Bibliography Micol Assael eng

Micol Assaël
Bibliography
2011
“Defining Contemporary Art – 25 years in 200 pivotal artworks”, texts by Daniel Birnbaum, Connie
Butler, Suzanne Cotter, Bice Curiger, Okwui Enwezor, Massimiliano Gioni, Bob Nickas, Han Ulrich
Obrist. Phaidon, London. 398-399.
2010
“21X21. 21 Artisti per il 21° secolo”, curated by Francesco Bonami, Fondazione Sandretto Re
Rebaudengo, Torino
“Fomuska”, curated by Rein Wolf, Olesya Turkina, Massimiliano Gioni, Museion, Bolzano
Mutiny Seemed a Probability, curated by Adrienne Drake, Fondazione Giuliani per l’arte contemporanea,
Roma
“Micol Assaël. Museion – Bolzano”, FLASH ART, april 2010
2009
“Vitamin 3-D, New Perspectives in Sculpture and Installation”, Phaidon Press Limited, 2009
“Gakona”, by Anne Deleuze, ART MONTHLY, may 1st, 2009
“Une bonne décharge publique”, by C.L., TELERAMA SORTIR, april 22nd/28th
“Expérience aux frontières du réel”, by Julie Portier, LE JOURNAL DES ARTS, april 3rd/16th 2009
“Gakona”, by Philippe Cornet, FOCUS VIF, april 10th 2009
“[…]”, by Sisi Yang, U LIFE MAGAZINE, april 2009
“Exposition”, BEAUX ARTS MAGAZINE, april 2009
“Voyage à Gakona”, by Bénédicte Ramade, L’OEIL, april 2009
“Palais de Tokyo, Micol Assaël”, ART & YOU.FR, april 2009
“Gakona ou les particules impopulaires”, by Ornella Lamberti, PLANET CAMPUS.COM, april 2009
“Le visibile et l’invisible”, MOUVEMENT, april/june 2009
“Qui connaît Gakona”, by Alexis Jakubowicz, LIBERATION, mars 31, 2009
“Voir et ressentir les énergies”, by Claude Laurent, LA LIBRE BELGIQUE, mars 30, 2009
“L’exposition Gakona au Palais de Tokyo”, PAPERBLOG.FR, march 17th, 2009
“Gakona”, by Judicaël Lavrador, LES INROCKUPTIBLES, march 10th/16th, 2009
“Micol Assaël hérisse le poils”, by Charles Barachon, TECHNIKART, march 2009
“Gakona”, by Isabelle Soubagné, PARIS-ART.FR, march 2009
“Gakona”, by Rhama Khazam, ARTFORUM.COM, march 2009
“Ligne haute tension”, BUY BUY.COM, march 2009
“De l’électricité dans l’air au Palais de Tokyo”, by Laurent Wolf, LE TEMPS, february 20, 2009
“High voltage”, by Michel Verlinden, FOCUS VIF, february 20th, 2009
“Hautes fréquences au Palais de Tokyo”, by Sophie Rosemont, ARTNET, february 18th, 2009
“Un villane d’Alaska au Palais de Tokyo”, by Anaël Pigeat, FEMMES.COM, february 18th, 2009
“Bienvenue à gakona”, by Sophie Bain, LE MOST.FR, february 16th, 2009
“Bienvenue à gakona”, by Géraldine Dormoy, CAFE MODE, february 13th, 2009
“Les mistères de Gakona”, by Karine Porret, STILETTO.FR, february 5th, 2009
“Weird science”, WONDERLAND, february 1st, 2009
“A la base de la création”, LE PARISIEN (Supplément), février 2009
“Ad alta tensione”, by Daniele Perra, KULT, february 2009
“Gakona”, by Simon Castets, VMAN, february 2009
“Tre ingegneri creativi”, by Cloe Piccoli, D LA REPUBBLICA DELLE DONNE, april 30, 2009
“GAKONA at the Palais de Tokyo in Paris”, by Regine, www.we-make-money-not-art.com, april 27, 2009
“ART-Gakona, THE PARISIAN, april 27, 2009
“Pawel Althamer and children from Kassel FRÜHLING - Micol Assaël FOMUŠKA”, E-FLUX, april 15, 2009
“Pawel Althamer e Micol Assaël a Kassel”, IL SEGNO, 01april 2009
“Micol Assaël at Kunsthalle Fridericianum, Kassel, Germany, until 21 June”, by Tracy Frost, ART2BANK,
april 2009
“Arte: L'immaginario elettrico di Micol”, by Massimiliano Gioni, WIRED april 2009
“Le artiste di Italics: un percorso nella creatività femminile. Palazzo Grassi per la Festa della donna”, VDV
MOBILE BLOG, march 8, 2009
2008
“After Nature”, catalogue of the show at New Museum, text by Massimiliano Gioni
“2008 Biennale of Sidney Catalogue: Revolutions – Forms That Turn”, Biennale of Sydney in
association with Thames & Hudson
“... 5 minutes later”, catalogue of the show at KW Institute for Contemporary Art, Berlin
“After Nature”, by Lilly Wei, ART NEWS, October 2008.
