fragment on fragments
Transcript
fragment on fragments
commisioned by Lembit Beecher and Scrag Mountain Music fragment on fragments Scott Wollschleger 2013 Dry and violent; focused. e = 72 non espressivo p gliss. Voice 2 4 œ™ O œ ™ 83 3 4 2 4 µœ 42 - les col legno tratto Cello Contrabass IV=C ° 2 4 3 8 2 œ œ ¢ 4 sf 3 8 œ 3 4 fp 3 4 tutta forza ◊œÿ œ œ œ 3 œ 4 ppp 2 4 2 4 2 4 fff ◊ÿ œœ 2 4 83 p p Piano 5 { 2 4 œ‘œ “ 83 "f" subito violent 3 4 œ‘œ “ (c) 2013 scott wollschleger, new york (BMI) "f" as before 2 p p 2 œ œ 4 3 8 2 4 œ œ O - les 3 8 O - les # # # # ° 2 ord. 4 œ œ 3 8 1 1 "f" 2 4 ÿ œ◊œ BBœ 3 8 p "f" with vigor 2 ¢ 4 1 1 1 1 II # I # # IV # III 3 2 8 4 œ œ p Cb. Si - na 1 Vc. 3 œ œ œ 42 1 Voice p 3 8 3 8 2 4 42 42 ◊œÿ œ 2 4 fzp ◊œœÿ 2 4 42 œ 3 8 p ppp Pno. { 2 4 3 8 œœ‘ “ 2 4 œ‘œ “ "f" 3 8 œœ‘ “ "f" senza ped! = p p Voice 2 4 3 8 œ œ 2 gliss. 4 œ œ Si - na O 1 1 1 1 1 1 1 1 1 Vc. ° 2 4 œ œ 3 8 p Cb. les # # # # # # # # # - 3 8 2 ¢ 4 2 4 œ 3 8 3 8 3 8 p "f" œ 2 4 3 ◊œœÿ 2 4 ◊ÿ 3 8 2 4 3 8 3 8 2 4 “‘ 3 8 p Pno. 2 4 { "f" œœ‘ “ moving up into the high position, slide the * while left hand along the strings to create a swoosh sound. "f" 3 pp 3 8 œ na - Sin ° 3 8 3 4 œ œ 3 8 œ na # 3æ 4æ I Vc. 2 4 # ææ # ææ # 2æ 4æ II III # ææ # ææ 1 1 Sin µœ 43 1 œ 1 1 Voice 3 4 œ 1 3 8 3 "p" p p "f" 5:3 III Cb. 3 ¢ 8 3 4 3 3 8 4 IV 2 4 3 4 2 4 43 2 4 fz fff (tutta forza) ◊ÿ œœœ 3 8 ◊ÿœ œ 3 8 3 4 œ p Pno. { 3 3 8 4 œœ “‘ "f" 3 8 œœ “‘ "f" "p" = p 5 œ œ 16 sub f Voice 2 4 œ œ 3 8 O - les Vc. 1 # ° ææ æ æ 42 œ œ III ¢ 2 4 5 16 2 4 2 4 pizz. œ ™™ p œ œ "f" Cb. 5 16 # 1 1 # 1 II p 2 œ œ 4 2 4 Sin - a # 3æ 8æ I IV <> 3 _ 8) ) ) ) ) ) ) ) ) ) p fz "f" fff ÿ ◊ œœœ ™™™ ÿ œ◊œ 2 4 3 8 5 16 3 8 5 2 16 ™ 4 p Pno. { 2 4 œœ‘ “ œœ‘ ™™ “ ppp "f" "f" As before, but faster. 4 e = 86 p 2 4 œ œ 5 16 # # 5 ææ 16 1 Sin - a arco Vc. Cb. 5 8 3 8 5 8 œ œ 3 œ œ œ œ 3 8 4 3 4 1 ° 2 B 4B œ œ fz œ œ 2 ¢ 4 fz # 1 Voice p "f" <> 3_ 5 5 16 8 sul pont. 83 43 œ ppp œ p fff ◊ÿ œœ 2 4 ™ 5 16 ◊ÿœ œ 3 8 ◊ÿ œœœ 5 8 ◊ÿ œ 5 œ œœ œ 3 4 p f p Pno. { 2 4 œ œ‘ “ 5 16 ™ (senza ped) = p Voice 3 4 œ œ “‘ 5 8 83 œ ‘ “ "f" "f" œœ‘ “ "p" œœ‘ “ f œ 3 8 ° 3 œ œ œ œ œ 3 œ œ œ œ œ 8 4 œ œ f p pppp f Sin 43 9 8 na tasto flautando; very delicate Vc. œ 89 p 5:3 œ ord. Cb. 3 ¢ 4 œ f œ ◊ÿ œ 3 4 Pno. { 3 4 œ mf œ 3 8 œ œ 89 ææœ ææ ææ p 3 ◊ÿœœ œ 3 9 8 8 p 3 89 8 "f" œœ "p" “‘ 5 Broadly e = 92 3 4 4 4 #™ I #™ 5 16 5 16 #™ 1 II 1 9 8 1 Voice Vc. ° 9 8 ™ 43 ™ ™ 4 4 "f" mf pppp 1 Cb. 9 ¢ 8 1 1 1 1 # # I # #II # 4 5 4 16 1 1 #II # 1 # III # 1 III 1 1 1 # #II # 1 1 #™ IV ™ # # II æ 3æ 4 1 1 #™ I 3:2 3:2 "f" "f" ◊œÿ œ 9 8 3 4 4 4 5 16 ™ ™ 43 4 4 16 Pno. { 9 8 œœ “‘ 5 "f" = Slower; free and spacious q=30 p Voice 5 16 3 4 p f sotto voce ™ 3 2œ œ 5 œ œ œ 83 œ 16 Mus' te Vc. Cb. ° 5 16 3 4 5 ¢ 16 3 4 3 4 ,jo - da œ œœ 3 2 3 2 œœ œœ ◊ÿ <> œ ™ 5 5 16 3 2 œ œ œœ œ 83 œœ 83 œ œ sotto voce 3 8 5 16 5 16 5 16 ppp Pno. ff { 5 16 œ œ 43 3 2 œ 3 5 8 16 œ "p" 6 Voice Tempo prima e=72 ppp 5 16 5 œ œ œ œ œ 3 3 8 4 4 4 Me - re Vc. ° 5 16 3 3 8 4 po -ha - sees œ œ œ œ 4 4 5 ppp 5 Cb. 16 ¢ 3 3 8 4 ◊ ÿ œ™ 5 16 4 4 ◊ÿ œ 3 3 8 4 5 ◊œÿ œ 44 p Pno. ff œ { 5 16 œ 3 3 8 4 œ 4 4 œ "f" loco 9.10.13 Brooklyn, NY