & spontaneity" classix
"The Concerto bristles with excitement ... [Yangs] splendid playing is well matched by the passionate, romantic accompaniment by the Sinfonica Helvetica" American
Record Guide
"Magically attractive, with none of the guttural qualities one hears from many a more famous cellist ... he can really sing" International Record Review
Red Line
Red Line
Falconiero, Andrea
Frescobaldi, Girolamo / Kapsberger,
Johann Hieronymus / Trabaci, Giovanni
Maria / Merula, Tarquinio / Marini, Biagio /
Castello, Dario / Buonamente, Giovanni
Battista / Picchi, Giovanni / Storache,
Bernardo
"The joy reaches its zenith thanks to the transparency and subtle expressive style of ... Elena Zaniboni" Répertoire
4 stars in RITMO
"Optimum interpretation". Editor’s choice in CD Classica
"You don't even notive that time passed when you arrive at the end of the CD" Klassik Heute
"An interpretation of all respect and an excellent sound" Musica
Lucia Popp
Kurt Eichhorn
"Catemario's technically flawless, imaginative performances here testify to his talent and accomplishment as a musician likely to be
comfortable in any period ... 9/9" classicstoday.com
"Edoardo Catemario is a fine guitarist who plays cleanly and with real musicality ...excellent technique ... The sound is very good alive and realistic." American Record Guide
"A well done twinkle to the Napolitan music of the 18th century ... sweetness and lyrism of Catemario's playing" Les Cahiers de la
Guitare et de la Musique
Blue Line
"Lucia Popp was forty-three when she gave this recital ... It shows her in marvelous voice in her early maturity ... Technically what is so impressive is, inter
alia, control of dynamics when going up; she maintains scrupulous dynamic gradients and seldom forces the voice. And there is quite enough power at the
climaxes as well" musicweb-international.com
"Popp had one of the most individual, responsive voices, with its rapid vibrato, exquisitely poised high notes and forward, beautifully articulated diction."
Gramophone
"The seduction of Wunderlich in this very repertoire is due to his inimitable vitality" Musica
Fritz Wunderlich /
Chor und Orchester des WDR
Köln
Arts Archives
Südwestfunkorchester /
Franz Marszalek, Emmerich Smola
"Wonderful moods are shining through Wunderlich's voice, and each melody becomes a little jewel" Pizzicato
"The Arts Archives collection, 1957-1962, reassembles familiar vocal fare, each demonstrating Wunderlich’s capacity for Viennese
charm and suave, sophisticated buoyancy of delivery ... a superior vocalist who delights in the glory of his songs" Audiophile
Audition (audaud.com)
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19.08.2009
47106-2
47271-2
47580-2
Feroci, Francesco
Gherardeschi, Giuseppe
Ugolini, Disma
Pera, Girolamo
Palafuti, Antonio
Panerai, Vincenzio
Zingarelli, Nicola Antonio
Trumpet & Organ - unpublished Italian
Igino Conforzi, Claudio Brizi
Works of the 18th Century
Blue Line
Field, John
(6 CDs Box)
Red Line
47380-2
Gymnopédies
(Lalo)
Red Line
"Excellent interpretation" Musica e dischi
"I find this a most enjoyable and thought-provoking CD, for which Conforzi is to be congratulated" Historic Brass Society Newsletter
"This 24bit 96kHz audiophile recording presents the stunning sound of Igino Conforzi and the inventive colors provided by Claudio
Brizi in the most admirable manner. Conforzi displays solid range, brilliant tone, inventive articulation, and overall fine musicianship.
This is a delightful program, thoughtfully and skillfully rendered" ITG Journal
"... an endearing exuberance ... Spada ... celebrates a freshness and vitality" Gramophone
Pietro Spada
"Magnificently played by the very excellent sensible and very artistic pianist Pietro Spada ... You must discover it" RITMO
"First-rate interpretations, in pieces like the A minor Fantasias ... as well as in the famous Nocturnes" FonoForum
47178-2
6<RA F E=hdiacp>4
Red Line
Fauré, Gabriel
Satie, Erik
Offenbach, Jacques
Massenet, Jules
Chausson, Ernest
D'Indy, Vincent
Lalo, Edourad
47179-2
6<RA F E=hfiacn>2
Georg Mönch
Massimiliano Damerini
Sonate (Franck)
Sonate op. 13 (Fauré)
Sonate posthume (Ravel)
Field, John
Field, John
47180-2
6<RA F E=hchbcs>7
French Violin Sonatas
Franck, César
Ravel, Maurice
Field, John
47181-2
6<RA F E=hbagcp>4
Fauré, Gabriel
Field, John
Sonata
Sonata
Sonata
Sonata
op.
op.
op.
op.
1
1
1
1
No.
No.
No.
No.
1
2
3
4
Pietro Spada
Favorite Hornpipe Dance by Mme De Caro
Go to the Devil and Shake Yourself
The Two Slaves in Black Beard
Speed the Plough
Rondos from Piano Concertos Nos. 1-4
2 Rondos
Pietro Spada
Rondos from Piano Concertos 5-6
Come Again, Come Again, Rondoletto
Fal Lal La, Since Then I'm Doom'd
Logie of Buchan, Kamarinskaya
Air du bon Roi Henry IV, Chanson russe
variée
Within a mie from Edinboro Town
Pietro Spada
Red Line
"Pietro Spada commences a complete cycle of Field's piano music with an endearing exuberance ... felicitous command of the
catchy dotted rhythm. Spada often celebrates a freshness and vitality unemcumbered by depth or complexity" Gramophone
"A very nice interpretation" Musica
"Welcome the two first volumes!" Audioclásica
"His interpretation breathes an elegant classical flavour of an expressive fine singing" CD Compact
"A very nice interpretation" Musica
Red Line
"Welcome the two first volumes!" Audioclásica
"His interpretation breathes an elegant classical flavour of an expressive fine singing" CD Compact
Pietro Spada
Red Line
Red Line
"Good to know thoses pages of music ... An honest interpretation" Musica
"Good to know thoses pages of music ... An honest interpretation" Musica
Nocturnes Nos. 1-15
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6<RA F E=hbic p>4
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Field, John
Field, John
6<RA F E=hbagcp>4
47106-2
6<RA F E=dab cu>9
43011-2
Franck, César
Schubert, Franz
Reger, Max
Gounod, Charles /
Franck, César
Fauré, Gabriel
Ravel, Maurice
Nocturnes Nos. 16-19
Guardami un poco dal capo al piede
Ah! Quel dommage
We Met
In the Garden
Pietro Spada
Walzer, Polonaise, Marche Triomphale,
Prelude, Largo, 3 Valses, 2 Quadrilles,
Anglaise, 4 Exercices, Poco adagio, Andante Pietro Spada
inédit, Rondeau, Air russe varié, Grande
valse en forme de Rondeau, Andate, Danse
des ours
Deutsche Messe D 872
Ave verum Corpus K. 619
Panis Angelicus
Mariä Wiegenlied
Ave Maria
Laudate Dominum K. 339
Red Line
Red Line
CD of the month in MUZYKA 21
"Gerhard Schmidt-Garden conducts with panache and empathy and the voices of the Tölzer Knabenchor despatch all with summary
ease. It is a version that I would recommend...." Classical Net
"This is the recording to have of the Deutsche Messe " American Record Guide
"Ottimo" 4 Stars from MUSICA
Tölzer Knabenchor
Gerhard Schmidt-Gaden
Sonate (Franck)
Georg Mönch
Red Line
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6<RA F E=hdeict>8
19.08.2009
47707-2
Gabrieli, Andrea
47691-2
6<RA F E=h b cl>0
Monteverdi, Claudio
Jones, Robert
Caccini, Giulio
Carissimi, Giacomo
D'India, Sigismondo
Dowland, John
47348-2
6<RA F E=h ahcs>7
Kapsberger, Johann Hieronymus / Trabaci, Seicento Italiano
Giovanni Maria / Falconiero, Andrea /
Merula, Tarquinio / Marini, Biagio / Castello, 17th Century Italian Music
Dario / Buonamente, Giovanni Battista /
Picchi, Giovanni / Storache, Bernardo
47711-2
Mainerio, Giorgio
Jannequin, Clement
Werrecore, Matthias Hermann
Merulo, Claudio
Gabrieli, Giovanni
Crequillon, Nanino,
Verdelot, Courtois,
Quagliati, de Rore,
Non Papa, Merulo,
de Gorzanis
Accademia Bizantina
Ottavio Dantone
etc..
William Matteuzzi
Hubert Hoffmann
Hans Ludwig Hirsch
War and Faith
Magnificat delle Battaglie, 2 Balli (Mainerio)
La Guerre (Jannequin)
La Bataglia Taliana (Werrecore)
Intonatione & Antifona del VI Tono (Gabrieli)
Canzon ariosa (Gabrieli)
Toccata, Antifona, Fantasia (Merulo)
Il Terzo Suono (Dir.: Fagotto)
Daltrocanto (Dir.: Tabbia)
Chorus Beatorum (Dir.:
Bortoliero)
La Fenice (Dir.: Tubery)
Il Suonar Parlante (Dir.: Ghielmi)
Andrea Marcon
Blue Line
Blue Line
Blue Line
Red Line
"Fagotto has assembled an impressive array of specialist ensembles, whose excellence and sophistication probably outstrip anything available to the
composer. The music making is of the highest order and is immaculately recorded by the Arts engineers" International Record Review
"Two magnificent Magnificats ... The singing and instrumental performances are very fine" classicstoday.com
"Gian Paolo Fagotto has done a great job" klassik.com
"Splendid. I like especially the contrast between small vocal groups and tuttis" Toccata
"This is a splendidly vital and imaginative release. All the performers acquit themselves with genuine distinction and this combative, imaginative and
successful disc covers War and Faith with equal conviction" musicweb-international.com
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47504-2
6<RA F E=dagacq>5
Gallus,
Jacobus
Britten, Benjamin
Nascus, Giovanni
de Kerle, Jacobus
Galuppi, Baldassare
Albinoni, Tomaso
Platti, Giovanni Benedetto
Vivaldi, Antonio
Gambaro, Vincenzo
Settecento Veneziano
Concerto a Quattro No. 4 (Galuppi), Sinfonia a
Quattro (Albinoni), Trio Sonata in G minor
Accademia Bizantina
(Platti), Concerto for Cello, Strings and Continuo
Ottavio Dantone
RV 405, Trio for Lute, Violin and Continuo RV 85,
Concerto for Strings and ContinuoRV 156
(Vivaldi), Concerto in G minor (Galuppi
Arts Archives
Red Line
"Excellent musicianship. Intimacy of expression. Every phrase and note played with thoughtful care. An extremely engaging performance" American Record
Guide
"Its assortment of Venetian Music, like the ensemble itself, stands out in the crowd. Recommended" Fanfare
"The Accademia Bizantina continues its festival of magnificent recordings" Musica
"... one could think, he has been transported to the musical world of the Settecento Veneziano" CD of the Month in German magazine 'Alte Musik aktuell'
"Its assortment of Venetian music, like the ensemble itself, stands out in the crowd. Recommended" Fanfare
"Recommended. Lovers of obscure Italian Baroque music will delight in this generous and expertly performed program of Venetian rarities" 9/9
ClassicsToday.com
Il Barbiere di Siviglia
Otetto Italiano
Rossini, Gioachino
Original Transcriptions for Flute, 2 Clarinets,
2 Horns, 2 bassoons and Doublebass
Gastoldi, Giovanni
Phalese,
Trombocino,
Capirolo, Ortiz,
Arcadelt, Susato, Zesso, Crema,
Lasso, Moderne, Mantovano
Syntagma Musicum
Red Line
Red Line
6<RA F E=hfhfcl>0
19.08.2009
Diana Petech
Red Line
47580-2
6<RA F E=hdhdcp>4
(Geminiani)
minor (Barsanti)
Ugolini, Disma
Pera, Girolamo
Palafuti, Antonio
Panerai, Vincenzio
Feroci, Francesco
Blue Line
47373-2
6<RA F E=hfiacn>2
Barsanti, Francesco
Castrucci, Pietro
Giordani, Giuseppe
Tre Ore di Agonia di N.S. Gesù Cristo
Credo
2 Canzoncine per i Vernerdì di Marzo
47575-2
6<RA F E=hbebcs>7
47141-2
Giordani, Giuseppe
Scarlatti, Caccini, Cimador,
Marcello, Caldara, Piccinni,
Arie Antiche - Caro mio ben (Giordani), Già il sole
del Gange, Sento nel core, O cessate (Scarlatti),
Renato Bruson
Amarilli, Tu ch'hai le penne (Caccini), Bel Nume
(Cimador), Quella fiamma (Marcello), Sebben crudele, RIAS-Sinfonietta Berlin
Come raggio di sol (Caldara), O nuit (Piccini), Plaisir Roberto Paternostro
d'amour (Martini), Se tu m'ami (Parisotti), Resta in
pace (Cimarosa), O del mio dolce ardor (Gluck)
Il Terzo Suono
Academia Montis Regalis
Gian Paolo Fagotto
Red Line
Star for extraordinary repertoire: "Close to the liturgical context, the prayers in this recording are performed expressively and lucid" FonoForum
"The voices and the ensemble gathered around tenor tenor Gian Paolo Fagotto have done a great recording and merit our attention. Clear
sound and just the right amount of reverberation" CD Compact
"Intense and expressive ... virtuous communication within the ensemble" RITMO
"Exquisite in all senses ... virtuous ensemble ... the difficulties of the score are bravoured as if they weren't there" Scherzo
delighted" Diapason
Red Line
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47810-2
47688-2
47689-2
47830-2
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Giuliani, Mauro
Concerto for Guitar and Orchestra
No. 1 -3
Gran Quintetto for Guitar and Strings in C
major op. 65
Variations for Guitar and String Quartet
Various
Edoardo Catemario
Wiener Akademie
Martin Haselböck
Red Line
Blue Line
Concerto for Guitar and Orchestra No. 1
in A major op. 30
Giuliani, Mauro
Giuliani, Mauro
Giuliani, Mauro
REPLACED by 47688-8
Edoardo Catemario
Concerto for Guitar and Orchestra No. 2
Wiener Akademie
in A major op. 36
Martin Haselböck
REPLACED by 47689-8
Concerto for Guitar "terzina" and
Orchestra No. 3 in F major op. 70
Gran Quintetto for Guitar and Strings in
Edoardo Catemario
C major op. 65
Wiener Akademie
Variations for Guitar and String Quartet
Martin Haselböck
Le Rossiniane
Nos 1 - 6
Variazioni op. 102
Variazioni di una facilità progressiva op. 146
Variazioni brillanti e della più grande facilità op.
87, Variazioni op. 101
Frédéric Zigante
Blue Line
Blue Line
Red Line
(2 CD-Box)
Le Rossiniane Vol. 1
47146-2
6<RA F E=hgi co>3
Excerps from Cantata 21, Johannes-Passion, Easter
Oratorio, B minor Mass and Magnificat (Bach),
Excerps from Christus am Ölberge (Beethoven),
Excerps from Tre Ore di Agonia (Giordani)
"All three concerts...are excellently performed by Edoardo Catemario...With the concertos beautifully accompanied by Martin
Haselböck and his Wiener Akademie the set provides period-instrument delights of color" TUROK'S CHOICE
(2 CD-Box)
47147-2
6<RA F E=hibacl>0
Giuliani, Mauro
Giuliani, Mauro
Giuliani, Mauro
47670-2
6<RA F E=hfd cp>4
Giordani, Giuseppe
Paganini, Niccolo
Regondi, Giulio
Legnani, Luigi
Rossiniana
Rossiniana
Rossiniana
Rossiniana
No.
No.
No.
No.
1
2
3
4
op.
op.
op.
op.
119
120
121
122
Frédéric Zigante
Le Rossiniane Vol. 2
Rossiniana No. 5 op. 123
Rossiniana No. 6 op. 124
Variazioni op. 102
Frédéric Zigante
Variazioni di una facilità progressiva op. 146
Variazioni brillanti e della più grande facilità
op. 87, Variazioni op. 101
Italian Virtuoso
(Legnani)
Edoardo Catemario
Red Line
Red Line
Blue Line
Covermount CD of BBC Music Magazine in January 2004
"Edoardo Catemario embraces with fine and festive power the sound and technical potential of his instrument's resolutely demonstrative spirit ... The soloist
and director harmonize the musicality of Giuliani and excerpts a noble melody, pregnant of 1001 pyrotechnical challenges. Catemario concentrates on the
simplicity of the contrasts which are exposed subtly with panache" Crescendo Belgium
"Edoardo Catemario is a virtuoso guitarist" FonoForum
"A vivid recording of delightful music, played on period instruments, ... thoroughly charming and in its unassuming way rather beautiful ... RECORDING OF
THE MONTH" musicweb-international.com
"The technically most complicated concertos are played by this virtuoso in such a light and graceful way, as if he was just enjoying a summer walk through
Tuscany" Gala
a perfect music for a romantic evening" Brigitte
"Edoardo Catemario is a string virtuoso
Joker from Crescendo: "Catemario's incredible virtuosity lets flow anyway a smoothly contrasted musical interiority....ideal partnership with Haselböck and
Wiener Akademie......the quintets are offered with the same refinement, power and generosity"
"We have seldom heard such an exquisite recording that manages to keep orchestra and solo instruments in such a beautiful balance" FonoForum
"This recitation is almost compareble to a tale to which one is curiously listening........A plurality of very fast and technically challenging movements are
treated with an ease that almost seem to be self-evident by Catemario" klassik.com
"One can thus get lost completely in these renditions, which are rich in their melodic, harmonic and rhythmic inventiveness and dramatic in the grandness of their
design... Zigante has kept a certain airness, a breath of light heartness... He also manages to flood the notes with the rays of light" tokafi.com
"Frederic Zigante's energy and enthusiasm for these gems is evident throughout. A memorable set" Classical.Net
5 Stars from MUSICA “The performances of Frédéric Zigante are still unsurpassed….Elegant, clean and warm interpretations with an instrumental brilliance that is a
canon not to be ignored for any performance.”
"Zigante is to an extremly high degree proficient in his instrument; he presents the works with fresh tempis... with an intelligent and visionary phrasing" klassik.com
Awarded best recording of guitar music during Expomusica in Pesaro/Italy 1995
"Highly masterly 'Rossiniane' " FonoForum
"Magnificent CD ... A stunning recording" Seicorde
"One can thus get lost completely in these renditions, which are rich in their melodic, harmonic and rhythmic inventiveness and dramatic in the
grandness of their design... Zigante has kept a certain airness, a breath of light heartness... He also manages to flood the notes with the rays
of light" tokafi.com
5 Stars from MUSICA “The performances of Frédéric Zigante are still unsurpassed….Elegant, clean and warm interpretations with an
instrumental brilliance that is a canon not to be ignored for any performance.”
"Magnificent CD ... A stunning recording" Seicorde
"One can thus get lost completely in these renditions, which are rich in their melodic, harmonic and rhythmic inventiveness and dramatic in the
grandness of their design... Zigante has kept a certain airness, a breath of light heartness... He also manages to flood the notes with the rays
of light" tokafi.com
5 Stars from MUSICA “The performances of Frédéric Zigante are still unsurpassed….Elegant, clean and warm interpretations with an
instrumental brilliance that is a canon not to be ignored for any performance.”
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47700-2
Gluck, Christoph Willibald
Mendelssohn-Bartholdy, Felix
Schumann, Robert
A Tribute to Peter Maag (16 CDs Box)
Late Symphonies, Great Mass (Mozart)
The Complete Symphonies (Beethoven)
The Complete Symphonies (Mendelssohn)
The Complete Works for Piano and Orchestra
(Schumann)
Orfeo ad Euridice (Gluck)
Orquesta Sinfónica de Madrid
Orchestra della Svizzera Italiana
Orquesta Sinfónica de Galicia
Peter Maag
47517-2
6<RA F E=hdeict>8
Renato Bruson
Roberto Paternostro
Goetz, Hermann
Verdi, Giuseppe
Puccini, Giacomo
Massenet, Jules
Smetana, Bedrich
Dvoràk, Antonín
Opera Arias
Rusalka (Dvorák)
47348-2
6<RA F E=hfbhcr>6
Cimarosa, Scarlatti, Monteverdi
Gorzanis, Giacomo de
Non Papa, Merulo,
de Rore, Quagliati,
Courtois, Verdelot,
Nanino, Crequillon,
Gabrieli
Andrea Marcon
Panis Angelicus
Mariä Wiegenlied
Ave Maria
Tölzer Knabenchor
Spanish Guitar Music
Asturas, Sevilla, Cataluña (Albeniz)
Capricho Arabe, Mazurka en Sol, Recuerdos
de Alhambra (Tarrega)
La Maja de Goya, Danza No. 4 & 5
(Granados)
Sonatina (Torroba)
Edoardo Catemario
Andrea Marcon
Gounod, Charles
43011-2
6<RA F E=h a cp>4
Orfeo ed Euridice
( 2 CDs)
47145-2
6<RA F E=hfhfcl>0
47348-2
6<RA F E=hfdgcm>1
Ewa Podles, Ana Rodrigo, Elena
de la Merced
Coro de la Comunidad de Madrid
Orquesta Sinfonica de Galicia
Peter Maag
Franck, César
Schubert, Franz
Reger, Max
Granados, Enrique
Albeniz, Isaac
Tarrega, Francisco
Torroba, Federico Moreno
Guami, Giuseppe
da Palestrina
Merulo, Non Papa,
de Gorzanis, de Rore,
Quagliati, Courtois,
Verdelot, Nanino,
Crequillon, Gabrieli
Red Line
delighted" Diapason
Red Line
Mozart: "The chamber-like dimensions of Maag's orchestra allow for unusually clear and forwardly balanced winds and brass along with the textural
lightness, punchy accents, and assertive timpani whacks characteristic of many period-instrument Mozart performances on disc ... Given the vivid impact of
Arts Music's engineering and the label's modest asking price, Maag's Mozart virtually recommends itself. Welcome it into your library without delay" 10/10
Red & Blue Line points from classicstoday.com
Beethoven: "Great value ... breadth, flexibility, wit and an all-pervading sense of musical line are among its many virtues ... a crucial consideration"
Gramophone
Mendelssohn: "One of the most refined interprets of our time" Suonare News
...
