Symposium program - MUSICA ANTICA A MAGNANO

XII INTERNATIONAL CLAVICHORD SYMPOSIUM
The Clavichord as a Pedagogical Instrument:
Past, Present and Future
Other Topics (history, restoration, building, etc.)
1 – 5 SEPTEMBER 2015
INTERNATIONAL CENTRE FOR CLAVICHORD STUDIES
Magnano (BI) – Italy
Cover picture:
Emanuel Handmann (1718 – 1781)
The Music Lesson (1769)
Oil painting
Kunstmuseum, Basel, Switzerland
ASSOCIAZIONE FESTIVAL MUSICA ANTICA A MAGNANO
Bernard Brauchli, President
XII INTERNATIONAL CLAVICHORD SYMPOSIUM
1 – 5 SEPTEMBER 2015
ORGANISED BY THE INTERNATIONAL CENTRE FOR CLAVICHORD STUDIES
CHAIRMEN
BERNARD BRAUCHLI
ORGANISATION COMMITTEE
Derek Adlam
Peter Bavington
Menno van Delft
Thérèse Brauchli
Alberto Galazzo
Judith Wardman
SPONSORS
ASSESSORATO ALLA CULTURA DELLA REGIONE PIEMONTE
FONDAZIONE WILLY BRAUCHLI
FONDAZIONE CASSA DI RISPARMIO DI BIELLA
COMUNE DI MAGNANO
PARROCCHIA DI MAGNANO
Musica Antica a Magnano
Via Roma 43
13887 Magnano (BI), Italy
Tel.: +39 346 8818386
Fax: +39 015 923 01 90
[email protected]
www.MusicaAnticaMagnano.com
BEN VEN U TO
È, come sempre, da più di vent’anni, con un gran piacere, che Vi accogliamo, Voi fedeli partecipanti, e Voi nuovi
venuti, a questo XII° Simposio, ma purtroppo anche con una profonda tristezza, siccome è la prima riunione senza la
collaborazione e la presenza calorosa e appassionata di Christopher Hogwood.
Benché, come sempre, aperto a tutti gli aspetti del clavicordo, quest’incontro è dedicato più particolarmente al ruolo
importante del nostro strumento nel suo aspetto pedagogico (passato, attuale, e futuro). La fondazione e la nascita di
molte iniziative dedicate al clavicordo, che si vedono apparire in tanti paesi in seguito a gli incontri e le
pubblicazioni di Magnano, dimostrano il ruolo internazionale che giochiamo in questa azione, ed è con una grande
soddisfazione che vediamo il risultato dei nostri sforzi.
La cornice ideale di Magnano, e l’accoglienza calorosa delle sue Autorità e della sua Popolazione, contribuiscono
per tanto a questo successo, e Le ringraziamo di cuore.
Un caloroso benvenuto a Voi tutti, con l’augurio di condividere, come sempre, questi giorni nell’atmosfera più
piacevole e ispiratrice!
Bernard Brauchli
W ELCOM E
It is, as always, for over twenty years, with great pleasure that we welcome you, faithful participants, and you,
newcomers, to this XIIth Symposium, but unfortunately also with deep sadness, as it is the first meeting without the
collaboration and the warm and passionate presence of Christopher Hogwood.
Although open to all aspects of the clavichord, this meeting is devoted more particularly to the important role of our
instrument in its educational aspect (past, present, and future). The foundation and the birth of many initiatives
dedicated to the clavichord, which have appeared in many countries as a result of the meetings and publications of
Magnano, demonstrate the international role that we play in this work, and it is with great satisfaction that we see the
result of our efforts.
The ideal setting of Magnano, and the warm welcome of its Authorities and its Population, account for much of this
success, and we thank them heartily.
A warm welcome to all of you, with the hope of sharing, as always, these days in the most pleasant and inspiring
atmosphere!
