Fall|2016 - Forma Edizioni

Transcript

Fall|2016
FORMA EDIZIONI
www.formaedizioni.it
formaedizioni.it
come visit
Forma
at
Frankfurt
Bookfair 2016:
H. 5.0 / C36
Forma is a publishing initiative aimed at
the diffusion of knowledge of trends and
experiences in the fields of art, architecture
and photography and, more in general,
at the promotion of the most interesting
researches on productive and technological
aspects related to the transformation of
the territory, contemporary lifestyles and
homes.
The intention of the publishing house is to
give a “form” to the expressive undercurrents
which run through and animate the current
cultural debate and to explore both specific
areas of knowledge that are known to the
public, and to give greater visibility to those
currently marginal intellectual and artistic
expressions that are considered, for various
reasons, to open new vistas on reality.
To achieve this, Forma avails itself, without
any distinction of priority, of all means of
communication, both digital by making its
publications available on the internet or
by means of e-books, and traditional ones,
by printing volumes on paper, such as
monographs and catalogues of exhibitions
and events.
Every initiative is characterized by the high
quality of the overall product (including
images and printing). The publications
are distributed in places (specialized
bookstores, museum bookshops and
exhibition venues) which, in addition to
being available on the internet, assure the
necessary and indispensable presence
in the “sites” where opinions and critic
valuations are formed.
ARCHITECTURE Contemporary Works
COMING
SOON
-
Architecture
© Pietro Savorelli
03.17
Contemporary Architects
◊ Contemporary Works
◊ ONE series
◊ Critical Readings
◊ Urban Planning
◊ Typologies
◊
ANTINORI
WINERY
New edition
DIARY OF BUILDING A NEW LANDSCAPE
by L. Andreini; texts by P. Antinori, M. Casamonti
introduction by M. Fuksas
33,5×28 cm; 438 pages; ita or eng;
bound hardback with cloth cover
Contemporary Works ARCHITECTURE
ANTINORI
WINERY
DIARY OF BUILDING A NEW LANDSCAPE
ARCHITECTURE Contemporary Architects
ARCHEA CHINA 20
with an introduction by Z. Fang
by L. Andreini; texts by P. Antinori, M. Casamonti
introduction by M. Fuksas
The new Antinori winery project
is located in the extraordinary
hilly landscape covered with
vineyards of Chianti, halfway
between Florence and Siena.
The customer wanted a building
which enhanced the surrounding landscape and territory and
bore witness to the cultural and
social relevance of the places
where wine is made.
The conceptual theme of the
project has taken the form of
6
a shell that is totally underground, without roofs, walls,
streets and parking spaces, following a design which dares to
reconcile (a difficult but necessary challenge) the natural and
the artificial.
It is precisely the story of this
constant research, of the indispensable connection between
architecture and landscape,
which represents the fulcrum
on which the whole volume
pivots. Hundreds of photographs by Pietro Savorelli have
immortalized years of work
on the building site, telling
the story of all the phases that
have made it possible to realize this extraordinary project.
The images, along with numerous technical drawings on every
scale, critical and descriptive
texts, illustrate the design process which has led to the construction of a new landscape.
book
The volume records the experience of Archea Associati in
China through 20 illustrated
projects of recent years.
The collection includes competitions, projects under construction and complete works.
It gives an overview on the
design and research activity of
Archea, ranging from masterplans for entire cities to housing and industrial complexes,
to the interior design of single
buildings.
Charlie Xia’s images, the technical drawings and some text
descriptions represent a fundamental instrument for the interpretation and the comprehension of the selected projects. A
critical text by Zhenning Fang
gives the opportunity to reflect
on the peculiarities of contemporary Chinese architecture and
on its possible future evolutions.
La definizione del progetto attraverso la
composizione di quattro volumi regolari,
ai quali vengono sottratti ampi blocchi
basamentali, permette all’opera di mettere
in relazione pieni e vuoti, regolarità e
irregolarità. I volumi costruiti con tecnologie
eco-sostenibili e contenenti uffici e spazi
di incontro dialogano con quattro ampie
piazze pubbliche coperte, unite tra loro da
due corridoi centrali a cielo aperto che si
incrociano centralmente rendendo fruibile
e attraversabile l’area e favorendone
l’integrazione con lo spazio naturale
esterno.
La definizione del progetto attraverso la
composizione di quattro volumi regolari,
ai quali vengono sottratti ampi blocchi
basamentali, permette all’opera di mettere
in relazione pieni e vuoti, regolarità e
irregolarità. I volumi costruiti con tecnologie
eco-sostenibili e contenenti uffici e spazi
di incontro dialogano con quattro ampie
piazze pubbliche coperte, unite tra loro da
due corridoi centrali a cielo aperto che si
incrociano centralmente rendendo fruibile
e attraversabile l’area e favorendone
l’integrazione con lo spazio naturale
esterno.
175
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mo blandis et occusam, volorum ipsam
dolestiumet fuga. Meniani hilibus,
sum rest magnis sequibusam quibus
wmolestiunt quia eost aut volor sapidion
nis doluptusae nulpa que nis nosaperum
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verio officiliae labor aliti cus aute dessit,
sinihilique dolupta verspitem arum et
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doluptum fugias pe estiur atistis dolupti
con commodis sit apistes quatur sitistiae
reicitatur arum recullatist volore pro
berepe verorehenis re consecti beatio.
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corem qui occus ut quati dolesequas.
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temoluptas aut fuga. Nem eaque ped ut
quunt voluptae nim ullabor.
tianjin land 7 office building
tango disco
parkour - beijing
tianjin smic masterplan
ubpa b3-2 pavilion world expo 2010
shangri-la winery
gel - green energy laboratory
helmchen island
consulting for sino-singapore nanjing eco hi-tech island conceptual planning
renovation of beijing fushin logistic center
ordos 20+10 p12
ordos 20+10 t06
guizhou zhen winery
li ling world ceramic art city
moove - chang li winery
madam dai centre - theatre and art gallery of changsha
yanqing wine industry urban planning
tasly hotel
lvbo core cluster area
beijing jun zhuang international winery culture centre
Book + slipcase (Italian version)
2012; Isbn 978-88-96780-37-4
(ita) € 89,00
9
788896
780374
Book + slipcase (English version)
2015; Isbn 978-88-96780-87-9
(eng) € 99,00
9
788896
780879
7
21×24 cm; 320 pages; eng/ita;
paper binding with flaps
2013; Isbn 978-88-96780-55-8
€ 45,00
9
788896
780558
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Contemporary Architects ARCHITECTURE
ADOLFO NATALINI
FOUR SKETCHBOOKS
NEW
FROM SUPERSTUDIO TO NATALINI ARCHITETTI
Founder of Superstudio, initiator of the so-called “Radical
Architecture” movement (one
of the most important avantgarde movements of the sixties
and seventies), Adolfo Natalini
describes years of designed
and constructed architectural
projects through his preferential medium: drawings and
sketches. This book contains
work from several of his large
collection of notebooks retra8 cing almost fifty years of professional career.
The order in which the notebooks are published, interspaced
and coordinated by means of
a long interview, demonstrate the evolution of the initial
idea, interpretation and vision
of the architectural oeuvre of
one of the leaders in Italian
architecture.
Book launch:
Florence, 12/01/2016
@ SpazioA Firenze
Adolfo Natalini was born
in Pistoia in 1941. After his
experience as a painter, he
graduated in architecture at
Florence University in 1966
and founded Superstudio, (with
Cristiano Toraldo di Francia,
Gian Piero Frassinelli, Roberto
and
Alessandro
Magris).
Superstudio’s designs have
appeared in publications and
exhibitions all over the world
and it’s works now form part
of collections such as the
MoMA in New York, the Israel
Museum in Jerusalem, the
Deutsche Architekturmuseum
in Frankfurt am Main and the
Centre Pompidou in Paris.
From 1979 onwards Natalini
started working on his own
and concentrating on his designs for historical towns in Italy
and other countries in Europe,
looking for the traces left by
time on objects and places
and proposing a reconciliation
between collective and personal
memory.
He is a full professor at the
faculty of architecture of
Florence University and an
honorary member of the BDA,
(Bund Deutscher Architekten),
of the Accademia delle Arti del
Disegno in Florence and of the
Accademia di San Luca.
9
19×27 cm; 344 pages; ita or eng;
2015; Isbn 978-88-96780-92-3
(ita) € 49,00
9
788896
780923
2015; Isbn 978-88-96780-88-6
(eng) € 49,00
9
788896
780886
UNDER 50
OVER 5000
IVANO GIANOLA
LAC LUGANO
ARTE CULTURA
edited by L. Andreini
with an essay by L. Vinca Masini and an introduction by M. Casamonti
edited by C. Frisone, with an essay by M. Casamonti
photographs by A. Chemollo
Under 50 over 5000 presents
a completely new selection of
designs made for the fashion
sector, analysed and described
with the precious contribution of
their creator, Antonio Barbieri,
an architect but above all a
craftsman who has worked with
interior design, exhibition areas
and commercial spaces for
many years. The volume unites
and describes, through texts,
technical drawings and images
by Pietro Savorelli, a selection
of works, comprising numerous
projects ranging from furniture
to lighting design, from concepts for international brands to
window displays, to temporary
10
The LAC (Lugano Arte Cultura)
is aspiring to become the most
important centre for cultural
development in Lugano and
Italian
Switzerland.
Forma
Edizioni is dedicating an important volume to this project; the
book has been realised with the
collaboration of the Ticinese
architect, Ivano Gianola, winner
of the project’s international
competition. The functional layout of this imposing structure
which will be inaugurated in
September 2015, is composed
of a multi-functional space
for a new theatre and concert
hall with seating for 1000, a
museum,
restaurant
area,
office space and housing. The
urban image has a very strong
impact, an aspect that had to
be considered by the architect. The volume describes the
complete history of this work
in great detail, through critical
and descriptive texts, drawings,
sketches, and numerous photographs that make up the highly
accurate documentation of this
significant construction site.
24,5×32,5 cm; 192 pages; ita or
eng; bound hardback
2015; Isbn 978-88-96780-85-5
(eng) € 55,00
9
788896
24×30 cm; 160 pages; ita/eng;
bound hardback with
plexiglass cover
2015; Isbn 978-88-96780-72-5
€ 55,00
780855
9
788896
780725
2015; Isbn 978-88-96780-11-4
(ita) € 55,00
9
788896
780114
Book launch:
@ Spazio A
stores. The main theme of the
story about architecture is the
outstanding versatility of this
design, which is especially evident from an essential trait that
characterizes all the projects
included in the publications,
namely their markedly “crafted”
and “customised” nature.
The skilful use of the materials
and their adaptation to forms
and placements, which is often
very original, allow Barbieri
to create spaces that not only
succeed in meeting the commercial requirements, but that
also adjust to the all-important
present-day restriction, that of
the “cost per square meter”. In
fact, the choice of projects presented herein comprises both
projects of luxurious interiors
where nothing has been spared
and others where a remarkable result has been achieved in
spite of a limited budget.
11
NEMBRO
PUBLIC
LIBRARY
PERFETTI
VAN MELLE FACTORY
RENOVATION
with texts by F. Bollack
and L. Molinari
with texts by P. Meuser
and M. Giberti
The library of Nembro designed
by the Archea firm between
2002 and 2007 could be defined
as a perfect and coherent work,
a child of the Italian architectural culture of the postwar years
with all the wealth of meanings, complexity and subtle
contradiction that this definition entails. The new building
appears as a box of glass and
steel, shielded from the sun by
a curious system of sunscreens
12
in red earthenware, fastened to
iron rods.
In 2004 Perfetti van Melle, an
important Italian corporation
and one of the world’s leading
chewing gum and candy manufacturers, decided to expand its
first historical plant in Lainate,
a few kilometres north of Milan.
The idea has been to build a
new central warehouse for the
stocking of all products made in
this section, as well as to organize the management offices
by concentrating them in a new
office building.
24,5×32,5 cm; 160 pages; ita/eng;
bound hardback
24,5×32,5 cm; 160 pages; ita/eng;
bound hardback
2012; Isbn 978-88-96780-25-1
€ 30,00
2012; Isbn 978-88-96780-20-6
€ 30,00
9
9
788896
780251
788896
780206
ARCHITECTURE Typologies
POLI FIERISTICI
edited by C. F. Kusch
with a contribution by V. Marg
In the past twenty years, nearly all
of Europe’s major exhibition centres have been expanded, rebuilt,
or constructed in new locations to
replace antiquated and inadequate
facilities. Significant amounts have
been invested in developments
that have often brought radical
change to entire city districts.
This volume offers a selection of
the most interesting European
exhibition
complexes,
distinguishing the new centres (as for
example the fairs in Milan, Rome
and Stuttgart), from those which
have been renovated or expanded
(such as Vienna, Berlin, Padua and
Turin).
