Twelve Italian Songs

Transcript

Twelve Italian Songs
Twelve Italian Songs
by Albinoni, Caccini, Caldara, Carissimi, da Gagliano, Giordani,
Lotti, Melani, Monteverdi, Pergolese, Pesenti, and Stradella
Arranged by Peter Billam
For guitar accompaniment
© Peter J Billam, 1979
This score may be freely photocopied, and redistributed
in paper form. It may be freely performed to live audiences;
performing rights are waived. It may not be redistributed in
electronic form, and all other rights, such as those of recording
and broadcast, remain reserved by the arranger, Peter Billam,
GPO Box 669, Hobart TAS 7001, Australia.
This printing 2 January 2010.
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Twelve Italian Songs, for voice and guitar
These arrangements were made when I was a guitarist, accompanying the Swiss tenor
Franz Anderegg in the late 1970’s.
Page
3
Amarilli, Giulio Caccini (1550-1618), from Le nuove musiche di Giulio Caccini
detto Romano, Firenze, Marescotti, 1601
6
Ruscelletto Limpidetto, Tomaso Albinoni (1674-1745), Bibl. del Conservatorio,
Firenze. Ms D. 772 I, f. 63−65
8
Come Raggio de Sol, Antonio Caldara (1670-1716)
10
Vittoria, Vittoria, Giacomo Carissimi, Bibl. Estense, Modena. Ms, Mus. G. 28.
12
Caro mio Ben, Tommaso Giordani
14
Pupille Arciere, Giovanbatista da Gagliano, from Varie Musiche di Giovanbatista
da Gagliano, Libro Primo, Venezia, Alessandro Vincenti, 1623 (Espl. Bibl. Naz
Firenze)
15
Pur Dicesti, Antonio Lotti
18
Vezzosa Aurora, Alessandro Melani, Biblioteca Laurenziana, Firenze. Ms Ashb
1452, f. 13−16
20
Nina, attributed to Giovanbatista Pergolese (1710-1736), in fact written by
Legrenzio Vicenzo Ciampi (1719 - ?)
22
Lamento D’Arianna, Claudio Monteverdi, Bibl. Naz. Firenze. Ms Cl. XIX, 114,
pp. 18−19. Aria dall’ opera Arianna (1608)
23
O Biondetta Lasciavetta, Martino Pesenti, from Arie a voce sola del Signor Martino Pesenti, Libro Terzo, Venezia, Alessandro Vincenti, 1636 (Espl. Bibl. S.
Cecilia, Roma, p. 17)
24
Cosi Amor me fai Languir, Alessandro Stradella (1645-1681), from Bibl. Marciana, Venezia. Ms Ital. IV. 466, pp 57−62 or Bibl. Reale, Copenhagen. Ms C I c
530, pp 49−50
Peter J Billam, www.pjb.com.au
Giulio Caccini
3
Amarilli
Adagio
4
4
A
−
ma
− ril
−
li ,
mia
bel
−
o:
−
la ,
non
d’es
−
cre − di, o, del
mio
4
4
6e en Re
cor
dol
l’amor mi
−
−
−
ce de − si
o.
Cre
−
−
di lo
ser
pur
tu
−
e se ti −
cresc . . .
− mor
t’as − sa
−
le ,
pre
−
di
questo
mio stra
−
le ,
dim . . .
a
−
pri m’il
pe
−
to e vedrai
scrit − to in
co
−
f
arrangement (c) 1979 Peter J Billam
Free from www.pjb.com.au !
4
Amarilli, Giulio Caccini
p
mp
re :
A − ma − ril
3
3
3
−
−
−
li ,
A − ma −
legato . . .
cresc . . .
mf
mf
− ril
−
−
−
li ,
A − ma − ril
cresc . . .
−
−
li e’il mio a −
ff
dim . . .
mp
−
mo
−
pur ,
pre
e
−
ndi que
re !
se ti −
mor
− sto mio
stra
arrangement (c) 1979 Peter J Billam
Cre
t’as −
−
molto rit . . .
tempo
sa
le ,
le ,
−
a
−
−
−
−
di lo
prim’ il
Free from www.pjb.com.au !
