design - innauction

DESIGN
EUROPEAN SCANDINAVIAN BRASILIAN
AUCTION 6 / 2016
INNSBRUCK
24 February 2016
6 PM
PREVIEW
Monday 22 February
10 AM – 6 PM
Tuesday 23 February
10 AM – 6 PM
Wednesday 24 February
10 AM – 1 PM
Bozner Platz N. 2
6020 Innsbruck / Austria
+43 512 580300
[email protected]
www.innauction.com
Artists / Designers
ALVAR AALTO
FRANCO ALBINI
JOHANNES ANDERSEN
INGE ANDERSSON
GUIDO ANDLOVITZ
GAE AULENTI
IVAR ALENIUS-BJÖRK
ILLUMS BOLIGHUS
OSVALDO BORSANI
AUGUSTO BOZZI
HERMAN BUSQUET
LUCIO FONTANA
FOSTER AND PARTNERS
GIANFRANCO FRATTINI
JO HAMMERBORG
SEVERIN HANSEN
POUL HENNINGSEN
PETER HVIDT & ORLA MØLGAARD-NIELSEN
ADAM JABLONSKI
ARNE JACOBSEN
HANS-AGNE JAKOBSSON
GRETE JALK
GEORG ARTHUR JENSEN
HELLA JONGERIUS
FINN JUHL
FREDERIK KAYSER
TOVE & EDVARD KINDT-LARSEN
MIKAEL KLAY
JACOB & JOSEPH KOHN
JEAN BORIS LACROIX
ALBERT LARSSON
CESARE LEONARDI E FRANCESCA STAGI
STIG LINDBERG
VICKE LINDSTRAND
VICO MAGISTRETTI
HENRIK MAGNUSSEN
BRUNO MATHSSON
SERGIO MAZZA
BØRGE MOGENSEN
NIELS O. MØLLER
CARLO NASON
JAAKKO NIEMI
FOLKE OHLSSON
HANS OLSEN
KURT OLSEN
GUNNI OMANN
SVEN PALMQVIST
VERNER PANTON
CHARLOTTE PERRIAND
GIO PONTI
JENS HARALD QUISTGAARD
SIGURD RESSELL
TIMO SARPANEVA
TOBIA SCARPA
FRITS SCHLEGEL
CHRISTER SJOGREN
SVANTE SKOGH
ETTORE SOTTSSAS
CAESAR STOFFI
CARL THORE
OIVA TOIKKA
POUL L. VOLTHER
OLE WANSCHER
HANS J. WEGNER
TAPIO WIRKKALA
JORGE ZALSZUPIN
Index
5
EUROPEAN DESIGN
LOTS 1 – 74
62
SCANDINAVIAN DESIGN
LOTS 75 – 181
144
BRAZILIAN DESIGN
LOTS 182 – 185
EUROPEAN DESIGN
LOTS
1 – 74
FRANCO ALBINI
GUIDO ANDLOVITZ
GAE AULENTI
OSVALDO BORSANI
AUGUSTO BOZZI
HERMAN BUSQUET
LUCIO FONTANA
FOSTER AND PARTNERS
GIANFRANCO FRATTINI
MIKAEL KLAY
JACOB & JOSEPH KOHN
CESARE LEONARDI E FRANCESCA STAGI
VICO MAGISTRETTI
SERGIO MAZZA
CARLO NASON
CHARLOTTE PERRIAND
GIO PONTI
TOBIA SCARPA
ETTORE SOTTSASS
Lot 38
5
1
ITALIAN WORK
Table, 1930's
lacquered wood framework, glass, marble base,
w 220 x d 90 x h 80 cm
€ 4.500 – 5.500
2
JACOB & JOSEPH KOHN
Viennese cabinet, 1900-1910
walnut, bechwood tree, w 85 x d 48 x h 210 cm
Production: Jacob & Joseph Kohn
Marked Jacob & Joseph Kohn Wien on the backside
€ 2.200 – 2.500
6
3
FRENCH WORK
Small table, 1950's
painted iron, black stone, w 90 x d 60 x h 58 cm
To be restored
€ 300 – 350
4
CHARLOTTE PERRIAND
(1903-1999)
Desk lamp, 1930
metal, h 46 cm
Production: JUMO
€ 600 – 800
EUROPEAN DESIGN
7
5
ITALIAN WORK
Six dining chairs, 1950's
solid wood framework, natural upholstery, w 47 x d 51 x h 82 cm
€ 3.000 – 3.500
8
6
ITALIAN WORK
Pair of armchairs from Razionalismo Movement, 1930's
brier-wood, leatherette, w 51 x d 63 x h 91 cm
€ 800 – 1.000
7
ITALIAN WORK
Pair of branded loungechairs “La Riposante”, 1950
lacquered black wooden framework, renewed fabric,
w 79 x d 63 x h 57,5 cm
Production: A Meroni and R. Fossati, licensed Knoll
€ 1.200 – 1.400
EUROPEAN DESIGN
9
FRANCO ALBINI
In the northern outskirts of Milan where the
urban cityscape meets countryside, Franco
Albini developed his neo­rationalist designs
characterized by distinctive lines merged
with Italian traditional craftsman-ship and
new forms of modernism. After high school,
Albini attended the Polytechnic University of
Milan, graduating in 1929. He kicked off his
career as a Gio Ponti professional worker and
employee. Over the years, many of his rattan
designs have become very famous, like the
Margherita and Gala chair, shown today in
the permanent collection of the Museum of
Modern Art (MOMA). Albini won three Compasso d’Oro awards, the most prestigious in
all of Italy, during his career.
Portrait of Franco Albini 1956
8
FRANCO ALBINI
(1905-1977)
Wall lamp, 1969
polished metal, h 120 cm
Production: Sirrah
€ 1.000 – 1.500
10
8
EUROPEAN DESIGN
11
9
10
CARLO NASON (attributed)
CARLO NASON (attributed)
Table lamp, 1960
white matt glass, h 40 cm
Production: Mazzega
Table lamp, 1960
blown glass, polished metal, w 50 x h 50 cm
Production: Mazzega
€ 600 – 800
€ 800 – 900
11
12
CARLO NASON
ITALIAN WORK
Table lamp, 1970
blue and white glass, h 40 cm
Production: Mazzega
Table lamp, 1950
blown glass, metal base, Ø 40 cm
Production: attributed to Mazzega
€ 800 – 900
€ 800 – 850
(1936))
(1936))
12
(1936))
14
ITALIAN WORK
Table lamp, 1950's
metal, Ø 13 x h 28 cm
Production: O Luce
€ 300 – 400
13
ITALIAN WORK
Floor lamp, 1950
blown glass, h 130 cm
Production: attributed to Mazzega
€ 600 – 650
15
ITALIAN WORK
Table lamp, 1950's
glass, brass, wood, d 10 x h 38 cm
€ 200 – 250
EUROPEAN DESIGN
13
16
GUGLIELMO PECORINI (attributed)
Organic desk, 1950's
wood, w 155 x d 60 (right side) x d 100 cm (left side)
€ 1.600 – 1.800
14
17
ITALIAN WORK
Pair of small armchairs, 1950
solid wood, feets in black lacquered iron with brass tips, new
upholstery in wool melange green, w 86 x d 80 x h 86 cm
€ 1.400 – 1.800
EUROPEAN DESIGN
15
OSVALDO BORSANI
Born in Varedo in 1916 in to a family of
furniture makers, Borsani joined the family
business, Atelier Varedo, as a furniture designer. In 1933 he won the silver medal at
the 5th Milan Triennale with his project for
a “Minimal House”. Throughout the 1940s
and early 1950s, Borsani produced a large
body of work including a variety of furniture, cabinets and seating. In 1953, together
with his brother Fulgencio, he founded a
firm called Tecno which became known
for its technology and research­based approach to furniture design. During his long
and successful career, Osvaldo Borsani
always had an approach of deep respect
to the word “design”, involving this discipline a new way of thinking and build. He
created a sort of integrated design system
with the intervention and help of different
knowledges. As stated in 1973, for an
interview to Ottagono Magazine, he believed that “we are not made to work in the
area of the understood and of the certainties, we seek new ways”.
Portrait of Osvaldo Borsani
18
OSVALDO BORSANI
(1911-1985)
Writing desk T95, 1956
rosewood veneer, metal, w 180 x d 80 cm
Production: Tecno
€ 3.800-4.300
16
18
EUROPEAN DESIGN
17
19
OSVALDO BORSANI
(1911-1985)
Sofa P24, 1961
metal, wood, new upholstery, w 225 x d 77 x h 77 cm
Production: Tecno
€ 1.200 – 1.400
18
20
OSVALDO BORSANI
(1911-1985)
Pair of armchair P24, 1961
painted iron, polished wood, new upholstery, w 74 x d 77 x h 77 cm
Production: Tecno
€ 2.800 – 3.600
EUROPEAN DESIGN
19
21
21
OSVALDO BORSANI
(1911-1985)
Writing Desk, 1975
lacquered wood, stainless steel, leather, w 200 x d 100 cm
Production: Tecno
€ 1.500 – 2.500
22
OSVALDO BORSANI
(1911-1985)
Adjustable coat hanger AT16, 1961
polished aluminium, brushed stainless steel, solid beech spheres,
variable dimensions h 270-320 cm
Production: Tecno
€ 3.400 – 4.000
23
OSVALDO BORSANI
(1911-1985)
Armchair P24, 1961
painted iron, polished wooden framework with an original
black leatherette, new upholstery, w 74 x d 77 x h 77 cm
Production: Tecno
€ 1.400 – 1.800
22
20
23
EUROPEAN DESIGN
21
24
OSVALDO BORSANI
(1911-1985)
Bookcase E22 with flap furniture, 1966
rosewood, w 140 x d 49 x h 210 cm
Production: Tecno
€ 2.500 – 2.800
25
OSVALDO BORSANI
(1911-1985)
Shelf, 1975
rosewood, w 300 x d 45 x h 5 cm
Production: Tecno
€ 400 – 700
22
26
OSVALDO BORSANI
(1911-1985)
Pair of armchairs P38, 1950
black and white lacquered wood, leatherette, w 55 x d 53 x h 80 cm
Production: Tecno
€ 1.200 – 1.800
27
EUGENIO GERLI & OSVALDO BORSANI
(1923) & (1911-1985)
Table T69, 1963
black painted aluminium framework, satin stainless steel profile,
Carrara marble, Ø 130 cm
Production: Tecno
€ 800 – 1.500
EUROPEAN DESIGN
23
28
OSVALDO BORSANI
(1911-1985)
Writing desk T95, 1956
chromed-plate steel framework, rosewood, two revolving drawers, w 180 x d 80 cm
Production: Tecno
€ 2.500 – 3.500
29
OSVALDO BORSANI
(1911-1985)
Set of three side tables T1, 1950
chromed-plated steel framework, colored mirrored glass, Ø 26 x h 45 cm
Production: Tecno
€ 4.500 – 6.000
24
29
EUROPEAN DESIGN
25
LUCIO FONTANA
FROM A PRIVATE COLLECTION
At the end of the war Osvaldo Borsani
began to collaborate with renowned
Italian artists such as Lucio Fontana.
