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VENICEMAGAZINE
VeniceMagazine mensile di informazione turistica e cultura - Anno 6 - N.51 febbraio-aprile 2008 - euro zero - sped a.p. 45% art. 2 comma 20/b legge 662/96 - DCI VE
the city guide
Focus on:
LEONE FROLLO
A VENETIAN EROTIC ARTIST
Special Carnival ‘08:
MYSTERIOUS CHARACTERS
Tips:
ULTIMATE SHOPPING
USEFUL PAGE
01 february .08
01 may .08
Admire, meet, dream, explore, enjoy,
indulge, savour infinite sensations from
the Terrazza of the Hotel Monaco &
Grand Canal
Ammirare, incontrare, sognare, esplorare, godere, appagare, assaporare
tutto è all’infinito dalla Terrazza
dell’Hotel Monaco & Grand Canal
San Marco 1332, 30124 Venezia - ph. +39.5200211 fax +39.041.5200501 - www.hotelmonaco.it
01 Feb 08 / 01 May 08
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Venice Magazine
CONTENTS
04
FOCUS ON
Leone Frollo, a venetian erotic artist
Leone Frollo, artista erotico veneziano
Magazine-guide
Anno VI, n°51, febbraio - aprile 2008
mensile di informazione turistica
www.venicemagazine.com
[email protected]
04 FOCUS ON
Leone Frollo, a venetian erotic artist
An artist who has always portrayed the absolute allure of the
Woman with unquestionable style and sensual elegance.
Leone Frollo, artista erotico veneziano
Questo artista ha sempre rappresentato l’eterno fascino
femminile con gusto e raffinatezza sensuale indiscussi.
Hanno collaborato: Riccardo Bon,
Claudio Dell’Orso, Nicoletta Consentino
09 ON SHOW
Rome and the barbarians - the rise of a new world
It was the year 376 AC whensome Goths crosse the
Roman borders along the Danube and entered the Empire.
Roma e i barbari - la nascita di un nuovo mondo
Correva l’anno 376 d.C., quando alcuni Goti varcavano la nevralgica frontiera romana sul Danubio ed entravano nell’Impero.
Redazione ed Amministrazione: NIO s.r.l.
via A. da Mestre, 19
30172 Venezia - Mestre
tel./fax +39.041.5454536
[email protected]
Area Vendita: NIO s.r.l.
30172 Venezia - Mestre
tel./fax +39.041.5454536
[email protected]
14
10 Lawrence Carroll
Traduzioni: Elisabetta Carraro
Stampa: Firma Gruppo Poligrafico s.r.l.
via Friuli Venezia Giulia, 77 - Pianiga (Ve).
Distribuzione e Logistica: NIO s.r.l.
30172 - Venezia-Mestre.
Fotografia: Archivio VM, Archivio APT, Archivio Storico
Comunale “Fondo Giacomelli”, Archivio Fotografico Resini,
Archivio Magistrato delle Acque, Archivio Procuratoria di
San Marco, Archivio Accademia, Archivio PIero Zanotto.
09
14 CHURCHES GUIDE
14 The church of San Salvador
ON SHOW
Rome and the barbarians
Roma e i barbari
18 SPECIAL CARNIVAL ‘08
Mysterious Characters
Misteriose Personalità
Registrazione presso il Tribunale Civile e Penale
di Venezia n°1403 del 14/11/2001
22 SHOPPING GUIDE
27 Ultimate Shopping
Registrazione presso il Registro Nazionale Stampe e
Periodici per il Garante nelle Comunicazioni n° 8189.
28 VENETIAN TALES
Si ringrazia per la collaborazione:
29 DINING GUIDE
29 Ristorante Do Leoni
32 Galani: Carnival “tricks”
AVA
08
08 MUSEUMS GUIDE
08 Late Titian and the Sensuality of Painting
Editore: Andrea Carnio
Società editrice: NIO s.r.l.
Direttore responsabile: Giovanni Mazzonetto
VTP
table
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The choice of the advertising texts has been made at the discretion
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18
34 MAINLAND GUIDE
34 Pietro Consagra - The need of colour.
35 Events and curiosity outdoor
SPECIAL
Mysterious Characters
38 USEFUL PAGE & VENICEMAP
22
29
35
“Il disegnatore che ama le donne” definizione calzante per questo artista che ha sempre
rappresentato l’eterno fascino femminile con gusto e raffinatezza sensuale indiscussi.
LEONE FROLLO
FOCUS ON
A VENETIAN EROTIC ARTIST
4
“The cartoonist who loves women”, it would
have been the perfect definition for an artist
who has always portrayed the absolute allure of the Woman with unquestionable style
and sensual elegance.
di Claudio Dell’Orso
eone Frollo’s comics
have been read all
around the world. The
cartoonist, known for his sensual and evocative mark,
received particular notice
both by public and critics starting from the Seventies.
He made his debut in 1948 –
after having graduated in
architecture – in the university magazine “Il Risveglio”
L
i hanno letti in tutta
Europa, i fumetti di
Leone Frollo. Conosciuto per il suo segno elegantemente sensuale ed evocativo, il disegnatore ebbe un
particolare successo di critica
e di pubblico a partire dagli
anni Settanta.
Il debutto avvenne nel 1948,
dopo la laurea in architettura,
sul giornalino scolastico Il
L
with the western “Sui Grandi
Laghi” (On great lakes). He
turned to the English market,
between the Fifties and
Sixties, where he made use of
his undoubted stylistic talent
to draw war episodes and love
stories. He then worked for
the “Corriere dei Piccoli” and
for other Italian newspapers.
Since 1971, thanks to the
publisher Renzo Barbieri, he
began dedicating himself to
national-popular erotism with
his “soft-core” pocket-size
adventures (naked breasts
only were allowed!) of
Lucifera, a dark-haired shedevil with muddy eyes and a
raunchy body, who had made
her return in the common
world to tempt Faust –portrayed as a young man of
robust good looks – under
Satan’s order, who defines her
“darling harlot of the
underworld”. And who would
not want to fall victim of such
a tempting enchantress?
The following year, with
scripts by Rubino Ventura,
Frollo began dedicating himself to adult fables and presented an ingenuously sexy
Snow White (forget about the
soppy protagonist of the
famous Walt Disney Picture
film) surrounded by a lewd
stepmother and by seven
vicious dwarfs. Her typical
features: a fringe, plaits,
pretty blue eyes and attractive
full lips. But, what captured
the public imagination where
her large breasts with those
proud nipples and that unbelievable bottom. The allusive
and sardonic stories of Snow
White were extremely successful for years. The character,
reprinted several times, contributed to building the fame
of the “Master of Rialto”. A
nickname linked to the fact
that the cartoonist was born
Risveglio con la storia
western “Sui grandi laghi”.
L’indubbia capacità stilistica
fu utilizzata in seguito sul
mercato inglese, tra gli anni
Cinquanta e Sessanta, per
realizzare episodi bellici e
love stories a quadretti. In
seguito collaborò con Il
Corriere dei Piccoli ed altri
periodici nazionali.
Dal 1971, per merito dell’editore Renzo Barbieri, si
dedicò all’erotismo nazionalpopolare con le avventure
soft (solo i seni nudi erano
permessi!) in formato tascabile di Lucifera, diavolessa
dalla chioma corvina, gli
occhi torbidi, il fisico conturbante, tornata nel nostro
mondo per tentare, su ordine
di Satana che la definisce
“prediletta baldracca degli
Inferi”, un Faust ridiventato
prestante giovanotto. E chi
non vorrebbe cadere vittima di
questa sinuosa ammaliatrice?
L’anno successivo, su sceneggiature di Rubino Ventura,
Frollo inaugurò il filone delle
fiabe per adulti. Presentando
un’ingenuamente sexy Biancaneve (scordatevi la zuccherosa protagonista del celebre
film di Walt Disney) circondata da lussuriosa matrigna e
dai sette nani viziosi. Le sue
prerogative erano la frangetta, le trecce, gli occhi azzurri
da bambolona, l’invitante
bocca carnosa. Ma soprattutto furono le tette grosse dai
capezzoli arroganti e il fondoschiena imperiale a rimanere
nell’immaginario collettivo.
Le storie allusive, sempre beffarde, di Biancaneve spopolarono per moltissimi anni. Il
personaggio, più volte ristampato, contribuì alla popolarità del definito “Maestro di
Rialto”. Perché nella zona più
antica della città lagunare, il
disegnatore è nato e ancora
3
FOCUS ON
LEONE FROLLO, ARTISTA EROTICO VENEZIANO
5
risiede.
Dopo Lucifera, la consacrazione arrivò con un altro
pocket, nel 1975, intitolato
alla duchessa Naga Romanoff. La sofisticata russa
affrontava di petto (abbondante) i partner, esibiva le
chiappe tornite, dimostrandosi sfacciata negli approcci.
Figlia dello zar Nicola II,
ebbe l’onore d’essere sverginata dal monaco Rasputin.
Naga sapeva cosa fa girare il
mondo: il sesso. Anche bizzarro, mercenario o politico.
Come quando ricevette la
visita d’un sussiegoso Adolf
Hitler che credeva farle pesare l’onore d’averlo come partner. «Non puoi insegnare ad
una Romanoff come trattare
un caporale!» gli sbatté in
faccia. E anche il mediocre
amatore Baffetto fu servito.
Nel 1977 presentò “L’orrenda
storia di Dracula Bambino” e
poi i brevi serial del 1979-80
dedicati a Fan, eroe fantasy, e
alla straripante vampira Yra,
ambientato nel Medio Evo.
Quindi, in Casino (1985)
costruì, su sceneggiature di
Ventura, ambientazioni ed
atmosfere del periodo storico, la Belle Epoque, che gli
riusciva più congeniale. Nella
casa di tolleranza Maison
Blanche gestita da Madame
Con, sfileranno clienti maniaci o inibiti e floride pensionanti pronte a qualsiasi turpitudine, inarrivabili per originalità.
Tra collaborazioni alle riviste
Glamour International, Playboy, Playmen, Frollo decise
di creare, nel 1988, una eroina tutta sua: la bostoniana
Mona Street, pubblicata dalle
edizioni Glamour e Lancio.
Femminista degli anni Venti,
l’occhio furbetto, la bocca
spesso imbronciata, si lasciava spupazzare giocando alla
Glamour and Lancio editions. A feminist of the
Twenties, with cunning eyes
and an often sulky mouth.
She let herself be fondled by
playing the part of the victim.
An incredibly malicious babe
surrounded by wimpish Yankees or by a craving noble
Venetian man belonging to a
sect of puritans willing to punish lascivious ladies. She was
Frollo’s last character, as he
stopped working on the very
comics that brought to him so
many satisfactions (since the
prices he won had nothing to
do with his comics but with
cinema. At the Montecatini
Festival, in 1964 and in 1970,
he won the trophy with a number of documentaries produced
with his colleague Stelio
Fenzo).
He then dedicates himself to
watercolour to portray female
beauty in an unveiled, yet never
coarse but rather lewd way. An
enthralling temptation that, by
means of allusive images,
attempts to satisfy our hidden
voyeur, to let us admire unveiled
ravishing beauties (collected in the
recent anthological edition Liens de
Femme - Bagheera Editeur, Parigi
2000 e Le donne di Leone Frollo
- Lo Scarabeo, Torino 2003).
A broad, slightly more erotic,
selection of his women was proposed during the short-lived
experience of the Museum of erotic art in Venice.
I wanted to define the artist in
the volume ‘The Erotic Art of
Leone Frollo’ (in the edition
Glittering Images edizioni d’essai), 1990, with the following
words “The cartoonist who
loves women”, pardon my own
quotation. I thought it would
have been the perfect definition
for an artist who has always
portrayed the absolute allure of
the Woman with unquestionable style and sensual elegance.
vittima quando si trattava di
simpatica adescatrice ogni
volta impunita. Una sventola
dall’imbattibile carica maliziosa, circondata da imbranati maschietti yankee o da un
voglioso nobile veneziano,
appartenente ad una setta di
moralisti decisi a punire le
dame di coscia allegra.
Sarà l’ultimo suo personaggio, perché Frollo abbandonò i fumetti che pur gli
hanno dato numerosissime
soddisfazioni. (Fatalità perché i premi a lui assegnati
non riguardano i comics ma il
cinema a passo ridotto: al
Festival di Montecatini vinse
il trofeo nel 1964 e nel 1970
presentando alcuni documentari realizzati assieme al
collega Stelio Fenzo). In
seguito, si dedica all’acquarello per rappresentare la bellezza femminile svelata eppure mai sguaiata, semmai impudica. Una coinvolgente tentazione che, attraverso allusive
immagini, vuole accontentare
il voyeur nascosto in noi, farci
ammirare incantevoli grazie
svelate ( Raccolte nelle recenti
antologiche Liens de Femme Bagheera Editeur, Parigi 2000
e Le donne di Leone Frollo Lo Scarabeo, Torino 2003).
Un’ampia selezione delle sue
donnine con un pizzico di hard
in più venne proposta durante
l’effimera esperienza del
Museo d’arte erotica a Venezia.
“Il disegnatore che ama le
donne” ho voluto definire,
perdonate l’autocitazione,
l’artista nel volume The
Erotic Art of Leone Frollo,
Glittering Images edizioni
d’essai, 1990.
Mi è sembrata la definizione
calzante per questo artista
che ha sempre rappresentato
l’eterno fascino femminile
con gusto e raffinatezza sensuale indiscussi.
The new watercolours by Leone Frollo, illustrating this article, have been
given to us by courtesy by the author of this article.
Gli inediti acquerelli di Leone Frollo che illustrano questo articolo, sono stati
gentilmente concessi dall’autore del testo.
FOCUS ON
FOCUS ON
6
and actually lives in the oldest area of the lagoon city.
After Lucifera, he achieved
great success in 1975 with
another pocket-size cartoon
titled under the name of
Duchess Naga Romanoff. The
sophisticated Russian, with
her large chest, well-rounded
buttocks, used to “get to
grips” with her partners in a
cheeky way. Daughter of Tsar
Nicholas II, she had the
honour of being deflowered
by Monk Rasputin. Naga
knew what made the world
go round: it was sex. Even a
queer, mercenary or political
one. Like when a pompous
Adolf Hitler paid visit to her
convinced that she would feel
embarrassed of having such a
prestigious guest. «You cannot teach a Romanoff how to
treat a corporal!» she shouted
at him. There! And she was
done also with the mediocre
lover with a moustache.
In 1977 Frollo presented ‘The
horrendous story of Baby
Dracula’ and then, between
1979 and 1980, it was the
turn of the short serial dedicated to ‘Fan’, a fantasy hero,
and to the bursting she-vampire ‘Yra’, set in the Middle
Ages. In ‘Casino’ (1985),
with scripts by Ventura, he
gave life to settings and atmospheres of the historical
period which was most congenial to him, the Belle Epoque.
In the house of tolerance
Maison Blanche managed by
Madame Con, maniac and
inhibited clients and buxom
old ladies ready to any turpitude, unequalled in originality, make their appearance.
After having cooperated with
magazines like Glamour,
Playboy and Playmen, Frollo
decided to give life, in 1988,
to his own heroine: Mona
Street, published by the
7
Museums
guide
Musei
Teatri
Gallerie
Esposizioni
Listing tematico
a cura di Riccardo Bon
GALLERIE DELL’ACCADEMIA
GALLERIE DELL’ACCADEMIA
Dorsoduro, 1055
From January 26 to April 20
Info +39.041.5222247
LATE TITIAN AND THE SENSUALITY OF PAINTING
Titian’s late production has often not been duly recognised and valued with respect to his early works and to those of
his maturity. Yet, by looking carefully at “La Pietà” (1576), his last masterpiece housed in the Gallerie dell’Accademia,
one can notice that in some parts of the painting there are ten overlapping layers of colour revealing the use of repeated strokes, above all in the central part of the painting were the figures of the mother and child are portrayed. That
intense work “underneath the painting” testifies to the use of an incredibly new way of painting, as stressed by the superintendent Giovanna Nepi Scirè who has done much to bring to the Gallerie the twenty-eight masterpieces painted by
Titian between 1550 till 1576, date of his death. And it is in the mid-16th century that the illustrious artist Titian Vecellio,
successor of Bellini and Giorgione, “prophet” of painting, discovers a new way of painting characterised by a rapid
and free spread of colour which he paints with various layers on the canvas with thick strokes and through which shapes are disentangled, thus stressing on the one side the sensuality and on the other, paradoxically at the same time,
an intense spirituality. It is the invention of what is called “pittura a macchia” (patchy painting) – term coined by the
great critic Vasari – which, from then on, enabled painting to take new and unexpected courses. Numerous critics
agree that Titian’s late painting resembles and anticipates, to some extent, the painting of Dvoràk or of some of the
most outstanding artists of the late nineteenth century, including Rubens, Rembrandt, Delacroix and the Expressionists.
