ARTISSIMA 2016 23rd EDITION
Transcript
ARTISSIMA 2016 23rd EDITION
ARTISSIMA 2016 23rd EDITION 3 November 2016: Press Preview, Preview, Opening 4, 5, 6 November 2016: Open to the public Artissima 2016, the International Fair of Contemporary in Torino, directed by Sarah Cosulich for the fifth consecutive year, opens the doors of its twenty-third edition to the public. Renowned as an art fair of research, Artissima has proven to be a forerunner of new curatorial tendencies and a pioneer of new formats, thanks to its constant self-reinvention. The innovative, experimental and dynamic approach of the fair makes it not only one of the most anticipated international events, but also the Italian locus of excellence, where visitors can investigate and reflect upon new approaches to artistic creation and contemporary curatorship. An ambitious project and a starting point for a unique journey of exploration and discovery, from 4 to 6 November Artissima returns to offer the public a wonderful opportunity to fall in love with the latest developments in contemporary art. Enriched by a new section, Dialogue, a new prize, and a structure that brings relevance to experimental and emerging art, the 2016 edition of Artissima comprises seven sections, of which three are each selected by a board of international curators and museum directors (Back to the Future, Present Future and Per4m). The formats of these three sections, originated with Artissima and dedicated, respectively, to the great pioneers of contemporary art, emerging talents and performance, have been established as standard on the international art fair scene. The new initiatives of this year’s edition aim to strengthen even further Artissima’s identity as a ‘curated fair’ and its attention to experimentation and research. The curatorial approach is clearly visible in the role given to curators in the selection process of the galleries, in the proposals of artists, and in the attention of the fair for curated booths. These precious consultants are also involved in identifying in the fair to be awarded with special prizes, or in participating to initiatives such as the Walkie Talkies, informal conversations between curators or curator and collector, amidst the booths. Further, the fair’s distinct identity and its force of attraction echo throughout the entire city of Torino, as seen in the collaborative activities with the many museums in the city and in Artissima’s special initiatives. This year, Artissima presents a parallel project, specially conceived by the German artist Thomas Bayrle for an unusual venue: Torino Airport. In a site-specific installation, the artist transforms the Baggage Claim area of the airport into an unexpected exhibition space. Yet again, Artissima proves itself as a unique project of its kind, able to combine curatorial quality with a dynamic approach that is forever evolving. The fair is organised by Artissima srl, a company owned by the Fondazione Torino Musei. WHAT’S NEW IN 2016 Dialogue, the new section of Artissima, presents booths featuring a maximum of three artists in a coherent and curated project. New Entries, for the first time, the section devoted to emerging galleries is reunited in a compact and independent space at the entrance to the fair, highlighting Artissima’s commitment to the work of the younger generations. PER4M, now in its third year, has evolved into an articulated performance programme, curated for the first time by the Dutch art collective If I Can’t Dance, I Don’t Want To Be Part Of Your Revolution. In Mostra, an exhibition project curated by Simone Menegoi, entitled ‘body.gesture.posture’, revolutionises the format of this annual show by introducing this year, alongside works from the leading museums and foundations of Piemonte, also important loans from private collections. Flying Home, a special project for Artissima 2016 made in collaboration with Torino Airport | Sagat. This site-specific installation by Thomas Bayrle proves the fair's ability to contaminate with contemporary art the most unexpected locations. What is Experimental, a series of talks curated by Stefano Collicelli Cagol featuring curators of international non-profit or institutional spaces in debate on this topic. Mutina Project ‘This is not a Prize’, the seventh prize awarded at Artissima and presented for the first time at the 2016 edition, consists in Mutina’s support of future projects by the selected artist. “The unique identity of Artissima allows to interweave every year a coherent programme of international research with experimental initiatives. No other fair worldwide involves this number of exceptional curators in its selection process and proposals of galleries and artists: museum directors, dynamic young curators and gallerists from around the world allow us to bring to Torino not only the very best of emerging art but also key figures from the historical avant-garde. The common thread of this year’s edition is performativity: in the live performance programme; in the relationships between the works that galleries choose to bring to Torino; in the debate between curators and collectors engaged in walking conversations in the fair; in