Together with Fontana, Borsani realized
the importance of art in furnishing and
interior architecture.
This pair of doors, decorated with bronze
handles enclosed in a refine Baroque inspired design, was created by the great
founder of Spatialism.
Portrait of Lucio Fontana 1968 © Enrico Cattaneo
30
LUCIO FONTANA & OSVALDO BORSANI
(1899-1968) & (1911-1985)
Pair of shutters with handles, 1952
lacquered wood, ash, patinated brass, w 53 x d 3 x h 204 cm
This work is registered at Fondazione Lucio Fontana, Milan, under the number: 3528/2AeB
Provenance: private collection, Milan; private collection Rome
€ 9.000 – 10.000
26
30
31
ITALIAN WORK
Four dining chairs, 1950's
teak, cotton, w 46 x d 57 x h 97 cm
Production: Thonet (Rare version)
€ 1.600 – 1.800
32
ITALIAN WORK
Four dining chairs, 1950
rosewood, w 57 x d 46 x h 97 cm
€ 1.500 – 2.000
28
33
34
33
MAX INGRAND
(1908 - 1969)
Table lamp, 1950
white satin glass, h 54 cm
Production: Fontana Arte
€ 600 – 800
34
ITALIAN WORK
Pair of floor lamps, 1960
glass, chrome-plated steel, h 130 cm
€ 1.200 – 1.400
36
36
MICHAEL KLAY
Table lamp, 1950
metal, 20 cm Ø
Production: Knoll
€ 600 – 700
EUROPEAN DESIGN
29
35
ITALIAN WORK
Bookcase, 1950
solid wood, metal, brass, w 180 x d 35 x h 320 cm
€ 2.600 – 2.800
30
37
ITALIAN WORK
Small sofa, 1950
wood, fabric, w 60 x d 70 x h 180 cm
€ 1.800 – 1.900
38
AUGUSTO BOZZI
(1911-1985)
Pair of armchairs, 1958
metal framework, green Kvadrat fabric,
w 86 x d 86 x h 61 cm
Production: Saporiti
€ 4.000 – 4.500
EUROPEAN DESIGN
31
39
ITALIAN WORK
Bookcase, 1950
metal framework, rosewood veneer, brass, printed crystal, w 176 x d 35 x h 280 cm
€ 1.200 – 1.500
32
40
ITALIAN WORK
Bookcase, 1950
solid wood, metal, brass, w 175 x d 40 x h 290 cm
Production: Bonacina
€ 2.400 – 2.600
EUROPEAN DESIGN
33
GIO PONTI
For the design world Gio Ponti is one of
the most remarkable figures of the 20th
century. A veteran of the first world war,
he was a central figure in Italy's cultural
renaissance of the 1950s. During his long
career, the Milanese architect and designer
designed a wide range of objects destined
for the most diverse settings: lamps, tables,
chairs, kitchen tools, the interiors of transatlantic ships and the sets of theater plays,
churches, university buildings, offices, and
skyscrapers.
Here is a consolle (1964) from the original
furniture of the Hotel Parco dei Principi in
Rome: a piece of true modernity.
Portrait of Gio Ponti 1950's
41
GIO PONTI
(1891-1979)
CONSOLLE, 1964
ash, laminate, brass, w 45 x d 95 x h 75 cm
Production: Giordano Chiesa
Provenance: the lot was originally part of room's furniture of Hotel Parco dei Principi in Rome;
private collection, Rome
The work is provided with certificate of authenticity signed by Lisa Licitra Ponti
Exhibitions: Milan, Galleria Carla Sozzani, 2006; Forte dei Marmi, Villa Bertelli, 2014
€ 12.000 – 15.000
34
41
EUROPEAN DESIGN
35
GIO PONTI
PARCO DEI PRINCIPI, ROME
The historic Hotel Parco dei Principi in
Rome, situated between the Parioli district and the historic Villa Borghese, was
designed in 1964 by Gio Ponti with the
collaboration of the engineer Emanuele
Porzio. Taking the motifs already experienced in Sorrento in the homonymous
Hotel and for the same client (the Neapolitan entrepreneur Roberto Fernandes),
Ponti realized an hotel characterized by
a newly form and functionality, modern
in lines and essential, intended to accommodate a high number of customers. The
project involved the realization of two
hundred rooms in addition to restaurants
and reception areas for over a thousand
people. The common areas were concatenated with one another, creating
uninterrupted visual, with the aid of mirrors that spread the light and widened illusively the environments. The decoration
of the rooms’ and Hotel’s furnitures were
produced by Cassina on special design by
Ponti. The floors inside the rooms were
covered by special ceramic tiles on green,
black and white colors.The structure was
externally covered in travertine and ceramic mosaics in green dominant color.
EUROPEAN DESIGN
37
GIO PONTI E RICHARD GINORI
By 1923, the young Gio Ponti became
art director for the ceramics manufacturer Richard Ginori. Here Ponti fused
the old and the new with his designs
for modern plates with classical motifs,
introducing high standards of quality
control: for him, there was no contradiction between the craft of the artisan
and the industrial process. His ceramics
inspired by Etruscan frescoes and Greek
myth were shown first at the 1923 International Exhibition of Decorative Arts
in Monza. "Industry is the style of the
20th century, its mode of creation," he
wrote - an idea that would define Italian
design of the postwar period.
42
GIO PONTI
(1891-1979)
Vase, 1930's
glazed ceramic, w 20 x d 20 x h 17 cm
model 5800, with decoration mod. 5769,
type 1, 19-T 4 colors on white plate
Production: Richard Ginori
€ 1.400 – 1.800
38
43
GIO PONTI
(1891-1979)
Four chairs, 1950's
wood, w 94 x d 45 x h 45 cm
To be restored
€ 1.400 – 1.900
EUROPEAN DESIGN
39
44
GUIDO ANDLOVITZ
(1900-1971)
Vase Monza
glazed, mirrored ceramic, Ø 28 x h 40 cm
€ 800 – 1.100
45
ITALIAN WORK
Two vases, 1950
ceramic, w 20 x d 12 x h 37 cm, w 12 x d 16 x h 20 cm
Production: Ariele
Limited serial number: 128; marked
€ 500 – 550
40
46
ITALIAN WORK
Floor lamp, 1960
polished metal, h 157 cm
Production: Reggiani
€ 600 – 700
47
SERGIO MAZZA
(1931)
Ceiling lamp Delta grande, 1960
glass, brushed aluminium, Ø 40 x h 36 cm
Production: Artemide
€ 600 – 800
EUROPEAN DESIGN
41
48
ITALIAN WORK
Wall lamp, 1960
polished metal, h 120 cm
Production: Reggiani
€ 600 – 650
49
ITALIAN WORK
Floor lamp, 1960
painted and polished metal, flexible arm, h 110 cm
€ 600 – 650
42
50
ITALIAN WORK
Floor lamp, 1950
polished metal, h 180 cm
€ 600 – 700
EUROPEAN DESIGN
43
GIANFRANCO FRATTINI
After graduating from Milan Polytechnic
with a degree in Architecture in 1953, Gianfranco Frattini joined Gio Ponti's studio.
Collaborating with Cassina, and later with
Arteluce, Artemide, Bernini, Fontana Arte
and Knoll International, Frattini quickly
gained a reputation for the ability to adapt
his designs to the requirements of specific
spaces. In 1956, Frattini co-founded ADI
(Associazione per il Disegno Industriale),
an organisation of manufacturers, designers, academics and associated professionals, whose aim was to help promote,
protect and further the cause of Italian
design. Being a great connoisseur of wood
craftsmanship, Frattini became Internationally renowned for his architectural projects
and interior designs, as well as for his
furniture and lights. His work is on permanent display in the New York Museum of
Modern Art, the Smithsonian Institute, the
Museum of Contemporary Art in Chicago
and in the Museum of Art in Munich.