The exhibition is organised in three sections –dedicated to portraits, profane themes and sacred paintings – displaying
marvellous works exceptionally borrowed by the greatest museums of the world.
MUSEUMS guide
L’ULTIMO TIZIANO E LA SENSUALITÀ DELLA PITTURA
8
La produzione ultima di Tiziano è stata spesso incompresa e considerata meno importante rispetto alle opere giovanili e della maturità. In realtà, se si guarda “La Pietà” (1576), il suo ultimo capolavoro che è custodito alle Gallerie dell’Accademia, si può notare che esistono delle zone con addirittura dieci strati di colore sovrapposto che attestano continue riprese e ripassature, soprattutto nella zona centrale dove stanno le figure della madre e del figlio morto.
Questo intenso lavoro “sotto la pittura” attesta un modo di dipingere straordinariamente nuovo, come ricorda la soprintendente Giovanna Nepi Scirè, che
ha fortemente voluto proprio alle Gallerie i ventotto capolavori dipinti da Tiziano nel suo ultimo periodo, dal 1550 fino al 1576, data della sua morte. E, in
effetti, intorno alla metà del ‘500 Tiziano Vecellio grandissimo artista, successore del Bellini e del Giorgione, “profeta” della pittura, scopre un nuovo modo
di dipingere contraddistinto dalla stesura veloce e libera del colore che sovrappone in dense pennellate sulla tela e mediante le quali le forme si scompongono accentuando da un lato una grande sensualità, dall’altro, contemporaneamente e paradossalmente, una intensa spiritualità. Si tratta dell’invenzione della cosiddetta “pittura a macchia”, così come l’ha definita il grande critico Vasari, che apre da quel momento in poi nuove e imprecisate possibilità alla pittura, tanto che molti critici concordano che il modo di dipingere del vecchio Tiziano assomiglia e anticipa, per certi versi, quello di Dvoràk o
di alcuni fra i migliori francesi di fine Ottocento, tra cui Rubens, Rembrandt, Delacroix, fino agli espressionisti. Il percorso espositivo è articolato in tre sezioni, dedicate ai ritratti, ai temi profani e alla pittura sacra, in cui si susseguono i magnifici dipinti, prestiti eccezionali dei maggiori musei del mondo.
ROME AND
THE BARBARIANS,
THE RISE OF A NEW WORLD
ROMA E I BARBARI,
LA NASCITA DI UN NUOVO MONDO
he history of Rome and of the various peoples and tribes who
were settled outside its borders – above all in Northern and
Eastern Europe – begins with Julius Caesar’s conquest of
Gaul, when the Germans were mentioned for the first time. He
described them as “violent and uncivilized people”. A single term of
Greek origin was soon to be used to identify, in a derogatory way,
the following peoples: Germans, Celts, Sarmatians, Alans, Goths,
Ostrogoths, Huns, Avars, Visigoths, Vandals. Basically all those
peoples who had different habits, customs, languages and cultures
from their own, who were often nomads and not organised in urban
aggregations and territorially stable empires and who menacingly
advanced from the outside boundaries of the Empire: they were the
“Barbarians”. It was the year 376 AC when, under the pressure of
the Huns, some Goths crosse the Roman borders along the Danube
and entered the Empire. Two years later, in Adrianople, the same
population inflicted one of the worst and most decisive defeats on
the Romans, who had lost their emperor Valente during the battle.
In 382, the Goths obtained a treaty (foedus) which gave
them the right to settle themselves in the Empire.
From that moment on, it stopped being a territory uniquely subject to the Roman law
and to the Emperor and it soon began
to undergo continuous and tremendous invasions that lead to its
disappearance, which occurred in
476 AC when the Barbarian king
Odoacre deposed Romulus
Augustulus, the last Roman
emperor of the Western world.
The exhibition retraces – as stated by his curator Jean-Jacques
Aillagon – that long history that
has been so decisive for the identity of the European continent
which all too often celebrates its
Greek, Roman and Jewish-Christian
roots but forgets its barbarian origins, that
are so powerful and influential.
T
a storia dei rapporti tra Roma e l’insieme di popoli e tribù che
si trovavano al di fuori dalle sue frontiere – soprattutto a nord
e a est dell’Europa - comincia fin dalla conquista della Gallia
da parte di Giulio Cesare, quando, per la prima volta si parla dei
Germani, da lui descritti come “uomini violenti ed incolti”. Ben presto un unico termine di origine greca, identificherà spregiativamente queste genti: Germani, Celti, Sarmati, Alani, Goti, Ostrogoti,
Unni, Avari, Visigoti, Vandali…tutti quelli che possedevano abitudini, costumi, lingue e culture distanti dalle proprie, che molto spesso
erano nomadi e non organizzati in aggregati urbani e imperi territorialmente stabili e che dal limes (confine) dell’Impero avanzavano
minacciosi erano “barbari”.
Correva l’anno 376 d.C., incalzati dagli Unni alcuni Goti varcavano
la nevralgica frontiera romana sul Danubio ed entravano
nell’Impero. Due anni dopo gli stessi, ad Adrianopoli, infliggevano
una delle più tremende e decisive sconfitte ai Romani, che perdevano in battaglia anche il loro imperatore Valente. Nel 382 i Goti ottenevano un trattato (foedus) che ne sanciva il diritto di
insediarsi nell’Impero, che da questo momento
non fu più un territorio sottomesso esclusivamente alla legge romana e all’imperatore e
che si aprì, di lì a poco, a subire le sempre più incalzanti e tremende invasioni tanto da scomparire per sempre proprio ad opera di un re barbaro, Odoacre, che, nel 476 dC.,
deponeva Romolo Augustolo,
ultimo imperatore romano d’occidente.
La mostra rievoca – a detta del
suo curatore Jean-Jacques
Aillagon - questa lunga storia, così
decisiva per l’identità del continente europeo, che troppo spesso celebra radici greche, romane ed ebraicocristiane, dimenticando invece le proprie
origini barbare, peraltro così potenti e determinanti.
L
MUSEUMS guide
Museums
Theatres
Galleries
Exhibitions
City Listing
PALAZZO GRASSI from January 26 to June 20
9
LAWRENCE CARROLL
n outstanding exhibition that brings to the fore the work of an
artist who uses traditional technical means – like oil-colours,
wax, canvas, wood – in unusual settings. In so doing Lawrence
Carroll (Melbourne, 1954), who has been working for a while in
Venice, creates a new form of expression that is more intimate and poetic and that is linked to a more enigmatic and complex human reality.
A sensibility deriving also from the personal background of the artist,
who emigrated to California and was soon obliged to earn his living. In
the 70s, at the Art Center College of Design of Los Angeles, he assembles looms on his own by using waste material and by fixing on top of
them recycled canvases, or he paints on canvases that had already been
painted on but that are no longer used. He thus repeats the experience
of other avant-garde artists and takes inspiration from Marc Rothko,
Robert Rauschenberg, from the minimalists but above all from Giorgio
Morandi with whom he feels great affinity. The exhibition, on show at
the Museo Correr, is an “exhibition/masterpiece” that, through nine
halls and over forty works, features themes precious to its research: the
relationship between container and content in the pavement works; the
Sleeping painting, in which thick canvases painted on both sides are folded as linens to be stored away; or paintings in new canvases with preexisting stripes or printed motives covered with various layers of colournon colour, in their turn already cut and assembled in a different way.
MUSEUMS
CITY LISTING
A
Museums
Foundations
Art Galleries
Private Galleries
The following list describes famous and interesting museums, theatres and galleries in
Venice. Full of useful and detailed information.
Il seguente listing descrive famosi ed interessanti musei, teatri e gallerie della città.
Completo di informazioni utili e dettagliate.
Musei
Fondazioni
Gallerie d’arte
Gallerie private
MUSEUMS
PALAZZO DUCALE
map: F5 - S.Marco, 1
ph. +39.041.5209070
* 9am - 5pm • Tickets: € 12.00
and sketches by Canova.
Temporary exhibition: Le Sfere della
Terra e del Cielo. I globi attraverso quattro secoli di storia (XVI/XIX secolo). Until
April 13. Lawrence Carroll from
February 16 to May 4.
MUSEO STORICO NAVALE
map: H5 - Castello, 2148
ph. +39.041.5200276 - Tickets: € 1.55
8.45am - 1.30pm • Closing day: Sun, Vac
The museum contains relics from various
regional navies and from the Italian navy.
The 2nd floor has a room dedicated to the
Bucintoro, the gilded ceremonial sea craft
of the Doge, used in the solemn ceremonies like the Venice’s wedding to the sea.
Permanent exhibition: collections of original documents, remains and models
of boats of several forms and sizes.
CA' REZZONICO
Museum of the Venetian 700s
map: D5 - Dorsoduro, 3136
ph. +39.041.5209070 - Tickets: € 6.50
* 10am - 5pm Closing day: Tue and May 1
very beautiful sculptures with many original Greek and Roman pieces.
CASA GOLDONI
map: F4 - S.Polo, 2794
ph. +39.041.5209070
* 10am - 4pm • Tickets: € 2.50
Closing day: Wednesday and May 1
Reopened to the public on 27th October
2001, Palazzo Centanni is the birth place
of the famous playwright Carlo Goldoni.
This delightful gothic palace today houses
a sparkling new, high-tech museum
devoted to the playwright’s work and
includes a host of documents and projections of historical theatrical performances.
Permanent exhibition: Venetian theatrical
relics and many texts, original manuscripts
and theatrical works of several eras.
MUSEO DI STORIA NATURALE
MUSEUMS guide
10
A partire dalla fine del mese di marzo alcuni
ph. +39.041.5209070
* 9am - 5pm • Tickets: € 12.00
Sfere del cielo
Sfere della terra
It’s located in St. Mark’s Square, between
“Ala Napoleonica” and “Procuratie Nuove”;
it takes its origin from the collection Teodoro
Correr gave to the City in 1830. The museum
is divided into three sections: the neo-classical part, the historical part, about Venetian
civilisation, and the Venetian picture gallery
well displayed by Carlo Scarpa. Visitor will
discover also the political, social and military history of Venice’s Serenissima Republic.
Permanent exhibition: collections of
weapons, games, marble and bronze
sculptures, coins and medals. Paintings by Carpaccio, “La Trasfigurazione” by Giovanni Bellini, statues
map: L2 - Murano, F.ta Giustinian, 8
ph. +39.041.5209070
* 10am - 5pm • Tickets: € 5.50
Closing day: Wednesday and May 1
It’s located in the former Torcello Bishops’
palace, Palazzo Giustiniani, a typical
Venetian Gothic building. It houses glass
collections arranged in a chronological
order: here is the hugest historical exhibition of Murano’s glass, comprehensive of
15th to 20th centuries pieces.
Permanent exhibition: unique extant
copies of Murano glass and Renaissance pieces from the collections of
Correr, Moli and Cicogna.
MUSEO FORTUNY
map: E5 - S. Marco, 3958
ph. +39.041.5209070 - Tickets: € 7.00
10am - 6pm • Closing day: Tuesdays
map: D3 - Fondaco dei Turchi, 1730
ph. +39.041.5209070 - Tickets: Free
10am - 4pm (Saturday and Sunday only)
Closing day: Monday
"Form and ornament
are the result of the
unconscious common
work of men who belong to a specific civilization. Everything else
is art".
(Adolf Loos)
Michele Marieschi
Vedute incise
MUSEO CORRER
U
Brooch - double clips
Platinum and diamonds ct. 9,00
Ind. number 7471
spazi espositivi introdurranno i nuovi orari estivi.
The symbolic seat of Venetian power,
formerly the seat of the Doge and State
Magistratures, the Palace is the supreme
embodiment of Venetian civilisation. A
masterpiece of gothic architecture, it
reveals a grandiose stratification of building and ornamental elements. The
interiors, superbly decorated by legions
of artists, including Tiziano, Veronese,
Tintoretto, Vittoria and Tiepolo, offer a
range of different experiences: from the
vast halls of political power to the interior finishings of the Doge's chambers,
from the gloom of the prison cells to the
brightness of the loggias overlooking St.
Mark’s Square and the lagoon.
na mostra importante per conoscere il lavoro di un artista che
utilizza i mezzi tecnici tradizionali - colori a olio, cera, tela, legno
- al di fuori dagli schemi abituali. Così Lawrence Carroll
(Melbourne,1954), da tempo attivo a Venezia, crea una diversa espressione più intima e poetica e legata alla realtà umana più enigmatica e
complessa. Una sensibilità che nasce anche dalla difficile storia personale dell’artista, emigrato in California e costretto molto presto a guadagnarsi da vivere. Negli anni’70, all’Art Center College of Design di
Los Angeles, assembla da sé i telai con materiale di scarto, fissandovi
sopra le tele che riesce a trovare, oppure dipinge su tele già dipinte e
non più utilizzate. Ripete così l’esperienza di altri artisti d’avanguardia,
dalla vita “bohème”, ispirandosi a Marc Rothko, Robert Rauschenberg,
ai minimalisti, ma soprattutto a Giorgio Morandi (che usò tutta la vita
modelli poveri, ricoperti di polvere per stemperare forme e colori tropo
definiti) verso il quale sente grande affinità. La mostra al Museo Correr
è una “mostra/opera” che, attraverso nove sale e oltre quaranta lavori,
rappresenta i temi cari alla sua ricerca: il rapporto fra contenitore e contenuto nelle opere a pavimento; lo Sleeping painting (dipinto che
dorme), in cui spesse tele dipinte su ambo i lati sono piegate e sovrapposte come lenzuola da riporre; oppure i dipinti di tela nuova, con righe
o motivi a stampa già presenti, ricoperti da vari strati di colore-non colore, a loro volta tagliati e assemblati in modo diverso.
*
Cartier - London 1930 ca.
It’s a splendid baroque palace facing the
Gran Canal, work by Longhena and
Massari. It houses marvellous paintings
of the Venetian 18th century and it’s furnished with precious original furniture.
Permanent exhibition: paintings by Tiepolo,
Canaletto, Guardi, Rosalba Carriera, Pietro
Longhi, and Piazzetta. Collections of furniture, Chinese and Venetian vases. Collection of wooden statues by Brustolon.
Temporary
exhibition:
Michele
Marieschi - Vedute Incise. Until May 26.
MUSEO ARCHEOLOGICO NAZIONALE
Marciano museum
map: F5 - S. Marco, 52
ph. +39.041.5225978
* 9am - 5pm • Tickets: € 12.00
The museum was founded on the
bequeath of noble Venetian families
who operated in the old colonial
trade markets. It is located in the building of Procuratie Nuove in St. Mark’s
Square and contains Roman and
Greek finds dating from the 5th century B.C. to the 3rd century A.D.
bronzes, ceramics, jewels and coins and
A partial reopening of the Venetian
Museum (closed for restoration) offers
visitors a chance to view the renovated hall dedicated to the historical
Ligabue Expedition (1973) and, on
the ground floor, a new acquarium
with more than 50 species of fishes.