“Micol Assaël. Edicola Notte, Roma”, by Federica Bueti, FLASH ART, August-September 2008
“Sometimes the Darkest Visions Boast the Blackest Humor”, by Ken Johnson, THE NEW YORK
TIMES, July 19 2008
“Clean Distortions”, by Francesco Stocchi, Spike, n. 15
“Micol Assaël”, by Massimiliano Gioni, ART REVIEW, March 2008
“Ci vediamo nel 2038”, by Susanna Legrenzi, IO DONNA, 19 January 2008
2007
“La parola nell’arte”,curated by Melania Cazzotti and Julia Trolp Mart, Rovereto
“Luce di pietra”, Palazzo Farnese, Rome
“Silenzio. Una mostra da ascoltare”, curated by F. Bonami, Fondazione Sandretto Re Rebaudengo, Turin
“Micol Assaël”, catalogue of the show Chizhevsky Lessons, Basel Kunsthalle. Texts by Ester Coen
and Adam Szymczyk, Electa, Milan, 2007
“Schmerz”, catalogue of the show at Nationalgalerie im Hamburger Bahnhof-Museum für
Gegenwart, Berlin, DuMont Literatur und Kunst Verlag GmbH & Co. KG, Köln
“Micol Assaël”, by Barbara Buchmaier, ARTFORUM 13 november 2007
“Micol Assaël. Aspettando l’ignoto” by Adam Szymczyk”, FLASH ART, October-November 2007
“Risk Assessment”, by Polly Staple, FRIEZE, October 2007
“The Wrong Times”, interview, 2007
“Micol Assaël”, by Massimiliano Gioni, FLASH ART, August-September 2007
“Scosse elettriche a Basilea”, FLASH ART, June-July 2007
“Invité mystère sur l’ile de Vassivière”, by Etienne Bernard, BEAUXARTS, January 2007
“Micol Assaël at Kunsthalle Basel”, by Paola Manfrin, L’UOMO VOGUE, May-June 2007
“Tre ingegneri creativi”, by Cloe Piccoli, D-LA REPUBBLICA, 7 April 2007
“Giochi di luce sulle pietre antiche”, by Lauretta Colonnelli, CORRIERE DELLA SERA, 28 march 2007
“Capolavori Europei per i trattati di Roma”, by Paolo Vagheggi, LA REPUBBLICA, 23 March 2007
“Il giovin signore dell’arte dà speranza all’arte giovane”, by Rossella Sleiter, IL VENERDI’- LA
REPUBBLICA, 16 March 2007
“Identità in movimento”, by Adriana Polveroni, D-LA REPUBBLICA, 10 March 2007
“My Private Escaped”, by Chris Sharp, FLASH ART, February-March 2007
“Introducing Micol Assaël”, by Roberta Tenconi, MOUSSE MAGAZINE, January 2007
“Digital New year”, di Mariuccia Casadio, VOGUE ITALIA, January 2007
2006
“Of mice and men-4th Berlin Biennale”, exhibition’s catalogue, Berlin
“Milan”, by Massimiliano Gioni, ARTFORUM, December 2006
“My Private escaped from Italy” by Elisa Del Prete, ARTE E CRITICA, December 2006-February
2007
“Micol Assaël & Thomas Bayrle: Machines”, THE WRONG TIMES, October 2006
“Wolganmisool”, n. 257, June 2006
“Uomini e topi a Berlino”, EXIBART.ONPAPER, May-June 2006
“Von Menschen und Mausen”, KUNSTFORUM, May-June 2006