Portrait of Gianfranco Frattini
51
GIANFRANCO FRATTINI
(1926–2004)
Writing desk 530, 1964
rosewood, w 110 x d 96 x h 70 cm
Production: Bernini
€ 2.500 – 2.800
51
52
GIANFRANCO FRATTINI
(1926–2004)
Coffee table 544, 1960
rosewood, w 72 x d 62 x h 72 cm
Production: Bernini
€ 600 – 800
EUROPEAN DESIGN
45
53
ITALIAN WORK
Abacus, first half 20th century
wood, plastic, w 60 x d 40 x h 154 cm
Production: Antonio Vallardi Editore
€ 380 – 400
54
ITALIAN WORK
Wall lamp, 1960
metal, h 110 cm (max length of extensible arm)
€ 800 – 850
46
55
ITALIAN WORK
Pair of lounge chairs, 1960-1970
cotton, lacquered metal legs, w 72 x d 62 x h 105 cm
€ 2.200 – 2.400
EUROPEAN DESIGN
47
56
CARLO MO
(1923 -2004)
Chair Chip, 1965-1991
black stained oak, steel, w 45,5 x d 92 x h 17 cm
Production: Tecno (limited edition)
€ 1.000 – 1.800
57
CARLO MO
(1923 -2004)
Chair Chip, 1965-1991
black stained oak, steel, w 45,5 x d 92 x h 17 cm
Production: Tecno (limited edition)
€ 1.000 – 1.800
48
58
FLAVIO POLI
(1900 - 1984)
Series of three sconces, 1970
crystal, lacquered steel, Ø 22 cm
Production: Seguso
€ 900 – 1.200
59
HERMAN BUSQUET
(1914)
Floor lamp, 1970's
polished and brown lacquered metal, h 120 cm
€ 700 – 900
EUROPEAN DESIGN
49
60
CESARE LEONARDI & FRANCESCA STAGI
(1935)
Floor lamo Molla, 1973
polished metal, h 320 cm
Production: Lumenform
€ 800 – 850
61
TOBIA SCARPA
(1935)
Pair of table lamps Jucker, 1963
white lacquered metal, h 22 x Ø 18 cm
Production: Flos
€ 400 – 500
50
62
VICO MAGISTRETTI
Table lamp, 1969
white methacrylate, w 22 x h 77 cm
Production: Artemide
€ 300 – 350
63
ITALIAN WORK
Telescopic ceiling lamp, 1970's
lacquered metal, amplifier in white methacrylate, Ø 20 x h 103 (min)-158 (max) cm
Marked on the inside
Production: Egoluce
€ 350 – 400
EUROPEAN DESIGN
51
ETTORE SOTTSASS
Founder of the Memphis Group, creator
of radical social housing projects and the
iconic bright red Valentine typewriter,
Ettore Sottsass is one of the great designers of the twentieth century. Born
in Innsbruck in 1917, Sottsass studied
architecture in Turin, Italy, and opened
his first studio in Milan in 1947, where
he concentrated mainly on architectural
and design projects. He worked as a design consultant for Olivetti from 1958 to
1980, creating the Elea 9003 calculator
and the popular portable red typewriter,
released on Valentine’s Day in 1969. His
role of fundamental innovator of the
language of contemporary design was
recognized on an international level from
the early 1960s onward, with his participation in individual and collective exhibitions in the most prestigious museums.
Portrait of Ettore Sottsass
“With my work in the end I try to be the least modern
possible, and as timeless and spaceless as possible to
get people to acknowledge the presence of objects.”
(Sottsass, 1964)
52
For two series in the late 1960s—Tantra, 1968, and Yantra, 1969—Sottsass
looked to Hindu spiritualism for inspiration, translating tantric diagrams into
ceramic vessels. Rendered in three dimensions, the concentric circles and
triangles echo the steps of a ziggurat, or the radiating, reverberating forms
of art deco.
64
ETTORE SOTTSASS
(1917-2007)
Vase Yantra Y28, 1969
glazed ceramic, Ø 50 x h 50 cm
Production: Bitossi
Signed on the bottom
€ 1.200 – 1.250
65
ETTORE SOTTSASS
(1917-2007)
Vase Yantra Y15, 1969
glazed ceramic, w 25 x h 65 cm
Production: Bitossi
Signed on the bottom
€ 800 – 1.000
EUROPEAN DESIGN
53
66
ETTORE SOTTSASS
(1917-2007)
Vase Yantra Y31, 1969
glazed ceramic, w 50 x h 50 cm
Production: Bitossi
Signed on the bottom
€ 800 – 1.000
The "Fischietto" series began in 1962 in very limited quantities. Remarkably
minimal and distinctive examples from "Fischietto" appeared in "Domus"
several times in the early 1960's. These later versions have a similar but softer
form and was only created in sky blue with navy trim. An impressive, charming
and affordable example of Sottsass' post-Memphis work.
67
ETTORE SOTTSASS
(1917-2007)
Ceramiche a fischietto, set of two ceramic vases, 1990
ceramic, h 40 cm, h 14 cm
Production: Special edition of Habitat
€ 300 – 350
54
68
69
ITALIAN WORK
ITALIAN WORK
Industrial plate, first half 20th century
stained wood, 35 x h 60 cm
Industrial plate, first half 20th century
stained wood, 35 x h 60 cm
€ 180 – 200
€ 180 – 200
70
71
ITALIAN WORK
ITALIAN WORK
Vase, 1980
glazed ceramic, Ø 30 x h 30 cm
Production: Cappellini
Marked
Vase, 1980
ceramic, Ø 10 x h 70 cm
Production: Habitat
€ 200 – 250
€ 200 – 250
EUROPEAN DESIGN
55
GAE AULENTI
Gae Aulenti graduated in 1953 from the
Politecnico di Milano, and from 1955 to
1965 began to work on the editorial team
of Casabella-Continuità, under Ernesto
Rogers. Since 1956 she has had her own
practice in Milan; where her work includes
architectural design, interior and industrial design, and stage design. The natural
rattan Tlinkit armchair (1991) marked the
beginning of the cooperation between the
Milan's architect and Tecno. It can be integrated perfectly in the home or even the
most modern executive offices.
Portrait of Gae Aulenti 1991 © Archivio Gae Aulenti
72
GAE AULENTI
(1927-2012)
Set of four small armchairs TLINKIT, 1991
natural rattan, natural color, 60 x 68 x 64 cm
Production: Tecno
€ 3.000 – 4.000
56
72
EUROPEAN DESIGN
57
73
GAE AULENTI
(1927-2012)
Set of four small armchairs TLINKIT, 1991
natural rattan, red color, 60 x 68 x 64 cm
Production: Tecno
€ 3.000 – 4.000
58
74
FOSTER AND PARTNERS
(1967)
Table NOMOS, 1987
steel, glass, w 220 x d 100 x h 65 / 72 cm
Limited serial number: 0381/2000
Production: Tecno
€ 2.500 – 2.800
EUROPEAN DESIGN
59
SCANDINAVIAN DESIGN
LOTS
75 – 181
ALVAR AALTO
BRUNO MATHSSON
JOHANNES ANDERSEN
BØRGE MOGENSEN
INGE ANDERSSON
NIELS O. MØLLER
IVAR ALENIUS-BJÖRK
JAAKKO NIEMI
ILLUMS BOLIGHUS
FOLKE OHLSSON
JO HAMMERBORG
HANS OLSEN
SEVERIN HANSEN
KURT OLSEN
POUL HENNINGSEN
GUNNI OMANN
PETER HVIDT & ORLA MØLGAARD-NIELSEN
SVEN PALMQVIST
ADAM JABLONSKI
VERNER PANTON
ARNE JACOBSEN
JENS HARALD QUISTGAARD
HANS-AGNE JAKOBSSON
SIGURD RESSELL
GRETE JALK
TIMO SARPANEVA
GEORG ARTHUR JENSEN
FRITS SCHLEGEL
HELLA JONGERIUS
CHRISTER SJOGREN
FINN JUHL
SVANTE SKOGH
FREDERIK KAYSER
CAESAR STOFFI
JEAN BORIS LACROIX
CARL THORE
TOVE & EDVARD KINDT-LARSEN
OIVA TOIKKA
ALBERT LARSSON
POUL L. VOLTHER
STIG LINDBERG
OLE WANSCHER
VICKE LINDSTRAND
ANS J. WEGNER
HENRIK MAGNUSSEN
TAPIO WIRKKALA
Lot 92
61
ALVAR AALTO
An eloquent humanist, as well as one
of the great architects and designers of
the 20th century, Alvar Aalto breathed
life and warmth into modernism, placing
emphasis on "organic" geometry. Using
native birch wood and plywood and his
own new bentwood techniques, Aalto
created his classic Lounge Chair, the curvilinear Wood Screen designed for the Finnish Pavilion and his iconic stacking stool.
This piece represents his virtuosity with
form and structure and firmly established
Aalto's genius and fluency with wood.
