June Mostra - The British School at Rome

2014–15
Fine Arts 2014–15
Acknowledgements
Antonella Salvatore and Inge Lyse Hansen, John Cabot
University, Rome
All works © the artists and architect
Editor: Marco Palmieri
Translations: Beatrice Gelosia
Graphic design: Praline
Juliet Franks, The Ruskin School of Art, University
of Oxford, Oxford
Printed in Belgium by Graphius
Sarah Linford, Accademia di Belle Arti di Roma, Rome
Anna d’Amelio Carbone, Fabrizio Del Signore, Adrienne Drake,
Niccolò Fano, Hou Hanru, Manuela Pacella, Armando Porcari,
Carolina Pozzi, Donatella Saroli, Marcello Smarrelli,
Carmen Stolfi
Published in 2015 by the British School at Rome
10 Carlton House Terrace
London SW1Y 5AH
British School at Rome
Via Gramsci 61, 00197 Rome
Giulia Carletti, Francesca Gallo, Stella Rendina, Anne Stelzer
Registered Charity 314176
Photography courtesy of the artists and architects, except:
Roberto Apa (pages 7, 8, 10, 11, 13, 16–19, 22–37, 40–5,
48–51), Grant Hancock (pages 20, 21) and Don Hildred
(pages 46, 47)
www.bsr.ac.uk
ISSN 1475-8733
ISBN 978-0-904152-73-9
The projects realised by Angela Brennan, Gregory Hodge,
Susan Norrie and Mona Ryder have been assisted by the
Commonwealth Government through the Australia Council,
its Arts funding and advisory body.
The Derek Hill Foundation
Nicholas Berwin Charitable Trust
The Incorporated Edwin Austin
Abbey Memorial Scholarships
Contents
4
Preface: Christopher Smith
6
Introduction: Marco Palmieri
Exhibitors
16 Georges Audet
18 Angela Brennan
20 Nic Brown
22 Adam Nathaniel Furman
24 Paul James Gomes
26 Rowena Harris
28 Gregory Hodge
30 Alexi Keywan
32 David McCue
34 Gina Medcalf
36 Nancy Milner
38 Susan Norrie
40 Catherine O’Donnell
42 Gill Ord
44 Florian Roithmayr
46 Mona Ryder
48 Daniel Sinsel
50 Emily Speed
52
Biographies
63
BSR Faculty of the Fine Arts and Staff
Preface / Prefazione
The community of artists at the BSR is not only the
community of any given year, but stretches back across
a century. I have been reminded of this through this year
as the paths of current and past award-holders have
crossed and intertwined. The last event of the academic
year saw six former award-holders, Joey Bryniarska, Mick
Finch, Louisa Minkin, Emma Talbot, Susan Trangmar and
Martin Westwood, all currently at Central Saint Martins,
returning to the BSR with other colleagues to talk about
concepts of spolia and relic. Each carried their own
memories of the BSR, and recalled connections made
here; for example, Jacopo Benci talked about Michel
Serres, an author he encountered with Susan Trangmar.
Several current award-holders participated. It was
a reminder that the BSR unites across time.
Another reminder of the success and
interdisciplinarity of our former award-holders has
come with news of Cornelia Parker’s trio of recent
accomplishments: her critically acclaimed solo exhibition
at The Whitworth in Manchester (which marked its
reopening), her Royal Academy-curated installation
at London’s St Pancras International Station and her
Magna Carta (An Embroidery) project at the British
Library, specially commissioned for the anniversary
of the Magna Carta. As the latter was unveiled — or
unrolled — Helen Sear opened her exhibition for Wales
at the Venice Biennale. Thanks to the British Council,
BSR award-holders were able to visit the Biennale’s
vernissage this year.
Other highlights of this year include an inspiring
lecture by Nathan Coley as part of the Craignish
Trust Visiting Artist Programme, and lectures by Bernice
Donszelmann and Tim Renshaw, Vanessa Jackson,
and Joey Bryniarska and Martin Westwood, supported
by a grant from the Arts Club Charitable Trust to the
Abbey Council. We were also delighted to have been
able to work with Christie’s to organise a fascinating
study afternoon on collecting and the international
art market. Marina Engel’s programme on architecture
and the creative process concluded with a challenging
exhibition and conversation between artists Alfredo
Pirri and Thomas Schütte on the boundaries between
art and architecture.
Marco Palmieri has built on the success of last
year by assisting our award-holders with a number of
external shows. Our own exhibitions have been expertly
4
La comunità di artisti residenti alla BSR non è costituita
soltanto dal gruppo di ogni singolo anno, ma si
prolunga lungo tutto un secolo. Questa realtà è stata
confermata dal fatto che quest’anno i percorsi dei
borsisti attuali e di quelli del passato si sono incrociati
e intrecciati. L’ultimo evento dell’anno accademico ha
visto tornare alla BSR sei borsisti degli scorsi anni, Joey
Bryniarska, Mick Finch, Louisa Minkin, Emma Talbot,
Susan Trangmar e Martin Westwood, tutti attualmente
al Central Saint Martins, che, insieme ad altri relatori,
hanno partecipato ad un evento sul concetto di spolia e
reliquie. Ognuno di loro ha portato con sé i propri ricordi
della BSR e si è ricollegato alle relazioni intessute qui;
tra gli altri Jacopo Benci ci ha parlato di Michel Serres,
un autore incontrato con Susan Trangmar. Molti borsisti
di quest’anno hanno preso parte a questo evento, che
ci ha dato così l’opportunità di ricordare come la BSR
unisca le persone attraverso il tempo.