Bernard Brauchli
ASSOCIAZIONE FESTIVAL MUSICA ANTICA A MAGNANO
The Associazione Festival Musica Antica a Magnano was initially conceived to promote period-instrument concerts in the twelfth-century
Romanesque church of San Secondo and performances on the Giovanni Bruna organ, built in 1794 and housed in the parochial church of
Magnano. Over the years the activities organised by the Association have expanded to include courses in early keyboard performance
(clavichord, harpsichord, organ and fortepiano), as well as voice, recorder, baroque cello, baroque violin, lute and romantic guitar,
musicology and organology. A music library has been established and the restoration of the church of Santa Marta in Magnano is currently
under way and already serving as a cultural hall.
L’Associazione Festival Musica Antica a Magnano è un’organizzazione inizialmente concepita per proporre concerti di musica antica con
strumenti d’epoca e sull’organo costruito nel 1794 da Giovanni Bruna per la Chiesa parrocchiale di Magnano. Tale iniziativa si è
sviluppata nel corso degli anni promuovendo corsi sugli antichi strumenti a tastiera (clavicordo, clavicembalo, organo e fortepiano) e canto,
flauto dolce, violoncello barocco, violino barocco, liuto e chitarra romantica, musicologia e organologia. É stata creata una biblioteca ed è
in corso il recupero della Chiesa di Santa Marta, ma già utilizzata come spazio culturale.
THE INTERNATIONAL CENTRE FOR CLAVICHORD STUDIES
Officially established in 1996 by Bernard Brauchli and Christopher Hogwood as another of the activities of the Association, the Centre acts
as a catalyst for the promotion of the clavichord. Apart from the Symposium and the publishing of the Proceedings, the Centre hosts
workshops specifically dealing with building and performance. The Centre has also undertaken the publishing of music either written for the
clavichord or especially adaptable for that instrument.
Ufficialmente creato nel 1996 da Bernard Brauchli e Christopher Hogwood come nuova attività dell’Associazione, il Centro agisce come
catalizzatore per la promozione del clavicordo. Oltre il Congresso e alla pubblicazione degli Atti, il Centro ospita seminari specificamente
dedicati alla costruzione e all’interpretazione. Il Centro ha anche intrapreso l’edizione di musica scritta per il clavicordo o adatta a questo
strumento.
PARTICIPAN TS
DEREK ADLAM (England) – Keyboard instrument maker, Performer
STEPHEN BIRKETT (Canada) – Associate Professor, Dept. of Systems Design Engineering, University of Waterloo, Canada
BERNARD BRAUCHLI (Switzerland) – Performer, musicologist, President of Musica Antica a Magnano
NORBERTO BROGGINI (Switzerland) – Organist of the Temple des Eaux-Vives (Geneva), conductor of the Ensemble “Aqua Viva”
DALYN COOK (The Netherlands) – Student, Koninlijk Conservatory, Den Haag, The Netherlands
DAVID GERRARD (United Kingdom) – PhD Student, University of Edinburgh, Scotland
MARITTA HELIÖ (Finland) – piano and historical keyboard Professor, Jyväskylä Vocational Institute
ALFONS HUBER (Austria) – Uni.-Doz. Dr.; Kunsthistorisches Museum, Sammlung alter Musikinstrumente, Vienna, Austria
HELI KANTOLA (Finland) – Student at Sibelius Academy, Helsinki, Finland
ESTEBAN MARIÑO GARZA (Mexico) – Master’s degree student at the University of South Dakota (U.S.A.)
ANNA MARIA McELWAIN (Finland) – Performer, co-founder and artistic Director of the Nordic Historical Keyboard Festival
ALBERT MÜHLBÖCK (Austria) – Graduate CCM, Cincinnati (U.S.A.), performer
FABIO RIGALI (South Tirol, Italy) – Student, University of Göteborg
MARIANNE SIEGL (Austria) – Mag.: Kunsthistorisches Museum, Sammlung alter Musikinstrumente, Vienna, Austria
MEGUMI TANNO (Japan) – Performer, Master Degree at the Royal Conservatory in the Hague
JAMES TIBBLES (New Zealand) – Head of Early Music Studies at the University of Auckland. Artistic Director of Age of Discovery. Director of the
University’s Ensemble, Collegium Musicum, performer on historic keyboard instruments.