the theme evoked by this year’s great In Mostra exhibition; in the city’s active connection between public and private; in Artissima’s concept which rethinks the role of the art fair every year. Performativity par excellence is also in the dialogue that Artissima builds with the city and its contemporary art network. Finally it’s in Thomas Bayrle’s project at Torino Airport, which connects physically and metaphorically work, public, space and context. We are proud to continue to innovate in unexpected ways, and we thank all of our partners who allow us to do so.” Sarah Cosulich, director THE FIGURES 193 galleries from 34 countries PARTNERS Main partner: UniCredit 65% overseas exhibitors Partners illycaffè, K-Way, Lancia, Lauretana, Leica, Mutina, Owenscorp, QC 20,000 m2 of exhibition space More than 2,000 artworks Over 50 curators and museum directors on its juries Over 50,000€ in prizes for artists and galleries 450,000€ in institutional acquisitions (2015) More than 52,000 visitors (2015) Termetorino, Reda, Fondazione Sardi per l’Arte, Torino Airport | Sagat In-kind sponsors: ArteK, Calligaris, Cappellini, Carloangela, Carpet Edition, Cassina, GL Events Italia – Lingotto Fiere, Guido Gobino, Halifax, Kartell, Lago, Nemo Lighting, Parco1923, Poltrona Frau, Vitra Official carrier: Gondrand Cultural partners: Alliance Française, Goethe-Institut Turin Media partners: La Stampa, AD, Vogue Italia Media coverage: Sky Arte HD In-kind online partner: Artsy THE SECTIONS There are seven sections in this edition of Artissima, one more than the past years. Four are selected by a committee of galleries participating in the fair: • Main Section gathers together the most important galleries on the international art scene. This year, 105 were selected, 58 of which from abroad. • New Entries, a section devoted to emerging galleries, located this year at the entrance to the fair, presenting 18 galleries, 13 of which from abroad. • Art Editions, inaugurated in 2012, hosts limited editions, prints and multiples by contemporary artists from 8 galleries. • Dialogue, new for the 2016 edition, is a section dedicated to specific projects in which the works of one, two or three artists are put in close relation with each other, featuring 30 galleries, 21 of which are from abroad. Three are curated by boards of curators and international directors of musuems: Present Future Back to the Future Per4m Main Section, New Entries, Dialogue, Art Editions Committee Isabella Bortolozzi, Berlin Paola Capata (Monitor), Roma Guido Costa, Torino Martin McGeown (Cabinet), London Pedro Mendes (Mendes Wood DM), Sao Paulo Gregor Podnar, Berlin Jocelyn Wolff, Paris PRESENT FUTURE Present Future is the section of Artissima dedicated to emerging talents, selected by a board of young international curators. Artists are presented by the galleries in a central area of the fair, in a specifically designed itinerary. Works by the selected artists include new proposals created ad hoc and projects displayed for the first time in a European and Italian context. In 2016 Present Future presents projects by 20 artists presented by 18 foreign galleries and 4 Italian galleries. The illy Present Future Prize, supported by illycaffè since 2001, is awarded to an artist whose work is considered the most interesting, by an international jury. Since 2012, the prize in collaboration with Castello di Rivoli Museo d’Arte Contemporanea has offered the winner the exceptional opportunity of presenting a solo exhibition at the museum. Thanks to illycaffè’s receptiveness and the active collaboration with Castello di Rivoli, the illy Present Future Prize gives significant support to emerging artists, and confirms the innovative role of the museum as an artistic institution of international repute. In 2015 the prize was awarded to Alina Chaiderov, represented by Gallery Antoine Levi, Paris. A solo show by the artist will open at the Castello di Rivoli Museo d’Arte Contemporanea at the same as Artissima 2016. Further information is available in the In Depth press releases. Committee for Present Future Luigi Fassi (coordinator), steirischer herbst festival, Graz Anne Faucheret, Kunsthalle Wien, Vienna Hicham Khalidi, Fondation d’entreprise Galeries Lafayette, Lafayette Anticipation, Paris Sohrab Mohebbi, REDCAT, Los Angeles Wim Waelput, KIOSK, Ghent Jury for the illy Present Future Prize Carolyn Christov-Bakargiev, Castello di Rivoli Museo d’Arte Contemporanea – GAM, Rivoli-Torino Bart van der Heide, Stedelijk Museum, Amsterdam Verena Hein, Museum Villa Stuck, Munich Nicoletta Fiorucci, Fiorucci Art Trust, London Awarding Friday 4 November at 2.30 pm at the illy café. Awarded in recent editions: 2014: Rachel Rose, Gallery High Art, Paris 2015: Alina Chaiderov, Antoine Levi, Paris Castello di Rivoli Museo d’Arte Contemporanea illy Present Future 2015 Prize Piazzale Mafalda di Savoia, 10098 Rivoli, Torino Alina Chaiderov solo exhibition 5 November 2016 – 5 March 2017 Press preview: 4 November at 11.00 am BACK TO THE FUTURE Back to the Future is the section of Artissima dedicated to the rediscovery of avant-garde works, featuring solo exhibitions by great pioneers of contemporary art. In 