BIBLIOGRAFIA Adachi BC (1985) Backstage at
Transcript
BIBLIOGRAFIA Adachi BC (1985) Backstage at
BIBLIOGRAFIA Adachi B.C. (1985) Backstage at Bunraku, Weatherhill, New York-Tokyo Atkins E.T. (2000) “Can Japanese Sing the Blues?” in: Japan Pop!, Craig T.J. (a cura di), M.E.Sharpe, Armonk-Londra Azechi N. (1998) The Syncopated Pattern: Originated from Weakened Mora in Japanese Pop Songs (the 60’s~the 90’s), paper non pubblicato Ball P. (2004) Colore – Una biografia, BUR, Milano Bertuccioli G. (1990) Travels to real and imaginary lands – Two lectures on East Asia with an Appendix: Francesco Carletti on slavery and oppression by A.Forte, Italian School of East Asian Studies Occasional Papers 2, Kyoto Beasley W.G. (1969) Storia del Giappone moderno, Giulio Einaudi Editore, Torino Camaiti Hostert A. (2006) Passing, Meltemi, Roma Chambers I. (2003) Paesaggi migratori, Meltemi, Roma Condry I. (1999) Japanese Rap Music: An Ethnography of Globalization in Popular Culture, UMI Ann Arbor Michigan Demiéville P. (1929) (a cura di) Hobogirin – Dictionnaire encyclopédique du bouddhisme d’après les sources chinoises et japonaieses, Maison Franco-Japonaise, Kyoto De Sousa Santos B. (2004) “Por uma concepção multicultural de direitos humanos”, in: Reconhecer para libertar, De Sousa Santos B. (org.), Civilização Brasileira, Rio de Janeiro Dubreil O. C. (2006) „Her Name is Peramonkoro‟, in: Kyoto Journal n.63, pp.17-19 Fritsch I. (2001) “Chindonya Today – Japanese Street Performers in Commercial Advertising”, in: Asian Folklore Studies, Vol.60 pp.49-78 FRPAC (2003) Together with the Ainu - History and Culture, FRPAC, Sapporo Kilani M. ( 2001) “Stereotipo (etnico, razziale, sessista)”, in: L’imbroglio etnico in quattordici parole chiave, Gallissot.R., Kilani M., Rivera A., Edizioni Dedalo, Bari Inasa M. (2003a) “Ethnic Diversity in Antiquity in the Japanese Archipelago”, in: Vox Propria, n.5, pp.35-40, Institute for Cross-Cultural Communication, Kobe Inasa M. (2003b) “Indigenous Gene Pools in the Middle Islands of the Japanese Archipelago”, in: Vox Propria, n.5, pp. 43-44, Institute for Cross-Cultural Communication, Kobe Károlyi O. (1969) La grammatica della musica, Einaudi, Torino Kishibe S. (1984) The Traditional Music of Japan, Ongaguku No Tomo, Tokyo Komparu K. (1983) The Noh Theatre – Principles and Perspectives, Weatherhill/Tankosha, New York-Tokyo-Kyoto Malm W.P. ( 1978) “Music in the Kabuki Theatre”, in: AA.VV. Studies in Kabuki, University Press of Hawaii Malm W.P. (1959) Japanese Music and Musical Instruments, Charles E. Tuttle Company, Rutland Vermont-Tokyo; edizione aggiornata (2000) Kodansha International, Tokyo-New York-Londra Maraini F. (2009) Case, amori, universi, Mondadori, Milano May E. (1963) The Influence of the Meiji Period on Japanese Children’s Music, University of California Press, Berkeley-Los Angeles Mendes Pinto F. (1989) The Voyages of Mendes Pinto, trad. di Rebecca D. Catz, The University of Chicago Press, Chicago-Londra Middleton R. (2001) Studiare la popular music, Feltrinelli, Milano Middleton R. (2002) “Lo studio della popular music”, in: Enciclopedia della musica, vol. II – Il sapere musicale, Einaudi, Torino Miyake-Downey J., Dosch-Brown R. (2006) “Ainu Art and Culture – A call for respect”, in: Kyoto Journal n.63, pp.4-16 Moore J. “History of japanese jazz”, paper reperibile presso il seguente indirizzo: http://www.capi.uvic.ca/pubs/oc_papers/MOORE-JAZZ.pdf Nagai T. (1994) The Bells of Nagasaki, Kodansha International, Tokyo Nakagami K. (2001) The Cape and Other Stories from the Japanese Ghetto, Stone Bridge Press, Berkeley California Narumi K. (1994) “The electric Geisha”, in: Ueda A. (ed.) The Electric Geisha, Kodansha International, Tokyo-New York-Kyoto Nitschke G. (1994) “The Manga City” in: Ueda A. (ed.) The Electric Geisha, Kodansha International, Tokyo-New York-Kyoto Potter J. (2001) The Power of Okinawa, Roots Music from the Ryukyus, S.U.Press Robertson J. (1994) Takarazuka - Sexual Politics and Popular Culture in Modern Japan, University of California Press, Berkeley-Los Angeles-Londra Sakitani M. (2003) “Differentiation of Plural Distinct Regions in Kyushu and Honshu Islands of Japan”, in: Vox Propria, n.5, pp.45-52, Institute for Cross-Cultural Communication, Kobe Sumii S. (1989) The River with no Bridge, Charles E. Tuttle Company, Rutland Vermont-Tokyo Tokumaru Y. (2005) “Il ruolo della notazione musicale nel mondo non occidentale: il caso dell‟Estremo Oriente”, in: Enciclopedia della musica, vol. V – L’unità della musica, Einaudi, Torino Toop D. (1992) Rap, storia di una musica nera, EDT, Torino Yano C.R. (2000) “The Marketing of Tears”, in: Japan Pop!, Craig T.J. (a cura di), M.E.Sharpe, Armonk - Londra. Zakoda E. (2006) “Voice of the Ainu speaks to the People”, in: Asahi Shinbun del 22/5/2006 Zanarini G. (2002) “Il suono”, in: Il sapere musicale, Enciclopedia della musica, II Einaudi, Torino