Carmela Remigio - In Art Management

Saverio Clemente
Andrea De Amici Luca Targetti
Recently awarded the prestigious “Premio Abbiati”, soprano Carmela
Remigio began taking voice lessons under Aldo Protti, then perfecting
her technique under Leone Magiera. After winning the 1992 “Luciano
Pavarotti International Voice Competition” she made her debut – at the
young age of nineteen – singing the lead role in Giampaolo Testoni’s
opera Alice at the Teatro Massimo in Palermo.
Following her first baroque roles, she dedicated to Mozart’s operas,
singing all of their main roles: Susanna and Countess in Le Nozze di
Figaro, Elettra and Ilia in Idomeneo. She has been in over threehundred-fifty performances of Don Giovanni, singing both Donna Elvira
and Donna Anna, the latter role allowing her to work with Peter Brook
and Claudio Abbado.
Carmela Remigio
Soprano
Since then she has worked with conductors such as Antonio Pappano,
Myung-Whun Chung, Jeffrey Tate, Daniel Harding, Gustavo Dudamel,
Riccardo Chailly, Gianandrea Noseda, John Axelrod, Roberto Abbado,
Lorin Maazel, Michel Plasson, Eliahu Inbal, Kent Nagano; and stage
directors like David McVicar, Graham Vick, Pier Luigi Pizzi, Federico
Tiezzi, Karole Armitage, Mario Martone, Luca Ronconi and Damiano
Michieletto.
Her repertoire includes roles like Alice in Falstaff, Desdemona in
Otello, Messa da Requiem, Amelia in Simon Boccanegra, Violetta in
La Traviata, Mimì in Bohème, Liù in Turandot, all the three main roles
of the “Three Tudor Queens Cycle” (Maria Stuarda, Roberto
Devereux and Anna Bolena), Norma and Adalgisa (Norma), Micaela
(Carmen), Cleopatra (Giulio Cesare), Marguerite (Faust), Malwina
(Der Vampyr), Alceste, Euridice (Orfeo ed Euridice), Tatiana in
Eugene Onegin, Anne in The Rake’s Progress, Miranda in La Donna
Serpente.
She performs both opera and chamber music – sacred and secular – in
the main Italian and international theatres, music festivals and concert
halls: New York’s Carnegie Hall, Teatro alla Scala in Milan, Salzburg
Festival, London’s Royal Opera House, Teatro San Carlo in Naples,
Teatro Petruzzelli in Bari, Teatro Carlo Felice in Genua, Sferisterio
Opera Festival in Macerata, Teatro Comunale di Bologna, Aix-enProvince Festival, Teatro La Fenice in Venice, Teatro Regio di Torino,
Teatro Massimo di Palermo, Rossini Opera Festival in Pesaro, Teatro
dell’Opera di Roma, La Monnaie in Brussels, and then Lausanne,
Tokyo, Trieste, Lugano, Florence, Los Angeles, Miami Paris.
Some her most relevant recordings include two different editions of Don
Giovanni, one of the two under Claudio Abbado (Deutsche
Grammophon) and the other under Daniel Harding (Virgin), Rossini’s
Stabat Mater conducted by Gianluigi Gelmetti (Agorà), Arie Sacre
Verdiane under Myung-Whun Chung (Deutsche Grammophon), a
double CD titled Arias (Universal-Decca) dedicated to Tosti and
Rossini.
Some of her recent and upcoming engagements include Anna Bolena
InArt Management
Via San Gregorio 53, 20124 Milano
Tel. +39 02 97 37 41 66 / Fax +39 02 97 37 42 33
[email protected]
www.inartmanagement.com
Saverio Clemente
Andrea De Amici Luca Targetti
in Bergamo, The Merry Widow in Naples, La Donna Serpente at the
Teatro Regio di Torino, L’Amico Fritz in Venice, La Bohème on a tour
in Japan, Don Giovanni in Salzburg, L’Incoronazione di Poppea at
La Scala, Così Fan Tutte in Oviedo.
May 2016
InArt Management
Via San Gregorio 53, 20124 Milano
Tel. +39 02 97 37 41 66 / Fax +39 02 97 37 42 33
[email protected]
www.inartmanagement.com