“The Berlin Biennale, an antidote to the usual”, by Carla Bianpoen, THE JAKARTA POST, May
2006
“Von Mausen und Menschen”, KUNST 21, May 2006
“Biennale Contemporanea”, by Pietro Marino, LA GAZZETTA DEL MEZZOGIORNO, April 2006
“Berlino, per gli italiani un tifo da stadio”, by Cesare Cunaccia, LIBERO, April 2006
“Vietato non esserci!”, by Arianna di Genova, MARIE CLAIRE (Italy), April 2006
“Stimmungsgeladene Inszenierungen”, by Nicole Büsing and Heiko Klaas, BREMER
NACHRICHTEN, March 2006
“Eine irgendwie sehr gefuhlte schau”, by Claudia Wahjudi, ZITTY, March 2006
“Raum fur Unbehagen”, by Ursula Badrutt Schoch, DER BUND, March 2006
“Raum fur Unbehagen”, by Ursula Badrutt Schoch, ST. GALLER TAGBLATT, March 2006
“Von Mausen, Menschen un bosen Machten”, by Nicole Büsing and Heiko Klaas, NURNBERGER
NACHRICHTEN, March 2006
“Biennale di Berlino-dov’è lo scandalo?”, by Valentina Agostinis, ANNA, March 2006
“Tre moschettieri per Berlino”, by Paolo Vagheggi, LA REPUBBLICA, March 2006
“L’estro di Cattelan alla Biennale di Berlino”, by Elena Basteri, LIBERAZIONE, March 2006
“Maurizio Cattelan:’così scandalizzerò Berlino’”, by Paolo Vagheggi, LA REPUBBLICA, March
2006
“Of Mice and Men”, by Caroline Corbetta, UOMO VOGUE, March 2006
“Quarta Berlin Biennale. Cattelan-Subotnick-Gioni portano l’arte in chiesa a scuola e al cimitero”,
EXIBART.ONPAPER, March 2006
“Berlino-Uomini e topi”, FLASH ART ITALIA, February-March 2006
2005
”Waiting for the Unknown”, “Fryttir”, Vestmannaeyjar – Iceland, 12 pages
“Bidibidobidiboo, Works from Collezione Sandretto Re Rebaudengo”, curated by Francesco
Bonami, texts Francesco Bonami, Cesare Cunaccia and Ilaria Bonacossa. Skira, Milano.
“Material Time/Work Time/Life Time”. Jessica Morgan and Björn Roth, Questionnaire by Jens
Hoffmann. Revolver, Frankfurt am Main
“Sempre un pò più lontano”, by Jessica Morgan, in 51esima ESPOSIZIONE INTERNAZIONALE
D’ARTE LA BIENNALE DI VENEZIA, cat. curated by Maria de Corral e Rosa Martinez, Marsilio ed.,
Venezia.
“Dialectics of hope – 1 st Moscow Biennale of Contemporary Art 2005”, by Massimiliano Gioni,
ARTCHRONIKA, Moscow.
“Europe as a Cultural Project”, European Cultural Foundation, Asterdam
“Scultori di suono”, by Daniela Cascella, TUTTLE EDIZIONI, april 2005
“Blind Sound”, by Daniela Cascella, SOUND ART/RESONANCE SUPPLEMENT, june 2005
“Biennale di Venezia - Le donne e l' amore del nuovo millennio”, by Paolo Vagheggi,
REPUBBLICA 06 june 2005
“Micol Assaël-Alta tensione”, by Ilaria Bombelli, FLASH ART ITALIA, october-november
2005“Future greats”, ART REVIEW, december.
