scarica pdf - Wannenes Art Auctions

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scarica pdf - Wannenes Art Auctions
ASIAN ART
Genoa 15 June 2016
ASIAN ART
15 JUNE 2016
GE200
wannenesgroup.com
Lot 72
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ASIAN ART
GENOA, 15 JUNE 2016
ASTA - AUCTION
Genova
Palazzo del Melograno
Piazza Campetto, 2
MERCOLEDÌ 15 GIUGNO
Wednesday 15 June
Tornata Unica
ore 15.00 lotti 1 - 145
Single Session
at 3pm (local time) lots 1 - 145
ESPOSIZIONE - VIEWING
Genova
Palazzo del Melograno
Piazza Campetto, 2
SABATO 11 GIUGNO
ore 10-13 15-19
Saturday 11 June
10am to 1pm - 3 to 7pm
DOMENICA 12 GIUGNO
ore 10-13 15-19
Sunday 12 June
10am to 1pm - 3 to 7pm
LUNEDÌ 13 GIUGNO
ore 10-13 15-19
Monday 13 June
10am to 1pm - 3 to 7pm
MARTEDÌ 14 GIUGNO
ore 10-13 15-19
Tuesday 14 June
10am to 1pm - 3 to 7pm
La partecipazione all’Asta implica l’integrale e incondizionata accettazione delle Condizioni di Vendita riportate in questo catalogo
Lot 141
I lotti potranno essere ritirati a partire da Giovedì 16 Giugno esclusivamente previo appuntamento telefonico +39 010 2530097
front page:
Lot 64
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Taking part in the Auction implies the entire and uncondItional acceptance of the Conditions of Sale outlined in this Catalogue.
The lots may be collected from Thursday 16 June, by telephone appointment calling +39 010 25 300 97.
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Genova
Palazzo del Melograno
Piazza Campetto, 2
16123 Genova
Tel. +39 010 2530097
Fax +39 010 2517767
Milano
Via Santa Marta, 25
20123 Milano
Tel. +39 02 72023790
Fax +39 02 89015908
Roma
Via Avezzana, 8
00195 Roma
Tel. +39 06 69200565
Fax +39 06 69208044
ASSOCIATI
Firenze
Oliva Rucellai
+39 349 7515707
[email protected]
Genova
Alessandro Pernecco
+39 329 0399096
Lecce
Francesco Petrucci
+39 348 5101534
[email protected]
Milano
Clara Arata
+39 338 4269120
[email protected]
Parigi
Claudia Pucci di Benisichi
+33 607 868050
[email protected]
Torino
Chiara Benevolo Caroni
+39 330 592697
[email protected]
Venezia
Christiane d’Albis
+39 338 9339811
[email protected]
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Guido Wannenes
Amministratore Delegato
[email protected]
Stefano Della Croce di Dojola
Direttore Generale
[email protected]
Luca Melegati
Direttore Milano
[email protected]
Giulia Checcucci Wannenes
Responsabile Personale e Total Quality
[email protected]
Luca Violo
Media & Comunicazione
[email protected]
Chiara Guiducci
Responsabile Assistenza Clienti
[email protected]
Barbara Baiardi
Assistenza Clienti Genova
[email protected]
Roberta Podestà
Assistenza Clienti Genova
[email protected]
Ilaria De Pian
Assistenza Clienti Milano
[email protected]
Catia Dessi
Assistenza Clienti Roma
[email protected]
Alessandro Vigo
Amministrazione
Servizio Abbonamenti
[email protected]
Luca Redenti
Responsabile Sala d’Asta
Marco Alati
Vincenzo Alati
Spedizioni e Ritiri
Servizio valutazioni
[email protected]
DIPARTIMENTI
Argenti, Avori, Icone
e Oggetti d’Arte Russa
Tommaso Teardo
[email protected]
Arte Moderna
e Contemporanea
Guido Vitali
[email protected]
Massimo Vecchia - consulente
[email protected]
Arte Orientale
Alessandra Pieroni
[email protected]
Arti Decorative
e Design del XX Secolo
Gilberto Baracco
[email protected]
Andrea Schito
[email protected]
Ceramiche e Vetri
Luca Melegati
[email protected]
Dipinti Antichi
Antonio Gesino
[email protected]
INFORMAZIONI RIGUARDANTI
QUESTA VENDITA
AUCTION ENQUIRIES
AND INFORMATION
ESPERTI
SPECIALISTS IN CHARGE
Arte Orientale
Alessandra Pieroni
[email protected]
AMMINISTRAZIONE
VENDITORI - COMPRATORI
PAYMENT BUYERS - SELLERS
Alessandro Vigo
+39 010 2530097
[email protected]
ASSISTENZA CLIENTI
COMMISSIONI D’ACQUISTO
OFFERTE TELEFONICHE
CLIENT SERVICES
ABSENTEE BIDS
Chiara Guiducci
[email protected]
Barbara Baiardi
[email protected]
+39 010 2530097
Dipinti del XIX Secolo
Rosanna Nobilitato
[email protected]
RISULTATI D’ASTA
AUCTION RESULTS
Roberta Podestà
+39 010 2530097
[email protected]
Gioielli
Benedetta Romanini
[email protected]
Fabio Nussenblatt
[email protected]
STATO DI CONSERVAZIONE
CONDITION REPORT
Tel. +39 010 2530097
Fax +39 010 2517767
[email protected]
Mobili, Sculture e Oggetti d’Arte
Mauro Tajocchi
[email protected]
Lot 65
Lot 71
Tappeti e Tessuti Antichi
David Sorgato
[email protected]
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RULES TO BID
競投規則
A money deposit of € 5.000,00 to 10,000.00 will be requested to participate to the bid ( cash, bank transfer or credit card Visa - Mastercard)
欲參與競投者,需先交付 € 5.000,00 - € 10,000.00的保證金(接受以現金、銀行匯款或信用卡支付)
In the case of not getting the lot, the amount will be immediately, or within 24 hours, returned after the
sale
在沒有投到拍品的情況下,該金額將立即,或在售後24小時內退還
Telephone bid and written offer must be made maximum 48h before the Auction
以電話競投或書面出價競投的參與者,請於拍賣開始前48小時內完成申請
"Premium Lot " deposit : to bid the premium lot, a guarantee deposit of € 10.000 will be requested ( to send
at least 5 working days before the Auction)
“高额“保證金:投標溢價很多,為 € 10,000保證金將被要求提交(在拍賣之前至少5個工作日)
All the bidders in the room must have a paddle nr. and be regularly registered (personal data, copy of passport or ID card; in the case they bid for a third person all the data of the third person must be registered
before the sale
所有房間內的投標人必須有一個競標號碼牌。定期進行登記(個人資料,護照或身份證複印件
,第三方代表須在競拍三日之前註冊登記)
All the data for the invoicing must be conferred immediately after the sale, before leaving the saleroom
發表日期必須在售後馬上確定
The entirely amount must be paid within 7 working days from the date of the Auction
必須從拍賣之日7個工作日內完全支付
After 10 working days of non payment bank interests will be added
內後不付款到將被添加銀行的利益
該款項
10個工作日
MONEY TRANSFER : 匯款:
ART AUCTIONS Srl (WANNENES)
UNICREDIT BANK – Via Dante 1 – 16121 Genoa
IBAN IT 02 H 02008 01400 000110001195
SWIFT UNCRITMM
All the CREDIT CARD PAYMENTS for Caution deposit or for lot payment must be made in CNY value or a
commission will be requested)
所有信用卡付款的注意事項 :保證金付款必須在人民幣價值呢或者的佣金)
For long distance authorization payments (caution deposit or payment of invoice) with CREDIT CARD,
WANNENES will provide you a Form to full fill and return by fax or email to the registration desk
對於長距離的付款:(保證金或付款發票)使用信用卡,Wannenes將為您提供一個表格,请填
寫完整並傳真或電郵至登記處
Fax nr. 傳真號碼 0039 010 2517767
Email 郵箱 : [email protected][email protected]
Lot 53
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CONDITION REPORT
Answering your request, we gently provide you the “condition report” of the objects described in the catalogue. As we are not restorers or professional conservators, all the possible buyers should inspect the
lots by themselves or consult a professional restorer of their trust during the viewing before the auction.
Any statement made by WANNENES is a subjective opinion. WANNENES offers and sell all lots in accordance
with the “General condition of sale” (art. 8) printed in the catalogue.
狀況報告 拍卖会
应您的要求,我们为您提供目录中描述对象的“状况报告”。因為沒有修复的专业人士,我们建议
每一个可能的买家亲自或由其信任的人在每次竞拍曝光前检测卖品。WANNENES 的任何聲明是
主觀意見。Wannenes按照印在目录的 “条款和条件” 提供和销售所有拍卖品(见 第8条 条款)
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TORNATA UNICA
SINGLE SESSION
MERCOLEDì 15 GIUGNO 2016 ORE 15.00
LOTTI 1 - 145
WEDNESDAY 15 JUNE 2016 AT 3PM
LOTS 1 - 145
Lot 32
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FROM THE PRIVATE COLLECTION OF A MILANESE GENTLEMAN
来自米兰绅士私藏
recto
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ALZATINA IN PORCELLANA A FONDO TURCHESE DECORO A FIORE DI LOTO, CINA, XIX SECOLO
A TURQUOISE GROUND FAMILLE-ROSE PORCELAIN OCTAGONAL FOOTED 'LOTUS' BOWL, CHINA, 19TH CENTURY
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DUE FIASCHE IN PORCELLANA BIANCA E BLU, CINA, TARDA DINASTIA QING
TWO BLUE AND WHITE PORCELAIN MOON FLASKS, CHINA, LATE QING DYNASTY (2)
Of octagonal section with deep rounded sides rising from a splayed foot to a gilt rim, the exterior brightly enameled
with large lotus blooms interspersed with Shou characters with stylized chilongs, all against a turquoise ground and
the foot with further lotus against a dark blue ground, the interior and the base enameled turquoise. In good
conditions.
Of a compressed globular form, each vase is applied with two dragon handles , the circular central panels decorated with long-tailed lions amongst clouds, the sides on a scrolling lotus ground, at the base a continuous lappet
band. In good conditions.
11 cm high, 17 cm wide
€ 400 - 600
€ 300 - 500
绿松石莲花托盘,v中国,十九世纪
高 11cm,宽17cm
25 cm high, 18 cm wide
青花烧瓶,中国,清朝晚期
高 25cm,宽18cm
verso
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GRANDE PIATTO CONCAVO IN
PORCELLANA BIANCA E BLU, CINA,
XIX SECOLO
A LARGE “LOTUS” BLUE AND
WHITE CHARGER, CHINA, 19TH
CENTURY
The interior decorated with large five lotus blossoms on scrolling stems
with curling leaves, within a band of
large ruyi head border, outside three
lotus flowers and an Artemisia leaf in a
double circle blue line. In good conditions, a small firing imperfection and a tiny
chip on the rim.
37 cm diam.
€ 400 - 600
青花瓷盘,中国,十九世纪
直径37cm
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DUE SNUFF BOTTLES IN AGATA CON TAPPI IN
OCCHIO DI TIGRE, CINA, DINASTIA QING
TWO AGATE SNUFF BOTTLES WITH CAPS,
CHINA, QING DYNASTY (2)
In good conditions.
8 cm high
€ 200 - 500
两个玛瑙鼻烟壶,虎眼石盖,中国,清朝
高 8cm
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DIECI SNUFF BOTTLES IN ARGENTO E PIETRE DURE, UNITE AD
UNA ETAGERE IN LEGNO, CINA, XIX SECOLO
TEN SILVER AND HARDSTONE SNUFF BOTTLES, TOGETHER
WITH A WOOD SHELF, CHINA, 19TH CENTURY (11)
Of different shapes, all with repoussé decoration, with
coral and turquoise cast stones. In good condition.
Snuff bottles 10 cm max high
Shelf 66,2 cm high, 44,5 cm wide,14 deep
€ 700 - 1.000
十个银质和玉鼻烟壶有木架,中国,十九世纪
高 10cm鼻烟壶,木架高66,2 , 宽 44,5cm,深14cm
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DIECI SCATOLINE IN ARGENTO, CINA, DINASTIA QING
DIECI SNUFF BOTTLES IN ARGENTO E PIETRE DURE, CINA, DINASTIA QING
TEN SMALL SILVER BOXES, CHINA, QING DYNASTY (10)
TEN SILVER AND HARDSTONES SNUFF BOTTLES, CHINA, QING DYNASTY (10)
7 cm max high
10 cm max. high
€ 800 - 1.000
€ 800 - 1.000
十个银盒,中国,清朝
最高 7cm
十个鼻烟壶,银质,云石,中国,清朝
最高 10cm
Of different shapes, most with high relief decoration, all with mark at the base. In good conditions.
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Of different shapes, some with repoussé decoration, with coral and turquoise cast stones. In good conditions.
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CANDELIERE IN ARGENTO, PIETRE DURE E GIADA,
SINO-TIBET, XIX SECOLO
A SILVER, JADE AND HARDSTONE
CANDLESTICK, SINO-TIBET, 19TH CENTURY
Of a globular body with repoussé decoration with two jade plaques with a chilong
incised in high relief surrounded by oval coral and turquoise alternated flanked by two
handles with lion masks with movable rings.
The tall neck with a fine relief flower decoration with two jade handles, carved with a
chilong along the shaft confronting a dragon-head terminal, and a cylindrical jade
finial. In good conditions.
52 cm high, 25 cm wide
€ 800 – 1.200
银质蜡台,玉石,玛瑙,西藏,十九世纪
高 52cm,宽25cm
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TEMPIO DA VIAGGIO IN ARGENTO E RAME DORATI, SINO-TIBET, XIX SECOLO
A SILVER AND GILT-COPPER TRAVELLING GAU, SINO-TIBETAN, 19TH CENTURY
The shrine of lobed outline depicting the gilt '8 Auspicious Symbols' Bajixiang surrounded by foliates scroll and
in the centre a gilt temple; outside incised around the sides with scrollwork. In good conditions, missing the deity in
the niche, the tissue belt and pouch.
18 cm high, 17 cm wide
€ 1.000 – 1.500
鎏金银铜塔,西藏,十九世纪
高 18 cm,直径17cm
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FIGURA IN LEGA DI RAME DI GARUDA, INDIA,TARDO XIX SECOLO
A COPPER ALLOY FIGURE OF GARUDA, INDIA, LATE 19TH CENTURY
In good conditions.
14 cm high, 10 cm wide
€ 300 - 600
的铜合金迦楼罗铜像, 印度19世纪末
高 14cm,宽10cm
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FIGURA IN LEGA DI RAME DI MAHASIDDHA VIRUPA, TIBET, TARDO XIX SECOLO
A COPPER ALLOY FIGURE OF MAHASIDDHA VIRUPA, TIBET, LATE19TH CENTURY
In good conditions.
20 cm high,15 cm wide
€ 1.000 - 1.600
銅合金雕像大成就者,西藏,19世纪后期
高 20cm,宽15cm
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MISCELLANEOUS PROPERTIES
其他屬性
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GRUPPO DI QUATTRO PIATTI E COPPE CELADON E UNA COPPETTA DIPINTA IN BLU SOTTOCOPERTA, CINA, DINASTIA MING (13681644)
A GROUP OF FOUR CELADON DISHES AND BOWLS AND ONE BOWL WITH BLUE UNDERGLAZE, CHINA, MING
DYNASTY(1368-644) (5)
The bigger dish with three hairlines and the bowl with one hairline, the two small dish in good condition.
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DUE FIGURE IN BRONZO DORATO DI AMITAYUS, DINASTIA QING, EPOCA QIANLONG,
MARCATI, UNITI AD UN INCENSIERE IN BRONZO A FORMA DI ANIMALE FANTASTICO
TWO FINE CHINESE GILT-BRONZE FIGURES OF AMITAYUS, QING DYNASTY,
QIANLONG MARK AND OF THE PERIOD, TOGETHER WITH A BRONZE CENSER (3)
A fine cast and gilt bronze sculpture of Amitayus on a rectangular stool with decorated scrollwork legs, seated in vajrasana, the hands in dhyanamudra, with
the hair piled in high knot and adorned with a five-leaf high diadem (as Bodhisattvas wearing a crown "five leaves" indicate that he is an entity not subject to
natural laws), earrings, a necklace, with bracelets on the arms and wrists, the
long robes draped in folds and falling pendent over the edge of the stool. The
front stretcher of the stool incised with a nine-character mark Da Qing Qianlong
geng ying nian jing zao, 'Respectfully made in the geng yin year of the Qianlong period of the Great Qing Dynasty; wear in the gilding, the mandorlas missing and few missing tips on the crowns, one base a bit smashed. The censer
with damages in the body.
19 cm high
€ 600 - 800
兩銅鎏金無量壽,清乾书款,中國,日期為
一个神兽青铜鼻烟壶
高 19cm
Note: cast as part of an order by the Qianlong Emperor of many thousand
identical images, one of which, dated slightly earlier, 1761, is illustrated in
Buddhist Images in Gilt Metal from the Chang Foundation as number 10
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21 cm max. diam., 6 cm max high
€ 600 - 800
一套精美瓷盘 中国,明朝(1368-1644)
直径21cm,高 6cm
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TRE FIGURE DI SUONATORI IN TERRACOTTA SMALTATA,
CINA, DINASTIA MING (1368-1644)
THREE SANCAI-GLAZED POTTERY FIGURES WITH
MUSICAL INSTRUMENTS, CHINA, MING DYNASY
(1368-1644) (3)
Each modeled standing on a rectangular base wearing long green and amber-glazed robes, their arms
holding their instruments. Sticks of the drums missing,
one base with a piece in the corner missing.
19 cm high
€ 300 - 500
三个陶像,中国,明代
最高 19cm
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PIATTO CONCAVO IN PORCELLANA CELADON, CINA, DINASTIA MING (1368-1644)
THANGKA RAFFIGURANTE AVALOKITESHVARA, SINO-TIBET, XIX-XX SECOLO
A CELADON PORCELAIN CHARGER, CHINA, MING DYNASTY (1368-1644)
ELEVEN-FACED, EIGHT-ARMED AVALOKITESHVARA THANGKA, SINO-TIBET, 19TH-20TH CENTURY
The interior sides with a raised rib design . In good conditions, with a Y shape hairline.
33 cm diam.
€ 300 - 500
青瓷凹盘,中国,明朝
直径 33cm
Gouache on cotton depicting Avalokiteshvara the archangel of compassion. The ten faces symbolize that he has
mastered all ten Bodhisattva stages and at the top a Buddha Amithaba face. The first two hands are held at level of
the solar plexus, the others holding a lotus flower in bloom, and arrow and a bow, the vase for immortality elixir and
the wheel of spiritual teaching and a rosary. On the four corners of the painting, Buddhas seated in different meditation positions on clouds and centrally up above a Lama.
72 cm high, 48 cm wide
€ 700 - 900
唐卡,西藏,十九二十世纪
高 72cm,宽 48cm
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FROM THE PRIVATE COLLECTION OF A SICILIAN GENTLEMAN
意大利南方紳士持有
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VASO IN PORCELLANA FAMIGLIA ROSA, CINA,
DINASTIA QING, XIX SECOLO
A FINE HEXAGONAL FAMILLE ROSE PORCELAIN
VASE, CHINA, QING DYNASTY, 19TH CENTURY
The hexagonally-faceted baluster body with a
spreading foot, rising to a waisted neck and a
flared mouth-rim, the trumpet neck applied with
a pair of small handles with in relief foliate fruiting peach sprigs underneath, brightly enamelled overall and decorated with a lively
continuous scene of a high official receiving the
court figures within a garden landscape. In very
good conditions, very minor surface wear, very
minor firing imperfections.
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COPPIA DI GRANDI VASI IN PORCELLANA FAMIGLIA ROSA,
CINA, DINASTIA QING, XIX–XX SECOLO
A PAIR OF LARGE FAMILLE ROSE PORCELAIN “PEONY”
VASES, CHINA, QING DYNASTY, 19TH–20TH CENTURY (2)
Of ovoid body resting on a short foot rising to a tall
shoulder with a waisted neck to a flared rim, painted in
bright famille-rose enamels, with a continuous decoration
of foliate branches with peonies in blossoms. In very good conditions, minor firing imperfections, very minor surface wear.
57 cm high
60 cm high
€ 1.000–1.200
€ 2.500–3.500
六角粉彩花瓶,中国,清朝,十九世纪
高 57cm
一对粉彩花瓶,中国,清朝,十九二十世纪
高 60cm
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GRANDE VASO IMARI A BALAUSTRA CON COPERCHIO, GIAPPONE, DINASTIA EDO, XIX SECOLO
GRANDE VASO CON COPERCHIO IN BRONZO, GIAPPONE, PERIODO MEIJI (1868-1911)
A LARGE BALUSTER IMARI VASE AND COVER, JAPAN, EDO DYNASTY, 19TH CENTURY
Cast with a continuous scene of birds and set in the middle by a pair of foliate and flowers branches larges handles,
the cover with on the top a eagle with outstretched wings on a rocks. In very good conditions, very minor surface
wear and scratches and very minor cast imperfections.
Of baluster form and fluted body, rising with slightly flaring straight sides and high broad rounded shoulders, is decorated with four main panels-reserve and all over painted with a continuous motif of scrolling and panels flowers motif, the tall cover with the knob molded of a mythical animal. In very good conditions, very minor surface wear, just a
little more pronounced in the gilding and close to the foot ring on the iron red enamel, very minor firing imperfections.
90 cm high , 43 cm wide
90 cm high, 50 cm wide
€ 800 1.200
€ 800–1.000
青铜花瓶,日本,十九二十世纪
高 90cm, 宽43cm
伊万里大花瓶,有盖,日本,十九世纪
高 90cm, 宽50cm
A LARGE BRONZE VASE AND COVER, JAPAN, MEIJI PERIOD (1868-1911)
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A SELECTION FROM THE PRIVATE
COLLECTION OF A MAJOR OF ROYAL ITALIAN ARMY IN CHINA UNTIL 1903
1903 年 選集意宽利皇家軍隊在中國的一個主要的私人收藏
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RARO LEGGIO IN LACCA NERA E DECORATO IN ORO, GIAPPONE, XVIII-XIX SECOLO
A RARE BLACK AND GOLD LACQUER READING DESK, JAPAN, 18TH-19TH CENTURY
Decorated with foliage plants and scattered sprigs blossoms and geometric bowls flowers all over, the base columns
set with a pair of ormolu gilt bracket. In very good conditions, very light wear on surface and scratches.