BIBLIOTECA NAZIONALE MARCIANA
Monumental halls
map: F5 - Piazza S. Marco
ph. +39.041.2407211
* 9am - 5pm • Tickets: € 12.00
The Library, designed by Jacopo
Sansovino, was built and decorated
between 1537 and 1560, at the request
of the Procurators of St. Mark, in order
to receive Latin and Greek codes, gifts
by Cardinal Bessarione. Nowadays, the
Library houses a priceless book collection of Venice’s Serenissima Republic.
Permanent exhibition: “La Sapienza” by
Tiziano and the Library Room decorated
with twenty-one tondos on the arched
ceiling and philosophers’ portraits on the
walls by Tintoretto and Veronese.
MUSEO DEL VETRO
Glass museum
This particulary charming museum,
located in a Gothic palace, keeps the
original usage given by Mariano
Fortuny who created there his own
atelier of photography, set-designing
and staging. Nowadays, because of
restoration works, in the museum are
organized only temporary exhibitions
of visual communication.
Temporary exhibition: Tech-Tile. Stephen
Bottomley. Until March 2.
Maria Grazia Rosin. Gelatine Lux. Until
February 17.
MUSEO DEL MERLETTO
Burano, Piazza Galuppi, 187
ph. +39.041.5209070
* 10am - 4pm • Tickets: € 4.00
Closing day: Tuesday and May 1
The museum is entirely dedicated to
the history of the lace production in
Burano. It is situated next to the
school of this art, school established
in 1872 by the countess Adriana
Marcello Zon.
Permanent exhibition: numerous laces
made by the annexed school, important designs, photographic and iconographic examples.
MUSEO EBRAICO
map: D2 - Cannaregio, 2902/b
ph. +39.041.715359 - Tickets: € 8.50
10am - 6 pm • Closing day: Saturday
Calle dei Boteri, 1566
San Polo, Venezia
tel/fax 041 2758694
www.lezoieantiques.com
MUSEUMS guide
MUSEO CORRER - from February 16 to May 4
11
VENETO INSTITUTE OF
SCIENCE, LETTERS AND ART
map: D5 - Campo Santo Stefano, 2945
ph. +39.041.5204372
Tickets: € 9.00 • 10am - 7pm
It’s a lively centre of promotion and
comparison, in which cultural, scientific and artistic knowledge, ideas,
and experiences can be exchanged.
MUSEO DI PALAZZO MOCENIGO
Textile and costumes history museum
map: E3 - S. Croce, 1992
ph. +39.041.5209070
* 10am - 4pm • Tickets: € 4.00
Closing day: Monday and May 1
The eighteenth-century building contains a splendid series of polychrome
marbles, frescoed ceilings depicting
the exploits of the Mocenigo family,
which provided the Venetian Republic with seven Doges. The building houses the seat of the Study
Centre for the History of Textile and
Costume.
Permanent exhibition: a selection of
rare items – textiles and costumes - of
special value and an important library
specialised in this sector.
PALAZZO ALBRIZZI
German-Italian Cultural Association
map: F3 - Cannaregio, 4118
ph. +39.041.5232544 - Tickets: Free
10am-1pm/4pm-6pm • Closing day: Sun
This austere looking palace still has
two very nice halls in the “piano
nobile”, which are decorated with
frescoes representing antique mythological
themes
by
Guarana.
Nowadays, during the venetian carnival season, masked balls are organized in this palace.
MUSEO DIOCESANO DI ARTE SACRA
map: G5 - Castello, 4312
ph. +39.041.5229166
10am - 6pm • Tickets: € 8.00
MUSEUMS guide
The museum contains many finds of
Venetian convents and churches and is
located in the St. Apollonia convent
(12th-13th century). A rare jewel of
Romanic architecture, the cloister contains the Lapidario Marciano with
Roman and Byzantine stone fragments.
Permanent exhibition: works of art, furnishings and holy furniture. Paintings
by Palma il Giovane, Pellegrini, Luca
Giordano and Moretto.
12
ticular attention to young artists. With
its main location in Saint Mark’s
Square, it will soon become a place
for looking up books, CD-Roms and
other rare material.
SPAZIO CULTURALE SVIZZERO
Palazzo Trevisan degli Ulivi
map: D6 - Campo S. Agnese, 810
ph. +39.041.5225996 - Tickets: Free
Mon-Fri 11am - 5pm, Sat 2pm - 6pm
Closing day: Sunday
A new Swiss Cultural space has been
opened in Venice since February 2002.
It is considered as an extension of the
Swiss Institute in Rome. The multivalent
hall, open to the Swiss Cultural
Institutions operating in Italy, hosts artistic manifestations, expositions, exhibits,
meetings, conferences and concerts.
COLLEZIONE PEGGY GUGGENHEIM
map: E6 - Dorsoduro, 701
ph. +39.041.2405411 - Tickets: € 10.00
10am - 6pm • Closing day: Tuesday
The Foundation was created by Peggy
Guggenheim, who was deeply in love
with Venice. The museum is located in
Peggy Guggenheim’s former home and
it houses European and American works
of the first half of the 20th century.
Permanent exhibition: extensive collection of 20th century paintings by.
Kandiskij, Pollock, De Chirico, Vedova,
Picasso, Marini, Severini.
FONDAZIONE QUERINI STAMPALIA
map: F5 - Castello, 5252
ph. +39.041.2711411 - Tickets: € 8.00
Tue-Thu 10am - 6pm, Fri-Sat 10am - 10pm
Closing day: Monday
The Foundation was set up in 1869
upon the bequeath by Earl Giovanni
Querini Stampalia. This well-preserved
building is built in perfect and original
Venetian style and contains a rich
library and a fascinating picture gallery.
Temporary exhibition: Georges Adéagbo
“La rencontre”..! Venise - Florence..!
Until February 10.
FONDAZIONE CINI
LEONARDO BEZZOLA – UNA BIOGRAFIA VENEZIANA
The Galleria Regina, after ten years of activity now sets its identity
making a precise choice: glass at the service of art. The historical
seat has been restored and enlarged. The aim of Franco Regina
and his staff is forwarded to the stimulating project to bring near
two different categories of artists: glass artists, who design and realise the pieces personally, and other artists who assign the creation
of their works to a glass masters team.
The fascinating strength of the photographer
Leonardo Bezzola lies in his ability to catch
certain situations in a such an expressive
way that renders the images taken as a sort
of psychological moment. It is as if he had a
magnifier placed between his eye and the
lens. The result is staggering. The subject of
the photo lies there, in front of the spectator
in an absolutely unique moment. Many, or
rather all Bezzola’s pictures remain in one’s
eyes and mind. Tnguely’s arrival in Venice,
Niki Saint Phalle’s sad smile or Saint Phalle
impressive overflow of shapes remain
imprinted in our imagination as much as the
pictures of the works by great artists or the
images of exotic places or of race cars, his
great passion.
La dote affascinante del fotografo Leonardo Bezzola è la sua capacità
di fermare l’attimo delle situazioni in un modo talmente espressivo da
rendere l’immagine afferrata quasi un attimo psicologico. E’ come se
avesse una lente d’ingrandimento naturale tra il suo occhio e l’obbiettivo. Il risultato è impressionante. Il soggetto della foto è lì, di fronte a chi
guarda in un momento assolutamente unico ed irripetibile. Molte, tutte
sono le foto di Bezzola che rimangono negli occhi, nella mente. L’arrivo
di Tinguely a Venezia, il triste sorriso di Niki de Saint Phalle o l’imponente dilagare delle forme di Saint Phalle si imprimono nella nostra immaginazione tanto quanto le foto delle opere di grandi artisti o le immagini di località esotiche o di vetture da corsa, la sua grande passione.
The Giorgio Cini Foundation was established in 1951 by Count Vittorio Cini
in memory of his son Giorgio. It hosts
conferences and congresses of scientific and cultural organisations from
Italy and abroad, offering an unparalleled urban and monumental context.
Temporary exhibition: Santomaso e l’opzione astratta. From April 5 to July 6.
Un’esposizione della Fondazione Svizzera per la cultura Pro Helvetia
BUGNO ART GALLERY
S. Marco 1996 - ph. +39.041.5231305
Open daily 10.30 a.m. - 12.30 p.m. and 4 p.m. - 7.30 p.m. Closed Sunday morning and Monday morning
TELECOM FUTURE CENTRE
map: F4 - San Marco, 4826
ph. +39.041.5213206 - Tickets: Free
10am - 6pm • Closing day: Monday
The most advanced international research
centre is located in the ancient convent of
S. Salvador. The Centre has reconsidered
the historical and social elements of
Venice in the light of new technologies.
FONDAZIONE BEVILACQUA LA MASA
GALLERIA FRANCHETTI CA' D'ORO
A foundation that has the aim of
spreading and increasing knowledge
of contemporary art, it dedicates par-
The Ca' D'oro, an enchanting gothic
palace on the Grand Canal, owes its
not to be missed
GALLERIA REGINA
Palazzo Trevisan degli Ulivi. Dorsoduro - Campo S.Agnese, 810 - ph. +39.041.5225996
From January 31 to May 3
Mondays - Fridays: 11am - 1pm • 3pm - 6pm. Saturdays: 2pm - 6pm.
Free admission. - Info: +39.041.2411810
ART GALLERIES
da non perdere
SPAZIO CULTURALE SVIZZERO
map: G6 - Isola di S.Giorgio
ph. +39.041.2710402 - Tickets: free
Saturday and Sunday only: 10am - 5pm
FOUNDATIONS
ph. +39.041.5207797 - Tickets: free
12am - 6pm • Closing day: Tuesday
City
Exhibitions
08
FEB
MAY
Gunilla Jahnichen
GALLERIA INTERNAZIONALE
D'ARTE MODERNA CA' PESARO
map: E3 - Santa Croce, 2076
ph. +39.041.5209070 - Tickets: € 5.50
* 10am - 5pm • Closing day: Mon. and May 1
In the premises you can admire works by the following artists:
PRIVATE GALLERIES
BUGNO ART GALLERY
map: E5 - San Marco, 1996/d
ph. +39.041.5231305
SEGUSO VIRO GLASS GALLERY
map: L2 - F.ta Venier, 29 - Murano
ph. +39.041.5275353
map: F5 - San Marco, 50/a
ph. +39.041.5203021
GALLERIA REGINA
map: L2 - Riva Longa, 25/a Murano
ph. +39.041.739202
BAC ART STUDIO
map: E5 - Dorsoduro,862
ph. +39.041.5228171 - open daily
It is located in one of the most important Baroque palaces in Venice, a
masterpiece by Longhena. It houses a
wealth of paintings, sculptures, etchings
and drawings by renowned contemporary artists from different countries:
from Klimt to Chagall, from Kandinskij
to Klee, to Matisse and many more.
Temporary exhibition: Edgard Chahine
(1874 – 1947). Figure parigine del primo
Novecento. Until February 24.
“Riflessi” - Claudio Tiozzo
Tintoretto, Veronese, Giorgione,
Bellini, Tiziano, Tiepolo...
Temporary
exhibition:
L’ultimo
Tiziano e la sensualità della pittura.
Until April 20.
GALLERIA RAVAGNAN
Murano - Riva Longa, 25/a - ph. +39.041.739202 - www.galleriaregina.com
The gallery was born was born
from the experiences of Paolo
Baruffaldi and Claudio Bazzichetto
just 30years ago.
HOLLY SNAPP GALLERY
map: E5 - C.lle delle Botteghe - S. Marco
ph. +39.041.5210030
OPERA GALLERY
map: E5 - San Marco, 2288
ph. +39.041.2770504
PALAZZO GRASSI
ROSCANO
map: D5 - San Marco, 3231
ph. +39.041.5231680
10am - 7pm - Tickets: € 10.00
map: L2 - Fond. Vetrai, 94 - Murano
Work of artists: Raffaele Rossi, Umberto Mastroianni, Vittorio Ferro,
Mario Seguso, Miriam Di Fiore, Julie Lazarus, Alfredo Barbini, Dino
Rosin, Simone Cenedese, John Drake Moore, Tsuchida-Yasuhiico,
Margherita Serra, Riccardo Licata, Astrid Gate, Alberto Gambale,
Diego Feurer, Lila Monaco, Claudio Grassetti, Paola Scibilia,
Anzolo Fuga, Claudio Tiozzo, Norberto Moretti, Mario Venier, Kristin
McFarlane, Cristina Sfriso.
Designers’ creations: Alessandro Mendini, Vico Magistretti, Barbini,
Fabio Fornasier, Mario Botta, Massimiliano Fuksas, Richard Meier, Cleto
Munari, Mimmo Palladino, Matteo Thun, Giorgio Vigna, Davide Penso.
Roma e i Barbari
Temporary exhibition: Roma e i
Born in 1990 from the collaboration between Massimiliano
Bugno and Davide Samueli, the Bugno Art Gallery (formerly known as Bugno And Samueli) can be found in the
main gallery space situated in Campo S. Fantin (a few
hundred meters from Piazza San Marco and exactly in front
of la Fenice theater). Since 1990, works by major contemporary artists both Italian and international have been
shown, from Arman to Schifano, Ben Vautier to Ugo
Nespolo, Pizzinato to Guidi, giving space at the same time
also to new artistic reality.
Nata nel 1990 dalla collaborazione di Massimiliano Bugno e
Davide Samueli, la Bugno Art Gallery (ex Bugno & Samueli)
ha esposto in questi anni nella sede espositiva principale
sita in Campo S. Fantin (a poche centinaia di metri da Piazza S. Marco ed esattamente di fronte al Teatro La Fenice)
opere dei maggiori artisti contemporanei italiani e non, da
Arman a Schifano, da Ben Vautier a Ugo Nespolo, da
Pizzinato a Guidi, dando spazio allo stesso tempo anche a
nuove realtà artistiche.
map: E3 - Cannaregio, 3933
ph. +39.041.5238790 - Tickets: € 5.00
Tue-Sun 8.15am - 6.45pm
Monday 8.15am-2pm
name to the gold leaf which, in the
past, decorated its elegant façade. It
houses the art collection given to the
State by the baron Giorgio Franchetti.
To see, the “San Sebastiano” by
Mantegna; works by Guardi and a
marble well engraved by B. Bon.
Permanent exhibition: a wide collection of coins, medals, ceramic and
many paintings by the Flemish School.
NEXT EXHIBITIONS
March: Gunilla Jähnichen on show
April: Marco Zanta photos exhibition
Barbari. Until July 20.
GALLERIE DELL'ACCADEMIA
ph. +39.041.5222247 - Tickets: € 6.50
Tue-Sun 8.15am - 7.15pm
Mon. 8.15am-2pm • Closing day: May 1
ph. +39.041.0990079 - open daily
It is the new contemporary art gallery
in Murano, the high standard of
masterpieces is set by GianAndrea
Seguso, the owner.
GALLERIA TOTEM - IL CANALE
map: D6 - Accademia, 878/B
ph. +39.041.5223641 - +39.041.943158
Open daily: 10am - 1pm • 3pm - 7pm
MELORI & ROSENBERG
map: D2 - Cannaregio, 2919
ph. +39.041.2750039/25
Mon-Fri: 10am - 1pm • 3pm - 6pm
Closed Sat and Sun afternoon
Visits also by appointment
L’ultimo Tiziano
The Accademia picture-galleries provide
a very complete overview of Venetian
art history through the ages. They are
settled at the foot of the Accademia
bridge. On Tuesdays only, it’s possible to
visit the rich warehouses on the top floor
of the monastery designed by Palladio.
Permanent exhibition: paintings by
Melori & Rosenberg Gallery, since
1996 in the Campo of the New
Ghetto. The Italian sole representative of Luigi Rocca, also exhibiting
other Artists.
SANTO STEFANO ART GALLERY
map: E5 - San Marco, 2953
ph. +39.041.5234518
GIANFRANCO MEGGIATO ART GALLERY
map: D5 - San Marco, 3151
ph. +39.041.2413369 - Open daily
MUSEUMS guide
Strolling between Campo del Ghetto
Nuovo - the site of the museum
which testifies the constant and productive presence of the Jewish community in Venice - and Campo del
Ghetto Vecchio, you will come across
five synagogues, three of which are
open to the public.
furniture, texts and wedding contracts,
woven fabrics of liturgical use, ornamental silvers, fabrics and curtains.
