Meditatio super Kyrie "Cum Jubilo"

Transcript

Meditatio super Kyrie "Cum Jubilo"
Meditatio
super Kyrie
"Cum Jubilo"
In Festis B.Mariae Virginis (I)
para Piano
op.21 n° 1b - (1945)
1) Sereno e con amore
2) Andantino cantabile (alla fuga)
Juan Francisco Giacobbe
(1907-1990)
2
Meditatio super Kyrie "Cum Jubilo"
In Festis B.Mariae Virginis (I)
para Piano - op. 21 n° 1b - (1945)
Juan Francisco Giacobbe
(1907-1990)
Sereno e con amore
q=60
con espressione cantabile gregoriana



3
    4       78      

  
p

    3 
  7   
 4
8
 

8
3
8       4   
     

pp
8   
3  
8
4


 

          88          
  
 
 
pp  
dolciss.
  
8
  


  8 
    
5

   28  
  

2 
 8
 



           










con più voce
 6
    8
10
mp
    6
 8


          5 
    15
8       8    

14

    15  
   8 
 
        5  


8







       
 
soave ma sonoro
4
8 
4 
8
6
8
6
8

 15






8



 
15
8


 15
6





 8 
 8
 
mf
 




  15
6 
8
8
  
sentito

   15      
4

   8              8 




    15
  8 
 
3
sereno
17
6 7
8 
8
 
       4 
    8 
  

6 
8


7
8
dolciss. e ben ritmato
  7 

   8       98        48
    
 

   
 







   7   

9
4
 8
  8 
 8






 
6 
 15
8
8
20
  
  


6 
8
 
 15


 
8


      
           
25




  15















6

15
5


    8
8
8
8
  15
    8 



5
    

     8 
     

















    15
8

28

   15
8 


 68 
 

4
8








4


 
8

 

15
8

5      7
8
8

5
8 




7
8
Meditatio super Kyrie "Cum Jubilo" - op.21 n°1b- J.F.Giacobbe
4 31
   2 5  
  8  8  

 



 7

5
 28
    8   
8
  7   

 8
 
   2   3    4
   8  4 
 4
   2
8
3
4
4
4








 4

    
    4        
  

36
  
tranquillo e sentito
     
   
   

  

 






  

    4    
 4

Alla fuga
Andantino cantabile

   
41

3
4
ppp
ma ben articolato
  
 

 3
    4
46
3
 4






4
4
pp

3
4




4   
 43
    
4
  
 







      

4   
3
4
4


mp sonoro
    3         
4
 4

        4 



profondo
Meditatio super Kyrie "Cum Jubilo" - op.21 n°1b- J.F.Giacobbe


3
4

50
   


    3       
      
 4
     

    
    3 
 4



     
     
5


4         3
4
4

4
      4 
       
3
4
     
2
4




3





    4               
 
      

       
    3  


   
   4      


54



4   
   42


4



      

  



    2    4       


  4     4



58

2
     4
    

3        
4
 


3
4           






    


3
   
4

          4        4 
 


  


  4
   3   
   
 





4       4          
 


62




 


Meditatio super Kyrie "Cum Jubilo" - op.21 n°1b- J.F.Giacobbe
6
con anima



66



  
   






           
         

 


  
       
f
   
 

 



f



marcato
 
marcato



 


               
 



marcato molto

 

            



 
                 
  

 
    
71
  
 
marcato
  
 

4
4
4
4

 
 4
 
         4
   

     
marcato

 
sonoro, solenne e posato
 4
    4
75

3
4           
         

    4     
3
 4
4 

    4
  4 

 43


   
   
Meditatio super Kyrie "Cum Jubilo" - op.21 n°1b- J.F.Giacobbe

4
4
4


       4
       

4
4
più sensibile
  4 

  4  
 
79
    4 
 4
 

3
 4 

7

 3
      44   
  
    4
       

3

  4 




p
subito e cantabile con garbo







4 
4 


 3
 4



 

 

83
      


   





3


















  4






  
 



 
 
 
 
  
  






    


       


 



   


armonioso

   

  
 

 



 
      




  





 



molto espress. e quasi scherzoso









 

 
  
91
       

 







 

 

 



 



   
87


 
 



   3
 4 



 



 
  






 
         
 
   


  



  
    
   
  
  
    
 
Meditatio super Kyrie "Cum Jubilo" - op.21 n°1b- J.F.Giacobbe
8









 
         

95
     






      
 
sonoro
f

   


f

       

   


4
       
4    
       






     
4   
       4 
  





  


molto sostenuto
e sonoro
ritmato
99

3
4 
 
2
3
  4         4
 

3 
2     3



4      4
   4

   




  


   3  
     3    
4

   4
  4
4    
 


a Tempo
con fuoco
103
  
       


    3    4
3
4
4 
 4 



4

          4          43 

107
ff
 
   

4
4 



 





  




 




3


   4 

marcato
Meditatio super Kyrie "Cum Jubilo" - op.21 n°1b- J.F.Giacobbe
cresc. sempre
 
    
111





         


      
      








   




   

           


 
9
decresc. moltiss.............................



       








 
   
       
   

     
   
    

   
 




115

   
119
sotto voce

 

4 
4





quasi recit.
 

    
4


        4            

 
misterioso

       3 
 
4


ppp
legatiss. e lontano

3
4
 

pp


4
3
        3       
4

    4   4

sensibile

123

    
 


4
 4 
Meditatio super Kyrie "Cum Jubilo" - op.21 n°1b- J.F.Giacobbe



3


    4     
p
10 128
   3
 4 


  


   
    
 
decresc. molto


   
   

133
         



 

4
4      
 


  



3
4   










          

4
3










 4

         4 

     
   



4





                           4
   
137
   

                    
4
4

con energia lírica
  
 4
 
    4    


ff
  
    4
 4
140
    4 
 4
ff





   3   

4




 


 43 



3
4 








Meditatio super Kyrie "Cum Jubilo" - op.21 n°1b- J.F.Giacobbe
  
     
  
  

  
  




  

 
















     





   
   

 


 
    
 

147





   



  

 
 













 
 









 11
     
 










     
  

144



















4 
4

























4  
4
4
4 
 








3
4

3
4
3
4
Tutta forza, sostenuto assai, ma entusiastico
  
149
   



3
    4    
  
 3

    4      
  



    3      
  4   


    


7      8     3   
8 
4 
 8   

   







7
 8 
3 
8
4
 8


      
7      8    
3
8 
8        4  
            


Meditatio super Kyrie "Cum Jubilo" - op.21 n°1b- J.F.Giacobbe
   



         8        


 
      8 


fff
       
sempre
 


 
8


8
    
          8  


 

     8  
   


   
12
153
loco
 

   

 4    
4
sfff 
 

 4   
4
 


4

   4    
      
Glorioso

   43
157




   3 
 4
    3 
 4
sfff
vibrante



 
    
161
sff




    

   
   
 

 

sff



 


  
 
 
















  

sffff

  

  
 




 




sffff

 
 

 



 
    
   

   
  



 




 28   43

 

 3
 28
4
2 
8

 




 
 
























3
4



















24 Giugno 1945
J.F.G. fecit
Τω Θεω Χαριζ
Meditatio super Kyrie "Cum Jubilo" - op.21 n°1b- J.F.Giacobbe