Each project is described through
an illustrative text, completed by
images and technical drawings. In
the last pages, a practical manual
summarizes all the information
and the requirements for the correct design of a trade fair.
Fiera di Rimini
Architetti: von Gerkan,
Marg und Partner, Amburgo
Committente: Ente Autonoma
Fiera di Rimini
Realizzazione: 1999-2001
Progetto strutturale:
Favero e Milan Ingegneria,
Mirano-Venezia Schlaich,
Bergmann und Partner, Stoccarda
Concorso: 1997, 1° premio
Numero di padiglioni: 12
Superficie lorda: 130.134 mq
Superficie espositiva: 82.000 mq
Costo: ca. 93 milioni Euro
Ampliamento:
due padiglioni doppi, 2001-2003
Coordinamento locale:
Clemens F. Kusch, Venezia
Foto: Klaus Frahm, Heiner Leiska
Con l’assegnazione del primo premio al concorso per la realizzazione della nuova fiera di Rimini, si offre allo studio von Gerkan, Marg
und Partner, immediatamente dopo il completamento della Nuova Fiera di Lipsia, un’altra occasione di costruire un polo fieristico
completamente ex-novo. Nella patria dell’architettura classica gli
architetti attingono al vocabolario della tradizione con un’impostazione generale di tipo assiale e nella definizione dei singoli elementi
tipologici di cui è formato il complesso fieristico: padiglioni con volte a botte, cupole, portici, cortili e aule colonnate richiamano le forme archetipiche dell’architettura pur rimanendo sempre il risultato
di soluzioni funzionali e costruttive contemporanee.
Quattro esili torri d’acciaio e vetro, illuminate di notte con luce
blu, sono il simbolo della fiera: ben visibili da lontano fanno riferimento alle torri gentilizie, tipiche delle città medievali dell’Italia
centrale. Posizionate davanti all’ingresso principale, accolgono il
visitatore, dopo il passaggio sotto la linea ferroviaria, su un vasto
piazzale dal quale si accede alla fiera, agli uffici amministrativi nelle
due ali laterali e all’anello di accesso carrabile ai padiglioni, nonché
alla fermata ferroviaria, realizzata appositamente per la fiera.
Il complesso ha una chiara impostazione simmetrica, organizzata secondo lo schema “a doppio pettine”, risultato il più funzionale
per l’organizzazione degli spazi espositivi. Dall’ingresso principale,
situato sull’asse centrale, si accede ad una sala colonnata e da questa, sui due lati, ai padiglioni espositivi nonché alla cupola centrale,
alle sale conferenza, ai ristoranti e agli altri servizi. Due ulteriori ingressi, sui due lati est ed ovest, collegati con vaste aree parcheggio,
permettono un’ottimale flessibilità e gestione degli eventi fieristici.
Dopo l’ampliamento, con due padiglioni doppi attestati sugli ingressi laterali, sedici ambienti espositivi offrono circa 110.000 mq di
superficie per fiere ed eventi che possono svolgersi anche contemporaneamente, grazie ai tre ingressi di accesso separati. I padiglioni
sono illuminati da luce naturale attraverso le facciate laterali vetrate e da lucernari in copertura, ma possono essere oscurate completamente se necessario. Piccoli padiglioni di raccordo e il colonnato
assicurano al visitatore un passaggio coperto e continuo attraverso
tutta la fiera.
I padiglioni, disposti sui due lati dei lunghi colonnati che circondano i vasti specchi d’acqua, sono monoplanari e hanno coperture
voltate a botte in legno lamellare. Le volte a losanghe sono un riferimento alle costruzioni degli anni ’20 dell’ingegnere tedesco Friedrich Zollinger e dell’ingegnere italiano Pier Luigi Nervi. Le travi,
alte solo 80 cm, hanno tutte le stesse dimensioni formando una
rete omogenea di losanghe, che copre il padiglione senza sostegni
intermedi per una superficie di 60×100 m. Per la costruzione della
cupola, il cuore della fiera, la tecnica costruttiva utilizzata per i padiglioni, è stata ulteriormente affinata. Lo spazio circolare, con un
diametro di 30 m alla base, contornato da una doppia fila di colonne, è coperto con una cupola lignea composta da elementi di varie
dimensioni che formano una rete a losanghe che si stringe verso il
lucernario centrale. Il pavimento in grès è abbassato di alcuni gradini rispetto al livello circostante e riporta, intarsiato, il michelangiolesco motivo della piazza del Campidoglio.
70 71
22,5×28 cm; 304 pages; ita
bound hardback with folded
dust jacket
2013; Isbn 978-88-96780-38-1
€ 40,00
Lecture: Nembro, 27/09/2012
@ Nembro Public Library
9
788896
780381
13
Contemporary Architects ARCHITECTURE
with an introduction by F. Burkhardt
14
2009; Isbn 978-88-96780-00-8
€ 55,00
9
OU
788896
IN
F PR
TO
780008
T
The volume, part of the
Contemporary Authors series, provides an opportunity to
reflect upon over twenty years
of Studio Achea’s activity.
After the introduction by
François Burkhardt, more than
50 works by the studio are
shown, placed in different thematic sections such as landscape, architecture, interiors and
furnishing.
The broad selection of architecture and projects published is
proof of the continual research
and experimentation of everevolving themes.
Nevertheless, in spite of unceasing interest in variation,
specific characteristics of the
cultural circles involved in the
project emerge,along with the
differences.
Going beyond the heterogeneity
of the submitted proposals, we
can catch a glimpse of a clear
guideline, which sets Studio
Archea in a well-defined position within the landscape of
contemporary architecture.
ARCHEA
SUSTAINABLE
LANDMARKS
HABITAR
A COMUNIDADE
by M. Casamonti and M. Giberti
with an introduction
by L. Molinari
14×14 cm; 96 pages; por/eng;
bound hardback
2011; Isbn 978-88-96780-12-1
€ 11,00 euro
9
OU
788896
T
PR
OF
INT
780121
Book launch:
São Paulo, 06/05/2011
@ MuBE Museu Brasileiro
da Escultura
15
© Leonardo Finotti
ARCHEA
SUSTAINABLE
LANDMARKS
ARCHITECTURE Urban Planning
Rio de Janeiro is currently the
centre of the world’s attention
due to the events the city and
the Brazilian government have
succeeded in attracting to the
former capital.
This is the result of a specific political strategy aimed at
consolidating the image of a
country undergoing a rapid
expansion, which is becoming
increasingly irreconcilable with
the conspicuous presence of
an informal urban fabric in the
form of favelas.
The volume “Habitar a comunidade / Abitare la comunità” has
been created within the context
of an attempt to identify new
strategies of intervention in the
“informal city” that rather than
try to impose external models,
aims to define some simple
operational principles that may
be implemented both by individuals and by administrations
through shared and participative projects.
The underlying concept is that
the communities can only be
upgraded through a direct involvement of their own members.
24,5×32,5 cm; 240 pages;
por/ita; bound hardback
2012; Isbn 978-88-96780-27-5
€ 30,00
9
788896
780275
Critical Lectures ARCHITECTURE
ARCHITECTURE Critical Lectures
LA SERIE E IL PARADIGMA
FRANCO PURINI E L'ARTE DEL
DISEGNO PRESSO I MODERNI
PROGETTANDO
EDIFICI
3 CITTÀ
(IM)POSSIBILI
by C. Terpolilli
by C. Terpolilli
LA PERMANENZA
DEL CONCETTO
DI PROPORZIONE
DAL
RINASCIMENTO
AL MODERNO
edited by P. F. Caliari and C. Gentilini
by L. Andreini
Carlo Terpolilli
Carlo Terpolilli è architetto e docente presso la Facoltà di architettura
dell’Università di Firenze, dove insegna Tecnologia dell’Architettura.
Visiting professor presso lo IUAV di Venezia, nei workshop estivi dal
2004 al 2006. Socio fondatore di Ipostudio architetti, a Firenze dal
1983. La sua attività ha come campo di indagine le relazioni tra la
progettazione architettonica e quella tecnologica, in particolare nel
settore dell’innovazione del processo di progettazione e costruzione
della progettazione architettonica. Ha curato il volume Emergenza del
progetto – progetto dell’Emergenza, architetture con-temporaneità
edito da Federico Motta Editore nel 2005. Le sue opere hanno ottenuto
riconoscimenti in diversi concorsi di progettazione a livello nazionale
e internazionale, sono state più volte pubblicate in Italia e all’estero ed
esposte in mostre, tra le quali la Biennale di Venezia e la Triennale di
Milano. Tra i riconoscimenti, è stato finalista al premio Medaglia d’oro
all’architettura italiana del 2006 e segnalato al XIX Compasso d’oro ADI
2001. I suoi lavori sono raccolti nel volume Ipostudio, la concretezza
della modernità di Marco Mulazzani, pubblicato da Electa nel 2008 nella
collana Documenti di architettura.
Progettando Edifici
Considerazioni sul progetto di architettura
come arte della tecnica
Laura Andreini
La permanenza del concetto di proporzione dal Rinascimento al Moderno
Carlo Terpolilli
Carlo Terpolilli è architetto e docente presso la Facoltà di architettura dell’Università di Firenze, dove insegna Tecnologia dell’Architettura. Visiting professor presso
lo IUAV di Venezia, nei workshop estivi dal 2004 al 2006. Socio fondatore di Ipostudio
architetti, a Firenze dal 1983.
La sua attività ha come campo di indagine le relazioni tra la progettazione architettonica e quella tecnologica, in particolare nel settore dell’innovazione del processo
di progettazione e costruzione della progettazione architettonica.
Ha curato il volume “Emergenza del progetto – progetto dell’Emergenza, architetture con-temporaneità” edito da Federico Motta Editore nel 2005. Le sue opere hanno ottenuto riconoscimenti in diversi concorsi di progettazione a livello nazionale
e internazionale, sono state più volte pubblicate in Italia e all’estero ed esposte in
La proporzione come principio immutabile, a cinquecento anni dalle
mostre,
formulazioni albertiane, costituisce il riferimento primo del comporre
in tra le quali la Biennale di Venezia e la Triennale di Milano.
Tra idel
riconoscimenti, è stato finalista al premio Medaglia d’oro all’architettura italiaarchitettura, regola d’insegnamento, fattore di ispirazione e controllo
na deldalle
2006 e segnalato al XIX Compasso d’oro ADI 2001. I suoi lavori sono raccolti
progetto. Quelle stesse proporzioni, che per Viollet-le-Duc dipendono
nel volume
“Ipostudio, la concretezza della modernità” di Marco Mulazzani, pubbli“regole della geometria”, costituiscono forse l’elemento che manifesta
in
modo più evidente la “continuità del classico” e la permanenza dicato
quelda Electa nel 2008 nella collana “Documenti di architettura”.
carlo terpolilli 3 città (im)possibili
Abbiamo bisogno di riflettere con attenzione sul significato contemporaneo
di edificio, su come lo interpretiamo oggi, sul ruolo che svolge nel territorio e
nella città contemporanea, sul modo come si perviene alla sua costruzione,
sulle condizioni economiche, sociali, politiche, culturali e, infine, sulle generali
condizioni produttive e normative. Nello stesso tempo, è necessario capire
il ruolo che il progetto di architettura assume nel restituire questa nuova
realtà dell’edificio, della città, del territorio, in un rapporto nuovo con le
tecniche costruttive e, dunque, con la tecnologia. Un ruolo che oggi può
diventare succedaneo, incapace di accettare le sfide dell’innovazione rispetto
a uno sviluppo sostenibile. Costretto a essere, solo e soltanto, superficie,
trucco, abbellimento, una sorta di utilizzatore finale di tecniche, prodotti
e componenti. È invece necessario riscoprire un ruolo che sicuramente
appartiene al progetto di architettura, quello di essere l’arte della tecnica:
riuscire a coniugare i due principi che stanno alla base, il principio di realtà e
il principio ideale. Riassumere su di sé il ruolo culturale egemone, depositario
di un sapere e di un saper fare, che è l’essenza del governo di quello che
chiamiamo processo edilizio.
Progettando Edifici
Carlo Terpolilli
Carlo Terpolilli
Laura Andreini
La permanenza
del concetto di proporzione
dal Rinascimento al Moderno
sistema di valori che sotterraneamente, come più volte viene evidenziato nel
Terpolilli
is architect and professor at the University of Florence, where he
corso di questo studio, convivono con l’adesione al moderno e laCarlo
ricerca
di
razionalità che caratterizza le esperienze degli anni Venti e Trentateaches
in Italia. Technology of Architecture. From 2004 to 2006 he was visiting Professor at
IUAV summer workshops in Venice. He is founder partner of Ipostudio Architects, in
Florence since 1983.
Carlo Terpolilli’s activity expecially enquires into the connections between architectural design and technology, focusing on the field of design process and construction
innovation.