2016 it will focus on works produced between 1970 and 1989. The section, now in its seventh year, aims to highlight international artists who played a key role in the history of art and whose work has influenced contemporary practice. Back to the Future offers the public at large a unique opportunity to view significant works from those years in dialogue with contemporary experimentation. In 2016, 19 artists participate in Back to the Future, presented by 19 galleries (3 Italian, 16 from abroad). During Artissima, an international jury awards the Sardi per l’Arte Back to the Future Prize, run in partnership with Fondazione Sardi per l’Arte and at a value of €5,000, to the gallery with the most deserving project in terms of historical relevance and booth presentation. Further information is available in the In Depth press releases. Committee for Back to the Future Eva Fabbris (coordinator), independent curator, Milano Gary Carrion-Murayari, Kraus Family, New Museum, New York | New Museum Triennial (2018) Krist Gruijthuijsen, KW Institute for Contemporary Art, Berlin Cristiano Raimondi, Nouveau Musée National de Monaco Jury for the Sardi per l’Arte Back to the Future Prize Daniel Baumann, Kunsthalle Zurich Christine Macel, Musée National d'Art Moderne – Centre Pompidou, Paris | Venice Biennale (2017) Joanna Mytkowska, Museum of Modern Art, Warsaw Awarding Friday 4 November at 5.30 pm at the Meeting Point. Awarded in recent editions: 2014: Gallery François Ghebaly, Los Angeles, presenting works by Channa Horwitz (b. 1932 Los Angeles; d. 2013). 2015: Ellen De Bruijne, Amsterdam, and Dan Gunn, Berlin, presenting works by Michael Smith (b. 1951 Chicago). PER4M Launched by Artissima in 2014, Per4m is the first ever section on the international art fair scene devoted exclusively to performance art. It is both an artistic and commercial showcase, in which performance art is considered as a medium alongside the others presented in the fair, taking full advantage of the stage framework dedicated to it and from which it originates. For the 2016 edition, Per4m evolves into a project curated by the Dutch collective If I Can’t Dance, I Don’t Want To Be A Part Of Your Revolution, created to explore the transformation of performance and its typologies in the context of contemporary art. The collective has developed a groundbreaking programme conceived specifically for the context of the fair. Per4m is accompanied by the Prix K-Way Per4m of €10,000, which will be given to the most significant artwork presented in the section. The award reflects not only the importance of Per4m, but also the special attention paid to this form of experimentation by our partner K-Way. Complete calendar of performances is at the end of the document. Further information is available in the In Depth press releases. Committee for Per4m If I Can’t Dance, I Don’t Want To Be Part Of Your Revolution / Frédérique Bergholtz and Susan Gibb, Amsterdam Jury for the Prix K-Way Per4m Franz Bernardelli, independent curator, Torino Ruth Estévez, REDCAT, Los Angeles Silvia Fanti, Xing, Bologna Filipa Ramos, Art Agenda, London Awarding Sunday 6 November at 3.00 pm at the Area Per4m. Awarded in recent editions: 2014: Louise Hervé and Chloé Maillet, Nautilus, 2013, Gallery Marcelle Alix, Paris. 2015: Julien Bismuth, Untitled (Lull), 2015, Gallery Emanuel Layr, Vienna, and Christian Falsnaes, Rise, 2014, PSM, Berlin. OTHER PRIZES AT ARTISSIMA An international jury awards the Owenscorp Prize of €5,000 to the gallery deemed most deserving, for the research and recognition of emerging artists and experimental languages in the New Entries section Awarding: saturday 5 November at 8.30 pm at iQOS Embassy Casa del Pingone in Torino (by invitation) Jury for the Owenscorp New Entries Prize Emma Lavigne, Centre Pompidou–Metz | Lyon Biennal (2017) José Roca, director, FLORA ars+natura, Bogotà Kitty Scott, Art Gallery of Ontario, Toronto | Liverpool Biennial (2018) & Michèle Lamy The Reda Prize is an international award open to artists under 35 exhibiting at Artissima. It was inaugurated in 2015 with the aim of supporting the research of new generations of artists who work with photography. The winner is given the opportunity to realise a publication with a major international publisher. Awarding: Friday 4 November at 5.30 pm at the Meeting Point Jury for the Reda Prize Tobia Bezzola, Museum Folkwang, Essen Reinhard Braun, Camera Austria, Graz Francesco Zanot, Camera – Centro Italiano per la Fotografia, Torino Giovanna Silva, Humboldt Books, Milano The Fondazione Ettore Fico Prize of €5,000 is awarded to one artist chosen from all of those participating in Artissima. Established in 2009 by Fondazione Ettore Fico it promotes the work of emerging artists. Awarding: Friday 4 November at 5.30 pm at the Meeting Point. Jury for the Ettore Fico Prize Letizia Ragaglia, Museion, Bolzano Andrea Viliani, MADRE, Napoli Andrea Busto, MEF – Museo Ettore Fico, Torino Renato Alpegiani, collector, Torino The new Mutina ‘This is not a Prize’ a team of designers will choose a talent present at the fair, to support the production of his or her next project. The award was founded with the aim of creating