3 - Jukka Tiensuu

Transcript

3 - Jukka Tiensuu

Jukka Tiensuu:
Hehkuu (2014)
for Sheng and Ensemble
Jukka Tiensuu:
Hehkuu (2014)
Setup: The ensemble must be positioned in the following way, leaving ample space in the middle:
a concerto for Sheng and Ensemble
Instrumentation:
Sheng solo
flute
oboe
clarinet in Bb
bass clarinet
bassoon
horn in F
trumpet in C
trombone in Bb/F/E
vibraphone
harp
piano
violin 1
violin 2
viola
cello
duration ca. 20'
Notation
General:
(Tempi) in parenthesis indicate a "passing" tempo (like in the middle of accel./rall.).
Accidentals are used as in traditional notation: they apply till the end of the bar and any accidental, including a
micro-tonal one, cancels the previous accidental. Accidentals are occasionally repeated for clarity and to
facilitate reading.
Rhythms are to be taken literally (important for the many passages based on complimentary rhythms).
All trills should be played as fast as possible. On mordents (
) play 4-5 notes whenever possible.
Dynamics for the harmonics of the piano and for the harp in general are written louder (action notation) than for
the rest of the ensemble (result notation), aiming at a better balance between the instruments.
Glissandi: The glissandi are played continuously during the indicated time (not portamento), although some
expression through change of speed is encouraged. Note stems without heads in the middle of a glissando are for
orientation only. A small stemless note head at the end of a glissando indicates the (approximate) ending pitch
only and is not to be articulated separately.
s.v.
senza vibrato
─
tenuto, play note to the full written length (only, no accent is intended).
o
xz ut
diminuendo al niente, continue the diminuendo until the sound disappears completely. Do not try to
"refresh" the sound to reach the notated ending point, if the sound wants to disappear gracefully
already a little before.
A quarter-tone sharp and flat, and a sixth-tone (harmonic vs. ET minor 7th) sharp and flat, respectively.
bars 129-139: molto vibrato more like small glissandi up & down. All players preferably at the same (2-3 Hz) speed.
bars 114-127 and 168-176: all sfp should be equally loud (balance between the instruments).
Specific:
Harp's E and B are tuned a quarter-tone flat. Pedal positions # n f are indicated as x
and bottom octaves need not be tuned as they are not used in the piece.)
Piano Use pedal only where indicated.
z zf respectively.
(The top
Diamond-shape note heads indicate harmonics. They are always written at the sounding pitch. (When played
on the piano: Before the perfomance, mark the needed harmonic nods accurately on the bass strings with e.g.
narrow strips of masking tape. When playing, press down the indicated key with the left hand while touching the
string on the indicated harmonic nod with the right hand. As soon as the hammer hits the string, remove your
finger from the string. Timing is crucial, when pursuing for a harmonic sound as brilliant as possible, while
minimizing the (non-wanted) sound of the string's fundamental.)
Hehkuu is commissioned by the Ensemble intercontemporain
l.v.
Let (strings) vibrate as long as convenient (do not damp). On piano: keep the keys pressed down, do
not use pedal. l.v. ends at ord. or at a written pause.
2
fl
1 R ~ 40 Eccitante
ob
bcl
con sord.
tpt
with contrabass bow
Motor OFF
vib
E and B tuned ¼-tone down
hp
v.2
vc
S.
cl
bsn
hn
tne
pf
v.l
va
R ~ 40 Eccitante
Hehkuu
a concerto for sheng and ensemble
Jukka Tiensuu 2014
( R ~ 60)
10 poco a poco accel.
R ~ 40
R ~ 60
accel. poco a poco
R ~ 60
accel. poco a poco
fl
piu
ob
piu
bcl
piu
senza sord.
tpt
piu
Motor ON SLOW
vib
hp
v.2
piu
vc
piu
poco a poco accel.
S.
