Elena Miraglia, Writing Life. BIBLIOGRAPHY

Elena Miraglia, Writing Life.
BIBLIOGRAPHY
1. WORKS BY LARKIN
a. Published
A Girl in Winter [1947], London, Faber 1975
All What Jazz. A Record Diary [1970], London, Faber 1985
Collected Poems, ed. Anthony Thwaite, New York, The Noonday Press 1988
Further Requirements. Interviews, Broadcasts, Statements and Book Reviews, ed. Anthony
Thwaite, London, Faber 2001
Jill [1945], London, Faber 1998
Larkin’s Jazz, Essays and Reviews 1940-1984, ed. Richard Palmer and John White, London and
New York, Continuum 2001 [formerly Reference Back, Hull University Press 1999]
The North Ship [1945], London, Faber 1973
The Oxford Book of Twentieth Century English Verse (ed.), Oxford, Clarendon Press 1973
Required Writing,: Miscellaneous Pieces 1955-1982, London, Faber 1983
Selected Letters, ed. Anthony Thwaite, London, Faber 1992
“Schoolboy Writings”, About Larkin 13
Trouble at Willow Gables and other fictions, ed. James Booth, London, Faber 2002
“Worksheets of ‘AtGrass’, Phoenix 11/12
b. Unpublished (BJL)
Letters to James Ballard Sutton, 1938-1952, DPL/174
Letters to Kingsley Amis, 1942-1947, DPL 5/1
Miscellaneous correspondence 1952-1985, DPL (2)
Workbooks, DPL 1/1-8; Notebooks, DPL (2)
‘Poems August 1940’ DPL 2/1/4
‘Chosen Poems 1941’ DPL 2/1/5
‘Further Poems’ DPL 2/1/3
1
‘The Seventh Collection’ DPL 2/1/7
Night in the Plague DPL 1/1/64
2. WORKS ON LARKIN
a. Biographical sources
AMIS, K. “Farewell to a Friend”, in Salwak 1989
—“Oxford and After”, in Thwaite 1982
— “Philip Larkin”, in Memoirs, London, Penguin Books 1992
BRENNAN, M. “Letters from Ireland”, About Larkin 3 (April 1997)
— The Philip Larkin I Knew, Manchester University Press 2002
DYSON, B. The Modern Academic Library: Essays in Memory of Philip Larkin, London, The
Library Association 1989
GARLAND, P. “Filming with Philip Larkin. ‘Colorful, balding book-basher’, The Listener,
December 12, 1985 (Vol. 114, N. 2939)
HARTLEY, J. Philip Larkin, The Marvell Press and Me, Manchester, Carcanet 1989
HUGHES, N. “An Innocent at Home”, in Salwak 1989
—“The Young Mr Larkin”, in Thwaite 1982
KENYON, J. “Larkin at Hull”, About Larkin 6 (Winter 1998/9)
MONTEITH, C. “Publishing Larkin”, in Thwaite 1982
MOTION, A. Philip Larkin. A Writer’s Life, London, Faber 1993
b. Monographies
BOOTH, J. Philip Larkin: Writer, Hemel Hempstead, Harvester Wheatsheaf/New York: St.