“Fairer Fare”, by Claire Bishop, ARTFORUM, june 15
“Biennale, sceglietevi la musica per il vostro funerale” by Natalia Aspesi, LA REPUBBLICA, june 9
“Pappagalli in Biennale”, by Anna Detheridge, IL SOLE 24 ORE june 5
“Arsenale di star / attenti a questi cinque”, GULLIVER, june
“La Biennale Gemellare”, by Nicola Davide Angerame, EXIBART.ONPAPER june
“Bidibidobidiboo, 200 opere della collezione Sandretto Re Rebaudengo”, supplement of ARTE,
june
“Biennale di Venezia – Italiani, chi sale e chi scende”, by Maurizio Sciaccaluga, ARTE, june
“Feast for the Senses”, by Edward Weinman, ATLANTICA, may/june
“Iceland Hopping”, by Mark Sladen, ARTFORUM, may 19
“Biennale 51 – Come in un vulcano”, by Cloe Piccoli, LA REPUBBLICA DELLE DONNE, may 21
“City report: Moscow”, by Ekaterina Degot, Dan Fox and Jennifer Higgie, FRIEZE issue 90, april
“Russian Front: The Moscow Biennale”, by John Kelsey, ARTFORUM, april
“Così le artiste infrangono le regole”, by Valentina Bruschi, IL MESSAGGERO march 21
“Una Biennale quasi senza italiani”, by Paolo Vagheggi, LA REPUBBLICA march 8 2005
2004
“Files”, MUSAC. Museo de arte contemporáneo de Castilla y León. pag.12
Francesco Bonami, “non toccare la donna bianca/don’t touch the wite woman”, in: "non toccare
la donna bianca" curated by F. Bonami. Texts by F. Bonami and I. Bonacossa. Hopefulmonster
editore, Torino.
Massimiliano Gioni, this wild darkness, in: …WITH ALL DUE INTENT – MANIFESTA 5 curated by
Marta Kuzma and Massimiliano Gioni. Actar, Barcellona.
Francesco Bonami, Nella vigna del disegno,+ interview with Ilaria Bonacossa, in: “D-segni”, cat.
curated by Ilaria Bonacossa and Massimo Massara, Fondazione Sandretto Re Rebaudengo,
Torino.
“Non Toccare La Donna Bianca”, by Filippo Romeo, ARTFORUM november 11
“Infrazioni al femminile dell’ordine prestabilito”, by Gabi Scardi, IL SOLE 24ORE, october 17
“Tremate, tremate, le artiste son tornate”, by Ludovico Pratesi, IL VENERDI’ DI REPUBBLICA,
september
“Manifesta 5”, by Anne Colin, ARTPRESS n.304 september
“E io ricomincio da me”, by Flavia Matitti, L’UNITA’, august 28
“BALKAN AM ATLANTIK”, by Tim Sommer, ART-DAS KUNSTMAGAZIN, # 8 august
Studio-Israeli art magazine, july-august
“Manifesta 5”, Thomas Wullfen, KUNSTFORUM INTERNATIONAL july-august
“Manifesta 5 Unmögliche wahrheit”, by Ursula Badrutt Schoch, DER BUND july 30
“Pasaia versus Donostia”, by Ismael Manterola Ispizua, BERRIA, july 13
“Manifesta 5, la Biennale Europea approda in Spagna”, MOOD, june 24
“El manifesto de la Manifesta 5”, by Laura Revuelta, BLANCO Y NEGRO CULTURAL, june 19
“Manifesta 5: una bienal sin ADN”, by Angela Molina, BABELIA El Pais, june 19
“Architectur der Grenze”, by Gregor Jansen, DIE TAGESZEITUNG, july 14
“San Sebastian – Manifesta 5”, by Jelka Sutej Adamič, Nič več radikalnosti DELO, june 14
“Biennale nomade d’Europa”, D- REPUBBLICA, june 12
“San Sebastian se empapa de arte”, by Teresa Flano, CULTURA & OCIO, june 11
“Arte garaikidearen unibertso zabalean murgiltzeko deia”, by Juan Luis Zabala, HARIAN, june 11
“Comienza en San Sebastian Manifesta 5, una radiografia de la vanguardia artistica”, by M. Marin,
EL PAIS, june 11
“Donostia eta Pasaia arteak inbadituta”, by Dani Blanco, ARGIA june
“Micol Assael – Bonomo”, by Antonella Marino, FLASH ART ITALIA n° 245 aprile-maggio.
“Micol Assaël”, by Andrea Villiani, BOILER #4, march.
“Great Expectations”, by Maria Rosa Sossai, FLASH ART ITALIA febbraio-marzo
“Gli “interventi” di Micol”, by L.P., LA STAMPA feb. 13
“Micol, la piccola macchinista dell’arte”, by Pietro Marino, LA GAZZETTA DEL MEZZOGIORNO,
12 february.
