East and West
Transcript
East and West
EAST AND WEST Roma, organo trimestrale dell’Istituto Italiano per il Medio ed Estremo Oriente di Roma (IsMEO), dal 1996 Istituto Italiano per l’Africa e l’Oriente (IsIAO). I, 1, 1950 Luciano PETECH, Oriental Studies in Italy During the Last Ten Years, p. 3 I, 2, 1950 Giacinto AURITI, Heroic Japan of the past, p. 74 I, 3, 1950 Inaugurazione Istituto Italo-giapponese (Nichi-I kyōkai), p. 192 II, 1, 1951 Marcello MUCCIOLI, Japanese Studies in Italy, p. 9 II, 2, 1951 Giuseppe TUCCI, Japanese Ambassadors as Roman Patricians, p. 65 II, 4, 1952 Ermanno CONTINI, “Rasho-mon”, p. 234 III, 1, 1952 Giacinto AURITI, Aestheticism in Ancient Japan, p. 13 III, 2, 1952 YASHIRO Yukio, The “Oriental” Character in Italian Tre- and Quattrocento Paintings, p. 81 Giacinto AURITI, Exhibition of Japanese Art, p. 132 III, 4, 1953 Emma AMADEI, A XVII Century Japanese Embassy Recorded in the Roman Basilica of S. Maria Maggiore, p. 236 IV, 2, 1953 Marziano BERNARDI, Antonio Fontanesi in Japan, p. 109 V, 1, 1954 The Exhibit of the Forty Coloured Japanese Prints, Organised by the IsMEO, p. 32 V, 2, 1954 Giuseppe TUCCI, Fifty Years of Study of Oriental Art, p. 73 V, 3, 1954 The Cultural Agreement between Japan and Italy, p. 188 V, 4, 1955 Mario TETI, The Nō Plays are a Perfect Expression of Japanese Art, p. 297 VI, 1, 1955 Giacinto AURITI, A Japanese Screen in an Italian Gallery, p. 34 VI, 2, 1955 Giuseppe MORICHINI, Pre-war and Post-war Japanese Fiction, p. 138 Jean CHARLOT, A Westerner on Japanese Art, p. 143 VI, 3, 1955 Elio RUFFO, Italian and Japanese Cinema, p. 269 VI, 4, 1956 Giuseppe MORICHINI, Bashō’s Love Verses, p. 323 VII, 3, 1956 Marcello MUCCIOLI, Inauguration of Father Sidotti’s Memorial Stone in Tōkyō, p. 265 VII, 4, 1957 Elio RUFFO, Spirit of the Japanese Cinema, p. 387 VIII, 2, 1957 “International Art Exhibition” Japan, 1957, p. 186 Adolfo TAMBURELLO, Notes on the Earliest Stages of the Prehistory of Japan, p. 187 VIII, 3, 1957 Marcello MUCCIOLI, Chinese Literature in Japan from the VII to the IX Century, p. 275 Adolfo TAMBURELLO, Archaelogy and History. A Japanese Contribution to Palaeology, p. 307 VIII, 4, 1958 Adolfo TAMBURELLO, Prehistory of Japan. The Jōmon Pottery, p. 386 Elio RUFFO, Spiritual Vitality of the Japanese Cinema, p. 392 IX, 1-2, 1958 Julius EVOLA, The Japanese Hara-Theory and its Relations to East and West, p. 76 Adolfo TAMBURELLO, Notes on the Jōmon Figurines of Japan, p. 92 X, 4, 1958 Lionello LANCIOTTI, Giuseppe Morichini (1894-1959), p. 287 XII, 1, 1961 Giuseppe TUCCI, The Aims of the Cultural Collaboration between Japan and Italy in the Present Time, p. 19 XX, 1-2, 1970 Phyllis GRANOFF, Tōbatsu Bishamon: Three Japanese Statues in the United States and an Outline of the Rise of this Cult in East Asia, p. 144 XXVI, 1976 Paolo BEONIO BROCCHIERI, Guglielmo Scalise, p. 241 XXVIII, 1978 WAIDA Manabu, Birds in the Mithology of Sacred Kingship, p. 283 XXX, 1980 Antonio GARGANO, Massimo Scaligero, p. 181 XXXIV, 1984 Gherardo GNOLI, Giuseppe Tucci (1894-1984), p. 11 L. PETECH and F. SCIALPI, The Works of Giuseppe Tucci, p. 23 XXXV, 1985 KONDO Eiko, Three Albums of Surimono Preserved in the Bibliothèque Nationale in Paris, p. 211 XXXVIII, 1988 Mario Bussagli, p. 317 XLI, 1991 G. GNOLI and L. LANCIOTTI, Paolo Beonio Brocchieri, p. 389 XLII, 1993 Carl B. BECKER, Hands of the Bodhisattva. The Standardization of Mudras in Japanese Buddhist Sculpture prior to A.D. 1200, p. 199 XLIV, 1994 Giovanni Gentile XLVI, 1-2, 1996 Valdo FERRETTI, Emperor Reigen and the Change in Court-Bakufu Relations since theTenna to the Kyōto Era, p. 167