Martin’s Press 1992
BROWNJOHN, A. Philip Larkin, Harlow, Longman 1979
DAY, R. Larkin, Milton Keynes, Open University Press 1987
DUNN, D. Under The Influence, Edinburgh, Edinburgh University Press 1987
HASSAN, S. K. Philip Larkin and His Contemporaries, Basingstoke, Macmillan 1988
2
KUBY, L. An Uncommon Poet for The Common Man. A Study of Philip Larkin’s Poetry, The
Hague-Paris, Mouton 1974 (Indiana University, Series Practica, 60)
LEGGETT, B.J. Larkin’s Blues. Jazz, Popular Music, and Poetry, Baton Rouge, Louisiana State
University Press 1999
LERNER, L. Philip Larkin, London, Northcote House 1997
MOTION, A. Philip Larkin, London , Methuen 1982
PETCH, S. The Art of Philip Larkin, Sydney, Sydney University Press 1981
REGAN, S. Philip Larkin, The Critics Debate, Houndsmill, Basingstoke, Macmillan 1992
ROSSEN, J. Philip Larkin: His Life’s Work, Hemel Hempstead, Harvester Wheatsheaf 1989
SWARBRICK, A. Out of Reach. The Poetry of Philip Larkin, Basingstoke, Macmillan 1995
TIMMS, D. Philip Larkin, Edinburgh, Oliver and Boyd 1973
TOLLEY, A.T. My Proper Ground: A Study of the Work of Philip Larkin and its Development,
Edinburgh, Edinburgh University Press 1992
—Larkin at Work. A Study of Larkin’s Mode of Composition as seen in his Workbooks, Hull, The
University of Hull Press 1997
WHALEN, T. Philip Larkin and English Poetry, Basingstoke, Macmillan 1986 (II ediz. 1990)
c. Casebooks
BARON, M. (ed) Larkin with Poetry. English Association Conference Papers 1997
BOOTH, J. (ed) New Larkins for Old. Critical Essays, Houndmills, Basingstoke, Macmillan 2000
CHAMBERS, H. (ed) An Enormous Yes: In Memoriam Philip Larkin (1922-1985), Calstock,
Peterloo Poets 1986
HARTLEY, G. (ed) Philip Larkin: A Tribute, London, The Marvell Press 1988
Phoenix. A poetry magazine edited by Harry Chambers Nos 11/12 Autumn and winter
1973/4 Philip Larkin Issue (Heaton Mearsey, Stockport, Cheshire)
REGAN, S. (ed) Philip Larkin: Contemporary Critical Essays, Basingstoke, Macmillan New
Casebooks 1997
SALWAK, D. (ed) Philip Larkin: The Man and His Work, Basingstoke, Macmillan 1989
THWAITE, A. (ed) Larkin at Sixty, London, Faber 1982
3
d. Articles and reviews
ALDERMAN, N. “’The Life with a Hole in it”: Philip Larkin and the Condition of England”,
Textual Practice 8.2 (Summer 1994)
ALVAREZ, A. “Beyond the Gentility Principle”, in Beyond All This Fiddle, A. Lane 1968
ANON. “Just Larkin’ about?”, Private Eye 1052 [9.iv.2002]
BAYLEY, J. “On Philip Larkin”, New York Review of Books 32, January 16, 1986
— “Larkin, Pym and Romantic Sympathy”, About Larkin 14 (October 2002)
BATE, J. “Very juvenile, this juvenilia”, The Sunday Telegraph, April 28, 2002
BILLINGTON, M. “Life limited by love: Larkin with Women”, The Guardian, November 13,
1999
BOOTH, J. “A Room Without a View: Larkin’s Empty Attic”, Bête Noire 12/13 (Autumn
1991/Spring1992)
— “From Here to Bogland: Larkin, Heaney and the Poetry of Place”, in Id. 2000
— “Philip Larkin: Lyricism, Englishness and Postcoloniality”, in Regan 1997
—“Why Larkin’s Poetry Gives Offence”, The Journal of the English Association, Vol. 46 N.