5
Amarilli, Giulio Caccini
p
pet
−
−
to e vedrai
scrit − to in
co
−
re :
A − ma −
mp
− ril
−
−
ri ,
A − ma − ril
−
−
mf
li ,
A − ma − ril
cresc . . .
−
li e’il mio a − mo
ff
−
−
dim . . .
pp
re ;
A
molto rit . . .
−
mo
−
ma −
ril
accell . . .
−
f
arrangement (c) 1979 Peter J Billam
−
−
li
e’l mio a −
tempo
−
−
−
re .
4
1
pp
3
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!
6
Tomaso Albinoni
Ruscelletto Limpidetto
Andante
3
2
0
3
1
4
3
0
3
1
3
4
6 en Re
4
4
1
4
2
2
0
2
3
2
1
2
4
3
2
2
mf
Ru − scel
−
let − to
vie − ne ,
non
vez − zo −
sa .
− let − to
li − mpi −
la
li − mpi −
fa
−
to ,
vez − zo −
quando
sa ,
I−
re − ne a
non
la
te sen ’
fa
così
Ru − scel −
det − to ,
no ,
arrangement (c) 1979 Peter J Billam
così
det
quando
non la
I−
re − ne a
fa
così
te
sen ’
vez − zo −
vie − ne ,
za .
Free from www.pjb.com.au !
7
Ruscelletto Limpidetto, Tomaso Albinoni
p
no ,
non la
fa
così
vez − zo −
za .
p
FIN
la
fi − a
Se co −
po −
no − sce i
i
pre − gi
più cru −
de −
suo
−
i
con gl’ a −man − ti el −
le e più ri − tro
−
sa ,
mf
con gl’ a − man − ti el −
ri − tro −
sa ,
arrangement (c) 1979 Peter J Billam
la
fi − a
po −
più cru − de −
i
le e più
più cru −
ri − tro −
de − le e più
sa ,
Free from www.pjb.com.au !
8
Antonio Caldara
Come Raggio di Sol
3
4
Co − me raggio di
3
4
sol ,
mi − te e
mi − te e
se −
re
dim . . .
po
−
se
−
re − no ,
no ,
Co − me raggio di
sol ,
sovra
pla
−
flut
men
−
tre
cidi
−ti
si ri −
sf
−
sa ,
men − tre del ma − re ,
del
ma − re
nel pro −
cresc . . .
fon
−
do
arrangement (c) 1979 Peter J Billam
se
−
no
sta la tem −
pe
−
Free from www.pjb.com.au !
9
Come Raggio di Sol, Antonio Caldara
f
−
sta
Co − sì
− ten − to
− gre − to
si
marto
di
il
ri
a
−
so ta −
gioaj un vol − to in −
cor pia − ga
−
arrangement (c) 1979 Peter J Billam
−
ra
sco
−
ler ,
fio
ga − jo e pa − ca
− ra ,
−
−
sa !
−
−
−
to ,
di
con −
men − tre
nel suo se −
to
s’an − goscia e
!
Free from www.pjb.com.au !
10
Giacomo Carissimi
Vittoria, Vittoria
Allegro
3
4
Vit − to − ria , Vit − to − ria ,
Vit −to − ria , Vit − to − ria ,
mio cuo
−
re !
Non
3
4
6e en Re
la −
grimar
ser
−
più ,
vi − tu ,
non
la −
grimar
Vit −
to − ria ,
Vit −
più ,
e
sciolta
to − ria ,
mio
cuo
d’A − mo − re
−
re !
la
Non
,
rit . . .
tempo . . .
la −
grimar
scio
−
ser
−
più ,
e
rit . . .
sciolta
−
−
vi − tu .
−
Gia
d’A − mo − re
−
l’empia a tuoi
−
la
tempo . . .
ser
−
dan − ni fra
−
−
ta
vi − tu ,
e
d’A − mo − re la
stuo − lo di
sguardi , con
f
arrangement (c) 1979 Peter J Billam
Free from www.pjb.com.au !