13
Churches
guide
Churches
Schools
Monuments
City Listing
CHURCHES
Thanks to:
CITY LISTING
Associazione Chiese di Venezia
The Foundation for the
Churches of Venice
CHURCHES
BASILICA DI SAN MARCO
map: F5 - Piazza San Marco
ph. +39.041.5225205 - Tickets: free the
church, € 3.00 La Pala, € 3.00 il Tesoro.
9.30am - 5pm, Sunday 2pm - 4pm
– 10th century in the area called “Luprio”
from which - through various phonetic
evolutions - the current name of Orio
derives. The façade is Romanesque and
the interior is built on a Latin cross pattern
with three naves and a large transept.
To see: “La Crocifissione” by Paolo
Veneziano, the altar-piece by Lorenzo
Lotto, and the eucharistic theme
cycle by Jacopo Palma il Giovane.
The Jewish Museum of Venice
Cannaregio 2902/B
ph. +39.041.715359 fax +39.041.723007
[email protected]
M U S E O
EBRAICO
di VENEZIA
IN THE WORLD’S FIRST GHETTO,
THE ANCIENT SYNAGOGUES
AND THE MUSEUM OF THE JEWISH
COMMUNITY OF VENICE
MUSEUM HOURS
From October 1st to May 31th
10 am 5 pm. Closed on Saturday and
Jewish holidays
SYNAGOGUE TOURS
in italian and english
Every hour from 10:00 am until 5:00 pm
Also available: private thematic tours
TICKETS
Museum: full € 3,00 - reduced € 2,00
Museum entrance + guided tour:
full ticket € 8,50 - reduced € 7,00
SAN POLO
map: D4 - Campo San Polo
ph. +39.041.2750462 - Tickets: € 2.50
10am - 5pm, Sunday 1pm - 5pm
THE CHURCH OF SAN SALVADOR
TO SEE
In the 1556 Annunciation, Titian
displays a mystical miracle: the
space is marked by a number
of columns and adornments
and is dominated by an imposing coloured cloud in which
one can see numerous angels.
CHURCHES guide
Nell’Annunciazione del 1566,
Tiziano mette in scena un miracolo mistico: lo spazio è caratterizzato da alcune colonne e
suppellettili, ed è dominato da
una grande nuvola colorata in
cui si possono distinguere
innumerevoli angeli.
14
di Nicoletta Consentino
The church (1506-34), with its majestic dimension, rises in the homonymous campo (square)
which was historically the point of reference for merchants and for various types of trade activities thanks to its baricentrical location right between the political centre (the area of St.
Mark’s square) and the trade and financial one (Rialto). Its origin seems to be dating back
to the VII century, when, Jesus Christ appeared in a dream to Bishop Magno and suggested
him to build the city’s first churches, the most outstanding and central of which was to be
dedicated to “the Saver of the world”. The church had undergone numerous works of restoration the last of which dates back to the 16 century, whereas the monumental façade was
built in 1633. The interior, in its grandiosity, is harmonious and features typical Venetian shapes, with its crossed dome pattern (the three larger ones are situated longitudinally, whereas
the eight smaller ones are in pairs in the aisles) resembles the St. Mark’s Basilica. Inside the
church are kept the ashes of San Teodoro, first patron saint of the city. The most famous body
to be buried there is the one of Caterina Cornaro, the unfortunate queen of Cyprus who was
obliged to abdicate in favour of the Republic. Above the main altar, Titian’s Transfiguration
covers a precious 1300 silver altarpiece, uncovered during the main feast days.
La maestosa mole della chiesa (1506-34) si erge sul campo omonimo, storicamente punto di riferimento per mercanti e attività commerciali di varia natura, situato com’è in posizione baricentrica tra il polo politico amministrativo della città (l’area
marciana) e quello commerciale e finanziario (Rialto). Le sue prime radici sembrano risalire al VII secolo, all’epoca del
miracoloso intervento che in sogno suggerì al vescovo Magno di edificare le prime chiese della città, tra le quali la più
importante e centrale doveva essere dedicata al “Salvatore del mondo”. Molte sono state le ricostruzioni fino all’ultima del
Cinquecento, mentre la facciata monumentale ed enfatica fu eseguita nel 1633. L’interno, nella sua grandiosità, è armonioso e segue le forme tradizionali veneziane, con il suo schema di cupole a croce (le tre maggiori situate longitudinalmente, le otto minori a coppie nelle navate laterali) che ricorda la Basilica di San Marco. All’interno sono conservate le
ceneri di San Teodoro, primo patrono della città, mentre il defunto più famoso lì seppellito è Caterina Cornaro, l’infelice regina di Cipro costretta ad abdicare in favore della Repubblica. Sopra l’altare maggiore la Trasfigurazione di Tiziano copre una
preziosa pala d’argento del 1300, visibile nelle feste principali.
The most famous Basilica in Venice. The
exterior façades are decorated in
Byzantine style, with columns, basreliefs and coloured marble. On the terrace stand four imposing gilded bronze
horses. The building has five large
domes. The church is decorated inside
with gilded mosaics and treasures representing stories from the Bible.
To see: La Pala d'Oro, il Tesoro.
SAN STAE
map: E3 - S.Croce, Campo S. Stae
ph. +39.041.2750462 - Tickets: € 2.50
Founded in the 12th century, this church
was rebuilt during the 17th century and,
at the beginning of the 18th century, it
was modified also its aspect, facing now
the Grand Canal: the new façade made
by the architect Domenico Rossi. The
church contains a veritable compendium of Venetian 18th -century paintings including an early work by Tiepolo.
To see: works by Tiepolo, Ricci, Piazzetta.
BASILICA DEI FRARI
map: D4 - S. Polo, 3072
ph. +39.041.2728611 - Tickets: € 2.50
It is an example of Gothic architecture
in Venice built between the 14th and
15th century and laid out in the form
of a Latin cross: it is composed of three
naves divided by twelve huge pillars.
To see: the altar-piece “Madonna di casa
Pesaro” and “L'Assunta” by Tiziano, “La
Vergine col bimbo” by Bellini, graves of
Doges and of captains of arms, monuments dedicated to Canova and Tiziano.
SAN GIACOMO DALL’ORIO
map: D3 - Santa Croce
ph. +39.041.2750462 - Tickets: € 2.50
This church was probably built in the 9th
The church has Byzantine origins, but
very few remains of the ancient building, modified during the XV century
and then restored at the beginning of
the XIX by the architect Davide Rossi.
He perfectly harmonized his NeoClassical choises with the original late
Gothic structure.
To see: “L’apparizione della Vergine
innanzi a S. Giovanni Nepomuceno”
by G.B. Tiepolo, the “Via Crucis” by
Giandomenico Tiepolo.
CHORUS
Museum of the city
info: +39.041.2750462
CHORUS CHURCHES:
Santa Maria del Giglio
S. M. Gloriosa dei Frari
Madonna dell’Orto
Santo Stefano
San Polo
S. Pietro di Castello
Santa Maria Formosa
San Giacomo dall’Orio
SS. Redentore
MADONNA DELL'ORTO
S. Maria dei Miracoli
San Stae
Gesuati
ph. +39.041.2750462 - Tickets: € 2.50
S. G. Elemosinario
Sant’Alvise
San Sebastiano
Built in the middle of 1300, this church changed its original name (San
Cristoforo) in Madonna dell’Orto
when an imagine of the Virgin, found
in a garden nearby, was brought in the
church itself. It is a typical Venetian
Gothic religious buildings. It was
Tintoretto’s parish church and he is
buried with his family in the chapel to
the right of the high altar.
To see: works by J.Palma il Giovane and
many prodigious works by J.Tintoretto.
SAN PIETRO DI CASTELLO
map: L5 - C.po S. Pietro di Castello
ph. +39.041.2750462 - Tickets: € 2.50
Legend has it that the church was
built on the ancient Olivolo island,
which was the first settlement of the
inhabitants of Venice. The façade is
by Smeraldi; the interior is built in a
Chorus invites you to visit the
works of art treasures in the
churches of the town. The proceeds collected from the sale of
the tickets will help in the restoration of the churches of Venice.
Chorus Vi invita a visitare i
tesori d'arte conservati nelle
chiese della città.
I proventi realizzati sono utilizzati infatti per il restauro delle
chiese di Venezia.
CHURCHES guide
Chiese
Scuole
Monumenti
Listing tematico
15
Latin cross pattern, with one nave and
two aisles and a large dome in the
centre of the transept.
To see: “Il castigo dei Serpenti” by
Pietro Liberi and the mosaic altarpiece “Tutti i Santi” by A.Zuccato.
BASILICA DELLA SALUTE
map: E6 - Dorsoduro, 1
ph. +39.041.5225558 - Tickets: free
9am - 12pm, 3pm - 6pm
house the miracle-working image of
the “Vergine tra due Santi”, work by
Nicolò di Pietro, worshipped by the
inhabitants of Venice for her thaumaturgic power. The interior has only
one nave and a barrel vaulted roof.
To see: works by V.delle Destre,
Lattanzio da Rimini, Pier Maria and
Gerolamo Pennacchi.
the right side and of the triumphal arch.
BASILICA DI S.MARIA E DONATO
map: L2 - Murano, c.po S. Donato 11
ph. +39.041.739056 - Tickets: free
9am -12pm, 3.30am - 7pm
Sunday 3.30pm - 7pm
SANTISSIMO REDENTORE
SAN GIOVANNI ELEMOSINARIO
map: E7 - Giudecca, 195
ph. +39.041.2750462 - Tickets: € 2.50
In the middle of the 17th century,
Venice was struck by a terrible plague; in order to free the city, the
Republic of Venice’s Senate decided
that a church should have been built,
dedicated to the Virgin, asking her for
Health (salute). Between eleven plans
presented, it was chosen the one by
Baldassarre Longhena and works started in 1631. He designed a temple
having a central area on an octagonal
plan, dominated by a huge dome
with great arches.
To see: “Nozze di Caanan” by J.
Tintoretto, “Pentecoste” by Tiziano, “La
Madonna Bizantina” work from the
13th-century Greek-Byzantine school.
Events: every year on November 21 the
inhabitants process to the Salute for a
service of thanksgiving for deliverence
from the palgue.
S. MARIA FORMOSA
ph. 041.2750462 - Tickets: € 2.50
According to the legend, this is one of
the eight churches founded by St.
Magno, Bishop of Oderzo, in the VII
century, and dedicated to the Virgin
who appeared in a dream to the
Bishop. However, the church, as we
can see it nowadays, was built in 1492
by Mauro Codussi, the leading architect of the early Venetian Renaissance.
The building has a Greek cross pattern, with three naves and the roof in
the shape of a cross vault.
To see: the famous “Polittico” by J.
Palma il Vecchio, “The Last Supper”
by Leandro Bassano.
SANTA MARIA DEI MIRACOLI
CHURCHES guide
ph. +39.041.2750462 - Tickets: € 2.50
16
One of the greatest examples of Palladio’s
architecture, and by some considered his
masterpiece, this church was built as a
result of a motion carried by the Senate
after the plague that struck Venice in
1576.
It is a votive temple dedicated to the
Redeemer.
To see: works by D. Tintoretto, F. Bassano
Events: every year, on the third
Sunday of July, the temple is the destination of a pilgrimage.
BASILICA DEI
SS. GIOVANNI E PAOLO
ph. +39.041.5237510 - Tickets: € 2.50
9.30am - 6pm; Sunday 12pm - 6pm
It was built between the 14th and the
15th centuries and it is the largest
church in Venice. After S. Marco, this
was considered an “official” temple: it
was used for the solemn obsequies of
the dead Doges. The magnificent interior is in the form of a Latin cross, it has
three naves with a cross vault and a
polygonal apse.
To see: the monument to the Doge
Pietro Mocenigo by T. Lombardo.
DEGLI SCALZI
map: C3 - Cannaregio, 54
ph. +39.041.715115 - Tickets: free
9am - 11.50am, 4pm - 6pm
It is one of the most beautiful VenetianByzantine buildings of the 12th century.
The exterior of the hexagonal apse is
very interesting, both for its architectural
beauty and the wealth of its decorative
elements. Five columns of Greek marble
divide the interior into three naves.
To see: the mosaic floor with decorative
patterns and symbolic pictures of animals.
SAN ZACCARIA
ph. +39.041.5221257 - Tickets: € 2.00
10am - 12am, 4pm - 6pm
Sunday 14pm - 6pm
The old church, which belonged to the
nuns of the convent bearing the same
name, is located near the main church,
which was built by Codussi between
1480 and 1500. The new façade is a
typical example of Venetian Renaissance. Two rows of columns with beautiful capitals divided the interior into
three aisles. The great altar is surmounted by a cross vault and a hemispherical dome. The stunning interior is literally covered with paintings.
To see: the altarpiece “Vergine con
putto in trono, Santi e Angeli musicanti” by G. Bellini; the big painting
“Trasporto processionale in S. Zaccaria
dei Corpi Santi” by A. Zanchi and other
works by J. Palma il Giovane.
map: G5 - Zattere - Dorsoduro
ph. +39.041.2750462 - Tickets: € 2.50
10am -5pm, Sunday 1pm - 5pm
LA CATTEDRALE
Isola di Torcello - ph. +39.041.730084
10.30am - 5.30pm - Tickets: € 3.00
The church was built between 1481
and 1489 by Pietro Lombardo to
map: E4 - Rialto, Ruga S. Giovanni
ph. +39.041.2750462 - Tickets: € 2.50
SANTA MARIA DEL ROSARIO
CHIESA DEI GESUATI
Built by the Carmelites and dedicated
to Saint Mary of Nazareth, it was designed by B. Longhena. The façade,
made of Carrara marble, is an example of the Venetian Baroque style.
Once there was also a marvellous
vault frescoed by G.B. Tiepolo; unfortunately, in 1915 it was destroyed by
Austrian bombs.
To see: sculptures, gilt and polychromatic decorations and the fine marbles.
This is an 11th century VenetianByzantine building in the form of a
Romanic Basilica. It is the oldest
monument of this type preserved in
the lagoon. The simple and solemn
interior is made up of precious marbles and gilt mosaics.
To see: the mosaics of the small apse on
ble portal attributed to Bartolomeo Bon.
The interior is divided into three wide
longitudinal Greek marble naves, the
presbytery has interesting inlaid wooden
choir stalls and the ceiling is shaped like
an inverted ship’s hull.
To see: “La lavanda dei piedi” and
“Cristo nell’orto” by J. Tintoretto; “Il
Battesimo di Cristo” by Paris Bordone.
The church of the Jesuits was built
between 1726 and 1735, it was commissioned by Dominicans, after they
took the place of the Jesuits, in order to
replace the small church that still stands
beside it. Giorgio Massari was the author
of the church’s design and of the internal
decoration, assisted by two great artists
of the period: Giambattista Tiepolo and
Gianmaria Morlaiter. The interior, with
its single nave, side chapels and a deep
presbytery, is beautifully balanced.
To see: the altarpiece and the ceiling by
G.B. Tiepolo, the altarpiece by
Piazzetta and “La Crocifissione” by
Tintoretto.
The church of S. Giovanni Elemosinario
was founded before 1071, but nothing
remains of the primitive building, due to
the devastating fire that swept through
the Rialto area in 1514. The current
building has simple and somewhat classical interiors, richly decorated with
many works: token of the special devotion of the school of arts and trades that
used the church premises.
To see: The altarpieces by Titian and by
Pordenone and the frescoes in the
cupola came to light again during the
restoration work.
SCHOOLS
SCUOLA GRANDE DI
S.GIOVANNI EVANGELISTA
map: D4 - S.Polo, 2454
ph. +39.041.718234 - Tickets: € 5.00
Visit: booking is necessary
It’s one of the six Scuole Grandi and,
according to Venice history, art and culture, it’s considered one of the greatest. The
building is a splendid Renaissance architecture example. The elegant double
stairway inside, lit with large arched windows, was built by Codussi. The beautiful
exterior Renaissance iconostasis, with its
carved decoration, was designed by P.