184, Spring 1997
— “The Turf-cutter and the Nine-to-five Man: Heaney, Larkin, and “the spiritual
intellect’s great work””, Twentieth Century Literature 43.4 (Winter 1997)
BROTHER, A. (An Sonjae) “Without Metaphysics: The Poetry of Philip Larkin”, [http://
www.sogang.ac.kr/-anthony/ Larkin.htm]
BROWN, C. “Golly girls, Larkin was such a hoot”, The Mail on Sunday, April 28, 2002
BROWNJOHN, A. “Novels into Poems”, in Thwaite 1982
— “An unfulfilled fantasy”, Times Literary Supplement , May 17, 2002
BURT, S. “High Windows and Four-Letter Words”, Boston Review 7 (1999)
CANNING, R. “When Philip Larkin made a wonderful Brunette”, The Independent, May 16,
2002
CAREY, J. “The Two Philip Larkins”, in Booth 2000
—“Larkin’s female alter-ego”, The Sunday Times, May 5, 2002
CHAMBERS, H. “Some Light Views of A Serious Poem: a footnote to the understanding of
Philip Larkin’s ‘Naturally the Foundation Will Bear Your Expenses”, Phoenix 11/12
CLARK, S. “’Get Out As Early As You Can”: Larkin’s Sexual Politics”, in G. Hartley 1998
—“The Lost Displays: Larkin and Empire”, in Booth 2000
4
COOKE, R. “Larkin’s lesbians”, The Guardian, April 24, 2001
—“Larkin takes a beating”, The Observer Review, April 21, 2002
COOPER, S. “John Bayley: Larkin, Pym and Romantic Sympathy”, About Larkin 13 (April
2002)
DAVIE, D. “Landscapes of Larkin”, in Thomas Hardy and British Poetry, London, Routledge
and Kegan Paul 1973
DAY, G. “’Never Such Innocence Again’: The Poetry of Philip Larkin”, in Day- Docherty
(eds), 1997
DISKI, J. “Damp-Lipped Hilary”, London Review of Books, May 23, 2002
EZARD, J. “Revealed: Larkin the tender lover”, The Guardian, October 15, 1999
EVERETT, B. “Larkin and Us”, London Review of Books, 4.20 (November 1982)
—“Larkin’s Edens”, English, Spring 1982
—“Philip Larkin: After Symbolism”, Essays in Criticism, July 1980
—“Larkin and Dockery: The Limits of the Social”, in G. Hartley 1988
—“Art and Larkin”, in Salwak 1989
—“Philistines”, London Review of Books, 9.7 (April 1987)
—“The Treasurer’s Son”, Times Literary Supplement, September 19, 1997
FENTON, J. “Philip Larkin: Wounded by Unshrapnel”, in The Strenght of Poetry, Oxford
University Press 2001
GALLE, É. “Dualité, limite, totalité, transcendance chez Phlip Larkin”, Études Britanniques
Contemporaines, Revue de la Société d'Études Anglaises Contemporaines, Numéro spécial
“Philip Larkin”, Paris, Nov. 1993- Jan. 1994
GALLIX, F. “La leçon des choses de Philip Larkin”, Études Britanniques Contemporaines, Nov.
1993- Jan. 1994
GERVAIS, D. “Larkin, Betjeman and the Aftermath of England”, in Literary Englands.
Versions of ‘Englishness’ in Modern Writing, Cambridge, Cambridge University Press 1993
GOODBY, J. “’The Importance of Elsewhere’ or ‘No Man is an Island’: Self, Selves and Social
Consensus in the Work of Philip Larkin”, Critical Survey 1 (1989)
GOWRIE, G. “Low jinks in the dorm”, The Spectator, May 4, 2002
GROVES, P. “‘What music lies in the cold print’: Larkin’s experimental metric”, Style 35.4
(Winter 2001)
HABERER, A. “Philip Larkin: l’écriture à la périphérie des choses”, Études Britanniques
Contemporaines , Nov.1993-Jan.1994
5
—“Seamus Heaney et Tom Paulin: Lectures Irlandaises de l’œuvre de Philip Larkin”,
QWERTY Arts, Littérature & Civilisations du Monde Anglophone, 3 oct. 1993, PUP
HART, C. “The spinster within”, The Daily Telegraph, May 11, 2002
HARTLEY E.-THORPE. V. “How the young Philip Larkin courted Trouble at Willow
Gables”, The Observer, April 22, 2001
HEANEY, S. “The Main of Light”, in Thwaite 1982
— “Englands of the Mind”, in Preoccupations. Selected Prose 1968-1978, London, Faber 1980