Portrait of Alvar Aalto
75
ALVAR AALTO
(1898-1976)
Armchair, 1935
bent birch wood, fabric straps, w 85 x d 58 x h 64 cm
Production: Artek
€ 600 – 650
62
75
SCANDINAVIAN DESIGN
63
76
77
76
77
ALVAR AALTO
ALVAR AALTO
Vase Savoy, 1960
glass, w 18 x h 16 cm
Production: Iittala
Signed at the bottom
Two bowls, 1960
glass, h 18 cm
Production: Iittala
€ 300 – 350
€ 200 – 250
(1898-1976)
64
(1898-1976)
78
ALVAR AALTO
(1898-1976)
Vase, 1960
glass, w 10 x h 25 cm
Production: Iittala
€ 300 – 350
SCANDINAVIAN DESIGN
65
79
79
PETER HVIDT & ORLA MØLGAARD-NIELSEN
(1916-1986) & (1907-1993)
Side Table AX, 1940
teak, w 109 x d 48 x h 43 cm
Production: Fritz Hansen
€ 800 – 1.000
80
GEORG ARTHUR JENSEN 1866-1935
(1917-1982)
Rocking chair, 1958
teak framework, reupholstered in red-orange Kvadrat, w 60 x d 70 x h 78 cm
Production: Barrels Møbelværk
€ 1.000 – 1.200
66
80
SCANDINAVIAN DESIGN
67
81
JAAKKO NIEMI
Vase, 1940
blue and clear glass vase, h 20 cm
Production: Nuutajarvi Notsjo
Restored
€ 120 – 130
82
IVAR ALENIUS-BJÖRK
(1905-1978)
A series of three candle holders, 1950
Set of three candle holders, brass l 22 x h 12 cm
Production: Ystad Metall
Marked under the basis
€ 400 – 450
68
83
DANISH WORK
Entrance cabinet, 1950
wood, w 120 x d 43 x h 65 cm
€ 600 – 700
SCANDINAVIAN DESIGN
69
84
SWEDISH WORK
Floor lamp, 1950
brass, painted glass, h 140 cm
€ 700 – 900
85
SWEDISH WORK
Series of three wall lamp, 1950
brass, h 60 cm
Production: Bergboms
€ 1.500 – 1.800
70
86
FRITS SCHLEGEL
(1896-1965)
Ceiling lamp
brass with lifting lugs, Ø 43,5 cm
Production: Fog & Mørup
€ 600 – 800
87
HANS-AGNE JAKOBSSON
(1919-2009)
Pair of ceiling lamp, 1960
brass, Ø 11 x h 20 cm
Production: Markaryd
€ 600 – 800
SCANDINAVIAN DESIGN
71
88
SWEDISH WORK
Table lamp, 1950
silver metal, h 38 cm
€ 600 – 800
89
90
STIG LINDBERG
STIG LINDBERG
Veckla Organic Form , 1950
glazed ceramic, w 20,5 cm
Marked
Objects, 2010
ceramic, h 20 cm
Signed: Stig L 21/8/1975
€ 200 – 250
€ 600 – 650
(1916-1982)
72
(1916-1982)
91
VICKE LINDSTRAND
(1904-1983)
Kosta LH 1404, 1950
glass vase, h 23 cm
Signed: Kosta LH 1404
Production: Kosta
€ 300 – 350
92
VICKE LINDSTRAND
(1904-1983)
Vase, 1950
glass, h 14,5 cm
Signed and numbered
Production: Kosta
€ 300 – 350
SCANDINAVIAN DESIGN
73
93
JEAN BORIS LACROIX
(1902-1984)
Desk lamp, 1950
brass, black aluminium, w 44 x h 38 cm
Production: Boris Lacroix
€ 600 – 800
94
DANISH WORK
Table lamp, 1950
metal, wood veneer, h 46 cm
€ 400 – 450
74
95
DANISH WORK
Ceiling lamp
four curved metal plates, Ø 38 x h 24 cm
Production: Solar
€ 500 – 700
SCANDINAVIAN DESIGN
75
96
JOHANNES ANDERSEN
(1903–1991)
Six dining chairs, 1950
teak, grey fabric, new upholstery, w 50 x d 47 x h 98 cm
Production: Uldum Mobelfabrik
€ 3.600 – 4.000
97
JOHANNES ANDERSEN
(1903–1991)
Dining table, 1950
teak with two side flaps, 170 x 80 x 74 cm, 260 x 80 x 74 cm
€ 1.400 – 1.600
76
98
JOHANNES ANDERSEN
(1903–1991)
Coffee table, 1960
teak with pullout extension on one side and one drawer on the other side,
w 160 x d 63 x h 51 cm
Production: Jason Ringsted
€ 1.200 – 1.300
SCANDINAVIAN DESIGN
77
99
JOHANNES ANDERSEN
(1903–1991)
Curved coffee table, 1950
teak, w 160 x d 70 x h 54 cm
Production: Trensum
€ 1.200 – 1.500
78
100
JOHANNES ANDERSEN
(1903–1991)
Round coffee table, 1962
teak, Ø 100 x h 50 cm
Production: Silkeborg
€ 1.200 – 1.300
SCANDINAVIAN DESIGN
79
101
JOHANNES ANDERSEN
(1903–1991)
Coffee table, 1960
rosewood, trapezoid shape with curved edges and angled legs,
w 150 x d 70 x h 54 cm
Production: CFC Silkeborg
€ 1.200 – 1.500
102
KURT OLSEN
High back armchair,1951
teak, green wool upholstery, w 68 x d 80 x h 103 cm
Production: A. Andersen
€ 1.100 – 1.200
80
103
JOHANNES ANDERSEN
(1903–1991)
Coffee table, 1950
teak with side drawers, w 160 x d 60 x h 50 cm
Production: Uldum Mobelfabrik
€ 1.200 – 1.300
SCANDINAVIAN DESIGN
81
TAPIO WIRKKALA
Tapio Wirkkala can be described as one
of the icons of Finnish design, and as a
symbol of the international success of
postwar Finnish design. As a sculptor and
woodcarver, Wirkkala's designs for glass,
ceramics and metal all reflect his passion
for the natural forms of the harsh landscape of his native Finland. The 'Kantarelli'
vase takes its name and shape from the
chanterelle mushroom. It is one of the
great pieces of Scandinavian design and
won the prestigious Grand Prix at the
Milan Triennale exhibition in 1951. This
piece is one of the first of two numbered
series of 50 vases made by the Finnish
Iittala glassworks (controllare il nostro
numero di serie) The factory later made
some un- numbered runs and other variations on the design.
“Rings, rings and rhytms. Whirls in a flow. Ever
again – and a feeling of something, itself reflected
and making reflected images. The movement of
light – a moment that has passed. Already gone.”
(Tappio Wirkkala)
Portrait of Tapio Wirkkala 1959
104
TAPIO WIRKKALA
(1915-1985)
Set of two vases Kantarelli, 1950
blown glass, h 9 cm
Production: Iittala
Signed on the bottom
€ 500 – 550
82
104
105
TAPIO WIRKKALA
(1915-1985)
Vase, 1950
blown glass, h 9 cm
Production: Iittala
€ 300 – 350
SCANDINAVIAN DESIGN
83
106
107
TIMO SARPANEVA
TIMO SARPANEVA
Orkide, 1950
glass sculpture, h 28 cm
Production: Iittala
Bottle, 1950
blown glass, h 18 cm
Production: Iittala
€ 300 – 350
€ 300 – 350
108
109
TIMO SARPANEVA
TIMO SARPANEVA
Round bottle, 1950
green glass, h 16 cm
Production: Iittala
Round bottle, 1950
purple glass, h 16 cm
Production: Iittala
€ 300 – 350
€ 300 – 350
(1926-2006)
(1926-2006)
84
(1926-2006)
(1926-2006)
110
111
TIMO SARPANEVA
TIMO SARPANEVA & TAPIO WIRKKALA
Set of six glasses and one pitcher, 1950
glass, h 29 cm (pitcher), h 10 cm (glasses)
Production: Iittala
Set of two jugs and six glasses, 1950
colored glass, h 29 cm, h 17,5 cm
Production: Iittala
€ 500 – 600
€ 300 – 350
112
113
TAPIO WIRKKALA
TIMO SARPANEVA
Set of eight dessert bowls, 1950
green and blue glass, 13 cm Ø
Production: Iittala
Set of one serving bowl and six dessert bowls, 1958
glass, 10x22 cm, Ø 22 x h 10 cm, Ø 10 x h 4 cm
€ 250 – 300
€ 300 – 350
(1926-2006)
(1915-1985)
(1926-2006) & (1915-1985)
(1926-2006)
SCANDINAVIAN DESIGN
85
114
TAPIO WIRKKALA
(1915-1985)
Set of two ceramics Pollo, 1960
ceramic, w 12 cm
Production: Rosenthal
Marked
€ 300 – 350
115
TAPIO WIRKKALA
(1915-1985)
Set of six tall glasses and one pitcher, 1960's
glass, h 18 cm, h 24,5 cm
Production: Iittala
€ 300 – 350
86
116
117
TIMO SARPANEVA
TIMO SARPANEVA
(1926-2006)
(1926-2006)
Candle holders Festivo, 1966
blown glass, h 18 cm
Production: Iittala
Signed
Set of two candle holders Festivo, 1966
blow glass, h 18 cm, h 32 cm
Production: Iittala
Signed
€ 200 – 250
€ 300 – 400
118
CHRISTER SJOGREN
(1906-2008)
Rectangular sculpture, 1950
glass, w 10 x h 21 cm
Production: Linshammar
Signed
€ 200 – 250
SCANDINAVIAN DESIGN
87
119
SVEN PALMQVIST
(1906-1984)
Vase, 1950
glass, h 14,5 cm
Production: Orrefors
Serial number: 468-68; marked with author's
and producer's name under the basis
€ 400 – 450
88
120
SVEN PALMQVIST
(1906-1984)
Vase PU3611, 1950
green glass, h 24 cm
Production: Orrefors
€ 200 – 250
SCANDINAVIAN DESIGN
89
121
POUL L. VOLTHER
(1923-2001)
Armchair J55, 1950
teak, fabric, w 66 x d 70 X h 56 cm
Production: France and Daverkose
€ 600 – 650
90
122
ARNE JACOBSEN
(1902-1971)
Four chairs ANT, 1952
chrome-plated steel framework, seat in curved wood, painted black,
w 44 x d 52 x h 77 cm
Production: Fritz Hansen
To be restored
€ 400 – 600
123
POUL L. VOLTHER (attributed)
(1923-2001)
Armchair, 1950
teak, fabric, w 60 x d 62 x h 68 cm
Production: Gemla
€ 600 – 650
SCANDINAVIAN DESIGN
91
124
GRETE JALK
(1920-2006)
Lounge chair 118, 1950
teak, light green wool cushions, w 78 x d 78 x h 76 cm
Production: France & Søn
€ 800 – 850
92
125
BØRGE MOGENSEN
(1914–1972)
Coffee table 264, 1950
teak with raised edges, w 182 x d 56 x h 46 cm
Production: Fredericia Furniture
€ 1.200 – 1.300
SCANDINAVIAN DESIGN
93
126
OLE WANSCHER
(1903-1985)
Sofa
teak, natural fabric, new upholstery, w 135 x d 80 x h 80 cm
Production: France and Daverkosen
€ 1.400 – 1.500
94
127
OLE WANSCHER
(1903-1985)
Rocking chair, 1953
teak, natural fabric, w 62 x d 69 x h 75 cm
Production: France and Daverkosen
Marked on metal tag
€ 1.200 – 1.400
SCANDINAVIAN DESIGN
95
HANS J. WEGNER
Hans J. Wegner was one of the most
renowned protagonists of the Modern
Danish Design that today is widely recognized for its characteristics of elegance,
functionality and predilection of organic
forms. In the organic design the forms
come from the essence of the materials
and their connection to the landscape.