“Se l’opera d’arte è una cella frigorifera”, by Marilena Di tursi, CORRIERE DEL MEZZOGIORNO,
12 february.
“Fumo e ghiaccio, l’arte estrema di Assaël”, by Antonella Marino, LA REPUBBLICA, 8 febbraio.
“Carolyn Christov-Bakargiev on Micol Assaël”, First Take, ARTFORUM, January Issue.
2003
”Je veux”, Onestar Press 2003, pag.179. Paris, january
“Great Expetations!”, curated by C. Laubard, C. Parisi, A. Rabottini, M. Smarrelli. Fuoriuso 2003,
XIV edizione. Pescara Ferrotel, Italy.
Massimiliano Gioni, La Zona, in: “SOGNI E CONFLITTI – LA DITTATURA DELLO SPETTATORE”
50esima. ESPOSIZIONE INTERNAZIONALE D’ARTE LA BIENNALE DI VENEZIA, cat. curated by
Francesco Bonami and Maria Luisa Frisa, Marsilio ed., Venezia.
G.K. Batchelor, The Theory of Homogeneous Turbulence, indicated by Lukas Liechtenstein, in: La Folie de
la Villa Médicis, cat. curated by Chiara Parisi, Silvana Editoriale, Milano.
“Fame”, Premio Querini Stampalia FURLA per l’arte, curated by Chiara Bertola, exhibition catalogue,
Postmedia Books, Milano, Aprile.
“Occhio alla Biennale. Una scultura fatta di angoscia”, by Francesco Bonami, LA STAMPA,
august 20.
“L’arte è il nervo scoperto della società? Conversazioni dalla biennale”, AA.VV., Perché/?, # 4.
“L’Urgenza dello spazio. Sopravvivenza, immaginazione, disorientamento”, by Bartolomeo
Pietromarchi, FLASH ART, june/july
“I giovanissimi sono più urbani”, by Gabi Scardi, IL SOLE 24ORE, june 15.
“Gli ultimi frammenti di una civiltà, quel che vedrebbe un extraterrestre”, by Ester Coen, LA
REPUBBLICA, june 13.
“Venice Biennale 2003, a marathon vernissage in venice”, by Larissa Harris, ARTFORUM DIARY,
june 12.
“Biennale 2003 made in italy”, by Bartolomeo Cosulich, GULLIVER, june.
“Bonami on the Biennale, Artists in Uniform, and More Bonami expands on Biennale”, by Jennifer
Allen, ARTFORUM, march 31
“Biennale di Venezia ai tempi di guerra”, by Paolo Vagheggi, LA REPUBBLICA, march 24.
”Mental Location, SUB REAL- Reality Survival Strategies”, SMART Papers, april 5 – may 11.
“Assael, Caretto, Courbot, Davila. Zero, Piacenza”, by Daniela Bigi, ARTE CRITICA,
january/march.
2002
“EXIT Nuove geografie della creatività italiana”, cat. curated by Francesco Bonami, Piccola
biblioteca Oscar Mondadori, Milano.
”Prototipi. Laboratorio di cultura artistica contemporanea” curated by Stefano Chiodi e
Bartolomeo Pietromarchi, texts by Stefano Chiodi, Bartolomeo Pietromarchi, Joseph Kosuth,
Fabio Mauri, Cesare Pietroiusti, Luca Sossella Editore.
“Italian Caravanserraglio”, by Angela Vettese, IL SOLE 24ORE, september 22.
“SiracusaFullContact”, by Elisa Fulco, FLASH ART ITALIA n° 235.
“FullContact, Siracusa”, by Paola Nicita, Galleria Civica Montevergini, EXIBART, july 11.
“FullContact”, by Marcello Smarrelli, TEMACELESTE, may/june
“Prototipi.01”, by Marcello Smarrelli, TEMACELESTE, march/april
“Niente tele e pennelli ecco le opere 'prototipi’”, by Ludovico Pratesi, REPUBBLICA — 03
february 2002
“Arte & Tecnologia”, by Ludovico Pratesi, LA REPUBBLICA, february 3
“In vetrina i "prototipi" delle nuove generazioni”, by Paola Magni, IL GIORNALE, january 24
“Sconfinamenti d'arte”, by Edoardo Sassi, IL CORRIERE DELLA SERA, january 24