HOSBAUM, P. “No Larkin around in this prose”, The Herald (Glasgow), April 27, 2002
INGELBIEN, R. “The Uses of Symbolism: Larkin and Eliot”, in Booth 2000
—“Larkin’s French”, About Larkin 6 (Winter 1998/9)
JAMES, C. “On His Wit”, in Thwaithe 1982
JOHNSON, R. “Trespassing: Philip Larkin and the legacy of D.H. Lawrence”, D.H. Lawrence
Review (Southwest Texas State University), N. 3, 2000
JONES, A. R. “The Poetry of Philip Larkin: A Note On Transatlantic Culture”, Phoenix 11/12
KENNEDY, X. J. “Larkin’s Voice”, in Salwak 1989
KING, D. “Sacramentalism
www.philiplarkin.com]
in the Poetry of Philip Larkin” (1994),
[http://
KING, P. R. “Without Illusion. The Poetry of Philip Larkin”, in Id. Nine Contemporary Poets,
1979
LODGE, D. “Philip Larkin: The Metonymic Muse”, in The Modes of Modern Writing. Metaphor
and Metonymy and the Typology of Modern Literature, London, Edward Arnold 1977
LOMAX, “Larkin with Women”, in Baron 1997
LONGLEY, E. “Larkin, Decadence and the Lyric Poem”, in Booth 2000
—“Larkin, Edward Thomas and the Tradition”, Phoenix 11/12
MARSHALL, O. “Stories from the doldrums”, The Irish Times, May 18, 2002
MASSIE, A. “What the Devil Do I Do With These People?”, Literary Review, July 2002
McCUE, J. “What will survive of us – mixed up feelings or magnificent words?”, The Times,
May 13, 2002
MORRISON, B. “Behind the bicycle sheds”, The Guardian , May 11, 2002
MORRISON, J. “Larkin’s ‘Lucky Jim’ finally sees the light of day”, The Independent on Sunday,
May 5, 2002
MOULIN, J. “Les ombres dans les poèmes de Philip Larkin”, Études Britanniques
Contemporaines Nov.1993-Jan.1994
6
OSBORNE, J. “Postmodernism and Postcolonialism in the Poetry of Philip Larkin”, in Booth
2000
OSTERWALDER, H. “Wanking at ten past three’: Larkin’s posthumous love poetry”, Études
Britanniques Contemporaines , Nov.1993-Jan.1994
PAULIN, T. “She Did Not Change”, in Minotaur: Poetry and the Nation State, London, Faber
1992
PLATER, A. “Dead poet’s society”, The Guardian, November 27, 2002
PORTEOUS, J.D. “Nowhereman”, About Larkin 8 (October 1999)
POTTS, R. “Schoolgirl capers”, The New Statesman, May 13, 2002
PYKE, N. “Lashing of lesbians sex in Larkin’s schoolgirl tales”, The Guardian, June 25, 2000
RABAN, J “The Idea of Elsewhere”, The New Repulblic, July 19, 1993
RÀCZ, D. I. “Like Something Almost Being Said: Philip Larkin’s High Windows”, in
SZAFFKO, P. – BÉNYEI, T. (eds) Happy Returns. Essays for Professor Istvàn Pàlffy, KLTE.
Institute of English and American Studies, Derecen 1999
—“Larkin from an East European Perspective”, in Booth 2000
REGAN, S. “In the Grip of Light: Larkin’s Poetry of the 1940s”, in Booth 2000
—“Larkin’s Reputation”, in Baron 1997
RICKS, C. “The Whitsun Weddings”, Phoenix 11/12
ROSSEN, J. “Philip Larkin and Lucky Jim”, Journal of Modern Literature, 22.1 (Fall 1998)
ROWE, M. W. “Unreal Girls: Lesbian Fantasy in Early Larkin”, in Booth 2000
SAKURAI, S. “Faithful and Disappointing’. Philip Larkin’s Poems about his Poetry”, in
SAKURAI (ed) The View from Kyoto. Essays on Twentieth-Century Poetry, Kyoto, Rinsen Books
Co. 1998
THWAITE, A. “The Poetry of Philip Larkin”, Phoenix 11/12
TOMLISON, C. “The Middlebrow Muse”, Essays in Criticism 7 (1957)
TOPIA, A. “Frames et Rooms: l’espace gigogne de Larkin”, Études Britanniques
Contemporaines , Nov.1993-Jan.1994
WHALEN, T. “Conflicts with Capitalism. Philip Larkin’s Politics”, The Antigonish Review
N.111 (Autumn 1997)
—“Philip Larkin and Lady Chatterley’s Lover: Exploring an Influence”, in Booth 2000