Lucia Popp
Kurt Eichhorn
"The audience is enthusiastic ... I am too, and strongly recommend this performance to all those not concerned about original version or period instrument performance" musicwebinternational.com
"Timbre de Platine" in French Magazine Opéra International
5 Stars in Classic CD Recording of the month in Orpheus
"Podles sings ... with tremendous verve and brilliance" Gramophone
"Extraordinary interpretation by Eva Podles" Répertoire
"A performance which roused the audience to enthusiastic applause" musicalpointers.co.uk
"The Maestro knows how to inspire the excellent interprets ... with enthusiasm, vitality and an admirable feeling for dramaturgy" El Cultural
"A stunning quality, a most intelligent direction and an exceptional protagonist" Scherzo
"Her (Ewa Podles) voice is a force of nature -- huge, agile, brilliant from C to C to C. As pure singing, this is museum-worthy; Podles has to be heard to be believed" ClassicsToday.com
Red Line
Red Line
"Popp had one of the most individual, responsive voices, with its rapid vibrato, exquisitely poised high notes and forward, beautifully articulated diction. A
touching souvenir of her later style" Gramophone
"A sensibility of high level" Scherzo "A great voice" CD Compact
Red Line
Red Line
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Marche Élégiaque
Symphony No. 2 for Organ and
Orchestra in A major op. 91
Edgar Krapp
Bamberger Symphoniker
Vladimir Fedoseyev
Sebastian Weigle
The Messiah
(2 CDs)
Lynne Dawson, Guillemette
Laurens, Charles Daniels, Antonio
Abete
Diego Fasolis
The Messiah
(2 CDs)
Patricia Schumann, Lucia Valentini
Terrani, Bruce Ford, Gwynne
Howell
The Ambrosian Singers / John
McCarthy
I Solisti Veneti / Claudio Scimone
The Messiah - Excerps
Patricia Schumann, Sucia Valentini
Terrani, Bruce Ford, Gwynne
Howell
The Ambrosian Singers / John
McCarthy
Dettingen Te Deum
Dixit Dominus
Cecchi-Fedi, Lootens, Invernizzi,
Schofrin, Banditelli, Beasley,
Abete, Zanasi
Ensemble Vanitas
Blue Line
Blue Line
Red Line
Suite de Pièces pour le Clavecin
Vol. I Nos. 1-5 HV 426-430
Suite de Pièces pour le Clavecin
Vol. II Nos. 6-8 HV 431-433
Ottavio Dantone
Ottavio Dantone
Red Line
Blue Line
Blue Line
Pieces for Harpsichord
"A splendid disc, with really committed performances of music ... all in excellent recorded sound. Warmly recommended" International Record Review
Recommended “Recommandé" in French magazine Répertoire
"The recording is incredibly beautiful, and the 24bit technology is astonishing in its clarity" The American Organist
"Stunning recording technique, with a perfect balance between Organ and Orchestra ... brilliant organ interpretation ... and powerful playing of the Bamberger Symphoniker"
klassik.com
"This is a beautiful recording - playing and sound." American Record Guide
"The music is deeply moving, from the bombastic beginning over the calm, lyric melodies up to a breathtaking mighty finale it is fascinating the listeners" amazon.de
"A spectacular recording ... The CD packs a real wallop, and the music is quite grand, too..... stunning music.... a fantastic release" Fanfare
"Dawson is a gorgeously first-class singer" American Record Guide
5 Stars in Amadeus "Light, Italian and baroque like embellished interpretation" Pizzicato
"A very mature interpretation, speaking equally to head and heart" FonoForum
"Fluid, homogenous and fastuous" Opéra International
"Eminent quartet of soloists ... Antonio Abete is the greatest discovery in the baroque horizon of the last years ... well played and sung" CD
Compact
"An exact and limpid interpretation ... a brilliant recording" Ópera actual
4 stars: "One of the best releases of the last years" Musica
"Scimone comes to conveying the immense stature of this work, its contrasts, its gestures and its humanity ... making us feel that
the subject of Jennen's effective libretto is of some moment and consequence ... I Solisti Veneti are on characteristically mellifluous
form" Gramophone
"Highly interesting cast ... The choir and instrumentalists give their very best" Orpheus
Red Line
Diego Fasolis
47698-2
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Guilmant, Alexandre
47699-2
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47285-2
6<RA F E=hg c q>5
Symphony No. 1 for Organ and
Orchestra in D minor op. 42
"Scimone comes to conveying the immense stature of this work, its contrasts, its gestures and its humanity ... making us feel that
the subject of Jennen's effective libretto is of some moment and consequence. I Solisti Veneti are on characteristically mellifluous
form" Gramophone
5 Notes in French Magazine Opéra International "A magnificent recording which should not be missed"
"Fasolis is magisterial in musicality, a humanist and spiritual" Répertoire
"Optimum interpretation: Those who listen to the 'Dixit Dominus' from the Coro della Radio Svizzera will suddenly remain with open
mouth, stunned by the emotions, the virtuosity in the expression of every single detail" CD Classica
"Coup de foudre" 10 Points from Répertoire (May 2005)
"...this release is just about perfect" 9/9 classicstoday.com
"Dantone gratifies us with a fiery and really expressive reading. ....Formidable energy and supreme feeling for rhythm and counterpoint " 9 Points from Classica Répertoire
"With such first rate performances, Dantone has become a Master in early music, from whom you'll hear much more" Toccata
"Accomplished recording by Ottavio Dantone ... A refined interpret of high sensibility" Musica
"The interpretation of the Italian cembalist Dantone is accomplished" Le Monde de la Musique
"Superb!": 5 Diapasons in the French magazine Diapason: "Finally an ounce of fantasy! Finally power and freedom in these Suites ... the young creator of the Accademia Bizantina
opens the field, multiplies the angles ... animates and colorates the most dry fugues ... Here is the best possible introduction"
"The Handelian masterpiece for harpsichord ... The sound quality on this present CD is excellent and allows the detail of the playing to be clearly heard ... It should become a if not
the definitive edition" musicweb-international.com
5 Stras from MUZYKA 21
"an outstanding performance of Handel's Suites for Keyboard" classical.net
"Dantone surprises all listeners thanks to his brilliant technique, the vivacity of phrasing, the elegance of his style, and the wonderful feeling for the proportions" 5 Stars from MUSIC
"Arts Music provides fine engineering and excellent, scholarly booklet notes" classicstoday.com
"Dantone gratifies us with a fiery and really expressive reading. ....Formidable energy and supreme feeling for rhythm and counterpoint " 9 Points from Classica
"With such first rate performances, Dantone has become a Master in early music, from whom you'll hear much more" Toccata
"The interpretation of the Italian cembalist Dantone is accomplished" Le Monde de la Musique
"Superb!": 5 Diapasons in the French magazine Diapason: "Finally an ounce of fantasy! Finally power and freedom in these Suites ... the young creator of the Accademia Bizantina
opens the field, multiplies the angles ... animates and colorates the most dry fugues ... Here is the best possible introduction"
"The Handelian masterpiece for harpsichord ... The sound quality on this present CD is excellent and allows the detail of the playing to be clearly heard ... It should become a if not
the definitive edition" musicweb-international.com
"an outstanding performance of Handel's Suites for Keyboard" classical.net
"Dantone surprises all listeners thanks to his brilliant technique, the vivacity of phrasing, the elegance of his style, and the wonderful feeling for the proportions" 5 Stars from
MUSICA
"At any rate altogether a recording that falls to take a briefer look at this niche production of Händel, if not already done" FonoForum
Harp Concertos
Claudia Antonelli /
Hans Ludwig Hirsch
Red Line
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Various
William Matteuzzi
Hubert Hoffmann
Hans Ludwig Hirsch
Arts Archives
Red Line
6 Sonaten für Fürst Esterházy op. 13
Haydn, Franz Joseph
Arianna a Naxos
Jeanne-Marie Bima /
6 Canzonette for Voice and Harpsichord Hans Ludwig Hirsch
Symphony in C major No. 7 "Le Midi"
Blue Line
Hans Ludwig Hirsch
Red Line
Wiener Akademie
Martin Haselböck
Blue Line
Massimo Palumbo
The Complete Piano Concertos
(4 CDs Box)
Austrian Chamber Orchetra
Ernst Theis
Blue Line
UECO United Chamber Orchestra
Haydn, Franz Joseph
Complete Piano Concertos Vol. 1
Concerto No. 2 in D major Hob. XVIII:2
Concerto No. 4 in G major Hob. XVIII:4
Concerto No. 9 in G major Hob. XVIII:9
Concerto (Concertino) in C major Hob.
XVIII:12
Massimo Palumbo
Austrian Chamber Orchestra
Ernst Theis
"Simply ravishing" FonoForum
Red Line
Symphony in G major "Le Soir"
Haydn, Franz Joseph
Symphony in D major No. 6 "Le Matin"
Haydn, Franz Joseph
47124-2
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Monteverdi, Claudio
Jones, Robert
Caccini, Giulio
Carissimi, Giacomo
D'India, Sigismondo
Dowland, John
(Giordani)
etc..
Lucia Popp
Jorma Hynninen
Marius Voorberg
47286-2
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Giordani, Giuseppe
Telemann
Haydn, Franz Joseph
47701-2
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Blue Line
"The orchestra is at a very high level ... a pleasing disc and the best way, for the moment, to rediscover this masterpieces we thought we'd know so well ... Exceptional
sound" Crescendo Belgium
"The fine weaving of the early classical Haydn is performed with love for each detail by Martin Haselböck and the Wiener Akademie with historical instruments"
Crescendo Germany
"Reference recording. The most recommendable version available, if you should not find Harnoncourt's ... Apart from some minimal points, this disc appears as mostly
perfect ... Remarkable interventions of the soloists (sumptuous cello, flute in perfect accord, excellent solo violin and mocking bassoon). 9/9" classicstodayfrance.com
"Do not miss it: This latest version signed by Martin Haselböck is the best" Monde de la Musique
" CD of the month" Muzyka21
"Haydn's Sixth, Seventh and Eighth symphonies are splendidly played by Martin Haselböck and his Wiener Akademie. Ecellent sound" Turok's Choice
"Massimo Palumbo directs with fire an incredible sense of colours, richness in nuances, ornamentation, legato ... We underline again the quality
of the sound" Crescendo Belgium
"Excellent accompaniments from the Austrian Chamber Orchestra, Vienna complement Palumbo's high spirits, and the sound is extremely vivid
... Easily recommendable ... 9/9" classicstoday.com
"Excemplary reference recording" klassik.com
"From one concerto to the other, the Haydnian piano gets more friendly and galant" Classica-Répertoire
"An imposing set of Haydn's 'complete' piano concertos ... Truly, this is a medicine for melancholy. Audiophile engineering makes this set even
easier to love" International Record Review
Superb!: 5 Diapasons in the French magazine Diapason
"Palumbo has a light, precise and highly individual way of playing, always with fine nuances and rich contrasts" Diapason
"Palumbo knows how to mix the most differential tone colours, even the lightest ones. Fine tuned dynamics. Palumbo's playing is
full of love" FonoForum
"Played with excitement" klassik.com
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Haydn, Franz Joseph
Concerto No. 11 in D major Hob. XVIII:11
Concerto No. 6 (with violin) in F major Hob. XVIII:6
Concerto (Concertino) in C major Hob. XIV:11
Concerto (Concertino) in G major Hob. XIV:13
Concerto (Concertino) in F major Hob. XVIII:F2
Massimo Palumbo
Suella Mullaj
Ernst Theis
Haydn, Franz Joseph
Concerto No. 1 in C major Hob. XVIII:3
Concerto No. 3 in F major Hob. XVIII:3
Concerto No. 8 in C major Hob. XVIII:8
Concerto (Concertino) No. 10 in C major
Hob. XVIII:10
Massimo Palumbo
Ernst Theis
Haydn, Franz Joseph
Divertimento for Piano, Violins and Cello
in C major Hob. XIV:4, in C major Hob. XIV:3, in
C major Hob. XIV:7, in F major Hob. XIV:9, in C Massimo Palumbo
major Hob. XIV:8
United Europe Chamber Orchestra
Divertimento in C major Hob. XIV:10
Divertimento in C major Hob. XIV:C1
Divertimento in C major Hob. XIV:C2
Blue Line
Blue Line
"Massimo Palumbo brings these works to vivid life" American Record Guide
"Extremely precise" Pizzicato
"Massimo Palumbo is an agile, vivacious, graceful pianist, able to sing with his instrument" RITMO
"Excellent recording technique" Scherzo
„Brilliant and ingenious spirit“ AudioReview
"Very good: tasteful, balanced and sensible ... Played with real feeling and appropriate style. The orchestra has a warm, cheerful
Viennese quality ... Highly recommended" American Record Guide
"Grace and elegance without seeming simulated ... a brilliant sound in high definition (thank you for the 24bit / 96 kHz recording)"
Musica
"Brilliant" Die Presse
"A small miracle, which justifies four stars: with a moving, fresh and unprejudiced interpretation full of bite" Musica
Blue Line
"The soloist plays with a lot of delicatesse and inspiration. How lovely are the sounds and colours he wheedles from his instrument
... A real enrichment"
"Palumbo is a brilliant soloist" F.F.dabei
Haydn, Johann Michael
Symphony P10
Symphony P11
Symphony P20
Warsaw Sinfonietta /
Wojciech Czepiel
Red Line
"Ideal, if you have to have at least one M. Haydn in your collection" RITMO
"Brilliant, especially the very lively strings ... with a praiseworthy musicianship" Scherzo
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Sonatas for Winds and Piano Vol. 1
Hindemith, Paul
Sonate
Sonate
Sonate
Sonate
Sonate
für
für
für
für
für
Flöte und Klavier in B
Oboe und Klavier in G
Fagott und Klavier in B
Klarinete und Klavier in B
Horn und Klavier
Angelo Persichilli, Pietro
Borgonovo, Rino Vernizzi, Michele
Carulli, Luciano Giuliani,
Red Line
6<RA F E=dafjcu>9
19.08.2009
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Sonatas for Winds and Piano Vol. 2
Hindemith, Paul
Hoffmann, Giovanni
Hummel, Johann Nepomuk
Sonate
Sonate
Sonate
Sonate
Sonate
für
für
für
für
für
B-Trompete und Klavier
Posaune und Klavier in F
Englischhorn und Klavier
Altsaxophon und Klavier in Es
Baßtuba und Klavier in B
Mandolin & Fortepiano
Andante con Variationi D-Dur WoO44 No. 2,
Sonatine C-Dur WoO44 No. 2, Sonatine c-Moll
WoO43 No. 1, Adagio ma non troppo Es-Dur
WoO43 No. 3 (Beethoven)
Grande Sonata op. 37 (Hummel)
Sonata in D minor, Sonata in G major
(Hoffmann)
Honegger, Arthur
L' Enfant prodigue
Debussy, Claude
Symphony No. 3 "Liturgique" H 186
Vincenzo Camaglia, Michele Lo
Muto, Pietro Borgonovo,
Mondelici, Mario Barsotti,
Red Line
"Duilio Galfetti and Diego Fasolis play with such freshness and instinct ... that listening becomes a real pleasure" Klassik Heute
Duilio Galfetti
Diego Fasolis
Red Line
Michaeu, Mollet, Sénéchal
Torino
André Cluytens
"Concerning the technique, this is an exciting CD ... You won't find anyone for whom the charm of this sound combination would
not be a real inspiration" Salzburger Nachrichten
"...a colossal addition to Clytens' discography, a rare work, superbebly done here and another crucial discovery by ARTS.... the RAI Orchestra play with absolute superb panache all around
especially in the soul searching final movement.... soloists, chorus and orchestra come together quite magically" Classical Net
"...with a terrific line-up of soloists....I can recommend this disc for the Debussy alone. Happyly, Honegger ....ias a very exciting performance with a positively crushing account ot the apocalyptic
finale... a real collector's item" classicstoday.com
"Cluytens offers a perfect and wonderful reading of the youthful cantata "L'Enfant prodigue". Even stronger are the results with the powerful and dazzling interpretation of Honegger" Amadeus
"brilliant and colorful allurement.... expressive soloists" Musik & Markt
"The cast of characters is excellent.... a perfect interpretation of this extensive work" klassik.com
"... a so far undiscovered treasury with an outstanding discographical value... prominet singer.... never ending deversivied sound expansion... an enritchment for the catalogue that makes us h
"two overall fascinating interpretations.... to be sure one of the best (or even the best) interpretation of this music... in every part convincing.... excellent and well balanced singer" Pizzicato
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47711-2
43054-2
43010-2
6<RA F E=dafecp>4
Jones, Robert
Monteverdi, Claudio
Caccini, Giulio
Carissimi, Giacomo
D'India, Sigismondo
Dowland, John
War and Faith
Bortoliero)
etc..
William Matteuzzi
Hubert Hoffmann
Hans Ludwig Hirsch
Der Hirt auf dem Felsen
Lieder for Soprano, Clarinet and Piano
Helen Donath
Dieter Klöcker
Klaus Donath
Kalliwoda, Johann
Wenzeslaus
Lachner, Franz
Schubert, Franz
Spohr, Louis
Kalman, Emmerich
Operetta Arias
Fall, Leo
Lehar, Franz
Strauss, Johann Jr.
Zeller, Carl
Triebel
Blue Line
Trabaci, Giovanni Maria / Frescobaldi,
Girolamo / Falconiero, Andrea / Merula,
Tarquinio / Marini, Biagio / Castello, Dario
Buonamente, Giovanni Battista / Picchi,
Seicento Italiano
de Kerle,
Jacobus
Gallus, Jacobus
Britten, Benjamin
Nascus, Giovanni
Opera Arias
Cornelius, Peter
Lortzing, Albert
Kienzl, Wilhelm
Schubert, Franz
Fidelio (Beethoven)
Record Guide
Blue Line
Blue Line
"Lovely singing and especially recommended for the Spohr" musicweb-international.com
"Three outstanding musicians manage to create real treasures from unfortunatelly not very often played works. This recording not only proves
the colorful voice from a first class soprano and a clarinetist of rank, it also manages to focus on the works themselves and presents the rarities
as they should be presented" klassik.com
5 DIAPASON May 2007
Fritz Wunderlich /
Köln
Kapsberger, Johann Hieronymus
47707-2
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Mainerio, Giorgio
Gabrieli, Andrea
Merulo, Claudio
Cristina Ariagno
43060-2
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Jannequin, Clement
43009-2
6<RA F E=hghc n>2
Ibert, Francis
Debussy, Claude
Satie, Erik
Boulanger, Lili
Milhaud, Darius
Ravel, Maurice
Poulenc, Francis
Accademia Bizantina
Ottavio Dantone
Blue Line
Fritz Wunderlich,
Müller-Kray
classicstoday.com
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47379-2
Budapest Philharmonic Orchestra
Arpád Jóo
Songs from Goethe's Faust
Alison Browner, Stephan Genz,
Michail Schelomianski
Thomas Hans
Freiburger Vokalensemble
Wolfgang Schäfer
Helen Donath
Dieter Klöcker
Klaus Donath
43054-2
47563-2
Variations on a Hungarian folksong
("The Peacock")
Dances from Galánta
Dances from Morossék
Summer Evening
47271-2
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Kodály, Zoltán
47328-2
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Budapest Philharmonic Orchestra
Hungarian Radio Choir and
Children's Choir
Arpád Jóo
47504-2
6<RA F E=hdhjct>8
Psalmus Hungaricus op. 13
Missa Brevis
Kreutzer, Konradin
Red Line
Red Line
Kalliwoda, Johann Wenzeslaus
Schubert, Franz
Spohr, Louis
Lalo, Edourad
Chausson, Ernest
Satie, Erik
Fauré, Gabriel
Offenbach, Jacques
Massenet, Jules
D'Indy, Vincent
Lambert, Constant
Bax, Sir Arnold
Rieti, Vittorio
Lasso, Orlando di
Phalese,
Trombocino,
Capirolo, Ortiz,
Paganini, Niccolo
Giuliani, Mauro
Regondi, Giulio
Gymnopédies
(Lalo)
Nonet (Bax)
de Curtis, Feige
Harmonia Ensemble
(Rieti)
Syntagma Musicum
Italian Virtuoso
(Legnani)
"A memorable and interpretation rich in religiousness and patriotism" Nuova e nostra
"A permanent orgy of melodies, colours and rhythms of this marvelous music ... The philharmonic orchestra of Budapest plays with
verve and enthusiasm" RITMO
"The interpretation is simply splendid" Nuova e nostra
Red Line
Edoardo Catemario
"a gigantic choral fresco" American Record Guide
"A production which comes along without any manières, wholly concentrated on inner values" klassik heute
"Unbroken motivation ... An extraordinary Stephan Genz as introverted Faust" FonoForum
"A fine team of soloists" The Daily Telegraph
"You listen to a group of well chosen voices" Musica
5 DIAPASON May 2007
Lachner, Franz
Legnani, Luigi
47670-2
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Kodály, Zoltán
Red Line
Red Line
Red Line
Blue Line
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43010-2
Lehar, Franz
Operetta Arias
Fall, Leo
Strauss, Johann Jr.
Zeller, Carl
Kalman, Emmerich
Triebel
Lehar, Franz
Suppé, Franz von
Strauss, Johann Jr.
Strauss, Johann Sr.