a new and fruitful relationship between artists producing art and those who sustain it. Awarding: Saturday 5 November at 5.30 pm in the VIP Lounge Jury for the Mutina ‘This is not a Prize’ Massimo Orsini, Mutina, Fiorano (MO) Patricia Urquiola, architect and designer, Milano Gianluigi Ricuperati, Domus Academy, Torino Marco De Vincenzo, designer, Roma OTHER INITIATIVES IN THE FAIR Ypsilon St’Art Percorsi in Movimento by Lancia What is Experimental The Ypilon St’Art Percorsi In Movimento, inaugurated in 2015, is a programme of guided tours through the booths and the special sections of the fair, designed to offer the general public insights and new interpretations and conceived to bring them into the world of contemporary art. Among its new features, Artissima 2016 presents What is Experimental, a new programme featuring a series of talks curated by Stefano Collicelli Cagol, in which curators of non-profit and institutional spaces debate, creating a moment for discussion and sharing. Calendar of talks: Friday 4 November Walkie Talkies by Lauretana • One of the most successful public events at Artissima, the Walkie Talkies feature a series of informal conversations: pairs of exceptional guides accompany visitors on themed explorations of the gallery booths, discovering works, artists or specific themes. The Walkie Talkies are short dialogues, interludes that provide the opportunity to get to know and discuss what Artissima offers. This year, as part of a wider effort to frame the role of collecting as a driving force in artistic research, each conversation features a curator in discussion with a collector. The programme, coordinated by Nataša Venturi, is composed of 12 visits, 4 per day, led by 24 different curators and international collectors. With Sohrab Mohebbi (curator and critic, Los Angeles), Davide Quadrio (producer and curator, Shanghai, Beijing), You Mi (curator, Cologne), Stefano Collicelli Cagol (Curator at Large Trondheim kunstmuseum). Complete calendar of itineraries is at the end of the document. 3.00 pm Meeting Point Pacific Institutions Saturday 5 November • 3.00 pm Meeting Point We Do It Our Way With Tobi Maier (curator and critic, Sao Paulo), Natalia Sielewicz (art historian and curator, Warsaw), Stefano Collicelli Cagol (Curator at Large Trondheim kunstmuseum). Meeting Point by La Stampa Con/TEXT A special area within the fair dedicated to the presentation of projects, events, conversations and debates relating to the fundamental topics of contemporary art. The talks are promoted and curated by museums, institutions and art professionals and provide a unique opportunity for encountering and exchanging ideas with some of the leading figures on the contemporary art scene. Con/TEXT, a section introduced in 2012, is a large and welcoming area of the pavilion for reading, discovering unusual art magazines and books, and discussing and sharing ideas. Con/TEXT is home to the Artissima Bookshop, by Librerie Corraini, containing the most important magazines in the sector, as well as Art Editions. It also contains the Book Corner, a space dedicated to presenting books, catalogues and special projects by institutions, galleries and publishers. The Book Corner programme involves artists, museum directors, curators, critics and collectors from all over the world. ZonArte Once again, in 2016 the Education Departments of the ZonArte network offer visitors to Artissima a key to accessing the world of contemporary art, featuring workshops, laboratories, meetings and discussions – all of which are open to young people, families and professionals. The workshop programme is available on www.artissima.it. UniCredit Art Advisory Following its successful introduction in 2015, Unicredit once more presents Art Advisory, a free, independent advisory service, aimed at increasing new acquisitions at the fair and connecting new collectors with the participating galleries. Artissima believes in this independent and complimentary advice offered to those who already collect but also to those who are fascinated by art and wish to be accompanied in the world of collecting. Expert advisors are available, by appointment, in the UniCredit space at the fair. Artissima Live Con/TEXT hosts the #Artissimalive space, launched in 2015, a live editorial process where online contemporary art publications dialogue and collaborate, creating content linked to the fair. #Artissimalive is coordinated by Elena Bordignon, founder of ATP Diary. With ATP Diary this year: - ARTDEPENDENCE, Antwerp AUJOURD’HUI MAGAZINE, Lisbon KABUL MAGAZINE, Milano WEFINDWILDNESS, Basel WIDEWALLS, Ermantingen SPECIAL PROJECTS In Mostra – ‘corpo.gesto.postura’ Flying Home Each year, Artissima organises a large-scale thematic exhibition at the Oval pavilion that celebrates the great public collections of Torino and its region. The result is the unique exhibition In Mostra, in which Piemonte's commitment to collecting at the highest international level is displayed. In 2016, the show combines for the first time art works from major museums and foundations and loans from important private collections. On the occasion of its 2016 edition, Artissima presents Flying Home, a