—“Strangeness Made Sense’: Philip Larkin in Ireland”, The Antigonish Review N. 107
(Autumn 1996)
WOOLLEY, J. “Coming”, About Larkin 11 (April 2001)
7
e. Theses (BJL)
ASNES, F.D. That sinking feeling: a study of endings in the poetry of Philip Larkin, Ann Arbor,
University Microfilms International 1984 (University of Texas at Austin, 1979)
BARNDEN, S. Voice in contemporary British poetry , 1988
GREENWAY Philip Larkin Tender Poet of Human Failure, 1987
LA GATTUTA Same Difference: A Study of Dialectic in Philip Larkin’s Poetry, 1982
LAMPARD, D.E. Philip Larkin: the poetry of absolute maturity, Ann Arbor, University
Microfilms International 1984 (University of Tennessee)
TIERCE, M.T. Eggs, small beer, and Hardy: the poetry and prose of Philip Larkin , 1985
VANAKEN, G.N. Philip Larkin and the Art of disillusionment , 1984
WHEELER, D. The heart in its own endless silence kneeling: the poetry of Philip Larkin [Churchill
College, Cambridge] 1978
3. AUDIOBOOKS AND RECORDINGS (BJL)
Four Poets of the 20th century: T.S. Eliot, David Jones, Robert Graves, Philip Larkin , reading their
works, London, Argo 1985
Meeting Philip Larkin: Radio 4 interview, 29th March 1984, Hull, University of Hull AudioVisual Centre 1984.
South Bank Show: Philip Larkin, London, LWT International 1982
Monitor programme: Philip Larkin talks to John Betjeman: a film, Hull, University of Hull 1979
‘Recordings’, DPL (3)/6/1
Listen records: The Less Deceived e The Whitsun Weddings, DPL (3)/3
4. LARKIN IN ITALY: Translations, essays, articles
Le nozze di pentecoste e altre poesie, trad. di C.Pennati, Torino, Einaudi 1956
Alte Finestre, trad. di L. Pontrandolfo, Pisa, ETS, 1991
Fading. Poesie scelte 1950-1980, trad. di M. Fazzini, Grottamare, Stamperia dell’Arancio 1994
Finestre Alte, trad. di E. Testa, Torino, Einaudi, 2001
Turbamenti a Willow Gables, a cura di M. D’Amico, Roma, nottetempo 2003
8
BINNI, F. “Philip Larkin”, in V. Amoruso e F. Binni (a cura di), Letteratura inglese. I
contemporanei, vol. II, Roma, Lucarini 1978
—“’Life offers –to deny”: la poesia di Larkin”, in Id. Modernismo letterario angloamericano:
permanenza e irrealtà di un’istituzione del progresso, Roma, 1978
BIRINDELLI, R. “Philip Larkin: le maschere in scena”, Poesia, anno V n. 48 (febbraio 1992)
BUFFONI, F. “Piccolo omaggio a Philip Larkin”, Testo a fronte, 22 marzo 2000
—“Le nozze malinconiche di Philip Larkin”, in B. Frabotta (a cura di), Poeti della
malinconia, Roma, Donzelli 2001
FALZON, A. Negative Indicative: Philip Larkin in the Forties. A Study in Trasformation, Pisa,
Edizioni ETS 2000
GUERRIERI, L. “Il recupero della ‘gentility’: il Movement da Philip Larkin a Thom Gunn”
[http://www.unibo.it/centrodipoesia/FILES/iniziative/1998/inglese/guerrieri90_1.html]
MARCOALDI, F. “Alla periferia del mondo”, La Repubblica, 20 aprile 2002
MIGLIOR, G. “La poesia di Philip Larkin”, Annali di Ca’ Foscari, xi-2, Milano, Mursia 1972
MORINI, M. Poeti Inglesi del Secondo Novecento, Milano, Edizioni dell’Arco 2001
MORLEY, J. “Larkin About”, in C. Marengo Vagio, P. Bertinetti e G. Cortese (a cura di), Le
forme del comico, Atti dell’VIII Convegno dell’Associazione Italiana di Anglistica (1985),
Alessandria, Ediizoni dell’Orso 1990
PONTRANDOLFO, L. “La poesia di Philip Larkin tra ‘corpo’ e ‘mente’” [estratto] Bari,
Adriatica editrice 1984
SACERDOTI, G. “Philip Larkin”, leggere, 19, marzo 1990
SINGH, G. “La poesia di Philip Larkin”, Testo , VIII, 14 (luglio-dicembre 1987)
II. INFLUENCES AND CONTEMPORIES
1. POETRY
a. Primary sources
AUDEN, W. H. The English Auden: Poems, Essays and Dramatic Writings, 1927-1939, ed.