He edited the book “Emergenza del progetto – progetto dell’Emergenza, architetture
con-temporaneità” published by Federico Motta Editore in 2005. His works have won
awards in various national and international design competitions and were published
in Italy and abroad. A wide selection of these works is collected in the book “Ipostudio,
la concretezza della modernità” by Marco Mulazzani, published by Electa in 2008 in
the series “Documenti di architettura”.
Among the awards, he was finalist at the Medaglia d’oro all’architettura italiana Award
(2006) and was selected for the international design award XIX Compasso d’Oro ADI
(2001), Milan. His works have been exposed in many exhibitions, including the Venice
Biennale and the Milan Triennale.
3 città
(im)possibili
16
€ 12,90
Laura Andreini
nasce a Firenze nel 1964.
È architetto, Dottore di Ricerca, Ricercatore Universitario presso il
Dipartimento di Architettura - Disegno, Storia, Progetto dell’Università
degli Studi di Firenze.
Nell’Ateneo fiorentino si occupa attualmente del corso di Interni
e Allestimento a Disegno Industriale e del Laboratorio di Progettazione
dell’Architettura II per il corso di Laurea in Scienze dell’Architettura.
Nel corso degli anni la sua attività didattica si affianca a quella di
ricerca, supporto, a sua volta, dell’attività professionale nel campo
della progettazione architettonica, avviata nel 1988 con la fondazione,
insieme agli architetti Marco Casamonti e Giovanni Polazzi, dello
studio Archea.
Dal 2003 rivste il ruolo di vice-direttore della rivista “area” edita dal Sole
24 Ore spa.
17
€ 12,90
€ 19,90
21×24 cm; 112 pages; ita;
2014; Isbn 978-88-96780-74-9
€ 20,00
Book launch:
Milan, 16/01/2015
@ La Triennale di Milano
9
Book launch:
Rome, 30/03/2015
@ Casa dell'Architettura
788896
780749
16,3×24 cm; 176 pages; ita;
16,3×24 cm; 288 pages; ita;
2012; Isbn 978-88-96780-35-0
€ 12,90
2012; Isbn 978-88-96780-34-3
€ 19,90 euro
2012; Isbn 978-88-96780-29-9
€ 12,90 euro
9
9
788896
780350
788896
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9
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ARCHITECTURE ONE Series
One Series
edited by L. Andreini and A. Mannocci
ONE is the editorial initiative by Forma Edizioni about a series dedicated to Italian contemporary
architecture, edited by Laura Andreini and Andrea Mannocci. The central ‘characters’ of the volumes
of this series are projects, one for each, of the selected offices among architects working in Italy and
abroad. The monographs, in a bilingual Italian/English edition and collected in a special slipcase, will
constitute a document of the Italian architectural reality in its most innovative and cutting-edge thrust.
Each volume consists of an introductory essay, a presentation of the project and of the office, through
a biography, a brief list of works and a bibliography of publications.
© Valentina Muscedra
19
ONE Series ARCHITECTURE
LAN
ARCHITECTURE
GYMNASIUM
E TOWN HALL
ESPLANADE
21×16,5 cm; 64 pages; ita/eng or
fr/eng; paper binding with flaps
2013; Isbn 978-88-96780-51-0
(ita/eng) € 10,00
9
788896
780510
2013; Isbn 978-88-96780-50-3
(fr/eng) € 18,00
9
788896
MASSARENTE
ARCHITETTURA
CASA MUSEO
GIACOMO
MATTEOTTI
PAOLO BELARDI VECCI–
ARCHITETTI
HOF LAB
CASA C
CENTRO
by N. Flora
ARTIGIANALE
by A. De Poli
by D. Barbarelli
The project for the restoration
and promotion of the Giacomo
Matteotti Home Museum was
achieved through a series of
complementary interventions
directed at preserving, and at
the same time, transmitting a
period of history, and in some
way, providing the symbolic
restitution of a place which had
been lost for some time.
Images, texts and drawings
narrate the restoration project
of an industrial zone and its
conversion to create a centre
for handcrafting activities.
The desire of the client, who
wished to maintain the original
productive vocation of the area,
established the criteria for the
project, leading the designer
to ignore contemporary trends
and style to focus on a reading
of the local area and its history.
780503
with an introduction by M. Orazi
uncritical acceptance of energy production
technologies.
After about ten years of cooperation and
physiological formal experimentation, Benoit
Jallon and Umberto Napolitano do appear
determined to continue along the path they have
staked out for themselves, towards the difficult
art of ‘city-making’ which has always been a
peculiarity and at the same time an obstinate
ambition of the Italian architectonic tradition.”
M. Orazi
Book launch: Rovigo, 31/01/2015
@ Accademia dei Concordi
© Benoit Linero
“...It is precisely the pursuit of a restrained
monumentality that represents the common
denominator of the early works of LAN. On
one side, that enables them to offset the kitschy
and mannerist new wing of the Town Hall, or
the picturesque style of the Gothic facade of
the wholly reinvented church, and on the other
to hold the reins on technology and resist –
not always successfully – the current rampant
ecologist rhetoric which drives especially public
clients towards an ideological and thus wholly
The project, which is located in
the northern area of Naples, has
consisted of the landscaping
of the garden and the planning
and decoration of the interiors
of an apartment on the ground
floor of a three floor residential
building.
21
Book launch: Naples, 14/06/2012
@ Ubik Bookstore
21×16,5 cm; 64 pages; ita/eng;
2014; Isbn 978-88-96780-71-8
€ 10,00
2014; Isbn 978-88-96780-70-1
€ 10,00
2012; Isbn 978-88-96780-24-4
€ 10,00
9
9
9
788896
780718
788896
780701
788896
780244
ANIELLO /
TASCA
ANTONELLO
COLONNA
RESORT & SPA
DEP STUDIO
CASA N/S
by D. Rota
DIVERSERIGHESTUDIO
CASALOGICA
NEOSTUDIO
PIAZZA
GARIBALDI
by L. Molinari
by F. Prati
Casalogica, a residential project realized in the Po Valley
in the Province of Bologne, is
positioned in an empty lot in an
urban fabric characterized by
the presence of two compact
buildings from the early Fifties,
which were recovered as part of
a unitary project.
Encircled by a still intact belt
of Medieval walls, enclosed
within an urban plan whose
empty spaces still prevail
within the densely built sorroundings. Piazza Garibaldi
represents an important episode in the redevelopment of
the historical centre of Lastra
a Signa.
by L. Andreini
Light, silence, large openings,
and a pure linear structure are
the elements that allow the
Antonello Colonna Resort &
Spa and its guests to absorb
the surrounding landscape.
The volume describes the
22 building, designed by the architects Francesco Aniello and
Francesco Tasca, with an introduction by Laura Andreini.
The new volume presents the
two-family residence Casa N/S,
built near Bergamo by dep
studio. The volume is enriched
by an introductory essay by
Davide Rota and a presentation
about the activities of the office,
through
bio-bibliographycal
notes.
ARIU+VALLINO
ARCHITETTI
SUMMER
HOUSES
by C. Piva
The volume concerns the new
summer houses built in an
area in front of the pine wood
which defines the skyline of
Spotorno.
The project is articulated in
a number of simple terraced
volumes that follow the morphologic development of the
surroundings.
Book launch: Bergamo,
26/03/2012
@ la Feltrinelli Libri e Musica
Book launch:
Bologne, 14/02/2013
@ CorrainiMAMbo artbookshop
Book launch:
Genoa, 03/04/2013
Book launch:
Genoa, 03/04/2013
2016; Isbn 978-88-99534-09-7
€ 10,00
2011; Isbn 978-88-96780-18-3
€ 10,00
2012; Isbn 978-88-96780-30-5
€ 10,00
2012; Isbn 978-88-96780-28-2
€ 10,00
2012; Isbn 978-88-96780-32-9
€ 10,00
9
9
9
9
9
788899
534097
788896
780183
788896
780305
788896
780282
788896
780329
TRAVERSOVIGHY
CASA CESCHI
LAPO RUFFI
EDIFICIO
TCR
HOF
CITTADELLA
DELL’EDILIZIA
by L. Molinari
by V. P. Mosco
by M. Marandola
This project is about an old
building from the Fifties, which
has undergone radical renovations to become a sport center
devoted to tennis. The activities
of Lapo Ruffi focus on a continuous research on the meanings
of way of living, places and
materials.
The elegant construction of the
Cittadella dell’Edilizia combines
urban identity and architectural
quality with innovative requirements in terms of energy efficiency and reduced costs, becoming an example and manifesto
for architects and builders.
Giovanni Traverso and Paola
Vighy develop along a coherent
trajectory that leads to the creation of light buildings based on
experimentation, prefabrication
and a sparing use of resources; they cooperate with local
24 craftsmen and try to find an
equilibrium between traditional
knowledge and technological
optimization.
-SCAPE
VILLINO LIBERTY
with an introduction by G. Sanguigni
The project deals with the restoration of a building located
on the outer edge of the old
city centre of Rome and the
redesign, in a contemporary
key, of the two upper floors of
the building, which have been
turned into a large private
dwelling. The monograph, in a
bilingual Italian/English edition,
presents a complete description
of the work, through technical
specifications and an explicative
text that, together with photographs and technical drawings,
allow an in-depth reading of the
project.
Book launch:
Vicenza, 18/01/2012
@ Galla Bookstore
Book launch:
@ Nardini Bookstore
Book launch:
Perugia, 06/03/2014
@ CESF Centro Edile per la
Sicurezza e la Formazione
Book launch: Rome, 24/04/2013
@ Auditorium Parco della Musica
2011; Isbn 978-88-96780-15-2
€ 10,00
2011; Isbn 978-88-96780-17-6
€ 10,00
2013; Isbn 978-88-96780-59-6
€ 10,00
2012; Isbn 978-88-96780-21-3
€ 10,00
9
9
9
9
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780152
788896
780176
788896
780596
788896
780213
25
© Ernesta Caviola
ARCHITECTURAL GUIDES ON THE ROAD Series
On the Road
architectural
guides
◊ Hamburg
◊ Milan
Coming Soon
edited by M. Moscatelli
◊ Moscow
edited by A. De Magistris
and U. Zanetti
◊ London
edited by A. Nastri
On the road, the series dedicated to cities all over the world, in addition to the classical paper format is
also available as an App for Ipad and Iphone. Every volume tells the story of a place, explored through
its masterpieces of art and architecture. Critical and descriptive texts serve as essential complement
to the section with in-depth studies of the selected places of interest. An introductory essay examines
the development of the city in urbanistic and territorial terms, providing a historical overview which
prepares us for an attentive tour of the city, while the second essay explores its contemporary reality.
Each guide is accompanied by a practical map which is folded so as to serve as a removable dust jacket
for the book. All the works described inside the book are featured on the back of the map, organized
in itineraries. The volume also contains useful information and advice which will make it simpler to
visit the city, reducing the time necessary to get around and making it possible to grasp the essence of
the place also in a short visit. In addition to all the contents found in the paper volume, the App boasts
additional images and is a useful tool for finding one’s way, thanks to the interactive satellite map.