Strauss, Eduard
Strauss, Josef
Ziehrer, Carl Michael
Gruß an Wien
New Year's Concert in Vienna
Die schöne Galathée, Tik-Tak-Polka, Klänge der
Heimat, Pasman-Walzer, Eljen a Magyar, SperlGalopp, Freikugeln, Schwipslied, Walzerintermezzo,
Meine Lippen, sie küssen so heiß, Gruß an Wien,
Bahn frei!, Delirien, Loslassen, Liebe, schöne alte
Donaustadt
Lekeu, Guillaume
Piano Trio in C minor
Piano Quartet
Fritz Wunderlich /
Köln
Arts Archives
Ildikó Raimondi
Strauss Festival Orchestra
Peter Guth
Spiller Trio
Oscar Lysy
Blue Line
Red Line
Concerti per Violoncello, 2 Violini e
Continuo - Vol. 1
Leo, Leonardo
Concerto
Concerto
Concerto
Concerto
in
in
in
in
Re Maggiore
do Minore
La Maggiore
fa Minore
Leo, Leonardo
Concerto in La Maggiore
Concerto in re Minore
Concerto a 4 violini obbligati e continuo
Continuo - Vol. 1 + 2
"The audience from 1/1/2005 concert at the Konzerthaus Wien goes nuts, and you'll be popping a champagne cork or two yourself"
AUDIOPHILE AUDITION
"Thanks to the participating Ildiko Raimondi listening is a lot of fun" Kurier am Sonntag
"wartosciowe" 4 Stars from MUZYKA 21
"a "live" enjoyable Viennese New Year's Eve concert" TUROK'S CHOICE
"..the Strauss Festival Orchester... plays itself into such a trance that the sparks fly even when merely listening to their
performances on CD, as opposed to really being there" tokafi.com
"Powerful performances at very reasonable cost - very strongly recommended" musicweb-international.com
"... A magnificent performance ... A most recommendable issue" International Record Review
4 Stars in BBC Music Magazine "Passionate works, played with flair and fire"
"An interpretation full of suspense" FonoForum
"These musicians are the ideal interprets" Das Orchester
"Exemplary sound quality" The Strad
"This present very romantic interpretation ... is without a doubt one of the very best. The primarius Antonio Spiller ... develops in cantabile
passages full singing and touches the softest feelings of the listeners. This mastership is unique and admirable" The Record Geijutsu
"Virtuoso and convincing" FonoForum
Arturo Bonucci,
Ensemble Strumentale Italiano
Red Line
"Complex, highly virtuosic cello parts ... The refreshing vigour of Leo's invention is matched by that of the present players ... These
discs are a distinct and welcome acquisition to the recorded catalogue" Gramophone
"Galant accent, bright sound, sensual expression" Phono
"Complex, highly virtuoso cello parts ... The refreshing vigour of Leo's invention is matched by that of the present players ... These
discs are a distinct and welcome acquisition to the recorded catalogue" Gramophone
Continuo - Vol. 2
Leo, Leonardo
Arturo Bonucci,
Red Line
"Good to optimum interpretation: A CD which will surely be appreciated by the passionate lovers of rarities of the 16th century
music" CD Classica
Arturo Bonucci,
Red Line
Fausto Tenzi
Roberto Negri
Red Line
(2 CD-Box)
"Arturo Bonucci's interpretations are not only full of refreshing vigour but lucidly faithful to the wonderful inventions of the
composer....this is an important addition to the catalogue to be enjoyed and appreciated by all genuine music lovers" Classical Net
4 Stars from MUZYKA21
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Melodies and Songs
6<RA F E=hdg cp>4
19.08.2009
47366-2
Bellini, Vincenzo
Donizetti, Gaetano
Verdi, Giuseppe
Puccini, Giacomo
Mascagni, Pietro
Aprile, L'Addio, Se.., C'è nel tuo sguardo, Déclation,
La Chanson des Yeux, Hymne á la Lyre, Qu'à jamais
le soleil, Lasciati amar, Vieni amor mio, Canzone
d'amore, Donna, vorrei morir, Ne m'oubliez pas,
Invocation à la Muse, Nuit de décembre, Pensiero,
Serenata francese, Mandolinata, Mattinata
"Very romantic" FÜR SIE
"Fausto Tenzi....is an interpreter with great style and a colourful and attractive voice" FonoForum
"Recommended for thoroughly Italianate prformances of rare and attractive repertoire" musicweb-international.com
Norma (Bellini)
Fiorentino
Maurizio Arena
Red Line
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Liszt, Franz
Bartók, Béla
Locatelli, Antonio
Piano Concerto No. 1
Mephisto Waltz
Heroïde funèbre
Lazar Bermann
Arts Archives
/
Peter Maag
Der Weihnachtsbaum R 71 (Liszt)
Román Kolinda-Dallamok (Bartók)
Pietro Spada
L'Arte del Violino op. 3
(4 CD Box)
R. Bonucci, Orchestra da Camera
di Santa Cecilia
Red Line
Red Line
L'Arte del Violino op. 3 Vol. 1
Locatelli, Antonio
Concerto No. 1 Re Maggiore
Concerto No. 2 do Minore
Concerto No. 3 Fa Maggiore
di Santa Cecilia
Red Line
Locatelli, Antonio
Concerto No. 4 Mi Maggiore
Concerto No. 5 Do Maggiore
Concerto No. 6 sol Minore
di Santa Cecilia
Red Line
Locatelli, Antonio
Concerto No. 7 Si bemolle Maggiore
Concerto No. 8 mi Minore
Concerto No. 9 Sol Maggiore
di Santa Cecilia
Red Line
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Liszt, Franz
Locatelli, Antonio
Loewe, Carl
Concerto No. 10 Fa Maggiore
Concerto No. 11 La Maggiore
Concerto No. 12 Re Maggiore Il Labirinto
armonico "Facilis aditus, difficilis exitus"
Balladen
di Santa Cecilia
Red Line
Hermann Prey
Karl Engel
4 Stars from Musica: "Berman's Liszt is animated by a powerful declamation "
"The re-mastering of these stereo originals gives us natural sound.... delicate and piquant...." musicalpointers.co.uk
"The often underestimated Swiss conductor Peter Maag makes spars fly in live performances of Music by Franz Liszt" audiophile audition
"...Berman finding genuine poetry in the slow movement, then offering some spectacularly rapid finger-work in the finale" classicsToday.com
"The interpretation of the Piano Concert No. 1 , played by the late Lazar Berman and Peter Maag, is fulminant and full of suspense" pizzicato
"... excellent level of piano playing by Berman" Die Presse
"The combination of Berman caught live and the rare symphonic poem means that ... this is a recording of great interest to lover’s of Liszt’s music" musicweb-international.com
"A thrilling reminder of Berman's virtuosity.... Berman is enthusiastically partnered.... Maag and his orchestra offer magnificent performances" Gramophone
"The first Piano Concerto is a true barnstorm on all counts and has Maag in apocalyptic form with Berman also playing like the devil" classical.net
"Bonucci interprets Locatelli's complex notation musically and idiomatically and masters with admirable aplomb the formidable
technical challenges. The capriccios are negotiated with breathtaking artistry and panache ... his playing is full blooded and
sonorous." THE STRAD
"Bonucci ... is a sensitive and refined protagonist of this recording" Musica
"The interpretation from Rodolfo Bonucci is solid and his play gives consideration to the virtuosi as well as to the artistic
ornamentations" Pizzicato
"CD of the month" MUZYKA 21
"Good to optimum interpretation" CD Classica: "Bonucci masters technically the score of Locatelli and is accompanied with fidelity
and precisely by the orchestra"
"Bonucci interprets Locatelli's complex notation musically and idiomatically and masters with admirable aplomb the formidable technical challenges. The
capriccios are negotiated with breathtaking artistry and panache ... his playing is full blooded and sonorous." THE STRAD
"Good to optimum interpretation" CD Classica: "Bonucci masters technically the score of Locatelli and is accompanied with fidelity and precisely by the
orchestra"
"Bonucci plays with impressive execuant skill, sympathetically matched by the Santa Cecilia chamber orchestra" BBC Music Magazine
"The interpretation from Rodolfo Bonucci is solid and his play gives consideration to the virtuosi as well as to the artistic ornamentations" Pizzicato
"Prey has just the right voice for Loewe’s strophic ballads. A warm, flexible and adeptly lyric baritone, it’s one capable of irresistible mezza voce and considerable colour.
It also has great authority and a certain grand seigneurial status" musicweb-international.com
"...particularly felicitous interpretations" klassik.com
"What a wonderful singer! And what a wonderful affinity for Loewe's music" 5 Notes from Opéra
"Thrilling and exciting from the beginning to the end" Joker from Crescendo
9 Points from the French magazine Répertoire
5 Stars from MUSICA: "A memorable, spirited and mesmeric interpretation of Hermann Prey"
"a worthy tribute to Prey" BBC Music Magazine
"Superbe" Diapason
"Prey is splendid, holding the tension from beginning to end.....Loewe fans should pick it up" American Record Guide
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47239-2
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6<RA F E=hga cq>5
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Opera Arias
Cornelius, Peter
Kienzl, Wilhelm
Schubert, Franz
Fidelio (Beethoven)
Maderna, Bruno
Mahler, Gustav
Mahler, Gustav
Mahler, Gustav
Brahms, Johannes
Fritz Wunderlich,
Arts Archives
Müller-Kray
classicstoday.com
Don Perlimplin
Serenata per un Satellite
Roberto Fabbriciani
Contempoartensemble
Mauro Ceccanti
"A poetic journey defended with communicative passion by the performers of Contempoartensemble" Le Monde de la Musique
Five Stars from MUSICA: "Every musician contribute to the extremely enjoyable final result of this recording...excellent flute solo from Roberto Fabbriciani "
"...close, quasi glittery sound event...... The Contempoartensemble manages to deliver a well rounded performance with different sound interpretations" FonoForum
"The diction (spoken and sung) is excellent....I found the whole thing entrancing" Musical Pointers
"It is fresh, vivid and wryly sad..." Guardian Unlimited
"...the Contempoartensemble shows a great familiarity with his (Maderna's) musical language and Mauro Ceccanti is its confident advocate" Pizzicato
Symphony No. 1 in D "The Titan"
Amsterdam Philharmonic
Orchestra / Arpád Jóo
Symphony No. 2 in C minor
"Resurrection"
(2 CDs)
Straube, Bernardy
Philharmonie Chemnitz
Singakademie Chemnitz
Oleg Caetani
Lieder
Lucia Popp, Geoffrey Parsons
Blue Line
Red Line
Blue Line
Red Line
Berg, Alban
Ogermann, Claus
Lieder
Mahler, Gustav
John Wustmann
Schubert, Franz
Mainerio, Giorgio
Jannequin, Clement
Gabrieli, Andrea
Merulo, Claudio
Orchestra
Marco Boni
(Beethoven/Mahler)
War and Faith
Bortoliero)
10/10 Points in Italian magazine AUDIO REVIEW
"A most auspicious, intelligent and ultimately gripping account of the D Major ... Recommended" CLASSICAL disCDigest
"A wonderful performance ... This is a reading that can stand with similar ones by Kubelik and Litton ...recommended" Fanfare
"Recommended for an initiation" Répertoire
"his (Arpád Jóo's) reading pleases with its consistent flowing pulse, scrupulous attention to color and accent, and dynamic energy"
classicstoday.com
nominated for the German “Audiophile Reference" Award
"This performance and recording is outstanding ... the orchestra sounds like a chamber ensemble at times ... never heard on any other
recording! Highly Recommended" Frank Pandel, musicologist @ amazon.com
"The sound is impressively clean, precise and detailed, with exceptional intrumental clarity and definition" Fanfare
"The wideranging recording captures all of this glorious pounding with complete fidelity ... sonics are excellent" American Record Guide
Listed in best recordings of this piece in Sunday Telegraph
"With atmosphere, feelings, human, all in all very personal" Pizzicato
"A treasure indeed. The well remembered soprano in fine voice and at the top of interpretative form in an intelligent program ... they bring all
their considered artistry to bear" Gramophone
Gramophone: "Awards“ & “Editor's Choice"
"Incredibly convincing" FonoForum
10/10 from classicstoday.com: "Popp's Mahler is the highlight of this release. To hear her sing ...with such playfulness mixed with virtuosity is
to be begiled by this music once again"
" Wonderful phrasing, admirable timbre, perfect technique...." pizzicato
"Fassbaender offers an astonishing and intelligent rendition of these scores "fin de siècle" " Crescendo
"This is a recording that anyone interested in Fassbänder should have, and those who know Mahler's music will find her interpretations of his Lieder engaging. One can
hope that Arts Archives will produce more such recordings" Opera Today
Mahler, Gustav
47514-2
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Lortzing, Albert
Red Line
Blue Line
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Red Line
Marcello, Benedetto
Sonatas op. II, Vol. 2
Sonata in Sol minore
Sonata in Fa Maggiore
Sonata in Do Maggiore
Sonata in Si bemolle Maggiore
Sonata in Mi minore
Sonata in Sol Maggiore
Accademia Claudio Monteverdi
Venezia / Hans Ludwig Hirsch
Red Line
Marcello, Benedetto
Sonatas op. II, (2 CD-Box)
Marcello, Benedetto
Cimador, Caldara, Piccinni,
Renato Bruson
Roberto Paternostro
47213-2
47504-2
47214-2
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Marcello, Benedetto
Sonatas op. II, Vol. 1
Sonata in Re minore
Sonata in Sol Maggiore
Sonata in Re minore
Sonata in Si minore
Sonata in Re Maggiore
Soanta in La minore
47790-2
6<RA F E=hcbdco>3
Syntagma Musicum
47575-2
6<RA F E=hfaecn>2
Mantovano, Rossino
Phalese,
Trombocino,
Capirolo, Ortiz,
Lasso, Moderne, Gastoldi
Red Line
6<RA F E=hbdico>3
19.08.2009
47707-2
47575-2
6<RA F E=hfhfcl>0
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Martini, Johann Paul
Piccinni, Parisotti, Cimarosa,
Martucci, Giuseppe
Respighi, Ottorino
"Enchanting ... Perfectly played music, like blazes! You'll get really happy here" Fono Forum
"Optimum, exceptional interpretation" CD Classica
"The combination of exceptional sound, vivacious performance, and historic interest make it impossible to deny (these discs) a
strong general recommendation" Fanfare
"Optimum, exceptional interpretation" CD Classica
Red Line
Accademia Bizantina
Ottavio Dantone
Renato Bruson
Roberto Paternostro
Works for Cello and Piano Vol. 2
Sonata for Violin and Piano op. 22, Tre Pezzi
op. 67, Melodia for Violin and Piano
Arturo Bonucci, Antonio Bacchelli,
(Martucci)
Pietro Spada
Cinque Pezzi for Violin and Piano, Sei Pezzi
for Violin and Piano (Respighi)
"Luigi Rivighi's violin rasps with character, and the flute and recorder as played by Susanne Schaffert and Gianni Lazzari are
soulfully breathy, with color provided by the "bent" pitches typical of period wind instruments" Classical Net
"The sonatas themselves are a continual garden of delight... the performances are splendid" Fanfare
delighted" Diapason
Red Line
Marini, Biagio
Merula, Tarquinio / Trabaci, Giovanni Maria Seicento Italiano
/ Falconiero, Andrea / Frescobaldi, Girolamo
/ Kapsberger, Johann Hieronymus /
Castello, Dario / Buonamente, Giovanni
Battista / Picchi, Giovanni / Storache,
Bernardo
Blue Line
delighted" Diapason
Red Line
Red Line
"Some fairly lightweight things here played with commitment and just the right kind of discretion. An enjoyable, relaxing recital"
33 of 68
Bellini, Vincenzo
Donizetti, Gaetano
Verdi, Giuseppe
Puccini, Giacomo
Norma (Bellini)
Nabucco, I Lombardi alla Prima Crociata, Macbeth, Il
Trovatore (Verdi)
Fiorentino
Maurizio Arena
47271-2
Massenet, Jules
Satie, Erik
Fauré, Gabriel
Offenbach, Jacques
Chausson, Ernest
D'Indy, Vincent
Lalo, Edourad
Gymnopédies
(Lalo)
Massenet, Jules
Goetz, Hermann
Verdi, Giuseppe
Puccini, Giacomo
Smetana, Bedrich
Dvoràk, Antonín
Opera Arias
Rusalka (Dvorák)
47636-2
Fausto Tenzi
Roberto Negri
47517-2
6<RA F E=hgdgcl>0
Melodies and Songs
Pena d'amore, Ballata, Rosa, Spes Ultima,
Stornelli Marini, Sintomi d'amore, Serenata, Ava
Maria, Bimba Bionda, M'ama non m'ama, La tua
stella, Allora ed ora, Messagio d'amore,
Risveglio, Ascoltiamo!..., La Luna, A Lilia, La
Ballata di Maggio, Ave Maria
Mascagni, Pietro
6<RA F E=daec u>9
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19.08.2009
47130-2
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Kurt Eichhorn
Die Erste Walpurgisnacht op. 60
Meeresstille und glückliche Fahrt op. 27 Oncina, El Hage, Fioroni
Mendelssohn-Bartholdy, Felix Ruy Blas op. 95
Coro e Orchestra sinfonica RAI di
Die schöne Melusine op. 32
Torino / Peter Maag
Die Hebriden op. 26
Complete Works for String Quartet
3 CDs
Mendelssohn-Bartholdy, Felix Symphony No. 2 "Hymn of Praise"
Bartholdy-Quartett
Valentina Valente
Maria José Suárez
Santiago Calderon
"The Swiss Fausto Tenzi sings with wonderful expression and even with more emphasis" FonoForum
"Negri is an enthusiastic accompanist, the sound is excellent" American Record Guide
"The swiss Fausto Tenzi has the impressing voice of a dramatic tenor" Répertoire
"Tenzi performs this pages with a wonderful vocal expansion" Compact disc Classics
Red Line
Red Line
Lucia Popp
43042-2
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6<RA F E=hchbcs>7
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Mascagni, Pietro
Blue Line
Red Line
Red Line
Gramophone
"luckyly as well the name of the Bartholdy-Quartett is representative for quality.....outstanding musicians......well balanced, precise and highly romatic at the same
time" klassik.com
"...phrased beautifully and giving full power and vehemence to Felix Mendelssohn's angry memorial..." Musical Pointers
"Supersonic" Pizzicato
"The accomplished Bartholdy on ARTS MUSIC are my first choice. A superb achievement and it is difficult to imagine the work being played better; totally convincing"
"The ..... set qualifies as pioneering recording and the performances are ..... very good: the Bartholdy are a well-matched group, with rich, expressive tone and an
unaffected approach to the music" Gramophone
"Vivid performance and well recorded.." Musical Pointers
Recording of the month: "Performances notable for their whole-hearted involvement; Mendelssohn in Maag’s hands is a fully romantic composer who sings and exalts"
5 Stars from MUZIKA 21
Joker from Crescendo Belgium
"This Mendelssohn-CD is an inestimable testimony of his (Peter Maag's) art of presenting romantic glory with a distinguished sound garment and of finding new
definitions for Mendelssohn's music with the help of dynamic graduations, accents but also with emotional attendance" Pizzicato
"Recommandable" Diapason
"Maag raelly lets it fly.... Maag has the RAI Symphony at top form..... the playing is high-caliber....the sound is superior...the remastering is exceptionally good" 9/8
from classicstoday.com
"Excellent tenor ... Clean and presently balanced recording" Gramophone
Red Line
Orquesta Sinfonica de Madrid
Peter Maag
"ARTS Music has been remarkably successful in capturing the large forces involved. The clean, spacious sound with natural
perspectives and no sense of strain, is pleasurable indeed" Classic CD
5 points in Spanish magazine RITMO "Maag most clear articulation come from the hand of a Maestro"
Symphony No. 3 "Scottish"
Symphony No. 4 "Italian"
Peter Maag
Red Line
"Maag gives ... all the grace and tenderness one might hope for; if you don't have it in your collection, you need look no further"
musicalpointers.co.uk
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47295-2
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MendelssohnBartholdy , Felix
47622-2
6<RA F E=hcject>8
Symphony No. 5 "Reformation"
Symphony No. 1
Peter Maag
Blue Line
Complete String Symphonies
(4 CDs Box)
Amadeus Chamber Orchestra
Agneszka Duczmal
Red Line
Agnieszka Duczmal
Red Line
Agnieszka Duczmal
Red Line
Symphonies for Strings Vol. 3
Symphonies Nos. 9-10
Symphonies for Strings Vol. 4
Symphonies Nos. 11-12
Piano Concerto No. 1 Op. 25
Capriccio Brillante Op. 22
Rondò Brillante Op. 29
Serenata E Allegro Giojoso Op. 43
Andrea Bacchetti
Red Line
Complete Works for Piano 4 Hands
Mendelssohn-Bartholdy, Felix Octuor (Original Version)
Andante e Allegro Brillant op. 92
Andante con Variazioni op. 83a
Mendelssohn-Bartholdy, Felix A Tribute to Peter Maag (16 CDs Box)
47700-2
6<RA F E=hdjacm>1
47584-2
6<RA F E=hfaict>8
"Even with 82 years, Peter Maag shows no lack of energy ... both symphonies are highly concentrated, full of suspense and sound excitingly
young" CD of the month, FonoForum
"The last recording ... From the great Swiss-born conductor Peter Maag ... Mendelssohn, a composer Maag dearly loved ... Fascinating contrast
of style and form" American Record Guide
"Youthful freshness (...) perfect balance between the insolence of frivolity and maturing ambitions. These seldom performed works probably
cannot be played 'more properly'" German Magazine Crescendo
"The tempos, phrasing, color, rhythm, and overall feel reflect Maag's full absorption of Mendelssohn's personal style" classicstoday.com
Schumann, Robert
(Schumann)
Begoña Uriarte
Peter Maag
Blue Line
Concerto in E minor op. 57
Concerto in E major
Concerto in D major
"Arts seems to have figured out how to reproduce piano sound, and the results of their technology are excellent ... You'll enjoy it, especially played as well as this"
American Record Guide
"Using the piano as if it were an orchestra, these two musicians are top notch. Melodic passages are truly catabile ... virtuoso sections are indeed thrilling ... A delight"
"First class reference for piano music of the highest quality" Piano News
"Great musical sensibility" FonoForum
"...well attuned players..." Musical Pointers
"The pianists impose noticeable yet never obtrusive tempo fluctations throughout the first movement.... it attractively replicates what a first-rate concert grand sounds
like in a small, intimate room" classicstoday.com
Gramophone
"Three brilliant concerti" Compact Disc Classics
3 Flute Concertos
Mercadante, Saverio
"Bacchetti is thoroughly searching for the most adequate sound in an technically perfect manner and manages to offer deep and
ductile interpretations with the attentive Czech orchestra.... He proves to be a fantastic pianist and a gifted musician" La Repubblica
"smooth and clear intonation..... bittersweet opening and a rhythmically moved, playful finale" tokafi.com
Marzio Conti
Orchestra Sinfonica Abruzzese
Vittorio Antonellini
Blue Line
"Marzio Conti masters with grandezza the traps and the technical difficulties" Diapason
"The music is beautiful ... Conti's playing ... offering a distinctive lean, clear sonority, projecting the composer's embellished solo
lines with shapely phrasing and a liquid, well-bound legato" musicweb-international.com
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19.08.2009
Merulo, Claudio
Non Papa,
Verdelot, Nanino,
Andrea Marcon
Milhaud, Darius
Debussy, Claude
Satie, Erik
Boulanger, Lili
Ravel, Maurice
Poulenc, Francis
Ibert, Francis
Cristina Ariagno
Moderne, Jacques
Phalese,
Trombocino,
Capirolo, Ortiz,
Lasso, Mantovano, Gastoldi
Syntagma Musicum
47691-2
47707-2
47348-2
6<RA F E=hfaecn>2
Bortoliero)
47672-2
6<RA F E=hghc n>2
War and Faith
47594-2
6<RA F E=hdeict>8
Merulo, Claudio
Mainerio, Giorgio
Jannequin, Clement
Gabrieli, Andrea
Accademia Bizantina
Ottavio Dantone
Pennicchi, Simboli, Balconi, Schofrin,
Beasley, Dordolo, Naglia, Maletto,
Carnovich, Grandini, Zanasi
Schola Gregoriana, Ensemble More
Antiquo, Concerto Palatino
I Barocchisti
Diego Fasolis
Monteverdi, Claudio
Vespro della Beata Vergine, 1610
(2 CDs)
47143-2
6<RA F E=hgjbcs>7
Seicento Italiano
Monteverdi, Claudio
Ghirlande sacre / Ghirlande profane
Exulta filia Sion, Ego flos campi, Jubilet tota
civitas, O beatae viae, Fuge anima mea, Non è di Accademia Claudio Monteverdi
gentil core, O come sei gentile, Et è pur dunque Venezia / Hans Ludwig Hirsch
vero, Quel sguardo sdegnosetto, Si dolce è il
torento, Romanesca, Su pasterelli vezzosi
47575-2
6<RA F E=h ahcs>7
Trabaci, Giovanni Maria / Falconiero,
Andrea / Frescobaldi, Girolamo /
Kapsberger, Johann Hieronymus / Marini,
Biagio / Castello, Dario / Buonamente,
Giovanni Battista / Picchi, Giovanni /
Storache, Bernardo
47504-2
Merula, Tarquinio
Monteverdi, Claudio
Cimarosa, Scarlatti, Gluck
Renato Bruson
Roberto Paternostro
Blue Line
Blue Line
Red Line
Blue Line
Record Guide
Red Line
Red Line
"From the ardent introductory acclamation ..., a sort of 'spirituality in motion' takes hold and keeps us in its grip right up to the glowing brazier of the
concluding Magnificat ... Moreover, the listener will not easily forget the committed accents of the tenor Marco Beasley in a most virtuosic 'Nigra Sum' nor
the cosmic explosion of an eternal version of the Magnificat, one of the most beautiful in the catalogues" Goldberg
"Particularly outstanding is the psalm Nisi Dominus" Internat. Rec. Review
"CD of the month" Classica
"Such a very good recording, in performance and sound (just the right amount of cathedral-like reverberation) ... that it should be snapped up without any
hesitation" musicweb-international.com
"A" in Amadeus
"Without any doubt on a very high technical level" klassik-heute.de
Red Line
delighted" Diapason
Red Line
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19.08.2009
Die Entführung aus dem Serail
Peter Maag, Coro Sinfonica RAI di
Milano, Orchestra Sinfonica RAI di Arts Archives
Milano
43063-2
47711-2
43012-2
43085-2
Idomeneo, Re di Creta K. 366
2 CDs
Mozart, Leopold
43049-2
6<RA F E=dagdcn>2
Unknown Arias for Soprano
Pokorny, Franz Xaver
Witt, Friedrich
Rössler, Franz Anton
Horn Concertos
Blue Line
Arts Archives
5 Stars from MUSICA
"Helen Donath's "coloratura" in particular is as refreshing as the evening breeze and she is given committed support both from the
three soloists and the Suk Chamber Orchestra making this disc a must for all Mozartians" Classical.net
"Donath's singing is full-blooded" musicweb-international.com
"It's a fine account all around" American Record Guide
Bertocci, Jelden, Giebel,
Stadler,Ponce de Leon, Ward,
Shofer
Arts Archives
Roma
Peter Maag
"..a colourful and hypnotic music box" tokafi.com
Hermann Baumann
"Heavenly horn... an album full of wonderful music" mouvementnouveau.com
"Very good" Pizzicato
"His (Baumanns) bright and warm tone carries these pieces to Horn-heaven" tokafi.com
"Baumann displays a dexterity of playing and panache that is pretty disarming, especially in the excellent accomaniment by Jaap
Schroeder... I would definitely recommend this disc" classical.net
Mahir Cakar, Christoph Kohler,
Jean-Pierre Lepetit
Concerto Amsterdam
Jaap Schröder
Arts Archives
47100-2
6<RA F E=daifcp>4
Helen Donath
Dieter Klöcker, Josef Suk, KarlOtto Hartmann
Suk Chamber Orchestra
Klaus Donath
Early Symphonies Vol. 1
K.16, K.19, K. Anh. 223 (19a), K.22, K.32,
K.43
I Solisti Veneti /
Claudio Scimone
Red Line
47101-2
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William Matteuzzi
Hubert Hoffmann
Hans Ludwig Hirsch
K. Anh. 221 (45a), K. Anh. 214 (45b), K.48,
K.73 (75a), K.45
I Solisti Veneti /
Claudio Scimone
Red Line
47277-2
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etc..