( R ~ 60)
R ~ 40
cl
piu
bsn
piu
hn
piu
tne
piu
pf
v.l
piu
va
piu
3
4
17
fl
( R ~ 80)
rall. molto
z
z
z
z
x
z
z
z
( R < 10)
R ~ 40 Appassionato
z
piu
ob
piu
bcl
piu
tpt
piu
mallets
vib
l.v.
hp
x
x
x
x
z
x
x
x
poco
s.v.
z
z
v.2
z
cantando
piu
(ma senza vibr.)
z
z
vc
piu
S.
( R ~ 80)
( R < 10)
rall. molto
cl
x
z
z
z
x
z
z
z
R ~ 40
z
piu
bsn
piu
hn
piu
tne
piu
(11.)
l.v. (senza Ped.)
z
m.d.
z
pf
m.s.
8ba
v.l
z
z
z
z
piu
va
piu
R ~ 40 Appassionato
8ba
z
z
5
24
z
z
fl
ob
bcl
tpt
with two cb bows
(motor ON slow)
vib
hp
z
z
x
z
z
z
z
z
z
z
s.pont.
v.2
z
x
x
s.v.
s.pont.
vc
z
cantando
z
(ma senza vibr.)
S.
(
cl
)
x
z
bsn
hn
tne
z
z
z
z
x
x
z
pf
8ba
8ba
8ba
8ba
8ba
s.v.
v.l
z
s.pont.
x
z
x
z
cantando
(ma senza vibr.)
s.pont.
s.v.
x
va
cantando
(ma senza vibr.)
x
x
x
6
34
z
fl
z
z
ob
bcl
tpt
mallets
vib
z
z
z
z
x
hp
x
x
z
z
x
z
z
z
z
z
z
z
z
(l.v.)
ord. s.v.
s.pont.
v.2
z
z
ord. s.v.
s.pont.
vc
z
cantando
(quasi accel...
z
(ma senza vibr.)
...rall.)
S.
z
cl
x
bsn
hn
tne
x
x
z
z
z
z
z
z
z
z
x
x
8ba
8ba
z
z
pf
8ba
8ba
8ba
8ba
ord. s.v.
v.l
z
x
x
z
3
ord. s.v.
va
x
x
z
x
3
z
3
43
accel. poco a poco
R ~ 54 Ardente
7
sempre accel. p. a p.
fl
ob
bcl
con sord.
tpt
bows
vib
hp
ord.
v.2
ord.
vc
accel. poco a poco
R ~ 54 Ardente
sempre accel. p. a p.
etc. accel. al...
S.
cl
bsn
hn
tne
pf
s.pont.
ord.
s.pont.
ord.
v.l
va
R = 88-96
8
53
fl
piu
subito
( )
subito
( )
ob
piu
bcl
subito
piu
tpt
subito
piu
mallets Motor OFF
vib
subito
secco
hp
subito
v.2
piu
subito
piu
subito
( )
vc
R = 88-96
S.
cl
piu
subito
( )
bsn
piu
subito
piu
subito
piu
subito
hn
con sord.
x
tne
pf
subito
v.l
piu
subito
( )
piu
subito
( )
va
58
9
ritmi precisi
3
fl
3
leggero
3
3
meno
3
ob
leggero
3
3
3
meno
3
tpt
3
leggero
3
v.2
leggero
3
3
3
vc
ritmi precisi
S.
3
3
( ) leggero
3
3
meno
cl
3
3
leggero
3
3
3
v.l
leggero
3
3
3
3
va
leggero
3
3
3
64
3
3
3
3
3
3
3
fl
3
piu
3
3
3
3
3
3
3
ob
3
piu
3
3
3
3
3
S.
3
piu
3
3
3
3
3
3
3
cl
piu
3
3
10
70
3
3
3
3
3
3
3
3
3
3
3
3
3
fl
3
3
3
3
3
3
ob
3
3
3
3
3
3
3
3
3
3
3
3
S.