◊ Florence
26
◊ Turin
edited by A. De Magistris
◊ Oxford
edited by A. Placidi
ini
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hum
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Carl-Legien-Platz
sten
et
Brook
29
S
Adenauerallee
hn
Hü
06
Borgfel
Berliner Tor
Museum für Kunst
und Gewerbe Hamburg
Hamburg
Hbf (S-Bahn)
Hauptbahnhof
Sud
gelsw
latz
sp
07
e
Nikolaifleet
24
rh
Mönckebergstraße
ße
Große Reichenstraß
Bei den Mühren
25
28
ße
der Stra
m
eind
St
Willy-Brandt-Straße
Grimm
Speicherstadtmuseum
Kehrwiederfleet
Hauptbahnhof
Nord
S
Steintorbrücke
Na
olph
Ad
Cap
San Diego
inte
W
g
Neß
Kehrwieder
ße
ie
Hohe Brücke
ra
st
Steinhöft
jen
Binnenhafen
st
rn
fe
Das Schiff
Deichgraf
Ka
l
Steinstraße
08
ra
st
m
Do
Afrika
House
aße
Deutsches Schauspielhaus
al
ße
Ra
Henri
Rathaus
10 Schauenburgerstraße
09
dt-Str
ift
rw
17
bo
or
Bucerius
Kunst Forum
ran
Lohmühlenstraße
m
am
eind
St
St
ße
tra
ns
se
Ro
isen
rt
Hamburg
Jungfernstieg
13
12 11
Störmer Murphy and Partners
Willy-B
mm
ng
ie
ng
te
S
Rödingsmarkt
03
lip
Phi
e
traß
ne
nweg
Kirche
am
Als
rW
Hamburg
Stadthausbrücke Mönkedammfleet
n
fen
Hamburger
Kunsthalle
ke
Ju
raße
14
Holzda
stst
Po
S
Baumwall
ze
derha
ße
ls
Stadthausbrücke
e
Norderelb
Binnenalster
n
he
eic
e Bl
oß
Gr
ße
ra
st
rs
all
e
raß
Michaelisstraße
hard-S
traß
Teilfe
e
ld
ße
ße
lac
e
et
ße
en
18
wiete
traß
-S
Vo
ttst
traße
oc
lent
elm
ilh
Fuh
-W
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bollw
rli
dts
ue
Eichholz
annis
Nie
tra
ns
Stra
terg
iser
Kohlh
Hamburg
02
de
ra
Glass Pavilion Restaurant
André Poitiers
Venusberg
Joh
4
An
Gu
Gustav-Mahler-Park
Lübecker
Straße
r Al
Gurlitt-Insel
15
wig-Er
fstraße
Ekho
ster
se
Gl
Ka
01
erk
uder
e
traß
as
rc
Ba
52
Br
16
Uhlandstraße
Güntherstraße
Hamburgische Staatsoper
Gänsemarkt
Kuhmühlenteich
Armgartstraße
Uhlandstraße
terras
lan
SIDE Hotel
Drehbahn
Birkenau
Hartwicusstraße
Mundsburger
Kanal
e
aß
str
Feh
all
torw
mm
Da
stra
t
enh
Als
glius
Jun
all
Gänsemarkt
Lud
Landungsbrücken
Mundsburg
Uhlenhorster Weg
ich
Pap
e
ße
lalle
tz
ch
ss
Außenalser
de
rch-
Go
la
Ba
Au
Schwanenwik
Badestraße
Fontenay
Alster
Stephansplatz
Kleffel Papay
Warncke Architekten
S
ee
all
ne
Erlen
Feldbrunnenstra
inde
Gr
gp
xst
42
Ernst Deutsch Theater
e
hö
llgrab
er
-W
rk
Fo
in
Böhmkenstraße
St. Pauli Hafenstraße
3
Averhoffstraße
raß
nn-St
e
Hamburg
Dammtor
Planten un
Blomen/Alter
Botanischer Garten
lstraße
Kana
Hertz-St
ichma
Johnsallee
Ne
Alter
Elbpark
rkt
eg
rt-We
traß
en
ss
chma
ster
Uhlenhor l
Kana
lstraße
Kana
raße
Herbe
Sc
Wa
St. Pauli
45
e
rich-
Hein
traße
llee
ek
41
Riverside Cafè/Hotel
dw
t
ße
ela
ev
rlins
lde
ich
Auguststraße
Esplana
Messehallen
Si
eg
l-W
au
Aussich
tra
Grind
ab
is
Hö
te
Alte Raben
de
gr
uf
S
ße
54
-P
an
Je
Bartholomäusbad
Hofweg
Schöne
M
ra
e
Be
Hofwegkanal
Marlenterrasse
Fe
en
der Weg
traß
rs
olle
Am
Feenteich
Harvestehu
Hartungstraße
Café Leonar
ße
Bun
La
St
weg
alis
aße
Weg
Karlstraße
Alsterpark
g
Böhmerswe
Milchstraße
traße
Moorweidens
ac
gl
en
Hol
43
man
hu
Sc
str
heen
etho
ße
tra
ns
traß
ns
ve
ho
et
Be
Magdalenens
en
er
Imstedt
Richterstraße
ße
53
rg
ße
t
ve
Fährhausstra
Moorweide
bu
traß
es
p
rot
Do
g
er Zu
Lang
Harvestehuder
55
e
Tiergartenstraße
rs
Weidestra
ted
Winterhuder Weg
e
Mittelweg
Hallestraße
Mittelweg
Borns
og
nb
le
inde
Gr
Nov
ße
vu
lle
id
he
e
Weidestra
Ims
er
illpa
Gr
Be
Heimweg
We
Erichstraße
ter
ße
ra
st
rz
ße
tra
els
beks
Os
rti
Ge
2
ße
tra
ße
gstra
nkam
Bellevue
e
l
rbekkana
Oste
hle
Mü
Geller
r
Kaemmererufe
e
estraß
Jarr
ße
tra
anns
e
raß
e
g
oß
Gr
in
Gl
lstraß
Geibe
kelst
Forsm
Schin
p
elcha
traß
eg
e
El
Gustav-Falke-Straße
Aus
g
ße
er
db
Gellerts
straß
Sophienterrasse
Hansastraße
e
lle
ta
Via
Hel
stra
ed
ch
nsicht
Fer
ukam
e
ad
e
aß
Prey
Po
MPP
Meding Plan Projekt
ße
tra
pf
mp
Mittelw
alle
erg
or
lati
Borgweg
tts
Go
dre
An
straß
ss
Rothenbaumchaussee
Brahmsallee
Parkallee
delb
el
Ki
Ar
ge
eg
rich
Sie
ne
Ag
Bellevue
ße
stra
Parkallee
Hellerstraße
Grin
Bogen
e
po
w
as
ße
ra
Gr
e
rstra
mpe
Se
str
Alsterka
Hochallee
e
traß
ns
hn
sc
ch
Dur
rs
Kirchenpa
uerstraße
ISBN 978-88-96780-57-2
ON THE ROAD city
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traße
fckens
ße
di
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ße
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ad
pf
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Parkallee
Klosterallee
ra
ße
st
ra
on
elst
Ro
e
se
ße
ng
ra
tra
us
ha
W
es
Hochallee
tk
Brahmsallee
Mol
luftc
he
Ho
Lo
Co
Rehmstraße
in
Le
e
ße
ra
St
5
Ro
Via Trebbia
er
traß
es
he
e
se
us
ha
luftc
he
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o
cco
st
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ick
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er
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ße
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raße
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2015; Isbn 978-88-96780-80-0
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Via Francesco Soave
wen
ia
ard
Studio Albori
Lo
agu
i
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Parco
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ße
St. Pauli Theater
Taubenstraße
le Alt
onti
o
are Balb
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780800
ad
rs
E
788896
ttu
rs
Via Giulio Romano
SpexSS11
9
La
enza
di Milano
788896
rvilia
Via Piac
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9
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Via Lodovico Muratori
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traß
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Viale Sabotino
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ppe Ripam
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schin
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Via Giuse
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Via Pietro Custodi
50
an
olo
P.ta Romana
Via Atto Vannucci
Via Giovanni Bellezza
Viale Giovanni Sebastiano Bach
Via Roberto
Tabacchi
Filippetti
Viale Angelo Filippetti
sco
Via Sala
Via Salasco
mba
Teatro Franco Parenti
no
Viale Angelo
Viale Bligny
zio
Lo
rdo
Via
ss
Via Carlo Crivelli
n
aße
asstr
mm
rons
eg
sw
en
ss
Han
ße
ku
ldbe
straße
itt
ra
ße
fer
Wiesenda
Meu
traß
rs
9 788896 780572
0m
200 m
500 m
€ 18.00
le La
Pier
HafenCity
restaurant
Via
Via
City Center
museum
hotel
51
Viale Beatrice D’Este
D’Este
48
Parco
Baravalle
a
Ca
Beatrice
Via Giuseppe Toniolo
ale
Via Gioven
Via Odoardo
Via Pavia
an
Via
Viale
49
Via Giosuè Borsi
m
m
Burigozzo
Galeazzo
2015; Isbn 978-88-96780-81-7
(ita) € 15,00
Via Emillio Gola
Ro
e
rta
traß
zio
Viale Gian
Viale Bligny
rr
Via Orti
Po
us
nno
Via San Martino
Darsena
del Naviglio
di
paper binding with dust jacket
Via Marco
David Chipperfield
Architects
o
ße
un
izia
Via Quadro
tra
nn
D’A
Gor
Via S. Luca
ldst
st
ns
le
rie
e
rs
tina
Gab
al
Co
railroad station
architectural studio
a
Milan is the first Italian city
to be included in the ON THE
ROAD travel guide collection.
The guide will be published
in 2015 to coincide with the
World’s Trade Fair in Milan.
In recent years, Milan has
become a metropolis involved
in transformations that are
well worthy of interest for the
architectural and urbanistic
experiments that have been
carried out. The complex dialectics between innovation and
respect for the existing urban
form is the distinctive characteristic of Milan: recovery of
downgraded neighbourhoods,
redevelopment
of
decommissioned industrial zones,
rmora
so Lama
Via Alfon
Crocetta
07
Routes
te
tra
Teich
ne
e
al
Vi
Vi
Sant
Via Giuseppe Mercalli
Porta Vigen
i
fia
a So
Via
Parco
delle Basiliche
ar
Brodersen
infe
ra
Marktsraße
An
rrar
metropolitan station
theater
tan
sana
do Fanti
rg
huder
Alsterchausse
traße
Mövenpick Hotel
e
Fe
i
Fon
Via Manfre
a
Via San t’Eufemi
e Arm
st
stra
eff
Hallerstraße
lls
rweg
Go
en
Möv
l
na
ka
e
er
db
Hei
pe
m
Se
Rondeelteich
Eichenpark
Re
ift
ester Straß
zio
ino dell
Corso di
en
Via Crocefisso
Via Mol
S
atone
ud
st
Feldstraße
(Heiligengeistfeld)
Werfthafen
o Be
Via Curt
Ga
er
Budap
to
a
öd
traß
ße
ste
hbah
te
Sternstarße
es
Vi
Ospedale
Maggiore Policlinico
nallee
Welde
o
rt
be
Ari
Gen
Via S. Barnaba
Hey
a
na
an
eise
m
Gn
Ro
eg
rta
Klos
Harve
Sandotorhafen
Via S. Barnaba
Po
dw
di
an
o
Balduinstraße
lla
be
ga
Ru
i
Talstraße
iplin
Enric
Bene
Bolivarpark
Oberstraße
Be
East
Hamburger Berg
a
10 Vi
Disc
St.
Innocentiapark
Di
mm
ck
ldbe
Go
g
moo
Sch
Rapps
ka
ns
oh
Kr
Poß
Licentiatenberg
Hadley’s Bed and Breakfast
Wiesenda
eg
rw
oo
ßm
-S
isen
ia-L
Rutsc
Lagerstraße
Restaurant NIL
44
Schauermanns Park
Fis
ße
stra
ße Elb
tst
dic
um
Südring
Goldbekweg
Po
p
m
Rondeel
Innocentiastraße
Schlafschön
Opitzstraße
Freibad
Stadtparksee
Südring
60
e
e
1
ring
Elebeken
ou
Ba
Stadtpanksee
Süd
Sierichstraße
raß
te
. Pe
tra
tts
Bu
Gro
st
t
rblat
Via
Basilica San
Lorenzo Maggiore
Via
a
ov
o
rs
Co
Via
da
Via della Commen
06
Am
Breite Straße
weg
Olbers
aße
lte
rs
ei
Colonne di
San Lorenzo
hu
Sc
Co
Via Gian Giaco
Große Elbstraße
Fischereihafen Restaurant
fer
26
Piazza
Cinque
Giornate
Corso di Porta Vittoria
Via
Via Pace
n Vi
o
m o M ra
icis
o
ntan
Sa
to
Am
ed
de
o
Pa
Via
on
do
Corso di Porta Vittoria
08
Università
degli Studi
di Milano
Via
m
Am
a Ed
Via
Vi
Via San Vincenz
09
Piazza
Velasca
i
Corridoni
Manara
e
tist
Via Paolo Andreani
47
46
Viale Montenero
a
rg
La
a
Vi
Missori
Via Filippo
Via Luciano
zon
Hotel dei Cavalieri
e
Piazza
Armando Diaz
ON THE ROAD city
Milano
Piazza
Sant’Alessandro
aße
io
Torin
ße
ril
alle
au
Via
Bat
tra
Via
M
are
nsstr
S.
o
Lan
Ces
den
a
Università
Cattolica
del Sacro Cuore
S. Ambrogio
Via
Via
iere
Verz
Via
Fetts
Vi
Basilica di Sant’Ambrogio
Palazzo Reale
Antonio Citterio Patricia
Viel and Partners
Via Gaetano Giardino
Altonaer Balkon
Bothe, Richter, Teherani
Holstenstraße
ne
Falco
48
Hamburg
Reeperbahn
e
11
Schenk+Waiblinger Architekten
Palmaille
49 Elbberg
Große Elbstraße
stra
undsen
mbeke
r Str
M
Klosterstern
i
Maria
Museo del Novecento
t’Orsola
Via San
Kirchenstraß
Studio Libeskind
ße
Duomo
di Milano
12
Via S. Clemente
i
ra
13
Cracco
ar
Spengler · Wiescholek
Architects and city planners
Große Elbstraße
Viale Bianca
or
rstraße
m
Hamburg Königstraße
ße
50
S
or
cagn
ro Mas
Via Piet
II
Blüche
Ar
Biblioteca Pinacoteca
Accademia Ambrosiana
ele
nu
ma
io E
st
a
r
itto
ße
Königstra
S
iete
Kaistraße
Neumühlen
e
Viale Premuda
Duomo
Vi
so V
Nobistor
Königstraße
Grasweg
Bar
Flemingstraße
Heilwigpark
e
Jungfrauenthal
p
Ölmühle
traß
Donizetti
Piazza
Affari
Cor
chen
Via Gaetano
a
16
ervatorio
in
San Babila
Piazza
del Liberty
Hotel Straf
Königstraße
Elbchaussee
Via Cons
Fu
Via Giuseppe Mazzini
uattroassociati
te
Sa
Cordusio
Dan
Via
ia
lcor
ccio
Via Ca ppu
Piazza
Sant’Ambrogio
05
ar
ia
ler
Va
nta
M
Via
ON THE ROAD city
Vi
a S.