11
Vittoria, Vittoria, Giacomo Carissimi
vezzi
bu −
hanno
−
do
cuo
sciolta
più
−
giardi
di −
lo
−
re !
−
spose
gl’in − gan
co ,
del
−
ni ,
crudo
suo
Vit − to − ria , Vit − to − ria ,
re !
Non
d’A − mo − re
la
la − grimar
ser
−
le
più ,
fuoco
gliaf − fanni
e
speto
non
l’ar −
Vit − to − ria , Vit − to − ria ,
non
vi − tu ,
frodi
e
la − grimar
scio
−
mio
più ,
e
−
−
,
−
−
arrangement (c) 1979 Peter J Billam
−
−
−
ta
d’A − mo − re
la
ser
−
vi − tu .
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12
Tommaso Giordani
Caro mio ben
Largetto
4
4
4
1
4
1
4
4
1
3
4
4
4
4
2
p
Ca − ro mio ben ,
cre − di mi al − men ,
cor .
te
Ca −
lan −
gui −
sen − za di
ro
mio
te
ben ,
za di
ces −
sa cru −
f
cresc . . .
arrangement (c) 1979 Peter J Billam
sen −
sce il cor .
p
Il
lan − guisce il
tuo fe − del
so −
pira o−
gnor ,
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13
Caro mio ben, Tommaso Giordani
cresc . . .
del
tan
− to
ri
−
gor ,
dim . . .
ces −
sa cru − del
pp
− gor ,
tan
− to ri −
gor ,
men ,
Ca −
ro mio
ben ,
cre −
di mi al −
Ca −
ro mio
p
sen − za di
te
lan −
gui
−
sche il cor .
pp
cresc . . .
ben ,
ro ri −
cresc . . .
mf
−
tan −
cre
−
di mi al − men ,
sen
− za di
te
p
lan
−
gui −
sche il cor .
4
arrangement (c) 1979 Peter J Billam
4
4
4
Free from www.pjb.com.au !
14
Giovanbatista da Gagliano
Pupille Arciere
Allegretto
4
4
Pu
O
Io
− pil −
lu −
per
le ar −
ci a −
voi
cie − re ,
ma − te ,
sen − to
pu −
lu −
gra −
pil
ci
ve
− le
be
tor
ne − re ,
− a −
te ,
− men − to ,
4
4
reg − gio al − ber
chieg − gio me
cru − del − lis
voi
Da
Pur
−
−
−
quel − le
− te − me a −
v’a − mo e −in
che
non
ver −
sa −
più
so
arrangement (c) 1979 Peter J Billam
e
tor
fo
gio d’A −
rce − de
si − mi
se − te ,
i −
ta ,
tan − to ,
−
−
−
ta
men
nta
−
−
−
mo
anch’
lu
−
re ,
io ,
mi .
−
che
da
d’a −
te il co
to, o Di
ne e fiu
tra
te
mo
−
−
−
−
−
−
fig − ge − re ,
mi vi − ta ,
ro pia − nto ,
re .
o.
mi .
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Antonio Lotti
15
Pur Dicesti
Grazioso
2
4
Pur
di −
ce −
sti , o
bocca , bocca
bel − la , o
bocca , bocca
bel − la ,
" si " ,
che
sul D . . .
quel
tut
so − a
− to
il
mio
−
ve e ca
pla −
cer ,
Pur
arrangement (c) 1979 Peter J Billam
− ro
" si " ,
il
di −
mio
pla −
cer .
ce −
sti , o
bocca , bocca
fa
bel − la , o
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16
Pur Dicesti, Antonio Lotti
bocca , bocca
bel − la ,
quel
so − a
mio
pia − cer
− cer ,
tut
−
−
quel
ve e ca
−
−
so − a
il
mio
pia − cer
pia −
cer .