Born in the South of Denmark, at the
age of twenty Hans J. Wegner moved to
Copenhagen to attend the School of Arts
and Crafts, where he studied from 1936
to 1938 before embarking on a career as
an architect. One of his first project was,
in 1940, the design of furniture for the
new City Hall in Aarhus together with
Arne Jacobsen and Erik Møller. In 1943
he opened his own drawing studio soon
becoming famous for his passion in designing chairs most of them, such as some
produced for Carl Hansen & Søn's, are
today truly iconic. Creative and extremely
productive, Hans J. Wegner received the
Lunning Prize in 1951 and The 8th International Design Award in 1997. His furnitures are today part of the collections of
the world's major design museums.
Portrait of Hans J. Wegner
128
HANS J. WEGNER
(1914–2007)
Pair of lounge chairs GE-375, 1953
oak framework, cushions upholstered in brown leather,
w 95 x d 86 x h 100 cm
Production: Getama
€ 2.800 – 3.200
96
128
SCANDINAVIAN DESIGN
97
129
HANS J. WEGNER
(1914–2007)
Four chairs, 1950
teak, w 45 x d 51 x h 76cm
Production: Carl Hansen & Son
€ 3.000 – 3.500
130
HANS J. WEGNER
(1914–2007)
Rectangular coffee table, 1950
teak, rattan woven underlying shelf,
w 160 x d 50 x h 50 cm
Production: Andreas Tuck
Marked with author's and producer's
name
€ 1.200 – 1.300
131
BRUNO MATHSSON
(1907-1988)
Coffee table Annika, 1960
wood, Ø 95 x h 56 cm
Production: Dux
€ 900 – 1.000
SCANDINAVIAN DESIGN
99
132
BRUNO MATHSSON
(1907-19889)
Pair of lounge chairs Pernilla, 1950
teak,birch wood, Kvadrat fabric, canvas, w 75 x d 80 x h 98 cm
Production: Dux
Marked
€ 2.400 – 2.600
100
SCANDINAVIAN DESIGN
101
133
DANISH WORK
Bookcase, 1950
rosewood, w 200 x d 32 x h 132 cm
€ 1.600 – 2.100
134
JENS HARALD QUISTGAARD
(1919-2008)
Ice bucket 810H, 1950
teak, h 39 cm
Production: Nissen
Signed
€ 300 – 350
102
135
ALBERT LARSSON
(1869-1952)
Two round tables, 1952
teak and copper, teak and steel, Ø 40 x h 44 cm
Production: Alberts Tibro
€ 800 – 1.200
SCANDINAVIAN DESIGN
103
FINN JUHL
Finn Juhl was architect, interior and
industrial designer, most known for
his design works. With Arne Jacobsen,
Hans Wegner, Borge Mogensen and
Poul Kjaerholm introduced the 1940s,
Danish modern to America. Influenced
by the abstract sculptor Jean Arp and
tribal art, in 1953 Juhl designed Model
137 that also called the Japanese Model as inspired by Miajima water gate
off the coast of Hiroshima.
Portrait of Finn Juhl © House of FinnJuhl™
136
FINN JUHL
(1912-1989)
Pair of lounge chairs Japan 137, 1953
teak, fabric, w 60 x d 60 x h 74 cm
Production: France & Son
Marked on metal tag
Exhibitions: Osaka, 1990
€ 3.600 – 4.000
136
SCANDINAVIAN DESIGN
105
137
FINN JUHL
(1912-1989)
Chair 138, 1961
teak, fabric, w 74 x d 71 x h 76 cm
Production: France & Son
Exhibitions: Osaka, 1990
€ 3.600 – 4.000
106
138
SWEDISH WORK
Sideboard, 1960
teak with two doors and drawers, w 170 x d 45 x h 81 cm
€ 1.400 – 1.500
SCANDINAVIAN DESIGN
107
139
SWEDISH WORK
Sideboard, 1960
teak, w 164 x d 46 x h 70 cm
Production: Ulferts of Tibro
€ 1.200 – 1.400
108
140
INGE ANDERSSON
Pair of Domus armchairs, 1950
teak, corduroy, w 62 x d 69 x h 68 cm
Production: Broderna Andersson
€ 1.600 – 1.800
SCANDINAVIAN DESIGN
109
141
141
142
TOVE & EDVARD KINDT-LARSEN
NIELS O. MØLLER
Pair of armchair 117, 1950
teak, fabric, w 62 x d 69 x h 75 cm
Production: France and Daverkosen
Marked on metal tag
Four dining chair, 1960
teak, natural cord, w 50 x d 48 x h 73 cm
Production: JL Miller's Furniture
Marked with author's and producer's name
€ 2.400 – 3.000
€ 2.400 – 2.800
(1903-1985)
110
(1920-1982)
142
143
143
144
SVANTE SKOGH
FOLKE OHLSSON
Coffee table, 1960's
rosewood, w 154 x d 56 x h 49 cm
Production: SMI
Pair of lounge chairs, 1960's
teak, fabric, w 63 x d 66 x h 59 cm
Production: Dux
€ 1.200 – 1.300
€ 1.800 – 2.200
112
144
SCANDINAVIAN DESIGN
113
JO HAMMERBORG AND FOG & MØRUP
In 1957 Hammerborg became head of design at Fog & Mørup. His incumbency in
this role was to prove the most successful
period in the company’s 80­year history as
he introduced a new modernist aesthetic,
imposed a unified style of branding and
introduced stringent new standards for
the company’s output. From the smallest
components making up the lamps to their
labelling, packaging, advertising and showroom display, every facet of the business
came under Hammerborg’s exacting eye
for form and detail. Jo Hammerborg was a
prolific designer, personally creating around
100 lamps, and also collaborated with other
designers in adapting their designs to meet
F&M’s new production requirements. His
lighting designs for Fog & Mørup won numerous prizes, amongst them a CICi first
prize in 1965 for the Nova and four iF Product Design Awards in 1969 for the Classic,
Tunika, Saturn and Diskos.
Portrait of Jo Hammerborg
145
JO HAMMERBORG
(1920-1982)
Pendant lamp Saturn, 1960
pink copper, Ø 30 x h 18 cm
Production: Fog & Mørup
€ 500 – 600
145
146
JO HAMMERBORG
(1920-1982)
Pendant lamp Saturn, 1960
copper, painted metal, Ø 32 x h 22 cm
Production: Fog & Mørup
€ 600 – 800
147
JO HAMMERBORG
(1920-1982)
Pendant lamp Saturn, 1960
copper, painted metal, Ø 32 x h 22 cm
Production: Fog & Mørup
€ 600 – 800
116
148
JO HAMMERBORG
(1920-1982)
Pair of pendant lamps Saturn, 1960
copper, painted metal, Ø 41 cm x h 12 cm
Production: Fog & Mørup
€ 1.200 – 1.600
SCANDINAVIAN DESIGN
117
149
JO HAMMERBORG
(1920-1982)
Pendant lamp Kastor,1960
brass, Ø 32 x h 37
€ 600 – 800
150
JO HAMMERBORG
(1920-1982)
Pair of pendant lamps Major Orient, 1960
cooper, teak, Ø 38 x h 37 cm
Production: Fog & Mørup
€ 1.200 – 1.600
151
JO HAMMERBORG
(1920-1982)
Pendant lamp Major Orient, 1960
aluminium, wood, Ø 34 x h 37 cm
Production: Fog & Mørup
€ 500 – 700
SCANDINAVIAN DESIGN
119
152
JO HAMMERBORG
(1920-1982)
Series of four pendant lamps Diskos, 1960
polished aluminium, Ø 47 x h 11 cm
Production: Fog & Mørup
€ 1.200 – 1.500
153
JO HAMMERBORG
(1920-1982)
Series of four pendant lamps Corona, 1960
polished metal, Ø 23 x h 45 cm
€ 1.600 – 1.900
120
154
JO HAMMERBORG
(1920-1982)
Ceiling light, 1960
silver metal, 24 cm Ø
Production: Fog & Mørup
€ 300 – 400
SCANDINAVIAN DESIGN
121
155
JO HAMMERBORG
(1920-1982)
Floor lamp Trombone, 1957
brushed aluminium, h 136 cm
Production: Fog & Mørup
€ 600 – 900
156
JO HAMMERBORG
(1920-1982)
Pendant lamp Studio, 1960
silver metal, h 119 cm
Production: Fog & Mørup
€ 600 – 900
122
157
DANISH WORK
Pair of desk lamps, 1970's
polished metal, h 50 cm
€ 800 – 1.200
158
VERNER PANTON
(1926-1998)
Pair of pendant lamps Topan, 1959
polished metal, h 21 cm
Production: Louis Poulsen
€ 600 – 1.000
SCANDINAVIAN DESIGN
123
159
159
160
SWEDISH WORK
SWEDISH WORK
Pair of armchairs, 1960
teak, fabric, w 65 x d 72 x h 85 cm
Pair of armchairs, 1960
teak, fabric, w 65 x d 72 x h 85 cm
€ 1.200 – 1.400
€ 1.400 – 1.600
124
161
SWEDISH WORK
Sideboard with sliding doors and five drawers, 1960
teak, w 164 x d 45 x h 77 cm
€ 1.400 – 1.600
SCANDINAVIAN DESIGN
125
162
DANISH WORK
High cabinet with drawers, 1960
teak, w 88 x d 43 x h 127 cm
Production: Orum Furniture
€ 1.100 – 1.400
126
163
HANS OLSEN
(1919-1992)
Couple of chair, 1960
teak, fabric, w 60 x d 60 x h 74 cm
€ 1.600 – 1.700
164
SEVERIN HANSEN
Square coffee table, 1960
rosewood, w 70 x d 74 x h 50 cm
Production: Haslev Møbelsnedker