MICHAEL TSALKA (The Netherlands/Israel) – Performer, Artistic Director of the Geelvinck International Fortepiano Festival, Amsterdam
MENNO VAN DELFT (The Netherlands) – Performer, Professor at the Conservatory of Amsterdam, The Netherlands
ROB VAN HAARLEM (The Netherlands) – Performer
PEKKA VAPAAVUORI (Finland) – Dmus, Rector at Sibelius Academy, Kuopio, Finland
EIJA VIRTANEN (Finland) – Master of Music, Sibelius Academy 1997
ILTON WJUNISKI (France) – Professeur at the Conservatoire municipal du 17e arrondissement de Paris, performer
L ECTURES
(Chiesa di Santa Marta)
SCH ED U LE
WEDNESDAY, 2 SEPTEMBER
09:30
Welcome by Bernard Brauchli
MORNING LECTURES — Moderator: Derek Adlam
09:45
10:30
10:45
PEKKA VAPAAVUORI: “Clavichord – A Practice Instrument or a Device of artistic Expression”.
Pause
MICHAEL TSALKA: Sonatas by Anton Stefan (1726 – 1797).
13:30 to 14:45
In the Sacristy of the Chiesa di Santa Marta: DIAPORAMA (Bernard Brauchli): THE CLAVICHORD’S ICONOGRAPHY
(ca. 60 minutes).
AFTERNOON LECTURES — Moderator: Bernard Brauchli
15:00
15:45
16:30
16:45
_____
19:00
21:00
JOAN BENSON (read in absentia by Derek Adlam) — “Teaching with the Clavichord in Our Electronic World.”
DAVID GERRARD — “MIMEd 4460: “The Revival Clavichord in extremis”.
Pause
ANNA MARIA MC ELWAIN : Recital — Ludwig van Beethoven, Sonata in C major op. 2 no. 3 (Allegro con brio – Adagio –
Scherzo - Allegro – Allegro assai).
Dinner
Concert (Chiesa Romanica di San Secondo)
THURSDAY, 3 SEPTEMBER
MORNING LECTURES — Moderator: Menno van Delft
09.00
09:45
10.30
10:45
MENNO VAN DELFT, “The transcendental Clavichord – Instruments and Repertoire exceeding the F1 - f 3 Compass”.
FABIO RIGALI — “Soundboard Woods”.
Pause
MEGUMI TANNO — Recital: “Complaint at the Clavier”.
Carl Philipp Emanuel Bach (1714 – 1788), Fantasia in F sharp minor, Wq. 67
Josef Haydn (1732 – 1809), Andante with Variations in F minor, Hob. XII-6.
W. A. Mozart (1756 – 1791), Piano Sonata in C major, KV 330 (Allegro moderato, Andante cantabile, Allegretto).
13:30 to 14:45
In the Sacristy of the Chiesa di Santa Marta: DIAPORAMA (Bernard Brauchli): THE CLAVICHORD’S ICONOGRAPHY
(ca. 60 minutes).
AFTERNOON LECTURES — Moderator: Derek Adlam
15:00
15:45
16:00
ESTEBAN MARIÑO GARZA — “History, Technology and cultural Significance. The Clavichord from the National Museum of
Viceregal Period, Tepotzozllan, State of Mexico”.
Pause
EIJA VIRTANEN — Recital:
D. Buxtehude (1637 – 1707), Suite in D, Bux WV 233
J. S. Bach (1685 – 1750), Duetto in F, BWV 803
M. Puurtinen (1949 – ), Nocturno for the Clavichord (2014)
Louis J.-A. Lefébure-Wely, Bolero de Concert, op. 166
Joh. Fr. Agricola (1720 – 1774), Sonata in F
J. Clausells, Sonata in B flat
MARITTA HELIÖ — Recital:
Carl Philipp Emanuel Bach (1714– 1788), Sonata Wq. 57/2.