3
3
3
3
3
3
cl
fl
/
ob
tpt
/
v.2
vc
/
/
/
/
/
3
3
3
3
brillante
brillante
3
/
3
3
3
brillante
/
/
R ~ 108
poco accel.
brillante
3
/
/
3
/
/
/
/
ritmi precisi sempre
/
/
/
76
brillante
3
S.
cl
/
/
/
/
brillante
/
v.l
/
/
3
3
/
3
va
/
/
/
/
3
brillante
3
brillante
3
fl
ob
11
molto rall.
82 /
/
R ~ 30
bcl
tpt
R ~ 48
/
vib
hp
v.2
xx
xx
xx
/
/
vc
S.
cl
( R ~ 54)
/
( R ~ 36)
( R < 20)
bsn
hn
senza sord.
tne
pf
v.l
va
/
/
R ~ 30
R ~ 48
12
89
mallets
Motor ON SLOW
vib
( )
(l.v.)
hp
x
x
x
x
x
x
x
x
x
x
quasi nocturne
x
x
x
x
x
(through small glissandi produce beats ad lib.)
(keep E, gliss. on D#)
S.
(
z
z
z
z
z
z
)
z
z
z
z
z
z
pf
(senza Ped.)
104
vib
( )
(upper g-flat ord.)
x
x
hp
x
z
x
x
zx
x
z
zx
x
z
z
z
zx
p. a p. meno vibr.
(vibrato sempre)
S.
zz
pf
zz
z
z
z
R ~30
113
s.v.
z
13
x
z
x
fl
s.v.
x
x
t
ob
s.v.
con sord.
tpt
motor OFF
vib
z
z
hp
(on string)
s.v.
v.2
(on string)
s.v.
vc
R ~ 30
(non vibr.)
x
S.
languido
s.v.
t
cl
t
x
t
x
x
pf
t
(on string)
s.v.
v.l
(on string)
s.v.
va
14
121
z
x
fl
ob
x
x
x
con sord.
tpt
vib
v.2
vc
xx
tt
z
t
S.
languido
cl
x
v.l
x
zz
va
127
128
(Cadenza 1)
S.
(sombre chordal processes)
fl
~ 60
129 R
15
R ~ 48 / 60
accel.
ob
molto vibrato (slow)
bcl
tpt
bows
motor ON SLOW
vib
hp
v.2
vc
R ~ 60
R ~ 48 / 60
accel.
S.
cl
bsn
hn
con sord.
tne
pf
v.l
va
16
( R ~ 69/88)
138
fl
ob
ord.
bcl
ord.
tpt
vib
hp
ord.
v.2
ord.
vc
( R ~ 69/88)
S.
ord.
cl
ord.
bsn
ord.
hn
ord.
tne
pf
secco
ord.
v.l
ord.
va
/
144
fl
/
/
ob
R ~ 108 rall. molto
/
/
3
/
/
3
brillante
3
3
brillante
3
bcl
tpt
/
/
/
v.2
vc
/
/
/
/
3
/
/
/
3
3
brillante
/
/
3
brillante
/
3
3
R ~ 108 rall. molto
S.
cl
/
/
/
/
brillante
3
3
bsn
hn
tne
/
v.l
/
/
/
/
3
va
/
/
/
/
brillante
3
3
brillante
3
17
18
( R < 40)
150
fl
accel. molto
R ~ 88
ob
bcl
/
tpt
/
v.2
/
vc
( R < 40)
S.
/
cl
bsn
/
hn
/
tne
/
v.l
/
va
/
accel. molto
R ~ 88
19
156
fl
ob
bcl
senza sord.
tpt
v.2
vc
molto rall.
S.
cl
bsn
hn
tne
v.l
va
R ~ 40
162
Senza tempo 30"-60"
163
l.v.
(high glissandi with beat etc.)
(e.g. keep E, gliss on D#)
....
(Cadenza 2)
S.
release keys as indicated
(start cadenza slowly, speed up)
(use also crossing gliss. ad lib.)
....
R ~ 40
165
accelerando ad lib.