en
Piazza
Umberto Giordano
ti
on
M
e
es
’Agn
nt
a Sa
Stefano Boeri
Architetti
Vi
st
Corso Monfo
Corso Giacomo Matteotti
Hol
rte
Hotel Boscolo Milano
e
tt e
Passag
Ro
Mörkenstraße
eg
V i a Case
Platz der Republik
Kir
o
zo
en
nc
La Brisa
o
Vi
etto
a
Gallerie d’Italia
Palazzo
Marino
Piccolo Teatro Grassi
li
Via Meravig
Corso Magenta
mian
15
Piazza
della Scala
Gerritstraße
e
str
Isestraß
n
40
enstraße
Otzens
rtstraße
Walter-Möller
Park
tw
Villa Necchi Campiglio
S. Da
Bigli
Via
ne
Via
Ve
Via Brol
14
straß
elsw
17
eo
pe
ep
us
Gi
rd
i
Teatro della Scala
e
Altonaer
Museum
Esch
ol
Co
4
Via Vivai
nt
o Sa
rs
Nap
V ia
airo
o C li
aA
Vi
Viale Luigi Majno
art
Via Moz
Gilbe
ße
ra
Hamburg-Sternschanze
Thad
Lawaetzweg
Jessen
Ehrenbergstraße
Schillerstraße
to
a
re
te
pa
Vi
Hotel Palazzo Segreti
gstraße
Lessere
na
sù
’And
aße
ldstr
a Ge
on
ca
di
rte
Schombur
Blauraum Architekten
BOF architekten
straße
Arno
ße
Große Bergstraße
Eulen
i
uccin
Via Capp
Vi
aM
eo
Pal
ar
Larg
Cairoli
a pa
Montenapoleone
Vi
o
tr
Pie
n
Foro Buo
a Se
a
a
Vi
Piaz
03
di
Hamburg-Altona(S)
Vi
a
gn
Via Brer
ma
Via dell’Orso
Via Cusa
aße
SML Architekten
Piazza
Eleonora Duse
Palestro
Vi
ni
Cadorna F.n.
te
on
aM
à
et
Pi
Esmarchstraße
Billrothstr
KBNK Architekten
straße
Haupt
Ottenser
Virchowstraße
vo
Al e
ello
za Cast
ße
Lamp’lweg
uo
on
rg
Bo
ato
io
mil
le E
V ia
Castello
Sforzesco
Allee Theater
Hamburger Kammeroper
tra
enesch
e
traß
ss
iu
rg
Be
My Place
ra
st
en
ed
Th
e
Planschbecken
Borgweg
aß
ark
htw
Lic
St
Superbude St. Pauli
Ehem. Friedhof
Norderrreihe
August-Lütgens-Park
lee
Isekai
Werderstraße
Lagerstraße
Dohrnweg
Al
r-
ue
ra
-B
ax
M
ße
Hoh
Museo Civico
di Storia Naturale
Verei
ißs
i
Armani Hotel Milano
02
Studio Museo
Achille
Milano Cadorna Fs
Via
Via Merc
Lanza
Parco
Sempione
Galleria
d’Arte Moderna
Via Palestro
telli
Giardini
Perego
traße
eg
S
ße
th
Waf
Julius-Leber-Stra
S
Pinacoteca di Brera
werg
Wiesinger
e
benefra
Oscuri
Via Fiori
Piccolo Teatro Strehler
28
19
Via Fate
io
tacc
Via Pon
Piccolo Teatro
Studio Melato
Triennale di Milano
tweg
Nerns
traß
Gad
01
e
raß
rst
Barne
Ze
Viale Piave
e
al
Vi
Corso Garibaldi
io
Milano
e
nca
Breimann & Bruun
Juliu
manns
Zeisew
d
57
hlum
Schanzenpark
tra
ss
Strese
Bertha-v.-Suttner- Park
ße
tra
-S
ze
un
ße
ra
st
er
gs
hr
Sternschanze
ße
ar
nd
aß
tr
es
Is
Sc
Sc
tt
rbla
Völckersstraße
18
Giardini Pubblici
Indro Montanelli
straß
lee
Eiffl
traß
op
e
Amandastraße
Al
r-
ue
ra
-B
ax
M
Holstenstraße
e
aß
str
pe
Oberstraße
Ko
im
Margaretenstraß
Schulte
zia
P.ta Venezia
Basilica di San
Simpliciano
e
er-K
Lin
Ve
S
ach
Haub
e
Santé
Schlump
Gloria Cafébar
e
Hansastraße
in
pp
Schlaflounge
Be
e
rta
ne
Turati
ße
llia
lleea
raß
Po
20
Via Goito
ße
ete
erstraße
e
ßstraß
Gau
ello
lentwi
Borsels
Via Monteb
Koh
Barn
Piuarch
ast
uto
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24
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68
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28
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58
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Lutterothstraße
Am Bahngraben
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Steindamm
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Via Filip
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Via Seben
aße
Lu
Curry Queen
Martinistraße
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Archea Associati
er Str
Hudtwalckerstraße
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ttern
Bu
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Lokstedter
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Rubberstraße
Pola
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dw
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Schedestraße
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Süderleldst
Himmelstraße
Stadtpark
Kegelhofstraße
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62
61
HAMBURG
ksted
Wendloher Weg
Geschwister-Scholl-Straße
8
E
Lo
Steindamm
al
D
traße
ampsweg
eg
an
Neuhöfer Straße
Via
Brunsberg
n
ndw
Gra
gu
st-K
Georgswe
ße
zigstra
t-Au
65
Cimitero
Monumentale
n
Siebenschö
rder Boge
Schlen
ns
Osterfelds
ter
64
Er
C
e
Sottorfalle
Packersweide
edited by M. Moscatelli
Via
e
rbuch
Luthe
Bei der
Müggenburger
Zollhafen
Lokstedter
MILAN
63
Veddel
p
kam
Latten
Am Zollhafen
S
Widukindstraße
ON THE ROAD Series ARCHITECTURAL GUIDES
Lo
di
A
B
technological
experimentation, and vertical development
are the aspects that mark
Milan as a strongly contemporary city.
This guide is being launched in
answer to a moment of great
focus on Milan. As it guides the
reader through the wide range
of contemporary architectural
projects, it emphasises the
unique nature of its complex
character.
The transformations are still
underway and for this reason,
it is difficult to foresee how a
city of such size will manage to
redefine its personal equilibrium: but this too is part of the
contemporary nature of Milan.
C
D
E
2014; Isbn 978-88-96780-58-9
(ita) € 18,00
9
788896
780589
2014; Isbn 978-88-96780-57-2
(eng) € 18,00
9
788896
780572
F
Hamburg is the first “destination” presented by On the road,
the series of architecture guides
available in a classical paper format or as Ipad App.
An introduction featuring three
critical treatises outlines the
historic and urbanistic profile
of the city, allowing the reader
to reflect on the evolution of the
city and at the same time relate
it to the contemporary image of
the places.
The selection of 75 projects,
organized in 5 itineraries, provides a full-immersion in architecture, allowing the reader to
dwell on the functional, typological and compositive aspects
of the buildings, which are
rendered even more legible by
images and technical drawings
that supplement the descriptions. The volume also contains
useful information and advice
which will make it easier and
quicker to get around the city,
making it possible to capture
the essence of the place even in
a short visit.
This is more than simply an
architecture guide: it is also and
above all an invitation to travel.
In addition to featuring all the
contents of the paper format,
the App vaunts additional images and information; thanks to
the interactive satellite map it
is also a valuable aid to finding
one’s way.
MOSCOW
COMING
SOON
-
12.16
edited by A. De Magistris and U. Zanetti
a hundred architectural works,
both historical and contemporary, which are fully illustrated
with images, drawings and
descriptions, and are marked
on the front of the map with
a reference number corresponding to the section in the
book and the icon on the back
of the map. The guide also
provides information about
museums, libraries, institutions, movie theaters, restaurants and gathering places.
The app includes all the information in the printed version,
plus additional images and
information. You can also customize your itineraries, choosing places to visit and using
a satellite interactive map to
find out immediately how to
get to them, on foot or by public transport.
11,5×16 cm; 224 pages;
ita or eng; paper binding with
dust jacket
2016; Isbn 978-88-96780-97-8
(ita) € 18,00
9
© Pietro Savorelli
The last fifteen years of
Russian history have profoundly altered Moscow,
bringing dramatic changes
to the Communist city it was
in the eighties. These alterations have increasingly highlighted Moscow’s many contrasts and multiple facets.
The guide seeks to do more
than just recount and illustrate the city’s architectural
history. It strives to be a tool
to study the building trends
that have shaped it.
After a short introduction
and the essential information needed to plan a visit,
the book includes several
essays that give the city’s
historical context and then
critically consider its possible future developments.
The itineraries include about
788896
780978
2016; Isbn 978-88-96780-96-1
(eng) € 18,00
9
788896
780961
LONDRA
COMING
SOON
-
12.16
a cura di A. Nastri
This guide is aimed at providing a useful instrument for
understanding the architectural
history of London as well as a
means for analysing the new
construction trends that are
characteristic of the city.
The itineraries include about
eighty architectural works,
both historical and contemporary, which are fully illustrated
with images, drawings and
descriptions, and are marked
on the front of the map with a
reference number corresponding to the section in the book
and the icon on the back of the
map. The guide also provides
information about museums,
libraries, institutions, movie
theatres, restaurants and gathering places.
You can also customize your
itineraries, choosing places to
visit and using a satellite interactive map to find out immediately how to get to them, on foot
or by public transport.
Among others, the project selection includes works by Allies
and Morrison, Arup Associates,
Ateliers Jean Nouvel, Avery
Associates, Foster + Partners,
Grimshaw Architects, Herzog
& De Meuron, James Stirling,
Jestico + Whiles, John Mc
Aslan + Partners, Stanton
Williams, OMA, Renzo Piano
Building Workshop, Richard
Rogers Partnership, Stanton
Williams Architects, Studio
Daniel Libeskind, Wilkinson
Eyre Architects, Zaha Hadid
Architects.
2016; Isbn 978-88-96780-93-0
(ita) € 18,00
9
788896
780930
2016; Isbn 978-88-96780-90-9
(eng) € 18,00
9
788896
780909
© Mauro Sampaolesi
Vibrant, dynamic and extremely
multicultural, London is the
largest city in Western Europe.
The metropolitan area has a
population of about 14 million,
and forms an amazing crossroads of different cultures,
religions and ethnic groups.
London boasts a huge number
of cultural and architectural
attractions and outstanding
museums that draw thousands
of visitors every year from all
32
over the world. The city is a
vast complex of remarkable
buildings created by renowned
international architects that
coexist in harmony to form the
unmistakeable iconic London
skyline.
FLORENCE
COMING
SOON
-
12.16
11,5×16 cm; 224 pages;
ita or eng; paper binding with
dust jacket
9
788896
780893
2016; Isbn 978-88-96780-91-6
(eng)
9
788896
780916
2016; Isbn 978-88-96780-89-3
(ita)
DESIGN Contemporary Designers
#SIMONE MICHELI
NEW
texts by S. Micheli, R. Colla, F. Scullica, E. Elgani
◊ TOP
TEN series
◊ Contemporary Designers
Simone Micheli founded the
Architectural firm under the
same name in 1990, and in 2003,
he set up the Simone Micheli
Architectural Hero design firm
with branches in Florence,
Milan and Dubai.
He teaches at Poli.Design and
SIMONE MICHELI
ARCHITECTURAL
at the Scuola Politecnica di
HERO
Design in Milan. His professional activities cover a wide
range from interior and product
design to communications and
visual design; his creations are
strongly focused on sustainability and care for the environment,
and are recognised for their
visual impact and originality.
firenze
via aretina 197r/199r/201r - 50136 - italy
t. +39 055 691216 f. +39 055 6504498
[email protected]
milano
via ventura 6 - 20134 - italy
t. +39 02 26414735 f. +39 0221592662
[email protected]
dubai al tayer bldg.
office 302 sheikh zayed road - u.a.e
t. +971 43217203 f. +971 43217204
[email protected]
rabat
résidence kays f6 rue oued beht
10106 - morocco
t. +212 537774023 f. +212 537774026
[email protected]
simonemicheli.com
SIMONE MICHELI PHOTOGRAPHED BY ROSSANO B. MANISCALCHI
Design
This monography, in several
languages, presents a complete
description of this versatile
architect’s work, from interior
design to industrial production.
