Curating Graphic Arts! Le arti grafiche al museo (Rome, 19
Transcript
Curating Graphic Arts! Le arti grafiche al museo (Rome, 19
1 || 4 Curating Graphic Arts! Le arti grafiche al museo (Rome, 19-21 Apr 16) Istituto centrale per la Grafica, Sala Dante, Palazzo Poli, Via della Stamperia, 6, 00187 Rome, 19. 21.04.2016 Ars Graphica Curating Graphic Arts! Le arti grafiche al museo International symposium Ars Graphica & the Istituto centrale per la grafica Download the full programme, via www.arsgraphica.org TUESDAY 19 APRIL 2016 09.30: opening Maria Antonella Fusco (Istituto centrale per la grafica) Alexandra Blanc (Ars Graphica / Université de Neuchâtel) 10.00: inaugural conference Meghan Melvin (Museum of Fine Arts, Boston) What’s Old is New Again: Design at the Museum of Fine Arts, Boston 10.30-13.00 Panel 1 – Curating a Graphic Collection Today chair: Giorgio Marini (Gabinetto Disegni e Stampe degli Uffizi, Firenze) Barbara Jatta (Gabinetto della Grafica della Biblioteca Apostolica Vaticana) Il Gabinetto della Grafica della Biblioteca Apostolica Vaticana: progetti diversi Benedetta Spadaccini (Veneranda Biblioteca Ambrosiana, Milano) La collezione di stampe della Biblioteca Ambrosiana. Storia, conservazione e catalogazione Gudula Metze & Iris Yvonne Wagner (Kupferstich-Kabinett, Staatliche Kunstsammlungen Dresden) ’Ghezziana’ in Saxony – on Works by and after Pier Leone Ghezzi in Dresden’s KupferstichKabinett Edward Payne (Auckland Castle, Bishop Auchkland) A Glimpse behind the Scenes: Curating Spanish Drawings at the Morgan Library Breda Škrjanec (International Centre of Graphic Arts, Ljubljana) Museum Objects as Exhibits and as Inspiration for New Works of Art. Exhibiting Strategies in MGLC 14.30: visit of the collections & laboratories of the Istituto centrale per la grafica 16.00-17.15 2 || 4 Panel 2 - Cataloguing: New Challenges & Projects Chair: Marie-Pierre Salé (Département des arts graphiques, Musée du Louvre, Paris) Camille Jaquier (Musée Jenisch, Vevey) CROP,a Digitalization Project for the Works on Paper: between Issues, Challenges and Prospects Laura Aldovini & Silvia Urbini (Fondazione G. Cini, Venezia) L’Atlante delle xilografie italiane del Rinascimento (progetto a cura di Laura Aldovini, David Landau e Silvia Urbini) Karen Buttler & Marina Miermeister (Herzog Anton Ulrich-Museum, Braunschweig) Prints and Drawings in Dialogue: Cataloguing Graphic Arts 17.45–18.15: conference Annette Wickham (Royal Academy of Arts, London) Size Matters: Conserving, Interpreting and Exhibiting the Royal Academy’s ‘Waterloo Cartoon’ by Daniel Maclise WEDNESDAY 20 APRIL 2016 10.00: opening conference Marie-Pierre Salé (Département des arts graphiques, Musée du Louvre, Paris) Consultation and Study of Artitst’s Sketchbooks in Public Collections: Issues, Specific Demands and Thoughts for Regulation 10.30-11.45 Panel 3 - Prints & Drawings in Albums chair: tbc Miriam Pitocco (restauratrice indipendente) Il restauro del volume 158 H 17 del Fondo Corsini Katharine Johnson (Johns Hopkins University, Baltimore / American Academy in Rome) Reassembling the Disassembled: Alberto Burri’s ‘17 Variazioni’ Foteini Vlachou (Universidade Nova de Lisboa) Albums, Drawings and Lost Paintings: What to Do with Francisco Vieira Portuense 11.45-15.45 Panel 4 - Contemporary Graphic Arts in Museums chair:Meghan Melvin (Museum of Fine Arts, Boston) Barbora Kundra?