−
ro " si " ,
−
quel
to
so − a
ve e ca
−
ro
fa
il
ro " si " , " si " ,
−
" si " , " si " ,
tut
− ,
−
−
−
che
−
−
ve e ca
− to
il
mio
pia −
che
fa
−
,
il
tr
mio
arrangement (c) 1979 Peter J Billam
Free from www.pjb.com.au !
17
Pur Dicesti, Antonio Lotti
2a
_________
_________
1a
FIN
− nor
−
di
sua
prì ,
dol − ce
fa −
con
fen
cel − la
un
−
te
ba
del
go −
con
−
un
ba
cio A −mor
der !
Per
−
t’a
Ah −
o−
cio A −
mor
−
t’a −
prì ,
−
−
sul D . . .
f
−
arrangement (c) 1979 Peter J Billam
−
−
− ,
rall . . .
sì
del
go
−
der !
Free from www.pjb.com.au !
18
Alessandro Melani
Vezzosa Aurora
Andante
mp
dolce
3
4
Vez − zo − za Au −
Al − ba
gen −
3
4
mp
−
−
Vez − zo − za Au − ro − ra ,
Al − ba
gen − ti − le ,
ro − ra ,
ti − le ,
deh ,
af
−
deh , sor −gi ,
af − fret − ta il
e il pra
chè il mon
−
−
sor
fret
sì ,
piè ,
to il
do è
arrangement (c) 1979 Peter J Billam
−
−
−
−
E il pra − to−in do
Chè il mon − do è vi
do
vi
−
−
−
−
−
−
−
−
gi ,
ta ,
−
−
−
−
ra,
le ,
ra,
le ,
Free from www.pjb.com.au !
19
Vezzosa Aurora, Alessandro Melani
il
il
pra − to in − do − ra
mon −do e
vi − le
por − tan −
sen − za
do il −di .
di
te.
− ro − ra ,
− ti − le ,
deh , sor
af − fret
−
−
Vez − zo − za Au −
Al − ba
gen −
Vez −zo − za Au − ro − ra ,
Al − ba
gen −
ti − le ,
−
−
gi
ta il
gi !
ta !
sì ,
piè ,
arrangement (c) 1979 Peter J Billam
sì ,
pie ,
Vez − zo
Al − ba
deh ,
af −
− sa Au −
gen −
sor
fret
ro −
ti −
Vez − zo − sa Au − ro − ra ,
Al − ba
gen − ti − le ,
−
−
ra ,
le ,
−
−
deh ,
sor
af − fret
deh , sor
af − fret
−
−
gi ,
ta il
−
−
gi ,
ta il
sì !
piè !
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20
attributed to Giovanni Battista Pergolese
Nina
4
4
Tre
gior − ni
son
che
Ni − na ,
te
che
Ni −
na ,
che
4
4
Ni
−
na
in
let −
let
− te
se
ne
sta .
se
ne
sta
f
Pif
−
−
−,
fari , tim
in
−
pani
f
cem
−
ba − li ,
arrangement (c) 1979 Peter J Billam
sve − glia
−
te mia Ni −
net
− ta ,
sve −
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21
Nina, attributed to Giovanni Battista Pergolese
−
glia
più
−
glia −
−
−
te
te mia Ni − net −
ta ,
−,
ac
−
ciò
non
mia
Ni −
net
−
ac
dor
ta ,
−
−
ma
ciò
no
dor − ma
più .
sve −
Sve −
glia − te
mia
Ni
−
_________________
1a
net
−
ta ,
ac −
ciò
non
dor
− ma
più .
_________________
2a
più .
ac −
arrangement (c) 1979 Peter J Billam
ciò
non
dor
−
−
ma
più .
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22
Claudio Monteverdi
Lamento d’Arianna
4
4
La − scia
−
−
te
mi
mo −ri
−
re ,
la −
scia
− te
te voi
−
4
4
6e en Re
mi
mo −
ri
−
re .
E
che
vo −
le
−
p
che
mi
con
− for
−
te
in cosi
du
−
ra
sor − te ,
in cosi
f
gran
mar
la −
scia
− ti − re ?