Monteverdi, Claudio
Caccini, Giulio
Carissimi, Giacomo
D'India, Sigismondo
Dowland, John
Jones, Robert
K.100 (62a), K.74, K.112, K.110, K.114
"the wonderful work of Peter Maag…he inspires a vitality to the singers and the orchestra that makes this Mozart modern even after
more than 40 years" Scherzo
Red Line
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19.08.2009
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47780-2
47650-2
47398-2
47365-2
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Red Line
The Early Symphonies
(4 CD-Box)
The Late Symphonies
(4CDs Box)
Nos. 31 "Paris", 32, 33, 34, 35 "Haffner", 36
"Linz", 38 "Prague", 39, 40 & 41 "Jupiter"
I Solisti Veneti /
Claudio Scimone
Red Line
"Brilliant" Scherzo
"pure pleasure.... well-groomed mellifluosness of his (Scimones) performances" Classical.net
"stylish and lively, with spirited allegros, nicely singing andantes, and smartly paced minuets. Ensemble coordination is consistently
first rate: rythms are well pointed and phrasing is impressively uniform" classicstoday.com
Peter Maag
Symphony No. 31 in D major "Paris"
Orchestra di Padova
Symphony No. 33 in B flat major K.319
Peter Maag
Symphony No. 34 in C major K.338
Red Line
Red Line
"Instantly captivating ... Excellent sound ..." classical.net
"Maag is a very special Mozart conductor … His phrasing of the lyrical melodies is both natural and involving … This Italian chamber orchestra is responsive
to his every slight inflection and emphasis – Excellent sound. A delightful boxed set" musicalpointers.co.uk
5 Stars in Classic CD for all late Mozart Symphonies
"... recordings taking an almost talismanic status as examples of stylistically apt conducting ... splendidly realised" musicweb-international.com
"The sheer joy of the music-making is captivating" International Record Review
2004's Best Classical Box Sets: "Arts has supplied sound of such presence and vibrancy that it may wean audiophiles away from their favorite Mozart discs"
the absolute sound
"In which other performances these days, would one experience such a sense of elation and victory at the close of the Linz? These
are performances that go well beyond the notes, fashion, critical pedantry, and should rightly be called Olympian" Classic CD
"A Mozart with no routine, where every single accent is well thought" Répertoire
Symphony No. 32 in G major K.318
(Ouvertüre im italienischen Stil)
Symphony No. 35 in D major K.385
"Haffner"
"Linz"
Orchestra di Padova /
Peter Maag
Red Line
"Mozart in economic series has never been as pertinent and modern! Every phrase is well thought, every sigh lives" Répertoire
47364-2
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I Solisti Veneti /
Claudio Scimone
Symphony No. 38 in D major K.504
Orchestra di Padova /
"Prague"
Peter Maag
Symphony No. 39 in E flat major K.543
47363-2
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K.124, K.128, K.129, K.130, K.132
"A great value, with great riches for the Mozart lover. Dignified performances that hold immediacy" musicweb-international.com
Symphony No. 40 in G minor K.550
"Jupiter"
Orchestra di Padova
Peter Maag
Red Line
Serenade No. 13 K.525 "Eine Kleine
Nachtmusik"
Adagio und Fuge K.546
Divertimento K.136-138 (Salzburger
Symphonies No. 1-3)
Accademia I Filarmonici
Alberto Martini
Red Line
47359-2
6<RA F E=hchicl>0
Red Line
"An attractive and meditated performance by a genial Mozart's interpret ... projected towards a never ending research of stylistic
solutions. A new revelation...of Mozart's masterpieces...excellent orchestra" CD Classica
Editor’s choice in CD Classica
10/10: "The performance of the "Prague" Symphony is particularly thrilling, with powerful tuttis, a graciuous singing Andante, and a
dazzling finale" classicstoday.com
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43035-2
43070-2
43082-2
Sinfonia Concertante K.297B
Symphonies Nos. 25 K.183 & 29 K.201
Così fan tutte
(2 CDs)
Le Nozze di Figaro
(3 CDs)
Dino Ciani performs MOZART
Piano Concerto No. 25 K. 503, c-minor
Piano Concerto No. 20 K. 466, d-minor
Arts Archives
Stich Randall, Martin, Krenn,
Braun, Feller, Martino
Arts Archives
Orchestra Sinfinica e Coro RAI di
Roma / Maag
Streicher, Pobbe, Blankenburg,
Casoni, Cesari, Monti, Susca
Orchestra "Alessandro Scarlatti"
di Napoli della RAI
Peter Maag
Arts Archives
Orchestra Sinfonica "A. Scarlatti"
della RAI di Napoli
Arts Archives
John Barbirolli / Piero Bellugi
Dino Ciani
43009-2
6<RA F E=daic s>7
47517-2
6<RA F E=dahacn>2
47385-2
6<RA F E=dadfcu>9
Opera Arias
Cornelius, Peter
Lortzing, Albert
Kienzl, Wilhelm
Schubert, Franz
Fidelio (Beethoven)
Goetz, Hermann
Verdi, Giuseppe
Puccini, Giacomo
Massenet, Jules
Smetana, Bedrich
Dvoràk, Antonín
Opera Arias
Rusalka (Dvorák)
Mass in C minor K.427 "Great Mass"
Fritz Wunderlich,
Arts Archives
Müller-Kray
Lucia Popp
Kurt Eichhorn
Lynda Russel, Mina Vilotjievic,
James McLean, Eldar Aliev
Athestis Chorus
Peter Maag
Red Line
"A gracious quality to the music-making that's very touching" classicstoday.com
"What a wonderful Mozart conductor Peter Maag has been ... This is especially clear when you hear his uniquely sensible
interpretation of the great 'Sinfonia Concertante' ... A precious present" Pizzicato
"excellent performances" Turok's Choice
"...all Mozartians and Maag enthusiasts should definitely acquire this disc as it really ia a true testamnet to the greatness of this
conductor in a tribute to the composer he loved best. classical.net
"Maag knows the score to the very best. Amazing how he enchants the musicians from Rome with his Mozart style. Swingy, sparkling ... with love" Opernwelt
"Enchanting Teresa Stich-Randall ... each interpret is more remarkable than the other ... Maag realised a sumptuous synthesis of all united talents, one of the most
accomplished interpretations ... excellent sound ... the freshness of this recording has not taken a single wrinkle" Pizzicato
"The remastering is perfect ... The interpretation of the choir and RAI-orchestra are fantastic" Ópera actual
"Dazzling moments of virtuosity" Classica-Répertoire
"Peter Maag, without a doubt ... a great Mozart specialist" Opéra International
"The trio of men interact with real verve ... the blend of voices is excellent" classicstoday.com
"Treasurable Mozart Voices" musicweb-international.com
"The jewel in this crown of this set is Peter Maag's inspired and felicitous direction" Classical Net
"Maag gives us a genial, relaxed Così, with flexible rhythms and a wide range of tempos... this one (recording) will definitely do as a memorial to a fine talent (Maag)"
"Remorselessly catchy and relentlessly creative... This could well be one of the albums that never grow old" Tokafi
"Two divas (Streich, Pobbè) both on their height of their career, full of youth and brilliance, show portraits of characters that can easily match with other big
performers... the conducting of Peter Maag sounds surprisingly fresh. He chooses quick tempi, light rhythm conciseness and surprises with strikingly hard accents.... as
treasure for music lovers and collectors" klassik.com
"No other recording known to me brings to life the characters and events in the Count’s household as this one does" musicweb-international.com
"Especially impressing is the lively interpretation from Peter Maag" Orpheus
INSIDER-TIPP: " a true treasure.... the singing ensemble is brilliant.... Maag's Nozze is a reference recording and an inestimably document of a great conductor"
Pizzicato
"Maag has the greatest feeling for the Mozart music…nice sounds from the Naples orchestra…Rita Streich is divine…excellent cast throughout" Classica Répertoire
5 Stars from AMADEUS
"Ciani plays.. With carefree abandon and joy and versatility of youth married with maturity and an innate understanding of this magnificent music.... One is again
bowled over by the sheer technical accomplishment of the playing and the loving abandon that this pianist brings to proceedings" Classical.Net
"exuberant delight in playing... elegant phrasing....His (Dino Ciani's) interpretation is not analytic but intuitively musical - therefor it's liveliness is tremendous and it
makes this CD from the RAI archives to a valuable part of every collection" klassik.com
"Piano buffs wishing to hear a pianist who might perhaps have played a leading role in our musical lives will be glad to hear his collaboration with Barbirolli" musicwebinternational.com
"...it is, at once, the miracle of a total complicity, a complicity, where the British leader (John Barbirolli), in the autumn of his life, follows closely with an enjoyment and
a contagious enthusiasm, in the young and passionate, fresh and smart play, of the young man" Crescendo Belgium
"Ciani is memorably responsive in K503 where his rapport with the Napels "Scarlatti" Orchestra under Sir John Barbirolli (also on top form) is consistently evident" Gramop
"they show Ciani as a man with an incredible flow and a passion in his playing" TOKAFI.com
classicstoday.com
Gramophone
"Experienced baton of Peter Maag" Gramophone
Red Line
"The Orchestra di Padova e del Veneto offer highly filigran music" Orpheus Oper International
"There is an operatic quality to this Mass and Lynda Russell is affecting in the Et Incarnatus est, which is an aria as demanding and
important as any in the operas" musicalpointers.co.uk
Music for Winds Vol. 1
47279-2
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Orchestra Sinfonica RAI di Roma
Maag
Romano, Ferranti, Aprile,
Costantini
Divertimento No. 3 in E flat major K.166
Divertimento No. 4 in B flat major K.186
Serenade No. 11 in E flat major K. 375
Serenade No. 12 in C minor K. 388
Ottetto Italiano
Red Line
"All in all convincing interpretations of this Italian ensemble" CD Compact
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43049-2
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Witt, Friedrich
Mozart, Leopold
6<RA F E=daf co>3
19.08.2009
8 in F major K.213
9 in B flat major K.240
12 in E flat major K.252
13 in F major K.253
14 in B flat major K.270
Serenade No. 10 in B flat major
K.361(K.370a) "Gran Partita"
Divertimento No. 16 in E flat major K.289
Schumann, Robert
43011-2
Schubert, Franz
Franck, César
Reger, Max
Gounod, Charles /
47533-2
Ottetto Italiano
Red Line
Giordani, Giuseppe
Mussorgsky, Modest
Ravel, Maurice
Stravinsky, Igor
Ottetto Italiano
Red Line
Hermann Baumann
Horn Concertos
Quintet in E flat major for piano, Oboe,
Clarinet, Horn and Bassoon K.452
(Mozart)
43055-2
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No.
No.
No.
No.
No.
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Divertimento
Divertimento
Divertimento
Divertimento
Divertimento
47606-2
6<RA F E=hcibcp>4
47700-2
6<RA F E=hciacq>5
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Quintet in E flat major for Piano, Oboe,
Clarinet, Horn and Bassoon op. 16
(Beethoven)
A Tribute to Peter Maag (16 CDs Box)
(Schumann)
Panis Angelicus
Mariä Wiegenlied
Ave Maria
(Giordani)
Pictures at an exhibition
La Valse
L`Oiseau de Feu (Suite)
Jean-Pierre Lepetit
Concerto Amsterdam
Jaap Schröder
Michel Dalberto
Members of Ottetto Italiano
Peter Maag
Arts Archives
Blue Line
Editor's Choice: "A product of great quality ... One of the most interesting pianists of the last years ... Fantastic technique ... A
splendid issue" Compact Disc Classics
"Artistic judgement: optimum" Audiophile Sound
"The Italians achieve here a Mozart in full beauty ... a very touching version, not only because of its charm, of the fruity timbres of
the winds ... (it's living!), of the humour, the tenderness, but also because of Dalberto ... in perfect osmosis with his partners. A
nice CD, enthusiastic ..." Répertoire
Gramophone
...
Tölzer Knabenchor
Various
Red Line
Orchestra Sinfonica RAI die
Milano
André Cluytens
"This CD is a fine tribute to the great André Cluytens" Classical.net
"it is a worthy document of a conductor who lived his love for Ravel to the fullest and whose insights into that composer's work are
both a treat to the ear and immensly useful for future generations of performers" tokafi.com
"The music comes together nicely under the maestro's baton, the orchestra being very responsive for him, imparting the variety of
nuance, lyricism, rhythm, and mystery as required. All told, this disc is a success" Classical Express
"One novelty to the Cluytens discography and some highly communicative, if not always immaculate, music-making" musicwebinternational.com
"Essentiall for Cluytens fans" Crescendo Belgium
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Non Papa, Clemens
Merulo, Guami,
da Palestrina
Verdelot, Nanino,
Andrea Marcon
47271-2
47348-2
Offenbach, Jacques
Satie, Erik
Fauré, Gabriel
Massenet, Jules
Chausson, Ernest
D'Indy, Vincent
Lalo, Edourad
Gymnopédies
(Lalo)
43060-2
43028-2
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Nascus,
Giovanni
Gallus, Jacobus
Britten, Benjamin
de Kerle, Jacobus
Red Line
Arts Archives
Red Line
Red Line
Berg, Alban
Mahler, Gustav
Lieder
John Wustmann
Orff, Carl
Carmina Burana
Hruba-Freiberger, Kusiewicz,
Havenstein, State Cracow
Philharmonic Orchestra and
Chorus / Krzysztof Penderecki
Orff, Carl
Trionfi Vol. 1
Carmina Burana
Trionfi Vol. 2
Orff, Carl
Catulli Carmina
Trionfo di Afrodite
" Wonderful phrasing, admirable timbre, perfect technique...." pizzicato
"Fassbaender offers an astonishing and intelligent rendition of these scores "fin de siècle" " Crescendo
Ogermann, Claus
47177-2
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Andrea Marcon
43001-2
6<RA F E=dagacq>5
43002-2
6<RA F E=hdeict>8
Nanino, Giovanni
Verdelot, Courtois,
Quagliati, de Rore,
Non Papa, Merulo,
de Gorzanis, Crequillon,
Gabrieli
Red Line
Pütz, Cousins, Mc Daniel,
Hermann, Kölner Rundfunkchor &
Arts Archives
Sinfonieorchester/ Ferdinand
Leitner
Enriqueta Tarrés, Ruth-Margret
Pütz, Brigitte Dürrler, Donald
Grobe, Horst R. Laubenthal, Hans
Günter Nöcker, Kölner
Arts Archives
Rundfunkchor, Kölner RundfunkSinfonie-Orchester/ Ferdinand
Leitner
"As clean as a whistle under Krysztof Penderecki's baton" Classic CD
"The recording is natural ... without masking the excellent contribution of the Cracow State Chorus" Classic CD
"In no other recording have I ever heard such cloister-like choirs ... Best digital remastering" Pizzicato
"Recommended: A fascinating and spectacular audio show ... One of the most outstanding interpretations" klassik.com
"Wild energy of Leitner ... excellent choirs ... good vocal quartet" Classica-Répertoire
"These are tremendous performances indeed - I have never heard better" International Record Review
"Superbly remastered 1974 tapes featuring a clutch of fine soloists, plus the Cologne Radio Choir and Symphony Orchestra under the admirable Ferdinand
Leitner ... These are tremendous performances indeed - I have never heard better" International Record Review
"Enthusiastic and well-rehearsed ... Ferdinand Leitner paces the pieces as well as anyone ever has ... Carefully remastered and sounding better than ever"
classicstoday.com
"Ferdinand Leitner and his Cologne forces do these works proud with interpretations full of subtle colours contrasted with fiery brilliance. This is a truly
historic issue with exemplary sound and fine annotations that should not be missed" classical.net
"A recording of Orff which has been authorized by himself and is very well worth listening to" Die Presse
"Tremendously involved and involving. The restoration sounds first class" musicweb-international.com
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43004-2
43007-2
Prometheus
Greindl, Cramer, Hermann,
Engen, Moser, Van Sante, Kostia,
Lorand, Uhl
Frauenchor des Westdeutschen
Rundfunks
Kölner Rundfunk-SinfonieOrchester
Ferdinand Leitner
Il Terzo Suono
Ensemble 1492
Dià-Pasòn
47531-2
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Orff, Carl
Klage der Ariadne
Tanz der Spröden
Orologio, Alessandro
47504-2
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Lamenti Vol. 2
Orff, Carl
Wagemann, Popp, Ridderbusch,
Schwarz
Chor des Bayerischen Rundfunks Arts Archives
Münchner Rundfunkorchester /
Kurt Eichhorn
Ortiz, Diego
Phalese,
Trombocino,
Capirolo, Arcadelt,
Syntagma Musicum
47552-2
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Orpheus
Padre Soler, Antonio
Fandango
Concierto para dos instrumentos de tecla
No. 6 en Re mayor
Concierto para dos intrumentos de tecla
No. 4 en Fa mayor
Sonata Nos. 100, 84, 24, 21, 23 & 90
Duo Uriarte & Mrongovius
47693-2
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Paganini, Niccolò
24 Capricci op. 1 for solo Violin
Sonig Tchakerian
Italian Virtuoso
(Legnani)
Edoardo Catemario
Primo Libro delle Canzonette a 3 Voci
Intrade a 5 Voci
Blue Line
Gian Paolo Fagotto
Paganini, Niccolò
47670-2
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Lamenti Vol. 1
Orff, Carl
Orff
Prey, Popp, Wagemann,
Ridderbusch
Arts Archives
Chor des Bayerischen Rundfunks
Münchner Rundfunkorchester/
Kurt Eichhorn
Giuliani, Mauro
Regondi, Giulio
Legnani, Luigi
Red Line
Red Line
Blue Line
Blue Line
"Orff specialist Kurt Eichhorn ... First rate soloists ... A reference recording of a fascinating work" klassik.com
"The soloists were an established Orff team ... Hermann Prey sings with the full brilliance of his voice ... Lucia Popp ... shapes her part with strong expression" Das
Orchester
"This performance is wonderful, two superb protagonists, excellent cast" classicstoday.com
"Hermann Prey is an emotionally most committed and exciting Orpheus and Lucia Popp is an unforgettable Eurydike" Pizzicato
"A curio that will be of most interest to devotees of the development of Orff’s vocal and theatrical powers" musicweb-international.com
"Hermann Prey is eloquent and moving and sings beautifully. Popp's broef contributions are just as telling - I wish there were more of her....The orchestral and choral
forces under Kurt Eichhorn are peruasive" American Record Guide
"The singing and playing are of the highest standards and from the consistently relaxed atmosphere that permeates this performance, there is no doubt that the
composers's satisfaction was complete. Superb remastering completes an issue that is a must..." Classical Net
"The apportioning of the roles is well nigh perfect but even amongst the stellar quartet it’s perhaps nowadays the least well remembered, Rose Wagemann, who makes
the most moving impression – and not simply because she bears the emotive burden of the Lament of Ariadne on her own. Centered and dramatic hers is a voice that
commands immediate admiration. Her voice suits ... with remarkable precision and she makes a cumulatively moving impression – allied to which the voice is beautiful
... We also hear the clear, immaculate Lucia Popp as Amor and the spinto mezzo of Hanna Schwarz. The restoration sounds excellent; it has used that much touted 24
bit – 96 kHz system" musicweb-international.com
"The interpretation is irreproachable" Crescendo Belgium
"...the performances are superb. Rose Wagemann is particularly outstanding" International Record Review
"Rose Wagemann's Arianna is particularly impressive; her outpouring of grief is nothing less than a tear jerker. Orff's close associate, Kurt Eichborn, conducts gracefully
and sympathetically, giving full rein to singers and orchestra to highlight all the beauties ot these unique creations" Classical Net
y
p
y g y p
p
g
"In the title role, Roland Hermann is supremely impressive, embrancing all of the multi-faceted role...This is an impressively authoritative recording of one of Orff's
finest scores" musicweb-international.com
"Roland Hermann has an amazing vocal and declamatory colour palette. Colette Lorand...equals him in intensity and artistic singing. The smaller roles ....... with
Josef Greindl, Kieth Engen and Fritz Uhl are not only luxurious but also brilliantly cast" FonoForum
"Impressive..... The cast is excellent" classicsToday.com
"This recording.... is an outstanding achievement in all respects... Roland Hermann as Prometheus and Colette Lorand as Io are particularly impressive in
interpretations full of power and tragic insight" Classical Net
"one of the most facinating music-theatre productions of the 20th century" Die Presse
"The recording of the sound is outstanding" High fidelity
"The disc is most appealing for its musical variety, the quality of the sound as well as the brilliant interpretation" Scherzo
"The interprets offer us in the canzonettas a ravishing fresh and lively interpretation" Klassik heute
"If you are looking for an expertly performed, well-conceived and highly entertaining program of lighter Italien Renaissance fare, it
simply doesn't get better than this" classicsToday.com
"Their unity is admirable, as is their attention to nuances of rhythm and phrasing, and they play with zest and charm. Soler has a highly individual voice, his music is
consistently interesting, and these pianists bring out its qualities with skill and understanding" American Record Guide "4 Stars: Magificient sound" CD Compact
"4 Stars: Formidable two pianists" Musica
"Optimum interpretation: Great tranquillity of both pianists ... great sensibility and a splendid sound" CD Classica
"Great limpidness of the interpretations" Scherzo
"How gloriously Uritate and Hermann Mrongrovius adjust to each other in the two piano pieces, so that the relationship between bass lines, melodies, and inner voice
accompaniments appears to be the work of one player and one brain!" classicstoday.com
"deliciously timed ornaments and mystery tinged trills.... How gloriously Uritarte and Hermann Mrongovius adjust to each other..., so that the relationship between bass
lines, melodiea, and inner voice accompaniments appears to be the work of one player and one brain!" 10/7 ClassicToday.com
"Admirable pose and command ... An unusually wide-ranging and full-bodied recording" The Strad
"A violinist with instinctive musicality, a vibrato of great beauty, overall great quality and an interpretation with extreme charisma"
Musica
"Sonig Tchakerian ... makes her way through the Caprices impressively" Turok's Choice
"Sonig Tchakerian has a formidable technique" American Record Guide
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Red Line
47194-2
"The guitarist is capturing the music's qualities of charm, dignity, grace and a cultured wit" American Record Guide
Music for Guitar Vol. 2
Frédéric Zigante
Red Line
Sonatas Nos. 17-37
Paganini, Niccolò
"Optimum interpretation: The interpretative approach of Zigante underlines the elements of technical and expressive differentiation
with great mastership and intelligence" CD Classica
Grande Sonata, 2 Sonatas, Sonatine, 5
Frédéric Zigante
Andantinos, Rondoncino, Marcia, 2 Valtzs, 2
Allegrtteo, Valtz e Trio, Marziale, Sinfonia
della Lodovisia
Red Line
"The interpretative approach of Zigante underlines the elements of technical and expressive differentiation with great mastership
and intelligence" CD Classica
"Zigante 'sings' the melody" Musica
47195-2
Paganini, Niccolò
Frédéric Zigante
Red Line
Ghiribizzi (No. 1-43)
"The interpretative approach of Zigante underlines the elements of technical and expressive differentiation with great mastership
and intelligence" CD Classica
"Zigante 'sings' the melody" Musica
47191-2
6<RA F E=hbjfct>8
Frédéric Zigante
Sonatas Nos. 1-16
47152-2
6<RA F E=hbjecu>9
47166-2
6<RA F E=hbjdcl>0
Paganini, Niccolò
Paisiello, Giovanni
Paisiello, Giovanni
Paisiello, Giovanni
La Passione di Gesù Cristo
(2 CDs)
Kacprzak, Knetig, Górzynska,
Mahler / Warsaw Opera /
Wojciech Czepiel
La Serva Padrona
Jeanne Marie Bima, Petteri
Salomaa / Hans-Ludwig Hirsch
Nina o sia La Pazza Per Amore
(2 CDs)
Jeanne Marie Bima, Gloria
Banditelli, William Matteuzzi,
Natale de Carolis, Alfonso
Antoniozzi / Hungarian Chamber
Orchestra & Chorus / Hans
Ludwig Hirsch
Red Line
Red Line
Paisiello, Giovanni
Concerto
Concerto
Concerto
Concerto
No.