Lombardo.
To see: the ceiling with visions of the
Apocalypse, works of great masters such
as G.B. Tiepolo, Diziani, Marieschi.
SCUOLA GRANDE DI S.ROCCO
map: D4 - San Polo, 3054
ph. +39.041.5234864 - Tickets: € 5.50
9am - 5.30pm
This 16th century Renaissance building,
designed by Bartolomeo Bon, lodges
the school dedicated to San Rocco, the
protector of plague-strickens. San
Rocco archconfraternity’s seat is still
very active in the organisation of cultural meetings and concerts.
To see: an extraordinary collection of
works by Tintoretto, the numerous art
treasures of the 15th century, the
historic Nacchini organ.
SCUOLA GRANDE DI S. MARCO
map: G4- Castello
Campo SS. Giovanni e Paolo
SCUOLA GRANDE DI S. TEODORO
ph. +39.041.5287227 - Tickets: free
9.30am -12pm • Closing day: Sat, Sun
SANTO STEFANO
map: E5 - S.Marco, 3825
ph. +39.041.2750462 - Tickets: € 2.50
SCUOLA GRANDE DELLA MISERICORDIA
This is a magnificent example of
Venetian Gothic art. The 14th century
façade is decorated with a splendid mar-
SCUOLA GRANDE DI
S. MARIA DELLA CARITÀ
map: E2 - F.ta della Misericordia
La tradizione, il costume, la cultura. Venezia riscopre
la sua storia attraverso la maschera. Un’arte che riporta all’antica scuola dei maschereri, ripresa e rivisitata
oggi nelle botteghe artigiane del centro storico.
he origins of the Venice
Carnival are lost in the
mists of time. The
Carnival was an enchanted
moment involving the whole
City, a symbol of liberty and
“transgression” against all the
rules imposed by the “Repubblica
Serenissima”, reflecting humanity’s timeless need to get caught
up in the games and intoxication
of celebration. It was a great illusion involving both the aristocracy and the poor alike, allowing
people to disguise their identity,
their sex and social class. In this
celebratory atmosphere the mask
represented the only way in
which everyone could be considered equal. For Venetians masked
in dominoes or dressed in one of
the multitude of different disguises available to them, it was a
time when life could be lived to
the full. Nobles opened the
courtyards of their palaces to the
festivities. In the streets, on the
canals and on the not-to-be-missed trip to “Liston” (where the
most sumptuous masks in the
City were to be found) the standard greeting was “Good Day to
you, Madam Mask”, individual
identity, sex and social class had
ceased to exist, all were able to
participate in the great illusion
that was the Carnival. Carnival
was once a magic moment that
enveloped the whole city, standing for liberty and trangression
against the regulations imposed
by the Most Serene Republic until
the end of the eighteenth century.
Yet masked costume was worn
T
MYSTERIOUS
CHARACTERS
Tradition, costume, culture. Venice rediscovers
its history through costume. Costume creation is
an art that takes us back to the ancient school
of mask makers, taken up again and to be seen
a new in the craft shops in the historic centre.
e origini del Carnevale di Venezia si
perdono nel tempo. Il
Carnevale era un momento
magico che coinvolgeva tutta
la città, il segno della libertà
e della "trasgressione" a
tutte le regole imposte dalla
Repubblica Serenissima, il
bisogno tipico dell'uomo di
abbandonarsi al gioco e
all'ebbrezza della festa. Una
grande illusione che coinvolgeva ceti nobili e poveri, che
attraverso la sue forme celava l’identità personale, il
sesso, la classe sociale.
In questo clima di festa la
maschera rappresentava l'unica possibilità di essere considerati tutti uguali.
Mascherati in bauta o in uno
dei tanti fantasiosi travestimenti i veneziani vivevano
intensamente questo periodo. Le corti dei palazzi si
aprivano alle feste. In tutti i
campi, spettacoli e musica
rallegravano i giorni e le
notti. Lungo le calli, per i
canali o nel passeggio d'obbligo al "liston", dove venivano sfoggiate le maschere
più sontuose della città, il
saluto era "buongiorno siora
maschera": l'identità personale, il sesso, la classe sociale
non esistevano più , si entrava a far parte della grande
illusione del Carnevale.
Ma in realtà la maschera era
usata per sei mesi l’anno.
Portata dai signori, nei caffè,
nei “ridotti” della città, dalle
L
EVENTS OF THE DAY
SABATO 26 GENNAIO
La festa delle Marie
Una delle più antiche e celebri ricorrenze veneziane.
Ore 15.00: da S. Pietro di Castello a
Piazza San Marco.
DOMENICA 27 GENNAIO
Il volo dell’angelo
Un evento tradizionale del Carnevale
di Venezia 2008 rivisitato per Sensation.
Ore 12.00: Piazzetta San Marco
MARTEDÌ 29 GENNAIO
Carnevale al buio
Una festa di Carnevale al buio, dove
tutti gli altri sensi, in particolare il tatto,
saranno protagonisti.
Ore 11.00: Magazzini del Sale (€)
for six months of the year. It was
used by gentlemen in the cafés
and gambling places and by the
ladies at the innumerable parties
in the palaces of the Venetian aristocracy. Costume was also worn
by the ordinary people, so that
they could merge into the crowd.
An air of mystery descended over
the city in those times. The
famous tabari, black Venetian
cloaks and the white baute, white
robes, made their wearers look
enigmatic. The mask, in fact,
made everyone the same: tumblers, prostitutes, noblemen and
charlatans. But it was also a tool,
like the mask with the long nose
used by the industrious physician,
the plague doctor who covered his
face not to be detected by the people, who would have avoided
him. It must have been a torture
to wear the muta, a ladies’ mask,
usually black, held over the face
by means of a mouthpiece that
had to be clenched between the
teeth. Masks underwent a process
of change during the course of
history: first they were dress accessories, then they were used on all
occasions, and then they took on
the form of Commedia dell’Arte
characters for Carnival occasions.
One way or the other, the mystery
remains intact in time.
MERCOLEDÌ 30 GENNAIO
Il senso del Nord
Un’alternanza spettacolare di pantomima, maschere e danza.
Ore 19.00: Piazza San Marco
GIOVEDÌ 31 GENNAIO
Shukar Collective – Dj Vasile, Electric Brother, DJ
Gojira - Fanfara Savale
Un mix insolito.
Ore 22.00 - 03.00: Pad. Italia – Biennale
VENERDÌ 1 FEBBRAIO
Sensation show
L'evento che riunisce 6 sensi in Piazza San Marco.
Ore 20.00 e 22.00: Piazza San Marco
dame alle numerose feste di
palazzo dell’aristocrazia veneziana. Serviva anche al
popolo, per poter confondersi fra la folla. Calava
un’atmosfera di mistero in
quel tempo. Mantelli neri, i
famosi “tabari”, e bianche
baute che davano alla figura
un aurea di mistero. La
maschera, insomma, rendeva
tutti uguali. Saltimbanchi,
prostitute, nobiluomini e
ciarlatani. Ma era anche strumento di lavoro. Come quella a “naso lungo” usata dal
“medico industrioso”: il
medico della peste che si
copriva il volto per non farsi
riconoscere dal popolo che
lo avrebbe evitato. Una tortura deve essere stato indossare la “muta”, una maschera, solitamente nera, portata
dalle signore e che si reggeva
in volto attraverso un “boccaglio” da serrare fra i denti.
Nel corso della storia la
maschera subisce una evoluzione. Prima è accessoria al
vestito, poi, nelle occasioni
carnevalesche, prende le
forme della commedia dell’arte. In un modo o nell’altro il mistero resta intatto nel
tempo.
SABATO 2 FEBBRAIO
Incontri, luci ed essenze
Uno show fatto di danza, fuochi ed elementi
circensi.
Ore 19.00: C.po San Giacomo dell’Orio
MARTEDÌ 5 FEBBRAIO
Il Carnevale di Burano
Il Carnevale di Burano e una sorprendente
festa finale di chiusura.
Tutto il giorno fino a sera: Isola di Burano
The pictures of the service, taken by Francis Glorieus and
drawn from the book “Venezia. Il carnevale”, have been
kindly provided by Edizioni Grafiche Vianello / VianelloLibri.
Le immagini di questo servizio, scattate da Francis Glorieus e
tratte dal libro “Venezia. Il carnevale”, sono state pubblicate
per gentile concessione di Edizioni Grafiche Vianello /
VianelloLibri.
SPECIAL
DOMENICA 3 FEBBRAIO
Il bagno degli ibernasti
Un tuffo nelle acque gelate con brunch gratuito.
Ore 11.30: Lido di Venezia, spiaggia Blue Moon.
21
GLASS ART
BERENGO FINE ARTS
SHOPPING
Fondamenta dei Vetrai, 109/a - Murano
map: F5 - ph. +39.041.739453
FORMIA
Fondamenta Vetrai, 138 - Murano
map: L2 - ph. +39.041.739285
SEGUSO VIRO GALLERY
guide
map: I2 - ph. +39.041.5274455
Ottica
Mantovani
Since 1871
PRESCRIPTION GLASSES READY IN 30 MINUTES
In the premises you can admire works by
renowned glass masters and famous painters.
EXCLUSIVE DEALER
CLAUDIO TIOZZO GLASS STUDIO
Riva Longa, 23 - Murano
map: L2 - ph. +39.041.736710
VETRERIA ARTISTICA SCHIAVON
Fond.ta Vetrai, 7 - Murano
map: L3 - ph. +39.041.739396
BARBALICH
shopping info
Opening hours: 10 a.m. - 7.30 p.m.
The listing proposes a directory of
the best and original stores, organized in product categories.
It is a complete list, edited by the
VM staff, able to satisfy all your
requirements.
I negozi sono aperti dalle 10 a.m. alle
7.30 p.m. Segue una selezione dei
migliori e particolari esercizi commerciali divisi per categoria merceologica. Una vasta panoramica in
grado di rispondere a qualsiasi esigenza: il tutto garantito da VM.
ACCESSORIES
SERMONETA GLOVES
Mercerie - San Marco, 4958
map: F4 - ph. +39.041.2770658
On show the new collection
“Evoluzione” designed and realized
by Simone Cenedese.
DOMUS VETRI D’ARTE
map: L2 - ph. +39.041.739215
Located along the main walk
Fondamenta Vetrai the shop also features wonderful pieces by SegusoViro
and Alfredo Barbini.
NASONMORETTI STORE
Fondamenta Manin, 52 - Murano
map: L3 - ph. +39.041.5274866
ANTIQUES
ANTICHITA’ CESANA
SALVIATI
Calle XXII Marzo - S.Marco, 2070
map: E5 - ph. +39.041.5227789
Frezzeria - S.Marco, 1586-1588
map: F5 - ph. +39.041.2412687
LE ZOIE
VENINI
Calle dei Boteri - S.Polo, 1566
map: E4 - ph. +39.041.2758694
Piazza San Marco, 314
map: F5 - ph. +39.041.5224045
FERRO VETRO
Campo S.Stefano, 7 - Murano
map: L2 - ph. +39.041.5275398
Calle XXII Marzo - S.Marco, 2400/a
map: E5 - ph. +39.041.2777852
www.sermonetagloves.com
PRESENTS THE NEW RIMLESS EYEWEAR ULTRALITE
THE MOST RESISTANT
MANDARINA DUCK
Mercerie del Capitello - S.Marco, 4944
map: F4 - ph. +39.041.7241113
Coccinelle is the brand that offers
today’s woman the most suitable
array of coordinated accessories for
every occasion.
Step out in style with Accessorize:
applique bags, chunky jewellery
and all that you need in terms of
fashion accessories. Perfect also as
gift ideas!
BORSALINO
FERRARI STORE
Calle del Lovo - San Marco, 4822
map: F4 - ph. +39.041.2411945
San Marco, 4800/b
map: F4 - ph. +39.041.5228183
In the atelier 'Le Zoie' you feel a real
love for art and beautiful things.
Passionate antiques collector, Michele
Dal Bon, offers a wide choice of
jewellery, watches, icon paintings and
antique silver.
FerroVetro, situated in a square
in the heart of Murano, offers to
its visitors a variety of different
articles:
costume
jewellery,
vases, sculptures, plates and
glasses, all of them are exclusive
products.
DAVIDE PENSO
San Marco, 783
map: F5 - ph. +39.041.5225718
Riva Lunga, 48 - Murano
map: L2 - ph. +39.041.5274634
Jewelry designer, glass beadmaker.
GIOIELLERIA CODOGNATO
San Marco, 1295
map: F5 - ph. +39.041.5225042
BOOKS & MUSIC
made and designed for an extra attractive
individual classic or fancy look
LIBRERIA FILIPPI
Casselleria - Castello, 5284
map: F4 - ph. +39.041.5236916
Thematic bookshop: History, Culture
and Traditions of Venice.
San Marco, 4860 - ph. +39.041.5223427
www.otticamantovani.it - [email protected]
SHOPPING guide
COCCINELLE
ACCESSORIZE SHOP
SHOPPING guide
Riva Longa, 25/a - Murano
map: L2 - ph. +39.041.739202
LINEA VETRO DI SIMONE CENEDESE
San Marco, 670
map: F5 - ph. +39.041.5235911
22
GALLERIA REGINA
Fondamenta Serenella, 36 - Murano
map: L2 - ph. +39.041.739777
EMPORIUM ALVIERO MARTINI
MURANO
Campo S. Stefano, 7
ph. +39.041.5275398
www.ferrovetro.com
Fond.ta Manin, 56 - Murano
map: L2 - ph. +39.041.5275392
FRATELLI BARBINI GLASS MIRROR
map: F5 - ph. +39.041.5223325
VETRO
MANIN 56
Exhibition of contemporary glass art,
unique and limited editions.
Ferro Vetro
FerroVetro nasce da un idea dell’architetto Gianmarco Ferro di offrire pezzi
unici rigorosamente fatti a mano e prodotti a Murano. Nel suo curriculum
oltre a lampade ed oggetti in vetro anche
il progetto dell’Albero in Vetro, Natale
2006 e della Stella in Vetro, Natale 2007
map: E5 - ph. +39.041.5231191
F.ta Venier, 29 - Murano
map: L2 - ph. +39.041.5275353
Accessories
Antiques
Jeweller’s shops
Boutiques
& Griffes
Handicraft
FerroVetro is the result of architect
Gianmarco Ferro’s idea to offer unique
objects, rigorously hand-made and produced in Murano. A part from the production of glass objects and lamps, he
can also boast the Glass Tree, Christmas
2006 and Glass Star, Christmas 2007
MA.RE
23
LACES AND
HANDICRAFT
OF ART
LA PERLA LACES
CHANEL BOUTIQUE
Cannaregio, 5671
map: F4 - ph. +39.041.5209232
Via Galuppi, 287 Burano
Ph. +39.041.730009
San Marco, 1254/A
map: F5 - ph. +39.041.5221851
CLOTHING
You can't buy style! Original one of a kind
pieces to create your retrò look.
CELINE
AL DUCA D'AOSTA
JEWELLERS
Calle Vallaresso, 1307
map: F5 - ph. +39.041.5205733
Mercerie - S. Marco, 4945/46
map: F5 - ph. +39.041.5220733
BULGARI
DOLCE & GABBANA
BLACK WATCH
Calle del Forno - San Marco, 4594
map: E5 - ph. +39.041.5231945
LA COUPOLE MAN
map: E5 - ph. +39.041.5224243
LA COUPOLE WOMAN
map: E5 - ph. +39.041.2960555
LA COUPOLE BABY
map: E5 - ph. +39.041.5231273
MERLETTI E
ARTIGIANATO
D’ARTE
HIBISCUS
Calle de l’Ogio - San Polo, 1060
map: E4 - ph. +39.041.5208989
BURANO
via Galuppi, 287
ph. +39.041.730009
www.laceinvenice.com
Calle XXII Marzo - S. Marco, 2282
map: E5 - ph. +39.041.2410553
DAMIANI
Salizada S. Moisè - S. Marco, 1494
map: F5 - ph. +39.041.2770661
TOKATZIAN
map: F5 - ph. +39.041.5233821
GIANMARIA BUCCELLATI
Mercerie - San Marco
map: F5 - ph. +39.041.5226540
POMELLATO
San Marco, 1298
map: F5 - ph. +39.041.5201048
CERIELLO
SHOPPING guide
24
Laboratorio artigiano e
Atelier in Venezia. Punto
d’incontro di artisti e artigiani. Heidicafé vi propone Idee
o Idiozie. Espressioni artistiche. Oggetti da regalo.