Edward Mendelson, London, Faber 1988
AUDEN, W.H. Collected Poems, ed. Edward Mendelson, London, Faber 1991
BAUDELAIRE, C. I fiori del male, introduz. di Giovanni Macchia, trad. di Luciana Frezza,
Milano, BUR 1999 [1980]
9
BETJEMAN, J. Collected Poems, London, Murray 1970
BYRON, G. G. Byron’s Letters and Journals, Volume VII: ‘Between two worlds’, 1820, ed. Leslie A.
Marchand, Harvard University Press 1977
CONQUEST, R. (ed) New Lines: An Anthology, London, Macmillan 1956
— New and Collected Poems, London, Hutchinson 1988
DAVIE, D. Collected Poems, Manchester, Carcanet Press 1990
—Purity of Diction in English Verse [1952], London, Routledge and Kegan Paul 1967
ELIOT, T.S. The Complete Poems and Plays, London, Faber 1969
— Poesie, a cura di Roberto Sanesi, Milano, Bompiani 1996 (XIII)
—Selected Essays , Faber 1951 (III)
—Selected Prose of T.S. Eliot, ed. Frank Kermode, London, Faber 1975
ENRIGHT, D. J. Collected Poems 1948-1998, Oxford, Oxford University Press 1998
GUNN, T. Collected Poems, London, Faber 1994
HARDY, T. Collected Poems, London, Macmillan 1930
HUGHES, T. Lupercal, London, Faber 1960
KEATS, J. Poems, ed. Gerald Bullett, London, J.M. Dent & Sons 1951 [1944]
—The Letters of John Keats: 1814-1821, II vols, ed. Hyder Edward Rollins, Cambridge,
Harvard University Press, 1958
LAWRENCE, D. H. Poems, ed. Keith Sagar, New York, Penguin 1989
THOMAS, D. Collected Poems 1934-1952, London, J.M. Dent & Sons 1964 (XV)
VILLON, F. Poésies complètes, éd. Claude Thiry, Paris, Livre de poche/ Lettres Gothiques
1991
WAIN,
J.
Poems
1949-1979,
Basingstoke,
Macmillan
1980
WATKINS, V. Ballad of the Mari Lwyd and other poems, London, Faber 1947 [1941]
—The Lamp and the Veil, London, Faber 1945
—The Lady with the Unicorn, London, Faber 1948
YEATS, W. B. , The Poems, ed. Richard J. Finneran, New York, Scribner 1997 (II)
—Essays and Introductions, London, Macmillan 1961
b. Secondary sources
10
ABRAMS, M. H. The Mirror and the Lamp. Romantic Theory and the Critical Tradition, New
York, Oxford University Press 1953
ACHESON, J.- HUK, R. (eds) Contemporary British Poetry. Essays in Theory and Criticism, New
York, State University of New York Press 1996
BATES, R. “Eliot in 1919”, in Lombardo 2001
BAYLEY, J. The Romantic Survival. A Study in Poetic Evolution, London, Constable 1957
BEDIENT, C. Eight Contemporary Poets, London, Oxford University Press 1971
BERGONZI, B. Reading the Thirties. Texts and Contexts, London 1978
BINNI, F. “’All need abolished my skill”: la poesia di Auden come affermazione/negazione
dell’ideologia”, in Id. Modernismo letterario Angloamericano, cit.
—“Thomas Hardy: forma storica di un’esperienza totale”, in Id. Modernismo letterario
angloamericano, cit.
