factsheet - Leslie Smith Gallery
Transcript
factsheet - Leslie Smith Gallery
Lucio Fontana (Argentinian, 19.02.1899 - 07.09.1968 ) Concetto Spaziale Signed lower centre l. fontana, on reverse 'consegnato il 24/12/66 ore 18' Aniline, paillettes and pencil on canvas, round shape on natural base 15 x 10 cm / 5.9 x 3.9 inch PROVENANCE Private collection, Milan; Private collection, Milan; Private collection, Netherlands EXHIBITED 2016 TEFAF 2016, SmithDavidson Gallery, Maastricht, The Netherlands 2016 Palm Beach Jewelry, Art and Antique Show, SmithDavidson Gallery, Palm Beach, USA 2015 ArtMiami, SmithDavidson Gallery, Miami, USA 2015 TEFAF 2015, Leslie Smith Gallery (SDG), Maastricht, The Netherlands 2015 Zero: Let Us Explore the Stars, Stedelijk Museum, Amsterdam, The Netherlands LITERATURE Enrico Crispolti, Lucio Fontana. Catalogue raisonné des peintures, sculptures et environnements spatiaux, La Connaissance, Brussels, 1974, vol. II, p. 148149, no. 66-67, B17; Enrico Crispolti, Fontana. Catalogo generale, Electa, Milano, 1986, vol. II, p. 508, no. 66-67, B17; Enrico Crispolti, Lucio Fontana. Catalogo ragionato di sculture, dipinti, ambientazioni, Skira, Milano, 2006, Vol. II, p. 698, no. 66-67, B17. ABOUT Fontana is well known for his Concetto Spaziale (‘spatial concepts’) depictions, egg-like shapes in undefined and monochrome spaces, which he started making around the late 1940’s / early 1950’s. He used different techniques; in his Pietre (‘stones’) series he fused the sculptural with painting by encrusting the surfaces of his canvases with heavy impasto and colored glass, whereas in his Buchi (‘holes’) cycles, he punctured the surface of his canvases, breaking the membrane of two-dimensionality in order to highlight the space behind the picture. In this particular piece, Fontana combined techniques he applied earlier. After drewing the shape of the concetto spaziale with pencil on the canvas he filled the round surface with subtle pieces of glass or paillettes, while afterwards pinching holes into it, creating three-dimensionality. The piece was made on Christmas’ night, December 24th, 1966, as stated by the inscription on the reverse of the panel. BIOGRAPHY (Lucio Fontana) Argentine-Italian painter and sculptor Lucio Fontana (1899-1968) is considered founder and representative of Spatialism. Followers of ‘Spazialismo’ (the Italian translation), which arose in the late 1940’s, intended to synthesize colour, sound, space, movement, and time into a new type of art. Fontana published his ideas of the movement in his Manifesto Blanco in Argentina in 1946. He proposed a ‘spatial’ attempt in art instead of a ‘virtual’ approach, combining art and science through the use of techniques such as neon lighting and television. He also cut and stabbed paintings, which are also considered Spatialist works. Fontana has also ties to the Italian Arte Povera (literally ‘poor art’) during 1967-72. Just as ‘Impressionism’, this term was initiated thanks to an art critic. Artists connected to this movement took a radical stance against established institutions of government, industry, and culture, resulting in unconventional art by the use of different materials and styles. Work by Fontana is found in important international museums and collections all over the world, such as the Guggenheim Museum and the MOMA in New York, the Kunstmuseum Basel, Haifa Museum in Israel, the Kröller-Müller Museum in Otterlo (Netherlands) and many more. LITERATURE Enrico Crispolti (ed.), FONTANA, Fondazione Lucio Fontana, Edizioni Charta (Milan 1999). EXHIBITIONS Selected Solo Exhibitions 2016 TEFAF Maastricht, SmithDavidson Gallery, Maastricht, The Netherlands 2013 Destroy the Picture: Painting the Void, 1949–1962 - Museum of Contemporary Art Chicago (MCA), Chicago, IL 2013 The 60s In The Guggenheim Collections. From Informel To Pop Art - Peggy Guggenheim Collection, Venice 2009 Lucio Fontana. Le scritture del disegno - Fondazione Arnaldo Pomodoro, Milan 2009 Lucio Fontana - Zeichen und Zeichnung - Museum Liner, Appenzell, Switzerland 2008 Lucio Fontana, Scultore, Galleria Nazionale d'Arte Moderna, Rome, Italy (solo) 2008 Lucio Fontana: Paintings, Sculptures, Works on Paper, Ben Brown Fine Arts, London, UK 2007 Via Crucis - Lucio Fontana, Museo de Arte de Sao Paulo Assis Chateaubriand - MASP, Sao Paulo, Brazil 2007 Lucio Fontana Sculptor, Castello di San Giorgio, Torino, Italy 2007 Living, Looking, Making: Sculpture by Giacometti, Fontana, Twombly, Serra, Gagosian Gallery, London, UK 2006 Lucio Fontana, Solomon R. Guggenheim Museum, New York City, NY 2006 Lucio Fontana: Venice/New York”, Peggy Guggenheim Collection, Venice, Italy 2006 Lucio Fontana: Alle Radici Dello Spazialismo, Casa Italiana Zerilli-Marimo, New York, NY 2004 Lucio Fontana, Museum Franz Gertsch, Burgdorf, Switzerland 2000 Lucio Fontana, Sperone Westwater, New York, NY 1999-00 Minimalia: An Italian Version in 20th Century Art, P.S. 1, New York, NY 1998-99 Gold: Gothic Masters and Lucio Fontana, Compagnia Di Belle Arti (& other locations) Milan, Italy 1998 Lucio Fontana, Palazzo delle Esposizioni, Rome, Italy 1998 Lucio Fontana. Entre Materia y Espacio, La Fundación 'la Caixa' in collaboration with the Museo National Centro de Arte Reina Sofía, Madrid, Spain 1996-97 Lucio Fontana: Retrospektive, Kunsthalle, Frankfurt, Germany; Museum Moderner Kunst Stifung Ludwig, Vienna, Austria (solo) 1987 Lucio Fontana, Musée national d'art moderne, Centre Georges Pompidou, Paris, France 1987 Stedelijk Museum in Amsterdam, Netherlands 1977 Lucio Fontana Retrospective, Solomon R. Guggenheim Museum, New York City, NY 1966 Retrospective, Stedelijk Museum Amsterdam, The Netherlands 1959 V. Bienal Sao Paulo, Brazil 1930 Venice Biennale, Venice, Italy COLLECTIONS Works by Fontana are found in major museums and collections all over the world including: Solomon R Guggenheim Museum, New York MOMA, New York Kunstmuseum, Basel Haifa Museum, Israel Kröller-Müller Museum in Otterlo, Netherlands