58 cm high, 60 cm wide
€ 700 - 900
稀有黑漆金子装饰书桌,日本,十八,十九世纪
高58cm,宽60cm
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Maggiore del Regio Esercito Italiano, nasce in Liguria nel 1863 (?) e muore in combattimento in Africa nel 1913.
Proveniente da una famiglia di armatori veneziani, comandanti delle proprie navi e grandi viaggiatori, a 17 anni entra nella Scuola Militare di Modena: nel 1882 inizia la carriera militare. Prima Tenente e poi Colonnello, viene inviato in Cina con la qualifica di Maggiore ad assumere il comando di un contingente misto, con sede a Tien-tsin,
dove rimane fino al 1903. Grazie alle brillanti doti mostrate in tale spedizione ottiene le croci di Cavaliere dell’Ordine della Corona d’Italia e di SS. Maurizio e Lazzaro. Nel 1906 parte per l’Eritrea dove rimane fino al 1910 ed
ottiene la promozione a Tenente Colonnello. Due anni è in Cirenaica (Libia): qui ormai Colonnello, combatte eroicamente e muore combattendo nel 1913. Per tale impresa gli verrà conferita la Medaglia d’Oro al Valor Militare.
La collezione qui presentata è costituita da oggetti raccolti da lui o a lui donati (titolare di un’importante carica militare, aveva infatti occasione di frequentare i circoli diplomatici e la società migliore) durante la sua permanenza in Cina: da allora sono rimasti di proprietà dei suoi discendenti.
A Major in the Royal Italian Army, was born in Liguria in 1863 (?). He died in Africa in fighting in Africa in 1913.
He came from a family of venetian shipowners and great travellers. At 17 years of age he went to the military school in Modena and began his military career. Lieutenant first and then colonel, he was sent to China as a Major to assume the command at Tien-Tsin: he stayed there till 1903. Thanks to his good work in China, he was awarded the
cross of a Knight of the Ordine della Corona d’Italia and of the Ordine dei SS. Maurizio e Lazzaro.
In 1906 he left for Eritrea where he stayed until 1910 and he was promoted to Lieutenant Colonel. Two years later,
he was in Cirenaica (Libya) where he fought heroically and died in 1913. He was awarded the gold medal for Military Excellence.
The collection here illustrated is comprised of objects he collected and received in China (he held a high military position and frequented embassy parties and high society milieux): the collection have since remained with his descen-
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dants.
COPPIA DI PICCOLI VASI CLOISONNE', UNITE A SEI PICCOLE COPPE IN PORCELLANA RICOPERTE DI VIMINI, GIAPPONE,
DINASTIA EDO, FINE XIX – INIZIO XX SECOLO
意大利皇家军少校出生在力古里亚大区(1863?) 1913年在非洲战场战亡。
他来自威尼斯一个船东家庭,指挥船只,17岁开始旅行,1882年加入摩德纳军事学校,开始他的军事生涯。先是
中尉然后是上校,奉意大利国王的命令,以少校身份派到中国,指挥混合队伍,在天津总部直到1903年,奉命回
国。回到祖国后,由于他的丰功伟绩,他获得意大利皇室和圣十字堂骑士勋章。随后,在1906年,他去厄立特里
亚,在那里直到1910年,晋升为中校。两年后,他去往昔兰尼加(利比亚),在这里,上校,1913年英勇战亡。
因为这次事件,他被授予金质勇气勋章。
下列展品是在他逗留中国期间,收集或被赠与的物件组成,(他在大使馆有一个重要军事地位,与最高层接触)
于是,这些收集品来到意大利,并保存在他的住所,后来流传给他的合法继承人。
A PAIR OF SMALL CLOISONNE' VASES, TOGETHER WITH SIX SMALL PORCELAIN BOWLS COVERED WITH WICKER,
JAPAN, EDO PERIOD, LATE 19TH - EARLY 20TH CENTURY (8)
The cloisonné vases of globular form decorated with flying cranes. The six bowls with wicker outside and the interior
each painted with a lady head, the base with a common mark. All the pieces in very good conditions, with very
light surface wear, very minor firing imperfections and scratches.
10 cm high, 7 cm diam
€ 300 - 500
一对景泰蓝花瓶,和另外六个小瓷杯,日本,江户时代,十九世纪末二十世纪初
高10cm,直径7cm
31
23
GRANDE PIATTO BIANCO E BLU, GIAPPONE, DINASTIA EDO, XIX SECOLO
A LARGE ARITA BLUE AND WHITE CHARGER, JAPAN, EDO DYNASTY, 19TH CENTURY
The front side painted in under-glaze blue, with a oval reserve decorated with a wide landscape with a river, close
to a little village, in first plan a bridge between hills and tree and with high mountains in the distance. To the side an
ornament of round balls with brocade patterns, between three round reserves showing flowers and plants, the back
side walls with a scroll motif of flowers and foliage, the base with an apocryphal six character Ming mark. In very
good conditions, very minor wear and minor firing imperfections on the surface.
41cm diam., 7,5 cm high
€ 100 - 500
青花瓷盘,日本,江户时代,十九世纪
直径 41cm 高 7.5cm
32
24
LOTTO DI CINQUE VENTAGLI, DUE CINA, DINASTIA QING, XIX SECOLO, E TRE GIAPPONE, XIX SECOLO
A GROUP OF FIVE FANS, TWO CHINESE, QING DYNASTY, 19TH CENTURY, AND THE OTHER THREE JAPANESE, 19TH
CENTURY (5)
Ink and color on silk, handles in different material, wood and bamboo depicting ladies figures or animals and
flowers. Humidity stains in every one, breaks in the tissue in one with the female figure by the tree.
27cm max high, 26 cm max wide
€ 500 - 800
一组扇面,五个,两个有山羊和人物装饰,中国,清朝,十九世纪,另外三个日本扇面,十九 世纪
高 27cm, 直径 26cm
33
recto
verso
26
DUE PORTAPENNELLI IN AVORIO INCISO, CINA, DINASTIA QING, XVIII-XIX SECOLO
TWO NICE CARVED IVORY BRUSH POTS, CHINA, QING DYNASTY, 18TH -19TH
CENTURY (2)
25
DUE FRUSTINI CON MANICO IN ARGENTO LAVORATO A RILIEVO ED UNA
PIPA IN BAMBÙ, CINA, TARDO XIX SECOLO
TWO WHIPS WITH SILVER HANDLES, TOGETHER WITH A BAMBOO
PIPE, CHINA, LATE 19TH CENTURY (3)
Both whips with high relief decoration and Chinese character
inscriptions. In good conditions, one whip with hair missing, the
pipe with nozzle missing.
60, 40, 28 cm high
€ 500 - 800
两个竹管银质把手作物,中国,十九世纪末
长.60, 40, 28 cm
34
Of cylindrical tall form, one incised and painted in black with two columns,
with an inscription in ancient Chinese followed by two square seals, the
other finely incised and decorated in black with a scene of a landscape with
rocks between a pine tree and a bamboo, standing by on the grass a bird.
In very good conditions, with only very minor wear and light scratches on the
surface, few little age cracks.
9,9 cm max high, 4,8 max diam.
€ 600 - 800
两个象牙笔筒,中国,清朝,十八十九世纪
最高 9,9cm 直径 4,8cm
Special Notice
Prospective purchasers are advised that several countries prohibit the importation of
property containing materials from endangered species, including but not limited to
coral, ivory and tortoiseshell. Accordingly, prospective purchasers should familiarize
themselves with relevant customs regulations prior to bidding if they intend to import
this lot into another country.
35
27
GRUPPO DI CINQUE MODELLINI IN LEGNO, CINA, TARDO XIX SECOLO
FIVE WOOD MODELS, CHINA, LATE 19TH CENTURY (5)
Representing everyday life scenes. In good conditions.
9,5 cm max high, 24 cm max wide
€ 300 - 500
一组五个木质模型,中国,十九世纪
最高 9,5cm x 24,5cm
Lot 28
36
37
28
COPPIA DI SEDIE LACCATE IN NERO E DIPINTE IN ORO, CINA, DINASTIA QING, XIX SECOLO
A PAIR OF BLACK- LACQUERED AND GOLDEN PAINTED WOOD CHAIRS, CHINA, QING DYNASTY, 19TH CENTURY (2)
Each with a slightly slender S-form back enclosing a hardwood seat above shaped aprons, the legs of squared
section joined by stretchers. They are painted overall in a black lacquer, with a finely gilded motif of scrolling flowers
and the S-shaped panel decorated with Buddhist symbols as a paired fish shuangyu*, Jade musical stone qing*
and bats fù*, the gilded design on a red base - the latter showing through in parts to create a three-colour design
and deepness. Losses on the lacquer and surface wear in the gilding decoration, more pronounced in the seat and
shoulder areas of both chairs, some small pieces of wood lost and pieces of ornaments re stuck.
105 cm high, 50 cm wide , 41 cm deep
€ 1.300 - 1.600
一对涂金黑色手杖,中国,清朝,十九世纪
尺寸 105x50x41 cm
Note
* shuangyu coniugal happiness, fertility, protection against the evil
* qing sense of music and finely tuned ability for discrimination
* fù good fortune and happiness
38
39
29
STAND DA INCENSO IN LEGNO HUANGHUALI INTAGLIATO, CINA, DINASTIA QING, SECONDA META' DEL XIX SECOLO
A FINE AND CARVED HUANGHUALI INCENSE STAND, CHINA, QING DYNASTY, SECOND HALF 19TH CENTURY
The tall stand of square shape, with two shelves and a drawer, the wood finely carved in three sides, with a motif of
Shou characters linked together with flying bats and dragons among clouds and foliate motif. The wood with a
good warm patina. The stand in overall very good condition, with only few age cracks in the wood panels and a
gap on the top between the panel and the structure, very light wear on the surface and small chips and nicks on the
edges and extremities.
93 cm high, 48 cm wide and deep
€ 2.000 - 3.000
黄花梨木雕香炉,中国,清朝,十九世纪中期
尺寸 93x48x48 cm
40
41
30
COPPIA DI ETAGERES APERTE ASIMMETRICHE IN LEGNO, CINA, DINASTIA QING, XVIII-XIX SECOLO
A FINE PAIR OF OPEN WOOD DISPLAY CABINETS, CHINA, QING DYNASTY, 18TH-19TH CENTURY (2)
The upright rectangular form, with asymmetrical tiered arrangement of five shelves of varying size and different
heights, the feet slightly curved and joints together by an inclined apron carved with a double of curls designs, and
supported on a short cabriolet feet. In very good conditions, minor wear and scratches on wood surface.
42 cm high, 30 cm wide, 10 cm deep
€ 1.500 - 2.500
精致木架,中国,清朝,十八十九世纪
高 42cm,宽 30cm,深10cm
42
43
32
CORNICE IN LEGNO INCISA CON DECORO DI DRAGHI,
CINA, DINASTIA QING, TARDO XIX SECOLO
A WOOD DRAGON CARVED FRAME, CHINA, QING
DYNASTY, LATE 19TH CENTURY
The wood finely incised in openwork with continuous
motif of dragons and Shou characters. In good
conditions, minor wear on wood surface.
Sizes 141 cm x 49 cm
€ 700 - 1.000
龙雕木框,中国,清朝,十九世纪末
高 141,宽49cm
31
PICCOLO ARMADIO IN LEGNO CON DECORAZIONI IN RILIEVO, CINA, DINASTIA QING, XIX SECOLO
A 'SPRING' WOOD CABINET WITH RELIEF CARVED DECORATION, CHINA, QING DYNASTY, 19TH CENTURY
Supported on slightly short legs with rounded beaded edges, the low panel decorated in relief with a design of
clouds above a sea with waves and emerging rocks, the two panels doors decorated on relief, with fluttering
swallows between scattered small clouds and set with bronze hinges, decorated with a motif of confronted incised
chilongs, the doors opening to reveal the shelved interior with two drawers. In very good conditions, with very minor
wear and scratches on the surface.
87 cm high, 57 cm wide, 26 cm deep
€ 600 - 800
浮雕木柜,中国清代,十九世纪
尺寸 87x57x26 cm
44
45
33
UN RARO CUBO ARCAISTICO IN BRONZO A OTTO SIGILLI, CINA, DINASTIA MING
(1368-1644)
A RARE ARCHAISTIC BRONZE CUBIC WITH EIGHT SEALS, CHINA, MING DYNASTY
(1368-1644)
Each sides of the cube engraved with Chinese archaic characters or zhuanshu
script.
In very good conditions, only slightly scratches on surface and nicks on the rims
edges.
Sizes 3,2x3,2x3,2 cm
€ 500 - 800
仿古青铜印章,中国,明朝,(1368-1644)
尺寸 3,2x3,2x3,2 cm
46
47
34
36
RARO VASO IN BRONZO A FORMA DI PERA,
CINA, DINASTIA QING, XVII-XVIII SECOLO
DUE FIGURE IN BRONZO DORATO DI
AMITAYUS, DINASTIA QING, MARCATI
QIANLONG E DEL PERIODO
A RARE BRONZE PEAR-SHAPED VASE ,
CHINA, QING DYNASTY, 17TH -18TH
CENTURY
TWO FINE CHINESE GILT-BRONZE FIGURES
OF AMITAYUS, QING DYNASTY,
QIANLONG MARK AND OF THE PERIOD
(2)
Finely cast with a pear-shaped body,
rising from an oval base to a waisted
neck and pronounced mouth rim,
standing on three feet modeled as
elephant heads, each animal with long
tusks and a ribbed trunk, cast with a pair
of stylized taotie mask handles with rings
at the shoulders, the bronze patinated to
a fine golden toffee-brown colour. In very
good conditions, with some more
pronounced wear to the middle of the
vase where the vase is handled and very
light scratches.
A fine cast and gilt bronze sculpture of
Amitayus on a rectangular stool with
decorated scrollwork legs, seated in
vajrasana, the hands in dhyanamudra,
with the hair piled in high knot and
adorned with a five-leaf high diadem (as
Bodhisattvas wearing a crown "five
leaves" indicate that he is an entity not
subject to natural laws), earrings, a
necklace, with bracelets on the arms and
wrists, the long robes draped in folds and
falling pendent over the edge of the stool.
The front stretcher of the stool incised with
a nine-character mark Da Qing Qianlong
geng ying nian jing zao, 'Respectfully
made in the gengyin year of the
Qianlong period of the Great Qing
Dynasty ; wear in the gilding, the
mandorlas missing and one crown a bit
leaning, dents at the bases.
15 cm high, 11 cm wide
€ 800 - 1.200
稀罕青铜梨形小瓶,中国,清朝,十七十
八世纪
高 15cm,宽11cm
20 cm high, 11,5 cm wide
€ 800 - 1.200
两尊青铜金无量寿雕像,清代,乾隆年间,
标明日期
高 20cm,宽11.5cm
37
RARO PICCOLO BRUCIA INCENSO IN BRONZO,
CINA, DINASTIA QING XVII - XVIII SECOLO
A RARE SMALL BRONZE INCENSE BURNER,
CHINA, QING DYNASTY, 17TH -18TH CENTURY
35
DUE PICCOLI VASI IN BRONZO, CINA, DINASTIA MING
(1368-1644)
TWO SMALL BRONZE VASES, CHINA, MING
DYNASTY (1368-1644) (2)
The square body rising from a slightly splayed foot
to a waisted neck and flared mouth-rim, two sides
of the vase flanked by a pair of small loop
handles, the four sides similarly cast in low relief
with two registers, the design developing from the
middle of the body, the lower register with three
cicada leaves and the upright panel with archaistic
motif. The little vase of a pear-shaped inverse form,
rising from a slender base to a waisted neck to a
flared mouth-rim, the shoulder flanked by a pair of
mystical beast handles. Both in very good
conditions, with very light surface wear and
scratches.
Finely cast with a globular body rising to a
waisted neck, all supported on a short foot, the
exterior in the form of a lotus flower, with one
row of stylized lotus flower petals, the sides set
with two mythical animal head handles cast in
relief, the base in the center with a recessed
square, the patina of a variegated warm
caramel-brown color, the top with a pierced
wood cover. In very good conditions, with
some minor wear on the surface more visible
on the protruding areas.
11 cm high, 12 cm diam.
€ 500 - 800
青铜香炉,中国,清朝,十七十八世纪
高11cm,直径12cm
12 and 8,5 cm high, 7 and 4 cm wide
€ 500 - 800
两个小铜瓶,中国,明朝(1368-1644)
高12 cm 和 8 cm,宽 7cm 和 4 cm
48
49
38
GRANDE CONTENITORE TRIPODE ARCAISTICO IN BRONZO, CINA, DINASTIA MING (1368-1644), BASE E COPERCHIO IN
LEGNO CON LA PRESA A FORMA DI DRAGO IN GIADA GIALLA CHIARA
A LARGE BRONZE ARCHAISTIC TRIPOD VESSEL, CHINA, MING DYNASTY (1368-1644), WOOD BASE AND COVER AND
THE DRAGON KNOB IN A PALE YELLOW JADE
Supported on three cylindrical legs, the rounded sides finely cast in high relief with a band of four archaistic phoenix
with their heads turned back, the lipped rim set with opposing bail handles, wood stand and cover with top finial in
a pale yellow jade of a dragon among clouds. In very good conditions, very light surface wear and with a strong
dark brown patina, the finial jade with minor small chips on the top edges, the wood with light scratches and wear
on the surface.
27cm high, 15 cm diam.
€ 1.000 - 1.500
仿古青铜宽香炉,中国,明朝(1368-1644)
高 27cm,直径 15cm
50
39
GRANDE CONTENITORE TRIPODE ARCAISTICO IN BRONZO, CINA, DINASTIA MING (1368-1644), CON BASE IN LEGNO
A VERY LARGE ARCHAISTIC BRONZE TRIPOD VESSEL, CHINA, MING DYNASTY (1368-1644), ON WOOD BASE
The large round body rising to a waisted neck and a tall flaring rim, supported on three crisp blade-shaped legs, the
body intricately decorated with two main band with an archaistic design and flanked by a loop handle by the side,
the mouth-rim surmounted by a pair of posts capped by mushroom tops with sunken whorl patterns, the wood base
pose on three short foot, finely carved with a band of stylized animal masks. Considering the age and the large size
of the vessel, it is in quite good conditions, with corrosion in some areas of the vessel and with a V-shaped section of
the rim surmounted by the post capped mushroom tops it has been off and soldered to the body, difficult to
understand if the piece it has been replaced in some place or it has just lost the patina of the ages, the base stand
in good conditions, with only minor scratches and small chips and nicks on the edges and extremities.
46 cm high, 30 cm wide
€ 1.000 - 1.500
仿古三角青铜宽香炉,中国,明朝(1368-1644)
高 46 cm,直径 30cm
51
40
INCENSIERE TRIPODE IN BRONZO, CINA, XVII-XVIII
SECOLO, MARCHIO APOCRIFO XUANDE
A TRIPOD BRONZE INCENSE BURNER,
CHINA, QING DYNASTY, 17TH-18TH
CENTURY, APOCRYPHAL MARK XUANDE
The globular compressed body with upright
loop handles at the rim. Under the base, in
high relief, an apocryphal Xuande sixcharacter mark with two dragons around it,
chasing the flaming pearl. In good
conditions, wear on surface.
10,5 cm high, 6,5 cm diam
€ 1.200 - 1.800
青铜三脚香炉,中国,清朝,17-18世紀,
宣德书款
高 10,5 cm, 直径 6,5 cm
42
DUE INCENSIERI TRIPODI IN BRONZO, CINA, XVIII SECOLO, MARCHIO APOCRIFO XUANDE
TWO TRIPOD BRONZE INCENSE BURNERS, CHINA, QING DYNASTY, 18TH CENTURY,
APOCRYPHAL MARK XUANDE (2)
41
BRUCIA INCESO TRIPODE IN BRONZO CON COPERCHIO,
CINA, DINASTIA QING, FINE DEL XVIII-INIZIO DEL XIX
SECOLO
A BRONZE TRIPOD INCENSE BURNER AND COVER,
CHINA, QING DYNASTY, LATE 18TH-EARLY 19TH
CENTURY
The globular body with upright loop handles at the rim: under the base, an
apocryphal Xuande six-character mark. In good conditions, minor wear on
surface.
4,5 cm high, 6,5 cm diam.
€ 800 - 1.200
两个青铜香炉,中国,清朝,18世紀, 宣德书款
高 4.5cm,直径 6,5cm
Cast with a globular body rising to a waisted neck,
supported on three foot, the shoulders flanked by two
handles, the domed cover pierced and surmounted by
a finial in the form of a mythical animal. In very good
conditions, with very minor surface wear and
scratches, the cover with the rim slightly warped.
24 cm high, 20 cm diam.
€ 300 - 500
三角有盖香炉,中国,清朝,十八世纪末十九世纪初
高 24cm,直径 20cm
52
53
43
INCENSIERE TRIPODE IN BRONZO, CINA, XVIII SECOLO, MARCHIO APOCRIFO XUANDE
A TRIPOD BRONZE INCENSE BURNER, CHINA, QING DYNASTY, 18TH CENTURY, APOCRYPHAL MARK XUANDE
The globular form body with upright loop handles at the rim. Internally the apocryphal Xuande four - character mark.
In good conditions, minor wears on surface.
5cm high, 8 cm wide
€ 800 - 1.200
青铜三脚香炉,中国,清朝,18世紀, 宣德书款
高 5 cm,直径 8 cm
Lot 48
54
55
44
45
PARTE DI TESSUTO A FONDO NERO RICAMATO CON FARFALLE MULTICOLORI, CINA, DINASTIA
QING, SECONDA META' DEL XIX SECOLO
STRISCIA DI TESSUTO BLU RICAMATO A MEDAGLIONI TONDI, CINA,
DINASTIA QING, TARDO XIX SECOLO
A FRAGMENT OF BLACK TISSUE EMBROIDERED WITH MULTICOLORED BUTTERFLIES, CHINA,
QING DYNASTY, SECOND HALF 19TH CENTURY
A BLUE WOVEN BAND EMBROIDERED WITH ROUND MEDALLION,
CHINA, QING DYNASTY, LATE 19TH CENTURY
Together with other fragments of tissues.