new and unprecedented parallel project, specially conceived for the city, realised in collaboration with Torino Airport and curated by Sarah Cosulich. For the first time, Torino Airport | Sagat is participating as a partner in an art commission, accepting Artissima’s challenge to experiment with new models, unexpected places and different audiences. These two seemingly unrelated institutions of the city, have collaborated on a surprising cultural initiative, inviting the influential German artist Thomas Bayrle to create a site-specific work for Torino airport. For Flying Home, Bayrle has chosen the Baggage Claim area, which is transformed into an unexpected and stimulating exhibition space, deeply imbued with meaning. Through an unprecedented sequence of images, Flying Home reveals the mechanisms of the construction of his mammoth piece Flugzeug (Aeroplane, 1984), a largescale print of a plane made up of a million small aeroplanes on a 96square-metre surface. Curated this year by Simone Menegoi, the project, entitled 'corpo.gesto.postura' ('body.gesture.posture'), focuses on the human figure and the exploration of the body in art. The selection includes sculptures and videos, paintings and photographs, performances and drawings from the nineteenth century to the present. Thomas Bayrle| Flying Home, curated by Sarah Cosulich Baggage Claim area – Torino Airport | Sagat 4 November 2016 – 28 May 2017 Further information is available in the In Depth press releases Conceived and produced by Artissima and Torino Airport | Sagat Partners: IGPDecaux, Lufthansa, MyChef, Heinemann With the support of: Camera di commercio di Torino, Goethe-Institut Torino Sarah Cosulich Sarah Cosulich (b.1974) has been the director of Artissima since 2012. She worked with Francesco Bonami on the 50th Venice Biennale, working with artists such as Fischli/Weiss, Matthew Barney and Rudolf Stingel. She was later curator of the Villa Manin Centre for Contemporary Art, working on shows and special projects by artists such as Carsten Höeller, Pawel Althamer, Rirkrit Tiravanija, Gabriel Orozco, Damian Ortega and Tomas Saraceno, Tobias Rehberger, Paola Pivi and Elmgreen & Dragset. While at Cardi Black Box gallery she curated a programme of exhibitions by Jörg Immendorff, Thomas Bayrle, Letizia Battaglia and Piotr Janas, among others. Her writing includes monographs on Jeff Koons (2006) and Gabriel Orozco (2008). In her five years at Artissima, the fair has widened both its international scope as well as its experimental identity, pioneering new ways to involve curators and collectors and adding a new innovative performance section. In 2014 she invited Maurizio Cattelan to curate the acclaimed exhibition ‘SHIT AND DIE’ as part of Artissima’s cultural programme, and in 2016 she inaugurates the new Dialogue section and is curator of the special project Flying Home by Thomas Bayrle at Torino Airport. Eva Fabbris Coordinator, Back to the Future Eva Fabbris is an independent curator and art historian. Since February 2016, she has been part of the Research Department team at Fondazione Prada, in Milano. In 2015, together with Cristiano Raimondi, she cocurated a solo exhibition by Fausto Melotti and two projects by Alessandro Pessoli and Paul Sietsema at the Nouveau Musée National de Monaco. She holds a Phd in Humanities. Luigi Fassi Coordinator, Present Future Since 2012, Luigi Fassi has been the curator of visual arts at the steirischer herbst festival in Graz, Austria. In 2016 he is fellow of the Artis Research Trip Program in New York and curator of the XVI Quadriennale di Roma. A Helena Rubinstein Curatorial Fellow at the Whitney Museum ISP in New York in 2009, he was director of the ar/ge kunst Galerie Museum in Bolzano (2009–12), where he organised group and solo exhibitions for artists including Runo Lagomarsino, Chto Delat?, Katarina Zdjelar, Alejandro Cesarco and William E. Jones. Together with G. Di Salvatore, he is the author of Clement Greenberg. L’avventura del modernismo (Johan & Levi, 2011) and Time Out of Joint: Recall and Evocation in Recent Art (Yale University Press, 2009). If I Can’t Dance, I Don’t Want To Be Part Of Your Revolution Curator, Per4m Founded in 2005 in Amsterdam, If I Can’t Dance, I Don’t Want To Be Part Of Your Revolution produces artworks and thematic programmes, exploring the evolution and typology of performance and performativity in contemporary art. Represented at Artissima by its director Frédérique Bergholtz and its curator Susan Gibb, If I Can’t Dance has borrowed the model of collaborative working from the theatre by investing in an elaborated programme that develops through its very enactment, at each event and at each location, over time. Simone Menegoi Curator, In Mostra Simone Menegoi is a critic and independent curator. He has been curator-in-residence at the Belvedere – XXler Haus, in Vienna (2016). He teaches at the Istituto Europeo del Design, in Roma, and regularly writes for the website artforum.com. He has been contributing editor for Kaleidoscope (2009–12) and Mousse (2006–08). In 2012–13 he was a curator at CSAV – Artists’ Research Laboratory at the Fondazione Ratti (Como), collaborating with visiting