No.
No.
No.
1
3
4
7
in
in
in
in
C major
A major
G minor
A major
5 Stars in the German magazine Musik & Kirche
"The choir of the Warsaw chamber opera has a warm and homogenous sound and follows perfectly the concentrated and intense
direction of Czepiel" ORPHEUS
"A remarkable work, full of proud sounding an dark music ... The Polish interprets are convincing" Gramophone
"The orchestra has a transparent sound" Ópera actual
"As already the "Nina" so is also this "Serva" of surprising quality. Almost every track is a hit, especially the atmosphere of Figaro
seems to be magic ... performed by an delighting cast. Hans Ludwig Hirsch really loves the music of the Settecento. This can be
heard with every beat" Orpheus
"The best recording of this work available" Scherzo
"An impressing, ingeniously pointed Uberto and a charming Serpina with a flirtatious piano" FonoForum
"Buy the recording. It's a joy" Wochenzeitung für Politik und Kultur
Highest "platinum" award in French magazine Opéra International
Red Line
"Best interpretation ever" Orpheus
"A remarkable document" American Record Guide
"Exquisite recording" Wochenzeitung für Politik und Kultur
Piano Concerti Vol. 1
47120-2
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Paganini, Niccolò
"Spada's playing is delightfully pointed" Classic CD
Pietro Spada / Orchestra da
Camera di Santa Cecilia
Red Line
"An astonishing richness of sound colours and ideas" FonoForum
"A fine and delicate play. The subtle direction of the orchestra is lively ... The sound alchemy is very seducing" Scènes Magazine
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6<RA F E=hfhfcl>0
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6<RA F E=hfiacn>2
Andrea Marcon
47521-2
6<RA F E=dagacq>5
Palestrina, Giovanni
Pierluigi da
Guami, Merulo,
Non Papa, de Gorzanis,
de Rore, Quagliati,
Courtois, Verdelot,
Nanino, Crequillon,
Gabrieli
Palestrina, Giovanni Pierluigi
da
Motets, Missa sine nomine
Laudate Dominum, Sicut Cervus, Nos autem
gloriari, Stabat Mater
Missa sine nomine
Ad te levavi oculos meos, Fundamenta eius,
Magnificat primi toni, Tribolatione civitatum,
Peccantem me quotidie, Tu es Petrus
Paolo Crivellaro, Lorenzo Ghielmi,
Alberto Rasi
Theatrum Instrumentorum
Diego Fasolis
43060-2
6<RA F E=hfcbcu>9
Palestrina,
Giovanni
Pierluigi da
Gallus, Jacobus
Britten, Benjamin
Nascus, Giovanni
de Kerle, Jacobus
47580-2
6<RA F E=hdeict>8
Palafuti, Antonio
Ugolini, Disma
Pera, Girolamo
Panerai, Vincenzio
Feroci, Francesco
Panerai, Vincenzio
Ugolini, Disma
Pera, Girolamo
Palafuti, Antonio
Feroci, Francesco
47575-2
6<RA F E=hfiacn>2
"Spada offers fleet, alert playing with much deftness of touch ... Closely focused and well balanced" American Record Guide
Paisiello, Giovanni
Parisotti, Alessandro
Piccinni, Martini, Cimarosa,
Renato Bruson
Roberto Paternostro
Pera, Girolamo
Ugolini, Disma
Palafuti, Antonio
Panerai, Vincenzio
Feroci, Francesco
47580-2
6<RA F E=hbcbco>3
Piano Concerti Vol. 2
Concerto
Concerto
Concerto
Concerto
No.
No.
No.
No.
2
5
6
8
in
in
in
in
F major
D major
B flat major
C major
Pietro Spada / Orchestra da
Camera di Santa Cecilia
Red Line
"An astonishing richness of sound colours and ideas" FonoForum
"A fine and delicate play. The subtle direction of the orchestra is lively ... The sound alchemy is very seducing" Scènes Magazine
Blue Line
Red Line
Red Line
Arts Archives
Blue Line
"very fine recording ... The singing is really gorgeous--these voices are lovely and well-tuned, with round, clear tone, pleasingly bright sopranos, and rich,
full-bodied basses ... This group and its excellent conductor Diego Fasolis have made many fine recordings: add this one to the list ... 9/9" classicstoday.com
"Perfectly executed" Goldberg
"An exciting interpretation. Absolute purity in the voices and precise articulation" Klassik Heute
5 Stars in Amadeus
"A production of high quality" Scherzo
"A very high level of homogeneity, naturalness, balance and style ... All in all perfectly rounded up with an excellent sound" Ópera actual
"Optimum interpretation: All soloists are excellent" CD Classica
delighted" Diapason
Red Line
Blue Line
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Red Line
"An exuberant facetious performance" FonoForum
"Buy the recording. It's a joy" Wochenzeitung für Politik und Kultur
47347-2
Sinfonie
47356-2
6<RA F E=hdfgcs>7
Petteri Salomaa, Jeanne Marie
Bima
Musica Poetica Freiburg /
Hans Ludwig Hirsch
Scarlatti, Domenico
Durante, Francesco
Olimpiade, O frate 'nnammurato, Salustia,
Piccola sinfonia, Flaminio, Sinfonia Fa
Maggiore, Adriano in Siria, Sinfonia Si
bemolle Mggiore, Il prigionier superbo
/
Alessio Vlad
Red Line
Barocco Napoletano
Edoardo Catemario
Banditelli, Fagotto, Cecchetti,
Zambon, Foresti, Bertini,
Benvenuti, Zanasi, Da Col /
Ensemble Arpeggio / Roberto De
Caro
47276-2
6<RA F E=hdehcu>9
La Serva Padrona
Peri, Jacopo
Euridice
(2 CDs)
47504-2
6<RA F E=hb jct>8
Phalese, Pierre
Trombocino,
Capirolo, Ortiz, Arcadelt,
Syntagma Musicum
Red Line
Red Line
Red Line
Chosen as official gift during EU-summit 1995 in Italy
Awarded with Star of the month in FonoForum "Fascination over 2 hours"
"A quite impressive product" Fanfare
"Enchanting quietness" FonoForum
"An selected orchestra ... the best singers of early Italian music ... exceptional and scrupulous recording" Wochenzeitung für Politik
und Kultur
6<RA F E=hf jcn>2
47559-2
6<RA F E=hgdjcs>7
47639-2
12 Capricci op. 25 for Cello
Piatti, Alfredo Carlo
Capriccios sopra un tem della Niobe di
Pacini op. 21 for Cello
Wen-Sinn Yang
Chifuyu Yada
Red Line
Rimembranze del Trovatore di Verdi op.
20 for Cello and Piano
Piazzolla, Astor
Complete Works with Guitar
Histoire du Tango
Cinco Piezas
Tango Suite
El gordo triste
Fuga y misterio
Jacinto Chiclana
Edoardo Catemario
Roberto Fabbriciani
Oscar Casares
Red Line
19.08.2009
47707-2
6<RA F E=h ahcs>7
Seicento Italiano
Accademia Bizantina
Ottavio Dantone
Editor’s choice in CD Classica: "Optimum to exceptional interpretation. Fabbriciani with his great sensibility and Catemario with his
formidable sense for sound are the ideal interprets of this music"
"Fluid, sweet and emotional interpretations" RITMO
Picchi, Giovanni
Buonamente, Giovanni Battista / Castello,
Dario / Marini, Biagio / Merula, Tarquinio /
Trabaci, Giovanni Maria / Falconiero,
Andrea / Frescobaldi, Girolamo /
Kapsberger, Johann Hieronymus /
Storache, Bernardo
"A satisfying blend of technical prowess and relaxes musicality difficult to achieve" American Record Guide
"These Caprices are comparable to those of Paganini ... The sound is clear and rich" Scherzo
"Yang challenges the different movements of the Caprices with incredible mastership" Nuova e nostra
"A bravo for ARTS who dared to release a CD entirely dedicated to Piatti" Diapason
Blue Line
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47575-2
47661-2
43049-2
47358-2
Witt, Friedrich
Mozart, Leopold
Ponce, Manuel Maria
Horn Concertos
Red Line
Jean-Pierre Lepetit
Concerto Amsterdam
Jaap Schröder
Concierto de Aranjuez (Rodrigo)
Concierto del Sur (Ponce)
Concierto Agueniano (Abril)
Le Bal Masqué
Suite Française
Rapsodie Nègre
Le Bestiaire
Cocardes
Aubade
Edoardo Catemario
Orchestra della Toscana
Enrique Batiz
Nicolas Rivenq
Marco Lazzara
Mario Nuvoli
Masimiliano Damerini
Poulenc, Francis
Poulenc, Francis
Debussy, Claude
Satie, Erik
Boulanger, Lili
Milhaud, Darius
Ravel, Maurice
Ibert, Francis
Cristina Ariagno
Puccini, Giacomo
Peter Dvorsky, Izzo D'Amico, Gati
Favorite Tenor's Opera Arias and Duets Berlin Radio Orchestra and Choir
Hungarian State Opera Orchestra
La Bohème, Manon Lescaut, Turandot,
and Choir
Tosca, Madama Butterfly
Roberto Paternostro
András Mihály
Red Line
Arts Archives
Madama Butterfly - Highlights
Red Line
Guide
ClassicsToday.com
"... Absolutely lovely tone at all dynamic levels ... A relay find that no lover of Spanish guitar Music can afford to miss. This fine
collection deserves very serious consideration ... 9/9" classicstoday.com
"An elegance and sensibility without equal" Nuova e Nostra
Red Line
New Music Studium
Antonio Plotino
Bulgarian National Choir /
Georgi Robev,
Sofia Philharmonic Orchestra /
Gabriele Bellini
Guitar Concertos
Rodrigo, Joaquin
Abril, Anton Garcia
Puccini, Giacomo
delighted" Diapason
Hermann Baumann
47397-2
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Galuppi, Baldassare
Albinoni, Tomaso
Vivaldi, Antonio
Accademia Bizantina
Ottavio Dantone
(Vivaldi), Concerto in G minor (Galuppi
47672-2
6<RA F E=daejcn>2
Renato Bruson
Roberto Paternostro
47518-2
6<RA F E=hg bcr>6
47303-2
6<RA F E=hfhfcl>0
Piccinni, Niccolò
"Given a choice between the nicely rounded corners of many recent Poulenc releases and the flawed but characterful performances given here,
this disc is a clear winner" BBC Music Magazine
"Bal Masqué with absolute precision, incredible life and verve in the sound which would surely have pleased Poulenc: The very reference of the
work ... Massimiliano Damerini is doing marvelous fast passages and plays with vividness" Répertoire
"A CD, which make you feel happy! One of the most funny and ironic sides of Poulenc" Klassik Heute
"Excellent level" Scherzo
Record Guide
Blue Line
"An enthusiastic recital of French music from the decades straddling the nineteenth and twentieth centuries" musicwebinternational.com
"A fair recommendation at super-bargain price" Gramophone
Red Line
"The timbre is always full, juicy and wonderful" CD Classica
"The voice ... is beautiful" Scherzo
Red Line
"This interpretation amazes completely the listener who wants to breath the atmosphere of the music drama. Kabaivanska is a
wizard of the moods ... She is a master of this recording from the very beginning until the end" Orpheus
International Award of the Italian State “Presidente della Repubblica” for the best artwork of a classical record production
"The recording is brilliant" FANFARE
"Excellent digital sound" American Record Guide
"Raina Kabaivanska ... Knows how to give to each very moment her personal accent" Ópera actual
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47158-2
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6<RA F E=hbgbcm>1
Puccini, Giacomo
Madama Butterfly
(2 CDs)
Kabaivanska, Milcheva, TroevaMirgheva, Antinori, Portella,
Bulgarian National Choir / Georgi
Robev, Sofia Philharmonic
Orchestra / Gabriele Bellini
Puccini, Giacomo
Tosca
( 2 CDs)
Kabaivanska, Antinori, Portella,
Dara, Bulgarian National Choir Bulgarian National Radio
Children's Choir, Sofia
Philharmonic Orchestra / Gabriele
Bellini
Turandot
(2 CDs)
Dimitrova, Martinucci, Gasdia,
Scandiuzzi, Ceccarini, Pane, De
Palma, Casertano, Giacomotti, Del
Manto / Coro e Orchestra del
Teatro Communale dell'Opera di
Genova / Daniel Oren
Puccini, Giacomo
6<RA F E=hcabct>8
6<RA F E=hdhfcn>2
19.08.2009
47517-2
Puccini, Giacomo
Goetz, Hermann
Verdi, Giuseppe
Massenet, Jules
Smetana, Bedrich
Dvoràk, Antonín
Red Line
Puccini, Giocomo
Puccini, Giacomo
Verdi, Giuseppe
"A most spectacular vocal moment" Scherzo
Red Line
"One of the most important voices of the last years" RITMO
"Cecilia Gasdia sings with an exquisite musicality" CD Compact
Norma (Bellini)
Opera Arias
Rusalka (Dvorák)
Fiorentino
Maurizio Arena
Red Line
Lucia Popp
Kurt Eichhorn
Red Line
Opera Arias
43008-2
6<RA F E=da icq>5
Bellini, Vincenzo
Donizetti, Gaetano
Verdi, Giuseppe
Mascagni, Pietro
47201-2
6<RA F E=hfbhcr>6
47375-2
6<RA F E=hdg cp>4
47366-2
Puccini, Giacomo
Red Line
"This interpretation amazes completely the listener who wants to breath the atmosphere of the music drama. Kabaivanska is a wizard of the
moods ... She is a master of this recording from the very beginning until the end" Orpheus
International Award of the Italian State “Presidente della Repubblica” for the best artwork of a classical record production
"The recording is brilliant" FANFARE
"Excellent digital sound" American Record Guide
"You almost cannot find a Butterfly with more emotions.... A triumph for real and purest feelings which really makes you cry" amazon.de
Gianni Schicci, Manon Lescaut, La Bohème,
La Traviata, Otello (Verdi)
Mirella Freni,
Philharmonisches Stastsorchester Arts Archives
Hamburg / Leone Magiera
Gramophone
"Mirella Freni in the very best of her repertoire ... a voice of rare seduction ... an interpret of particular exactitude and sensibility at
once" Répertoire
"a pleasure to listen to ... highly recommended" classicstoday.com
"An authentic sound experience ... a brilliant technique" Klassik.com
"Mirella Freni is a great artist with a beautiful, distinctive voice and a great presence" American Record Guide
"An absolute must for every collector" Ópera Actual
Music for Strings
Catalani, Alfredo
Crisantemi, Minuetti I-II, Scherzo, Quartetto,
/ A. Vlad
3 Fugas (Puccini)
Serenatella, A sera (Catalani)
Red Line
Ode for St. Cecilia's Day
Music for the Funeral of Queen Mary
Purcell, Henry
Psalm 3 "Jehova, quam multi sunt
hostes mei"
Psalm 128 "Beati omnes qui timent
Dominum"
Recommended by “Recommandé par ...“ French magazine Répertoire "What a success! ... an exceptional cast of soloists ... a very
remarkable disc"
Solisten / Coro della Radio
Svizzera / Fasolis
Red Line
"This Recording is an excellent combination of historical sense and lively musicianship ... vivid vitality of soloists and choir"
FonoForum
Star for extraordinary repertoire in German magazine FonoForum
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Ravel, Maurice
Daphnis et Chloë, Suite No. 2
Boléro
Pavane pour une Infante défunte
London Symphony Orchestra /
Arpád Jóo - The Ambrosian
Singers
L'Enfant et les Sortilèges
Ma Mère l'Oye
Aubery Luchini, Mesplé, Macaux,
Herzog, Sénéchal, Olsen, Mollet,
Scanabucci, Cadoni
Coro RAI di Roma, Coro di Voce
Bianche
Orchestra Sinfonica RAI di Roma
Maag
Ravel, Maurice
L'Heure espagnole
Valses nobles et sentimentales
Tappy, Aubery Luchini, Mollet,
Sénéchal, Olsen
Orchestra Sinfonica della RAI di
Arts Archives
Torino
Orchestra Sinfonica RAI di Milano
Maag
Ravel, Maurice
Debussy, Claude
Satie, Erik
Boulanger, Lili
Milhaud, Darius
Poulenc, Francis
Ibert, Francis
Cristina Ariagno
43039-2
47348-2
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47243-2
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Andrea Marcon
43040-2
6<RA F E=dadjcq>5
47672-2
6<RA F E=hcedcp>4
Quagliati, Paolo
de Rore, Non Papa,
Merulo, Guami,
da Palestrina,
de Gorzanis,
Courtois, Verdelot,
Nanino, Crequillon,
Gabrieli
47106-2
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The Fairy Queen
(2 CDs)
47238-2
6<RA F E=hghjcq>5
Purcell, Henry
Carolyn Sampson, Andrew
Carwood, Michael Bundy, Gillian
Keith, Rebecca Outram, William
Towers, Robert Murray
New English Voices
Accademia Bizantina
Ottavio Dantone
Ravel, Maurice
Ravel, Maurice
Franck, César
Fauré, Gabriel
Ravel, Maurice
Debussy, Claude
Blue Line
Red Line
Red Line
"This entrant has strong and lasting virtues of its own and is recommended on merit" musicweb-international.com
"A concert brimming with energy, colour and an especially genial temperament" Gramophone
"Recommended: A treasure, we assure you" Diapason
"Ottavio Dantone has the most exact reading, the soloists are a pure delight and the New English Voices are absolutely outstanding“ Amadeus Music Magazine
"Expertly performed by leading singers on the British Early Music scene, with a splendid ... instrumental group, under overall direction of Ottavio Dantone, idiomatic and in perfect
character" musicalpointers.co.uk
"..excellent cast.... energetic Purcell conductor...wonderful moments throughout..there are plenty of reasons to welcome this superior recording" Fanfare
"A moving performance by Carolyn Sampson ... and Andrew Carwood belongs to the best" Opéral International
"Dantone is splendid ... Carolyn Sampson is brilliant" Cultura y ocio
"There are plenty of reasons to welcome this superior recording of The Fairy Queen" Fanfare
"Good to optimum interpretation" CD Classica
"A very good conductor ... Who does still think that budget recordings must have a low artistic profile?" Musica
Arts Archives
Blue Line
"One must recognize the great class of Peter Maag ... A Ravel with a very French allure, which is embellished by a luminous orchestra of Rome ... The almost completely French cast
gathers some of the most undoubted specialists of this repertoire, at a very moment where the art of well-speaking (and consequently well-singing) is not yet declared as dead" Opéra
International
"Superior sound restoration ... Peter Maag's conducting is ... outstanding ... unbelievable joy of making music. First class soloists ... a vocal firework ... a reference recording"
klassik.com
"One of the most enchanting and involving editions of Ravel's opera....an excellent recording......enspiring" Musica
"The cast is excellent ... super-virtuoso Mady Mesplé ... very touching Andrée Aubery Luchini ... magnificent Michel Sénéchal ... Peter Maag turns the orchestral part into an extremely
lively and colourful one ... The spirit of the work is given in an ideal manner" Pizzicato
"Throughout the two operas on these discs, everything is in place and often a good deal more than that. (..) the last page of L'enfant is deeply moving with wonderfully executed
crecendo up to the chorus's final 'sage' (..)" Grammophone
"The singing is first rate... the analog recordings have been excellently remasterd digitally" Turok's Choice
One must recognize the great class of Peter Maag ... A Ravel with a very French allure, which is embellished by a luminous orchestra of Turin ... The almost completely French cast gathers
some of the most undoubted specialists of this repertoire, at a very moment where the art of well-speaking (and consequently well-singing) is not yet declared as dead" Opéra International
"This undeniable success is challenged by a very well prepared cast ... an excellent recording" Crescendo Belgium
"Maag had an undisputed know-how for the interpretation of these works. His 'Heure Espagnole' is bathing in a climate of tasty comedy with a precision which is not astonishing, when you
read the list of the singers: the cast is brilliant!" Pizzicato
"Superior sound restoration ... Peter Maag's conducting is ... outstanding ... unbelievable joy of making music. First class soloists ... a vocal firework ... a reference recording" klassik.com
"Ottimo" MUSICA
"There are only few recordings of Ravel's musical comedy "L'heure espagnole". All the more this recording from 1962 (conductor Peter Maag) is a special one" AVENUE
"The singing is first rate... the analog recordings have been excellently remasterd digitally" Turok's Choice
"....this interpretation is full of Maag's unique feel for the music...a sensuous interpretation full of colour, vigour and very often full-blooded passion" Classical Net
"Throughout the two operas on these discs, everything is in place and often a good deal more than that" Grammophone
"The two operas sound superior" American Record Guide
Record Guide
Sonate (Franck)
Trio pour piano et cordes (Ravel)
Trio pour violon, violoncelle et piano
(Debussy)
Georg Mönch
Trio Italiano
Red Line
Red Line
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43011-2
Reger, Max
Panis Angelicus
Mariä Wiegenlied
Ave Maria
Tölzer Knabenchor
Italian Virtuoso
(Legnani)
Edoardo Catemario
Gounod, Charles /
Franck, César
Schubert, Franz
47670-2
Regondi, Giulio
Paganini, Niccolo
Giuliani, Mauro
Legnani, Luigi
André Cluytens
Blue Line
47624-2
Reich, Steve
Respighi, Ottorino
Respighi, Ottorino
Respighi, Ottorino
Casella, Alfredo
Martucci, Giuseppe
City Life
Sextet
Vermont Counterpoint
Clapping Music
Italia (Casella)
La Boutique Fantasque (Rossini/Respighi)
Nextime Ensemble
Blue Line
Contempoartensemble
Mauro Ceccanti
Moldavian National Symphony
Orchestra / Silvano Frontalini
Red Line
Arturo Bonucci, Antonio Bacchelli,
Pietro Spada
Red Line
Sonata for Violin and Piano op. 22, Tre Pezzi op. Arturo Bonucci, Antonio Bacchelli,
67, Melodia for Violin and Piano (Martucci)
Pietro Spada
Cinque Pezzi for Violin and Piano, Sei Pezzi for
Violin and Piano (Respighi)
Red Line
Sonata for Cello and Piano op. 52, 2 Romanze
op. 72, Tre Pezzi op. 69 (Martucci)
Adagio con variazioni (Respighi)
Roberto Fabbriciani
47211-2
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Mussorgsky, Modest
Stravinsky, Igor
47137-2
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La Valse
47138-2
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Recommended “Recommandé par.. » in French magazine Répertoire
"This version is even better than the one Reich himself did for Nonesuch" Scherzo
"Very good interpretation of the ... Contemportatensemble. Precise and dynamic" Audio Review
"The recording is bright ... Also a superb introduction to the composer" American Record Guide
"A good introduction to a towering figure an the late 20th-century scene" BBC Music Magazine
9/9 from classicstoday.com: "this is a fine, highly recommended releae"
"For lovers of a most seldom program" CD Compact
"Superior interpretation" CD Compact
"A well considered pairing. The works are of a commensurately higher level than the rather salon-inspired examples to be heard in
the sister volume" musicweb-international.com
47328-2
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Milano
Ravel, Maurice
Martucci, Giuseppe
Rieti, Vittorio
Lambert, Constant
Bax, Sir Arnold
Nonet (Bax)
de Curtis, Feige
Harmonia Ensemble
(Rieti)
Red Line
"Some fairly lightweight things here played with commitment and just the right kind of discretion. An enjoyable, relaxing recital"
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47348-2
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Guitar Concertos
Concierto de Aranjuez (Rodrigo)
Concierto del Sur (Ponce)
Concierto Agueniano (Abril)
Edoardo Catemario
Orchestra della Toscana
Enrique Batiz
Hermann Baumann
Witt, Friedrich
Mozart, Leopold
Jean-Pierre Lepetit
Concerto Amsterdam
Jaap Schröder
Rore, Cipriano de
Non Papa, Merulo,
Quagliati, de Gorzanis,
Courtois, Verdelot,
Nanino, Crequillon,
Gabrieli
Rossini, Gioachino
Rossini, Gioachino
43048-2
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Ponce, Manuel Maria
Abril, Anton Garcia
Rossini, Gioachino
47632-2
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Rossini, Gioachino
47634-2
6<RA F E=hdficq>5
Rodrigo, Joaquin
Horn Concertos
Arts Archives
Andrea Marcon
Armida
(2 CDs)
Gasdia, Merritt, Matteuzzi, Ford,
Workman, Furlanetto/
Ambrosian Opera Chorus/
I Solisti Veneti/
Claudio Scimone
La Cenerentola
(2 CDs)
Casoni, Di Rocco, Rocchino,
Benelli, Bruscantini, Mariotti,
Davià/Chor der Staatsoper
Arts Archives
Berlin/Rundfunk Sinfonieorchester
Berlin/
Piero Bellugi
L'Italiana in Algeri
(2CDs)
Valentini-Terrani, Benelli,
Bruscantini, Dara
Chor der Staatsoper Dresden
Staatskapelle Dresden
Bertini
Semiramide, L'Italiana in Algeri, La Gazza
ladra, Otello, Gulielmo Tell, Messa di Gloria
Concerto for Bassoon and Orcestra
(World Premiere)
Variazioni in Do
Introduzione, Tema e Variazioni
Variazioni in Do
Une Larme, thème et variations for
Cello and Strings
William Matteuzzi
International Belcanto Orchestra
and Chorus
Gabriele Bellini
Sergio Azzolini, Wen-Sinn Yang,
Lorenzo Guzzoni,
Streicherakademie Bozen, Georg
Egger
"... Absolutely lovely tone at all dynamic levels ... A relay find that no lover of Spanish guitar Music can afford to miss. This fine
collection deserves very serious consideration ... 9/9" classicstoday.com
"An elegance and sensibility without equal" Nuova e Nostra
Opera Concert
Rossini, Gioachino
Red Line
Red Line
Red Line
Arts Archives
Red Line
Blue Line
"The composer rose magnificently to the challenge, and so do the singers on this recording" International Record Review
Recommended by “Recommandé par… “ French magazine Répertoire "This interpretation surpasses everything that has been done until now"
"Lovers of Rossini and of Italien opera should purchase this... commendabble enterprise shown by ARTS Music in reissuing this fine performance of an undeservedly neglected work..."