R ~ 20
20
R ~108 ritmi esatti
s.v.z
x
z
168
x
x
fl
s.v.
x
x
t
x
ob
bcl
con sord.
s.v.
t
tpt
mallets
motor OFF
vib
hp
(on string)
s.v.
v.2
(on string)
s.v.
xx
vc
R ~108 ritmi esatti
x
S.
passionato
s.v.
t
t
cl
(m) passionato sempre
x
z
t
bsn
hn
tne
pf
(on string)
s.v.
x
t
v.l
(on string)
s.v.
va
x
173
21
x
z
x
x
z
fl
x
t
x
ob
bcl
tpt
vib
hp
z
v.2
xx
vc
(poco l.v.)
S.
cl
t
x
z
t
bsn
hn
tne
pf
x
t
v.l
x
va
t
22
R ~ 60
180
fl
poco a poco accel.
s.v.
s.v.
ob
s.v.
bcl
s.v.
tpt
bows
motor OFF
vib
hp
s.v.
v.2
s.v.
vc
(strong syncopated thrusts)
(repeat in free rhythm ad lib.)
R ~ 60
poco a poco accel.
non vibrato
S.
s.v.
cl
s.v.
z
x
z
x
bsn
s.v.
hn
con sord.
s.v.
tne
x
z
x
z
z
x
x
z
pf
s.v.
v.l
s.v.
va
fl
23
R ~ 108
186( R ~ 80)
z
ob
bcl
senza sord.
tpt
mallets
vib
hp
z
v.2
vc
S.
cl
R ~ 108
( R ~ 80)
z
x
z
z
z
z
z
z
x
z
x
x
x
x
x
x
x
x
z
z
z
z
z
z
z
x
z
z
z
z
z
z
z
z
x
x
x
x
x
x
z
x
z
z
z
z
z
z
bsn
hn
tne
pf
v.l
va
senza sord.
24
192
R ~ 60
z
fl
z
z
bcl
z
z
tpt
z
z
ob
accel.
vib
(l.v.)
hp
z
zz
z
x
xxx
z
z
z
z
z
v.2
z
vc
z
R ~ 60
S.
cl
bsn
hn
z
z
z
z
z
z
z
accel.
z
tne
z
z
(11.)
pf
8ba
8ba
secco
z
z
z
z
v.l
va
z
z
fl
25
202 R ~ 96
3
3
3
3
ob
bcl
cresc.
tpt
vib
hp
v.2
vc
S.
R ~ 96
cresc.
3
3
3
cl
cresc.
bsn
cresc.
hn
cresc.
tne
cresc.
pf
v.l
va
cresc.
3
26
208
3
3
3
3
fl
3
3
3
3
ob
3
3
3
3
S.
3
3
3
3
cl
3
215
3
3
3
3
3
3
3
3
3
3
3
fl
3
piu
3
3
3
3
3
3
3
3
3
3
3
3
ob
3
piu
3
3
3
3
3
3
3
3
3
3
3
S.
piu
3
3
3
3
3
3
3
3
3
3
3
3
cl
3
piu
3
3
3
220
3
3
fl
3
3
3
ob
3
3
3
3
S.
3
cl
3
3
3
3
3
3
3
3
224
(
. . etc.)
226 R ~ 132-138
ca. 30"-60"
(Cadenza 3)
( ) ( )
( )
S.
keep up the intensity ("drive")
throughout the cadenza
6"bird-calls" 6 Shui-tu 6 Hu-she
27
3
( )
optional tremolo (Hu-she)
(poco a poco meno tremolo)
sempre
cresc.
233
fl
cresc.
ob
bcl
(senza sord.)
tpt
v.2
cresc.
vc
cresc.
S.
cl
bsn
hn
(senza sord.)
tne
v.l
cresc.
va
cresc.
5
28
240
fl
R ~ 108
R ~ 48
R ~ 108
R ~ 48
ob
bcl
tpt
vib
hp
v.2
vc
S.
( ) lontano
cl
bsn
hn
tne
pf
v.l
va

3 - Jukka Tiensuu

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