artists Matt Mullican and Tacita Dean. Stefano Collicelli Cagol Curator, What is Experimental Stefano Collicelli Cagol is Curator at Large at the Trondheim Kunstmuseum, Norway. In 2014 he received a PhD in Curating Contemporary Art from the Royal College of Art, London. He has collaborated with various Italian institutions, such as Fondazione Sandretto Re Rebaudengo, Torino; GAM – Galleria d'Arte Moderna e Contemporanea, Torino; and Museo Marino Marini, Firenze. Oval Created in 2006 as the ice stadium for the Torino Winter Olympics, the Oval is a glass pavilion in the heart of Lingotto, the historical industrial district reconverted for the city by Renzo Piano. The Oval, with its naturally illuminated 20,000 square metres of space, has hosted Artissima since 2010 Artissima srl Artissima is a brand of Regione Piemonte, Città Metropolitana di Torino and Città di Torino. On behalf of these three authorities, it is promoted by Fondazione Torino Musei. The 23rd edition of Artissima is being held with the support of the three brand-owning authorities, jointly with Fondazione per l’Arte Moderna e Contemporanea CRT, Compagnia di San Paolo and Camera di commercio di Torino. The organisation of Artissima is overseen by Artissima srl, a company formed in 2008 to manage the fair’s artistic and commercial relations. Fondazione Torino Musei 150,000 art works, 2000 years of history, four museums, a great heritage. Fondazione Torino Musei was created in 2002, the first example of its kind in Italy. It includes GAM – Galleria Civica d'Arte Moderna e Contemporanea, Palazzo Madama-Museo Civico d'Arte Antica and MAO – Museo d'Arte Orientale. The outstanding heritage both of collections and buildings, as well as the programme of great annual events such as Artissima, make the cultural offer of Torino one of the most relevant in Italy, thanks also to active partnerships with the main national and international museums and foundations. The key words for the Fondazione Torino Musei: INNOVATION – research and development of standards of excellence in research, management and socialisation of cultural heritage; CREATIVITY – participation in cultural life and visits to museums can contribute actively to the development of society, well-being and fulfilment of individuals, enriching, in a reciprocal exchange, the life experience of human beings of all ages; ACCESSIBILITY – commitment to make our heritage available to all citizens of the world, of different languages, physical and social backgrounds, developing digitisation programmes and accessibility to our heritage on a global scale; NETWORKS – building networks of relationships and exchanges with institutions and public and private entities in Italy and in the world to enrich the cultural offer and expand the frontiers of research, even in an interdisciplinary perspective. PRACTICAL INFORMATION Opening: 3 November 2016 Press preview, starting at 12 pm Collector preview, starting at 12 pm (by invitation) Inauguration, from 5.30 to 8.30 pm (by invitation) Opening to the public: 4, 5, 6 November 2016 Hours 12 – 8 pm Tickets: Full price: € 15,00 Reduced: € 10,00 * Three day pass: € 30,00 * Children aged 12–18. Over 65s. University students, upon presentation of a university ID. Soldiers in uniform. Reduced ticket with Torino Musei membership card and the Torino Card from 4 to 6 November. Free entry for disabled people with assistance. ARTISSIMA SRL www.artissima.it [email protected] Facebook: Artissima Fair Twitter: @ArtissimaFair Instagram: ARTISSIMAFAIR Pinterest: Artissima YouTube: Artissima Fair #artissima #artissima2016 #followthepink #artissimalive Artissima’s graphic identity is provided by Tassinari/Vetta (Leonardo Sonnoli with Irene Bacchi) Thomas Bayrle| Flying Home A special project produced in collaboration with Torino Airport | Sagat Curated by Sarah Cosulich Baggage Claim Area – Torino Airport | Sagat Open to pubblic: 4 November 2016 – 28 May 2017 For people who are not travelling the exhibition can be visited from 12 November by booking on www.aeroportoditorino.it PRESS CONTACTS PCM Studio Via Goldoni, 38 | 20129 Milano [email protected] | t. +39 02 87286582 Paola C. Manfredi | [email protected] m. +39 335 5455539 Federica Farci | [email protected] – m. +39 342 0515787 Clara Cervia | [email protected] – m. +39 393 4695107 Rhiannon Pickles PR Maria Cristina Giusti [email protected] | T. +44(0)7925810607 Caterina Berardi [email protected] | m. +44(0)7907487074 GALLERIES Main Section 401contemporary, Berlin; Luis Adelantado, Valencia, Mexico City; Sabrina Amrani, Madrid; Rolando Anselmi, Berlin, Roma; Apalazzo, Brescia; Art Bärtschi & Cie, Geneva; Artericambi, Verona; Alfonso Artiaco, Napoli; Enrico Astuni, Bologna; Piero Atchugarry, Pueblo Garzon; Aural, Alicante; Barò, Sao Paulo; Bendana | Pinel, Paris; Laurence Bernard, Geneva; Boccanera, Trento; Isabella Bortolozzi, Berlin; Thomas Brambilla, Bergamo; Brand New Gallery, Milano; Braverman, Tel Aviv; Gavin Brown’s enterprise, New York, Roma; Bugada & Cargnel, Paris; Cabinet, London; Luciana Caravello, Rio de Janeiro; Cardelli & Fontana, Sarzana, Santo Stefano Di Magra; Charim, Vienna; Chert, Berlin; Continua, San