4 Stars in Classic CD "a fine performance and recording, and an astonishing bargain"
4 Stars in RITMO
"A thrilling performance" Gramophone "A precious recording" Klassik Heute
"Claudio Scimone was fortunate to enlist some of the finest tenors" BBC Music Magazine
"Lovers of Rossini and of Italian opera should purchase this ... commendable enterprise shown by Arts Music in re-issuing this fine performance of an undeservedly neglected work"
"The orchesra of this recording and its conductor are simply in phénoménal shape.... Always springy and lively, always sonorous
and opulent, with a fine sense for solo details.... Also the cast is exemplary..... Simply glorious" Klassik.com
"From this magnificent cast must Bianca Maria Casoni as heartfelt but virtuoso Cenerentola, Ugo Benelli as Ramiro, Sesto
Bruscantini as strong Sesto and Alfredo Mariotti as formidable Magnifico especially be highlighted" Orpeus
own. If you don’t know the opera then I urge you to go and buy this now and remedy that deficiency" musicweb-international.com
"Bertini lets the score sparkle with great intensity and brisk tempos.....A fascinating document" Crescendo
"Lucia Valentini-Terrani sings fleetly and with elegance as Isabella ... Ugo Benelli ... sings really well, with charm and energy" classicstoday.com
"The orchestra sparkles like the finest champaign" Klassieke Zaken
Crecendo
"This recording on hand from Dresden of the year 1978 is the proof for how delicate, impressive, charming, how sparkeling this treasure of the Buffa can be performed....The ensemble...is
excellent....Lucia Valentini-Terrani sings a very special Isabelle.....breath-taking technique, alluring sound...Ugo Bellini as Lindoro is a chanting virtuoso......a really brilliant cast" klassik.com
"She (Lucia Valentini-Terrani) sings sweetly, accurately, adn with the appropriate style.....Ugo Bellini also has a gift for comedy and sings beautifully - smoothly and with fine lyrical expression
"...fulminat composers style of Bertini and firstclass play from the Staatskapelle Dresden" Pizzicato
"Conductor ans orchestra deliver a stylish, highly competent performance full of sparkling moments that serve as admirable support to the soloists" Classical Net
"Matteuzzi, a tenore di grazia , is known for his stratospheric high notes" American Record Guide
„Platinum stamp“ and editor’s choice in French magazine International Opera
"The Italian artist shines on his audience thanks to his easiness in the high notes, his enthusiasm to handle the great pyrotechnics ... and his
agile way of singing" El Cultural
"He challenges all difficulties of the score with disarming ease" Compact disc classics
Recommended “Recommandé" in French magazine Répertoire
"Excellent performances and recordings" Gramophone
"quite a ride - and surefire test of the technical and lyrical mettle of any bassoon player ... Azzolini plays like the devil and has a fine, strong
sound - just the thing for Rossini's unreasonable demands" American Record Guide
"Sergio Azzolini is an absolute firstclass virtuoso" klassik-heute.com
"This CD for the best moods has to be included to every collection!" Klassik.com
"Azzolini challenges the tempi stretti with a virtuous manner that leaves the listener breathless" Musica
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Rossini, Gioachino
Rossini, Gioachino
Le Siège de Corinth, Il Barbiere di Siviglia,
L'Italiana in Algeri, Matilde di Shabran, Il Turco
in Italia, Riccardi e Zoraide, Tencredi, Otello
Original Transcriptions for Flute, 2 Clarinets,
2 Horns, 2 bassoons and Doublebass
Rossini, Gioachino
Chamber Music
Serenata
Un Mot à Paganini
Fantasia
Tema variato e Polacca
Une Larme, Tema e Variazioni
Sinfonia sopra una Canzone d'Amore
Saint-Saëns, Camille
Red Line
"A happy disc to relax with" Répertoire
Il Barbiere di Siviglia
Gambaro, Vincenzo
Rota, Nino
Ottetto Italiano
Concerto Soirée for Piano and
Orchestra
Violin Concerto No. 3 op. 83
Otetto Italiano
Ex Novo Ensemble
Benedetto Lupo
Orchestra Sinfonica Siciliana
Massimo De Bernart
Brodsky, Polish National RSO /
Andrzej Straszynski
Red Line
Red Line
Red Line
Red Line
"Despite its roots in the early days of digital productions, the recording has kept a warm timbre and an almost nostalgic touch,
which fits the composer's frank and cliche-less sentimentality perfectly" tokafi.com
"You will be enthusiastic about this CD if you enjoy Rotas feastful and romantic tones. This release is certainly a valuable
contribution to Rotas discography" klassik.com
"The performances are suitably classical, light and airy, allowing the music to flow freely, not pointing the jokes, just letting them
happen, then passing on, allowing us to enjoy a joke slipped into the delightful conversation. I really enjoyed this disk" musicwebinternational.com (November 2007)
"Lupo is outstanding in this very challanging score on the present ARTS CD (...) recommended" Fanfare
"These are simply the finest performances of all of these works that I know on CD ... Vadim Brodsky has a virtuoso
technique...wide range of color, sensitive use of nuance, wide range of dynamics and a strong personality ... orchestra has an
actual dialog with the soloist" American Record Guide
"Excellent soloist" Gramophone
"Vadim Brodsky brings pleasing warmth and artfulness to Saint-Saëns' Violin Concertos" classicstoday.com
"The brass serenades are outstandingly full of fantasy in an interpretation which is charming. You can't listen without enjoying
them" FonoForum
Serenades for Winds
47319-2
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Symphonies for Wind Instruments
Salieri, Antonio
Serenata in Si bemolle Maggiore
Armonia per un tempio della notte
Picciola serenata in Si bemolle Maggiore
Serenata in Sol Maggiore
Il Gruppo di Roma
Red Line
"Brilliant" Scherzo
"Very interesting" RITMO
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19.08.2009
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6<RA F E=hbebcs>7
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Barsanti, Francesco
Castrucci, Pietro
(Geminiani)
minor (Barsanti)
Satie, Erik
Debussy, Claude
Boulanger, Lili
Milhaud, Darius
Ravel, Maurice
Poulenc, Francis
Ibert, Francis
Cristina Ariagno
Diana Petech
Red Line
Blue Line
Record Guide
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Roberto Paternostro
43009-2
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Scarlatti, Alessandro
Cimarosa, Monteverdi, Gluck
47362-2
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Gymnopédies
(Lalo)
47173-2
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Satie, Erik
Fauré, Gabriel
Offenbach, Jacques
Massenet, Jules
Chausson, Ernest
D'Indy, Vincent
Lalo, Edourad
Scarlatti, Domenico
Durante, Francesco
Schönberg, Arnold
Schubert, Franz
Red Line
delighted" Diapason
Red Line
Edoardo Catemario
Pierrot Lunaire op. 21
Trio op. 45
Sonia Bergamasco
Pietro De Maria
Contempoartensemble
Mauro Ceccanti
Overtures
Ouvertüre im Italienischen Stil D 590
Ouvertüre im italienischen Stil D 591
Der Teufel als Hydraulicus D 4
Die Freunde con Salamanka D 326
Ouvertüre D 470, Die Zwillingsbrüder D 647
Alfonso und Estrella D 732, Fierrabras D 796
ORT Orchestra della Toscana /
Donato Renzetti
Schubert, Franz
Opera Arias
Cornelius, Peter
Lortzing, Albert
Kienzl, Wilhelm
Fidelio (Beethoven)
Schubert, Franz
99 WALZER
36 Erste Walzer D365 op. 9
34 Valses sentimentales D779 op. 50
12 Grazer Walzer D924 op. 91
12 Valses nobles D969 op. 771
3 Deutsche Tänze D973
2 Deutsche Tänze D974
Red Line
Red Line
Red Line
Fritz Wunderlich,
Arts Archives
Müller-Kray
Giampaolo Muntoni
Barocco Napoletano
Red Line
"Superb!: Sonia Bergamasco seduces with the magic heat of her Latin voice and her magnificent theatre-like metamorphic diction": 5
Diapasons in Diapason
"Excellent Contempoartensemble" Klassik Heute
"What an overwhelming and eccentric interpretation. The accompaniment is exquisite and has been recorded absolutely transparently"
FonoForum
"Schönberg in the purest state" Scherzo
"Optimum interpretation" Ópera actual
"Optimum interpretation: A CD of absolute value" CD Classica
"The interpretation is very good" CD Classica
classicstoday.com
"Muntoni's approach is firm, straightforward" American Record Guide
Complete Piano Sonatas Vol. 1
Schubert, Franz
Sonata D 279 in C major
Allegro D 277A in A minor
Sonata D 568 in E flat major
Red Line
"A good interpretation" CD Classica
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Piano Sonata in A major D 959
Albumblatt in G major D 844
Piano Sonata in C sharp minor D 655
Fantasia in C major D 605A "Grazer"
Red Line
Piano Sonata in F minor D 625 (unfinished)
Piano Sonata in B-flat major D 960
Red Line
Schubert, Franz
Sonata in G major op. 78 D 894
Ungarische Melodie h-Moll D 817
Sonata in A major op. 120 D 664
"The elegance in the play of Massimiliano Damerini has seduced me, especially in one of the most difficult sonatas of the repertoire,
the D 960 from Schubert" CD Compact
5 Stars in CLASSIC CD
Blue Line
"Damerini manages to bring out the warmth without becoming sentimental, and the whole piece is simply beautiful. The sound is
simply ideal. I'm really glad I listened to this" American Record Guide
Schubert, Franz
Adagio D.178 in G
Piano Sonata in A minor D 784 op. 143
Piano Sonata in A minor D 845 op. 42
Blue Line
"A release of extraordinary clearness" Musica e Scuola
Schubert, Franz
43011-2
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Schubert, Franz
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Schubert, Franz
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Franck, César
Reger, Max
Gounod, Charles /
Panis Angelicus
Mariä Wiegenlied
Ave Maria
Tölzer Knabenchor
Schubert, Franz
Konzertstück in D-dur D 345
Polonaise in B-dur
Rondo in A-dur
Accademia Bizantina / Carlo
5 Menuette und 6 Trios D 89
Chiarappa
5 Deutsche Tänze mit Coda und 7 Trios
D 90
Schubert, Franz
Lieder (without singer)
Gretchen am Spinnrad, Abendstern, Ständchen,
Die Forelle, Die Rose, Frühlingsglaube, Im
Frühling, Der Tod und das Mädchen, An die
Irwin Gage
Musik, Die Raubenpost, Heidenröslein, Ganymed,
Im Abendrot, Der Lindenbaum, Der Jüngling an
der Quelle, Gesang (An Sylvia), Der einsame
Red Line
Red Line
Piano Trios Vol. 1
Schubert, Franz
Trio in B flat Op. 99 D.898
Adagio in E flat (Notturno) D.897
Sonatensatz in B flat D.28
Trio Italiano
Blue Line
„Excellent playing by Gage“ American Record Guide
"A little instrumental Kunstwerk" Die Presse
„Gage has an unheard sensibility“ compact disc classics
„Gage is the accompanist par excellence“ Musica e Scuola
"... and again the recording is just perfect" High Fidelity
"Trio Italiano has an excellent track record, with unquestionable musicianship and a warm and fluent sound, in the strings
especially" Gramophone
"Really very good" American Record Guide
"Trio Italiana projects upbeat energy in the faster movements, creating a particularly affirmative atmosphere in the first and
providing delicate phrasing and overall tenderness in the slow movement.....a touching Notturno and an effectively spiky
Sonatensatz" ClassicsToday.com
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Red Line
Lachner, Franz
Spohr, Louis
Helen Donath
Dieter Klöcker
Klaus Donath
MIDEM CLASSICAL AWARD in the category "Historical Recording" January 2008
5 DIAPASON July 2007
"EXCEPCIONAL: Una sorpresa" Scherzo
"Lively, great past" Kurier 03/2008
"This recording of a live performance is a valuable contribution to Schumann's recorded legacy" musicweb-international.com
"(...) there has never been a Peri lovelier than Margaret Price who sings gloriously as the fallen angel searching for the gift that will restore her name to the
heavenly roster of blessed souls." American Record Guide
"fabulous soloistic performances. Margaret Price fascinates with her colorful voice...... " klassik.com
BLUE NOTE AWARD from enjoythemusic.com: "Giulini respects the delicacy of music, and his patient, richly detailed rendering of individual numbers is
balanced ba a dramatic sense of forward movement, a cumulative intensity that blossoms fully in the final choruses"
"an unexpected enrichment" FonoForum
"an unexpected enrichment to Carlo Maria Giulini discography" Schwäbische Zeitung
Price, Miljakovic, Howells, Wright,
Hollweg, Gaifa,
Brendel, el Hage, Brendel /
Coro di Roma della RAI /
Orchestra Sinfonica RAI di Roma /
Carlo Maria Giulini
Schumann, Robert
Das Paradies und die Peri
(2 CDs)
Schumann, Robert
Carnaval op. 9
Kreisleriana op. 16
Schumann, Robert
Complete Works for Piano and Orchestra
Concerto for Piano and Orchestra in A minor op.
Benedetto Lupo
54
Concerto for 4 Horns and Orchestra op. 86
Introduction and Allegro appassionato
Peter Maag
(Concertstück) op. 92
Concert-Allegro with Introduction op. 134
Schumann, Robert
Pietro Spada
Red Line
Red Line
Piano Trios Vol. 1
Trio No. 1 in D minor op. 63
Trio No. 2 in F op. 80
Trio Italiano
Red Line
Trio No. 3 in G minor op. 110
Fantasiestücke op. 88 Nos. 1-4
"Benedetto Lupo has a graceful touch and telling turn of phrase; his empathy for Schumann´s tender mode is at once understated and very
effective" Classic CD
"What a boon for collectors to have all of Schumann´s work for piano and orchestra available on a single disc, filled to the brim with 81
minutes of music ... a release that deserves not to slip through the cracks" classicstoday.com
"Benedetto Lupo's playing is engagingly fluent and expressive" Gramophone
"Benedetto Lupo is an excellent pianist and this is a worthwhile acquisition for every Shumann admirer" musicalpointer.co.uk
"The interpretation of the Trio Italiano is a real joy; especially the presentation of Rigon (at the piano) which is exemplary in his
total control of the technique" CD Classica
"The trio plays in any case with a brilliant technique and a transparent, keen harmonized sound characteristics" Correspondenz
"Good interaction, homogeneity and sensitivity" Klassik Heute
Piano Trios Vol. 2
Schumann, Robert
"With heart and know-how" Répertoire
"These impassioned, eloquently reasoned and beautifully recorded performances are easily the finest currently available! Stunning!