A large range of designs and
products in various countries
around the world bear witness
to his work abroad as a designer from 2012 to 2016.
Numerous
photos,
technical sheets and descriptions
help readers discover and
learn about the concepts and
ideas that form the basis of the
”Architectural Hero’s” design
philosophy.
35,00 €
37
24×31,7 cm; 208 pages; eng/ita/
rus/chi/ar; paper binding
2016; Isbn 978-88-99534-12-7
€ 35,00
9
788899
534127
5.5 DESIGNERS
10 DATES
texts by J. S. Blanc
with an introduction by L. Andreini
texts by V. Cristallo
with essays by C. Vannicola and B. Finessi
ISBN 978-88-96780-45-9
/IBRIDAZIONI E COMMUTAZIONI - HYBRIDIZING AND COMMUTATION Il design di Sandra Laube
e Biagio Cisotti è il frutto d’ibridazioni, contemporaneamente attente, ricercate e innovative,
mirabilmente sposate a commutazioni, contestualmente sapienti, consapevoli e creative.
The design of Sandra Laube and Biagio Cisotti is hybridized; it is attentive to contemporariness,
studied and innovative, admirably combined with commutations, and at the same time wise, conscious
and creative. euro 18,00
Vincenzo Cristallo
/LE 10 “PRIME VOLTE” DEI 5.5 - THE 10 FIRST TIMES OF 5.5 Nel giro di dieci anni, i 5.5
hanno saputo creare un universo con il loro originale approccio al design. Questo volume, pensato
come una linea del tempo, propone di soffermarsi non sugli oggetti rappresentativi del loro lavoro,
ma su dieci date che hanno scandito il loro percorso e hanno plasmato il loro modo d’essere.
In a decade, 5.5 succeeded in creating a universe with a unique approach to design. This work, conceived
as a chronologic frieze, proposes a review, not of the emblematic objects of their work, but of 10 dates
which have marked their career and built their state of mind. euro 18,00
/PER UN MODERNO CONTINUO - FOR AN ONGOING MODERNITY “Nel quadro di questo racconto
non si ostenta mai nulla, si presenta semmai, con quella modestia di chi sa, di chi ha esperienza,
ma non deve proclamarla ogni volta”.
“In the context of this story, nothing is ever flaunted. Rather it is presented with the modesty of those
who know, those who have experience and don’t need to proclaim it every day.” euro 18,00
MARTA
LAUDANI
E MARCO
ROMANELLI
CISOTTI
+ LAUBE
MARTA LAUDANI E
MARCO ROMANELLI
PER UN MODERNO
CONTINUO
MARTA LAUDANI E MARCO ROMANELLI
texts by L. Chimenz
with essays by C. Vannicola
CISOTTI + LAUBE
texts by C. Vannicola
with an introduction by A. Branzi
CISOTTI + LAUBE
IBRIDAZIONI E
COMMUTAZIONI
5.5 DESIGNERS / 10 DATES
DONEGANI & LAUDA
LA CASA FREDDA
DESIGN TOP TEN Series
9 788896 780459
TOP TEN Series DESIGN
ISBN 978-88-96780-63-3
9 788896 780633
38
16,6×24 cm; 96 pages; ita/eng;
paper binding
paper binding
16,6×24 cm; 96 pages; ita/eng or
fr/eng; paper binding
paper binding
2013; Isbn 978-88-96780-41-1
€ 18,00
2013; Isbn 978-88-96780-44-2
€ 18,00
2013; Isbn 978-88-96780-45-9
(ita/eng) € 18,00
2014; Isbn 978-88-96780-63-3
€ 18,00
9
9
9
788896
780411
9
788896
780442
788896
780459
788896
780633
2013; Isbn 978-88-96780-46-6
(fr/eng) € 25,00
9
788896
780466
Book launch: Milan, 23/05/2013
@ Veneta Cucine Showroom
@ I Saloni - Euroluce
Book launch: Florence, 10/04/2014
@ artour-o - Salone del Mobile
Book launch: Paris, 19/09/2013
@ 5.5 Design Studio
@ I Saloni - Salone del Mobile
39
DESIGN Contemporary Designers
KARIM RASHID
by L. Andreini and M. Casamonti
paper binding
2014; Isbn 978-88-96780-60-2
(ita) € 59,00 euro
9
788896
780602
2014; Isbn 978-88-96780-61-9
(eng) € 59,00 euro
“Karim Rashid is more than a designer, with unbounded popularity expressing the personality of a
complete artist. His global creativity, interpretation of a form of sensual, minimalist design that has
conquered the market with more than 3000 designs currently in production, is multi-faceted and
eccentric, with a more than ordinary ability to perceive the reactions and sensations generated by space
and everything that occupies it. Karim Rashid has a dream: using design to change the world.”
M. Casamonti
© Mario Schmolka
9
788896
780619
@ Magna Pars Suites Milano
Book launch: New York, 19/05/2013
@ Artemide Showroom
Contemporary Designers DESIGN
DO UT DO
with an introduction by A. Colonetti
Book launch: Naples, 22/05/2014
@ Museo MADRE
Book launch: Rome, 16/05/2014
@ Museo MAXXI
Book launch: Bologne, 22/09/2014
@ Museo MAMbo
42
The DO UT DO 2014 catalogue
is part of a project supporting
the Hospice Seràgnoli Onlus
Foundation, a non-profit active
since 2002 in assistance, training, research, and disseminating knowledge about palliative
care. Driving the DO UT DO project are designers, architects,
artists and manufacturers taking on the challenge of creating objects whose importance
is in their use. They include:
Emilio
Ambasz,
Archea,
Claudio Bellini, Mario Botta,
Michel Boucquillon, Sandro
Chia, Michele De Lucchi, Odile
Decq, Doriana e Massimiliano
Fuksas, Stefano Giovannoni,
Massimo Iosa Ghini, Daniel
Libeskind, Antonio Marras,
Richard Meier, Alessandro
Mendini, Jean Nouvel, Luigi
Ontani,
Mimmo
Paladino,
Ettore
Sottsass,
Philippe
Starck, Axel Vervoordt, and
other more.
The catalogue includes all the
pieces designed by the designers and made by the companies,
illustrating them with images
and descriptions, including brief
designer bios. The designers
showed their support by donating their pieces, which, through
a lottery will be given away to
those who have supported the
Foundation's work.
bound hardback
2014; Isbn 978-88-96780-65-7
€ 40,00
9
788896
780657
ART Exhibition Catalogue
JAN FABRE
SPIRITUAL GUARDS
edited by J. De Vos and M. Rossi, in collaboration with S. Risaliti
Art
Exhibition Catalogue
◊ Art Today Series
◊
45
“The greatest nation is imagination”
© Attilio Maranzano
J. Fabre
JAN FABRE
NEW
SPIRITUAL GUARDS
MAPPE
edited by S. Risaliti
edited by J. De Vos, M. Rossi, in collaboration with S. Risaliti
Critical essays and introductions by the curators Melania
Rossi and Joanna De Vos,
the project’s artistic director,
Sergio Risaliti, and by Arabella
Natalini, provide analyses of the
works on show and describe
the extraordinary and multifaceted career of the artist. Spiritual Guards is an incitement to live a heroic life, either
unarmed or as a warrior, in
defence of imagination and
beauty. ISBN 978-88-99534-14-1
ENG
Jan Fabre. Spiritual Guards is
the catalogue title for the largescale exhibition promoted by
the Municipality of Florence
to be held at the Forte di
Belvedere, Palazzo Vecchio and
Piazza della Signoria between
May 14 and October 2016.
This is one of the most complex exhibitions by the Flemish
artist and theatrical director,
Jan Fabre, ever held in Italian
public areas. On display will be
about a hundred works created
between 1978 and 2016: bronze
sculptures, scarab shell installations, wax pieces, and documentary films of his performances. Fabre will also present
two brand new works created
especially for this occasion. The important event is beautifully illustrated in this book
with photography by the internationally famous photographer, Attilio Maranzano.
ALIGHIERO BOETTI
24×31 cm; 160 pages; eng or ita;
bound hardback
2016; Isbn 978-88-99534-13-4
(ita) € 49,00
2016; Isbn 978-88-99534-14-1
(eng) € 49,00
Mappa, 1989, 265,4 × 574 cm
Two of the iconic Mappa [World
Maps] works by Alighiero Boetti
has been exhibited on the occasion of the international summit
conference, “Unity in Diversity”,
held in Florence.
“Among the artists of the second half of the XXth century,
Alighiero Boetti embodies the
figure of the nomadic and cosmopolitan artist who repudiated the image of the demiurgic
creator in favor of a shared and
even delocalized creativity, as
in the case of his celebrated
Mappa, works the artist conceived in Italy but then had
made by embroiderers in Kabul,
Afghanistan and in the refugee
camps of Peshawar, Pakistan:
‘I consider the embroidered
Mappa project of the greatest
beauty. I did nothing for that
project, I chose nothing, in the
sense that the world is how it is
and I didn’t design it; the flags
are what they are and I didn’t
design them; in other words,
I did absolutely nothing; once
the basic idea, the concept,
emerges, nothing else is left
to be chosen.’” This publication provides a full portrayal of
the artist, who died before his
time, the most significant points
of his artistic creation and his
life through works by famous
photographers, and images lent
by the Fondazione Alighiero e
Boetti.
2015; Isbn 978-88-99534-06-6
€ 25,00
Exhibition Catalogue ART
ALIGHIERO BOETTI
NEW
edited by L. Cherubini
its initial idea and realisation;
the volume also includes other
important texts and iconographic contributions.
LAURA CHERUBINI teaches
History of Contemporary Art
at the Brera Academy and is
vice president of the MADRE
Museum. She writes as an art
critic for specialised newspapers and magazines, in particular Flash Art. In 1990 she
curated the Italian Pavilion at
the Venice Biennial and was
awarded the Premio Carluccio
for young critics. She is a
member of the Mario Schifano,
Franco Angeli, Fabio Mauri and
Alighiero Boetti archive collection. She has curated numerous exhibitions such as Gino
De Dominicis (Nice, Villa Arson;
Turin, Merz Foundation; New
York, MoMA Ps1 2007-2008) and
the cycle, “Dialoghi con la città”
(Rome, MAXXI, 2008-2009).
ISBN 978-88-99534-21-9
49
bound hardback
2016; Isbn 978-88-99534-21-9
€ 59,00
9
788899
534219
© Gianfranco Gorgoni
This book, presented at the
exhibition dedicated to Boetti
at the Tornabuoni Art gallery in
London is not only an exhibition
catalogue but also a vivid portrait of the artist and his personality as well as an insight into
his life history.
The editor, Laura Cherubini,
collected interviews, essays,
and contributions from a large
number of renowned artists and
critics who knew Boetti well.
48
They provide a detailed profile
of the artist, his thinking, and
his oeuvre.
For one special chapter, the editor obtained the precious collaboration of Hans Ulrich Obrist
and some unpublished contributions dedicated to a selection
of “unfinished projects”: ideas
that remained trapped within
drawings,
prototypes,
and
sketches, which can be imagined through the narrative of a
person who attempted to realise these works with Boetti.
As well as his writings, Hans
Ulrich Obrist, art curator and
director of the Serpentine
Gallery in London, also gives
an interview talking about his
meeting with Boetti and how
important and significant this
encounter was for his career as
curator.
This book is further enriched
with an unpublished text by
Agata Boetti dedicated to the
experience of creating Mappe,
SCARPITTA
NEW
edited by L. Sansone and V. Fasan
In this book, Luigi Sansone, the
author of the catalogue raisonée
on Scarpitta, deals with one of the
most fascinating but also least
understood aspects of the creative talent of Salvatore Scarpitta.
Through photos from archives,
it has been possible to present
a far deeper reading of these
works, especially in the case
of the Sal Ardun Special model,
whose aesthetic form resembled
the cars built by Scarpitta in the
50
sixties; however, unlike the previous models, this was no longer a
simulation, because for the first
time, the artist also equipped the
model with a functioning motor.
The essays included in the catalogue describe the artist and his
work with great precision, defining the origin and theoretical
context from which these works
took form, and how they were
developed, exhibited and became
recognised by a far-reaching
public.
Since his adolescent years,
Salvatore Scarpitta (New York,
1919) was able to develop a
special passion for car racing
and the racing circuit world. He
completed his high school studies in Hollywood in 1936, and
decided to travel to Italy to study
at the Accademia di Belle Arti in
Rome, where he graduated in
1940. In 1958, for the first time he
showed his extroflexed canvases,
together with works based on
stretched strips and bands at the
Galleria La Tartaruga in Rome.