Serial number: 110/7247;
Marked
€ 900 – 1.000
SCANDINAVIAN DESIGN
127
165
SWEDISH WORK
Floor lamp, 1950
brass, h 127 cm
Production: Bergboms
€ 900 – 1.100
166
OIVA TOIKKA
(1931)
Object, 1960
glass, w 17 cm
Production: Nuutajarvi Notsjo
Marked with designer's and producer' name
€ 300 – 350
128
167
GUNNI OMANN
High bar table with three drawers and mirrors applied in the inside cabinet, 1960
rosewood, w 90 x d 54 x h 121 cm
Production: Omann Jun Mobelfabrik
€ 500 – 800
SCANDINAVIAN DESIGN
129
168
CARL THORE
(1916-unknown)
Pendant lamp Thore, 1960
copper, Ø 25 x h 25 cm
Production: Granhaga
€ 400 – 500
169
CARL THORE
(1916-unknown)
Pendant lamp Trava, 1960
polished brass, painted
metal, Ø 25 x h 25 cm
Production: Granhaga
€ 300 – 500
130
170
CARL THORE
(1916-unknown)
Pendant lamp Trava, 1960
polished brass, painted metal, Ø 35 x h 18 cm
€ 400 – 600
SCANDINAVIAN DESIGN
131
171
DANISH WORK
Pair of high cabinets with drawers, 1960
teak, w 108 x d 46 x h 198 cm
Production: Danish furniture manufacturer
€ 1.600 – 2.000
132
172
POUL HENNINGSEN
Pendant lamp Charlottenborg, 1979
four shades of white painted metal, 65 cm Ø
Production: Louis Poulsen
€ 800 – 1.000
SCANDINAVIAN DESIGN
133
173
FREDERIK KAYSER
(1924-2009)
Armchair, 1960
teak, fabric, w 68 x d 70 x h 68 cm
Production: Vatne
€ 600 – 650
134
174
SWEDISH WORK
Large sideboard, 1960
light wood veneer, w 235 x d 45 x h 77 cm
€ 1.600 – 1.800
SCANDINAVIAN DESIGN
135
175
CAESAR STOFFI
Modular candlesticks in 13 pieces, 1965
stainless steel, w 8 x d 8 x h 6 cm each
Production: Fritz Nagel
Label of the producer
€ 650 – 700
176
CAESAR STOFFI
Modular candlesticks in 13 pieces, 1965
stainless steel, w 8 x d 8 x h 6 cm each
Production: Fritz Nagel
Label of the producer
€ 650 – 700
136
177
ILLUMS BOLIGHUS
Set of three Danish vases "Almost tall Enough", 1970
hand blown glass
Ø 19 x h 46 cm
Ø 8 x h 72 cm
Ø 15 x h 94 cm
Production: Illums Bollighus
€ 1.200 – 1.500
178
HELLA JONGERIUS
(1963)
Vase M18 (from the "Coloured vases" serie), 2007
porcelain, lacquered spray paint, w 16 x h 41 cm
Production: Royal Tichelaar Makkum
Signed
€ 300 – 350
SCANDINAVIAN DESIGN
137
179
ADAM JABLONSKI
(1922-1973)
Unique piece, 1980
lead crystal, color inserts, w 30 x h 28 cm
Signed
€ 300 – 500
180
HENRIK MAGNUSSEN
(1940)
Coffee set EM77, 1977
stainless steel, 10x30 cm, 10x5,5cm
Production: Stelton
Marked
€ 300 – 350
138
181
SIGURD RESSELL
(1920-2010)
Pair of armchairs, 1974
brown leather, rosewood, w 76 x d 71 x h 80 cm
Production: Vatne
€ 1.400 – 1.500
SCANDINAVIAN DESIGN
139
BRAZILIAN DESIGN
LOTS
182 – 185
JORGE ZALSZUPIN
Lot 182
141
JORGE ZALSZUPIN
The Polish born Jorge Zalszupin moved to
Brazil after World War II, where he found
an opportunity to develop his extremely
sensual and modern form of architecture.
With graceful lines, a strong use of local
woods with a combination of impeccable
woodworking skills and the classical marks
for details is what Zalszupin’s furniture
became known for. A significant part
of Zalszupin's furniture production is attributed to his architecture. He used new
design language and tendencies, while
maintaining a functional view of ambience
for internal spaces. The need to create a
successful harmony between architecture
and his furniture was the reason behind
establishing his own company L'Atelier, a
design collective, comprised of architects,
engineers and craftsmen. Zalszupin’s furniture designs are characterized by both
geometric lines and organic shapes combined with well­defined proportions, graceful lines and classical detailing. The quality
of his furniture has transcended time, and
his pieces became timeless.
Portrait of Jorge Zalszupin
182
JORGE ZALSZUPIN (attributed)
(1922)
Sofa, 1960's
jacaranda wood, restored and reupholstered fabric,
w 167 x d 86 x h 77 cm
Production: L’Atelier (attributed)
€ 3.500 – 4.000
142
182
183
JORGE ZALSZUPIN
(1922)
Pair of chairs, 1960's
metal, leather, w 60 x d 50 x h 75 cm
Production: L’Atelier
€7.000 – 9.000
144
183
BRAZILIAN DESIGN
145
184
184
BRAZILIAN WORK
Dining table, 1960's
jacaranda wood, w 200 x d 100 x h 76 cm
€ 4.000 – 5.000
185
BRAZILIAN WORK
Pair of armchairs, 1960's
jacaranda wood, velvet, w 55 x d 55 x h 75 cm
€ 4.000 – 5.000
146
185
BRAZILIAN DESIGN
147
VERKAUFS- UND KAUFBEDINGUNGEN
VERSTEIGERUNGSOBJEKTE
1. Die Beschreibung sämtlicher im Katalog vorgestellter Objekte beinhaltet folgende Angaben:
Name des Künstlers, Titel, Technik, Maße (Höhe
–Breite) sowie auch eventuelle Schäden oder am
Werk durchgeführte Restaurierungen. Bei der
Beschreibungen wird die vom Sachverständigen
als Orientierungshilfe angenommene Preisspanne, innerhalb derer von ihm das Meistbot
erwartet wird, angegeben. In der Regel können
Angebote beim unteren Schätzwert beginnen.
Dieser entspricht somit dem Ausrufpreis und
zugleich dem Mindestverkaufspreis.
VERKAUFSBEDINGUNGEN
2. Der Zuschlag erfolgt an den Meistbietenden,
es sei denn, mit dem Verkäufer des Loses wurde ein Mindestverkaufspreis (Verkäuferlimit)
vereinbart. Der Käufer ist verpflichtet, den
Kaufpreis unmittelbar nach Zuschlag bar zu bezahlen. Zwischen der Auktionsleitung und dem
Ersteher, insbesondere wenn es sich dabei um
Museen und öffentliche Institutionen handelt,
können abweichende Zahlungsbedingungen
vereinbart werden, dies jedoch nur nach vorheriger Absprache.
3. Der Auktion geht eine Ausstellung der
Werke voraus. Während dieser Ausstellung
stehen Ihnen Organisatoren und Experten zur
Beantwortung eventueller Fragen bezüglich
des Zustandes und der Qualität der Objekte zur
Verfügung.
4. Interessenten, denen eine Besichtigung der
Objekte während der Ausstellungsdauer nicht
möglich ist, erhalten ausführlichere Informationen auch telefonisch. Es besteht überdies die
Möglichkeit, ausführliche Werkbeschreibungen
anzufordern. Nach erfolgtem Zuschlag ist jede
Reklamation seitens des Käufers gesetzlich ausgeschlossen, auch wenn bei der Erstellung des
Kataloges ein Fehler unterlaufen sein sollte.
5. Im Laufe der Auktion ist der Auktionator berechtigt, die Versteigerung abweichend von der
Reihenfolge der Katalognummern vorzunehmen
bzw. Lose zu trennen oder zu vereinigen und
zurückzuziehen.
6. Bezüglich der Urheberschaft und Zuschreibung der zum Verkauf stehenden Werke leistet
Innauction nur im Rahmen der gesetzlichen
Bestimmungen in ihrer Funktion als Beauftragte
Gewähr. Innauction übernimmt für Angaben
in diesem Zusammenhang keine Haftung, insbesondere auch nicht nach den Maßstäben der
§§ 1299 f ABGB. Eventuelle Einsprüche bezüglich eines bei der Auktion erteilten Zuschlages
müssen innerhalb einer Frist von 8 Tagen nach
erfolgtem Zuschlag eingebracht werden. Der
Reklamations- anspruch muss auf Basis der
allgemein zugänglichen wissenschaftlichen
Erkenntnisse und den Meinungen allgemein anerkannter Sachverständiger des Auktionshauses
und eines gleichqualifizierten vom Kunden vorgeschlagenen Experten geprüft werden. Nach
Ablauf von 8 Tagen nach Zuschlag ist jede Reklamation des Käufers gesetzlich ausgeschlossen. Eine als gültig anerkannte Reklamation hat
nur die Rückzahlung der tatsächlich bezahlten
Summe zur Folge, jede darüber hinausreichende
Forderung wird ausgeschlossen
7. Bei Objekten, für die eine Ausfuhrgenehmigung nötig ist, sind die Kunden zur Einhaltung
aller diesbezüglichen relevanten gesetzlichen
Bestimmungen verpflichtet.