W. A. Mozart (1756 – 1791), Rondo in A, KV 511.
William Byrd (1540 – 1623) , Pavan & Galliarda in F.
EIJA VIRTANEN & MARITTA HELIÖ: Pekka Kostianen, Rasavilli Visaralli.
_____
19:00
Dinner
FRIDAY, 4 SEPTEMBER
MORNING LECTURES — Moderator: Bernard Brauchli
09:00
DEREK ADLAM — ‘“Morris Steinert”, – a Pioneer of the Clavichord Revival’.
09:45
STEPHEN BIRKETT — “Research on historical Brass Wire”.
10:30
Pause
10:45
ALFONS HUBER, with MARIANNE SIEGL — “Michael Praetorius’s Clavichord Italienischer Mensur”.
14:00
OPTIONAL EXCURSION: ‘“
19:00
Dinner
Wool Experience” at the Lanificio F.lli Botto, Miagliano’.
F REE E VENING
SATURDAY, 5 SEPTEMBER
MORNING LECTURES — Moderator: Alfons Huber
09:00
ILTON WJUNISKY — The Case of Johann Kaspar Ferdinand Fischer’s ‘Ariadne Musica’ (1702?): the clavichord as an
instrument for the performance and pedagogy of its twenty short preludes and fugues in several tonalities and of its five Ricercar.
09:45
NORBERTO BROGGINI — “Arrangements for two Keyboard Instruments of J. S. Bach Organ Trio-Sonatas”.
10:30
Pause
HELI KANTOLA — Recital:
Georg Böhm (1661 – 1733), Suite Bo. 7 in F major (Allemanda – Courante – Sarabanda/Double-Gigue)
Carl Philipp Emanuel Bach (1714 – 1788), Fantasia II in C, Wq 61/6 (from “Clavier-Sonaten für Kenner und Liebhaber” (1787)
Domenico Scarlatti (1685 – 1757), Sonate in d minor K. 213 and in G major K. 146
10:45
AFTERNOON LECTURES — Moderator: Bernard Brauchli
15:00
JAMES TIBBLES — “Clavichord study as a pathway to musical expressivity in related keyboard instruments”
15:45
JAMES TIBBLES — Recital:
J. S. Bach (1685 – 1750), Capriccio sopra la lontananza del suo fratello diletissimo, BWV 992.
C. P. E. Bach (1714 – 1788), Sonata 2 (6th coll., 1787).
E. Wolf (1735 – 1792):, Sonata 2 in E♭, from Sechs Sonaten,(Leipzig, 1789)
Allegro con spirit – Adagio – Allegro.
D. G. Türk (1750 – 1813), Sonata 6 in G, HedT 98.2.6.
Allegro di molto – Grave – Rondeau (poco allegro).
16.15
OPEN DISCUSSION AND CLOSING STATEMENTS (Derek Adlam, Bernard Brauchli, and Menno van Delft)
_______
19:00
21:00
Dinner
Concert (Chiesa Romanica di San Secondo)
E VENING P ERFORMANCES
(Chiesa Romanica di San Secondo)
WEDNESDAY, 4 SEPTEMBER, 21:00
ILTON WJUNISKI
Joh. Kaspar Ferdinand Fischer (ca. 1665 – 1746)
ARIADNE MUSICA (1702?/1715)
Venti Preludi e breve Fugue in tutte le Tonalità
Praeludium I /Fuga
Praeludium II /Fuga
Praeludium III / Fuga
Praeludium IV / Fuga
Praeludium V / Fuga
Praeludium VI / Fuga
Praeludium VII / Fuga
Praeludium VIII / Fuga
Praeludium IX / Fuga
Prraeludium X / Fuga
Praeludium XI / Fuga
Praeludium XII / Fuga
Praeludium XIII / Fuga
Praeludium XIV / Fuga
Praeludium XV / Fuga
Praeludium XVI / Fuga
Praeludium XVII / Fuga
Praeludium XVIII / Fuga
Praeludium XIX / Fuga
Praeludium XX / Fuga
⎯⎯ INTERMISSION ⎯⎯
NORBERTO BROGGINI & MICHAEL TSALKA”
Trio Sonata BWV 527
Trio Sonata BWV 528
Trio Sonata BWV 530
Johann Sebastian Bach (1685 – 1750)
THURSDAY, 4 SEPTEMBER, 21:00
ROB VAN HAARLEM
“PREPARING FOR SUNDAY’S SERVICE”
Fantasia, part 1: Très vivement, BWV 572.