Sizes 75cm x 90 cm
€ 300 - 500
绣有蝴蝶的一段黑底丝绸,中国,清朝,十九世纪中叶
尺寸 75cmx 90 cm
56
Finely embroidered with roundels depicting crane amidst clouds
and the 8 Buddhist symbols, alternate with butterflies.
Sizes160cm X 33 cm
€ 700 - 1.100
一段蓝丝绸圆绣绷,中国,清朝,十九世纪末
尺寸 160cmx 33 cm
57
47
GONNA RICAMATA IN SETA, CINA, DINASTIA QING, SECONDA
META’ DEL XIX SECOLO - QUN
A HAN CHINESE WOMAN’S SILK SKIRT, QING DYNASTY,
SECOND HALF 19TH CENTURY - QUN
Made of amaranth silk woven finely embroidered on the front
panel with a dense multicolored flowers, the pleats similarly
embroidered with further stems and branches of flowers and
butterflies, all within borders embroidered in three shades of
blue (sanlan) with similar decoration ending with fur, the
waistband of creamy cotton. In good conditions.
46
GIACCA IN SETA ROSSA CON COLLARE E BORDO RICAMATI, CINA, DINASTIA QING, SECONDA META’ DEL XIX SECOLO – AO
AN UNUSUAL HAN CHINESE WOMAN’S CRIMSON SILK INFORMAL COAT, QING DYNASTY, SECOND HALF 19TH
CENTURY - AO
98 cm high
€ 400 - 600
绣花丝绸裙子,清朝,十九世纪下半年
高 98cm
With side front closing, the crimson silk damask patterned with a inner black border, finely framed by the
embroidered “cloud” collar and applied ribbon both embroidered with a delicate and multicolor naturalistic scenes.
In very good conditions.
98 cm high, 134 cm wide
€ 600 - 800
红色丝绸外套,中国,清朝,十九世纪下半叶
尺寸 75cmx 90 cm
58
59
LOT 48
60
61
48
RARO ABITO INVERNALE IN SETA BLU CON DRAGHI RICAMATI IN ORO, CINA, DINASTIA QING, SECONDA META’ DEL XIX
SECOLO
A RARE BLUE SILK AND FUR GOLD EMBROIDERED “DRAGON” WINTER ROBE, CHINA, QING DYNASTY, SECOND HALF
19TH CENTURY - JIFU
With side front closing with metal buttons, finely embroidered in couched gold-wrapped thread with nine five-clawed
dragons leaping amidst clouds interspersed with Buddhist symbols, and other Shou symbols pursuing the flaming
pearl, framed above and in the arms by a deep hem of cresting waves and with auspicious objects, and the Lishui
stripe; the black silk ribbon similarly gold embroidered repeated on the horse hoof cuffs of the black silk sleeves. In
very good conditions, only few minor loss color spots in the blue silk.
140 cm high, 220 cm wide
€ 3.000 - 5.000
稀罕丝绸龙绣冬衣,中国,清朝,十九世纪下半叶
尺寸 140 cm x 220 cm
verso
62
63
49
DIPINTO POLICROMO CINESE SU SETA, CINA, DINASTIA QING, INIZIO
DEL XIX SECOLO
A POLYCHROME CHINESE PAINTING ON SILK, CHINA, QING
DYNASTY, EARLY 19TH CENTURY
Ink and color on silk, with a scene of a group of lady inside the
garden of a pavilion. In good condition, a small hole and a
patch and a stain on the surface, minor wear throughout on the
surface.
92 cm high, 21,5 cm wide
€ 400 - 600
中国丝绸画,中国,清朝,十九世纪早期
尺寸 92 cm x 21,5 cm
50
PORTAPENNELLI IN BISCUIT CON DECORO A RILIEVO, CINA,
DINASTIA QING, XIX SECOLO
A NICE RELIEF CARVED BISCUIT PORCELAIN BRUSH POT,
CHINA, QING DYNASTY, 19TH CENTURY
The exterior painted in a light yellow glaze color, of
cylindrical form is finely carved with a continuous winter
landscape scene, with three horses beneath trees and in the
distance a willow tree and mountains. The base in yellow
glaze with in relief a square four character seal mark, the
mark probably is of the artist, probably Wang Bingrong.
Overall in very good conditions, with very minor wear on
the surface and very minor firing imperfections.
9 cm high, 6 cm diam.
€ 500 - 800
浮雕笔筒,中国,清朝,十九世纪
高9cm, 直径6cm
64
65
51
GIARDINIERA CON DECORO A RILIEVO DI CARATTERI “SHOU” E SMALTATA IN TURCHESE, CINA, DINASTIA QING, XIX SECOLO
A SMALL TURQUOISE GLAZED RELIEF CARVED “SHOU” CHARACTER JARDINIERE, CHINA, QING DYNASTY, 19TH
CENTURY
Of oval shape decorated with Shou characters wishing double happiness and prosperity, on the rim and at the base
a geometrical continuous band. Under the base a round Shou in relief. In very good conditions.
5,1 cm high, 13,8 cm wide
€ 700 - 900
52
绿松石花盆架,刻有八个寿,中国,清朝,十九世纪
高5.1cm 宽13,8cm
VASO DI FORMA LOBATA IN PORCELLANA FAMIGLIA ROSA,
CINA, DINASTIA QING, EPOCA QIANLONG (1736-1795)
A LOBED FAMILLE-ROSE PORCELAIN “LANDSCAPE” VASE,
CHINA, QING DYNASTY, QIANLONG PERIOD (1736-1795)
The well potted flattened oval baluster form of lobed quatrefoil section, with pear-shape body with tall trumpet
neck and with slightly everted mouth rim, supported on a
short spreading foot, the two main sides decorated with
two landscape scenes, with houses amidst rocks and trees and a river that pass through, nearby, in the distance
tall mountains, the scenes alternate by four flowers sprigs
on each sides. In very good conditions, very minor surface wear and very minor firing imperfections, the gilding
on the mouth rim slightly rubbed.
26 cm high, 14 cm wide
€ 500 - 800
粉彩瓷瓶,中国,清朝,乾隆时期(1736-1795)
高 26cm,宽14cm
66
67
53
COPPA CON COPERCHIO IN
PORCELLANA SMALTATA IN ROSSO DI
FERRO, CINA, DINASTIA QING, FINE DEL
XIX-INIZIO DEL XX SECOLO
A GLAZED IRON-RED DECORATED
PORCELAIN “DRAGON” BOWL AND
COVER, CHINA, QING DYNASTY,
LATE 19TH-EARLY 20TH CENTURY
The bowl adorn with two striding
dragons holding the magic pearl
amidst clouds and flames, the cover
similarly decorated. The base painted with a peach in iron-red. In very
good conditions, very light surface
wear and scratches, very minor firing imperfections.
12,5 cm high, 10 cm diam.
€ 300 - 500
红色有盖瓷杯,中国,清朝,十九世纪
末二十世纪初
高 12,5cm,直径10cm
54
GRANDE PIATTO FAMIGLIA ROSA “CENTO PIPISTRELLI”, CINA, DINASTIA QING,
MARCATO E DEL PERIODO GUANGXU (1875-1908)
A LARGE FAMILLE-ROSE PORCELAIN “HUNDRED BATS” DISH, CHINA, QING
DYNASTY, MARK AND OF THE PERIOD GUANGXU (1875-1908)
With gently curved sides rising from a short tapering foot, enameled to
the interior and exterior with a brightly decoration overall with a lively
multitude of iron-red bats in flight amidst scattered trefoil ruyi-head
clouds in green, blue, pink and pale yellow palette, all within a narrow gilt and iron-red band below the rim. The base with six character
mark in iron red. In good conditions apart for a small restoration on the
rim, probably to cover a series of small chips, very minor firing imperfections and slightly wear to surface.
6 cm high, 34 cm wide
€ 800 - 1.200
粉彩蝙蝠大瓷盘,中国,清朝,光绪同期书款(1875-1908)
高 6cm,宽34cm
68
69
56
DUE TEIERE IN PORCELLANA FAMIGLIA ROSA,
CINA, DINASTIA QING, EPOCA GUANGXU
(1875-1908)
TWO FAMILLE-ROSE PORCELAIN TEA POTS,
CHINA, QING DYNASTY, GUANGXU
PERIOD (1875-1908) (2)
55
COPPIA DI GRANDI PIATTI IN PORCELLANA FAMIGLIA ROSA,
CINA, DINASTIA QING, EPOCA GUANGXU (1875-1908)
A LARGE PAIR OF FAMILLE-ROSE PORCELAIN
“PASQUEFLOWER” PLATES, CHINA, QING DYNASTY,
GUANGXU PERIOD (1875-1908) (2)
With a design of pasqueflower and peony with two
birds perched on branch, and a three line calligraphic
inscription in black enamel, the underside decorated
with four stylized bat in iron-red enamel . In very good
conditions, with very minor firing imperfections and very light wear on the surface.
One with the body of square shape, recessed short feet, a round neck, a double
twisted iron handles and a flat cover, the
four sides decorated with figures on a
garden, the top with a black Chinese inscription on the four angles and in the top
of the cover, the other of globular form
with a twisted iron handle, painted in
one side with a landscape with a lie
down deer and a flying crane, the other
side with foliate branches and blossom
flowers; both with a iron red mark on the
base. In good conditions, the cover with
a chip and associated flake on the underside, very minor wear and scratches on
the surface and very minor firing imperfections.
14 cm max high, 13 cm max wide
34 cm diam.
€ 400 - 600
€ 600 - 900
两个粉彩茶壶,清朝,光绪时期(18751908)
最高 14cm,最宽 13cm
一对粉彩瓷盘,中国,清朝,光绪时期(1875-1908)
高 5cm,宽34cm
Note
Pulsatilla : with the common names that include pasque
flower (or pasqueflower), wind flower, prairie crocus,
Easter Flower, and meadow anemone. Several species
are valued ornamentals because of their finely-dissected leaves, solitary bell-shaped flowers, and plumed seed heads. The showy part of the flower consists of
sepals, not petals.
70
71
58
TRE CUCCHIAI A FONDO GIALLO CON FARFALLE, CINA, DINASTIA QING, MARCA A QUATTRO CARATTERI E DEL PERIODO
TONGZHI (1862-1874), UNITI AD UN PORTAGHIACCIO E DUE COPERCHI IN PORCELLANA, XIX SECOLO
THREE YELLOW GROUND BUTTERFLY SPOONS, CHINA, QING DYNASTY, FOUR CHARACTER MARK AND PERIOD OF
TONGZHI (1862-1874), TOGETHER WITH AN ICE BUCKET AND A PAIR OF COVERS, 19TH CENTURY (6)
Each spoon painted with a yellow ground glaze and decorated with flying butterflies amidst two gilded Shou character, the back side in white glaze with a short wall adorn with three flowers scrolls, the base with the four character marks in iron-red. The cylindrical ice-cooler with two iron handles, painted in one side with a landscape and the
other side with a black inscription. The pair of covers with a turquoise ground and decorated with a scrolling of alternate flying bats and lotus flowers. In very good conditions, all the pieces in very good conditions, with very minor firing imperfections, very light surface wear and scratches.
12 cm max high, 12 cm diam.
57
ALZATA E ZUPPIERA IN PORCELLANA FAMIGLIA-ROSA CON
COPERCHIO, CINA, DINASTIA QING, XIX SECOLO
€ 500 - 800
三个蝴蝶黄底勺子,中国,清朝,四字印章,同治时期(1862-1874) 冰冷却器和两个瓷盖,十九世纪
最高12cm,直径12cm
A FINE FAMILLE-ROSE PORCELAIN STEM-PLATE AND A
SOUP TUREEN WITH COVER, CHINA, QING DYNASTY,
19TH CENTURY (2)
the dish supported on a tall flaring foot, the interior center decorated with six medallions formed by cranes, the
rim with a ground turquoise band painted with a motif
of stylized clouds and flying bats, underneath three alternate foliate lotus flowers, the stem with a band of crested waves.
The tureen depicted with a red dragon chasing the magic pearl and a phoenix pursuing a cloud enclosing the
character 'sun' among flames and stylized Ruji clouds,
between two band, one with swastika, bats and Shou,
the other with stylized waves, the cover similarly decorated. Stem-dish with two chips on the rims with associated small hairline, very light surface wear and very
minor firing imperfections. The tureen in very good conditions, the cover broken in two pieces and riveted,
and the knob is missing.
16 max high, 24 cm max diam.
€ 600 - 900
精美粉彩水果盘,和有盖瓷汤碗,中国,清朝,十九世纪
最高 16cm,直径最大24cm
72
73
59
PIATTO BIANCO E BLU “I TRE AMICI DELL'INVERNO”, CINA,
DINASTIA QING, MARCATO E DEL PERIODO GUANGXU (18751908)
A FINE BLUE AND WHITE PORCELAIN “THREE FRIENDS OF
WINTER” DISH, CHINA, QING DYNASTY, MARK AND OF
THE PERIOD GUANGXU (1875-1908)
Painted to the interior with a central medallion enclosing
a pine tree, bamboo and flowering prunus, the exterior
with two playful boys in a garden before an interior scene depicting a seated lady, the base with a six-character
mark. In very good conditions, only a very small hairline
from mouth-rim of approximately 2,7 cm., with very minor wear and scratches on the surface and firing imperfection.
18 cm diam., 4 cm high
€ 800 - 1.200
精美青花盘“岁寒三友”,中国,清朝,光绪同时期印章
(1875-1908)
高4cm,直径18cm
74
60
premium lot
BELLA COPPA IN PORCELLANA DECORATA A FIORI DI LOTO IN STILE-MING, CINA, DINASTIA QING, MARCATA E DEL PERIODO
YONGZHENG (1723-1735)
A FINE MING-STYLE BLUE AND WHITE PORCELAIN “LOTUS” DICE BOWL, CHINA, QING DYNASTY, MARK AND OF THE
PERIOD YONGZHENG (1723-1735)
stoutly potted with a slightly short foot rising to a low rounded sides with thick walls, painted in under-glaze blue in the
fifteen-century style, with a broad lotus scroll issuing six larger blossoms wreathed by dense curling foliage, between a
border of crested waves at the rim and a band of 'S'-shaped scrolls encircling the foot, all divided by single or double lines, the interior and the base left in white, the foot ring unglazed, inscribed in under-glaze blue with a six-character reign mark written in a horizontal line within a double rectangular panel below the rim. In very good conditions,
very minor firing imperfections slightly pronounced in the mouth rim, and light surface wear and scratches.
29 cm diam., 12 cm high
€ 20.000 - 25.000
一只美丽的莲花瓷杯,明朝风格,中国,清朝,雍正同时期印章(1723-1735)
直径 29cm, 高 12 cm
75
different view
61
GRANDE E RARO VASO POLICROMO
CON ISCRIZIONI, CINA, DINASTIA QING, XIX
SECOLO
A RARE AND LARGE POLYCHROME MOULDED
INSCRIBED VASE, CHINA, QING DYNASTY, 19TH
CENTURY
Of square section, the faceted vase is stoutly potted with
tall tapering sides and a everted rim, the exterior of the body moulded in a celadon ground, composed by three cartouches on each sides, painted in copper- red and under
glaze-blue, and is decorated on two sides with flowering branches
and bamboo, and the other two sides with lengthy inscriptions panels
alternate in regular script, Kaishu, and archaic Chinese characters, the tall
foot with a key-fret motif. In very good conditions, with very minor firing imperfections, the molded celadon section with crackle and very minor wear and
scratches.
54 cm high, 18 cm wide
€ 1.500 - 2.500
一个罕见登记过的宽花瓶,清朝,十九世纪
高 54cm,宽 18m
76
77
62
RARO CANDELABRO IN PORCELLANA
FAMIGLIA VERDE, CINA, DINASTIA QING, XIX
SECOLO
A RARE ENAMELLED FAMILLE VERTE
PORCELAIN RITUAL CANDLESTICK, CHINA,
QING PERIOD, 19TH CENTURY
Constructed of three interlocking sections
with a square shape, the lowers sections
finely painted with scenes depicting figures engaged in various activities, the sides
at the top with a continuous riverbank scenes with high trees and towering mountains in distance. In very good conditions,
only very minor wear and scratches and
minor firing imperfections.
38 cm high, 11,8 cm wide
€ 700 - 1.000
罕见绿漆烛台,中国,清朝,十九世纪
高 38cm,宽11,,8m
63
VASO ESAGONALE IN PORCELLANA SMALTATA BLU CON DECORO IN ORO, CINA, DINASTIA QING, XVIII SECOLO
A FINE GOLD DECORATED BLUE-GLAZED PORCELAIN HEXAGONAL BALUSTER VASE, CHINA, QING DYNASTY, 18TH
CENTURY
Of hexagonal section with a tall stepped neck and everted rim, flanked by stylized phoenix handles, painted with a
gilded decoration, in one side with a scene of a river landscape with pagodas amid rocks and trees on a riverbank
with a boat and in the distance high mountains. All the other sides with a poetical inscription. The unglazed base
with a black Chinese character inscription. In very good conditions, with minor firing imperfections and slightly wear
to the gilding decoration in some areas more pronounced.
40 cm high, 21 cm wide
€ 500 - 800
青花瓷瓶黄金装饰 ,中国,清朝, 十八世纪
高 40cm,宽21cm
78
79
64
premium lot
VASO SMALTATO FLAMBE', FANGHU, CINA,
DINASTIA QING, MARCHIO A SIGILLO INCISO E DEL
PERIODO QIANLONG (1736-1795)
A FINE FLAMBE’-GLAZED PORCELAIN VASE,
FANGHU, CHINA, QING DYNASTY, SEAL MARK
AND OF THE PERIOD QIANLONG (1736-1795)
Based on archaic bronze form, the pear-shape
body of rectangular section rising from a spreading foot to a quatrefoil rim, set at the shoulder
with a pair of rectangular lug handles and the
two main sides molded to the front and back
with a raised peach-form panel, covered overall with a lustrous glaze of violet-purple tone
with broad lavender creamy streaks, thinning to
a buff color at the rim and along the edges, the
base incised with a six-character seal mark and
further applied with a brownish glaze with russet patches. In very good conditions, very minor wear and scratches, the glaze all over is
crackled.
30 cm high, 18,2 cm large
€ 24.000 – 30.000
陶釉瓷瓶,中国,清朝,乾隆同期印章书款(
1736-1795)
高 30cm,宽18,2cm
NOTE:
A closely related vase is illustrated in Chinese
Ceramics IV. Qing Dynasty, The Tsui Museum of
Art, Hong Kong, 1995, pl. 47
Vases of this type derive from wares of the great Song Dynasty (960-1279) and demonstrate
the craftsmanship of the Qing potters to imitate
shapes and glaze and develope them to suit
the contemporary aesthetic. Flambé glazes derive from Jun wares, a glaze that was first revived by the Yongzheng Emperor and which
remained popular, throughout the Qing dynasty. The shape of facetted and pear-shape vases were inspired by the archaic bronze ritual
vessel, Hu.
80
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65
GRUPPO COMPOSTO DA QUATTRO PICCOLE TEIERE “YIXING” CON COPERCHIO, CINA, DINASTIA QING, XIX SECOLO
A GROUP OF FOUR SMALL “YIXING” TEAPOTS AND COVERS, CHINA, QING DYNASTY, 19TH CENTURY (4)
Each teapot of compressed pear shape, with one of them with the shoulder inscribed and with the cover molded
with a motif of foliate tea, each base incised and signed. In very good conditions, one teapot with a flake with associated small chip on the mouth-rim, the lid does not fit well on the top of the teapot, suggesting that probably belong to another teapot, very minor firing imperfection and very minor wear on the surface.
7 cm max high, 11 cm max wide
€ 1.500 - 2.500
四个宜兴有盖小茶壶,中国,清朝,十九世纪
最高 7cm,最宽11cm
1
2
1
2
3
4
3
82
4
83
66
GRUPPO DI QUATTRO SIGILLI IN PIETRA DURA, CINA, DINASTIA QING, XVIII-XIX SECOLO
FOUR CARVED FOUR RUSSET-HARDSTONE SEALS, CHINA, QING DYNASTY, 18TH-19TH CENTURY (4)
The four fine stones with shadows of russet tone inclusions, the square shape seal incised in Chinese, the other three
seals incised with Chinese traditional characters with two of square shape and one is of rectangular shape. The two
seals of square shape with incised Zhuanshu Chinese characters in very good conditions, with very light surface wear and scratches and with natural flaws in the stone; the rectangular seal in very good conditions, with very light surface wear and scratches and with natural flaws in the stone and with a small chip on the right bottom angle; the
square seal incised in Kaishu Chinese in very good conditions, with very light surface wear and scratches and with
natural flaws in the stone with minor chips on the rims edges of the seal face.
8,2 cm max high, 4 cm max wide
€ 2.500 - 3.500
一组精致玉石印章,四个,中国,清朝,十八十九世纪
最高8,2cm,最宽4cm
84
85
86
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68
PICCOLA SCATOLA CON COPERCHIO IN GIADA, CINA, DINASTIA QING, PERIODO QIANLONG (1736-1795)
PICCOLO PIATTO DA FIUTO LOBATO IN GIADA BIANCA, CINA, DINASTIA QING, PERIODO QIANLONG (1736-1795)
A SMALL JADE CIRCULAR BOX AND COVER, CHINA, QING DYNASTY, QIANLONG PERIOD (1736-1795)
A FINE SMALL LOBED WHITE JADE SNUFF DISH, CHINA, QING DYNASTY, QIANLONG PERIOD (1736-1795)
The box with rounded sides rising from a slightly raised foot ring, the cover carved in low relief with a
stylised Shou medallion within two incised circle, the stone of a white-celadon tone with natural inclusions. In very good conditions, only few very minor nibbles to the extremities.
The lovely snuff dish with rounded sides rising from a short raised foot ring, the sides and the foot with a lobed shape. The jade stone of a white tone with natural flaws in the stone. In very good conditions, with natural flaws and
two very minor nicks on one of the lobed sides.