BLOOM, H. (ed.), Thomas Hardy, New York, Chelsea House, 1987
BROOKS, C. Modern Poetry and The Tradition, New York, Oxford University Press 1965
BROWER, R.A. (ed) Forms of Lyric. Selected Papers from the English Institute, New York and
London, Columbia University Press 1970
CARPENTER, H. W. H. Auden: A Biography, George Allen & Unwin 1981
CORCORAN, N. English Poetry since 1940, Harlow, Longman 1993
CURRAN, S. (ed) The Cambridge Companion to British Romanticism, Cambridge University
Press 1993
DAVENPORT, A. “A Note on ‘To Autumn’”, in Kenneth Muir (ed.), John Keats. A
Reassessment, Liverpool, Liverpool University Press, 1958
DAVIE, D. Thomas Hardy and British Poetry, London, Routledge and Kegan Paul 1973
DAY, G. – DOCHERTY, B. (eds) British Poetry from the 1950s to the 1990s, Basingstocke e New
York, Macmillan e St Martin’s Press 1997
DODSWORTH, M. (ed) The Survival of Poetry, London, Faber and Faber 1970
ELLIS, S. The English Eliot: Design, Language and Landscape in Four Quartets, London,
Routledge 1991
ELLMANN, R. The identity of Yeats, London, Faber 1954.
FUSINI, N. “Il libro dell’interrogazione poetica”, in KEATS, Lettere sulla poesia, Traduzione e
cura di Nadia Fusini, Milano, Feltrinelli 1998 (II ed)
HARMON, W. (ed) Classic Writings on Poetry , Columbia University Press 2003
HOMBERGER, E. The Art of the Real. Poetry in England and America since 1939, London J.M.
Dent & Sons 1977
11
KEERY, J. “Inspired Triangulation: Thomas Hardy and British Poetry: 1”, PN Review
(Manchester) 26.5 (May-June 2000)
KING, P. R. Nine Contemporary Poets. A Critical Introduction, London and New York, Methuen
1979
LOMBARDO, A. Ritratto di Enobarbo. Saggi sulla letteratura inglese, Pisa, Nistri-Lischi 1971
—“Introduzione a The Waste Land”, in Id. (a cura di) Presenza di T.S. Eliot, Roma, Bulzoni
2001
MELCHIORI, G. “Il Nuovo Movimento e i giovani arrabbiati”, in I funamboli: il manierismo
nella letteratura inglese da Joyce ai giovani arrabbiati, Torino 1963
MORRISON, B. The Movement: English Poetry and Fiction of the 1950s, London, Methuen 1986
PATTERSON, C.I. The Daemonic in the Poetry of John Keats, Urbana, Chicago, London,
University of Illinois Press, 1970
PISANI, M. “T.S. Eliot e i ‘war poets’”, in Lombardo 2001
POWELL, N. Carpenters of Light. Some Contemporary English Poets, Manchester, Carcanet New
Press 1979
RADER, R. W. “The Dramatic Monologue and Related Lyric Forms”, Critical Inquiry 3
(Autumn 1976)
RICHARDSON, A. “Ambivalence in Hardy: A Study of His Attitude to Women”, Victorian
Studies: an interdisciplinary journal of social, political, and cultural studies (Univ. Of Indiana,
Bloomington) 44.1 (Autumn 2001)
THWAITE, A. Poetry Today. A Critical Guide to British Poetry 1960-1984, London and New
York, Longman 1985
ROSSI, U. “Quartetti per la fine dei tempi”, in Lombardo 2001
SACERDOTI, G. “Hardy e la poesia del Novecento”, in F. Marenco (a cura di) Storia della
civiltà letteraria inglese, UTET 1996
SANDY, M. "Dream Lovers and Tragic Romance: Negative Fictions in Keats's Lamia,
The Eve of St. Agnes, and Isabella", in Romanticism On the Net 20 (November 2000)
[http://users.ox.ac.uk/~scat0385/20sandy.html]
STELLA, M. Momenti di Visione. Identità poetica e forma della poesia in Thomas Hardy, Milano,
Franco Angeli 1992
STEYAERT, K. "Poetry as Enforcement: Conquering the Muse in Keats's 'Ode to Psyche'.", in
Romanticism On the Net 1, February 1996