Complementi d’arredo...
Calle Barbaria de le Tole - Castello, 6656
ph. +39.041.2412589 - [email protected] - www.heidicafe.com
Campo S. Luca - S. Marco, 4574
map: E5 - ph. +39.041.5228485
HERMES
S.Marco, 53
Map. F5 – ph. +39.041.5200807
LOUIS VUITTON
MICROMEGA OTTICA
San Marco, 2436
map: E5 - ph. +39.041.2960765
OTTICA MANTOVANI
HANDICRAFTS
HEIDICAFÉ
C.lle Barbaria de le Tole - Castello, 6656
map: G4 - ph. +39.041.2412589
BOUTIQUE - GRIFFE
ARMANI JEANS
Calle Goldoni - S. Marco, 4485
map: E5 - ph. +39.041.5236948
map: F5 - ph. +39.041.5237728
MALO
C. delle Ostreghe - S. Marco, 2359
map: E5 - ph. +39.041.5232162
BLUMARINE
MAX MARA
map: E5 - ph. +39.041.5232754
BRUNO MAGLI
Frezzeria - S. Marco, 1583/85
map: F5 - ph. +39.041.5223472
BRUNO MAGLI
Calle Goldoni - San Marco, 4599
map: E5 - ph. +39.041.5202164
DIESEL STORE
Salizada Pio X - San Marco, 5315/6
map: F4 - ph. +39.041.2411937
Just a couple of minutes walk from Campo
Ss. Giovanni e Paolo (10 minutes from S.
Marco and Rialto), our cosy Atelier will
offer you handmade works, artistic pottery,
gift ideas and fancy furniture objects…”
LUISA SPAGNOLI
San Marco, 1316
map: F5 - ph. +39.041.5205733
CALVIN KLEIN JEANS
S.Marco, 4918
map. E5 – ph. +39.041.2771632
C. L. de l’Ascension - S.Marco, 1255
map: F5 - ph. +39.041.5224500
AGNONA
S. Marco, 1302
map: F5 - ph. +39.041.5227210
MISSONI SPORT
EMILIO PUCCI
HENRY COTTON’S
map: F5 - ph. +39.041.5237678
C. de l’Ascension - S. Marco, 1257/A
map: F5 - ph. +39.041.5222573
S.Marco, 80
map. F5 – ph. +39.041.5224378
map: F5 - ph. +39.041.5229119
FREY WILLE
LORO PIANA
PIGNATON
GUCCI
LACOSTE
San Marco, 1321
map: F5 - ph. +39.041.5223851
Artisan workshop and Atelier
in Venice. Meeting place for
artists and artisans. Heidicafé
suggests you Ideas and
Idiocies. Artistic expressions.
Gift ideas. Furniture objects
and much more…
Calle Goldoni - S. Marco, 4412
map: E5 - ph. +39.041.5234758
Campo S.Zulian - S. Marco, 606
map: F5 - ph. +39.041.5222071
The oldest optic shop in the city exclusive dealer for Theo and IDC. Prescription
glasses ready in 30 minutes.
MARLY’S
F.ta dell’Osmarin - Castello, 4968
map: G5 - ph. +39.041.5223036
C.po S. Rocco - San Polo, 3045/3046
map: D4 - ph. +39.041.5221634
San Tomà - San Polo, 2940/b
map: D4 - ph. +39.041.717966
GIORGIO ARMANI
Procuratie Vecchie - S. Marco, 127
map: F5 - ph. +39.041.5210117
CAMICERIA S. MARCO
Calle Larga S. Marco, 287
map: F5 - ph. +39.041.5225147
ATELIER MAREGA
S. Marco, 1474
map: F5 - ph. +39.041.2778532
CARTIER
Campo SS.Filippo e Giacomo, 4275
map: G5 - ph. +39.041.5222062
LA TOUR
Walking through the main street
you can find our three shops “LA
PERLA” where you can admire the
whole exhibition of original handmade laces and much more...
map: F4 - ph. +39.041.5230609
San Marco, 4860
map: F4 - ph. +39.041.5223427
Calle Vallaresso - S. Marco, 1340
map: F5 - ph. +39.041.5221432
FENDI
SALVADORI
EYEWEAR
Offering you innovative and colourful
womens wear; hand-made jewellery,
scarves, bags and many “one-off”
pieces.
Mercerie - San Marco, 223/226
map: F5 - ph. +39.041.5287933
ROBERTA DI CAMERINO BOUTIQUE
map: F5 - ph. +39.041.5210117
ROBERTA DI CAMERINO ATELIER
map: F5 - ph. +39.041.5226688
MAX & CO
map: F4 - ph. +39.041.5230817
MISSONI
Calle Vallaresso - S. Marco, 1312/N
map: F5 - ph. +39.041.5205733
PAL ZILERI
map: F5 - ph. +39.041.5229020
PRADA STORE
Campo S. Moisè - S. Marco, 1469
map: F5 - ph. +39.041.5283966
ROBERTO CAVALLI
Calle Vallaresso - S. Marco, 1316
map: F5 - ph. +39.041.5205733
SALVATORE FERRAGAMO
map: E5 - ph. +39.041.2778509
S.Marco, 1318
map. F5 – ph. +39.041.5205733
VENETIA STUDIUM
Cannaregio, 6359/E
map: F3 - ph. +39.041.2410440
ZETA SPORT
map: E5 - ph. +39.041.5236953
REPLAY STORE
TRUSSARDI UOMO DONNA
S.Marco, 4668
map. E5 – ph. +39.041.5220718
An extraordinary collection coming from
the artistic partimony left by Fortuny.
San Marco, 4856/7
map: F4 - ph. +39.041.2411936
Spadaria - San Marco, 695
map: F5 - ph. +39.041.5285757
SHOPPING guide
BURANO
AS YOU LIKE VINTAGE BOUTIQUE
San Marco, 1345
map: F5 - ph. +39.041.5222193
ph. Kasia Teodorczuk
la Perla
LIBRERIA MONDADORI
25
Corte Foscara - S. Marco, 1473
map: F5 - ph. +39.041.5205733
ERMENEGILDO ZEGNA
Bocca di Piazza, S.Marco, 1241
map: F5 - ph. +39.041.5221204
BATA SHOES
ERMENEGILDO ZEGNA BOUTIQUE
C/O THE WESTIN EXCELSIOR
An amazing restyling for the Bata
store which has reopened last
February.
Lungomare Marconi, 41 - Lido
ph. +39.041.2769385
BOTTEGA VENETA
San Marco, 1337
map: E5 - ph. +39.041.5228489
ETRO
GEOX SHOP
San Marco, 4943
map: F5 - ph. +39.041.2413182
BALLY
LA PARIGINA
San Marco, 712
map: E5 - ph. +39.041.2950502
Fiumicino Airport Terminal B
tel./fax 39 06 65953933
La Rinascente
piazza Colonna
Milano
via della Spiga 46
tel. 39 02 76318303
fax. 39 02 76318993
SHOPPING guide
La Rinascente
via S. Radegonda 3
26
we glove you
www.sermonetagloves.com
Padova
La Rinascente
via Calvi 7
New York
609, Madison Avenue
ph. 1 212 3195946
CALZATURE BALLIN
Cannaregio, 5758
map: F4 - ph. +39.041.5224399
SERGIO ROSSI
S.Marco, 705
GOURMET FOOD
S.Marco, 4600/A
map. E5 - ph. +39.0415285608
CIPRIANI FOOD
MARINA RINALDI
Campo dell’Erbaria
map: E4 - ph. +39.041.2770948
PALMISANO CARMELINA
LINGERIE
Burano - Via Galuppi, 355
ph. +39.041.730010
LA PERLA
LA CAFFETTERIA CAFFÈ DEL DOGE
S. Salvador - S. Marco, 4828
map: G5 - ph. +39.041.5226459
map: E4 - C.lle dei Cinque-S.Polo, 608
ph. +39.041.5227787
JADE MARTINE
I TRE MERCANTI
Frezzeria - San Marco, 1645
map: F5 - ph. +39.041.5212892
IDEE ORIGINALI PER IL VOSTRO
SHOPPING.
Mercerie - S. Marco, 727
map: F5 - ph. +39.041.5226743
MALIPARMI
San Marco, 266
map. F5 – ph. +39.041.2770064
ULTIMATE
shopping
ORIGINAL IDEAS FOR YOUR
SHOPPING.
F.LLI ROSSETTI
map: F5
D&G
Roma
Piazza di Spagna 61
tel. 39 06 6791960
fax. 39 06 6797167
S. Marco, 1477
map. F5 – ph. +39.041.5220819
ERMANNO SCERVINO
San Marco, 1462
map: E5 - ph. +39.041.5200057
only in - Venezia
Calle XXII Marzo 2400/A
tel./fax 39 041 2777852
FRATELLI ROSSETTI
Calle Larga Mazzini - S. Marco, 4800
map: F4 - ph. +39.041.5230571
VERSACE
gloves
Saliz. S.G. Grisostomo - Cannaregio, 5737
map: F4 - ph. +39.041.5206451
San Marco, 1349
map: E5 - ph. +39.041.5221785
San Marco, 4919
map: F5 - ph. +39.041.5285839
Sermoneta
Fashionable shoes, clothing and
accessories for men and women.
Five minutes walk from Rialto
bridge.
map: F5 - C.po della Guerra - Castello, 5364
ph. +39.041.5222901
HOME WARE
FRETTE
Calle XXII Marzo - S. Marco, 2070/A
map: E5 - ph. +39.041.5224914
1
2
3
4
5
1|COCCINELLE SPRING-SUMMER COLLECTION
Large and soft sheep leather hand-bag.
COCCINELLE
Mercerie 4958, San Marco - Venezia
2|MORENO CEDRONI MARMALADES
Specialities created by a famous italian Chef. Unusual
marmalades and jams for high cuisine couplings.
I 3 MERCANTI
Campo della Guerra 5364, Castello - Venezia
3|CERAMIC FISH
Ceramic fish, hand decorated with gloss and satin enamel. It can be used as furniture ornament or as a candle lamp, available in various colours and dimensions.
HEIDICAFÉ
Calle Barbaria de le Tole 6656, Castello - Venezia
RUBELLI
4| SPHINX COLLECTION SUMMER 2007
Multicolor bangles for her.
FREY WILLE
Piazza San Marco - San Marco, 53 - Venezia
San Marco, 3877
map: E5 - ph. +39.041.5236110
FOOT WEAR
FOOT LOCKER
map: F4 - ph. +39.041.5220803
" I Tre Mercanti, it starts from this
prestigiouis food gallery a journey
among the taste and the pleasure
of the Italian kitchen. A few metres
from St.Mark, to discover the top
of of the italian food and wine”.
5|NINFE
"Alzatina" in glass hand-made
FERRO VETRO
Campo S. Stefano 7, Murano - Venezia
POLLINI
map: F5 - ph. +39.041.5237480
WINE SHOPS
TOD'S CALZATURE
MILLEVINI
map: E5 - ph. +39.041.5206603
ph. +39.041.5206090 - Closed Sundays
BATA SHOES
VINO E VINI
Mercerie - S.Marco, 4979/a
map: F4 - ph. +39.041.5929766
6|CARTIER 18KT GOLD
Rare vintage tank watch with deployant buckle 1920 ca.
ATELIER LE ZOIE
Calle dei Boteri, 1566 - San Polo - Venezia
6
7
7|BRAND / CATHERINE PARRA
Sac Axel (40x25 - black, gray and brown).
HIBISCUS
Calle de l’Ogio, 1060 - San Polo - Venezia
SHOPPING guide
VALENTINO
27
Venetian Tales
Dining guide
LEGGENDE VENEZIANE
di Alberto Toso Fei
BUT DO AMERICANS LIVE IN HUTS?
28
Alberto Toso Fei,
from Murano,
was born in
Venice in 1966.
Traveller and journalist, he comes
from one of the
oldest
glass
blowing families
on the island. A
passionate researcher of history and local custums, he
has activated an internet site
(www.venetianlegends.it). “Venetian legends and ghost stories” (translated in English and
French), “Veneziaenigma” and
“Misteri della laguna e racconti di
streghe” (availables only in the original Italian version) can be found
in libraries (Elzeviro editions).
Alberto Toso Fei,
muranese, è nato a Venezia nel
1966. Viaggiatore e giornalista, discende da una
delle antiche famiglie di vetrai
dell'isola. Appassionato studioso
di storia e costume locale, ha attivato un sito
internet (www.venetianlegends.it).
“Leggende veneziane e storie di
fantasmi” (tradotto anche in
inglese e francese), "Veneziaenigma" e “Misteri della laguna e
racconti di streghe” (presenti
attualmente nella sola edizione
italiana) sono i suoi tre libri dati alle
stampe editi da Elzeviro.
Restaurants
Bacari
Pizzerie
Pastry-shops
& the City Listing
© Vito Vecellio
MA GLI AMERICANI VIVONO IN CAPANNE?
Esiste un divertente aneddoto di natura giudiziaria che in
laguna capitò a William Dean Howells, console americano a
Venezia per conto del presidente statunitense Abraham
Lincoln, dal 1861 al 1865. Howells aveva subìto un furto in
casa, e stava presentando denuncia ad un commissario, a
Palazzo Ducale; in quel periodo (la città sarà annessa al
regno d’Italia solo nel 1866) la polizia era più attenta a perseguire i crimini politici che ruberie e reati minori, che per
questo motivo si contavano in gran numero. Dopo i convenevoli e la stesura dei dati, il diplomatico iniziò a raccontare
di aver visto, verso l’albeggiare, la testa del ladro spuntare
dalla finestra di casa, ed un braccio protendersi verso la sua
roba. “Scusi, signor console – interruppe il commissario –
come ha potuto vederlo?” “Perché non c’era niente al
mondo che potesse impedirmelo. La finestra era aperta”.
“La finestra era APERTA! – si stupì il commissario – vuole
dire che lei dorme con le finestre aperte?” “Credo di fare
quello che fanno tutti, d’estate. E’ il costume generale”.
Howells ebbe l’impressione che solo la sua posizione ufficiale gli impedisse di pigliarsi dello stupido. Il commissario
rimase fermo per un attimo, poi si alzò sulla grande sedia e
lo fissò per qualche istante. “Perdoni”, disse, e voltatosi
verso il segretario, gli dettò: “Scrivi che, CONFACENTEMENTE con le abitudini americane, i signori stavano dormendo con le finestre aperte”. Il diplomatico ne concluse
che il commissario considerasse queste abitudini un retaggio
del tempo in cui gli americani abitavano tutti in capanne.
RISTORANTE DO LEONI
Hotel Londra Palace - Riva degli Schiavoni, 4171
The magnificence of the renewed Do Leoni restaurant -located along the
waterfront Riva degli Schiavoni- is conjugated with a high standard cuisine, which is well known in the most rated guides, it suggests delicate and
elaborated dishes. All decorations are sophisticated, the care of all details,
the shimmer of the illumination and delicate lights, create a welcoming
and elegant atmosphere. An invitation to sit back alone or together with
some friends. Recipes, wisely presented and combined with an extremely
refined service and an exceptional view, continue being the essential standards at the Do Leoni restaurant. In addition, during the warmer season,
you may take a sit to enjoy a drink on a fabulous outdoor veranda, which
is just a few meters away from the Lagoon.