6 cm diam, 3 cm high
5 cm diam.
€ 2.000 - 3.000
€ 500 - 800
小盒,玉盖,中国, 清朝,乾隆年间(1736-1795)
高 3cm,直径 6cm
精美白玉小盘,中国,清朝,乾隆时期(1736-1795)
直径5cm
87
69
TABACCHIERA IN GIADA BIANCA, CINA, DINASTIA QING, PERIODO QIANLONG (1736-1795) UNITA AD ALTRE CINQUE
TABACCHIERE DEL XIX SECOLO
A FINE CARVED WHITE JADE SNUFF BOTTLE, CHINA, QING DYNASTY, PERIOD OF QIANLONG (1736-1795), TOGETHER
WITH FIVE OTHER 19TH CENTURY SNUFF BOTTLES (6)
The white jade snuff bottle of flattened pear-shape tapering to a waisted neck with flat lip, the recessed foot surrounded by a foot-rim, carved with a fine scrolls motif enclosing at the centre on both sides the Shou character, the stone
of a translucent white color and with a jadeite stopper. Together with a pair of cylindrical porcelain snuff bottle, one
porcelain snuff bottle painted in copper-red, one in Peking glass with red dragon on relief and another snuff bottle in
porcelain decorated with figures and with an apocryphal Qianlong mark on the base. In very good conditions, with
very minor surface wear and scratches, some stopper are missing and the copper-red snuff bottle with a chip on the
base. The white jade snuff bottle in very good conditions, with only very few insignificant nibbles to extremities and
very light surface wear and scratches.
8 cm max high
€ 3.000 - 4.000
漂亮白玉鼻烟壶,中国,清朝,乾隆时期(1736-1795) 和另外五个十九世纪的鼻烟壶
最高 8cm
88
89
VERSO
VERSO
RECTO
RECTO
70
PLACCA DA TAVOLO “DREAMSTONE” IN MARMO CON ISCRIZIONI E SIGILLI, CINA, DINASTIA QING, XIX SECOLO
AN INSCRIBED “DREAMSTONE” MARBLE TABLE SCREEN, CHINA, QING DYNASTY, 19TH CENTURY
The natural decoration of the square 'dreamstone' plaque, suggests a cloudy mountains landscape, inscribed and
sealed at one side with two inscription, the vertical one with three columns in black and a red seal in Chinese, the
other one at the top of the stone in horizontal also inscribed in black and followed by a red seal, on the left bottom
side a white-red seal, in ancient Chinese. In very good conditions, with the plaque very dirty and it will need a professional cleaning, a rim chip with associated shallow flake at one side on the top left side, the vertical left side with
the rim with some polishing and with very minor wear and scratches on the surface.
20 cm high, 20,3 cm wide
€ 500 - 800
宽理石石板,中国,清朝,十九世纪
高20cm, 宽 20,3cm
90
71
PLACCA IMPERIALE IN GIADA VERDE INCISA E DORATA, CINA, DINASTIA QING, DUE SIGILLI INCISI E DEL PERIODO QIANLONG
(1736-1795)
AN IMPERIAL INCISED AND GOLDEN SPINACH-GREEN JADE PLAQUE, CHINA, QING DYNASTY, TWO INCISED SEALS
MARKS AND OF THE PERIOD QIANLONG (1736-1795)
Of a rectangular form of a pale spinach-green jade, the tablet in one side incised and gilded, to depict two opposed sinuous five-clawed dragons in flight, in pursuit of a flaming pearl, amidst scrolling clouds ending in the shape of
Ruji heads, the other side inscribed with five-column, with an Imperial inscription wrote by the Qianlong Emperor,
warnings people needs "be vigilant in peace time", followed by two seal. In very good conditions, natural flaws in
the stone, very small nicks to extremities, minor wear to the gilding and very minor scratches on the surface.
28,9 cm high, 12,3 cm wide
€ 4.000 - 5.000
皇室翡翠牌,黄金装饰,中国,清朝,乾隆同时期刻章(1736-1795)
高 28,9cm,宽 12,3cm
91
72
premium lot
RARO E GRANDE SCHERMO CIRCOLARE IN GIADA INTAGLIATA VERDE SCURO, CINA, DINASTIA QING, XVIII-XIX SECOLO
A RARE AND IMPRESSIVE LARGE CARVED SPINACH-GREEN JADE CIRCULAR SCREEN, CHINA, QING DYNASTY, 18TH19TH CENTURY
Lovely carved in high relief to depict a dense continuous scene, of a landscape formed by jagged rocks, trees, pavilions and wispy clouds above mountains, with in first plan some sages and scholars that passing over small waterfalls among cliff and plants, walking on their way to a complex temple in the distance, surrounded by rocks, wutong
and pine trees under a cloudy sky; the back side show a great and wide opened scene of a large river landscape
punctuated by mountains, hills, trees, reefs, houses and pavilions all painted in gilding. In very good conditions, with
very small wear on the surface an scratches and some areas polished on the edge of the rims.
64,5 cm diam.
€ 25.000 – 30.000
罕见圆形翡翠菠菜色雕花屏坂,中国,清代,十八,十九世纪
直径 64,5cm
92
93
MISCELLANEOUS PROPERTIES
其他屬性
73
COPPIA DI GRANDI FIASCHE IN PORCELLANA FAMIGLIA ROSA, CINA, DINASTIA QING, SECONDA META' DEL XIX SECOLO
A PAIR OF LARGE FAMILLE ROSE PORCELAIN MOON FLASKS, CHINA, QING DYNASTY, SECOND HALF 19TH CENTURY
(2)
Each of a well potted compressed globular form, oppose a short and high cylindrical neck, decorated with two large round panels reserved: one is representing a scene with a couple of dignitaries on a terrace with attendants looking down to the river were two boats floating, the other with a dragon amongst peonies. On a blue background of
foliage and colored flowers; the Shoulder with two handles in the shape of a bats and at the top of the moon flasks
a band with stylized ruyi heads closes the decoration. One vase in good condition, the other with a little hairline
and related flake on the rim of the neck and slightly leaning, minor wear in enamels.
50 cm high
€ 3.000 - 4.000
一对精美粉彩瓷瓶,中国,清朝,十九世纪下半叶
高 50cm
74
FIGURA DI DIVINITA’ TAOISTA HSI WANG-MU IN
“BLANC DE CHINE”, TARDA DINASTIA QING
A “BLANC DE CHINE” FIGURE OF TAOIST
DIVINITY HSI WANG-MU , CHINA, LATE QING
DYNASTY
Finely modeled standing by a deer, with a basket flower on he back, holding in her hand a
vase for immortality elixir, the long robe elegantly adorning, her hair tied in an elaborate
topknot, the face with a serene expression. In
very good conditions.
38 cm high
€ 300 - 500
道家西王母"中国白"瓷像,清朝晚期
高 38cm
94
95
76
PICCOLO VASO IN PORCELLANA BIANCA E BLU,
CINA, DINASTIA MING, XVI – XVII SECOLO,
PERIODO WANLI
A SMALL BLUE AND WHITE PORCELAIN VASE,
CHINA, MING DYNASTY, 16TH-17TH CENTURY,
WANLI PERIOD
Stylized floral decoration. Minor restoration
at the mouth.
75
GRANDE VASO IN PORCELLANA BIANCA E BLU DI FORMA “HU”, CINA, TARDO XIX SECOLO
A FINE AND LARGE BLUE AND WHITE PORCELAIN VASE, HU, CHINA, LATE 19TH CENTURY
Of hu shape, with a pear-shaped body elegantly rising from a short splayed foot to a waisted neck, set with two chilongs shaped handles, brilliantly decorated in shaded tones of blue with a broad composite scroll of lotus and foliates, between a band of archaistic motif surmounted by a ruyi head band at the base and the neck collared with
three different motif bands. In very good conditions.
23,5 cm high
€ 600 - 800
青花瓷瓶,中国,明朝,十六 – 十七世纪,万
历年间
高23,5 cm
Note: formerly Prodan Collection
50 cm high
€ 3.000 - 4.000
大青花瓷瓶,中国,十九世纪末
高 50cm
96
97
77
VASO IN PORCELLANA FAMIGLIA ROSA SU FONDO BIANCO E GIALLO, CINA, DINASTIA QING, MARCA A SIGILLO ROSSO DI
FERRO JIAQING
78
VASO CON COPERCHIO IN PORCELLANA SMALTATA TURCHESE CON RISERVE DECORO FAMIGLIA ROSA, CINA, DINASTIA QING
98
A FAMILLE ROSE WHITE AND YELLOW GROUND PORCELAIN VASE, CHINA, QING DYNASTY, JIAQING SEAL IRON-RED
MARK
A TURQUOISE GROUND WITH FAMILLE ROSE RESERVE PORCELAIN VASE AND COVER, CHINA, QING DYNASTY
Egg-shaped with a waisted neck and flared rim, the exterior decorated with a central reserve in white and painted
with a continuous scene of plants and branches with blossoms flowers with rocks from which grows two lingzhi fungus, above flying bats, the yellow ground adorn with a pattern of scrolling lotus stems and flowers between two ruyihead borders, the neck flanked with a pair of red handles, the foot rim with a key-fret motif, the base with an
iron-red Jiaqing seal mark. In very good conditions, very small wear on the surface and minor firing imperfections
and scratches.
On a relief engraved turquoise ground, rising from a flared foot, the body of a globular form, two rectangular cartouches depicting scenes of a Lady in the garden with children painted in “Famille Rose” bright enamels. On the
neck and on the cover other cartouches with landscape. The two gild enameled handles with stylized chilongs with
rings. Between the reserves on the body and on the neck, lotus and flower sprays and butterflies, on the shoulder an
archaistic gild band. On the cover, the finial with a unglazed Buddhist Lion. The vase with an hairline on the base
of 4 cm, the cover with a restoration on the rim.
30,2 cm high
42 cm high, 21 cm wide
€ 20.000 - 25.000
€ 1.200 – 1.800
粉彩花瓶,清朝,嘉庆印章
高 30,2cm
瓷瓶 有盖 孔雀蓝,粉彩,中国,清朝
高 42cm,宽 21cm
99
PRIVATE PROPERTY OF A GENTLEMAN IN ROME
罗马绅士私藏
79
81
DIPINTO SU SETA, CINA, PERIODO
GENGXU
DIPINTO SU SETA, CINA, DINASTIA MING
A CHINESE PAINTING ON SILK,
CHINA, GENGXU PERIOD
Ink and color on silk. Depicting a green mountain landscape with mangroves by a river with waterfall. Some
humidity stains.
the inscription tells the title ‘青山红树'
the time ' 庚戌' ' GENGXU, and place '天香堂中'.
135 cm high, 37cm wide
€ 900 -1.200
A CHINESE PAINTING ON SILK, CHINA,
MING DYNASTY
Ink and color on silk, depicting birds on
tree branches with flowers, author's inscription ‘四明吕纪’. Folding signs with loss of
color, humidity stains and a minor hole on
the very side.
87cm high, 38 cm wide
€ 700 - 1.000
丝绸画,中国,明朝
尺寸87 x 38 cm
丝绸画,中国,光绪时期
尺寸135 x 37 cm
80
DIPINTO SU SETA, CINA, DINASTIA QING
A CHINESE PAINTING ON SILK,
CHINA, QING DYNASTY
LOT
Ink and color on silk, depicting a river with waterfall: the inscription tells
the title ‘舞风瀑’ and place '威堂'.
Some humidity stains
.
79
132 cm high, 33cm wide
€ 700 -1.000
丝绸画,中国,清朝
尺寸132 x 33 cm
LOT
100
80
101
FROM A PRIVATE MANSION IN PIEDMONT
源自意利皮尔蒙特大区私藏
82
VENTAGLIO TONDO IN SETA DECORATO SUI DUE LATI, CINA, XIX SECOLO
A CIRCULAR SILK FAN DECORATED ON BOTH SIDES, CHINA, 19TH
CENTURY
102
83
VENTAGLIO TONDO IN SETA DECORATO SUI DUE LATI, CINA, XIX SECOLO
A CIRCULAR SILK FAN DECORATED ON BOTH SIDES, CHINA, 19TH
CENTURY
Decorated, on one side, with white and red flowers with butterfly
and on the other with peonies and plum with bird. On top of the ivory handle two bats united by a Shou symbol. In good conditions.
Ink color on silk depicting on one side a delicate branch with peonies in bloom and butterflies and on the other a poem. The finial of
the handle with an ivory plaque depicting one of the Eight immortals
holding a peach with a deer beside and a bat. In good conditions.
23 cm diam., 36,5 cm high (without frame)
24 cm diam., 37,5 cm high (without frame)
€ 400 - 500
€ 700 - 800
丝绸圆扇,中国,十九世纪
直径 23cm,高 36,5cm
丝绸圆扇,中国,十九世纪
直径 24cm,高 37,5cm (不含框)
103
84
VENTAGLIO TONDO IN SETA DECORATO SUI DUE
LATI, CINA, XIX SECOLO
A CIRCULAR SILK FAN DECORATED ON BOTH
SIDES, CHINA, 19TH CENTURY
Ink color on silk depicting on one side a
mountain landscape by a river and on the
other side flowers in bloom with a butterfly.
The finial of the handle with an ivory plaque
with two cranes. In good conditions.
20,5 cm diam., 33,5 cm high (without frame)
€ 600 - 800
丝绸圆扇,中国,十九世纪
直径 20,5cm,高 33,5cm (不含框)
LOT
85
86
ALA DI VENTAGLIO A FONDO ORO CON ISCRIZIONE A
CARATTERI CINESI, CINA, TARDA DINASTIA QING
ALA DI VENTAGLIO FONDO ORO CON FIORI, CINA, FINE
DINASTIA QING
A CALLYGRAPHY ON PAPER FAN LEAF, CHINA, LATE
QING DYNASTY
A GOLDEN PAPER FAN LEAF, CHINA, LATE QING
DYNASTY
Ink on paper. Framed. In good conditions.
52 cm wide,18 cm high (without frame)
Ink and color on paper depicting prunus peonies
and chrisantemum and lotus flowers. Framed. In
good conditions.
€ 400 - 600
52 cm wide,17 cm high (without frame)
扇面,有题字,中国,清朝晚期
宽 52cm,高 18cm
€ 500 - 700
扇面,有花,中国,清朝晚期
宽 52cm,高17cm
LOT
104
85
86
105
MISCELLANEOUS PROPERTIES
其他屬性
87
PORTAPENNELLI IN PORCELLANA FAMIGLIA ROSA, CINA,
XX SECOLO
A FAMILLE ROSE BRUSH POT, CHINA, 20TH CENTURY
Depicting a mountain landscape by a river with pagodas and figures in everyday life; at the base four
Chinese characters meaning “the hall for the cultivation of virtue” . In good conditions.
21 cm high, 15 cm wide
€ 500 - 700
粉彩笔筒,中国,
高21cm,宽15cm
89
FIGURA DI SAGGIO IN PIETRA SAPONARIA, CINA,
DINASTIA QING
A SOAPSTONE FIGURE OF LUOHAN, CHINA,
QING DYNASTY
Seated with a Buddhist lion besides. In good
conditions.
8 cm high, 12 cm wide
88
€ 800 - 1.200
COPPA LOBATA IN PORCELLANA “GUSCIO D’UOVO”
DECORO FAMIGLIA ROSA, CINA, PERIODO REPUBBLICA
石像,中国,清朝
高8cm,宽12cm
A LOBED “EGG SHELL” FAMILLE ROSE PORCELAIN
BOWL, CHINA, REPUBLIC PERIOD
Lobed as flower petal, painted with colorful scene
of peacock and other birds with peonies and flowers branches in bloom. A calligraphy Inscription
under the rim externally. Inside, in the centre, a
round medallion with a dragon and a phoenix pursuing the flaming pearl and a flower band under
the rim.
27 cm diam.
€ 300 - 500
粉彩瓷碗,中国,民国时期
直径 27cm
90
FIGURA DI GUANYIN IN PIETRA DURA, CINA, DINASTIA
QING
AN HARDSTONE FIGURE OF GUANYINE, CHINA,
QING DYNASTY
Seated and in her right hand a sceptre. In good
conditions: a natural stone vein.
16 cm high, 12 cm wide
€ 800 - 1.200
玉石观音,中国,清朝
高 16cm,宽 12cm
106
107
93
“MANO DI BUDDHA” IN PIETRA
DURA, CINA, DINASTIA QING,
MARCHIO APOCRIFO
AN HARDSTONE “BUDDHA’S
HAND”, CHINA, QING DYNASTY,
APOCRYPHAL MARK
LOT
The finger citron fruit deeply carved with two monkeys crouched
on fruit leaves and branches and
two smallest fruits at the bottom
besides and a small bat on the
top; the stone of a natural yellow-brown tone. In good conditions.
91
LOT
93
12,5 cm high, 13 cm wide
€ 1.500 - 2.500
玉石手佛,中国,清朝,款识
高 12,5cm,宽 13cm
91
92
OGGETTO DA RITUALE IN METALLO SMALTATO, SINOTIBET, PRIMA META’ DEL XX SECOLO, MARCHIO
APOCRIFO QIANLONG
INCENSIERE TRIPODE IN BRONZO, CINA, DINASTIA
QING, MARCHIO APOCRIFO XUANDE
AN ENAMELLED METAL RITUAL OBJECT, SINOTIBET, FIRST HALF 20TH CENTURY
A TRIPOD CENSER BRONZE, CHINA, QING
DYNASTY, APOCRYPHAL XUANDE MARK
At the base of the handle, an incised Qianlong
mark. In good conditions.
Of a compressed globular body and two handles, Shou characters incised. In good conditions, wear on surface.
18 cm high
17 cm diam., 9,5 cm high
€ 800 - 1.200
€ 1.000 - 1.500
金属物件,西藏,二十世纪前期
长 18cm,宽18cm
青铜三脚香炉,中国,清朝,宣德书款
直径17cm,高9,5cm
94
LOTTO COMPOSTO DA FIGURA DI
ANIMALE MITOLOGICO E DA UN
VASO ARCAISTICO IN GIADA CON
COPERCHIO, CINA, INIZIO XX
SECOLO
A JADE MYTHOLOGICAL ANIMAL
FIGURE AND A JADE VASE AND
COVER, CHINA, EARLY 20TH
CENTURY (2)
The jade of a green tone with
brown natural inclusion. The vase and the cover in the shape of
the “two golden fishes” Buddhist
emblems. In good conditions.
Sizes 26 cm x 14 cm the vase; 14
cm x 10 cm the figure
€ 600 - 800
LOT
108
92
LOT
94
一组神兽和仿古花瓶,有盖,中国
二十世纪
高 26cm x 宽 14cm - 高 14 cm x
宽 10cm
109
96
POGGIA PENNELLI TRAFORATO IN ZITAN, CINA, XX
SECOLO
A ZITAN BRUSH REST, CHINA, 20TH CENTURY
Worked in openwork representing the “three
friends of winter”” 松竹梅, pine, bamboo,
and plum (symbolize steadfastness, perseverance, and resilience). In good conditions
.
25 cm high, 9,5 cm wide
€ 800 – 1.200
紫檀刷,中国,二十世纪
高 25cm 宽9,5cm
97
95
VASO CON COPERCHIO IN PORCELLANA CELADON, CINA, PROBABILMENTE DINASTIA MING
A CELADON PORCELAIN VASE AND COVER, CHINA, PROBABLY MING DYNASTY
Of compressed baluster form, the exterior carved in low relief with lotus and leafy floral sprays above pointed lappets, covered overall with an olive-green glaze; the cover with a similarly decoration the shape of a curled lotus leaf. In good conditions, minor firing imperfections, a V piece broken (original pieces available) at the rim with related
hairline.
34cm high, 27cm wide
€ 2.000 – 3.000
青釉花瓶,有盖,中国,推测为明朝
高 34cm x,宽 27cm
110
VASO SMALTATO IN NERO, IN STILE MING, CINA,
DINASTIA QING
A BLACK ENAMELLED MING STYLE VASE,
CHINA, QING DYNASTY
Rising from a short foot the pear shaped globular body ending to a long flared neck, depicts
a non glazed relief dragon and phoenix and
on the shoulder Chinese characters inscription.
In good conditions.
28 cm high
€ 400 - 600
黑釉花瓶,明朝风格,中国,清朝
高 28cm
111
98
COPPIA DI PLACCHE TONDE IN PORCELLANA BIANCA E BLU, CINA, XX SECOLO
A PAIR OF BLUE AND WHITE DRAGON ROUND PLAQUES, CHINA, 20TH CENTURY (2)
112
99
GRANDE PIATTO LOBATO IN PORCELLANA CELADON, CINA, PROBABILMENTE DINASTIA MING
A LARGE AND LOBED CELADON PORCELAIN DISH, CHINA, PROBABLY MING DYNASTY
Each depicting a dragon with five claws pursuing the flaming pearl among clouds. In good conditions.
Of foliate shape, the heavily potted fluted sides, rising from a sturdy ring foot to the everted bracket rim, with lotus in
low relief decoration. In good conditions, minor wear of consumption in the centre.
27,5 cm diam.
40 cm diam.
€ 1.000 – 1.500
€ 4.000 – 5.000
一对青花瓷板,中国,二十世纪
直径 27,5cm
青釉大花瓶,中国,推测为明朝
直径 40cm
113
102
100
INCENSIERE TRIPODE IN BRONZO, CINA, DINASTIA
QING
VASO CILINDRICO IN PORCELLANA FAMIGLIA
ROSA, CINA, XX SECOLO
A TRIPOD BRONZE CENSER, CHINA, QING
DINASTY
A CYLINDRICAL FAMILLE ROSE PORCELAIN
VASE, CHINA, 20TH CENTURY
Depicting fishes among rocks and lotus flowers. In good condition.
The compressed globular body resting on three
short tapering feet, the lip surmounted by a pair
of arched handles, mark under the base.
29 cm high, 13 cm diam.
17 cm diam., 9 cm high
€ 300 - 500
€ 800 – 1.000
圆柱形粉彩花瓶 中国, 二十世纪
高 29cm,直径 13cm
青铜三脚香炉,中国,清朝
高 9cm,直径17cm
103
GRUPPO DI TRE DIVERSE SNUFF BOTTLES, CINA,
DINASTIA QING
THREE DIFFERENT SNUFF BOTTLES, CHINA, QING
DYNASTY (3)
Of different materials and shape. In good conditions, one cap missing.