BBC Music Magazine
5 DIAPASON May 2007
Schubert, Franz
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Orchestra
Marco Boni
(Beethoven/Mahler)
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Mahler, Gustav
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Schubert, Franz
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Trio Italiano
Trio in E flat major op. 100 D.929
47527-2
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Piano Trios Vol. 2
Schubert, Franz
"Impressive performance of the grandeur of Schubert´s two piano trios, with a sound grasp of the work's idiom and complex
structure ... very fine indeed, with a commendable realism and depth that conveys the atmosphere of the concert hall" International
Record Review
"The jewel in the crown here is Schubert´s two great piano trios ... played beautifully" Classic CD
"You don't get bored for a
second" Répertoire
"Impressive rhythmic verve and engaging style" BBC Music Magazine
"Unbelievable clarity and transparency of the recording" Scherzo
Trio Italiano
Red Line
"Great enthusiasm ... A good interpretation" Scherzo
"The trio plays in any case with a brilliant technique and a transparent, keen harmonized sound characteristics" Correspondenz
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Sonata in f minor op. 34b for 2 Pianos
(Brahms)
Pianoquintett op. 44 Revised Version
for 2 Pianos (Schumann)
Begoña Uriarte
Blue Line
Bayern 4 Klassik - CD-Tip: "Wonderful how subtle and intellegent both artists responde to each other in an agonic way: multiple
dances seem to lead us through emotional regions"
"These exquisitely balanced recordings by the two-piano team testify to a thorough command of their medium and the romantic
style they address with shattering authority" Audiophile Audition
"a sensitive interpretaion from the duo..... the brilliant recording technique brings this pleasure to perfection" Robert Schumann
Gesellschaft
Arthur Rubinstein
plays
Schumann, Robert
Brahms, Johannes
Bussotti, Sylvano
Berio, Luciano
Xenakis, Iannis
Arthur Rubinstein
Orchestra Sinfonica di Torino
BRAHMS – Piano Concerto No. 2 op. 83 della RAI - André Cluytens
in B flat major
Orchestra A. Scarlatti di Napoli
SCHUMANN - Piano Concerto op. 54 in della RAI - Franco Caracciolo
A minor
Aspern Suite for Soprano and
Instruments
Nascoto (Bussotti)
Waarg (Xenakis)
Contempoartensemble
Susanna Rigacci
Mauro Ceccanti
Mauro Ceccanti
Arts Archives
Red Line
Red Line
Sgambati, Giovanni
Pietro Spada
Sgambati, Giovanni
6 Notturni
Pièces Lyriques op. 23
Benedizione Nuziale
Conzona Lituana
Mélodie de Gluck
Minuetto von Beethoven
Sérénade Valsée
Pietro Spada
Sgambati, Giovanni
Suite in B minor op. 21
Boîte à musique
Romanza
Gavotta
Suite op. 42
Unpublished pieces (Serenatina, Scherzo,
Presentimento, Mestizia, Romanza, Preludio)
Pietro Spada
Sgambati, Giovanni
Mélodies poétiques op. 36
5 Improvvisi (Unpublished)
Introduction et Etude brillante
Etude triomphale
Recommended “Recommandé par.. » in French magazine Répertoire
5 Stars in MUSICA
Editor’s choice in Compact Discs Classics
"Ghosty ... Susanna Rigacci has a warm soprano. She changes with feeling and flexibility between nervous vocalises and simple
arioso" FonoForum
"The Italian Liszt deserved a major release and we must appreciate even more Arts and Pietro Spada for their providential work"
Amadeus
Prélude et Fugue op. 6
Deux études de Concert op. 10
Fogli Volanti op. 12
4 pezzi di seguito op. 18
Serenata
Red Line
"The Prelude is splendidly nagging and there is then a pensively relaxed Fugue ... The highlight is the Campane festa which is
outstandingly atmospheric, beautifully weighted and flighted by Spada ... This series sheds pleasing and definitive light on a
neglected corner of the romantic repertoire ... encouraged by the excellence of many of these pieces, [Spada] rises to the
challenge with high honours" musicweb-international.com
Red Line
Red Line
"The Boite à Musique is a most skilful emulation of the clockwork music-box effect - extremely attractive ... This series sheds
pleasing and definitive light on a neglected corner of the romantic repertoire ... encouraged by the excellence of many of these
pieces, [Spada] rises to the challenge with high honours" musicweb-international.com
"Competent ... With sympathy" American Record Guide
47590-2
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Schumann, Robert
Brahms, Johannes
Pietro Spada
Red Line
"Who could resist the simplicity and singing charm of En valsant. The Profonda pena is more poignant, more searching. Spada
rescued the Five Improvvisi from unpublished obscurity ... This series sheds pleasing and definitive light on a neglected corner of
the romantic repertoire ... encouraged by the excellence of many of these pieces, [Spada] rises to the challenge with high honours"
"Sgambati was Liszt's favourite pupil and one of Wagner's favourite composers ... His soul was fully Italian and his music an
effective blending of the two schools. Worth to discover this interesting Arts edition that supports the discography with four
outstanding CDs" CD Classica
"We welcome the yet unpublished thoughts of the roman pianist / musicologist" Compact Discs Classics
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Symphony No. 4 in C minor op. 43
Shostakovich, Dmitri
Fragment of the unpublished movement
Symphony No. 5 in D minor op. 47
Symphony No. 6 in B minor op. 54
Orchestra Sinfonica
di Milano / Oleg Caetani
Orchestra Sinfonica
di Milano / Oleg Caetani
Orchestra Sinfonica di Milano /
Oleg Caetani
Symphony No. 7 in C op. 60 "Leningrad"
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Pietro Spada
Red Line
(4 CD-Box)
Symphony No. 9 in E flat major
op. 70
Symphnoy No. 10 in E minor
op. 93
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Sgambati, Giovanni
Smetana, Bedrich
Goetz, Hermann
Verdi, Giuseppe
Puccini, Giacomo
Massenet, Jules
Dvoràk, Antonín
Opera Arias
Lucia Popp
Zähmung (Goetz), Rigoletto (Verdi), Gianni Schicci Münchner Rundfunkorchester
(Puccini), Manon (Massenet), Louise (Charpentier), Kurt Eichhorn
The bartered bride (Smetana), Rusalka (Dvorák)
Orchestra Sinfonica di Milano /
Oleg Caetani
Blue Line
Blue Line
Blue Line
Blue Line
Red Line
Lachner, Franz
Schubert, Franz
19.08.2009
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Seicento Italiano
Picchi, Giovanni / Buonamente, Giovanni
Battista / Castello, Dario / Marini, Biagio /
Merula, Tarquinio / Trabaci, Giovanni Maria 17th Century Italian Music
/ Falconiero, Andrea / Frescobaldi, Girolamo Canzoni, Sonate, Capricci, Gagliarde, Sinfonie
/ Kapsberger, Johann Hieronymus /
"As with previous releases in this series, Oleg Caetani has strong and musically rewarding ideas about how this piece should go ... the recording is stunningly
realistic and pulverizing in its impact ... I have no problem recommending this recording. 9/10" classicstoday.com
"The fourth of Shotakovich by Caetani has everything we miss to the one of Gergiev ... rage, viscerality and kept tension, but also the perfect logic and form
of the whole ... It's well possible that this interpretation by Caetani is today the best choice ... 9/10" classicstodayFrance.com
"Caetani is magnificently virtuous ... The long finale especially with its extraordinary dynamical changes is felt by Caetani masterly ... a very beautiful
interpretation" Crescendo Belgium
"...the powerful conducting of Caetani reflects best Russian school " Le Monde de la musique
"This recording and performance is "Stunning"" amazon.co.uk
CD of the month "... extraordinary disc ... Simply be swept up by the visceral excitement, brilliance, passion, and urgency of these "pedal to the metal" performances. This
deserves to become an audiophile demo disc ... Listen without prejudice. You'll be amazed" classicstoday.com (10/10 points)
"Caetani excels in drawing out the sarcastic aspects of the 5th. ... He restitutes perfectly the suspense ... but still respects the language, the typically Russian colours" Répertoire
"Excellent recorded sound ... a winner, despite the enormous competition" Turok's Choice
"CD of the month" Suonare news
"...simply be swept up by the visceral exitement, brilliance, passion, and urgency of these "pedal to the metal" performances" amazon.co.uk
"For Caetani, they (the orchestra) play with gift, character and unanimity - as if their lives depended on it...the performance has a pleasing warmth and opulence. ..top
recommendations" Enjoy the Music
"CD of the month" Amadeus
"Inspiring" Le Monde de la Musique
4 Stars in Musica
"With the added advantage of an outstandingly vivid recording and the heightened adrenalin of a live performance" BBC Music Magazine
"Caetani has a real feel for this music ... A very good performance" classicstoday.com
"Advanced technology ... Superior sound quality ... The orchestral playing is warm and sensitive ... superbly paced finale" DSCH Journal
"The performance is powerful and exultant. Sonics are very good, but even better when the treble is tweaked up a bit. The dynamic range is very wide, so the coda
really packs a victorious punch" American Record Guide
"Caetani and his orchestra catch the spirit of growing determination in all of its manifestations, exploiting the composer's explorations of the minor-mode themess that
eventually give way to the triumphant major mode" Fanfare
"The first movement [of the 9th] is adorably funny and reminds with pure lust of good Italian comedy; it is even Fellini-like ... Exciting and with suspense"
Pizzicato
"This version exploded into my face ... Every player seems to be a soloist ... An orgy of colours" classicstodayfrance.com
"...the powerful conducting of Caetani reflects best Russian school " Le Monde de la musique
"..these musicians believe in the music.... the gloom and defiance of the Tenth and the sarcasm of the Ninth are most tellingly conveyed... Don't miss it!"
Fanfare
"These Italiens get it right. This is one of the better 9s.......a very good performance" American Record Guide
Gramophone
Helen Donath
Dieter Klöcker
Klaus Donath
5 DIAPASON May 2007
Accademia Bizantina
Ottavio Dantone
Spohr, Louis
Storache, Bernardo
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"the pianist Pietro Spada has managed to settle completely into this music and plays it with a big sence for it's sound and nuances"
Pizzicato
"exceptionally well played.... lovely interpretations" TUROKS'S CHOICE
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"...this is an almost modern form of spirituality and rewards those who are willing to wait for a miracle to happen" mouvementnouveau.com
Blue Line
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"Listening to this CD we regret that Maag was never invited to the New Year's Concert in Vienna. He would have done a great service to the
music of Johann Strauss... A really enjoyable collection of famous and rare Waltzes, Polkas and other Strauss' s gems" 4 Stars from MUSICA
"Pure joie de vivre....... marvellously animating mixture" klassik.com
"The musicians of the RAI orchestras are amazing under the baton of an undoubtely first class conductor as Peter Maag...The result is so fresh
and charming as we got from a very few number of other conductors...to be recommended without any doubt" mundoclasico.com
Strauss, Johann Jr.
Strauss, Johann Sr.
Strauss, Eduard
Strauss, Josef
New Year's Concert
An der schönen blauen Donau, Stürmisch in Lieb' und
Tanz, Freut euch des Lebens, Durchs Telephon,
Elektrophor, Morgenblätter, Champagner-Polka, Neue Strauss Festival Orchestra
Pizzicato-Polka, Bauern-Polka, Unter Donner und Blitz Peter Guth
(Strauss Jr.), Fortuna-Galopp, Radetzky-Marsch
(Strauss Sr.), Mit Extrapost (Strauss, E.), Ohne
Sorgen (Strauss, J.), Wiener Bürger (Ziehrer)
47709-2
6<RA F E=hfegct>8
Orchestra Sinfonica Rai di Roma
Orchestra Sinfonica Rai di Torino
Peter Maag
Strauss, Johann Jr.
Strauss, Johann Sr.
Strauss, Eduard
Strauss, Josef
Suppé, Franz von
Lehár, Franz
Gruß an Wien
Donaustadt
Ildikó Raimondi
Peter Guth
47546-2
6<RA F E=h ajcq>5
"..many of the arias here..... are so beautiful I can't even imagine better performances..... but if I could choose only one
Wunderlich operetta collection, it would have to be this one" American Record Guide
Strauss, Richard
Feuersnot
(2 CDs)
Varady, Weikl
Chor des Bayerischen Rundfunks
Münchner Rundfunkorcheste
Heinz Fricke
47240-2
6<RA F E=hgaecm>1
Fritz Wunderlich /
Köln
Arts Archives
Famous Waltzes and Polkas
Strauss, Richard
Ein Heldenleben op. 40
Suite from "Der Rosenkavalier"
The Philharmonia / Arpád Jóo
Complete Chamber Music
(11 CDs Box)
Wolfgang Sawallisch / Gitti Pirner
/ Sinnhoffer-Quartett / Wiener
Streichtrio / Johannes Ritzkowsky
/ Peter Wöpke / Elisabeth Woska
/ Ernö Sebestyen / Duo Uriarte &
Mrongovius / Bläser Ensemble
Amadé
47570-2
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Fall, Leo
Lehar, Franz
Zeller, Carl
Kalman, Emmerich
Triebel
Operetta Arias
Strauss, Johann Jr.
47259-2
6<RA F E=dabacl>0
43010-2
Strauss, Johann Jr.
Strauss, Richard
Complete Chamber Music Vol. 1 - Piano
Quartet
Strauss, Richard
4 Stücke
Klavierquartett op. 13
Wolfgang Sawallisch /
Sinnhoffer Quartett
Blue Line
"Guth is surely the most stylish Straussian around these days" Gramophone
"All in all lively, moving ... with the sound of an almost deepened colloquial speech" klassik-heute.com
Blue Line
Red Line
Red Line
Red Line
Red Line
AUDIOPHILE AUDITION
"This is a must" American Record Guide
"The performance is a fine one, with Bernd Weikl as Kunrad and Julia Varadi as Dimut ... both outstanding. Heinz Fricke directs a warmly expressive performance in well-balanced
digital radio sound. Recommended" The Penguin-Guide
"some energetic ensembles, a rich orchestral score, and, here, some glorious singing by Julia Varady" Gramophone
4 stars in CD Compact
"Julia Varady and Bernd Weikl are splendid ... A recording especially recommended for the devoted Strauss fans" Ópera actual
"As with so many lesser-known Germanic operas, we are indebted to Baveran Radio, (...) for trackling it with top-notch performers" BBC Music Magazine
"The remarkable Julia Varady is Diemut, singing radiantly....And the rest of the cast is very good under Heinz Fricke's tight leadership" classicsToday.com
"Excellent in its objective way ... Violin soloist Warren-Green is outstanding, among the best on disc in this work ... An outstanding
issue" American Record Guide
"These live recordings have an outstanding sound quality, and above all an excellent interpretation ... Sawallisch's piano
accompaniment is brilliant, ... Elisabeth Woska's recitation wonderfully natural and touching, ... the piano duo Mrongovius have an
absolute sovereignty" FonoForum
"... hugely enjoyable and wholly irresistible" Fanfare
Recommended by Gramophone Japanese edition
"He (Sawallisch) is more than competent on the keyboard ... Sawallisch and company play as if for the fun of it, and their
enthusiasm is contagious. The recording is very good" American Record Guide
"The Sinnhofer Quartet is joined by Mr. Sawallisch at the piano, displaying his usual mastery of the Straussian idiom" New York
Times
"Played under the excellent fingers of Wolfgang Sawallisch" Tribune de Genève
"A mine full of discoveries!" Tages-Anzeiger Switzerland
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47262-2
47263-2
47264-2
6<RA F E=hcgdct>8
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6<RA F E=hcgc u>9
47266-2
6<RA F E=hcgbcl>0
47267-2
6<RA F E=hcgacm>1
Complete Chamber Music Vol. 2 Melodrams, Harmonium
Strauss, Richard
Strauss, Richard
Das Schloß am Meere AV 92
Hochzeitspräludium AV 108
Enoch Arden op. 38
Complete Chamber Music Vol. 3 - Piano,
Horn
Konzert für Horn & Klavier No. 1 op. 11 Es-Dur
Zweites Konzert für Horn & Orchester AV 132
Andante für Horn und Klavier AV 86A
Serenade op. 7 Es-Dur
Fuge für Klavier AV 81/177
Gavotte für Klavier AV 57 "Aus alter Zeit"
Elisabeth Woska
Begoña-Uriarte
Johannes Ritzkowsky / Wolfgang
Sawallisch / Barton Weber - Gitti
Pirner
Red Line
Red Line
"This is the best Strauss Concerto No. 1 I have ever heard. Johannes Ritzkowsky really captures this great piece. Even more riveting
is pianist Wolfgang Sawallisch: I cannot recall an accompaniment played with more detail, knowledge, or sureness. In this reading
we hear singing melodies, nicely prominent counter-melodies, and all in balance" American Record Guide
4 hands
Strauss, Richard
Suite für Bläser op. 4
Aus Italien, Sinfonische Fantasie G-Dur op.
16
Begoña Uriarte - Karl-Hermann
Mrongovius
Red Line
Complete Chamber Music Vol. 5 - Violin
& Piano
Strauss, Richard
Strauss, Richard
Ernö Sebestyén / Wolfgang
Konzert op. 8 in d-Moll
Sawallisch
Allegretto E-Dur AV 149
"Daphne"-Etüde, G-Dur AV 141
Sonate für Violine und Klavier op. 18 Es Dur
Complete Chamber Music Vol. 6 - Piano and
Cello, String Trio, String Quartet
Sonate für Violoncello und Klavier op. 6 F-Dur
Romanze für Vcl. und Klav. F-Dur AV 75
Variation über ein bayerisches Volkslied, für
Streichtrio
Quartettsatz AV 211 Es-Dur, Streichquartett op. 2 ADur
Peter Wöpke - Wolfgang
Sawallisch / Wiener Streichtrio /
Sinnhoffer Quartett
Red Line
Red Line
Music
Strauss, Richard
Klavierstücke op. 3
Stimmungsbilder op. 9
Sonate op. 5, h-Moll
Music and Piano 4 hands
Strauss, Richard
Strauss, Richard
Symphonie Nr. 2 f-Moll op. 12
Serenade Es-Dur op. 7
4 Märsche
Complete Chamber Music Vol. 9 - Piano Trios,
Clarinet, Cello, Horn
Tänze aus "Capriccio" op. 85, Trio Nr. 1 A-Dur
Romanze für Klarinette mit Begleitung des
Orchesters, Romanze für Violoncello mit Begleitung
des Orchesters oder Pianoforte
Introduktion, Thema und Variationen für Waldhorn
und Klavier, Trio Nr. 2
Gitti Pirner
Red Line
"Gitti Pirner ... has a lovely touch, and her flexible rhythms and subtle phrasing bring the music to life" American Record Guide
Gitti Pirner,
Duo Begoña-Uriarte &
Red Line
"Delightful live performance ... Wonderfully energetic and sensitive performance ... characterized by a ceaseless forward
momentum and an imposing command of each movement's structure, played with amazing unanimity and immense style ...
performance of such freewheeling virtuosity and artistic flair ... hugely enjoyable and wholly irresistible" Fanfare
Wolfgang Sawallisch, Anna
Kandinskaia, Sebastian Hess, WenSinn Yang, Karl-Heinz Steffens,
Johannes Ritzkowsky
Red Line
"An astonishing ninth volume ... steered by master Straussian Wolfgang Sawallisch at the piano" BBC Music Magazine
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Strauss, Richard
Complete Music -Winds & Brass Vol.1
2 Sonatinen "Aus der Werkstatt eines
Invaliden" , "Fröhliche Werkstatt" (16
Blasinstrumente)
Serenade (2 Flöten, Oboen, Clarinetten, 4
Hörner, 2 Fagotte und Contrafagott oder
Baßtuba)
Strauss, Richard
Complete Music -Winds & Brass Vol.2
Parade-Marsch (1-2), "De Brandenburgsche Mars",
Militärischer Festmarsch, Feierlicher Einzug der Ritter
Bläser Ensemble Amadé,
des Johanniter-Ordens, Wiener Philharmoniker
Brass Soloists
Fanfare, Fanfare zur Eröffnung der Musikwoche der
Stadt Wien, Wiener Fanfare, Festmusik der Stadt
Wien, Suite B-Dur op. 4 für 13 Blasinstrumente
Stravinsky, Igor
Stravinsky, Igor
Ravel, Maurice
Mussorgsky, Modest
La Valse
6<RA F E=hbefco>3
19.08.2009
47709-2
Ildikó Raimondi
Peter Guth
47504-2
Gruß an Wien
Donaustadt
Syntagma Musicum
47672-2
6<RA F E=hghc n>2
Strauss, Johann Jr.
Strauss, Johann Sr.
Strauss, Eduard
Strauss, Josef
Lehár, Franz
Debussy, Claude
Satie, Erik
Boulanger, Lili
Milhaud, Darius
Ravel, Maurice
Poulenc, Francis
Ibert, Francis
Cristina Ariagno
Tarrega, Francisco
Albeniz, Isaac
Granados, Enrique
(Granados)
Sonatina (Torroba)
Edoardo Catemario
"The wonderful music presents a full palette of emotions and is given a superb reading. Fine sound, much historical detail and
anecdote in the notes ... I will treasure this disc" American Record Guide
Red Line
"Another charming Strauss-Facette" Musik + Theater
Red Line
"The piece is terrific ... the performance is excellent ... performed with great musicianship One of the best recordings available"
American Record Guide
"Excellent cast" Scherzo
"the interpretation of André Cluytens "Firebird" is mysterious and elaborate" FonoForum
Milano
Susato, Tielman
Phalese, Trombocino,
Capirolo, Ortiz,
Arcadelt, Zesso, Crema, Lasso,
47145-2
6<RA F E=hfaecn>2
Laurent Manzoni
New Music Studium
Antonio Plotino
Red Line
André Cluytens
Suppé, Franz von
6<RA F E=h ajcq>5
L'Histoire du Soldat
Octet for Winds
Bläser Ensemble Amadé
Klaus Rainer Schöll
Blue Line
Red Line
Blue Line
AUDIOPHILE AUDITION
Record Guide
Red Line
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Symphony No. 5 in E minor op. 64
Romeo and Juliet
The Philharmonia /
London
Symphony Orchestra / Arpád Jóo
47144-2
47298-2
43037-2
47241-2
Violin Concerto
Vadim Brodsky / Polish Radio
National Symphony Orchestra /
Andrzej Straszynski
47372-2
6<RA F E=hbe cp>4
Red Line
Orchestra Sinfonica RAI di Roma,
Orchestra Sinfonica RAI di Torino Arts Archives
/ Maag
47633-2
6<RA F E=hcebcr>6
Jean Estournet, Thérèse Pollet,
Hans Ludwig Hirsch
Symhony No. 5
Concert Suite from The Nutcracker
47287-2
6<RA F E=dadhcs>7
Sonatas XV, XVII, XIX, XII
47317-2
6<RA F E=hcjicp>4
Violin Sonatas "Le Sonate del Tasso"
Tartini, Giuseppe
"These are thoughtful and attractive performances with good documentation as well ... Tartini’s less well-known sonatas will draw
sympathetic listeners" musicweb-international.com
"The Fifth has a gaunt and direct style to it that is most endearing ... Superbly handled with the orchestra responding to the
conductor's knowing nuances. The recording of the 'Nutcracker' is also beautifully shaped and is a refreshing tonic after the
breathless dynamics of the symphony. Fine recorded sound and copious notes are an added bonus to this fine Maag memorial"
classical.net
"The accuracy of the orchester RAI di Roma makes the colourful orchestration of this opus come across" klassik.com
" Maag's Tchaikovsky may be warmly praised on its own terms, and you couldn't ask for a more generous coupling" American
Record Guide
Red Line
Red Line
"True partnership between soloist and conductor ... ARTS offers rich, naturally balanced sound. This is one of the greatest
recordings of the concerto ever made" American Record Guide
Ballet Suites
Dvorák, Antonín
Swan Lake
The Sleeping Beauty
The Nutcracker
The Russian Philharmonia /
Alexander Vedernikov
Souvenir de Florence op. 70 in D minor
Andante Cantabile op. Post. for Cello
and Strings
Largo and Allegro for Flute and Strings
Roberto Fabbriciani
Wen-Sinn Yang
Chamber Orchestra of Bavarian
Radio
(Tchaikovsky)
Sereade for Strings op. 22 in E major
(Dvorák)
Agnieszka Duczmal
Der getreue Musik-Meister
Sonate für Flöte und Continuo
Polonoise. Lauto traverso ò ciolino
Capriccio. Flauto traverso
Sonate für Flöte und Continuo
Ouverture (Suite) für Flöte und Continuo
Sonate für Flöte, Viola da gamba und Continuo
Sonata, Dessus de Viole
Fabbriciani, Denti, Kohnen, Ceglar
Red Line
Blue Line
"This eventful account brings an uncommonly high level of interpretative sophistication and spontaneity. This newcomer rates
highly" BBC Music Magazine
"We get highly assured performances of the string works, and demonstration of sound quality" classicstoday.com
"Balance and understanding of the Bayerischer Rundfunk strings is almost perfect" Klassik Heute
".......the really breathtaking cello player Yang.....brilliant technique and deeply moving" amazon.de
Red Line
Red Line
"Virtuous, without neglecting the aspects of expressivity. The 'Ouvertüre für Flöte und Continuo' is fantastically realized by Köhnen"
Scherzo
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6<RA F E=hdj cn>2
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6<RA F E=dabfcq>5
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6<RA F E=hdcacn>2
Torri, Pietro
Marini, Biagio
Albeniz, Isaac
Tarrega, Francisco
Granados, Enrique
Tafelmusik Teil II
Concerto for Trumpet, 2 Oboes, Cello
and Continuo
Concerto for Trumpet, 2 Violins, Cello
and Continuo
Gabriele Cassone /
Ensemble Pian & Forte
Telemann
Lucia Popp
Jorma Hynninen
Marius Voorberg
Canzonette
Trastulli
(Granados)
Sonatina (Torroba)
Triebel
Operetta Arias
Fall, Leo
Lehar, Franz
Strauss, Johann Jr.
Zeller, Carl
Kalman, Emmerich
Tania d'Althann
Gian Paolo Fagotto
Red Line
Arts Archives
Red Line
H.-L. Hirsch
Edoardo Catemario
19.08.2009
47707-2
Falconiero, Andrea / Frescobaldi, Girolamo / Seicento Italiano
Kapsberger, Johann Hieronymus / Merula,
Tarquinio / Marini, Biagio / Castello, Dario / 17th Century Italian Music
Buonamente, Giovanni Battista / Picchi,
47504-2
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"A Recommendation ... The only version available" Scherzo
Red Line
Fritz Wunderlich /
Köln
Arts Archives
Trombocino, Bartolomeo
Phalese,
Attaignant,
Willaert,
Syntagma Musicum
47580-2
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"Thank you to the voices" CD Classica
Trabaci, Giovanni Maria
6<RA F E=h ahcs>7
"Perfectly played music, like blazes! You'll get really happy here" FonoForum
Ugolini, Disma
Pera, Girolamo
Palafuti, Antonio
Panerai, Vincenzio
Feroci, Francesco
Accademia Bizantina
Ottavio Dantone
Blue Line
Red Line
Blue Line
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47574-2
43045-2
43031-2
43088-2
6<RA F E=dadbco>3
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6<RA F E=daefcr>6
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6<RA F E=hfhecm>1
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6<RA F E=hdeict>8
Verdelot, Philippe
Courtois, Quagliati,
de Rore, Non Papa,
Merulo, Guami,
da Palestrina,
de Gorzanis, Nanino,
Verdi, Giuseppe
Unpublished Works
Credo
Fausto Tenzi, Antonio Abete, Rino
Capriccio
Vernizzi, Alberto Negroni
Introduzione, Andante e Tema con variazioni
Coro e Orchestra "G.Verdi"
Un Giorno di Regno, sinfonia
Fausto Pedretti
Attila: Cavatina
Attila: Scena, Romanza e Terzetto
Verdi, Giuseppe
Verdi, Giuseppe
Verdi, Giuseppe
Il Trovatore
(2 CDs)
Andrea Marcon
Bonisolli, Kabaivanska,
Zancanaro, Cortez
Chor der Deutschen Staatsoper
Berlin
Staatskapelle Berlin
Bartoletti
Red Line
Blue Line
Arts Archives
5 Stars in BBC Music Magazine "... through attractive performances and a recording of demonstration quality. Recommended!"