− te
arrangement (c) 1979 Peter J Billam
mi
La −
scia
mo −
−
ri
te
−
mi
mori − re ,
re !
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Martino Pesenti
23
O Biondetta Lascivetta
Allegretto leggerio
4
4
O
O
O
bion − det − ta
ru − bel − la
Lil − let − ta
la − sci −
ni − nfa
par − go −
vet − ta
bel − la ,
let − ta ,
pa − sto − rel − la
D’a − mor freg − gio
Lil − la a − ma − ta
tut − ta
D’a − mor
Lil − la in −
bel
pre
gra
pas − to − rel −
nin − fa
bel −
par − go − let −
la, ( lil
la, ( lil
ta, ( lil
−
−
−
la −
la −
la −
4
4
la, )
la, )
la, )
Se
vez − zo − sa , se
fe −
Se
ri − den − te , pur so −
Me − tre in can − ti , tra − gli a −
so
− spi
−
ro ,
______________________
1a, 2a
− ro !
arrangement (c) 1979 Peter J Billam
ahi
−
−
−
sto − za
ven − te
man − te
−
3a
io
io
io
la !
gio !
ta !
ti
ti
ti
mi − ro ,
mi − ro ,
mi − ro ,
so −
spi
ahi
ahi
ahi
−
______________________
ro !
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24
Alessandro Stradella
Così, Amor, me fai languir
6
8
Co −
Co −
sì ,
sì ,
A
A
−
−
mor,
mor,
mi
mi
fai
fai
la −
pe −
6
8
6e en Re
−
−
nguir ,
nar ,
mi
mi
−
−
nguir ,
nar ,
mi fai
mi fai
−
−
si
ma
o,
i,
−
strug −
vie −
−
−
fai
fai
la − nguir ,
pe − nar ,
co − sì ,
co − sì ,
la − nguir ;
pe − nar ;
chi
il
ge , nel
ne , chi
arrangement (c) 1979 Peter J Billam
A −
A −
non
non
mi
mio
fug
be
−
−
ge
ne
se
sac
mio
non
fo
a
−
−
co , nel
mo , chi
−
−
mor,
mor,
e
mi
mi
dai
−
guir
ciar
deg
deg
−
−
mio
non
fo
a
−
−
mi
mi
fai
fai
o
chi
cio che de −
tan − to
a −
gio , e
gio , e
co ho da
mo pur
la −
pe −
chi
mi
si
con −
fug −
a −
Free from www.pjb.com.au !
25
Così, Amor, me fai languir, Alessandro Stradella
−
−
gir ,
mor ,
fo
a
a
e
−
−
− nguir ,
− nar ,
si
strug −
con − vie −
ge ,
ne ,
co ho da
mo pur
fug − gir .
a − mor .
Co − sì ,
Co − sì ,
mi
mi
la − nguir ,
pe − nar ,
fai
fai
chi
mi
− guir ,
− nar ,
mi
mi
nel
chi
fai
fai
___________
1a
mi
mi
fai
fai
arrangement (c) 1979 Peter J Billam
la − guir ,
pe − nar ,
mio
non
fo
a
−
−
A −
A −
mor ,
mor ,
mi
mi
fai
fai
la −
pe −
guir ,
nar ,
co , nel
mo , chi
mio
non
mi
mi
la −
pe −
fai
fai
la
pe
2a
−
−
___________
− guir .
− nar .
Free from www.pjb.com.au !
Peter Billam was born in London in 1948, studied piano, and lived in Switzerland from 1973 to
1983, where he studied composition, classical guitar, flute and voice, worked as Musical Director
of the Théâtre Populaire Romand, and as recording engineer, record producer and computer
programmer. He moved to Tasmania in 1983, lectured in composition at the Conservatorium,
conducted recorder ensembles and choirs, studied recorder, voice and harpsichord. He founded
www.pjb.com.au, becoming the first composer to sell scores on-line, with on-line delivery,
taking scores from Composer to Performer in one immediate step. Www.pjb.com.au offers a new
approach to music publishing. These pieces are written to be read, made to be played !