Gimignano, Beijing, Boissy-le-Châtel, Havana; Copperfield, London; Raffaella Cortese, Milano; Guido Costa Projects, Torino; Curro, Guadalajara; Ellen de Bruijne, Amsterdam; Monica De Cardenas, Milano, Zuoz, Lugano; de' Foscherari, Bologna; Tiziana Di Caro, Napoli; Umberto Di Marino, Napoli; Dvir, Tel Aviv, Brussels; Frittelli, Firenze; Christophe Gaillard, Paris; Rhona Hoffman, Chicago; In Arco, Torino; Antonia Jannone, Milano; Georg Kargl, Vienna; Christine König, Vienna; Eleni Koroneou, Athens; KOW, Berlin; Tomio Koyama, Tokyo; Magazzino, Roma; Norma Mangione, Torino; Primo Marella, Milano; Marso, Mexico City; Massimodeluca, Mestre-Venezia; Gabrielle Maubrie, Paris; Mazzoleni, Torino, London; Mazzoli, Berlin; Mendes Wood DM, Sao Paulo; Eva Meyer, Paris; mfc-michèle didier, Paris; Francesca Minini, Milano; Massimo Minini, Brescia; MLF|Marie-Laure Fleisch, Roma, Brussels; moniquemeloche, Chicago; Monitor, Roma; Franco Noero, Torino; Lorcan O'Neill, Roma; Otto, Bologna; P420, Bologna; Alberta Pane, Paris; Alberto Peola, Torino; Rafael Pérez Hernando, Madrid; Giorgio Persano, Torino; Photo&Contemporary, Torino; Francesca Pia, Zurich; Pinksummer, Genova; Podbielski Contemporary, Berlin; Gregor Podnar, Berlin; Anca Poterasu, Bucharest; Progettoarte elm, Milano; Prometeogallery, Milano, Lucca; Proyectos Monclova, Mexico City; Repetto, London; REVOLVER, Lima; Ribordy, Geneva; Michela Rizzo, Venezia; Rizzutogallery, Palermo; Lia Rumma, Milano, Napoli; Richard Saltoun, London: Aurel Scheibler, Berlin; Sfeir-Semler, Hamburg, Beirut; SMAC, Stellenbosch, Cape Town, Johannesburg; Sommer, Tel Aviv; SpazioA, Pistoia; Sprovieri, London; Taik Persons, Berlin, Helsinki; Tega, Milano; Caterina Tognon, Venezia; Tucci Russo, Torre Pellice; Isabelle Van Den Eynde, Dubai; Vistamare, Pescara; White Rainbow, London; Hubert Winter, Vienna; Jocelyn Wolff, Paris; Z2O Sara Zanin, Roma; Zak | Branicka, Berlin, Krakow; Martin van Zomeren, Amsterdam Dialogue 22,48 m2, Paris; Samy Abraham, Paris; Alma, Riga; Amt_Project, Bratislava, Milano; Annex14, Zurich; BWA Warszawa, Warsaw; Car Drde, Bologna; Carbon 12, Dubai; Collicaligreggi, Catania; Vera Cortês, Lisbon; Ex Elettrofonica, Roma; FOLD, London; Iragui, Moscow; Laveronica, Modica; Antoine Levi, Paris; Luce, Torino; MA2Gallery, Tokyo; Ani Molnár, Budapest; Operativa, Roma; Piktogram, Warsaw; PM8, Vigo; Gabriel Rolt, Amsterdam; Studio SALES di Norberto Ruggeri, Roma; Federica Schiavo, Roma, Milano; Semiose, Paris; The Gallery Apart, Roma; VITRINE, London, Basel; Waldburger Wouters, Brussels; Walden, Buenos Aires; Workplace, Gateshead, London New Entries Ab/Anbar, Tehran; Beers London, London; Between Art Lab, Shanghai, Beijing; Cavalo, Rio de Janeiro; Doppelgaenger, Bari; Dürst Britt & Mayhew, The Hague; Ermes-Ermes, Roma; F2, Madrid; Fuoricampo, Siena; Future, Berlin; Nathalie Halgand, Vienna; Loom, Milano; MadeIn, Shanghai; Madragoa, Lisbon; Daniel Marzona, Berlin; Ribot, Milano; Sketch, Bogotá; Untilthen, Saint-Ouen Present Future Igshaan Adams, Blank, Cape Town| Nazgol Ansarinia, Raffaella Cortese, Milano + Green Art, Dubai | Body by Body, Chateau Shatto, Los Angeles | Iñaki Bonillas, ProjecteSD, Barcelona | Julien Creuzet, Dohyang Lee, Paris | Cécile B. Evans, Barbara Seiler, Zurich | Francesca Ferreri, Alberto Peola, Torino | Luca Frei, Barbara Wien, Berlin | Gluklya / Natalia Pershina – Yakimanskaya, AKINCI, Amsterdam | Rodrigo Hernàndez, P420, Bologna | Eric van Hove, Voice, Marrakech | Nadira Husain, PSM, Berlin | Paul Leitner, unttld, Vienna | Renato Leotta, Fonti, Napoli + Madragoa, Lisbon | Pauline M'barek, Thomas Rehbein, Cologne | Agnieszka Polska, Zak | Branicka, Berlin, Krakow | Miljohn Ruperto & Ulrik Heltoft, Koenig & Clinton, New York | Kelly Schacht, Meessen De Clercq, Brussels | Beto Shwafaty, Luisa Strina, Sao Paulo | Rosha Yaghmai, Kayne Griffin Corcoran, Los Angeles Back to the Future Thomas Bang, KANT, Copenhagen | Renate Bertlmann, Richard Saltoun, London | Jay DeFeo, Frank Elbaz, Paris, Dallas | Garth Evans, Johannes Vogt, New York | Lars Fredrikson, In Situ – Fabienne Leclerc, Paris | Anna Bella Geiger, Aural, Alicante | Jef Geys, Air de Paris, Paris | Paolo Gioli, Galleria del Cembalo, Roma | Thomas Lawson, Anthony Reynolds, London | Klaus Lutz, Rotwand, Zurich | François Morellet, Catherine Issert, Saint-Paul De Vence | Sadamasa Motonaga, De Primi, Lugano | Pat O'Neill, Monitor, Roma | Gianfranco Pardi, Cortesi, Lugano, London | Michel Parmentier, Loevenbruck, Paris | Carlos Pazos, ADN, Barcelona | Patrick Saytour, Bernard Ceysson, Luxembourg, Paris, Geneva, Saint-Etienne | Philippe Van Snick, Tatjana Pieters, Ghent | Michele Zaza, Giorgio Persano, Torino Per4m Juliette Blightman, Isabella Bortolozzi, Berlin | Dina Danish, Barbara Seiler, Zurich | Tim Etchells, VITRINE, London, Basel | Dora García, Ellen de Bruijne, Amsterdam | The Mondrian Fan Club, Enrico Astuni, Bologna | Ruth Proctor, Norma Mangione, Torino | Marinella Senatore, Laveronica, Modica Art Editions Colophonarte, Belluno; Dilecta, Paris; Editalia, Roma; El Astillero, Barcelona; L'arengario S.B., Gussago; Giorgio Maffei, Torino; Danilo Montanari, Ravenna; Multipleart, Zurich BOOKSHOPS Carmen Alonso