"Irresistible charm ... Encore!" 5 Stars on Klassik.com
"An excellently recorded CD ... Superbly balanced and natural recording ... a recording of exceptional fidelity and purity. Recommended ...
9/10" classicstoday.com
"Excellent sound quality" Pizzicato
Star of the month for repertoire of special value in German magazine FonoForum
"What a virtuoso display!" American Record Guide
"Bruno Bartoletti is a good Verdi conductor ... Soprano Raina Kabaivanska was a cult favorite in Europe ... she's an intelligent artist
and paints a vulnerable Leonora ... [Franco Bonisolli's] voice was secure, generous, and free, and he never missed an opportunity
to dazzle you with it" classicstoday.com
"Excellent orchestral and choral forces" musicweb-international.com
"A festival of voices ... A vivacious, ahead going interpretation" klassik.com
"...a glorious singing ensemble, with Franco Bonisolli at its top in his very best condition as all masculine Manrico: an ideal
instrumentation" Opernwelt
... Mirella Freni s lustrous singing, Franco Bonisolli s gripping Alfredo, and beautiful recorded sound ... BBC Music Magazine
"Freni's character is touching ... Last but not least thanks to her very lyric voice. An indispensable document for any Freni-Fan" Pizzicato
"... lovely, fragile, beautifully sung Violetta of Mirella Freni, "Amami Alfredo" grandly expressive, and final act wonderfully nuanced" classicstoday.com
"Freni is one of
the greatest sopranos of her generation" Scherzo
"Freni ... is an extraordinary and unquestionable Violetta … The Germont fo Sesto Bruscantini: … what a marvelous lection for the coming generations” Ópera actual
"The conducting on this present issue is equal to the best. Lamberto Gardelli trained under the great Tullio Serafin. His Violetta is Mirella Freni. In the period of this
recording ... she was at the zenith of her considerable vocal powers as arguably the outstanding lyric soprano of her generation" musicweb-international.com
"The chorus of the German Staatsoper Berlin leaves no desire unfulfilled...... The same applies for the solists.... Mirella Freni and Franco Bonisolli give an excellent
performance" klassik.com
"When this Traviata was recorded, Freni’s voice was at its peak... Bruscantini gives us an unparalleled lesson of style" Musica
La Traviata
(2 CDs)
Freni, Bonisolli, Bruscantini, Chor
der Staatsoper Berlin,
Arts Archives
Staatskapelle Berlin / Gardelli
Luisa Miller
(2 CDs)
Pavarotti, Cruz Romo, Arié,
Mazzoli, Manuguerra, Angelakova,
Di Stasio, Artioli
Arts Archives
Peter Maag
Pavarotti on the hight of his career.... Peter Maag performs a real mirakle, conducting very dynamic and having an excellently singing
crew" Nov. 2007: Supersonic from Pizzicato
"Peter Maag presents a remarkable Luisa Miller" Crescendo Belgium
RECORDING OF THE MONTH "This excellent live performance features Pavarotti at the height of his vocal powers, surrounded by a
good cast and with sympathetic Verdian on the rostrum. The live occasion frisson draws the best from all concerned" musicwebinternational
"Pavarotti on the hight of his career.... Matteo Manuguerra sings the part of Miller with brilliant hights" FonoForum
"Reference Recording! The RAI Turin orchestra and chorus are terrific, and Peter Maag clearly is the conductor for this opera.....this set
is one to be treasured " classicstoday com
Mirella Freni,
Philharmonisches Stastsorchester Arts Archives
Hamburg / Leone Magiera
"Mirella Freni in the very best of her repertoire ... a voice of rare seduction ... an interpret of particular exactitude and sensibility at
once" Répertoire
"a pleasure to listen to ... highly recommended" classicstoday.com
"An authentic sound experience ... a brilliant technique" Klassik.com
"Mirella Freni is a great artist with a beautiful, distinctive voice and a great presence" American Record Guide
"An absolute must for every collector" Ópera Actual
Opera Arias
Verdi, Giuseppe
Puccini, Giocomo
Gianni Schicci, Manon Lescaut, La Bohème,
La Traviata, Otello (Verdi)
Verdi, Giuseppe
Goetz, Hermann
Puccini, Giacomo
Massenet, Jules
Smetana, Bedrich
Dvoràk, Antonín
Opera Arias
Rusalka (Dvorák)
Verdi, Giuseppe
Rigoletto
(2 CDs)
Lucia Popp
Kurt Eichhorn
Bonisolli, Panerai, Rinaldi,
Rundgren, Cortez
Chor der Staatsoper Dresden,
Staatskapelle Dresden /
Francesco Molinari-Pradelli
Red Line
Arts Archives
Gramophone
"No wish seems to be unheard if you listen to this orchestra. And the cast is very good too. All together this ARTS ARCHIVES
reissue is certainly one of the better 'Rigolettos'. Anyway: if you want to listen to a convincing modern Duca, you simply cannot
miss this recording" klassik.com
"this is a realistic and touching version..... Margherita Rinaldi plays with her beautiful lyrical soprano voice a fresh, grandious and
likely Gilda.....the choir of the Staatsoper Dresden is altogether homogenously, and the orchestra, the Staatskapelle Dresden, is
superlative.... throughout enchaining" ResMusica.com
"Franco Bonisello, Rolando Panerai and Margherita Rinaldi are impressive, as is Francesco Molinari-Pradelli's direction of Dresden
Staatskapelle forces. Very good remastered sound" TUROK'S CHOICE
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Verdi, Giuseppe
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Verdi, Giuseppe
Bellini, Vincenzo
Donizetti, Gaetano
Puccini, Giacomo
Mascagni, Pietro
Victoria,
Tomás
Ludovico da
Gallus, Jacobus
Britten, Benjamin
Nascus, Giovanni
de Kerle, Jacobus
I Vespri Siciliani Sinfonia
Il Trovatore, Nabucco, La forza del destina,
I Lombardi alla prima crociate, Macbeth,
Ernani, Aida
Koor van de Nationale Reisopera /
Orkest van het Oosten / Gabriele
Bellini
Red Line
Norma (Bellini)
Fiorentino
Maurizio Arena
Red Line
Arts Archives
Music for Winds
Villa-Lobos, Heitor
Vivaldi, Antonio
Chôro No. 2, Duo
Bachiana brasileira No. 6
Trio, Quatuor, Quintette
Concerti
Concerto in
Concerto in
Concerto in
Concerto in
Concerto in
Concerto in
G major RV 554
F major RV 106
D mino RV 541
D major RV 94
F major RV 542
G minor RV 100
A. Griminelli, P. Borgonovo, M.
Carulli, R. Vernizzi, F. Pomarico
Ensemble Pian & Forte
Red Line
L'Estro Armonico
Vol. 1, op. 3, Concertos Nos. 1-6
Il Cimento dell'Armonia e
dell'Inventione op. 8 - Vol. 1
Vivaldi, Antonio
Le Quattro Stagioni (Concertos Nos. 1-4)
La Tempesta di Mare (Concerto No. 5)
Il Piacere (Concerto No. 6)
dell'Inventione op. 8 - Vol. 2
Vivaldi, Antonio
Concertos Nos. 7-9
La Caccia (Concerto No. 10)
Concertos Nos. 11-12
Accademia Bizantina /
Ottavio Dantone
Accademia Bizantia
Stefano Montanari
Ottavio Dantone
Accademia Bizantia
Stefano Montanari
Paulo Grazzi
Ottavio Dantone
"This is the finest collection of Villa-Lobos's wind music I know ... This recording is excellent in every way" American Record Guide
"I won’t single out any of the players because they’re all excellent and they do real justice to Villa-Lobos. A fine disc" musicwebinternational.com
"A well-done disc. Optimum interpretation" CD Classica
Red Line
REPLACED by 47646-8
Vivaldi, Antonio
Blue Line
Blue Line
Blue Line
"Dantone comes across as a master of dramaturgy. Accademia Bizanzina's interpretation has irreprochable rhythmic drive and a refined sense of ornamentation. Each
movement is like a scene from an opera" Goldberg
"The Accademia Bizantina performs these concertos with great elegance ... Some of the slow movements are among the most subtly beautiful performances I have
heard" American Record Guide
"The pure joy of living" FonoForum
5 Stars in Musica
"A brilliant and warm interpretation of the famous opus 3 ... Exceptional from the biginning until the end" Répertoire
"..their incisive staccato passages .... are exceptionally well articulated with an impressive variety of dynamic and textural detail.....splendid performances ...
complemented by ARTS' crisp and clear engineering...." 9/9 Classicstoday.com
"Dantone excellently served by the sunny violin playing of Stefano Montanari comes across as a master of dramaturgy. Accademia Bizantina's performance has
irreprochable rhythmic drive and a refined sense of ornamentation" Goldberg
nominated for the German “Audiophile Reference Award"
“Disc-Oscar of the Year” in Austrian Newspaper DER STANDARD
"An audiophile dream!” American Record Guide
Editor's Choice: "The Accademia Bizantina is one of the very best baroque ensembles ... Fascinating" Compact Disc Classics
nominated for the German “Audiophile Reference Award"
“Disc-Oscar of the Year” in Austrian Newspaper Der STANDARD
"An audiophile dream!” American Record Guide
Editor's Choice:"The Accademia Bizantina is one of the very best baroque ensembles ... Fascinating" Compact Disc Classics
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47369-2
47661-2
47299-2
47324-2
6<RA F E=hcj co>3
47169-2
6<RA F E=hg bcr>6
43020-2
6<RA F E=hdgjcm>1
Vivaldi, Antonio
L'Estro Armonico op. 3
Accademia Bizantia
Stefano Montanari
Paulo Grazzi
Ottavio Dantone
Blue Line
(4 CD-Box)
43027-2
6<RA F E=h facu>9
dell'Inventione op. 8
Vivaldi, Antonio
Vivaldi, Antonio
Galuppi, Baldassare
Albinoni, Tomaso
The Four Seasons
Concerto "La Tempesta di Mare"
Concerto "Il Piacere"
Accademia di San Rocco,
Venezia / Enrico Casazza
Accademia Bizantina
Ottavio Dantone
(Vivaldi), Concerto in G minor (Galuppi)
Red Line
Red Line
Vivaldi, Antonio
Il Pastor Fido - 6 Sonatas for Lute and
Continuo op. 13
Fabbriciani, Denti, Kohnen
Vivaldi, Antonio
5 Concertos and 2 Sonatas for Flute, Oboe
or Violin, Bassoon and Continuo
Concertos RV103. RV106, RV100, RV91, RV96
Sonata per Flauto, Fagotto e Continuo in la
Minore RV86
Sonata per Oboe e Continuo in do Minore RV53
Persichilli, Borgonovo, Guglielmo,
Vernizzi, Farina, Benzi
Red Line
Persichilli, Borgonovo, Guglielmo,
Vernizzi, Farina, Benzi
Red Line
8 Concertos for Flute, Oboe, Violin,
Bassoon and Continuo
Vivaldi, Antonio
RV 107, RV 90, RV 101, RV 105, RV 88, RV
94, RV 99, RV 95
Wagner, Richard
Die Meistersinger von Nürnberg
(4CDs)
Wagner, Richard
Parsifal
(4 CDs)
Janowitz, Kónya, Stewart
Fassbaender, Unger, Hemsley,
Crass, Engen, Wilhelm, Kogel,
Schmidt, Lenz, Baillie, Diakow,
Kohn, Slembeck, Grumbach
Chor & Symphonieorchester des
Bayerischen Rundfunks / Kubelik
Red Line
Arts Archives
King, Weikl, Moll, Minton, Chor &
Symphonieorchester des
Arts Archives
Bayerischen Rundfunks / Kubelik
In fact it is mainly the brillinat sound that makes this recording very special.... up to the finest hights the listenor is able to hear clearly and prespicously
every nuance of the instruments" klassik.com
9/9 from classicstoday.com: "This set conventiently boxes up excellent performances of Vivaldi's two most popular works... If yur're looking for Vivaldi's best
collections of concertos in one convenient package, I can recommend these performances without hesitation"
"Montanari's violin playing is absolutely astounding, full of thrills, mood changes and impeccable virtuosity....highly recommended" Classical.net
"Warm and passionate performances of Vivaldi's two most famous sets of concertos - recommended for repeated listening and enjoying" musicwebinternational.com
"CD of the Month" from MUZYKA 21
Guide
ClassicsToday.com
"The levels of virtuosity are very high" Scherzo
"This is the finest Meistersinger available ... Don't miss this incomparable musical event" classicstoday.com
"No other [recording] boasts singing, conducting and sound of such consistently high quality" BBC Music Magazine
"Preis der Deutschen Schallplattenkritik" Highests award of the German Critics associat.
“... all in all the best sung recording of the opera on records ...“ American Record Guide
“… unquestionably one of the best Meistersinger ever …” Gramophone
"The most euphorizing and joyful Meistersinger ever" Diapason
"a milestone in interpretation history" FonoForum
"Pure beauty" Musica
"Extraordinary Parsifal. A splendid set. A nuanced, brilliant performance ... Unmatched by any other I've heard. Hypnotic ... Highly
recommended ... 9/9" classicstoday.com
"An exemplary interpretation which is to be placed at the edge of this work's recording history" Opernglas
"Has a better recording ever existed? ... a dream cast ... absolute clarity of text" Financial Times Deutschland
5 stars in Spanish magazine MÚSICA
"A titanic work in every sense of the word ...essential 'Parsifal' recording" classical.net
"Pure beauty" Musica
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Gerd Seifert
Klaus Markowski
Jan Schroeder
Manfred Klier
Siegried Machata
Barry Garbage
Klaus Schneider
Günter Fritzsche
Blue Line
Concertino for Clarinet and Orchestra in E
flat major op. 26
Alessandro Carbonare
Haydn Sinfonie-Orchester Bozen
Goetz, Hermann
Verdi, Giuseppe
Puccini, Giacomo
Massenet, Jules
Smetana, Bedrich
Dvoràk, Antonín
Sonatas for Flute and Piano op. 10
Roberto Fabbriciani
Red Line
Werrecore, Matthias Hermann War and Faith
Mainerio, Giorgio
Jannequin, Clement
Gabrieli, Andrea
Merulo, Claudio
Wieniawski, Henryk
Willaert, Adrian
Phalese,
Trombocino,
Attaignant,
Violin Concerto No. 1 op. 14
Fantaisie Brillante sur "Faust"
Scherzo Tarentelle op. 16
The Kujaviak
The Obertas
"A magnificent technical work for a result which is almost perfect for this ensemble constituted by hornists from The Orchestra of
the Bayreuther Festspiele" Diapason
Blue Line
Red Line
Sonatas Nos. 1-6
Opera Arias
Rusalka (Dvorák)
"Enthusiastic performance" International Record Review
"Exciting release" The San Francisco Examiner
"The artistic quality of Oleg Caetani’s interpretation is remarkable. The Robert Schumann Philharmonie Chemnitz seduces with a
fresh and spirited but still very delicate sound" klassik-heute.com
"Absolute top level ... Either full blooded and intelligent interpretation" Pizzicato
"Bravo, Caetani!" Fanfare
"Technically perfect, fine nuances in the dynamics and colourful interpretations" Klassik Heute
Concerto for Clarinet and Orchestra Nos. 12
47517-2
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Lohengrin - Fantasie für 8 Hörner
Rheingold - Fantasie für 8 Hörner
Siegfried - Fantasie für 8 Hörner
Tristan und Isolde - Fantasie für 8 Hörner
Robert-Schumann-Philharmonie
Chemnitz / Oleg Caetani
Sextet for 2 Clarinets, 2 Bassoons, 2 Horns
47691-2
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Wagner, Richard
47313-2
6<RA F E=hfbc m>1
8 Bayreuther Festspiel-Hornisten
47504-2
6<RA F E=hgdfcm>1
Wagner, Richard
Overtures & Preludes
Der fliegende Holländer
Lohengrin
König Enzio
Tannhäuser
Die Walküre
Die Meistersinger von Nürnberg
“This is pure romatic and can beautifully be heard on this CD. Alessandro Carbonare and the Sinfonie-Orchester Bozen put their hole heart and soul in this
production” Empfohlen von Brigitte
"Alessandro Carbonare has a fine technique, a sweetly liquid tone, and an impressive dynamic range. He encompasses the virtuosity of the outer
movements of both concertos effortlessly, but what really makes these performances memorable is his quiet playing ... Carbonare also is a good conductor,
as the orchestra responds to his direction with real fire in the trumpet- and drum-led passages ... The excellent recorded sound helps, ideally balancing the
soloist against the orchestra so that every note is crystal clear yet also in natural perspective ... This disc will give a great deal of pleasure, and if it's been a
while since you've heard this music, t+H296ake a refreshing break and give it a whirl" classicstoday.com
"This production is an absolutely must to all interested listeners....Carbonares play is immaculate and proofes his top-class musician personality.....sparkling
interpretation.....excellent interplay" klassik.com
is a pleasure" Pizzicato
"You don't miss any virtuosity in Carbonare's playing of both works This excellent recording
"Perfectly balanced voices in this recording" Scherzo
"Full of verve and freshness" Répertoire
Lucia Popp
Kurt Eichhorn
Bortoliero)
Vadim Brodsky, Polish National
Radio Orchestra / Antoni Wit
Red Line
Blue Line
Red Line
Gramophone
"Brodsky is a remarkable virtuoso and an artist with his own profile" FonoForum
"Brodsky proves himself a superb advocate of the concerto. The dazzling Faust potpourri, the catchy Scherzo Tarantelle and the
two brief folk dances make up a most satisfying view of the great nineteenth century composer violinists" Classic CD
"Vadim Brodsky is a master in his field" FonoForum
Syntagma Musicum
Red Line
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Nascoto (Bussotti)
Waarg (Xenakis)
Mauro Ceccanti
Ysaye, Eugène
6 Violin Sonatas op. 27
Sonata No. 1 to Joseph Szigeti
Sonata No. 2 to Jacques Thibaud
Sonata No. 3 to Gerorge Enescu
Sonata No. 4 to Fritz Kreisler
Sonata No. 5 to Mathieu Crickboom
Sonata No. 6 to Manuel Quiroga
Vincenzo Bolognese
Zeller, Carl
Operetta Arias
Fall, Leo
Lehar, Franz
Strauss, Johann Jr.
Kalman, Emmerich
Triebel
Zemlinsky, Alexander von
Lieder - Heilige Nacht, Geflüster, Vor der Stadt,
Schlaf nur ein, Tiefe Sehnsucht, Im Korn, Liebe
Schwalbe, Ich geh' des Nachts, Blaues Sternlein,
Entbietung, Meeraugen, Sonntag, Turmwächter, Und Steven Kimbrough
hat der Tag all'seine Qual, Meine Braut führ ich heim, Cord Garben
Die Mädchen, Als ich Geliebter schled, Feiger
Gedanken, Elfenlied, Volkslied, Auf dem Meere meine
Seele, Jetzt ist die Zeit, Afrikanischer Tanz
Zesso, Giovanni Battista
Phalese,
Trombocino,
Capirolo, Ortiz,
Arcadelt, Susato, Crema, Lasso,
Syntagma Musicum
47175-2
47135-2
47549-2
Sly - oder die Legende vom
Wiedererweckten Schläfer
( 2 CDs)
43010-2
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Jean-Pierre Lepetit
Concerto Amsterdam
Jaap Schröder
47613-2
6<RA F E=hbdfcr>6
Horn Concertos
47504-2
6<RA F E=hfejcq>5
Mozart, Leopold
Bader, Polaski, Reeh, Haertel
Chor und Orchester der
Niedersächsischen Staatsoper
Hannover
Robert Maxym
Wolf-Ferrari, Ermanno
Xenakis, Iannis
Bussotti, Sylvano
Berio, Luciano
47604-2
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Hermann Baumann
Witt, Friedrich
Strauss,
Strauss,
Strauss,
Strauss,
Johann Jr.
Johann Sr.
Eduard
Josef
Arts Archives
Red Line
Red Line
"A convincing case for what may well be one of Wolf-Ferrari´s strongest scores" Gramophone
"A worthwhile tribute" American Record Guide
Recommended by “Recommandé par“ French magazine Répertoire
"The sound is excellent" American Record Guide
"This opera is fabulous, fascinatingly orchestrated, (..) If you want/need a performance of this disturbing opera, look no further than this 1988 set. (...) The
sound is top-notch." Classics Today
"Four Stars: With Bader inspired in the Hoffmannesque title role, the young Polaski ... thrilling as his Wagnerian temptress" in BBC Music Magazine
"Very amazing, especially the tenor Hans-Dieter Bader" Das Orchester
Red Line
Fritz Wunderlich /
Köln
Arts Archives
New Year's Concert
An der schönen blauen Donau, Stürmisch in Lieb' und
Tanz, Freut euch des Lebens, Durchs Telephon,
Elektrophor, Morgenblätter, Champagner-Polka, Neue Strauss Festival Orchestra
Pizzicato-Polka, Bauern-Polka, Unter Donner und Blitz Peter Guth
(Strauss Jr.), Fortuna-Galopp, Radetzky-Marsch
(Strauss Sr.), Mit Extrapost (Strauss, E.), Ohne
Sorgen (Strauss, J.), Wiener Bürger (Ziehrer)
Red Line
Red Line
Blue Line
"A welcome reissue of a rare collection of Zemlinsky songs, intelligently sung" Gramophone
"Extrordinary artistic level ... Exceptional is Steven Kimborough mastership over his heroic and virile sounding Baritone in the
Fortes. He develops a particularly flexible, resonant Mezzavoce, allowing him a fine shaded interpretation of the Lieder" klassikheute.com
"Kimborough ... sounds like he was born to sing German lieder" American Record Guide
"Pure Fin de Siècle" Die Presse
"A real sense of drama and sweep and quasi-operatic power. A fine and accomplished disc. A satisfying programme in its own right"
"Guth is surely the most stylish Straussian around these days" Gramophone
"All in all lively, moving ... with the sound of an almost deepened colloquial speech" klassik-heute.com
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Suppé, Franz von
Strauss, Johann Jr.
Strauss, Johann Sr.
Strauss, Eduard
Strauss, Josef
Lehár, Franz
Ugolini, Disma
Pera, Girolamo
Palafuti, Antonio
Panerai, Vincenzio
Feroci, Francesco
Gruß an Wien
Donaustadt
Ildikó Raimondi
Peter Guth
Blue Line
Blue Line
AUDIOPHILE AUDITION
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64 47694-2 - Arts Music

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