Publications for Louise Marshall 2016 2015 2013 2012 2011 2009

Publications for Louise Marshall
2016
Marshall, L. (2016). God's Executioners: Angels, Devils and
the Plague in Giovanni Sercambi's Illustrated Chronicle (1400).
In Jennifer Spinks and Charles Zika (Eds.), Disaster, Death
and the Emotions in the Shadow of the Apocalypse,
1400�1700, (pp. 177-199). London: Palgrave Macmillan. <a
href="http://dx.doi.org/10.1057/978-1-137-44271-0_9">[More
Information]</a>
2015
Marshall, L. (2015). The Collaboration from Hell: A Plague
Strike Force at S. Pietro in Vincoli, Rome. In Jennifer Spinks,
Dagmar Eichberger (Eds.), Religion, the Supernatural and
Visual Culture in Early Modern Europe: An Album Amicorum
for Charles Zika, (pp. 20-49). Leiden: Brill.
2013
Marshall, L. (2013). Plague in the city: identifying the subject
of Giovanni di Paolo's Vienna Miracle of Saint Nicholas of
Tolentino. Renaissance Studies, 27(5), 654-680. <a
href="http://dx.doi.org/10.1111/j.14774658.2012.00846.x">[More Information]</a>
2012
Marshall, L. (2012). A Plague Saint for Venice: Tintoretto at
the Chiesa di San Rocco. Artibus et Historiae, 66(XXXIII), 153188.
2011
Marshall, L. (2011). Getting Out of Jail Free, or, Purgatory and
How to Escape It in Spanish Art. In Kathleen Nelson (Eds.),
Cathedral, City and Cloister: Essays on Manuscripts, Music
and Art in Old and New Worlds, (pp. 195-224). Ottawa,
Canada: Institute of Mediaeval Music.
2009
Marshall, L. (2009). A New Plague Saint for Renaissance Italy:
Suffering and Sanctity in Narrative Cycles of Saint Roch. In
Jaynie Anderson (Eds.), Crossing Cultures: Conflict, Migration
and Convergence: the proceedings of the 32nd International
Congress of the History of Art, (pp. 543-549). Melbourne: The
Miegunyah Press.
Marshall, L. (2009). Purgatory in the medieval imagination: the
earliest images. In Greg Kratzmann (Eds.), Imagination, Books
and Community in Medieval Europe, (pp. 212-219). Melbourne:
Macmillan Art Publishing.
2008
Marshall, L. (2008). Il culto di san Rocco in Toscana nel tardo
Quattrocento: i dipinti di Bartolomeo della Gatta in Arezzo.
Vita Sancti Rochi, 2, 96-109.
Marshall, L. (2008). Plague Literature and Art, Early Modern
European. In Joseph Byrne (Eds.), Encyclopedia of Pestilence,
Pandemics and Plagues. (pp. 522-530). Westport, Connecticut:
Greenwood.
Marshall, L. (2008). Religion and Epidemic Disease. In Joseph
Byrne (Eds.), Encyclopedia of Pestilence, Pandemics and
Plagues, vol. 2. (pp. 593-600). Westprot, Connecticut:
Greenwood.
2006
Marshall, L. (2006), Review: G. Bailey et al., Hope and
Healing: Painting in Italy in a Time of Plague, 1500-1800, in
Renaissance Quarterly.
Marshall, L. (2006), Review: R. Mellinkoff, Averting Demons.
The Protective Power of Medieval Visual Motifs and Themes in
Speculum.
2005
Marshall, L. (2005). La costruzione di un santo contro la peste:
il caso di Nicola da Tolentino. In Valentino Pace and Roberto
Tollo (Eds.), San Nicola da Tolentino nell'arte. Corpus
iconografico. Vol. 1: Dalle origini al Concilio di Trento, (pp.
87-101). Tolentino, Italy: Biblioteca egidiana and Federico
Motta.
2004
Marshall, L. (2004). Luxury And Pathos In Romanino?S Christ
Carrying The Cross. In David R. Marshall (Eds.), The Italians
in Australia: Studies in Renaissance and Baroque Art, (pp. 131144). Florence: Centro Di.
2002
Marshall, L. (2002). Reading the Body of a Plague Saint :
Narrative Altarpieces and Devotional Images of St. Sebastian in
Renaissance Art. In Bernard J. Muir (Eds.), Reading Texts and
Images. Essays on Medieval Renaissance Art and Patronage,
(pp. 237-271). Exeter (U.K.): University of Exeter Press.
2000
Marshall, L. (2000). Confraternity and Community: Mobilizing
the Sacred in Times of Plague. In B. Wisch and D Cole Ahl
(Eds.), Confraternities and the Visual Arts in the Italian
Renaissance: Ritual, Spectacle, Image, (pp. 20-45). Cambridge:
Cambridge University Press.