íková (Masaryk University / Olomouc Museum of Art) Graphic Print at the Intersection of Picture and Image. The Constant Problem of a Technique Arianna Mercanti (Accademia di Belle Arti di Frosinone) Tra innovazione e tradizione: la riscoperta del segno inciso nel linguaggio artistico 3 || 4 contemporaneo Lunch Mariàngels Fondevila Guinart (Museu Nacional d’Art de Catalunya, Barcelona) Xavier Gosé (1876–1915). Illustrator of Modernity at the Museu Nacional d’Art de Catalunya Orietta Lanzarini (Università degli Studi di Udine) Studiare, riordinare, esporre l’archivio di un architetto. Il caso di Carlo Scarpa Clémence Imbert (Université Paris 8) Look at Me! Don’t Look at Me! Graphic Design as Museum Exhibit 16.30: visit of the print department & conservation lab of the Museo di Roma Simonetta Tozzi with Angela Maria D’Amelio and Ombretta Bracci GIOVEDI 21 APRILE 2016 10.00-13:00 Panel 5 - Rome as a cultural centre for the graphic arts chair: Barbara Jatta (Gabinetto della Grafica della Biblioteca Apostolica Vaticana) Ludovica Tiberti (Ars Graphica Roma / ricercatrice indipendente) Giovanni Maggi, un incisore romano tra Cinquecento e Seicento Elania Pieragostini (Royal Collection Trust, Windsor Castle) Gli acquerelli di John ‘Warwick’ Smith (1749–1831) al British Museum Caterina Vaglio Tessitore (Université de Strasbourg) “Vivez, voyez, observez”. Jean-Jacques Henner e Roma (1859–1864) Valentina Fraticelli (Università degli Studi “G. D’Annunzio”, Chieti-Pescara) Il disegno come strumento metodologico per lo studio del Medioevo: la Roma di Cavalcaselle e Crowe Manuela Gobbi (Gabinetto della Grafica della Biblioteca Apostolica Vaticana) Curiosando tra i fondi grafici della Biblioteca Apostolica Vaticana: collezioni di disegni tra passato e presente Massimo Maiorino (Università di Salerno) William Kentridge, Triumphs and Laments: un progetto per la città di Roma 13.00 Conclusion Fabio Fiorani (Istituto centrale per la grafica) Ludovica Tiberti (Ars Graphica Roma / ricercatrice indipendente) ——————- 4 || 4 ATTENTION: free entrance, please book your place via this link due to limited availability: https://www.eventbrite.com/e/curating-graphic-arts-le-arti-grafiche-al-museo-tickets-2223792 6236 —————— Ars Graphica’s organisers: Alexandra Blanc and Ludovica Tiberti Scientific committee: Alexandra Blanc (Université de Neuchâtel),Fabio Fiorani (Istituto centrale per la grafica), Ludovica Tiberti (independent scholar), Simonetta Tozzi (Museo di Roma) International symposium dedicated to the graphic arts held in cultural institutions: Curating graphic arts! Le arti grafiche al museo will focus on research related to prints and drawings (from the 15th century to the present) as objects of study and on the curatorial/conservative duties. We want to reflect on the various challenges in the field of cataloguing, curating and exhibiting graphic heritage. Which are the current and specific issues of works of art on paper? Curating graphic arts! Le arti grafiche al museo is the second event of a two-part series held in collaboration with the Association of Print Scholars. The series, entitled “New Impressions: Emerging Research on Prints,” aims to shed light on innovative research currently being completed around the globe about the graphic arts. The first part of the series, sponsored by APS, took place on November 7, 2015 at the Hunter College in New York. ———————All info: www.arsgraphica.org For questions & to subscribe to our newsletter: [email protected] ——————— Quellennachweis: CONF: Curating Graphic Arts! Le arti grafiche al museo (Rome, 19-21 Apr 16). In: H-ArtHist, 06.03.2016. Letzter Zugriff 29.09.2016. <http://arthist.net/archive/12395>.