La bellezza del rinnovato ristorante Do Leoni, situato lungo la Riva
degli Schiavoni, è coniugata con l’alto livello della sua cucina che,
riconosciuta dalle più affermate guide, propone delicate e ricercate
pietanze. Le decorazioni raffinate , la cura dei dettagli, lo scintillio
dei colori e la delicatezza delle luci creano un’atmosfera calda e gradevole. Un invito a rilassarsi da soli o con gli amici. Una cucina di
grande qualità, sapientemente condotta, abbinata a un servizio estremamente curato con una vista incomparabile sono e resteranno i valori fondamentali del ristorante Do Leoni. Inoltre nella bella stagione
potrete gustare un pranzo o un drink su una splendida veranda esterna a pochi metri dalla laguna.
DINING guide
VENETIAN Tales
There is a funny anecdote of a judicial nature that once happened in Venice to William Dean Howells, American consul in
Venice on behalf of the president of the United States Abraham
Lincoln, from 1861 to 1865. Howells had suffered a theft in his
house and was reporting it to a police officer at Palazzo Ducale.
At that time – the city will be annexed to the reign if Italy only
in 1866 – the police was more interested in prosecuting political
crimes rather than thefts or minor crimes which, for this reason,
were very frequent. After having exchanged amenities and written down the data, the diplomat began recounting that almost
at the break of dawn he saw the head of the theft sticking out of
the house window and an arm stretching out towards his belongings. “Excuse me Mr. Consul – interrupted him the police officer – how come you saw him?” “Because nothing on the earth
would have prevented me from seeing him. The window was
open”. “The window was OPEN! – said the police officer surprised – and you’re telling me you sleep with the windows
open?” “I think I do what everybody else does during summer.
It is a habit”. Howells had the impression that the only reason
why he was not considered a stupid was because of his being a
diplomat. The police officer remained silent for a second, stood
up from the large chair and looked at him for a few minutes.
“Excuse me”, he said and turning to the secretary he dictated
him: “Write that, as American habit wants, the gentleman was
sleeping with the windows open”. The diplomat understood
that the police officer considered those habits a legacy of the
times in which the Americans used to live in huts.
29
DINING
CITY LISTING
RISTORANTE CANOVA
Luna Hotel Baglioni
ph. +39.041.5289840
CLUB DEL DOGE
Hotel Gritti Palace
map E6 - S. Marco, 2467
ph. +39.041.794611
GARDEN BAR
Bauer Palladio Hotel & Spa
map: F7 - Giudecca Island, 33
ph. +39.041.5207022 - Open daily
The recently opened Bauer Palladio
Hotel & Spa offers a charming
Garden Bar in an authentic styled
Palazzo from 1500 designed by
Andrea Palladio. Guests can enjoy
cocktails & drinks in a relaxing atmosphere in- or outdoor.
The “Baglioni wineclub” waits for you
Friday 9 november at 8 pm for a special enogastronomic event: “the proportion of taste” a tour amongst the
flavours of italian wines and cheeses.
For more information please call the
number above.
The Restaurant-wine bar offers its
patrons carefully recreated ancient recipes from the last six centuries of
Venetian cuisine and Venetian folk cuisine and a highly-selective wine list. Open
for late night dinner or drinks only.
TAVERNA CAMPIELLO DEL REMER
ph. +39.349.3365168 - Open daily
LA PISCINA
map: D6 - Dorsoduro, 780-782
ph. +39.041.2413889 - Closed Mondays
map F5 - S. Marco, 1659/b
ph. +39.041.2960664
ETHNIC CUISINE
Argentinian
EL ARGENTINO
Mexican
IGUANA
BACARI & HOSTARIE
HOSTARIA GALILEO
map: E5 - C.po S.Angelo, 3593
ph. +39.041.5206393 - Closed Tuesdays
Warm and intimate “trattoria”, the enticing
menu is based on classic cuisine blend to
create a truly memorable dining experience. The restaurant’s gracious outdoor terrace provides the opportunity to dine under
the stars when weather permits.
“A refined, innovative Venetian and
Veneto cuisine awaits you in the sleek,
elegant decor of the Do Leoni Restaurant,
with its incomparable view of the Basin of
St. Mark and the Island of San Giorgio.”
AMERICAN BARS
TARNOWSKA’S AMERICAN BAR
Hotel Ala
map: E5 - Campo S. M. del Giglio
ph. +39.041.5208333 - Open daily
At the Galileo our chefs offer you traditional Veneto Italian cooking accompanied by a fine selection of
Italian wines. Charming is the stallage
right in Campo S.Angelo.
CAFÉS
LA CAFFETTERIA CAFFÈ DEL DOGE
RISTORANTE AL BRINDISI
map: E4 - C.lle dei Cinque-S.Polo, 608
map: D2 - Cannaregio, 307
ph. +39.041.716968 - Open daily
ph. +39.041.5227787 - Open daily
CAFFÈ LA PISCINA
A great cuisine made of Venetian and
traditional dishes, in a warm and charming setting with a breathtaking view.
map: D6 - Dorsoduro, 780-782
RESTAURANT AROMI
Hotel Hilton Venice
map C6 - Giudecca island, 810
ph. +39.041.2723311
Traditional Venetian cuisine right in
the historical centre of the city, facing
the lovely campo S.Geremia. Easy
reachable in five minutes walk from
the station.
DINING guide
CENTRALE RESTAURANT LOUNGE
map: D4 - Rio terà Carampane 1911
ph. +39.041.5240165
Closed on Sun. afternoon and Mon.
map: E5 - Campo S. Fantin
ph. +39.041.5224121 - Open daily
30
map F5 - San Marco, 1323
ph. +39.041.5285777
map: B5 - Dorsoduro, 2344
ANTICO MARTINI
LOCAL CUISINE
AI QUATTRO RUSTEGHI
Intimate and cosy, feauturing its own
luxorious cocktail bar and a dramatic terrace with view of Venice.
Complimentary shuttle to and from
S.Marco (S.Zaccaria) via Zattere.
HARRY’S BAR
ANTICHE CARAMPANE
map G5 - S. Marco, 4171
ph. +39.041.5200533
map G5 - S. Marco, 4196
ph. +39.041.5226480
map: E6 - S. Marco, 1332
ph. +39.041.5200211
ph. +39.041.5236651 - Open daily
RISTORANTE DO LEONI
Hotel Londra Palace
TERRAZZA DANIELI RESTAURANT
Hotel Danieli
GRAND CANAL RESTAURANT
Hotel Monaco & Grand Canal
BISTROT DE VENISE
The “highest” cocktail bar in Venice,
with an extraordinary panoramic view
over the city. Complimentary shuttle
to and from S.Marco (S.Zaccaria) via
Zattere.
map: D2 - Campo del Ghetto, 2888
ph. +39.041.715160
A pleasant restaurant located in the
historical Campo del Ghetto, in the
Canareggio area near the train station. Carla, Anna and Raluca will offer
Best Italian wines by the glass, fromagerie,
international spirits and cocktails by Anna,
Giannina e Rey. Live Piano-Bar music,
Country & Jazz music. Excellent location,
open 7 days a week, till Midnight.
Magic place with magnificent view
over the Giudecca canal. Tea room
with home made buiscuits and cakes.
This intimate restaurant offers simple
and traditional Mediterranean cuisine.
SKYLINE BAR
Hotel Hilton Venice
PASTRY & ICE SHOPS
map C6 - Giudecca island, 810
ph. +39.041.2723311
PASTICCERIA DAL MAS
map: C3 - Lista di Spagna, 150/a
Wide range of pastries and cakes
included typical Venetian specialities. Everything freshly made in the
premises, 2 minutes walk from the
train station.
PASTICCERIA TONOLO
ph. +39.041.5237209 - Open daily
DINING guide
TRADITIONAL CUISINE
you all their kindness and friendliness.
31
Taverna del
Campiello Remer
Carnival “tricks”
Cannaregio, 5701 - Campiello del Remer - ph. +39.349.3365168
Hosteria
Galileo
DINING guide
Best Italian wines by
the glass, fromagerie,
international spirits and
cocktails. Live pianobar, country & jazz
music. Open 7 days a
week, till Midnight.
32
cucina tipica
veneziana
S.Marco, 3593
Campo S. Angelo
Tel. 041.5206393
Closing day:
Tuesday
Booking request
The Mean Maria
I migliori vini italiani al
bicchiere, formaggi e
cocktail internazionali.
Live piano-bar, country & jazz music.
Aperto tutti i giorni
fino a mezzanotte.
Campo S. M. del Giglio, 2497 - ph. +39.041.5208333 - www.hotelala.it
THE RECIPE
GALANI
Ingredients
300g of superfine flour
60g refined sugar
2 eggs
60g of butter
1 small glass of grappa
a few tablespoons of milk, salt
oil (or suet for frying)
Place the sieved flower on the table, add a pinch of salt.
At the centre of the flour add the eggs, butter, sugar, milk
and grappa. Work the whole until you obtain a soft and
smooth dough. Roll it out and cut it with a cutting-wheel
into strips or rhombuses . Heat plenty of oil , or suet, in a wide
pan and dip in the pastries, fry them until they become slightly
brown. Once you have taken them out from the oil and let them dry
sprinkle with plenty ice-sugar.
S
Ristorante
In un nuovo décor di raffinata
eleganza e nel contesto del
Bacino di San Marco, il ristorante Do Leoni propone un
menù selezionato anche di specialità veneziane.
DO LEONI
HOTEL LONDRA PALACE
Riva degli Schiavoni, 4171 - ph. + 39.041.5200533 - fax. +39.041.5225032
[email protected] - www.hotelondra.it
LA RICETTA
GALANI
Ingredienti
300g di fior di farina
60g zucchero semolato
2 uova
60 g di burro
1 bichierino di grappa
qualche cucchiaio di latte
sale, olio (o strutto per friggere)
Alla fontana di farina setacciata, aggiungere il pizzico di sale
e nel cratere le uova, il burro, lo zucchero semolato, il latte e
la grappa. Lavorare l’impasto fino ad ottenere un composto
molto morbido e liscio. Tirare a sfoglia sottilissima la pasta e
tagliarla con una rondella a strisce o a losanghe. Scaldare l’abbondante olio, o lo strutto, in una padella larga e immergervi le sfoglie
fino a quando hanno acquistatato un leggero colore. Una volta tolte dall’olio e asciugate, cospargerle con abbondante zucchero a velo.
A traditional Venetian
cuisine in the historical
centre of the city.
A short stroll away from
the railway station.
La tradizione della
buona cucina nel
cuore della città storica.
A 5 minuti dalla stazione ferroviaria.
DINING guide
I
i dice che il momento ideale per gustare la vera pasticceria
veneziana sia il Carnevale e uno dei più diffusi dolci sembra quasi esser stato inventato per rafforzare il noto proverbio: “a Carnevale ogni scherzo vale”, poiché i Galani non
sono altro che semplicissime, sottili fettucce di pasta fritta
cosparse di zucchero a velo. Vera e propria burla gastronomica, se ne possono consumare decine senza mai saziarsi, tant’è
vero che in molte regioni italiane ricevono nomi che rammentano l’inganno, come frottole, bugie, chiacchiere o cenci.
Tradizione vuole che vengano preparate per i bambini nelle
cucine delle famiglie veneziane. Hanno a volte il profumo di
limone, vaniglia, grappa o liquore e vengono fritte nello strutto bollente (ora sostituito con un più leggero olio di semi, prendendo forme più o meno accartocciate, quindi cosparse di leggerissimo zucchero a velo. Il nome Galani (pronunciato con la
tipica “elle” muta dei veneziani, in realtà una “e” brevissima di
legatura dal suono molto gutturale e molto chiuso, che solo i
veneziani pronunciano correttamente) deriva probabilmente
dalla parola gala che in dialetto significa “nastro”: a
Venezia i Galani si usano preparare molto sottili, quasi
un foglio di carta, in modo tale da mantenerne la fragranza.
A refined, innovative Venetian
and Veneto cuisine awaits you
in the sleek, elegant decor of
the Do Leoni Restaurant, with
its incomparable view of the
Basin of St. Mark.
Al Brindisi
t is said that the ideal time to savour true Venetian patisserie is Carnival, and one of the most eaten sweets seems
to have been invented to reinforce the famous proverb “a
Carnevale ogni scherzo vale” – at Carnival all tricks are
allowed –, since the “Galani” are nothing but very simple
thin slices of fried pastry sprinkled with ice-sugar. A fullblown gastronomic mockery. One can eat dozens of them
without ever feeling full up, indeed in various regions of
Italy they have been given names that recall the “trick”, like
‘frottole’ – fibs; “bugie” – lies; “chiacchiere” – chatters or
“cenci” – tatters. Tradition has it that they are prepared for
children in the kitchens of Venetian families. They smell
either of lemon, vanilla, “grappa” or of liquor, they are fried
in boiling suet (today sunflower oil is used instead) taking
different, more or less curled shapes and then sprinkled with
ice-sugar. The name “Galani” – pronounced with the typical
mute “l” which in reality is a guttural, closed and short “e”
that only Venetian can pronounce correctly – probably
comes from the word “gala” which in the Venetian dialect
means “ribbon”. Indeed, in Venice they are usually very
thinly cut, almost as thin as a sheet of
paper to maintain the fragrance.
Gli “scherzi” del carnevale
AL BRINDISI
Cannaregio, 307
Campo San Geremia
tel. 041.716968
www.albrindisi.it
Galani
Carnival “tricks”
33
Cortina
d'Ampezzo
BELLUNO
Asiago
Lago di
Garda
Feltre Vittorio
Veneto
Conegliano
Bassano
Asolo Montello
del Grappa
Oderzo
Marostica
Castelfranco TREVISO
VICENZA
Jesolo Caorle
Mestre
VERONA
PADOVA
Mainland
Soave
Abano
Terme
Events and OUTDOOR
Curiosity
Feb 08 - May 08
VENEZIA
VINICIO VIANELLO: GLASS DESIGN
Chioggia
ROVIGO
Verona, Museo di Castelvecchio, Sala Boggian. From November 25 to March 30.
Painting, ceramics, glass, design, illumination, architectural works, as well as search for solar and alternative energy
sources are the fields of interest of this versatile artist, who has, on several occasions, taken part in the Biennale of
Venice and in the Triennale of Milan. Vianello has been considered, since 1950, an ingenious experimenter and inventor of shapes in the world of glass and design, this interest has been accompanying him all his life and has presented
him to the world of art as one of the most cloistered yet gifted creators of Italian art. The exhibition presents a select
and emblematic choice of glasses closely connected with some design objects, lamps, ceramics, which the artist
created from the Forties to the Eighties. The works are supplemented by documentation coming from the archive
Toni Follina of Treviso, which includes drawings and preparatory sketches, period documents and photographs.
guide
Mestre
Riviera del Brenta
Jesolo
Treviso
Cortina
Asolo...
VERONA
and the city listing
FROM VENICE
by car: 120 km.
by train: 100 min.
by bus: 160 min.
To see: Arena, Piazza dei
Signori, Piazza Brà, Arche
Scaligere, Duomo.
Pittura, ceramica, vetro, design, illuminazione, interventi nell’architettura sino alla ricerca delle energie solari e alternative sono i campi di interesse di questo poliedrico artista che più volte ha partecipato alla Biennale di Venezia e
alla Triennale di Milano. Sin dal 1950 Vianello è considerato come un ingegnoso sperimentatore e inventore di forme
nel mondo del vetro e del design, un interesse che lo ha accompagnato tutta la vita e che lo consegna al mondo
dell’arte come uno dei più appartati eppur geniali creatori dell’arte italiana. La mostra presenta una selezionata
quanto emblematica scelta di vetri in stretta relazione con alcuni oggetti di design, lampade, ceramiche, disegnate dall’artista dagli anni Quaranta fino agli anni Ottanta. Le opere sono affiancate dalla documentazione proveniente dall’archivio Toni Follina di Treviso con disegni e schizzi preparatori, documenti e foto d’epoca.
GENGHIS KHAN AND THE TREASURE OF THE MONGOLS
34
FROM VENICE
by car: 120 km.
by train: 100 min.
by bus: 160 min.