7 cm max high
€ 1.000 – 1.200
三个鼻烟壶,中国,清朝
最高 7cm
101
INCENSIERE IN BRONZO, CINA, DINASTIA
QING
A BRONZE CENSER, CHINA, QING DYNASTY
With a compressed globular shape, marked at the base.
16 cm diam, 6,5 cm high
€ 1.500 – 1.800
青铜香炉,中国,清朝
高 6,5cm 直径16cm
114
115
FROM A FRENCH PRIVATE PROPERTY
私人收藏
105
DUE PIATTI IN PORCELLANA, COMPAGNIA DELLE
INDIE, CINA, XVIII SECOLO
TWO EXPORT PORCELAIN DISHES, CHINA,
18TH CENTURY (2)
Depicting a delicate “Famille Rose” flower
decoration. Both with hairlines on the rim,
of which one with old restoration.
31,5 cm and 34,5 cm diam.
Lot with no reserve 无底价拍卖
两个瓷盘,印度公司,中国,十八世纪
直径 31,5cm,直径34,5cm
104
106
COPPIA DI GRANDI VASI A BALUSTRA IN PORCELLANA CON DRAGO, CINA, DINASTIA QING, PRIMA META’ XIX SECOLO
SEI PIATTI FONDI IN PORCELLANA POLICROMA,
CINA, XVIII SECOLO
A PAIR OF LARGE CHINESE “DRAGON” BALUSTER VASES,CHINA, QING DYNASTY, FIRST HALF 19TH CENTURY (2)
116
Each with two confronted Buddhist lions cub handles and chilong relief on the shoulder, decorated, on a turquoise
ground, with a big dragon facing a tiger between rocks, pines and flowers. Below lappets and on the end of the
neck a continuous ruyi band. On the lobed rim a decoration of four bats and Buddhist Emblems. One vase in good
conditions, the other broken in part of the body but with its own pieces re stuck.
SIX EXPORT PORCELAIN SAUCER DISHES,
CHINA, 18TH CENTURY (6)
86 cm high
23,2 cm diam.
€ 800 - 1.200
Lot with no reserve
一对大龙花瓶,中国,清朝,十九世纪前叶
高 86cm
六个多色瓷盘,中国,十八世纪
直径 23cm
Two star-cracks, one hairline and minor
chips on the rim.
无底价拍卖
117
109
VERSATOIO CON COPERCHIO IN PORCELLANA
IMARI, CINA,DINASTIA QING, EPOCA KANGXI
A FINE IMARI PORCELAIN MILK JUG AND
COVER, CHINA, QING DYNASTY, KANGXI
PERIOD
Depicting pavilions in a mountain landscape with trees. In good conditions.
23 cm high
Lot with no reserve
无底价拍卖
精美伊万里瓷喷壶,有盖,中国,清朝,康
熙时期
高 23cn
107
GRANDE PIATTO IN PORCELLANA BIANCA E
BLU, COMPAGNIA DELLE INDIE, CINA, XVIII
SECOLO
A LARGE BLUE AND WHITE EXPORT
PORCELAIN DISH, CHINA, QING DYNASTY,
18TH CENTURY
Depicting basket flowers decoration. A flake on the rim and a J shape hairline on the
rim.
40 cm diam.
Lot with no reserve
无底价拍卖
大青花瓷盘,印度公司,中国,十八世纪
直径 40cm
110
CINQUE PIATTI FONDI IN PORCELLANA BIANCA
E BLU, CINA, XVIII SECOLO
FIVE BLUE AND WHITE EXPORT PORCELAIN
SAUCER DISHES, CHINA, 18TH CENTURY (5)
Miscellaneous floral and bamboo decoration. Fritting on the rim, one hairline of 1
cm, a small piece missing and a hairline
of 5 cm, and one two pieces on the rim
broken and re-stuck.
23 cm diam.
€ 300 - 500
五个青花底盘,中国,十八世纪
直径 23cm
108
BOCCALE IN PORCELLANA IMARI, CINA,
DINASTIA QING, XVIII SECOLO
AN IMARI PORCELAIN MUG, CHINA, QING
DYNASTY, 18TH CENTURY
Depicting flowers on a balcony. In good
conditions.
16 cm high
Lot with no reserve
无底价拍卖
伊万里陶瓷罐,清朝,十八世纪
高 16cm
118
119
PRIVATE PROPERTY OF A LADY IN THE NORTH OF ITALY
意大利北部一位女士私藏
113
ALZATA ESAGONALE IN PORCELLANA FAMIGLIA ROSA, CINA,
TARDA DINASTIA QING, MARCHIO A SIGILLO
AN EXAGONAL FAMILLE ROSE PORCELAIN PEACHES
AND CRANE TAZZA, CHINA, LATE QING DYNASTY, SEAL
MARK
In good conditions, one hairline at the base of 4 cm.
LOT 111
6,5 cm high, 24,5 cm wide
€ 200 - 500
111
112
LOTTO DI VARI PIATTI IN PORCELLANA IMARI, CINA, XVIII
SECOLO
FIBBIA IN GIADA MONTATA SU METALLO DORATO, CINA,
TARDA DINASTIA QING
A LOT OF DIFFERENT IMARI PORCELAIN DISHES,
CHINA, 18TH CENTURY (17)
A GILT-METAL MOUNTED JADE BELT HOOK, CHINA,
LATE QING DYNASTY
Together with one “Famille Verte” and one “Famille
Rose” enamels dishes. Miscellaneous decoration.
Two large saucers dishes, one oval, and twelve
saucer dishes. In good conditions: one with two little chips on the rim, the oval one in good condition,
three with minor flakes underside the rim, four in good condition but minor wear on the gilt and minor
flake on the rim, one with an hairline of 4,5 cm,
one with a Y star crack and an hairline of 5 cm,
one with a chip of 1 cm on the rim, two in good
conditions. The “Famille Verte” with some star
cracks in the centre, and the “Famille Rose” with fritting on the rim.
Carved with a chilong along the shaft confronting a
dragon-head terminal, the back with a circular knob
for attachment, the metal handle incised on the
back with a dragon. In good conditions.
8,5 cm high, the jade
114
€ 300 - 500
金属玉扣,中国,清朝晚期
高 8,5 cm
FIBBIA IN GIADA CELADON MONTATA A
MANICO DI LENTE DI INGRANDIMENTO,
CINA, INIZIO DEL XX SECOLO
A PALE CELADON JADE BELT HOOK
MOUNTED AS A MAGNIFYING GLASS, EARLY
20TH CENTURY
25,3 cm max diam, 32 cm diam. the oval one.
€ 1.500 - 2.000
伊万里瓷盘,中国,十八世纪
直径 25,3cm, 直径 32cm椭圆形
Note: formerly property of Sandro Orsi Antichità,
Milano
六角粉彩花瓶,中国,清朝晚期,印章
高 6cm, 宽 24,5 cm
LOT 112
Carved with a dragon-head terminal
and relief flower decoration along the
shaft, the back with an oval knob for attachment, mounted as magnifier with gilt
metal fittings fixed by four Shou characters, framing with a flower and bamboo
openwork with quartz and pale green jades. At the top of the handle two mirroring bats. In good conditions.
18 cm high, 9,5 cm diam.
€ 300 - 500
玉石放大镜,中国,二十世纪初期
高18cm,直径9,5cm
120
121
116
COPPA OTTAGONALE IN PORCELLANA
SMALTATA IN ROSSO DI FERRO ED
ORO, CINA, INIZI DEL XX SECOLO,
MARCHIO A SIGILLO
AN OCTAGONAL PORCELAIN
BOWL WITH IRON-RED AND
GOLDEN ENAMEL “BAGUA” - 八卦
DECORATION, CHINA, EARLY 20TH
CENTURY
Of octagonal section with squared
sides rising from a splayed foot to
a gilt rim, the exterior enameled
with eight trigrams characters. On
the foot a geometric border, the
interior and the base enameled
turquoise, the latter centered with
an iron-red six-character seal mark.
Wear on enamel inside.
17cm wide, 7,50 cm high
€ 200 - 500
八角瓷杯,红釉,中国,二十世纪初
印章
宽 17cm,高 7.5cm
117
115
COPPA IN PORCELLANA CANTON, CINA, DINASTIA
QING, XIX SECOLO
A BLUE-GROUND FAMILLE-ROSE
“LOTUS” PORCELAIN GLOBULAR VASE ,
FIRST HALF 20TH CENTURY
The interior and the exterior decorated with alternate medallions of figurative scenes and natural history designs; all reserved on a green and gilt-ground
of scrolling flowers and butterflies, bats and cash
symbols. In good conditions.
The potted globular body decorated
in a pastel palette of green and light
blue enamels with stylized lotus flowers and descending bats suspending
a Buddhist symbols over foliate scrolls
framed by a large border of ruyi heads and flowers till the mouth rim. In
good conditions.
12 cm high, 28 cm diam.
33 cm diam., 27 cm high
A CANTON FAMILLE ROSE PORCELAIN PUNCH
BOWL, CHINA, QING DYNASTY, 19TH CENTURY
€ 200 – 500
廣州“粉彩”酒碗,中國,清朝,19世紀
高 12cm,直径 28cm
122
VASO A BOCCIA IN PORCELLANA
FAMIGLIA ROSA, CINA, PRIMA META’ DEL
XX SECOLO
€ 200 - 500
粉彩瓷瓶,中国,二十世纪早期
直径 33cm,高27cm
123
FROM A MILANESE PRIVATE COLLECTION
来自米兰绅士及其后裔私藏
118
VASO IN PORCELLANA A FONDO CELADON
SMALTATO IN BLU, CINA, DINASTIA QING,
PRIMA META’ DEL XX SECOLO
A CELADON GROUND AND UNDERGLAZED
BLUE PORCELAIN VASE, CHINA, QING
DYNASTY, FIRST HALF 20TH CENTURY
Of a globular body rising to a flared neck
depicting quail amongst rocks and flowers. In good conditions.
43 cm high
€ 300 - 500
瓷花瓶青釉底,中国,清朝,二十世纪前叶
高 43cm
120
COPPA IN PORCELLANA FAMIGLIA VERDE, CINA, DINASTIA
QING
A FAMILLE VERTE PORCELAIN BOWL, CHINA, QING
DYNASTY
Depicting figures and children in a garden with
rocks and trees. In the central medallion a female figure riding a lion-dragon holding in her arms a baby. In good conditions, small restoration on the rim,
minor wear on enamels.
33,5 cm diam., 13 cm high
€ 100 - 500
洋彩瓷碗,中国,清朝
直径, 33,5 cm, 高13 cm
119
DIPINTO SU CARTA, RAFFIGURANTE
DIGNITARIO, CINA, DINASTIA QING
A DIGNITARY PAINTING ON PAPER, CHINA,
QING DYNASTY
In good conditions, some wear.
80 cm high, 62 cm wide
€ 100-500
权贵字画,中国,清代
高80 cm宽62 cm
121
DIPINTO ORIENTALE SU SETA, XIX SECOLO
ORIENTAL PAINTING ON SILK, 19TH CENTURY
Depicting a deity seated in the centre in a meditating position above an elephant and surrounded by
attendants with offers. In good conditions, minor losses of color and minor humidity stains.
94,5 cm high, 47,5 cm wide
€ 500 - 800
东方帛画,十九世纪
高94,5 cm,宽47,5 cm
124
125
122
124
GRANDE PIATTO IN PORCELLANA BIANCA E
BLU, CINA, TARDA EPOCA MING
OGGETTO DA RITUALE BUDDISTA IN METALLO
CON COPERCHIO, CINA, DINASTIA QING
A LARGE BLUE AND WHITE PORCELAIN
DISH, CHINA, LATE MING DYNASTY
A METAL BUDDHIST RITUAL OBJECT AND
COVER, CHINA, QING DYNASTY
The rim with a geometric motif gathering
eight bigger reserves with floral decoration
towards a central medallion with inside
two dragons. In very good conditions.
With a relief decoration of the eight Buddhist symbols in a svastik frame.
24 cm high
38,5 cm diam., 9 cm high
€ 100 - 500
€ 600 - 800
金属佛像,中国,清朝
高24 cm
青花瓷盘,中国,明朝晚期
直径38,5 cm,高9 cm
123.
GRANDE GIARA IN BISCUIT SMALTATO CON
DECORI A RILIEVO, CINA, EPOCA
POSSIBILMENTE MING
A LARGE ENAMELLED BISCUIT JAR VASE,
CHINA, POSSIBLY MING DYNASTY
126
125
THANGKA NEPALESE, XIX-XX SECOLO
With a relief decoration of dragons and
cranes, with six handles in the shape of
Chilongs. In good condition
A NEPALESE THANGKA, 19TH-20TH
CENTURY
56 cm high
69 cm high, 52 cm wide
€ 1000 - 2.000
€ 300 - 500
浮雕装饰瓷瓶,中国,推测为明朝时期
高56 cm
泊尔唐卡,19-20世纪
高69 cm,宽52 cm
Gouache on paper
127
PRIVATE PROPERTY OF A LADY IN THE NORTH OF ITALY
意大利北部一位女士私藏
126
FRAMMENTO DI SETA RICAMATO,
CINA, XIX SECOLO
128
AN EMBROIDERED SILK FRAGMENT,
CHINA, 19TH CENTURY
GRANDE VASO IN PORCELLANA FAMIGLIA
ROSA, CINA, DINASTIA QING, INIZI DEL
XX SECOLO
Depicting a Lady riding a Buddhist
lion followed by his attendant in a
landscape with rocks, flowers and
bats. In good condition
A LARGE FAMILLE ROSE “NINE
PEACHES” PORCELAIN VASE, QING
DYNASTY, EARLY 20TH CENTURY
37cm high, 40 cm wide
The globular body and tall waisted
neck finely and brightly enameled
with fluttering bats and nine peaches
issuing
from gnarled leafy blossoming branches which curl up and around the
body and neck, on the other side
an eight columns poem on ink and
three seals in iron red, the base with
an apocryphal Qianlong in iron-red
mark. In very good conditions.
€ 100 - 500
丝绸刺绣,中国,十九世纪
高37cm, 宽40 cm
57 cm high
Lot with no reserve
无底价拍卖
大型粉彩“九水蜜桃”瓷瓶,清代,20世
紀初
高 57cm
127
INCENSIERE IN BRONZO, CINA, XVII
SECOLO, MARCHIO XUANDE (14261435)
A BRONZE INCENSE BURNER, CHINA,
17TH CENTURY, SIX-CHARACTERS
XUANDE MARK (1426-1435)
The handles in the shape of stylized
phoenix; knock at the base
16,5 cm wide , 7,5 cm high
€ 500 – 700
Acquired by the property in 1985 1985年购得
青铜香炉,中国,十七世纪,宣德款(
1426年-1435年)
宽16,5 cm,高7,5 cm
128
129
VASO A PERA IN BRONZO, CINA, XVII
SECOLO
A PEAR-SHAPED “DRAGON
HANDLE” BRONZE VASE, CHINA,
17TH CENTURY
The globular body standing on a
straight foot to a long flared neck.
Incised archaistic bands, two handles dragon shaped. Damaged, a
break in the body.
27,5 cm high
€ 400 - 600
青铜瓶,中国,十七世纪
高 27,5cm
129
130
132
PLACCA IN PORCELLANA FAMIGLIA ROSA, CINA,
PERIODO REPUBBLICA (1911-1948)
TESSUTO RICAMATO A FORMA DI MEDAGLIONE CON DRAGO, CINA, XIX-XX SECOLO
A FAMILLE ROSE PORCELAIN PLAQUE, CHINA,
REPUBLIC PERIOD (1911-1948)
Depicting an erotic scene. In good condition.
sizes 24,5 high, 17 cm wide
€ 300 - 400
粉彩 瓷板,中国,民国时间 (1911-1948)
尺寸24,5cm x 17cm
131
DIPINTO A TEMPERA SU CARTA E TECNICA MISTA, CINA, CANTON, XIX SECOLO
130
AN EMBROIDERED SILK DRAGON ROUNDEL, CHINA, 19TH-20TH CENTURY
Depiction a five claws dragon with the flaming pearl surrounded bay bats and clouds. In good conditions.
Sizes 39,5 cm x 39,5 cm
€ 200 - 500
龙纹丝绸段面,中国,十九二十世纪
尺寸39,5 cm x 39,5 cm
133
FRAMMENTO DI DIPINTO SU CARTA, CINA, TARDO XVIII SECOLO
A FINE CANTON PAINTING AND MIXED TECHNIQUE ON PAPER, CHINA, 19TH CENTURY
FRAGMENT OF A PAINTING ON PAPER, CHINA, LATE 18TH
CENTURY
Color on paper, depicting a scene of a dignitary and his attendants (ivory faces and fabrics cloths ) in a pavilion in
a garden. In good condition.
Ink and color on paper, depicting two figures on a terrace.
A break in the centre.
44 cm high, 44 cm wide
67 cm high, 28 cm wide
€ 400 - 600
€ 300 - 500
帛画,中国,广东,十九世纪
尺寸44cmx 44cm
宣纸画,中国,十八世纪晚期
高 67cm,宽 28cm
131
134
DIPINTO SU SETA FIRMATO E DATATO, CINA, XX SECOLO
A DATED AND SIGNED PAINTING ON SILK, CHINA, 20TH CENTURY
Depicting an old man with bow and arrows on his back, riding
an horse in a mountains and pine trees landscape. In good
conditions.
(P.T. Shen (1901-1977) dated 1946)
33 cm high, 23,5 cm wide
€ 200 - 500
丝绸画(P.T. SHEN – 1946),,中国,二十世纪
高 33cm,宽 23,5cm
135
DIPINTO CON MANDALA SU CARTA, SINO-TIBET,
XX SECOLO
A PAINTING ON PAPER OF A MANDALA,
SINO-TIBET, 20TH CENTURY
Ink and color on paper, depicting a
mandala with a geometric composition and
projection of a mandala palace with the
four getaways in the centre a Shakyamuni
Buddha seating cross-legged in padmasana
with his right hand in the earth witness
gesture and his left one in contemplation. In
good conditions.
80 cm high, 66 cm large
€ 300 - 500
唐卡,西藏,二十世纪
高80cm,大66cm
132
136
FIGURA IN BRONZO DI BUDDHA, SINO-TIBET, XIX- XX SECOLO
A LARGE FIGURE OF SEATED BUDDHA, SINO-TIBET , 19TH-20TH CENTURY
Seating cross-legged in padmasana with his right hand in the earth witness gesture and his left one in contemplation.
In good conditions.
48 cm high, 35 cm large
€ 400 - 600
青铜佛雕,西藏,十九二十世纪
高48cm,大35cm
133
139
VASO IN LAPISLAZZULO CON COPERCHIO,
CINA, XX SECOLO
A LARGE LAPIS LAZULI VASE AND COVER,
CHINA, 20TH CENTURY
With a high relief decoration of figures
and dragons. In good condition
31 cm high, 14 cm wide
137
LOTTO COMPOSTO DA DUE COPPE IN PORCELLANA FAMIGLIA ROSA A FONDO GIALLO, CINA, TARDA DINASTIA QING
TWO YELLOW GROUND FAMILLE ROSE PORCELAIN BOWLS, CHINA, LATE QING DYNASTY (2)
€ 800 - 1.200
青金石花瓶,有盖,中国,二十世纪
高31cm,宽14cm
The lobed one, depicting two dragons pursuing the flaming pearl, the other, with four reserved Chinese characters,
apocryphal Qianlong mark. Both in good condition, minor wear on enamels.
17 cm max. diam.
€ 200 - 500
粉彩黄底瓷碗,中国,清朝晚期
直径 17cm
140
UNDICI SNUFF BOTTLES IN MATERIALI DIVERSI,
CINA, XX SECOLO
138
NOVE DIVERSE SNUFF BOTTLES, CINA, XIX-XX SECOLO
NINE DIFFERENT SNUFF BOTTLES, CHINA, 19TH-20TH CENTURY (9)
Of different materials (glass and porcelain) with naturalistic decorations. In good conditions.
9 cm max high
€ 800 - 1.200
九个鼻烟壶,中国,十九二十世纪
高 9 cm
134
ELEVEN DIFFERENT SNUFF BOTTLES,
CHINA, 20TH CENTURY (11)
in porcelain, inside painted glass, and
hard stone. In good conditions.
8 cm max. high
€ 400 - 600
一组十一个不同材质的鼻烟壶,中国,二
十世纪
高 8cm
135
Lot 141
136
141
142
SGABELLO DA GIARDINO IN PORCELLANA BIANCA E BLU, CINA, TARDO XIX SECOLO,
LOTTO COMPOSTO DA UN PIATTINO CONCAVO ED UN VASO ESAGONALE IN PORCELLANA BIANCA E BLU, CINA, XIX SECOLO
A BLUE AND WHITE PORCELAIN GARDEN STOOL, CHINA, LATE 19TH CENTURY
A SMALL DISH AND AN EXAGONAL BLUE AND WHITE PORCELAIN VASE, CHINA, 19TH CENTURY (2)
With a convex shape on the sides and the flat pierced seats and raised half spheres, have a refined “Mobilier” decoration and two large pierced "Cash" medallions surrounded by Buddhist symbols. The leads with an identical
pierced "Cash" surrounded by four Buddhist symbols. In good conditions, a 35 cm non trespassing hairline.
The vase with prunus flowers and branches decoration; the dish with a Shou character in the centre and three different decorative bands and four calligraphy characters at the base. Minor flakes on the mouth rim of the vase and
two hairlines and a few minor chips on the dish.
46 cm high, 36 cm diam.
30 cm high, 15 cm diam.
€ 700 - 1.000
€ 200 - 500
青花花园瓷凳,中国,十九世纪晚期
高 46cm,直径36cm
一组凹型瓷盘和六边青花瓷盘,中国,十九世纪
高30cm,直径15cm
137
LOT
143
143
144
VASO IN BRONZO CLOISONNE’, CINA, XIX- XX SECOLO
COPPA OVALE IN GIADA BIANCA TRAFORATA,
CINA, XIX-XX SECOLO
A CLOISONNE’ BRONZE JAR, CHINA, 19TH-20TH
CENTURY
Damaged at the base and a break in the body.