At the beginning of the Sixties,
Scarpitta built two racing cars
that he showed in 1965 at the Leo
Castelli Gallery. In the summer
of 1985, in his studio-garage in
Baltimore, Maryland, Scarpitta
realised a dream that dated back
to his teenage years: he built a
perfectly authentic racing car
(Dirt Track Racer) which, with the
help of Leo Castelli, he took to
the dirt track circuits of Maryland
and Pennsylvania to compete
against the leading champions
of the period. Between the Fifties
and the present time, Scarpitta’s
works have been shown in a
large number of exhibitions in
Europe and in the United States.
Scarpitta died in New York on
April 10, 2007.
bodonian style binding, cloth
spine
2015; Isbn 978-88-99534-16-5
€ 55,00
9
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534165
Trevis Race Car (Sal Gambler Special), 1985
51
JEFF KOONS
IN FLORENCE
with texts by C. Acidini, E. Capretti, C. Francini,
E. Nesi, N. Rosenthal, F. Vossilla, J. Pissarro
© Serge Domingie
“I've thought about the gazing ball for decades. I've wanted to show the affirmation, generosity, sense
of place, and joy of the senses that the gazing ball symbolizes. The Gazing Ball series is based in
transcendence. The realization of one's mortality is an abstract thought and from there, one is able to
have a concept of the external world, one's family, community, and a vaster dialogue with humankind
beyond the present.”
J. Koons
Gazing Ball (Barberini Faun), 2013
Plaster and glass, 177.8 × 121.9 × 139.4 cm
The volume has been published
on the occasion of the exhibition Jeff Koons in Florence,
hosted at Palazzo Vecchio in
Piazza della Signoria. Two
works, Pluto and Proserpina
(from the series Antiquity)
and
the
Barberini Faun
(from the series Gazing Ball)
will be temporarily shown
in two special locations, one
public – the Arengario – next
to the classical sculptures by
Donatello and Michelangelo,
and one more private and intimate, inside the Sala dei Gigli
of the Palazzo Vecchio.
The book is enriched with
numerous texts by internationally renowned critics, presenting many points of reflection,
in particular on the specifics of
this exhibition and in general
on the body of work of one of
the most important exponents
of the Postmodern.
A section devoted to biographical and bibliographical matter
53
and a summary of the exhibited
works, together with a large
collection of images from the
Jeff Koons Studio, provides an
important overview of the artist’s prolific career.
26,8×36 cm; ita or eng; bound
hardback
2016; Isbn 978-88-99534-03-5
(ita) € 79,00
9
788899
534035
2016; Isbn 978-88-99534-05-9
(eng) € 79,00
9
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534059
GIUSEPPE PENONE
HUMAN
ANTONY GORMLEY
edited by A. Natalini and S. Risaliti
edited by A. Natalini and S. Risaliti
with an essay by A. Benjamin
drawings from the artist's
sketchbook.
Numerous contributions by
internationally renowned critics present many points of
reflection on the body of work
of one of the most important
exponents of the Arte Povera
movement. Among the others,
texts by Sergio Risaliti, Arabella
Natalini, Matteo Ceriana, Alfred
Pacquement, Michael Brenson,
Laurent Busine and Daniela
Lancioni.
A section devoted to biographical and bibliographical matter
and a summary of the exhibited works, together with a
large collection of images from
the Archivio Penone, offers an
important overview of the artist's prolific career.
bound hardback
2014; Isbn 978-88-96780-68-8
(ita) € 35,00
Human is the catalogue curated
by Arabella Natalini and Sergio
Risaliti, of the exhibition by one
of the world’s most recognised
and appreciated contemporary
artists, Antony Gormley. Once
again the exceptional architecture of the Forte di Belvedere in
Florence forms the background
to a remarkable exhibition that
should not be missed. Over a
hundred iron sculptures are
arranged in the grounds and
building of the Medici fortress
and will form an integral part
of the monument for several
months.
The amazing exhibition is
described and narrated in this
richly illustrated catalogue containing important art critiques
by Andrew Benjamin, Marco
Casamonti, Mario Codognato
and Sergio Risaliti.
A long conversation between
Antony Gormley and Arabella
Natalini offers an insight into
the personality of the artist,
his intentions, the way he visually perceives and captures the
acoustics of the spaces in which
he positions his anthropomorphic figures.
55
human
antony gormley
Published on occasion of the
exhibition of Giuseppe Penone's
works in Florence, hosted at
Boboli Gardens and Forte di
Belvedere, this volume profiles one of the world's most
prominent and internationally
esteemed contemporary artists.
It is more than just an exhibition
catalogue, was it contains, in
addition to detailed illustrations
of all of the works installed
for the exhibition at these two
54
extraordinary Florentine locations, important documents and
additional information useful
for understanding the artist and
his work.
The text is structured around
a long conversation between
Giuseppe Penone and Arabella
Natalini,
accompanied
by
human
antony gormley
bound hardback
2015; Isbn 978-88-96780-99-2
(ita) € 40,00
PR
OF
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OU780992
788896
780688
2014; Isbn 978-88-96780-67-1
(eng) € 35,00
2015; Isbn 978-88-96780-98-5
(eng) € 40,00
PR
OF
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780671
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JOHN CURRIN
NEW
PAINTINGS
with an essay by A. Nesi
John Currin is the catalogue
title of the exhibition to be held
at the Museo Stefano Bardini
beginning on June 2016.
His ambitious paintings seduce,
shock, and surprise at the same
time.
Currin’s well-mastered technique results from the control
and emulation of the composition, graphic rhythm, and
refined finishes typical of 16th
56 and 17th century Northern
European paintings. His inspiration is drawn from portraits
by old masters, pin-up girls,
pornography and B movies, so
Currin paints images that challenge conventional sense and
taste, with his perverse ideals
about women, including libidinous nymphs, strict middleaged women and the most
angelic of feminine models.
A coherent aspect throughout
his oeuvre is his search for the
point where the beautiful and
the grotesque meet in perfect
equilibrium.
57
20,5×28 cm; 84 pages; ita or
eng; paper binding with flaps
2016; Isbn 978-88-99534-19-6
(ita) € 30,00
9
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534196
2016; Isbn 978-88-99534-17-2
(eng) € 30,00
Flora, 2010, 137,8 × 162,6 cm
9
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534172
Rachel in Fur, 2002, 50,8 × 40,6 cm
NEAPOLITAN PAINTING
THE CARLA AND FRANCESCO
VALERIO COLLECTION
texts by N. Spinosa
Francesco De Mura, Enea e Didone con Cupido nelle apparenze di Ascanio
The Neapolitan school of
painting assumed its personal
artistic identity from the 17th
century onwards through the
work of several important artists influenced by the teachings of Caravaggio who lived in
Naples between 1607 and 1610.
Over one hundred paintings
representing three centuries
of history and belonging to the
“Neapolitan Collection” of Carla
and Francesco Valerio are featured in this volume; the paintings are described and illustrated in great detail by Nicola
Spinosa.
Spinosa has written many books
on the topic and is considered
a leading expert in Neapolitan
painting.
His
detailed
introductions
precede the descriptions of
the individual works, containing stories both sacred and
profane. The book contains a
series of portraits of saints and
stories of devotion, adoration of
the shepherds and magi, each
brushstroke creating scenes
exuding
spirituality,
emotion, personality and strength.
Faith and paganism weave
together with stories of heroes
and gods and new takes on
classical myths. We also see
plenty of reality here, “real life”
in all its hard work, depicted
in gestures, poses, food and
flower compositions, and pretty
views.
A few of the many artists included in this impressive publication
are: Giovan Filippo Criscuolo,
Francesco Guarino, Bernardo
Cavallino, Antonio De Bellis,
Salvator Rosa, Luca Giordano,
Giovan
Battista
Ruoppolo,
Abraham Brueghel, Guglielmo
Courtois, Juan Ruiz, Tomás
Ruiz, Pierre-Jacques Volaire,
and Charles-François Grenier
De La Croix.
59
24,3×28,5 cm; 328 pages;
ita or eng; bound hardback with
cloth cover and dust jacket
2015; Isbn 978-88-96780-78-7
(ita) € 60,00
9
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2015; Isbn 978-88-96780-84-8
(eng) € 60,00
9
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IL DADO
È TRATTO
ALBERTO BIASI
with an essay by S. Lemoine
Alberto Biasi is one of the major
figures in Italian post-war art
history. He is one of the most
coherent
and
authoritative
experts in the world in the field
of Programmed Art or Kinetic
Art, also referred to as Optical
Art.
Forma Edizioni presents the
catalogue of the exhibition on
the occasion of the monographic
exhibition at the Tornabuoni Art
gallery in Paris in collaboration
60 with the artist himself and curated by Serge Lemoine (Professor
emeritus at the Sorbonne and
previously director of the Musée
d’Orsay in Paris).
The publication presents a
detailed history of Alberto Biasi’s
life and work, comprehensively
portrayed through the critical
text by Lemoine, describing the
Maestro’s life, the most important places and fundamental
stages of his career, as well as
his artistic evolution. The text
is enriched with images from
historic archives, to introduce
the complete collection of the
works on show, with the addition
of certain “iconic pieces” which
have been milestones in the
artist’s career. A large section
is dedicated to his career (biography, bibliography, solo and collective exhibitions): it enriches
the book, providing in-depth
analysis useful in understanding
the artist and his specific artistic
expression.
“To use a strong expression: ‘the die is cast’. Imitation was no longer a problem; above all, it was not
an academic canon to be obeyed, an ideology to be followed. The rupture with the figurative tradition
prepared by the avant-garde artists in the first two decades of the 20th century occurred quite rapidly.
Between Como and Milan, as well as collaboration among architects, painters and sculptors, there were
international exchanges rich in innovation, and encounters useful to non-figurative artistic research.”
S. Risaliti
61
24×30 cm; 176 pages; fr/eng;
bound hardback with PVC dust
jacket
2015; Isbn 978-88-96780-77-0
€ 39,00
2015; Isbn 978-88-99534-00-4
€ 35,00
9
788896
780770
Claudio Parmiggiani,
Delocazione, 2008
130 × 117 cm
9
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534004
62
DADAMAINO
TURI SIMETI
texts by B. Blistène and F. Gualdoni
with an essay by B. Corà
“No matter how one approaches Dadamaino’s work, it resists any attempt at classification. It shirks
from it. One thought she was Informal in the 1950’s, then almost Kinetic in the following years. One
saw her as Minimalist and Serialist in the 1970’s. One related her to Arte Povera and even Conceptual
Art in-between. What is she, exactly, and why does she get our attention today, with increasing acuity
and curiosity?
Between categories and reason, it is possible that Dadamaino confronts us to the difficulty of judging,
and this might even be one of the most important aspects of her work. There is no submission to a
given order. No ties to a movement. No belonging. Something, in fact, that is in perfect sync with that
woman as we know her. Revolted and engaged, militant and free. If wouldn’t be the least merit of this
work to be equal to the woman who made it. Dadamaino is no more an offspring of Spatialism than she
is an epigone of kinetic art; no more a follower of European minimalist art than she is a representative
of some forms of process-oriented art with which she has too often been associated. She is all of that
at once, keen on drawing specific convergence lines, different objectives and unique perspectives.
A common point ties her works together, however: Dadamaino has a taste for experience, as well as
for patience. For her, patience and experience even seem to be the two foundations for any kind of
attentive work – if not a philosophy of creation.”
B. Blistène
B L E M AT I CA
ANO LA
ANDIERE
OVO
NO DI
OVE COSE.
E “ISSUE
IMENSIONS
N T I N G S F LY
INTRODUCE
OT S AT I S F I E D
W AY ”: T H E Y
24×30 cm; 176 pages; ita/eng
or fr/eng; bound hardback with
PVC dust jacket
2013; Isbn 978-88-96780-53-4
(ita/eng) € 49,00
2013; Isbn 978-88-96780-52-7
(fr/eng) € 49,00
9
9
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788896
F
TO
bound hardback with PVC dust
jacket
780534
9
788896
UN OVALE ROSSO, 1967
ACRYLIQUE SUR
TOILE EXTROFLEXE /
ACRYLIC ON
SHAPED CANVAS
70×130 CM / IN 27.6×51.2
64
65
63
JOSEPH BEUYS
DEVANT LA
SCULPTURE POUR
GIBELLINA, 1981.
PHOTO DE
MIMMO JODICE /
JOSEPH BEUYS
IN FRONT OF
SCULPTURE FOR
GIBELLINA, 1981.
PHOTO BY
MIMMO JODICE
28
29
24×30 cm; 160 pages; fr/eng;
bound hardback
NT
PR I
780527
For many years, Turi Simeti has
been one of the principal figures
on the contemporary artistic
and exhibition scene. Over
fifty works taken from his long
career are collected in this publication that Forma Edizioni has
dedicated to his oeuvre on the
occasion of the monographic
exhibition that will be held at
the Tornabuoni Art gallery in
Paris from October 10, 2014.