Johann Sebastian Bach (1685 – 1750)
Kleines Harmonisches Labyrinth, BWV 591 (Introitus, Centrum, Exitus).
Johann Sebastian Bach
Das Holsteinisches Orgelbüchlein: Passacaglia.
Intermezzi, Book I: 1, 2 and 3.
Partita Ach wie nichtig, ach wie flüchtig.
For Emily and Kip.
Hans Friedrich Micheelsen (1902 — 1973)
Hendrik Andriessen (1892 – 1940)
Georg Böhm (1661 – 1733)
James Woodman, 1957
DALYN COOK
Musical Portraits
Plainte faite à Londres pour passer la Melancholie, portrait of an emotion
From “Petites Pièces pour le Clavecin”, portraits of friends:
La Caroline — L’Herrmann — La Buchholz — L’Aly Rupalich
From Sonata in C major, K. 309, Portrait of Rosa Cannabich (Andante un poco adagio)
Fantasy in F-sharp minor, H. 300, self-portrait
Johann Jakob Froberger Bach (1616 – 1667)
Carl Philipp Emanuel Bach (1714 – 1788)
Wolfgang Amadeus Mozart (1756–1791)
Carl Philipp Emanuel Bach
⎯⎯ INTERMISSION ⎯⎯
MICHAEL TSALKA
From Six Sonatas for the Harpsichord, Op. 2
Sonata No. 1 in D Major : I. Allegro Spiritoso / II. Andante / III. Allegro assai
Sonata No. 2 in F Major : I. Allegro / II. Andante Gratioso (editor’s spelling) /
III. Menuet and Trio / IV. Allegro
Sonata No. 3 in C Major : I. Allegro Moderato / II. Menuet and Trio / III. Allegro
Sonata No. 4 in G Major : I. Allegro Molto / II. Andante Cantabile /
III. Pollonese (editor’s spelling) / IV. Allegro assai /
V. Tempo di Menuet
Josef Anton Steffan (1726 – 1797)
SATURDAY, 5 SEPTEMBER, 21:00
ALBERT MÜHLBÖCK
Ludwig van Beethoven and his teacher Christian Gottlob Neefe
Rondo Op. 51 no. 2 in G major (1797), Andante cantabile e grazioso.
Ludwig van Beethoven
(1770 – 1827)
Fantasia in F minor (1798?),
Grave – Adagio – Allegretto – Allegro di molto – Andantino– Largo –
Allegretto – Più Allegro – Adagio – Coda (Allegro di molto).
Christian Gottlob Neefe
(1748 – 1798)
NORBERTO BROGGINI
Anonymous Keyboard Pieces from the Franciscan Monastery of Aránzazu Archive
(Basque Country, Spain)
Sonata ms 968 I (Adagio / Allegro).
Sonata ms 968 II /Allegro / Largo).
Folías de España con Variaciones, ms . 396.
⎯ ⎯ I N T E R M I S S I O N ⎯ ⎯
MENNO VAN DELFT
“Kraemer versus Kraemer”,
A welcome back to Iohann Paul Kraemer’s Clavichord # 571 (Göttingen, 1803).
Works of W. F. Bach, C. F. C. Fasch, J. W. Hässler, and others (to be announced).
Sponsored by
Via Roma 43
13887 MAGNANO (BI), Italy
www.MusicaAnticaMagnano.com
[email protected]
Tipografia Gariazzo M. di Gariazzo B. & C. s.n.c. – Vigliano Biellese