26 cm high, 36 cm wide
€ 200 - 500
景泰蓝青铜坛子,中国,十九二十世纪
高26cm,宽36cm
AN OVAL OPENWORK WHITE JADE BOWL,
CHINA, 19TH-20TH CENTURY
The cover is missing.
15 cm wide, 5,5 cm high
€ 300 - 500
白玉尊, 中国,十九,二十世纪
高5,5cm,宽15cm
145
DUE GRANDI CANI DI FO IN LEGNO LACCATO, CINA, XX SECOLO
TWO VERY LARGE LAQUERED WOOD PHO DOGS, CHINA, 20TH CENTURY (2)
210 cm high, 80 cm wide, 100 cm deep
LOT
144
€ 5.000 – 6.000
两只木漆大狗,中国,二十世纪
高210cm, 宽80cm,深100cm
138
139
INFORMAZIONI IMPORTANTI PER GLI ACQUIRENTI
CONDIZIONI DI VENDITA
La partecipazione all’asta implica l’integrale e incondizionata accettazione delle
Condizioni di Vendita riportate di seguito su questo catalogo. Si raccomanda agli
acquirenti di leggere con attenzione questa sezione contenente i termini di acquisto dei lotti posti in vendita da WANNENES ART AUCTIONS.
STIME
Accanto a ciascuna descrizione dei lotti in catalogo è indicata una stima indicativa
per i potenziali acquirenti. In ogni caso, tutti i lotti, a seconda dell’interesse del mercato, possono raggiungere prezzi sia superiori che inferiori ai valori di stima indicati.
Le stime stampate sul catalogo d’asta possono essere soggette a revisione e non
comprendono la commissione d’acquisto e l’IVA.
RISERVA
Il prezzo di riserva corrisponde al prezzo minimo confidenziale concordato tra WANNENES ART AUCTIONS e il venditore al di sotto del quale il lotto non sarà venduto. I lotti offerti senza riserva sono segnalati sul catalogo con la stima di colore rosso o con la
dicitura O.l. e vengono aggiudicati al migliore offerente indipendentemente dalle stime pubblicate.
ESPOSIZIONE PRIMA DELL’ASTA
Ogni asta è preceduta da un’esposizione aperta al pubblico gratuitamente i cui orari sono indicati nelle prime pagine di questo catalogo. L’esposizione ha lo scopo di permettere a tutti gli acquirenti di effettuare un congruo esame dei lotti posti in vendita
e di verificarne tutte le qualità, quali ad esempio, l’autenticità, lo stato di conservazione, il materiale, la provenienza, ecc.
ACQUISTO DI OROLOGI
Le descrizioni degli orologi in catalogo, siano essi da tasca, da polso, domestici o di altra natura, anche relativamente allo stato di conservazione e ad eventuali restauri, vengono fornite a titolo di orientamento per i potenziali acquirenti, ma non possono in
nessun modo essere ritenute esaustive. Anche il condition report, che WANNENES ART
AUCTIONS invierà su richiesta del potenziale acquirente, non riveste carattere di totale completezza e potrebbe non segnalare difetti o restauri. Tali condition report sono
prodotti dai nostri Esperti dopo analisi al vero dei pezzi, ma su base soggettiva e non
costituiscono ad alcun titolo elemento di dichiarazione o garanzia che possano sostituire l’esame diretto da parte degli interessati all’acquisto.
Tutti gli orologi dovranno quindi essere preliminarmente esaminati in modo adeguato dal potenziale acquirente per poterne completamente accertare lo stato,
sia estetico che meccanico e funzionale. I lotti sono venduti nello stato di fatto e
la mancata indicazione di un difetto o di un restauro non implica che tale difetto o restauro non possa sussistere. Gli orologi, in quanto beni di natura meccanica e di uso, sono per loro stessa natura oggetti utilizzati e manutenuti, e, se
necessario, riparati, nel corso della loro esistenza: essi vengono analizzati dagli
Esperti di WANNENES ART AUCTIONS in fase di preparazione dell’asta, ma la Casa d’Aste non assume alcuna garanzia circa il loro stato di funzionamento, la presenza di parti non originali o di restauri.
Nel caso di orologi da polso dichiarati dal produttore come impermeabili, il loro esame ne ha richiesto l’apertura: WANNENES ART AUCTIONS suggerisce pertanto che
l’acquirente, prima di utilizzarli in condizioni di presenza d’acqua, li porti a un centro assistenza qualificato per la verifica della loro tenuta.
Nel caso di presenza di movimenti al quarzo non vengono date informazioni sullo stato di funzionamento, se la batteria interna, al momento della verifica da parte degli
Esperti, risultasse scarica. I documenti relativi agli orologi, se non specificato diversamente, non sono presenti. I cinturini ed i bracciali, se non specificato diversamente,
sono da ritenersi non originali. I cinturini, le custodie o le casse o altra parte degli involucri in materiale organico, eventualmente presenti, sono mostrati montati in fase
di prevendita a puro scopo di presentazione: i potenziali acquirenti sono consapevoli che l’importazione in Paesi stranieri di materiali provenienti da specie in pericolo di
estinzione, quali, a titolo di puro esempio, tartaruga ed avorio, è soggetta alla normativa internazionale CITES. E’ quindi indispensabile che il potenziale acquirente provveda ad informarsi adeguatamente, in fase preliminare, relativamente a tali restrizioni, se
intende partecipare all’asta per un lotto che contenga, anche solo in parte, materiali di
questa tipologia. Le indicazioni relative al peso, se inserite in catalogo o presenti nel condition report, sono da intendersi al lordo e puramente indicative, così come le misure
delle casse e l’effettiva natura e le carature di eventuali pietre preziose o altri materiali
di pregio presenti.
STATO DI CONSERVAZIONE
Le proprietà sono vendute nel loro stato attuale. Consigliamo quindi ai potenziali ac-
140
quirenti di assicurarsi dello stato di conservazione e della natura dei lotti prendendone visione prima della vendita. Gli Esperti di WANNENES ART AUCTIONS saranno lieti
di fornire su richiesta dei rapporti informativi sullo stato di conservazione dei lotti in vendita. Le descrizioni sui cataloghi rappresentano unicamente l’opinione dei nostri Esperti e potranno essere soggetti ad eventuali revisioni che saranno comunque
comunicate al pubblico durante l’Asta.
PARTECIPAZIONE ALL’ASTA
La partecipazione all’Asta può avvenire attraverso la presenza in sala ovvero attraverso offerte scritte e offerte telefoniche che WANNENES ART AUCTIONS sarà
lieta di eseguire in nome e per conto dei potenziali acquirenti. Si ricorda che il servizio è gratuito e pertanto nessun tipo di responsabilità potrà essere addebitato
a WANNENES ART AUCTIONS che non sarà responsabile per offerte inavvertitamente non eseguite o per errori relativi all’esecuzione delle stesse. I nuovi acquirenti devono fornire adeguate referenze bancarie a mezzo lettera di
presentazione della propria Banca indirizzata a WANNENES ART AUCTIONS, piazza Campetto 2, 16124 Genova.
PARTECIPAZIONE IN SALA
Per la partecipazione in sala i potenziali acquirenti devono registrarsi e ritirare
l’apposito numero di partecipazione compilando l’apposito Modulo di Partecipazione all’Asta fornendo un valido documento di identità e il codice fiscale. Tutti i lotti venduti saranno fatturati al nome e all’indirizzo rilasciati al momento
dell’assegnazione del numero di partecipazione e non potranno essere trasferiti
ad altri nomi e indirizzi. Qualora un potenziale acquirente voglia partecipare in nome e per conto di terzi deve informare prima dell’Asta la direzione di WANNENES
ART AUCTIONS.
OFFERTE SCRITTE E OFFERTE TELEFONICHE
Per la partecipazione attraverso offerte scritte e telefoniche i potenziali acquirenti
devono compilare l’apposito Modulo di Offerta pubblicato in questo catalogo
ed inviarlo via fax al numero +39 010 2517767 almeno 7 ore prima dell’inizio dell’asta. Le offerte devono essere in euro e sono al netto dei diritti d’asta e degli
oneri fiscali previsti dalle leggi vigenti.
Le Offerte Scritte saranno eseguite per conto dell’offerente al minimo prezzo possibile considerati il prezzo di riserva e le altre offerte. Le Offerte Scritte effettuate sui lotti senza riserva (contrassegnati dalla stima di colore rosso) in assenza di un’offerta
superiore saranno aggiudicati a circa il 50% della stima minima o alla cifra corrispondente all’offerta, anche se inferiore al 50% della stima minima.
Le Offerte Telefoniche saranno organizzate da WANNENES ART AUCTIONS nei limiti della disponibilità delle linee ed esclusivamente per lotti aventi una stima massima di almeno 500 euro. I collegamenti telefonici durante l’Asta potranno essere
registrati. I potenziali acquirenti collegati telefonicamente acconsentono alla registrazione delle loro conversazioni.
ASTA LIVE
è possibile partecipare alle aste live sul nostro sito www.wannenesgroup.com
nella sezione asta on air e seguendo tutte le istruzioni scritte.
AGGIUDICAZIONI
Il colpo di martello indica l’aggiudicazione del lotto e in quel momento il compratore si assume la piena responsabilità del lotto. Oltre al prezzo di aggiudicazione l’acquirente dovrà corrispondere a WANNENES ART AUCTIONS i diritti d’asta
e gli oneri fiscali previsti dalle leggi vigenti.
PAGAMENTO
Gli acquirenti devono effettuare il pagamento dei lotti entro 10 giorni lavorativi dalla data dell’asta tramite:
A) Contanti per un importo inferiore a 3.000,00 euro
B) Assegno circolare intestato a Art Auctions S.r.l., soggetto a preventiva verifica con l’istituto di emissione
C) Bonifico bancario intestato ad Art Auctions S.r.l.:
UNICREDIT BANCA, Via Dante 1, 16121 Genova
SWIFT UNCRITMM – IBAN IT 02 H 02008 01400 000110001195
D) addebito su carta di credito/debito eccetto American Express con un ricarico sulle carte di credito estere del 3% sull'importo totale
WANNENES ART AUCTIONS ha la possibilità, previo accordo con il vendito-
re, di offrire agli acquirenti che ritenga affidabili la facoltà di pagare i lotti acquistati a cadenze dilazionate. I potenziali acquirenti che desiderano accedere ad un pagamento dilazionato devono prendere contatto con la
direzione di WANNENES ART AUCTIONS prima della vendita.
RITIRO DEI LOTTI
Gli acquirenti devono effettuare il ritiro dei lotti entro 15 giorni lavorativi dalla data dell’asta. Decorso tale termine, WANNENES ART AUCTIONS non sarà più tenuta alla custodia né sarà responsabile di eventuali danni che possano arrecarsi ai
lotti che potranno essere trasferiti in un apposito magazzino. WANNENES ART
AUCTIONS addebiterà all’acquirente i costi di assicurazione e magazzinaggio secondo la tabella a disposizione dei clienti presso la sede. Al momento del ritiro del
lotto, l’acquirente dovrà fornire a WANNENES ART AUCTIONS un documento d’
identità. Nel caso in cui l’acquirente incaricasse una terza persona di ritirare i lotti già pagati, occorre che quest’ultima sia munita di una delega scritta rilasciata
dall’acquirente e di una fotocopia del documento di identità dell’acquirente. I
lotti saranno consegnati all’acquirente o alla persona delegata solo a pagamento avvenuto.
In caso di ritardato ritiro dei lotti acquistati, la casa d’aste si riserva la possibilità di
addebitare i costi di magazzinaggio (per mese o frazione di mese), di seguito
elencati a titolo indicativo:
€ 100 + IVA per i mobili
€ 50 + IVA per i dipinti
€ 25 + IVA per gli oggetti d’arte
SPEDIZIONE DEI LOTTI
Il personale di WANNENES ART AUCTIONS sarà lieto di occuparsi della spedizione dei lotti acquistati seguendo le indicazioni comunicate per iscritto dagli acquirenti e dopo che
questi abbiano effettuato per intero il pagamento. La spedizione avverrà a rischio e spese dell’acquirente che dovrà manlevare per iscritto WANNENES ART AUCTIONS da ogni
responsabilità in merito. Il nostro personale è inoltre a disposizione per valutazioni e
consigli relativi a tutti i metodi di spedizione e assicurazione dei lotti.
ESPORTAZIONE DEI LOTTI ACQUISTATI
Il Dlgs n. 42 del 22 gennaio 2004 regola l’esportazione di Beni Culturali al di fuori
del territorio della Repubblica Italiana. Il Regolamento CEE n. 3911/92 del 9
dicembre 1992, come modificato dal Regolamento CEE n. 2469/96 del 16 dicembre 1996 e dal Regolamento CEE n. 974/01 del 14 maggio 2001, regola invece
l’esportazione dei Beni Culturali al di fuori dell’Unione europea.
Per esportare fuori dall’Italia i Beni Culturali aventi più di 50 anni è necessaria la Licenza di Esportazione che l’acquirente è tenuto a procurarsi personalmente.
WANNENES ART AUCTIONS non risponde per quanto riguarda tali permessi, né
può garantire il rilascio dei medesimi. WANNENES ART AUCTIONS, su richiesta
dell’acquirente, può provvedere all'espletamento delle pratiche relative alla concessione delle licenze di esportazione secondo il seguente tariffario:
- euro 250,00 + IVA per singolo lotto o per il primo di una pratica
- euro 100,00 + IVA per gli altri lotti facenti parte della medesima pratica
Il rimborso comprende la compilazione delle pratiche, le marche da bollo e la
stampa delle fotografie a colori.
La mancata concessione delle suddette autorizzazioni non può giustificare l’annullamento dell’acquisto né il mancato pagamento, salvo diverso accordo preso prima dell’Asta con WANNENES ART AUCTIONS.
In riferimento alle norme contenute nell’art. 8, 1° comma, lettera B, del DPR
633/72, si informano i gentili acquirenti che, nel caso in cui volessero trasportare
il bene fuori dal territorio comunitario e ottenere il rimborso dell’Iva, è necessario
rispettare le seguenti procedure:
- completare le pratiche doganali e il trasporto fuori dal territorio U.E. entro 3
mesi a partire dalla data di fatturazione.
- far pervenire entro lo stesso termine la bolla doganale originale o documento
equipollente direttamente a WANNENES ART AUCTIONS.
DIRITTO DI SEGUITO
Con Dlgs n. 118 del 13/2/2006 è in vigore dal 9 Aprile 2006 in Italia il “Diritto di Seguito” (Droit de Suite), ossia il diritto dell’autore (vivente o deceduto da meno di
70 anni) di opere di arti figurative e di manoscritti a percepire una percentuale sul
prezzo di vendita degli originali delle proprie opere in occasione delle vendite successive alla prima. Tale diritto sarà a carico del Venditore e sarà calcolato sul prez-
zo di aggiudicazione uguale o superiore ai 3.000,00 euro.
Tale diritto non potrà comunque essere superiore ai 12.500,00 euro per ciascun lotto. L’importo del diritto da corrispondere è così determinato:
- 4% per la parte del prezzo di vendita fino a 50.000 euro
- 3% per la parte del prezzo di vendita compresa fra 50.000,01 e 200.000 euro
- 1% per la parte del prezzo di vendita compresa fra 200.000,01 e 350.000 euro
- 0,50% per la parte del prezzo di vendita compresa fra 350.000,01 e 500.000 euro
- 0,25% per la parte del prezzo di vendita oltre i 500.000 euro
Il diritto di seguito addebitato al Venditore sarà versato dalla WANNENES ART AUCTIONS alla SIAE in base a quanto stabilito dalla legge.
AVVERTENZA
Tutti i lotti contenenti componenti elettriche vengono messi in vendita come
non funzionanti e da revisionare integralmente. WANNENES ART AUCTIONS
si manleva da qualsiasi responsabilità verso chiunque per uso improprio dei
lotti venduti o per la non osservanza delle avvertenze.
Si ricorda la necessità, prima dell'utilizzo dei lotti, di far verificare da personale esperto e di fiducia dell'acquirente, il corretto funzionamento di tutte le parti elettriche.
La dicitura “...anni...” oppure la data riportata nella descrizione del lotto indica
il periodo di inizio produzione del lotto in oggetto, salvo diversamente specificato.
Le immagini descrittive in catalogo e sul sito potrebbero non rappresentare fedelmente i lotti proposti in asta. La Casa d’Aste consiglia sempre la visione diretta delle
opere prima di effettuare offerte.
In caso non fosse possibile visionare i lotti di persona si può richiedere un condition report per ricevere immagini aggiuntive e dettagliate degli oggetti.
Parte acquirente espressamente autorizza Art Auctions s.r.l. al libero e gratuito utilizzo
delle fotografie ritraenti i lotti oggetto dell’asta per qualsiasi fine nessuno escluso e/o
eccettuato ivi compresi, in via esemplificativa ma non esaustiva, la pubblicità, la diffusione via internet e/o con qualsiasi altro mezzo, la pubblicazione su Magazine e/o riviste sia editate in proprio che da terzi.
TERMINOLOGIA
Le affermazioni riguardanti l’autore, l’attribuzione, l’origine, il periodo, la provenienza e le condizioni dei lotti in catalogo sono da considerarsi come un’opinione
personale degli esperti e degli studiosi eventualmente consultati e non un dato
di fatto.
TIZIANO: l’opera, secondo la nostra opinione, è opera dell’artista.
ATTRIBUITO A TIZIANO: l’opera, secondo la nostra opinione, è probabilmente
opera dell’artista, ma non ve n’è certezza.
BOTTEGA DI TIZIANO: l’opera, secondo la nostra opinione, è di un pittore
non conosciuto della bottega dell’artista che può averla eseguita sotto la sua supervisione o meno.
CERCHIA DI TIZIANO: l’opera, secondo la nostra opinione, è di un pittore
non conosciuto, ma distinguibile, legato al suddetto artista, ma non
necessariamente da un rapporto di alunnato.
STILE DI/SEGUACE DI TIZIANO: l’opera, secondo la nostra opinione, è di un
pittore, contemporaneo o quasi contemporaneo, che lavora nello stile
dell’artista, senza essere necessariamente legato a lui da un rapporto
di alunnato.
MANIERA DI TIZIANO: l’opera, secondo la nostra opinione, è stata eseguita
nello stile dell’artista, ma in epoca successiva.
DA TIZIANO: l’opera, secondo la nostra opinione, è una copia di un
dipinto dell’artista.
IN STILE...: l’opera, secondo la nostra opinione, è nello stile menzionato, ma
di epoca successiva.
FIRMATO – DATATO – ISCRITTO: secondo la nostra opinione, la firma e/o la
data e/o l’iscrizione sono di mano dell’artista.
RECANTE FIRMA – DATA - ISCRIZIONE: secondo la nostra opinione, la firma
e/o la data e/o l’iscrizione sono state aggiunte.
Le dimensioni date sono prima l’altezza e poi la larghezza.
141
BUYING AT WANNENES
CONDITIONS OF SALE
Taking part in an Auction implies the entire and unconditional acceptance of
the Conditions of Sale outlined in this Catalogue. Bidders are required to read
carefully the section of the Catalogue containing the purchase terms of the
Lots for sale by WANNENES ART AUCTIONS.
ESTIMATES
Beside each Lot description in the Catalogue there is an indication of the Estimate
for potential Purchasers. In each case, all the Lots, in light of market interest, may
achieve prices that are either superior to or inferior to the indicated Estimates. The
Estimates published in the Auction Catalogue may be subject to revision and do
not include the purchase commission (buyer’s premium) and VAT.
RESERVE
The reserve price corresponds to the minimum price agreed upon between WANNENES ART AUCTIONS and the SELLER, beneath which the Lot will
not be sold. Lots offered with no reserve are indicated in the Catalogue with
the Estimate in RED and with the description O.1. These Lots are sold to the
highest Bidder independently of the published Estimates.
VIEWING BEFORE THE AUCTION
Each Auction is preceded by a Viewing which is open, admission free, to the public. Opening times are shown in the first few pages of this Catalogue. The Viewing enables all Purchasers to undertake an appropriate examination of the
Lots for sale and to verify all aspects related to the Lot, such as authenticity,
state of preservation, materials and provenance etc.
WATCH AND CLOCK SALES
The descriptions in the catalogue for watches and clocks in relation to preservation and/or restorations are given as guidelines to the prospective buyer but
may under no circumstance be considered all-inclusive.
The Condition Reports which WANNENES ART AUCTIONS may send, on request
of a prospective buyer, do not reflect an exhaustive description and some restorations or imperfections may not be mentioned.
Condition Reports are statements of opinion given by our Experts and are purely subjective and do not constitute a guarantee that may substitute a direct
examination by the prospective buyer.
Prospective buyers should personally inspect the condition of each lot in order
to ascertain its effective state, both from the technical and the aesthetical
points of view.
Lots are sold in their present state and the fact that an imperfection or a restoration is not mentioned does not imply that the imperfection or restoration
does not exist. Watches, because of their mechanical and functional nature,
are normally used and kept up and possibly repaired, in the course of their existence: they are examined by the Experts of WANNENES ART AUCTIONS prior
to the sale, but WANNENES ART AUCTIONS gives no guarantee that they are in
working order, free of repairs or in the presence of non-original parts.
Wristwatches in water-resistant cases have been opened to examine their movements: therefore, WANNENES ART AUCTIONS suggests that such a watch be
controlled by an authorized dealer before using the same in conditions where water is present.
As concerns quartz movement watches, no information is given about working order if the battery, at the moment of examination, is discharged.
All documents regarding watches, if not otherwise specified, are not present.
All straps and bracelets, if not otherwise specified, are not to be considered
original.
Straps made of organic material are associated with the watch for display purposes only: prospective buyers are aware that the importation to foreign countries of materials derived from endangered or otherwise protected species
(purely as an example: tortoiseshell, ivory) are subject to CITES international rules.
Prospective buyers should therefore acquire the necessary information on such
restrictions prior to their participation in the sale for lots containing, even
though partially, materials falling under these rules.
Indications of weight, if included in the Condition Report, are to be considered
142
gross and purely indicative, as are weights in carats of precious stones, indications of the nature of precious stones or other precious materials and measures of cases.