Compositions at www.pjb.com.au include: Five Short Pieces, guitar, 1979; Divisions on an Italian
Ground, flute and guitar, 1980; Five Rounds, choir, 1986; Go Forth and Multiply, choir, 1986; Three Violin
Duets, 1987; Fable, for piano, 1987; To Erich Jantsch, SAATTB recorders, 1988; A Suite of Curves,
trombone (or horn) and piano, 1990; Two Recorder Duets, alto recorders, or other melody instruments,
1991; Trombone Quintet, trombone, flute, piano, bass, and percussion, 1994; Three Songs, on poems by
Jack Kerouac, Vikram Seth and Dylan Thomas, voice and piano (only the first and third of these are available),
1994; Piano Study, piano, 1994; Four Dances, various ensembles including recorder quartet, string quartet,
1995; The Poet in the Clouds, on a poem by S. T. Coleridge, SATB choir, 1995; Tres Casidas del Diván del
Tamarit, on poems by Federico García Lorca, voice and piano, 1997; Three Suites, for the solo line, piano,
and piano and a solo line, 2000; Die Zeiten, on poems by Kästner, Bachman and Jünger, choir (only the
second and third of these are available), 2000; Three Duets for flutes, 2001; For Four Hands for piano four
hands, 2002; Three Preludes for piano, 2003; Second Solo Suite for flute, violin, viola or cello, 2003;
Guitar Duet for two guitars, 2006; We Who Mourn for choir, 2007; Trio With Guitar for guitar and two
clarinets or two recorders or two violas, 2008; Canons for two- and four-hand piano, 2009.
Arrangements include: By J. S. Bach: Trio BWV 655, piano and flute; Vor deinen Thron BWV 668,
piano; Fugue in F minor BWV 689, SATB recorders; Flute Sonata BWV 1031 transposed into G major for
alto recorder and keyboard; Flute Sonata BWV 1032 completed by Peter Billam for flute and keyboard, also
in C major for alto recorder, and in G major for descant; Ricercare a 3, from the Musikalisches Opfer for
keyboard; Ricercare a 6, for sSATBG recorders, or strings, or two keyboards; Fuga Canonica in
Epidiapente for keyboard and melody instrument; from the Art of Fugue: Contrapuncti 1, 4 and 9 for
keyboard, and Contrapunctus 14 as completed by D. F. Tovey, for keyboard, or for SATB recorders, or for
strings; Passacaglia and Fugue in c for piano four hands; Chorales with Descant for melody instrument
and piano; Cello Suites I, II and III for flute or alto recorder, Forty Chorales for piano, Der Geist hilft for
SATB-SATB recorders. By Johannes Brahms: Fugue in Ab minor for organ, for SATB recorders and
gamba, in A minor; Choralvorspiele for organ with previous settings by Isaac, Bach, Praetorius, recorders.
By Franz Schubert: Four Songs, voice and guitar; Schubert Dances, recorders and guitar, Schubert Dances,
piano 4 hands. By G. F. Händel: Concerto Grosso in A minor op 6 no 4, harpsichord and recorders;
Recorder Sonata in Bb no 5, in G for tenor recorder and keyboard. By other composers: Claudio
Monteverdi, Ecco Mormorar l’Onde, SSATB recorders; Twelve Italian Songs, voice and guitar; John
Wilbye, Draw on sweet Night, SSATTB recorders, and for flute choir; Telemann, Twelve Flute Fantasias,
recorder; John Carr, Divisions on an Italian Ground, flute or recorder and guitar; Fourteen Folk Dance
Tunes, recorder and guitar; Easy Classical Pieces, Bb trumpet and piano.
Www.pjb.com.au offers innovative and unusually generous and useful licensing conditions:
• You may not redistribute the piece in electronic form
• You may print out or photocopy as many copies as you wish
• You may give these copies to whoever you want
• You may freely perform the piece to live audiences; performing rights are waived
These are extremely practical and generous copyright conditions, and have been devised so as to
be as useful to you as possible. Feel free to visit . . .
www.pjb.com.au