A critique by Bruno Corà acts
as an introduction to a selection
of Turi Simeti’s works, retracing the progressive stages of
his artistic development; the
artist gradually detached himself from the flat surface of his
canvas, and using recurring elements or contrasting harmony
of form, he developed new compositions strong in intensity and
movement.
A section written in collaboration with the Simeti archives
closes the publication providing
biographical and bibliographical
details on personal and collective exhibitions necessary for
a deeper understanding of the
artist and his work.
780640
2014; Isbn 978-88-96780-64-0
€ 49,00
2014; Isbn 978-88-96780-69-5
€ 45,00
9
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780695
NAKIS PANAYOTIDIS
IVRESSE RÊVÉE
LUCIANA
RATTAZZI
edited by B. Corà
edited by E. Burlando
ART Art Today Series
NOVECENTO.
TENSIONI
E FIGURA
LEE SUNG-KUEN. SOLY CISSÉ
HUMAN+LOVE+
CALORE
NATURE+LIGHT
D’ESTATE
edited by F. Migliorati
essays by J. Kwang-Suk
and F. Migliorati
24×30 cm; 96 pages; ita
2012; Isbn 978-88-96780-22-0
€ 25,00
2010; Isbn 978-88-96780-02-2
€ 25,00
2011; Isbn 978-88-96780-14-5
€ 25,00
9
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780220
GIOACCHINO
PONTRELLI
texts by C. L. Pisano
and R. Gavarro
21×24 cm; 120 pages;
fr/ita/eng
21×24 cm; 104 pages;
ita/eng
2010; Isbn 978-88-96780-03-9
€ 20,00
2012; Isbn 978-88-96780-36-7
€ 15,00
9
9
780039
788896
9
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780022
MAIORANO
texts by A. Jones
and M. Cavallarini
9
788896
780145
FRANCESCA
PASQUALI
texts by I. Bignotti
and G. Pisapia
2014; Isbn 978-88-96780-73-2
€ 15,00
2015; Isbn 978-88-96780-79-4
€ 15,00
2015; Isbn 978-88-96780-86-2
€ 15,00
9
9
9
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780732
788896
780794
788896
780862
780367
Nakis Panayotidis, Risaie, 2008
85 × 112 × 6 cm
ART TODAY
SERIES
788896
with an essay by D. Stella
ENRICO
BENETTA
texts by C. Casarin
2016; Isbn 978-88-99534-11-0
€ 15,00
9
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534110
65
GIUSEPPE CHIARI
ARNALDO POMODORO
texts by F. Migliorati
with an introduction by E. Crispolti
essays by B. Corà
66
This volume is dedicated to the
work of Giuseppe Chiari (19262010), an eclectic and experimental artist and composer
from Florence, Italian promoter
of the historical avant-garde
of the research art. His work
is here documented by a large
volume published in the Art
section of Forma Edizioni. This
book represents an important
overview of the artist’s work
comprising about 900 works of
half a century of production. The
volume is enhanced by the critical essays of Fabio Migliorati in
collaboration with Mario Chiari,
the artist’s son.
“The work of Giuseppe Chiari
is based on a discourse on the
freedom to act (to make art),
ritualized in experience, as
reference to human constancy,
closely linked to the social and
political dimension of things,
all through the performance
of the work, the action of the
object, in the movement which
is accomplished from the musical intervention to the visual
one. The artistic principle is an
allegory of the pursuit of a free
action, which means creativity
and which is both inspired by
and leading to it.”
F. Migliorati
24×30 cm; 170 pages; fr/ita/eng;
bound hardback with dust jacket
bound hardback
2011; Isbn 978-88-96780-09-1
2016; Isbn 978-88-99534-10-3
€ 45,00
€ 39,00
9
788896
780091
Senza titolo, 1996, 48 × 66 cm
bound hardback with folded
dust jacket
2012; Isbn 978-88-96780-10-7
€ 49,00
9
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780107
Sfera, 2013, ø 35 cm
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The book retraces the career
and works of the famous Italian
sculptor through the illustration of more than fifty pieces
selected from Pomodoro’s
historical repertoire, some
of which are on show at the
exhibition, while others are an
essential complement in representing the artist’s long and
rich career as completely as
possible.
The works are introduced by
67
a long critical essay by Bruno
Corà written for the artist’s
monographic exhibition held in
Paris in 2011. The text provides
the reader with a double reflection, not only on the unquestionable merit of Pomodoro’s
works and the founding aspects
of his artistic production, but
also on the role played by his
contribution to the Italian and
international cultural scene.
Certain texts written by the
artist himself define and assist
in understanding the different
series of works in various stages of his sculptural production.
BIANCO ITALIA
TOUT FEU
TOUT FLAMME
edited by D. Stella
On the occasion of the exhibition Tout feu tout flamme
at Tornabuoni Art in Paris,
Forma edizioni presents a
catalogue with all the works
in the exhibition as well as
some other unedited images
that show the artists at work
and are essential to understand them. A critical essay
by Daniel Abadie, curator
of the catalogue and of the
exhibition introduces the different sections, dedicated to
the biography and the works
of each artist.Tornabuoni
Art and Daniel Abadie bring
together for the first time
40 of the most outstanding
works of the greatest artists who used fire for their
artworks. Rather than the
representation of fire it is its
involvement with the artists
who reveal it as a fundamental element of their creative process. This exhibition
shows the different ways in
which artists perceive fire, a
phenomenon that has always
been a fascination. The living
aspect of flames, the moving play of light and shadow
and the range of colours they
produce, make them into
cultural tools, considered a
real source of inspiration for
artists.
Fire is shapeless, perpetually
changes, and it allows great
freedom of interpretation:
from Yves Klein’s “Paintings
of Fire” to Alberto Burri’s
“Combustions”,
Arman’s
“Accumulations”
and
Bernard Aubertin’s “Paths of
Fire”; from Jannis Kounellis’
artifice of the “flower of fire”
and Christian Boltanski’s
“eschatological
shadows”
to Pier Paolo Calzolari’s
“icy burns” or Chen Zhen’s
“ashes”.
bound hardback with lenticular
cover
2012; Isbn 978-88-96780-31-2
€ 39,00
9
788896
780312
Arman, Senza titolo / Untitled (Cimabue) 1970, 200 × 160 × 20 cm
edited by D. Abadie
“...The white line, which seemed
to mark the passage toward the
second half of the twentieth
century, introduced a creative
vibration and announced sociopolitical and artistic transformations. It was in itself a symbol of a universal questioning.A
generation was born, which
was able to confront reality, and
invented an art so powerful that
it added a new dimension to
creation – which, in the postwar years, was yearning for an
artistic and spiritual renovation,
engaged in an attempt to redefine modernity. In Manzoni’s
words, a ‘new artistic conception’, a spirit of resistance, was
opposed to the triumphant
materialism of the emerging
consumer society. It seemed
as though European idealism
wished to counter-balance
the cynicism of artists such
as Warhol; it responded to the
American Pop movement with
a ‘Zen’ attitude that the color
white spectacularly embodied.”
D. Stella
69
Alighiero Boetti, EMME I ELLE ELLE E…, 1970, Pizzo a filet, 27 × 27 cm
or fr/eng; bound hardback with
PVC dust jacket
2013; Isbn 978-88-96780-43-5
(ita/eng) € 35,00
I
F PR
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O
UT
O
788896
780435
NT
2013; Isbn 978-88-96780-42-8
(fr/eng) € 35,00
9
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780428
ENRICO
CASTELLANI
FONTANA
E PARIGI
MIMMO
ROTELLA
LUCIO FONTANA
with an essay by B. Blistène
texts by E. Crispolti
with an introduction by
F. Migliorati
with an essay by B. Corà
texts by E. Crispolti, L. M. Barbero, E. Lucie-Smith
The volume explores, through
a selection of approximately
seventy
works,
including
sculptures and paintings, the
Master’s artistic activity from
the 50s onwards. The critical essays by Enrico Crispolti
enrich the text by providing
some important insights into
the life of Lucio Fontana, on his
visits to Paris and Milan, during which he continued to hold
a dense network of exchanges
and relations with artists,
architects and intellectuals of
his time. Vintage photographs,
direct quotations from the artist
and a thorough biography contextualize the art of Fontana in
the specific cultural climate in
which he lived and help to better understand the evolutionary
spirit of this personality who,
until his death, has been driven
by a constant creative tension.
On the occasion of the exhibition
Mimmo Rotella which opened on
March 29, 2012 at Tornabuoni
Art gallery in Paris, Forma
edizioni presents a catalogue
with all the works in the exhibition as well as some other
pieces that are essential to
understand the artist.
The images are introduced by
a critical essay by Bruno Corà.
“Fifty years separate this festive
and meaningful réntrée of the
art of Mimmo Rotella in Paris
from his first individual exhibition at Jeanette Goldschmidt’s
Galerie J, which featured a
selection of monothematic
décollages dedicated to the
Cinecittà series (1962). And it
is unlikely that Rotella would
have failed to stress such an
anniversary...”.
B. Corà
2011; Isbn 978-88-96780-13-8
€ 39,00
2012; Isbn 978-88-96780-08-4
€ 39,00
24×30 cm; 184 pages;
fr/ita/eng; bound hardback with
dust jacket
Enrico Castellani is a monograph
and a catalogue of the exhibition of the artist, hosted in
Tonabuoni Art gallery in Paris.
The exhibition has shown off
about forty of his most significant works, illustrated and
accompanied in the volume
by texts of Bernard Blistène.
Enrico Castellani, who was
born in 1930, is one of the leading figures of the artistic and
cultural movement Zero, which
70
aims to renew the language of
image and form in the 50s and
60s. Thanks to the collaboration
of the Castellani Archive, the
volume, in a trilingual French/
Italian/English edition, decribes
the creative and artistic contribution of this protagonist of
20th century art. A large critical
section is devoted to the biobibliography and to the list of
exhibitions in which Castellani
has participated.
9
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2012; Isbn 978-88-96780-23-7
€ 39,00
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788896
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Lucio Fontana is universally
acknowledged as one of the
foremost figures in the generation of artists who, in the
1950s and 1960s, helped bring
about a radical conceptual and
linguistic change in contemporary art. The role he played was
already being pointed out by
specialised critics in the early
years of the post-war period,
involving a growing number of
scholars and admirers, while
also constituting a model for
the young generation of artists in Europe. The catalogue,
accompanying the exhibition
that Tornabuoni Art gallery
in London dedicated to Lucio
Fontana, is the result of indepth archival research. It features texts by Enrico Crispolti,
Luca Massimo Barbero and
Edward Lucie-Smith.
The authors have provided
important curatorship, with historical reconstructions and critical analyses that bring to bear
upon this selection of works the
full significance of the targeted
research programme.
The idea behind the selection
is to document the main cycles
of work to which Fontana dedicated the last twenty years of
his life, so we find canvases
from the “Holes” cycle from
the opening years of the 1950s,
the “Stones” from 1953-56, the
“Baroques” from 1956-57, the
“Impastos” and the “Anilines”
from the end of the decade.
Together with these works,
there are naturally also various
types of “Slashes”, from the
experimental ones of 1959-60 to
the essentially iconic works of
the 1960s, as well as the complex “Little Theatres” of 1964-66
and the new “Oils” with craters
of the early 1960s.
71
bound hardback
2015; Isbn 978-88-96780-06-0
€ 45,00
9
788896
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SCHEGGI
edited by L. M. Barbero
72
SLIPCASE + TWO BOOKS
ita/eng or fr/eng; cloth covered
slipcase
The second volume accompanies SCHEGGI’s individual
exhibition at the Tornabuoni Art
gallery in Paris. A comprehensive, exacting catalogue seeks
to outline Scheggi’s extraordinary, interdisciplinary artistic
explorations, starting with this
early work in the 1950s to his
last conceptual and metaphysical directions in the early 1970s.
The catalogue starts from the
essential view that Scheggi’s
full œuvre, in its cohesive eclecticism, cannot be understood in
separate phases or times.
Taking it as a single trajectory of
his life and art, the catalogue is
divided into seven chronological
and thematic parts, introduced
by writings by Luca Massimo
Barbero and abundant footnotes to suggest further, useful
readings. This division helps
to understand the different
points of the unified trajectory
of Paolo Scheggi’s work where
the absolute definition of form
comes up against the thrill of
a constant re-assessment of
the work, between its extension
in space and its metaphysical
rarefaction.
2015; Isbn 978-88-99534-07-3
(ita/eng) € 120,00
T
INT
2015; Isbn 978-88-99534-04-2
(fr/eng) € 120,00
© Ugo Mulas
OU
PR
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FORMA EDIZIONI SRL
EDITORIAL STAFF
[email protected]
[email protected]
T. (+39) 055 6582109
Via della fornace, 18
50125 FLORENCE ITALY
Via della fornace, 32r
50125 FLORENCE ITALY
English Version
www.formaedizioni.it

Fall|2016 - Forma Edizioni

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