To see: Arena, Piazza dei
Signori, Piazza Brà, Arche
Scaligere, Duomo.
GALLERIA DELLO SCUDO
E MUSEO DI CASTELVECCHIO
info: +39.045.590144
+39.045.8062611
Until March 30
Il pensiero e l’opera di Pietro Consagra, scomparso nel 2005, per la complessità dei temi affrontati alla ricerca di un nuovo rapporto tra l’uomo,
lo spazio e la scultura, e per l’originalità delle soluzioni prospettate, contro il concetto di tridimensionalità da lui definita “matrice monumentale
di un linguaggio estinto”, rivestono un ruolo speciale nell’ambito della
riflessione estetica della seconda metà del ‘900. La mostra, dedicata a
uno dei protagonisti dell’informale italiano, è un sunto in cinquanta
opere di pittura e scultura della sua attività, dal 1964 quando il principio
dell’immagine frontale si amplia nella teorizzazione della “bifrontalità” e
nel felice uso del colore. Dalla “necessità della scultura” alla “necessità
del colore”, un tragitto che l’artista percorre sino agli ultimi anni, a partire dai Piani sospesi, concepiti tra il 1964 e il 1965, cui seguono poco dopo
i Ferri trasparenti, fantastiche presenze dal profilo curvilineo e dagli spessori ancor più assottigliati, ben rappresentati nella rassegna.
ll progetto delle Grandi Mostre "La Via della Seta e la Civiltà Cinese" promosse da Fondazione Cassamarca e
dall'Accademia Cinese di Cultura Internazionale, dopo l'esordio con "La Nascita del Celeste Impero" (2005-2006), prosegue con la seconda esposizione intitolata "Gengis Khan e il Tesoro dei Mongoli", dal 20 ottobre 2007 al 4 maggio 2008.
A Casa dei Carraresi a Treviso saranno esposti in prima mondiale oltre 300 preziosi e rarissimi reperti provenienti dai Musei
cinesi e dai recenti scavi archeologici delle regioni settentrionali al di qua e al di là della Grande Muraglia, dove tra il
907 e il 1368 sono state protagoniste sulla scena storica della Cina le Dinastie Wu Dai, Xi Xia, Liao, Jin, Song e Yuan.
FROM VENICE
by car: 40 km.
by train: 30 min.
by bus: 55 min.
To see: Battistero di San Giovanni, Palazzo dei Trecento
QUIRINO DE GIORGIO - A FUTURIST, THE PROTAGONIST OF THE 20TH CENTURY
Padova, Ex Cinema Altino e Musei Civici agli Eremitani. Info ph. +39.049.8204529. Until March 9.
A monographic exhibition entirely dedicated to the artistic and professional path of Quirino De
Giorgio, in the centenary of his birth. The exhibition starts by displaying the first Futurist sketches, carries on with the regime architecture works (the Case del Fascio and rural villages) and finally comes
to the post-war production linked to the planning of cinematographs and to the production of the
80s. The items on exhibition consist of original documents (in particular on the bonds with Futurism
and futurists), reproductions of drawings, photos, sketches. Thanks to this homage to the architect,
the city takes possession of a past linked to the Venetian and Italian futurism which did not pay due
attention and value to De Giorgio.
FROM VENICE
by car: 27 km.
by train: 35 min.
by bus: 60 min.
To see:
Sant’Antonio church
Prato della Valle
Cappella degli Scrovegni
Esposizione monografica interamente dedicata, nel centenario della nascita, alla traiettoria artistica
e professionale di Quirino De Giorgio. Partendo dai primi schizzi futuristi, passa per le realizzazioni di
architettura di regime (tra cui case del fascio e borghi rurali), approda alla produzione post bellica
legata alla progettazione di cinematografi e via via arriva alla produzione degli anni Ottanta. Un
affresco che attraversa tutto il Novecento. Il materiale esposto è costituito da documenti originali (in
particolare riguardanti i rapporti con il Futurismo e i futuristi), riproduzioni di disegni, foto, schizzi. Con
questo omaggio all’architetto la città si riappropria di un percorso legato al Futurismo veneto e italiano nel cui ambito De Giorgio non era stato adeguatamente conosciuto e valorizzato.
MAINLAND guide
VERONA
MAINLAND guide
The thought and work of Pietro Consagra, who passed away in 2005,
play a key role in the aesthetic contemplation of the second half of the
twentieth century for the complexity of the issues faced in the search
for a new relationship between, man, space and sculpture and for the
originality of the solutions put forward against the concept of “monumental matrix of an extinct language”. The exhibition, dedicated to
one of the protagonists of the Italian “informal art”, is a résumé consisting of fifty of his painting and sculpture works, from 1964 when the
principle of the frontal image evolves in the theorization of “bifrontality”
and in the enthusiastic use of colour. From the “need of sculpture” to
the “need of colour”, a path that the artist keeps following till his last
years of life, starting from the “Piani sospesi” (literally, suspended planes) conceived between 1964 and 1965, followed soon after by the
“Ferri trasparenti” (transparent irons), marvellous objects marked by a
curvilinear and thin shape, displayed in the exhibition.
PADOVA
PIETRO CONSAGRA. THE NEED OF COLOUR. SCULPTURES AND PAINTINGS 1964-2000
TREVISO
Treviso, Casa dei Carraresi - Via Palestro, 33. Info ph. +39.0422.513150. Until May 4.
The project of the Great Exhibitions "The Birth of the Celestial Empire" (2005 - 2006), the first in the series of major exhibitions
regarding "The Silk Road and Chinese Civilisation" promoted by the Fondazione Cassamarca and the Chinese Academy of
International Culture, will be followed by the second exhibition,"Genghis Khan and The Treasure of the Mongols", from 20
October 2007 to 4 May 2008. 300 of the rarest and most precious finds will be placed on show at the Casa dei Carraresi in
Treviso for the first time. The exhibits come from Chinese museums and recent archaeological excavations in the northern
regions on either side of the Great Wall, where from 907 to 1368, the Wu Dai, Xi Xia, Liao, Song and Yuan Dynasties held sway.
35
Ristorante - Hostaria
“DANTE”
Traditional cuisine
Meat and fish menu
Local wines
MAINLAND
CITY LISTING
RESTAURANT-WINE BAR
Mestre
PARK HOTEL AI PINI
Via Miranese, 176 - Mestre
ph. +39.041.917722 - Open daily
Mestre
AL CASON
Via Gatta, 112 - ph. +39.041.907907
Closed Sunday evenings and Mondays
Mira
RISTORANTE POPPI
Via Romea, 80 - Mira
ph. +39.041.5675661 - Open daily
Riviera del Brenta
IL BURCHIELLO
Via Venezia, 40 - Oriago
ph. +39.041.472244
Closed Mondays and Tues. evening
Riviera del Brenta
RISTORANTE DA GIORGIO
Via Riviera del Brenta, 222 - Fiesso d’A.
ph. +39.041.5160204
2008
EVENTI AL PORTO DI VENEZIA
I Terminal crociere gestiti dalla Venezia
Terminal Passeggeri si aprono al pubblico per
fiere e mostre convegno.
APPOINTMENTS
AT THE VENICE
HARBOUR
FIERA EXPO PREMIUM
19-21 gennaio 2008
The Venice cruise terminals - managed by the firm ‘Venezia Terminal
Passeggeri’ - will open up to the public
for fairs, exhibitions and conventions.
HABITAT
19-20 e 26-27 gennaio 2008
Mira
ANNA & OTELLO
Piazza Vecchia, 36 - Mira
ph. +39.041.5675335
Mira
RISTORANTE MARGHERITA
Via Nazionale, 312 - Mira
ph. +39.041.420879
Hostaria Dante
via Dante, 53 - Mestre (VE)
ph. +39.041.959421 - www.hostariadante.it
Mestre
DANTE HOSTERIA
Via Dante, 53 - Mestre
Mestre
OSTERIA LA PERGOLA
Via Fiume, 40 - Mestre
Mestre
DIETRO LE QUINTE
P.tta C. Battisti, 9 - Mestre
ph. +39.041.985653 - Open daily
Dolo
RISTORANTE VILLA GOETZEN
Via Matteotti, 6 - Dolo
ph. +39.041.412600
Quarto d’Altino
RISTORANTE L’INVITO
C/O HOTEL HOLIDAY INN
Viale della Resistenza, 18 - Quarto d’A.
ph. +39.0422.703822
Treviso
TRATTORIA DA CELESTE
Via A. Diaz, 12 - Venegazzù
ph. +39.0423.620445
closed: Mon. evening and Tuesday
Treviso
RISTORANTE L’INCONTRO
Largo Porta Altinia, 13 - Treviso
ph. +39.0422.547717
closed: Sundays
The artists’ resort
alongside the Toniolo Theatre
Treviso
Il ritrovo degli artisti
ad un passo dal Teatro Toniolo
RISTORANTE VILLA CASTAGNA
Mestre
PANBISCOTTO
Piazza XXVII Ottobre, 40 - Mestre
www.panbiscotto.it
MAINLAND guide
36
Mestre
GIOIELLI LEONARDO
LA VIVANDERIA
Via Pasqualigo, 59h - Mestre
ph. +39.041.610742 - Closed Thursdays
CLOTHING
Marcon
Mestre
P.zza IV Novembre - Marcon
Via Poerio, 31 - Mestre
ph. +39.041.972553
LA OSTERIA
J. BYRON
Mira Porte
Mestre
Via Nazionale, 403 - Mira Porte
ph. +39.041.420114
P.zza Ferretto, 8 - Mestre
ph. +39.041.971308
VECIA BRENTA
Piazzetta C. Battisti, 9 - Mestre - Ph. +39.041.985653
JEWELLER’S SHOPS
Via Piave, 119 - Mestre
ph. +39.041.935076
Mestre
ON SHOW
The best selection of works of the
Venetian painter Arturo Siebessi
Via S.Andrea, 72 - Crocetta Montello
ph. +39.0423.868177
closed: Sundays
BLACK WATCH
The polyfunctional structures of the VTP
are enlarging the scope of their exhibition and conference activities. From the
cruise sector to the world of real-estate,
from antique trade to the safeguard of
the artistic and cultural heritage.
Si consolida l’attività espositivo-convegnistica nelle strutture polifunzionali
della VTP. Dalla crocieristica al pianeta casa, dall’antiquariato alla tutela del
patrimonio artistico-culturale, operatori e pubblico scelgono Venezia.
A 2008 programme richer and richer
in events. This is characteristic of the
exhibition and conference calendar
which will take place in the areas of
the Venezia Terminal Passeggeri.
Polyfunctional pavilions that host not
only cruise activities but also exhibitions, conventions and round tables
thus promoting and fostering the
image of Venice as a crucial exhibition and conference centre also from
a productive point of view.
Un programma eventi per il 2008 sempre più internazionale. Questa la caratteristica del calendario fieristico –congressuale che si svolgerà negli spazi
della Venezia Terminal Passeggeri.
Padiglioni polifunzionali, che oltre
all’attività crocieristica, ospitano rassegne, convention e tavole rotonde promuovendo l’immagine di Venezia quale
polo espositivo e convegnistico di
primo piano, rafforzandone l’immagine
sotto il suo profilo produttivo.
Leading event in December 2008:
the seventh edition of Sea Trade
Med, which will be displaying the
best products of the cruise and
ferryboat industry. The exhibition,
the most outstanding of this sector
in the entire Mediterranean area,
will also offer a rich calendar of conferences on the most important
issues linked to the supremacy of the
cruise
industry
in
the
Mediterranean, along with an overview of the ferryboat industry in
such a competitive area and a training programme addressed to travel
agents. An event that, for three days
(9-11 December), will place Venice
in the world cruise market spotlight.
Evento di punta, a dicembre 2008, la
settima edizione del Sea Trade Med,
che metterà in mostra quanto di meglio
l’industria delle crociere e dei traghetti
hanno da offrire. La rassegna, la più
importante del comparto per l’area
Mediterranea, affiancherà alla sezione
espositiva, un nutrito calendario di
conferenze sulle tematiche più importanti legate al predominio dell’industria crocieristica nel Mediterraneo
unitamente ad una panoramica sull’industria dei traghetti in questa area così
competitiva, e ad un programma di formazione dedicato agli agenti di viaggio.
Un evento che per tre giorni (9-11
dicembre) porrà Venezia sotto i riflettori del mercato crocieristico mondiale.
FIERA VENEZIA SPOSI
26-27 gennaio 2008
FIERA ANTIQUARI A VENEZIA
9-17 febbraio 2008
9-17 febbraio 2008
VII SALONE NAUTICO
INTERNAZIONALE DI VENEZIA
8-16 marzo 2008
SALONE DEI BENI
E SELLE ATTIVITA’ CULTURALI
28-30 novembre 2008
SEATRADE MED
CRUISE & FERRY CONVENTION
9-11 dicembre 2008
Marittima - Fabbricato 248
30135 Venezia
tel. +39.041.2403020-22-23-24
fax +39.041.2403091
www.vtp.it
D
+39.041.2424
RADIOTAXI
P.le Roma
Lido di Venezia
Mestre
Marcon
Aeroporto Marco Polo
+39.041.5237774
+39.041.5265974
+39.041.936222
+39.041.5952080
+39.041.5416363
TOURIST INFORMATION
APT Tourist Board
Dolo Highway
Hotels Association VE
Hotels Association Lido
+39.041.5298711
+39.041.413995
+39.041.5228004
+39.041.5261700
E
+39.041.930133
+39.041.2609260
+39.041.2609222
WATER TAXI
Consorzio Motoscafi Venezia
Airport
+39.041.5222303
+39.041.5415084
PORTERAGE
Piazzale Roma
Train Station
+39.041.5223590
+39.041.715272
DRINKING & DRIVING - AUTOMOBILE SPEED LIMITS
Allowable alcohol quantity in blood while driving an automobile is 0,5 g/kg.
Highway: 130 km/h, Main Roads: 90 km/h,
Populated Areas: 50 km/h.
INTERNATIONAL CODE NUMBER
Australia
0061
Malta
Austria
0043
Messico
Belgio
0032
Monaco
Brasile
0055
Holland
Canada
001
Polonia
Danimarca
0045
Portogallo
Francia
0033
Rep. Ceca
Germania
0049
Romania
Giappone
0081
Spagna
Gran Bretagna 0044
Sudafrica
Grecia
0030
Svezia
Hong Kong
00852
Svizzera
Irlanda
00353
Ungheria
Lituania
00370
USA
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CREDIT CARDS
Credit card usage is widespread in Italy and
most stores and restaurants accept several
major credit cards.
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TINA
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any phone in Italy
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OPEN NON STOP
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Near to Rialto bridge
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F
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Consulenza
Immobiliare a Venezia
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EN
LA
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ND
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DEL
LAM
BAT
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TEL
LO
Tre
Ar
ch
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E
1
4
AM
Salizad
AL
ND
Cannaregio, 149
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PARK HOTEL ANNIA
PIAVE
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VILLA DUCALE
VILLA GIULIETTA
VILLA GIUSTINIAN
VILLA GOETZEN
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ASOLO GOLF CLUB
BOLOGNESE VILLA PACE
CARLTON
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LA MARCA
MAGGIOR CONSIGLIO
RELAIS MONACO
VILLA GIUSTINIAN
VILLA VICINI
AL SOLE
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CRYSTAL
MAGNOLIA
SPECIAL THANKS
Venice Hoteliers
Associations
Lido Hoteliers
Associations
Hoteliers Association of
the Venetian Mainland
Venezia
Terminal Passeggeri
SAATCHI & SAATCHI
La City Guide di Venezia. Mensile
di informazione distribuito freepress nei migliori Hotel e nelle
location più strategiche.
AEROPORTO DI TREVISO
The Foundation for
the Churches of Venice
COCCINELLE.COM
NIO s.r.l.
via A. da Mestre, 19 - 30172 - Venezia-Mestre
tel. +39.041.5454536 - fax +39.041.5454536
APPARTAMENTI
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