Libros, Santander; Libreria Ardengo, Roma; Derbylius libreria, Milano; Letteratura Tattile S.B., Rimini; Libreria Martincigh, Udine; Studio Montespecchio, Montespecchio; S.T. foto libreria galleria, Roma. IN MOSTRA – ARTISTS AND INSTITUTIONS Alfredo Aceto, Barriera | Adriano Alloati, Fondazione 107 | Ghada Amer, Collezione Levi | Apparatus 22, Progetto Diogene | Vanessa Beecroft, Collezione Renato Alpegiani | John Bock, Castello di Rivoli Museo d’Arte Contemporanea | Marco Calderini, Accademia Albertina di Belle Arti di Torino | Duncan Campbell, FRAC – Fondo Regionale per l'Arte Contemporanea Piemonte | Cristian Chironi, Pinacoteca Giovanni e Marella Agnelli | John Coplans, Collezione La Gaia | Jacques-Louis David (Studio di), Accademia Albertina di Belle Arti di Torino | Giulio Delvè, Cripta747 | Filippo De Pisis, GAM – Galleria Civica d'Arte Moderna e Contemporanea | Saul Fletcher, Fondazione Sandretto Re Rebaudengo | Prinz Gholam, Collezione La Gaia | Piero Gilardi, PAV – Parco Arte Vivente | Mimmo Jodice, Collezione Renata Novarese | Sarah Lucas, Fondazione Sandretto Re Rebaudengo | Mattia Macchieraldo e Flavio Palasciano, Resò. International Network for Art Residencies and Educational Programs | Anna Maria Maiolino, Castello di Rivoli Museo d’Arte Contemporanea | Marcello Maloberti, Fondazione Zegna | Babette Mangolte, Fondazione Sandretto Re Rebaudengo | Margherita Manzelli, Castello di Rivoli Museo d’Arte Contemporanea | Marisa Merz, Fondazione Merz | Pierre Molinier, Collezione Renato Alpegiani | Carlo Mollino, Camera Centro Italiano per la Fotografia | Ugo Mulas, Fondazione per l'Arte Moderna e Contemporanea CRT | Rick Owens, Owenscorp | Giuseppe Penone, Collezione Levi| Michelangelo Pistoletto, Cittadellarte Fondazione Pistoletto | Plasticatori Anonimi, Accademia Albertina di Belle Arti di Torino | Carol Rama, Fondazione Sardi per l'Arte | Turi Rapisarda, Fondazione 107 | Man Ray, Fondazione Spinola Banna per l'Arte | Silvia Reichenbach, GAM – Galleria Civica d'Arte Moderna e Contemporanea | Luigi Serralunga, MEF – Museo Ettore Fico | Hans Schabus, Collezione La Gaia | Pia Stadtbäumer, Collezione Renato Alpegiani | Franz Erhard Walther, Collezione La Gaia | Franz West, Collezione Marco Rossi | Francesca Woodman, Collezione Renato Alpegiani | Erwin Wurm, MEF – Museo Ettore Fico | Heimo Zobernig, Collezione Marco Rossi. PERFORMANCE CALENDAR THURSDAY 3 NOVEMBER 12 - 8 PM 1 PM 5.30 PM PER4M AREA PER4M AREA PER4M AREA DINA DANISH URSONATE IN ARABIC PRONUNCIATION, 2016 TIM ETCHELLS WORK FILES, 2016 TIM ETCHELLS WORK FILES, 2016 PER4M AREA PER4M AREA DORA GARCIA THE SINTHOME SCORE, 2013-15 THE MONDRIAN FAN CLUB (DAVID MEDALLA & ADAM NANKERVIS) IMPROMPTU EVENTS, 2016 ITINERANT PER4M AREA LINGOTTO ROOFTOP TEST TRACK OUTSIDE THE FAIR, OVAL CURTAIN WALL ITINERANT PIAZZA EMANUELE FILIBERTO RUTH PROCTOR RAIN STORM, 2016 JULIETTE BLIGHTMAN NOW, SOON, WAIT, 2016 RUTH PROCTOR RAIN STORM, 2016 MARINELLA SENATORE THERE IS MORE THAN ONE WAY TO BE A PARTISAN, 2016 RUTH PROCTOR RAIN STORM, 2016 MARINELLA SENATORE THERE IS MORE THAN ONE WAY TO BE A PARTISAN, 2016 FRIDAY 4 NOVEMBER 12 – 4 PM 6.30 PM SATURDAY 5 NOVEMBER 1 PM 2 PM 4 PM 5 PM 6 PM 9.30 PM AWARDING CALENDAR FRIDAY 4 NOVEMBRER 2.30 PM 5.30 PM illy café Meeting Point - illy Present Future Prize Fondazione Ettore Fico Prize Sardi per l’Arte Back to the Future Prize Reda Prize VIP Lounge iQOS Embassy Casa del Pingone (by invitation) - Mutina “This is not a Prize” Owenscorp Prize - Prix K-Way Per4m SATURDAY 5 NOVEMBER 5.30 PM 8.30 PM SUNDAY 6 NOVEMBER 3.00 PM Per4m Area WALKIE TALKIES CALENDAR FRIDAY 4 NOVEMBER 2.30 PM 3.30 PM ENG ENG 4.30 PM 5.30 PM ENG ENG Nicola Trezzi (indipendent Curator and writer, Tel Aviv) with Rivka Saker (Collector, Israel, USA) Igor Ramirez Garcia-Peralta (Editor-in-Chief and Founder, Solar Magazine, Madrid, Milano) with José Noe Suro (Collector, Mexico) Abaseh Mirvali (indipendent Curator and producer, Berlin, Mexico City) with Collector Nora Razian (Head of programs and exhibitions, The Sursock Museum, Beirut) with Abraham Karabajakian (Collector, Lebanon) SATURDAY 5 NOVEMBER 2.30 PM ENG 3.30 PM 4.30 PM 5.30 PM ITA ENG ITA Filipa Ramos (Writer and Editor-in-Chief, Art-Agenda, co-curator, Vdrome, London) with Anna Gritz (Curator, KW Institute for Contemporary Art, Berlin) Patrizia Sandretto Re Rebaudengo (Collector, Italia) with Carlos Basualdo (Collector, USA) Verena Hein (Curator, Museum Stuck Villa, Munich) with Andrea Lukas + Rüdiger Maaß (Collectors, Germany) Nataša Venturi (Visual artist and independent producer, Milano) with Michele Drascek (Independent curator and archivist) SUNDAY 6 NOVEMBER 2.30 PM ITA 3.30 PM ITA 4.30 PM ITA 5.30 PM ENG Laura Cherubini (Vice president, MADRE Museo d’Arte Donnaregina, Napoli) with Paolo Barillari + Alessandra Cerasi (Collectors, Italy) Pietro Rigolo (Special Collector Archivist, The Getty Research Institute, Los Angeles) with Chiara Costa (Editor associato, Fondazione Prada, Milano) Attilia Fattori Franchini (Programs director, Seventeen Gallery, Co-founder, Opening) with Andrea Succo (Collector, Italia) Jacopo Crivelli Visconti (indipendent Curator and writer, Sao Paolo) with Roberto Lima (Collector, Brasil)