STATE OF PRESERVATION
The Lots are sold in their current state. We recommend, therefore, that potential Purchasers check the state of preservation of the Lots/s, as well as the type
of Lot/s being offered, before the Sale. The Experts of WANNENES ART AUCTIONS will be happy to provide upon request reports on the state of preservation of the Lots on sale. The descriptions in the Catalogues merely represent the
opinion of our Experts and may be subject to further revisions that will, in due
course, be given to the public during the Auction.
TAKING PART IN AN AUCTION
Taking part in an Auction may occur by means of the Bidder being present in the
Auction Room, or by means of written or telephone Bids that WANNENES ART
AUCTIONS will gladly carry out for potential Purchasers. This service is free of charge and, therefore, WANNENES ART AUCTIONS bears no form of responsibility for
this service. WANNENES ART AUCTIONS will, therefore, not be responsible for any
Bids inadvertently mislaid or for mistakes in relation to the latter. New Purchasers
will have to provide sufficient bank references by means of a Presentation Letter
supplied by the Purchaser’s bank to WANNENES ART AUCTIONS, piazza Campetto, 2, 16124, Genoa.
BIDDING IN PERSON
In order to bid in person, potential Purchasers have to register and collect a bidding number by filling out the Bidding Form and providing a valid document of
identification and tax code number. All Lots sold will be invoiced to the name and
address supplied when collecting the Bidding Number and they will not be able
to be transferred to other names and/or addresses. Should a potential Purchaser
wish to bid on behalf of a third party, s/he should inform WANNENES ART AUCTIONS before the beginning of the Auction.
WRITTEN AND TELEPHONE BIDS
In order to bid by means of written or telephone Bids potential purchasers have to fill out the Bidding Form in this Catalogue and send it by fax to the number +39 010 2517767 at least SEVEN hours before the beginning of the Auction.
Bids must be in euro and do not include Auction commissions and charges
and taxation as laid down by the Law. Written Bids are carried out on behalf of
the Bidder at the lowest price possible in consideration of the reserve price
and the other Bids offered. In the absence of a higher Bid, written Bids undertaken on Lots without a reserve (indicated by the Estimate in RED) will be sold
at approximately 50% of the lowest estimate or at the figure corresponding to
the Bid, even though lower than 50% of the lowest Estimate. Telephone Bids are
organised by WANNENES ART AUCTIONS according to the availability of the
telephone lines being used and exclusively for Lots that have a maximum Estimate of at least 500 euro. Telephone calls during the Auction may be recorded. Potential purchasers who bid by telephone consent to the recording of
their conversations.
ASTA LIVE
You can bid online going on our website www.wannenesgroup.com – on the on
air sale section and following the instructions
HAMMER PRICE
The Hammer Price indicates that a Sale of a Lot has been made and at that
moment the Purchaser assumes full responsibility for the Lot. As well as the
hammer price the Purchaser has to recognise the commissions (buyer’s premium) to be paid to WANNENES ART AUCTIONS and the taxes to be paid as
laid down by the Law.
PAYMENT
Purchasers have to carry out payment for the Lot/s by 10 working days from the
date of the Auction by means of:
B) Credit transfer to Art Auctions S.r.l.:
UNICREDIT BANCA, Via Dante, 1, 16121, Genoa
SWIFT UNCRITMM - IBAN IT 02 H 02008 01400 000110001195
If paying by bank transfer, the amount received after the deduction of any bank
fee and/or conversion of the currency of payment to euro must not be less
than the euro amount payable, as set out on the invoice
C) Debit/credit card except American Express. Please note there is a 3% surcharge on the total invoice value.
WANNENES ART AUCTIONS may, upon agreement with the Seller, offer those
Purchasers it deems reliable the possibility to pay for Lots in instalments. Potential purchasers who wish to undertake payment by instalments should contact the Management of WANNENES ART AUCTIONS before the Sale.
COLLECTION OF LOTS
Purchasers must collect the Lot/s by 15 working days from the date of the Auction. At the end of this span of time, WANNENES ART AUCTIONS will not be responsible either for the custody of the Lot/s or for any damage that may occur
to the Lot/s upon their removal to an appropriate warehouse. WANNENES ART
AUCTIONS will charge the Purchaser with the costs of insurance and storage as
laid down in the Chart available to Customers in the headquarters of the Company. When collecting the Lot/s, the Purchaser must provide WANNENES ART
AUCTIONS with a valid document of identity. Should the Purchaser request a
Third Party to collect the Lot/s already paid for, the latter should possess a piece of written permission signed by the Purchaser and a photocopy of the Purchaser’s document of identity. The Lot/s are given to the Purchaser or the Third
Party only upon payment having taken place. If purchased Lot/s are collected
after the above-mentioned time limit the Auction House may debit the costs
of storage (by month or part of a month) as follows:
100 euro + VAT for Furniture
50 euro + VAT for Paintings
25 euro + VAT for Objects
THE SHIPPING OF LOTS
The Staff at WANNENES ART AUCTIONS will be glad to ship Lots purchased
according to written instructions given by the Purchaser, following payment
of the Lot/s concerned. Shipping will be at the risk and expense of the Purchaser who, by means of a written communication, will have to subtract
WANNENES ART AUCTIONS from any responsibility concerning such an operation. Furthermore, our Staff is available for evaluations and advice in relation to the shipping methods employed and insurance of the Lot/s.
EXPORT OF THE LOTS PURCHASED
The Law Decree no. 42 of January 22nd 2004 regulates the export of cultural
heritage and goods outside the Republic of Italy. The EU Regulation no.
3911/92 of December 9th 1992, as modified by EU Regulation no. 2469/96 of
December 16th 1996 and by EU Regulation no. 974/01 of May 14th 2001, regulates the export of cultural heritage and goods outside the european Union.
In order to export outside Italy cultural heritage and goods that are over 50 years old need an Export Licence that the Purchaser has to procure for him/herself personally. WANNENES ART AUCTIONS is not involved in the procurement
of such permits and cannot therefore guarantee the relative issue of such permits. WANNENES ART AUCTIONS, upon the request of the Purchaser, may undertake the operations necessary for the granting of the Export Licence
according to the following tarifs:
- euro 250,00 + VAT for each single lot or the first lot of a series of lots
- euro 100,00 + VAT for the stub sequent lots in a series of lots
including form-filling, taxation stamps and photographic (colour) documentation. Should the above-mentioned authorisation not be granted the Purchase of
the Lot/s is not nullified, neither is the payment of the Lot/s, unless prior agreement
with WANNENES ART AUCTIONS was made before the Auction. With reference to
the regulations contained in art. 8, 1st paragraph, letter B DPR 633/72. Purchasers
have to respect the following procedures should they wish to take the Lot/s outside the european Union and claim the VAT refund:
The completion of CUSTOMS forms/papers and transport outside the european
Union within three months from the invoice date.
The sending - within the same term - of the ORIGINAL CUSTOMS TAXATION
STAMP OR EQUIVALENT DOCUMENT directly to WANNENES ART AUCTIONS.
THE ARTIST’S RESALE RIGHT
The Artist’s Resale Right has been in force in Italy since April 9th 2006 with the Law
Decree no. 118 (13/02/2006). This represents the right of the Author/Artist (living or
deceased within the previous seventy years) of figurative art works and manuscripts
to perceive a percentage of the sale price of his/her original works upon those sales taking place following the initial sale of the work/s in question. Resale Royalties
will be charged to the seller where the hammer prise is 3.000,00 euro or more and
will not be superior to 12,500 euro per lot. The amount to be paid may thus be calculated:
4% for the sale price up to 50,000 euro.
3% for the sale price between 50,000,01 and 200,00 euro.
1% for the sale price between 200,000,01 and 350,000 euro.
0.5% for the sale price between 350,000,01 and 500,000,01 euro.
0.25% for the sale price above 500,000 euro.
The Artist’s Resale Right charged to the seller will be paid by WANNENES ART AUCTIONS to the SIAE (The Italian Society for Authors and Editors) as laid down by the Law.
NOTICE
Every lot with any electric equipment is sold as "not working" and it should be totally re-conditioned. Wannenes Art Auctions is not responsible for any incorrect,
wrong use of sold lots or for any non-compliance with instructions.
The words “….year…..” or the date cited in the lots description indicates the period
from when the said lot was first produced, unless otherwise specified.
The descriptive image in the catalogue and website might not faithfully represent
the lots at auction. The Auction House always recommends directly viewing the lots
before making any bids. In case it is not possible to directly view the lots in person,
a bidder may request a condition report in order to receive additional and detailed
images of the lot/s. The Purchaser explicitly authorises Art Auctions s.r.l. to use freely and at no cost the photographs depicting the auction lots for any purpose whatsoever for exemplary - but not necessarily exhaustive purposes - in terms of publicity,
internet usage or usage by any other means, as well as publication in the Magazine
and/or magazines published by third parties.
TERMINOLOGY AND DEFINITIONS
Affirmations concerning the Author, attribution, origin, period, provenance and
conditions of the Lot/s in the Catalogue are to be considered as the personal opinion of the Experts and Scholars who may have been consulted and do not necessarily represent fact.
TITIAN: in our opinion, the work is the work of the artist.
ATTRIBUTED TO TITIAN: in our opinion, the work is probably by the artist,
but there is no absolute certainty.
TITIAN’S WORKSHOP/STUDIO: in our opinion, the work is by an unknown
painter working in the artist’s workshop/studio who may or may not
have undertaken the painting under the artist’s supervision.
TITIAN’S CIRCLE: in our opinion, the work is by an unknown painter who
is in some way connected or associated to the artist, although not
necessarily a pupil of the artist.
STYLE OF/FOLLOWER OF TITIAN: in our opinion, the work is by a painter
who was contemporary or almost contemporary to the artist, working in the same style as the artist, without being necessarily connected to him by an artist-pupil relationship.
MANNER OF TITIAN: in our opinion, the work has been carried out in the
style of the artist but subsequent to the period of the artist.
FROM TITIAN: in our opinion, the work is a copy of a painting by the artist.
IN THE STYLE OF...: in our opinion, the work is in the style mentioned but
from a later period.
SIGNED – DATED – INSCRIBED: in our opinion, the signature and/or date
and/or inscription are by the artist.
BEARING SIGNATURE – DATE – INSCRIPTION: in our opinion, the signature
and/or date and/or inscription have been added.
The dimensions supplied are HEIGHT first, followed by WIDTH.
A) Cash payment less then 3.000 euro.
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CONDIZIONI GENERALI DI VENDITA
144
Art. 1
I beni possono essere venduti in lotti o singolarmente ad insindacabile giudizio della WANNENES ART AUCTIONS (di seguito ART AUCTIONS o Casa d’Aste). Le aste saranno tenute in locali aperti al pubblico da ART AUCTIONS che agisce unicamente
come mandataria nel nome e nell’interesse di ciascun venditore (il nome del quale è trascritto in tutti i registri previsti dalle
vigenti leggi). Gli effetti della vendita influiscono direttamente sul compratore e sul venditore. ART AUCTIONS non assume
nessuna responsabilità nei confronti dell’aggiudicatario, del venditore, o di qualsiasi altro terzo in genere.
Art. 9
Le stime relative al prezzo base di vendita, riportate sotto la descrizione di ogni bene sul catalogo, sono da intendersi al netto di ogni
onere accessorio quale, ad esempio, diritti d’asta, tasse ecc. ecc. Poiché i tempi tipografici di stampa del catalogo richiedono la determinazione dei prezzi di stima con largo anticipo esse potranno essere oggetto di mutamento, così come la descrizione del bene.
Ogni e qualsivoglia cambiamento sarà comunicato dal Banditore prima dell’inizio dell’asta sul singolo bene interessato; fermo restando
che il lotto sarà aggiudicato unicamente in caso di raggiungimento del prezzo di riserva.
Art. 2
Gli oggetti sono venduti/aggiudicati al miglior offerente, e per contanti. Nel caso in cui sorgessero delle contestazioni
tra più aggiudicatari, il Banditore, a suo insindacabile giudizio, rimetterà in vendita il bene che potrà essere nuovamente aggiudicato nella medesima asta; in ogni caso gli aggiudicatari che avessero sollevato delle contestazioni restano vincolati all’offerta fatta in precedenza che ha dato luogo alla nuova aggiudicazione. In caso di mancata nuova
aggiudicazione il Banditore, a suo insindacabile giudizio, comunicherà chi deve intendersi aggiudicatario del bene. Ogni
trasferimento a terzi dei lotti aggiudicati non sarà opponibile ad ART AUCTIONS che considererà quale unico responsabile del pagamento l’aggiudicatario. La partecipazione all’asta in nome e per conto di terzi potrà essere accettata da
ART AUCTIONS solo previo deposito presso gli Uffici della Casa d’Aste - almeno tre giorni prima dell’asta - di adeguate
referenze bancarie e di una procura notarile ad negotia.
Art. 10
Il completo pagamento del prezzo di aggiudicazione, dei diritti d’asta, e di ogni altra spesa accessoria dovrà essere effettuato entro 10 giorni lavorativi dalla data dell’Asta, in valuta avente corso legale nella Nazione ove si è svolta l’asta. In caso di mancato pagamento, fermo restando il risarcimento dei maggiori danni ART AUCTIONS potrà: a) restituire il bene al mancato
venditore ed esigere il pagamento dal mancato acquirente delle commissioni perdute; b) agire per ottenere l’esecuzione
coattiva dell’obbligo di acquisto; c) vendere il lotto a trattativa privata, od in aste successive, comunque in danno del mancato compratore, trattenendo a titolo di penale gli eventuali acconti versati. Nel caso il lotto rimanesse custodito da ART
AUCTIONS ciò avverrà a rischio e spese dell’aggiudicatario e del mancato venditore in solido. In ogni caso fino alla data di
vendita o restituzione l’aggiudicatario dovrà corrispondere ad ART AUCTIONS una somma, a titolo di penale, calcolata, avendo come base, l’importo di aggiudicazione maggiorato di tutte le tasse e commissioni, al tasso del 30%. Tale somma sarà dovuta a partire dal sesto giorno successivo all’aggiudicazione.
Art. 3
ART AUCTIONS si riserva il diritto di ritirare dall’asta qualsiasi lotto. Il banditore conduce l’asta iniziando dall’offerta che ritiene
più opportuna, in funzione sia del valore del lotto presentato sia delle offerte concorrenti. Il banditore può fare offerte consecutive o in risposta ad altre offerte, fino al raggiungimento del prezzo di riserva. Il Banditore, durante l’asta, ha facoltà di accorpare e/o separare i lotti e di variare l’ordine di vendita. Il banditore può, a suo insindacabile giudizio, ritirare i lotti che non
raggiungano il prezzo di riserva concordato tra ART AUCTIONS ed il venditore.
Art. 11
Art. 4
L’aggiudicatario corrisponderà ad ART AUCTIONS un corrispettivo pari al 24% sul prezzo di aggiudicazione comprensivo di
I.V.A. Per i lotti che fossero in temporanea importazione, provenendo da paesi non UE oltre ai corrispettivi d’asta di cui sopra
l’aggiudicatario, se residente in un Paese UE, dovrà corrispondere ogni altra tassa conseguente, oltre a rimborsare tutte le spese necessarie a trasformare da temporanea a definitiva l’importazione (i beni interessati saranno indicati con il segno**). Si ricorda che qualora il venditore fosse un soggetto I.V.A. l’aggiudicatario dovrà corrispondere anche le imposte conseguenti (i
beni interessati saranno contrassegnati dal segno °°).
L’aggiudicatario, dopo aver pagato tutte le somme dovute, dovrà ritirare i lotti acquistati entro 15 giorni lavorativi dalla data dell’Asta
a suo esclusivo rischio, cura e spese, rispettando l’orario a ciò destinato da ART AUCTIONS. Nel caso in cui l’aggiudicatario non dovesse ritirare i lotti acquistati entro il termine sopraindicato ART AUCTIONS li conserverà, ad esclusivo rischio e spese dell’aggiudicatario, nei locali oggetto dell’asta per altri cinque giorni lavorativi. Trascorso tale periodo ART AUCTIONS potrà far trasportare, sempre
a rischio e spese dell’aggiudicatario, i beni presso un qualsiasi depositario, od altro suo magazzino, liberandosi, nei confronti dell’acquirente, con la semplice comunicazione del luogo ove sono custoditi i beni. Resta fermo il fatto che per ritirare il lotto l’aggiudicatario dovrà corrispondere, oltre al relativo prezzo con accessori, anche il rimborso di ogni altra spesa successiva.
Art. 12
In ogni caso ART AUCTIONS potrà concordare con gli aggiudicatari diverse forme di pagamento, di deposito, di vendita a
trattativa privata, di assicurazione dei beni e/o la fornitura di qualsiasi altro servizio che fosse richiesto al fine del miglior andamento possibile dell’affare.
Art. 13
Tutti sono ovviamente tenuti a rispettare le leggi vigenti all’interno dello Stato ove è stata svolta l’asta. In particolare ART
AUCTIONS non assume nessuna responsabilità in relazione ad eventuali restrizioni all’esportazione dei lotti aggiudicati, e/o
in relazione a licenze e/o permessi che l’aggiudicatario potrà dover richiedere in base alla legge vigente. L’aggiudicatario
non potrà richiedere alcun rimborso ne al venditore ne ad ART AUCTIONS nel caso che lo Stato esercitasse il suo diritto di
prelazione, od altro diritto a lui riservato. I diritti maturati in relazione ad una aggiudicazione poi annullata a causa della negata autorizzazione all’esportazione del lotto per contrasto tra le diverse Soprintendenze, sono comunque dovuti dal mandante ad ART AUCTIONS se tale mancato permesso deriva dalla non comunicazione del mandante ad ART AUCTIONS
dell’esistenza di una autorizzazione all’esportazione rilasciata dall’Ente competente su richiesta del mandante stesso.
Art. 14
In caso di contestazioni rivelatesi fondate, ed accettate da ART AUCTIONS a seguito della vendita di oggetti falsificati ad arte la Casa d’Aste potrà, a sua discrezione, dichiarare la nullità della vendita e, ove sia fatta richiesta, rivelare all’aggiudicatario
il nome del venditore. L’acquirente potrà avvalersi di questo articolo solo ed esclusivamente nel caso in cui abbia notificato
ad ART AUCTIONS, ai sensi degli articoli 137 e SS CPC la contestazione con le prove relative entro il termine di 15 giorni dall’aggiudicazione. In ogni caso, a seguito di un reclamo accettato l’aggiudicatario avrà diritto a ricevere esclusivamente quanto pagato per l’aggiudicazione contestata, senza l’aggiunta di interessi o qualsiasi altra somma per qualunque altro motivo.
Art. 15
Le presenti condizioni di Vendita sono accettate automaticamente alla firma della scheda di cui all’art 5 e comunque da tutti quanti concorrono alla vendita e sono a disposizione di chiunque ne faccia richiesta. Per qualsiasi controversia è stabilita
la competenza del foro di Genova
Art. 16
Legge sulla Privacy d. lgs. 196/03. Titolare del trattamento è ART AUCTIONS S.r.l. con sede in Genova Piazza Campetto, 2. Il cliente potrà esercitare i diritti di cui al d. lgs. 196/03 (accesso, correzione, cancellazione, opposizione al trattamento ecc.ecc.), rivolgendosi ad ART AUCTIONS S.r.l.. GARANZIA DI RISERVATEZZA ai sensi dell’art. 25 del d. lgs. 196/03 i dati sono trattati in forma
automatizzata al solo fine di prestare il servizio in oggetto, o di altro servizio inerente l’oggetto sociale della società, con le
modalità strettamente necessarie allo scopo. Il conferimento dei dati è facoltativo: in mancanza, tuttavia ART AUCTIONS non
potrà dar corso al servizio. I dati non saranno divulgati. La partecipazione all’asta consente ad ART AUCTIONS di inviare successivi cataloghi di altre aste.
Art. 5
Al fine di garantire la trasparenza dell’asta tutti coloro che sono intenzionati a formulare offerte devono compilare una scheda di partecipazione con i dati personali e le referenze bancarie. ART AUCTIONS si riserva il diritto di verificare le referenze fornite e di rifiutare alle persone non gradite la partecipazione all’asta. All’atto della compilazione ART AUCTIONS consegnerà
un cartellino identificativo, numerato, che dovrà essere esibito al banditore per formulare le offerte.
Art. 6
ART AUCTIONS può accettare mandati per l’acquisto (tramite sia offerte scritte che telefoniche) effettuando rilanci tramite il Banditore, in gara con le persone partecipanti in sala. In caso di offerte identiche l’offerta scritta preverrà su quella orale.
Art. 7
Nel caso di due offerte scritte identiche, che non siano superate da offerte in sala o telefoniche, ART AUCTIONS considererà aggiudicataria quella depositata per prima. ART AUCTIONS si riserva il diritto di rifiutare, a suo insindacabile giudizio, offerte di acquirenti non conosciuti e/o graditi. A parziale deroga di quanto sopra ART AUCTIONS potrà accettare dette offerte
nel caso sia depositata una somma a garanzia di importo pari al valore del lotto richiesto, oltre commissioni, tasse, e spese.
In ogni caso all’atto dell’aggiudicazione l’aggiudicatario comunicherà, immediatamente, le proprie complete generalità e i
propri dati fiscali.
Art. 8
ART AUCTIONS agisce esclusivamente quale mandataria dei venditori declinando ogni responsabilità in ordine alla descrizione degli oggetti contenuta nei cataloghi ed in ogni altra pubblicazione illustrativa. Tutte le descrizioni dei beni devono intendersi puramente illustrative ed indicative e non potranno generare nessun affidamento di alcun tipo negli aggiudicatari.