8. Ausländische Kunden werden darauf aufmerksam gemacht, dass Innauction nicht für
148
eventuelle nach dem Zuschlag erlassene Exportverbote verantwortlich gemacht werden kann.
TEILNAHME AN DER AUKTION
9. Wer sich persönlich an der Auktion beteiligen
möchte, begibt sich vor Beginn der Auktion
zum hierfür vorgesehenen Eintragungsschalter, wo er nach Ausfüllen des entsprechenden
Formulars und gegen Vorlage eines Ausweises
eine persönliche Nummer für die Versteigerung
erhält.
bis zu einem Betrag von
50.000,00 Euro: 16%
bei einem Betrag über
50.000,00 Euro: 14%
bei einem Betrag über
200.000,00 Euro: 10 %
18. Für mit * gekennzeichnete Lose ist der
Käufer außerdem verpflichtet, die gesetzlichen
Folgerechtsgebühren zu bezahlen.
10. Kaufaufträge von Kunden, die der Versteigerung nicht persönlich beiwohnen, werden
von Kaufbeauftragten von Innauction im Namen und auf Rechnung des Auftraggebers zum
niedrigst möglichen Preis in Bezug zum Limit
und den anderen Offerten im Saal übernommen. Bei Offerten mittels Kaufauftrag, ist das
dafür vorgesehene Formular im Katalog auszufüllen und zu übermitteln oder eine Email unter
Angabe der Personalien und der Anschrift des
Bieters zu senden.
ZAHLUNGEN
11. Kaufaufträge mit gleich hohem Ankaufslimit
werden in der Reihenfolge ihres Einlangens berücksichtigt. Die Durchführung von Kaufaufträgen kann ohne Angabe von Gründen abgelehnt
werden.
20. Käufer, die nicht persönlich der Auktion beiwohnen können und denen eine Abholung des
Objektes persönlich nicht möglich ist, erhalten
die Rechnung auf dem Postweg, zahlbar nach
Sicht.
12. Innauction ist berechtigt, im Rahmen der
verfügbaren Telefonverbindungen und der mit
den Bietern getroffenen Vereinbarungen, telefonische Kaufverträge zu übernehmen. Telefonische Angebote werden vom Auktionshaus nur
unter der Voraussetzung angenommen, dass
der Bieter zumindest den Ausrufpreis zu bieten
bereit ist.
21. Eine spätere Abholung ist generell nur im
Einvernehmen mit Innauction möglich. In einem
solchen Falle werden dem Käufer sämtliche
Kosten und Gebühren für Aufbewahrung und
Versicherung in Rechnung gestellt.
13. Angebote aus dem Saal werden gegenüber
Kaufaufträgen im Namen und für Rechnung
des Kunden (siehe Artikel 9.) stets vorrangig
behandelt.
14. Der Auktionator ist berechtigt während der
Versteigerung Posten zurückzuziehen, zu trennen oder zu vereinigen und die Versteigerung
abweichend von der vorgesehenen Reihenfolge
vorzunehmen. Der Zuschlag der Objekte erfolgt
durch den Auktionsleiter. Bei Meinungsverschiedenheiten über einen Zuschlag ist der Auktionator berechtigt einen bereits erteilten Zuschlag
aufzuheben und das betreffende Objekt im
Rahmen der selben Auktion neuerlich zu versteigern und endgültig zuzuschlagen.
15. Der Startpreis der zu versteigernden Lose
liegt bei 10 % unter dem Ausrufpreis. Gesteigert wird um 10 % des letzten Angebotes.
AUFGELDER
16. Der Käufer ist in jedem Fall verpflichtet zusätzlich zum Meistbot folgende Aufgelder inklusive der gesetzlichen Umsatzsteuer zu bezahlen:
bis zu einem Betrag von
50.000,00 Euro: 22 %
bei einem Betrag über
50.000,00 Euro: 20%
bei einem Betrag über
200.000,00 Euro: 14 %
17. Bei Losen, die mit 20% Mehrwertsteuer (gekennzeichnet mit <) oder mit 10% Mehrwert­
steuer (gekennzeichnet mit >) fakturiert werden, ist der Käufer verpflichtet zusätzlich zum
Meistbot folgende Aufgelder zu bezahlen:
19. Bei erfolgtem Zuschlag hat der Käufer eine
angemessene Anzahlung, mindestens die Hälfte
des Kaufpreises, zu erlegen. Der Restbetrag
wird bei Abholung des Objektes fällig. Die
Abholung hat a.) direkt im Anschluss an die Versteigerung oder b.) am Tag nach der Auktion,
zu erfolgen. Gebühren und Kosten für Aufbewahrung und Versicherung der Gegenstände
innerhalb dieses Zeitraumes gehen zu Lasten
von Innauction
22. Ab dem Zeitpunkt der Abholung übernimmt
Innauction keinerlei Haftung für eventuelle
Transportschäden oder wie auch immer geartete Schäden, die auf Nachlässigkeit des Käufers
zurückzuführen sind
23. Der Export eines Gegenstandes aus Österreich bzw. der Import aus einem anderen Land
können die Ausstellung einer oder mehrerer
Export – Importgenehmigungen erforderlich
machen.
24. Die Bezahlung der zugeschlagenen Objekte
hat nach den im Katalog angeführten Zahlungsbestimmungen zu erfolgen und eine eventuell
nicht erteilte oder mit Verzögerung erteilte Export- oder Importgenehmigung kann keinesfalls
zur Auflösung oder Aufhebung des Kaufvertrages bzw. zu einer Zahlungsverzögerung seitens
des Käufers führen.
TRANSPORT UND ABHOLUNG
25. Das Auktionshaus führt keine Transporte im
Namen und für Rechnung des Käufers durch.
Die Mitarbeiter werden den Käufer aber gerne
über nötige Maßnahmen informieren und bei
Fragen betreffend den sicheren und kostengünstigen Versand, die geeignete Verpackung
und Versicherung der erstandenen Gegenstände beraten.
26. Alle an der Auktion teilnehmenden Personen anerkennen automatisch die vorliegenden
Bestimmungen. Erfüllungsort und ausschließlicher Gerichtsstand ist Innsbruck. Irrtums- und
Druckfehlerberichtigungen bleiben vorbehalten.
Ebenso behält sich die Auktionsleitung das
Recht vor, Korrekturen und Berichtigungen der
Beschreibungen bis zur Versteigerung vorzunehmen.
CONDIZIONI DI VENDITA E DI ACQUISTO
LOTTI IN CATALOGO
LA PARTECIPAZIONE ALL’ASTA
PAGAMENTI
1. Per ogni singolo lotto presentato in catalogo è stata redatta una scheda esplicativa con
nome dell’autore, titolo, tecnica, dimensioni
(altezza – larghezza) e segnalazione di eventuali
danni o restauri effettuati sull’opera. Il prezzo
espresso in fondo alla descrizione del lotto è
generalmente la forchetta di prezzo entro il
quale si aspetta di ricevere l’offerta massima.
Le offerte sono accettate a partire dalla stima
inferiore che coincide con la base d’asta e riserva del lotto.
9. Chiunque voglia partecipare direttamente
all’asta deve registrarsi presso il banco registrazioni, dove potrà ritirare una paletta numerata
per le offerte, prima che inizi l’asta, compilando
l’apposita scheda di partecipazione e presentando un documento d’identità.
19. L’acquirente dovrà versare un acconto
all’atto della aggiudicazione e completare il pagamento all’atto del ritiro del lotto aggiudicato
che potrà avvenire a) a conclusione dell’asta; b)
nella giornata successiva all’asta . Spetteranno
ad Innauction tutti i diritti di custodia e il costo
dell’assicurazione.
CONDIZIONI DI VENDITA
2. La vendita sarà fatta al miglior offerente e
si intende “per contanti” a meno che non sia
stato pattuito un prezzo di riserva con il proprietario del lotto. Gli acquirenti, in particolar
modo Musei e istituzioni pubbliche, possono
concordare con l’organizzazione particolari
condizioni di pagamento che vanno regolate
anticipatamente.
3. L’asta sarà preceduta da un’esposizione delle
opere, durante la quale l’organizzazione e i
suoi esperti saranno a disposizione per qualsiasi
chiarimento, per verificare lo stato e la qualità
degli oggetti.
4. Agli interessati che non potranno visionare
direttamente gli oggetti durante l’esposizione
si potranno fornire ulteriori informazioni su di
un particolare lotto, anche via telefono o attraverso l’invio di una scheda dettagliata. Dopo
l’aggiudicazione nessun reclamo sarà ammesso,
anche se nella compilazione del catalogo si sia
incorsi in errore.
5. Durante la gara il Direttore potrà variare
l’ordine previsto del catalogo ed avrà facoltà di
riunire e dividere i diversi lotti.
6. Innauction per quanto concerne l’originalità
e le attribuzioni delle opere in vendita, non assume altra responsabilità oltre quella derivante
dalla sua qualità di mandataria. Innauction non
si assume inoltre nessuna responsabilità delle
indicazioni fatte a questo proposito, in particolare neppure secondo i criteri di cui agli artt.
1299 e seguenti del Codice Civile Austriaco
(“ABGB”). Eventuali contestazioni riguardanti
le aggiudicazioni effettuate in asta, da decidere innanzitutto in sede scientifica fra un
consulente di Innauction ed un esperto di pari
qualificadesignato dal cliente, dovranno essere
fatte valere entro 8 giorni dall’aggiudicazione.
Trascorso tale termine cessa ogni responsabilità
dell’organizzazione. Un reclamo riconosciuto
valido porta al semplice rimborso della somma effettivamente pagata, esclusa ogni altra
pretesa.
