Crossword Baroque Art and Gian Lorenzo Bernini

Crossword Baroque Art and Gian Lorenzo Bernini

Progetto in rete Reading Circles for CLIL –History of Art Liceo Artistico “M.Preti-­‐A. Frangipane”-­‐ Reggio Calabria-­‐ 2015-­‐2016 prof. Roberta Filardi Name:__________________________________________________________________________________________________________ Ex. 19. Glossary crossword (work in groups)
Name:
Crossword Baroque Art and Gian Lorenzo
Bernini
Complet e t he crossword below
1
c
h
2
g o l i a t h
a
3
5
p
n i c h e
d
8
4
6
m a r b l e
f
o
u
i
l
m
l
e
-
s
7
c e i l i n g
u
r
9
10
c o n t r a p p o s t o
t
o
u
n
a
l
t
i
11
b r o n z e
d
o
g
n
s
h
12
h e r o
t
Created with TheTeac hers Co rner.net Cro s s wo rd Puz z le Generato r
Across
2. The name of David’s enemy (goliat h)
4 . The material of which David’s Bernini is made
(marble)
5. A small hollow place, especially in a wall to
contain a statue (niche)
7. The top inside surface of a room (ceiling)
8. An asymmetrical pose in which one part of the
body is counterbalanced by another, about the
body's central axis. (cont rappost o)
11. The material of which David’s Donatello is
made (bronze)
12. A person who is admired by many people for
doing something brave or good (hero)
Down
1. The way light and shade are shown; the
contrast between light and shade (chiaroscuro)
3. The triangular section above the entablature or
the entrance of a building (often used in the
ancient Greek architecture) (pediment )
6. Sculpture that stands completely away from its
background (full-round)
9. Sponsor or benefactor of artists (pat ron)
10. The tool used by David (a stick shaped like a Y
with a flexible band attached to it, used for
shooting stones) (slingshot )
1 Progetto in rete Reading Circles for CLIL –History of Art Liceo Artistico “M.Preti-­‐A. Frangipane”-­‐ Reggio Calabria-­‐ 2015-­‐2016 prof. Roberta Filardi Ex. 20. Look carefully at the images below and then put them in the correct place on the timeline. You can research these paintings and sculptures on internet (work in groups) Tiziano, David and Goliath,
Oil on canvas, Santa Maria della Salute,
Venice.
Caravaggio, David and Goliath,
oil on canvas, Roma- Borghese
Gallery.
David Dalla Venezia, Who Killed
Cattelan? Oil on canvas.
Orazio Borgianni, David and Goliath,
oil on canvas, Real Academia de Bellas
Artes de San Fernando, Madrid.
Peter Rubens, David and Goliath,
oil on canvas,
Pasadena (USA),
Norton Simon Museum.
Antonio del Pollaiolo, David, tempera on wood.
Berlino, Gemäldegalerie, Staatliche Museen zu Berlin,
Preußischer Kulturbesitz.
1440 ca. 1465 -1470 ca 1472-1475
1501-1504
1542-1544
1607 ca. 1609-1610 1616
1623-1624
1938
2007
Donatello, David, bronze statue,
Florence National Museum of Bargello.
Michelangelo, David, marble statue,
Florence Galleria dell’Accademia.
Gian Lorenzo Bernini, David,
marble statue, Roma Borghese
Gallery.
Giacomo Manzù, David, bronze
statue, Ardea (Rome) Manzù
Collection
Verrocchio, David, bronze,
Florence, National Museum of Bargello.
Ex. 21 Compare the style and composition of these images (paintings and sculptures), then identify three formal elements that are associated with the Baroque style of paintings and sculptures (work in pairs) In painting: dramatic lighting, complex compositions with the use of intersecting diagonals and
severe tonal contrasts.
In sculpture: compositional complexity, dynamic compositional schemes, dramatic gestures and
expressions of the figures.
Feedback for the teacher Did you enjoy learning content and language through the CLIL activity? Say why (you can express your ideas in Italian) YES/NO 2