L’asta sarà preceduta da un’esposizione dei beni al fine di permettere un congruo esame degli stessi da parte degli aspiranti acquirenti, affinché quest’ultimi, sotto la loro totale e completa responsabilità, possano verificarne tutte le qualità, quali ad
esempio, l’autenticità, lo stato di conservazione, il tipo, il materiale, la provenienza, dei beni posti in asta. Dopo l’aggiudicazione nessuno potrà opporre ad ART AUCTIONS od ai venditori la mancanza di qualsiasi qualità dei beni oggetto di aggiudicazione. ART AUCTIONS ed i propri dipendenti e/o collaboratori non rilasceranno nessuna garanzia di autenticità e/o
quant’altro. Tutte le indicazioni sulla caratura ed il peso di metalli o pietre preziose, come sui relativi marchi, sono puramente indicative. ART AUCTIONS non risponderà di eventuali errori o della falsificazione effettuata ad arte. Nonostante il possibile riferimento ad elaborati di esperti esterni alla Casa d’Aste, ART AUCTIONS non ne garantisce né l’esattezza né l’autenticità.
145
GENERAL CONDITIONS OF SALE
Art. 1
Art. 2
The objects are sold to the highest Bidder for cash. Should any disputes arise among more than one Purchaser, the Auctioneer
(his/her decision is final) will put the object up for sale once more so it can be purchased again in the same Sale. In each case, the
Purchasers who disputed the former Sale of the object in question are still bound by the initial Bid (which gave rise to the subsequent
Sale of the object). Should the subsequent purchase fall through once again the Auctioneer (his/her decision is final) will decide which
person may successfully purchase the Lot/s. Each transfer to Third Parties of the Lot/s purchased does not become the responsibility of ART AUCTIONS which considers the Purchaser as the sole person/s responsible for payment. Bidding at an Auction in the name of and for Third Parties may be accepted by ART AUCTIONS only after sufficient bank references as well as a power of attorney
have been received by the AUCTION HOUSE at least three days before the Auction.
Art. 3
ART AUCTIONS reserves the right to withdraw any Lot/s from the Auction. The Auctioneer starts the Auction beginning with the Bid
that s/he believes to be the most opportune, based upon both the value of the Lot/s as well as the competing Bids. The Auctioneer may make further Bids or in response to other Bids, until the reserve price is reached. The Auctioneer, during the Auction, may group
together or separate Lot/s and vary the order of the Sale. The Auctioneer may – and his/her decision is final – withdraw Lot/s that
do not reach the reserve price agreed upon between ART AUCTIONS and the Seller.
Art. 4
The Purchaser will pay ART AUCTIONS a sum equivalent to 24% of the hammer price including VAT. For those Lots being temporarily
imported and coming from non-EU States, apart from the above-mentioned detractions, the Purchaser – if resident in an EU memberState - will pay all other subsequent taxes, as well as refund all expenses required to transform the temporary import status of the object/s to a status that is permanent (the objects are indicated by the sign **). If the Seller is in possession of a VAT number the Purchaser
will also pay all subsequent taxes (the objects are indicated with a °°).
Art. 5
In order to guarantee the highest levels of transparency during the Auction for all those who intend to make Bids, prospective Bidders are
required to fill out a participation form with personal information and bank details. ART AUCTIONS reserves the right to make checks on the
details/references provided and to refuse those who might not be welcome. Upon completion of the form ART AUCTIONS will supply a
numbered identification paddle which will have to be shown to the Auctioneer in order to proceed with Bidding.
Art. 6
ART AUCTIONS may accept absentee Bids (by means both of written as well as telephone Bids) that will be undertaken by the Auctioneer, in direct competition with those present in the Auction Room. Should there be a case of identical Bids, the written Bid will
prevail upon the oral Bid.
Art. 7
Should there be two written Bids that are not beaten by Bids made in the Auction Room or telephone Bids, ART AUCTIONS will consider the Purchaser to be the one who made the Bid first. ART AUCTIONS reserves the right to refuse – its decision is final – Bids made by Purchasers who are not known or welcome. ART AUCTIONS may, however, partially in reference to the above-mentioned,
accept Bids if there is a guaranteed sum deposited equal to the value of the Lot that is requested, apart from commissions (buyer’s
premium), taxes and expenses. In each case, at the moment of Purchase, the Purchaser will immediately inform the AUCTION HOUSE of his/her personal information and taxation details.
Art. 8
Art. 9
146
The objects may be sold in Lots or individually according to the final opinion of WANNENES ART AUCTIONS (here follows referred to
as ART AUCTIONS or AUCTION HOUSE). The Auctions will be held in premises that are open to the public by ART AUCTIONS which
acts simply as AGENT in the name and interests of each Seller (the name of the said Seller is written in all the Registers required by
Law). The Sale directly concerns the Purchaser and the Seller. ART AUCTIONS does not assume any responsibility in relation to the
Purchaser, the Seller or any Third Party concerned.
ART AUCTIONS acts exclusively as the agent for the Sellers and bears no responsibility in terms of descriptions of the objects
in the Catalogues or in any other illustrated publication. All the descriptions of objects are intended purely as illustrative and
indicative. They may not generate any form of reliance as far as the Purchaser is concerned. The Auction will be preceded by
a public viewing of the objects in order to allow for a careful examination of the objects on behalf of aspiring Bidders. In this
way, potential Purchasers will have the opportunity to and be responsible for a complete examination of all the qualities of
the object/s in question: for example, the authenticity, the state of preservation, the type, the material and the provenance of
the objects being auctioned. Following the Purchase, no one will be able to dispute or criticise ART AUCTIONS or the Sellers
for the lack of any form of quality in reference to the object being auctioned. ART AUCTIONS and its employees/consultants
will issue no guarantee of authenticity. All those indications relative to the carats and the weight of metals or precious stones,
as well as their relative marks, are merely indicative. ART AUCTIONS is not responsible for any potential errors or falsifications.
Notwithstanding any potential reference to descriptions by experts external to the AUCTION HOUSE, ART AUCTIONS does not either guarantee the accuracy or the authenticity of such comments.
The Estimates relative to the initial sale price, indicated beneath the description of each object in the Catalogue, are intended as NET
and do not include, for example, the commissions (buyer’s premium), taxes etc. Since the printing time employed for the making of
the Catalogue requires price Estimates in advance, these latter may be subject to change, as may also the description of the object.
Each and every change will be communicated to the Auctioneer before the beginning of the Auction in relation to each object concerned. The Lot/s will, however, only be sold upon reaching the reserve price.
Art. 10
The entire payment of the hammer price, the commissions applied (buyer’s premium) as well as all other expenses must be paid for
within ten working days of the Auction date, in the legal currency of the State in which the Auction has taken place. In the case of
lack of due payment, after full compensation of damages made to ART AUCTIONS, the AUCTION HOUSE may:
return the object to the Seller and demand full payment from the Purchaser of the due commissions/premium;
undertake action in order to forcefully obtain the obligations of purchase;
sell the Lot/s privately or in subsequent Auctions, to the disadvantage of the original Purchaser, treating any sums paid by the latter
as a form of sanction. If the Lot/s is kept by ART AUCTIONS this will be at the risk and expense of the Purchaser and the original Seller. In each case, until the sale or return dates the Purchaser will pay ART AUCTIONS a sum – in the form of a sanction – to be calculated on the basis of the hammer price plus all taxes and commissions at a rate of 30%. This sum must be paid from the sixth day
following the Auction.
Art. 11
The Purchaser, after having paid all the sums due, must collect the Lot/s acquired within fifteen working days of the Auction date,
at his/her own risk and expense, in full consideration of the opening hours of ART AUCTIONS. Should the Purchaser not collect the
Lot/s during the above-mentioned times ART AUCTIONS will keep them at the risk and expense of the Purchaser in the AUCTION
HOUSE for a further five working days. Once this period has passed, ART AUCTIONS will remove the object/s (at the Purchaser’s own
risk and expense) to the storage space deemed most appropriate by the AUCTION HOUSE. The AUCTION HOUSE will inform the
Purchaser of the place where the object/s are kept. Let it be clearly understood that in order to collect the object/s the Purchaser
will have to pay, apart from the price plus commissions (buyer’s premium) etc, any refund due to subsequent expenses incurred by
the AUCTION HOUSE.
Art. 12
In each case, ART AUCTIONS may agree with the Purchaser/s upon different forms of payment, storage, private sale, insurance of the
object/s and/or granting of any other service requested in order to achieve the most successful results possible.
Art. 13
Everybody has, obviously, to respect the current Laws within the State where the Auction is held. In particular, ART AUCTIONS assumes no responsibility in relation to potential restrictions concerning the export of purchased objects and/or in relation to licences
or permits that the Purchaser might have to request on the basis of current Laws. The Purchaser will not be able to request any refund either from the Seller or from ART AUCTIONS should the State exercise its right to pre-emption or any other right it may possess. The rights that have matured in relation to the hammer price of a sale that has been annulled on account of it not receiving
authorisation for export due to the lack of agreement of the cultural authorities concerned are, nevertheless, to be paid by the vendor to ART AUCTIONS if permission was not given because the vendor did not previously inform ART AUCTIONS of the existence of
authorisation (for export) given by the relevant authority upon the request of the vendor him/herself.
Art. 14
In the case of disputes that are revealed to be well-founded and accepted by ART AUCTIONS subsequent to the sale of false objects, the
AUCTION HOUSE may, at its own discretion, declare the sale null and void and, if requested, reveal the name of the Seller to the Purchaser. The Purchaser may make use of this Article (Article 14) only and exclusively in the case that s/he has notified ART AUCTIONS – according to Articles 137 and following in the Code of Civil Procedure – of the dispute in question with the relative proof within fifteen days of
the Auction date. In each case, subsequent to an accepted claim the Purchaser has the right to receive exclusively what was paid as the
disputed hammer price without the addition of interests or other sums for any other reason.
Art. 15
The current Sale Conditions are accepted automatically upon signing the form (see Article 5) and by all those individuals who take
part in the Sale. The above-mentioned Conditions are at the disposal of any individual who requests to see them. Any case of controversy is within the jurisdiction of the Genoa Law Courts.
Art. 16
Privacy Law (Legislative Decree 196/03). Data Controller: ART AUCTIONS S.r.l. with headquarters in GENOA, Piazza Campetto, 2. The
Customer may exercise his/her rights according to Legislative Decree 196/03 (access, correction, cancellation, opposition etc), by contacting ART AUCTIONS S.r.l. GARANZIA DI RISERVATEZZA according to Article 25 of Legislative Decree 196/03. The information is
computerised with the sole intention of providing the above-mentioned service or any further service relative to the Company, in
such a way that is strictly connected to the question at hand. The supply of data is optional: in default of which, ART AUCTIONS will
not be able to perform the service required. Data will not be divulged. Participation in an Auction allows ART AUCTIONS to send subsequent Catalogues of other Auctions.
147
0616
0616
200
We would like to inform that purchaser will pay a sum equivalent to 24% of the hammer price
including the VAT, in compliance with the economic measure L. 148 dated 14.09.11 (VAT increase)
Si comunica che i diritti d’asta sono pari al 24% del prezzo di aggiudicazione, in
ottemperanza alla manovra economica L. 148 del 14/09/2011 (aumento IVA)
MODULO PER LE OFFERTE /ABSENTEE BIDS FORM
IO SOTTOSCRITTO
IO SOTTOSCRITTO
NOME/COGNOME
NOME/COGNOME
NAME/SURNAME
NAME/SURNAME
LOTTO
DOCUMENTO/N°
DATA E LUOGO DI EMISSIONE
DOCUMENT/N.
DOCUMENT/N.
NATO A
DATA
BORN IN
DATE
INDIRIZZO
ADDRESS
CITTÀ
CAP
STATO
TOWN
ZIP CODE
COUNTRY
TELEFONO/FAX
E-MAIL
PHONE/FAX
E-MAIL
CODICE FISCALE
TAX PAYERS CODE
CONFERISCO INCARICO
A Wannenes Art Auctions affinché effettui per mio ordine e conto delle offerte per l’acquisto dei lotti qui sotto elencati fino al prezzo massimo (oltre commissioni, tasse e/o imposte e quant’altro dovuto) indicato per ciascuno di essi, e/o prenda contatto telefonico con me al momento in cui saranno posti in vendita i lotti qui sotto elencati, al numero di telefono da me indicato. Dichiaro di conoscere ed accettare integralmente le condizioni di vendita stampate sul catalogo ed espressamente esonero Wannenes Art Auctions da ogni
e qualsiasi responsabilità per le offerte che per qualsiasi motivo non fossero state eseguite in tutto o in parte e/o per le chiamate che non fossero state effettuate, anche per ragioni dipendenti direttamente da Wannenes Art Auctions.
Data .................................................................... Ora ...........................................
Firma ................................................................................................................
RICHIAMO ALLE CONDIZIONI GENERALI DI VENDITA E VARIE
1. Il presente elenco non è da considerarsi esaustivo ma, meramente, esemplificativo;
il partecipante all’asta ha già preso visione delle condizioni generali di vendita che ha
dichiarato di aver compreso ed integralmente gradito ed accettato.
2. Nel caso di parità tra un’offerta scritta ed una in sala prevarrà l’offerta scritta.
3. Nel caso di parità tra più offerte scritte prevarrà quella formulata per prima, purchè
formulata in maniera completa (garanzie bancarie comprese).
4. Il proponente è perfettamente a conoscenza che il prezzo finale di acquisto sarà
composto dalla somma offerta maggiorata dai diritti d’asta e da tutte le imposte e
tasse conseguenti, nonché da tutte le voci di spesa chiaramente indicate nel catalogo.
5. Wannenes Art Auctions s’impegna a cercare di effettuare l’acquisto al prezzo più
basso possibile.
LEGGE SULLA PRIVACY
Ai sensi e per gli effetti del d.lgs. 196/03 e successive modificazioni ed integrazioni i dati
saranno trattati esclusivamente per le finalità per le quali sono stati comunicati e per
l’invio di comunicazioni commerciali e/o pubblicitarie (comunque esclusivamente per
materie inerenti l’oggetto sociale della Wannenes Art Auctions). I dati potranno essere
comunicati a persone ed enti che prestano servizi per conto di Wannenes Art Auctions
, ivi compresi istituti di credito per l’espletamento delle formalità di pagamento. I dati
potranno essere trattati anche con strumenti informatici.
fax +39 010 2517767 - [email protected]
IMPORTANT NOTICE
AVVISO IMPORTANTE
MODULO PER LE OFFERTE /ABSENTEE BIDS FORM
recapito telefonico (solo per offerte telefoniche in sala) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
AUTORIZZAZIONE ALL’ADDEBITO SU CARTA DI CREDITO
Il sottoscritto ......................................................................................................... in relazione alla mia partecipazione quale acquirente
all’asta numero 200 che si terrà il 15 Giugno 2016 ed in relazione ad i lotti sopra indicati autorizzo Art Auctions s.r.l. ad addebitare tali miei acquisti sulla carta di credito trascorsi 10 giorni lavorativi dalla data dell’asta.
AUTHORIZATION TO CHARGE ON CREDIT CARD
I undersigned in relation with my participation as a buyer at the sale nr. number 185 which will be held December 14, 2015
and in relation to the above-mentioned lots, I authorize Art Auctions Ltd. to charge the purchasesd lots on my credit card
after 10 working days from the date of the auction.
Visa
Ai sensi e per gli effetti degli artt. 1341 e 1342 del Codice Civile dichiaro di
approvare specificatamente con l’ulteriore sottoscrizione che segue gli articoli
1, 2, 4, 5, 6, 7, 8, 9, 11, 13, 14, 15 delle Condizioni di Vendita.
Firma..............................................................................................................................
QUESTO MODULO SARÀ RITENUTO VALIDO SOLO SE PERVERRÀ PER E MAIL O FAX ALMENO SETTE ORE PRIMA DELL’INIZIO DELL’ASTA
THIS FORM WILL BE ACCEPTED ONLY IF RECEVED BY E-MAIL OR FAX AT LEAST SEVEN HOURS BEFORE THE BEGINNING OF THE AUCTION
NON SI ACCETTANO OFFERTE TELEFONICHE SOTTO I 500 EURO DI STIMA MASSIMA TELEPHONE BIDS LOWER THAN 500 EURO WILL NOT BE ACCEPTED
LA RICHIESTA DI PARTECIPAZIONE TELEFONICA IMPLICA L’ACCETTAZIONE DI OFFERTA DEL PREZZO BASE
THE REQUEST OF TELEPHONE BIDDING IMPLIES THE ACCEPTANCE OF A BID AT THE STARTING PRICE
NON POSSIAMO ACCETTARE OFFERTE SOTTO IL PREZZO MINIMO DI STIMA WE CANNOT ACCEPT BIDS LOWER THAN THE MINIMUM PRICE
OFFERTA MASSIMA IN €
DESCRIZIONE
Mastercard
altra/other.....................................................................
CVC*
* codice di sicurezza
card verification code
SCADE
/
Data........................................Firma ................................................................................
QUESTO MODULO SARÀ RITENUTO VALIDO SOLO SE PERVERRÀ PER E MAIL O FAX ALMENO SETTE ORE PRIMA DELL’INIZIO DELL’ASTA
THIS FORM WILL BE ACCEPTED ONLY IF RECEVED BY E-MAIL OR FAX AT LEAST SEVEN HOURS BEFORE THE BEGINNING OF THE AUCTION
NON SI ACCETTANO OFFERTE TELEFONICHE SOTTO I 500 EURO DI STIMA MASSIMA TELEPHONE BIDS LOWER THAN 500 EURO WILL NOT BE ACCEPTED
LA RICHIESTA DI PARTECIPAZIONE TELEFONICA IMPLICA L’ACCETTAZIONE DI OFFERTA DEL PREZZO BASE
THE REQUEST OF TELEPHONE BIDDING IMPLIES THE ACCEPTANCE OF A BID AT THE STARTING PRICE
NON POSSIAMO ACCETTARE OFFERTE SOTTO IL PREZZO MINIMO DI STIMA WE CANNOT ACCEPT BIDS LOWER THAN THE MINIMUM PRICE
fax +39 010 2517767 - [email protected]
200
0616
200
0616
200
MODULO PER LE OFFERTE /ABSENTEE BIDS FORM
MODULO PER LE OFFERTE /ABSENTEE BIDS FORM
姓名
说明
拍卖品
文档号码
发行日期地点
DOCUMENT/N.
DOCUMENT/N.
发行地
日期
BORN IN
DATE
地址
ADDRESS
城市
邮编
国家
TOWN
ZIP CODE
COUNTRY
电话/传真
电子邮件
PHONE/FAX
E-MAIL
增值税代码
TAX PAYERS CODE
授权任命书
Wannenes 艺术拍卖行 努力致使每个下列竞拍品的订单和投标能以很好的价格(加上手续费和 (或) 税款之类) 成交,在下列拍卖
品拍卖期间,请与我电话联系,下面列出电话号码
声明全面认识和接受印在目录上的销售条件,明确豁免Wannenes艺术品拍卖行以任何理由不执行的部分或全部的任何及所有责任,
即使呼叫失败,或者Wannenes 艺术拍卖行员工的直接原因。
参考一般及其他的销售条款和条件款项
隐私声明
1.这个列表并不详尽,仅仅是举例说明;拍卖参与者已阅读理解和
根据法律 675/96 第10条的效力, 随后修改和增补的数据处理将专用
于商业通信和/或广告(皆是只为Wannenes艺术品拍卖行宗旨的事
宜)。
数据可能被提供服务的代表Wannenes艺术品拍卖行的个人或组织披
露,包括贷款人完成付款手续。
数据还可以由计算机进行处理。
2.
3 .
在书面投标和会场投标同价情况下将以书面报价为准
在多个书面投标的同价情况下,将以书面为准,提供充分制定
(包括银行担保)。
4.申请人最后的购买价格包括拍卖费用及产生的所有税费 ,以及目
录中明确标示的所有开支项目
.......................................................................................................................................................................................................
信用卡抵押授权
签字人 .............................................................作为买家参与竞拍品第185 号的竞拍。将于2015年12月14日,在上
日期..................................时间 ...................................................签名 ...............................................................................................
接受了销售的一般条款和条件。
电话
欧元最高出价
根据意大利民法典第1341条 ,第1342条的效力,特此批准进一步阅
览第1 条,第2条,第4 -9条,第11条,第13-15条的销售条件
5. Wannenes艺术品拍卖行致力于尽量做到尽可能最低的购买价格
签名.......................................................
述地段的艺术拍卖有限公司授权后,在拍卖之日起10个工作日内用信用卡购买。
卡
万事达卡
其他
验证码*
/
* codice di sicurezza
card verification code
日期 ........................................签名 ................................................................................
................
QUESTO MODULO SARÀ RITENUTO VALIDO SOLO SE PERVERRÀ PER E MAIL O FAX ALMENO SETTE ORE PRIMA DELL’INIZIO DELL’ASTA
THIS FORM WILL BE ACCEPTED ONLY IF RECEVED BY E-MAIL OR FAX AT LEAST SEVEN HOURS BEFORE THE BEGINNING OF THE AUCTION
NON SI ACCETTANO OFFERTE TELEFONICHE SOTTO I 500 EURO DI STIMA MASSIMA TELEPHONE BIDS LOWER THAN 500 EURO WILL NOT BE ACCEPTED
LA RICHIESTA DI PARTECIPAZIONE TELEFONICA IMPLICA L’ACCETTAZIONE DI OFFERTA DEL PREZZO BASE
THE REQUEST OF TELEPHONE BIDDING IMPLIES THE ACCEPTANCE OF A BID AT THE STARTING PRICE
NON POSSIAMO ACCETTARE OFFERTE SOTTO IL PREZZO MINIMO DI STIMA WE CANNOT ACCEPT BIDS LOWER THAN THE MINIMUM PRICE
截止日期
只有拍卖开始前至少七个小时通过e-mail或传真交付本表格才有效
估价低于500欧元我们将不接受手机连线
参与手机连线的请求,即表明您同意提供的基准价格
低于最低价格估计我们不能接受要约
fax +39 010 2517767 - [email protected]
We would like to inform that purchaser will pay a sum equivalent to 24% of the hammer price
including the VAT, in compliance with the economic measure L. 148 dated 14.09.11 (VAT increase)
Si comunica che i diritti d’asta sono pari al 24% del prezzo di aggiudicazione, in
ottemperanza alla manovra economica L. 148 del 14/09/2011 (aumento IVA)
NAME/SURNAME
NAME/SURNAME
fax +39 010 2517767 - [email protected]
IMPORTANT NOTICE
AVVISO IMPORTANTE
姓名
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ASIAN ART
Genoa 15 June 2016
ASIAN ART
15 JUNE 2016
GE200
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