[ http://users.ox.ac.uk/~scat0385/psyche.html]
WARD, J. P. The English Line; Poetry of the Unpoetic from Wordsworth to Larkin, Basingstoke,
Macmillan 1991
12
2. PROSE
AMIS, K. Lucky Jim [1954], London, Penguin Books 1992
GAUTIER, T. Mademoiselle di Maupin [1835-36] , Paris, Garnier Flammarion 1966
LAWRENCE, D.H. Lady Chatterley’s Lover [1928], Harmondsworth, Penguin 1961
—Fantasia of the Unconscious and Psychoanalysis and the Unconscious, London, Penguin 1991
— Phoenix:: The Posthumous Papers of D.H. Lawrence, ed. Edward D. McDonald, Viking
Press 1978
— Selected Critical Writings, Oxford, Oxford University Press 1998
SONTAG, S. On Photography, London, Penguin Books 1979
WOOLF, V. The Waves, Oxford University Press 1998
3. JAZZ, BLUES and POPULAR SONG
BERLIN, I. The Complete Lyrics of Irving Berlin, ed. Robert Kimball and Linda Emmet , New
York, Alfred A. Knopf 2001
CHARTERS, S. The Poetry of the Blues, New York, Oak Publications 1962
FERRIS, W. Blues from the Delta, New York, Anchor Books 1979
FUBINI, E. Musica e linguaggio nell’estetica contemporanea, Torino, Einaudi 1973
GERSHWIN The Songs of George and Ira Gershwin, 2 vols, New York, International Music
Publications 2001
HART, L. The Complete Lyrics of Lorenz Hart, ed. by Dorothy Hart and Robert Kimball, New
York, Da Capo Press 1995
LOSRIA, M. Musica e Psicologia. Analisi del comportamento musicale, Milano, Franco Angeli
1989
MIDDLETON, R. Pop Music and the Blues: A Study of the Relationship and its Significance,
London 1972
MILA, M. L’esperienza musicale e l’estetica , Torino, Einaudi 1956
PORTER, C. The Complete Lyrics of Cole Porter, ed. Robert Kimball, New York, Da Capo Press
1992
RIMONDI, G. La scrittura sincopata, Milano, Bruno Mondadori 1999
13
III LITERARY THEORY
BAKHTIN, M.M. The Dialogic Imagination: Four Essays, ed. Michael Holquist, transl. Caryl Emerson
and Michael Holquist, Austin, University of Texas Press 1981
BLOOM, H. The Anxiety of Influence. A Theory of Poetry, New York, Oxford University Press 1973
LOMBARDO Per una critica imperfetta, Roma, Editori Riuniti 1992
RICKS, C. – MICHAELS, L. (eds) The State of the Language, Berkeley 1980
RIFFATERRE, M. The Semiotics of Poetry, Bloomington 1978
IV. JACQUES LACAN
1. Primary sources
Le séminaire, Livre I: Les écrits techniques de Freud, 1953-1954, texte établi par Jacques-Alain
Miller, Paris, Seuil 1975.
Le séminaire, Livre II: Le moi dans la théorie de Freud et dans la technique de la psychanalyse, 19541955, texte établi par Jacques-Alain Miller, Paris, Seuil 1977.
Le séminaire, Livre IV: La relation d'objet et les structures freudiennes, 1956-1957, texte établi par
Jacques-Alain Miller, Paris, Seuil 1994.
Le séminaire, Livre VI: Le désir et son interprétation, 1958-1959 [unpublished]
Le séminaire, Livre VII: L'éthique de la psychanalyse, 1959-1960, texte établi par Jacques-Alain
Miller, Paris, Seuil 1986
Le séminaire, Livre XI: Les quatre concepts fondamentaux de la psychanalyse, 1964, texte établi par
Jacques-Alain Miller, Paris, Seuil 1973
Le séminaire, Livre XII: Problèmes cruciaux pour la psychanalyse, 1964-65 [unpublished]
Le séminaire Livre XVII . L’envers de la psychanalyse, 1969-1970, Paris, Seuil 1991
14
2. Secondary sources
DI CIACCIA, A. – RECALCATI, M. Jacques Lacan. Un insegnamento sul sapere dell’inconscio,
Milano, Bruno Mondadori 2000
RECALCATI, M. L’ultima cena: anoressia e bulimia, Milano, Bruno Mondadori 2000
15