7. Per gli oggetti per i quali necessita una preventiva autorizzazione per l’esportazione , gli
acquirenti sono tenuti all’osservanza di tutte le
disposizioni legislative in materia.
8. Si rende noto agli acquirenti stranieri che Innauction non si ritiene responsabile di eventuali
divieti di esportazione che possono insorgere
dopo l’aggiudicazione.
10. Se non è possibile partecipare di persona
all’asta, Innauction è disponibile a effettuare
mandati per l’acquisto per conto del richiedente al minimo prezzo possibile, considerato il
prezzo di riserva e le altre offerte in sala. Per
questo tipo di offerta bisognerà compilare
l’apposito modulo presente nel catalogo o
inviare un email con i dati anagrafici e recapito
dell’offerente.
11. Nel caso di due offerte scritte del medesimo importo sullo stesso lotto, lo stesso verrà
aggiudicato al cliente la cui offerta sia stata
ricevuta per prima.
12. Innauction potrà organizzare collegamenti
telefonici, nei limiti della disponibilità delle linee
e previo accordi con gli interessati. L’accettazione della partecipazione telefonica dell’offerente
equivale alla formale richiesta di un’offerta del
lotto a base d’asta.
13. A parità di prezzo l’offerta effettuata in sala
prevale sempre sull’offerta tramite mandato per
l’acquisto come previsto all’art. 9 del presente
regolamento
14. Durante l’asta il direttore della vendita ha la
facoltà di abbinare e separare i lotti, ed eventualmente di variare l’ordine di vendita. Gli oggetti sono aggiudicati dal direttore della vendita; in caso di contestazione sull’aggiudicazione,
il lotto disputato viene rimesso all’incanto nella
seduta stessa, e definitivamente aggiudicato.
15. I lotti verranno messi all’incanto a partire da
un 10 % in meno rispetto alla base d’asta.
DIRITTI D’ASTA
16. L’acquirente è tenuto a pagare in ogni caso
oltre al prezzo di aggiudicazione i seguenti
diritti d’asta compresivi dell’Iva applicabile fino
ad un importo pari a euro 50.000,00 , il 22 %
per un importo che supera euro 50.000,00,
il 20% per un importo che supera euro
200.000,00 il 14%
17. Per i lotti nel quale va aggiunta anche l’Iva
al 20% (contraddistinta da <) o al 10% (contraddistinta da >) oltre al prezzo di aggiudicazione l’acquirente è tenuto a pagare i seguenti
diritti d’asta:
20. Per gli acquirenti non presenti in asta e
impossibilitati a ritirare di persona i lotti l’organizzazione invierà la fattura che dovrà essere
saldata a vista.
21. Eventuali ritiri successivi dovranno essere
concordati con Innauction. In questo caso
Innauction imputerà all’acquirente i diritti di
custodia ed il rimborso delle spese di assicurazione relativi.
22. Dalla consegna dell’opera Innauction declina ogni responsabilità relativa a danni arrecati
ai lotti acquistati causati dal trasporto o dall’incuria dell’acquirente.
23. L’esportazione di un lotto dall’Austria e
l’importazione da ogni altro paese possono
essere soggetti al rilascio di una o più licenze di
importazione ed esportazione.
24. I lotti acquistati dovranno essere pagati in
conformità alle condizioni di pagamento riportate in catalogo ed il diniego di ogni prescritta
licenza di importazione o esportazione, o il ritardo nella concessione di una tale licenza, non
possono giustificare la risoluzione o l’annullamento della vendita da parte del compratore
o il ritardo da parte dello stesso nell’effettuare
il pagamento dell’ammontare dovuto per quel
lotto.
TRASPORTO E RITIRO
25. L’organizzazione non effettua trasporti per
conto degli acquirenti; è disponibile comunque
a fornire preventivi e consigli sulle modalità più
sicure ed economiche per effettuare spedizioni,
imballaggi ed assicurazioni dei lotti acquistati.
26. Il presente regolamento viene accettato automaticamente da quanti concorrono alla presente vendita all’asta. Per tutte le contestazioni
è stabilita la competenza del Foro di Innsbruck.
L’organizzazione si riserva il diritto di correggere eventuali errori di stampa e di rivedere le
descrizioni dei lotti fino al momento dell’asta.
fino ad un importo pari a
euro 50.000,00 , il 16 %
per un importo che supera
euro 50.000,00, il 14%
per un importo che supera
euro 200.000,00 il 10 %
18. Ai lotti contraddistinti nel catalogo con * va
inoltre aggiunta la tassa per il diritto di seguito
(diritto sulle successive vendite) dovuta
149
EXPERTEN FÜR DIESE AUKTION
GLI SPECIALISTI PER QUESTA ASTA
Kunst des 19. und 20. Jahrhunderts,
Fotografie
Arte italiana e internazionale XIX e
XX secolo, fotografia
Zeitgenossische Kunst
Arte Contemporanea
Real Estate
Design
Dr. Teresa Meucci
+43 664 883 96151
+39 333 8633 255
[email protected]
Dr. Barbara Cortina
+43 664 8826 8924
+39 333 5204 140
[email protected]
Arch. Michela Genghini
+43 512 580 300
[email protected]
Koordinierungsbüro
Coordinamento organizzativo
Dr. Barbara Cortina
+43 512 580 300
[email protected]
Das telefonische Gebot
Offerte telefoniche
Allgemeine Informationen
Informazioni generali
+43 512 580 300
[email protected]
WWW.INNAUCTION.COM
150
AUCTION 6 / 2016
DESIGN
Mittwoch / Mercoledì 24.02.2016, ore 18:00 Uhr
Organisation / Organizzazione: GRS Kunst GMBH Innsbruck
A-6020 Innsbruck / Bozner Platz Nr. 2
+43 512 580 300
[email protected]
DAS TELEFONISCHE GEBOT
KAUFVERTRAG
Innauction ist berechtigt, im Rahmen der verfügbaren
Telefonverbindungen und der mit den Bietern getroffenen Vereinbarungen, telefonische Kaufverträge zu
übernehmen. Ich erkläre, die im Katalog veröffentlichten
Versteigerungs­­bedingungen zu kennen und diese anzuerkennen.
Ich beauftrage Sie, bei folgenden Losen der Auktion am
Mittwoch, 24. Februar 2016 bis zum angegebenen Limit
für mich mitzusteigern. Die Offerte sind ohne
Kommissionsge­bühren angegeben. Ich erkläre, die im
Katalog veröffentlichten Versteigerungs­bedingungen zu
kennen und diese anzuerkennen.
OFFERTE TELEFONICHE
MANDATO D’ACQUISTO
Innauction potrà organizzare collegamenti telefonici,
nei limiti della disponibilità delle linee e previo accordi
con gli interessati.
Dichiaro altresì di essere a conoscenza e approvare il regolamento d’asta pubblicato nel vostro catalogo.
Si prega di prendere in considerazione la mia migliore
offerta per i lotti dell’asta che si terrà mercoledì 24 febbraio 2016. I lotti sono indicati di seguito con i rispettivi
prezzi (esclusi i diritti d’asta).
Dichiaro altresì di essere a conoscenza e approvare il
regolamento d’asta pubblicato nel vostro catalogo.
Los / Lotto
Titel / Titolo
Maximales Offert in Euro
(ohne Gebühren) / Offerta
massima in Euro (esclusi i
diritti)
Name / Nome
_______________________________________________________________________________________
Anschrift / Indirizzo
_______________________________________________________________________________________
Telefon / Telefono
_______________________________________________________________________________________
Unterschrift (leserlich) / Firma (leggibile)
____________________________________________________________________
UPCOMING AUCTIONS
MARCH 2016
MODERN AND CONTEMPORARY ART
PHOTOGRAPHY
MIMMO ROTELLA
Untitled, 1960's, 37,5x27,5 cm
LUIGI GHIRRI
Capri, 1982, 36,3x24,2 cm
UPCOMING AUCTIONS
MAY 2016
VINTAGE, FASHION
AND THE ART OF JEWELLERY
CRISTOBAL BALENCIAGA
Study, pencil and texture on paper, 13,5x20,5 cm
Private collection
CRISTOBAL BALENCIAGA
Study, pencil and texture on paper, 13,5x20,5 cm
Private collection
HEINZ MACK
Light-relief, 1968, aluminium, wood, plexiglass, 50x63 cm
€ 26.000 – 30.000
SOLD FOR € 39.040 (inclusive buyer's premium)
EINLADUNG ZUR
EINLIEFERUNG
INVITO ALLA
CONSEGNA
Für unsere kommenden Auktionen moderner und
zeitgenössischer Kunst, lädt INNAUCTION ein,
Grafiken, Design, Skulpturen und Fotografien,
italienischer und internationaler Künstler aus dem
19. und 20. Jahrhundert einzureichen.
In occasione delle nostre prossime Aste di Arte
Moderna e Contemporanea, INNAUCTION
invita alla consegna di opere da inserire in
asta.
Unsere Experten beraten Sie gerne kostenlos,
unverbindlich und diskret. Gerne können Sie uns
Informationen und Fotomaterialien zu Ihrem
Objekt per E-Mail zukommen lassen. Wir würden
Sie bitten, eine Telefonnummer beizufügen, um
eine Kontaktaufnahme zu erleichtern.
Valutiamo gratuitamente, discretamente
e senza alcun impegno Dipinti e Sculture del
XIX e XX secolo, nonché Arti Grafiche, Design
e Fotografia. I nostri Specialisti sono a disposizione per ricevere via email materiali e fotografie. Si prega di indicare anche un recapito
telefonico per poter essere ricontattati.
Impressum / Colophon
Druck / Stampa: Fotolito Varesco
Der Herausgeber ist bereit die Nutzung von Bildmaterial nicht identifizierbarer Quelle zu bezahlen.
L’Editore è a disposizione degli aventi diritto per eventuali fonti iconografiche non individuate.
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