Un altro esempio del successo e dell’interdisciplinarietà dei nostri ex borsisti, è arrivato dalla
notizia di ben tre traguardi raggiunti da Cornelia
Parker: la sua mostra personale, acclamata dalla
critica, alla Whitworth di Manchester (che ne ha
segnato la riapertura), la sua installazione alla St
Pancras International Station di Londra, curata dalla
Royal Academy, e il suo progetto alla British Library
Magna Carta (An Embroidery), commissionato
espressamente per l’anniversario della Magna Carta.
Mentre si presentava la mostra alla British Library,
Helen Sear ha inaugurato la sua esposizione alla
Biennale di Venezia come rappresentante per il Galles.
Grazie al British Council, i borsisti della BSR hanno
avuto modo quest’anno di partecipare al vernissage
della Biennale.
Sempre per quanto riguarda lo scorso anno
accademico c’è da evidenziare, inoltre, un’interessante
conferenza di Nathan Coley, parte del Craignish Trust
Visiting Artist Programme, e le conferenze di Bernice
Donszelmann e Tim Renshaw, Vanessa Jackson, e Joey
Bryniarska e Martin Westwood, rese possibili grazie
al contributo dell’Arts Club Charitable Trust attraverso
l’Abbey Council. Siamo stati molto lieti di aver avuto
anche l’occasione di lavorare con Christie’s per
organizzare un coinvolgente pomeriggio di studio
sul collezionismo ed il mercato d’arte internazionale.
Il programma sull’architettura ed il processo creativo
FINE ARTS 2014–15
put together by Marco and a team of interns, and are
attracting ever greater audiences. Our June mostra was
the BSR’s contribution to Rome’s International Festival of
Culture, co-organised with embassies, cultural institutes
and the other foreign academies. BSR art is clearly on
the Rome cultural map.
None of this would be possible without the
generous support of the trusts, foundations and
individuals who co-fund our awards. It is as ever a
pleasure and honour to thank the Australia Council
for the Arts; the Australian Experimental Art Foundation
(with Cibo Espresso, the Helpmann Academy and
Arts SA); the Conseil des Arts et des Lettres du
Québec; Creative Scotland; the Derek Hill Foundation;
the Incorporated Edwin Austin Abbey Memorial
Scholarships; the Linbury Trust; the National Art School,
Sydney; the Nicholas Berwin Charitable Trust; and the
William Fletcher Foundation (NSW, Australia); as well
as the private donors to the Rome Prize in Architecture,
including Robert Adam, Bob Allies, Tim Bell, Jeremy
Blake, Peter Harris, Eric Parry, Hugh Petter and Robert
Tavernor. This funding is absolutely essential, for the
BSR receives no government funding for its Fine Arts
programme, and contributes from its own resources
to sustain a full studio programme.
We are extremely grateful to the members of the
BSR’s Faculty of the Fine Arts and to other members
of selection panels. They continue to devote much
time and care to the selection of artists and architects,
appointing people who, in addition to being excellent
in their own fields, contribute significantly to the BSR’s
interdisciplinary community.
We are determined to continue to build support
for this remarkable community. As we enter our second
century in the BSR’s current building, we are able at
last to complete the renovation of the studios, begun by
my predecessor, with new skylights, new double-glazed
doors and windows, and better ventilation. With this
behind us, our goal must be to create an ever sounder
footing for a second century of artists at the BSR.
curato da Marina Engel si è concluso con una mostra
e una conversazione tra Alfredo Pirri e Thomas Schütte
sui confini tra arte e architettura.
Marco Palmieri ha confermato il successo ottenuto
lo scorso anno aiutando i nostri borsisti ad organizzare
diverse esposizioni esterne. Le mostre del nostro anno
accademico sono state curate da Marco con l’aiuto
di un team di collaboratori, e hanno attirato un numero
sempre crescente di visitatori. La mostra di giugno
è stata inclusa nel Festa Internazionale di Cultura
di Roma, organizzata con le ambasciate, gli istituti
culturali e altre accademie straniere. La BSR, con
il suo programma di arti visive, è senza dubbio inserita
del circuito culturale romano.
Niente di tutto questo sarebbe stato possibile
senza il generoso contributo degli enti, delle fondazioni
e dei privati che hanno aiutato a sostenere le nostre
borse di studio. È come sempre un piacere e un onore
ringraziare l’Australia Council for the Arts; l’Australian
Experimental Art Foundation (con Cibo Espresso,
l’Helpmann Academy ed Arts SA); il Conseil des Arts
et des Lettres du Québec; Creative Scotland; la Derek
Hill Foundation; l’Incorporated Edwin Austin Abbey
Memorial Scholarships; il Linbury Trust; la National Art
School di Sydney; il Nicholas Berwin Charitable Trust;
e la William Fletcher Foundation (NSW, Australia); e
tutti i sostenitori privati del Rome Prize in Architecture:
Robert Adam, Bob Allies, Tim Bell, Jeremy Blake, Peter
Harris, Eric Parry, Hugh Petter e Robert Tavernor. Questi
contributi sono assolutamente essenziali, visto che la
BSR non riceve fondi pubblici per il programma delle
arti visive e quindi deve concorrere con le proprie risorse
per sostenerlo.
Siamo estremamente grati ai membri della Faculty
of the Fine Arts della BSR e agli altri componenti dei
vari comitati per la selezione dei borsisti. Tutti loro
continuano a dedicare molto tempo e impegno alla
scelta di artisti ed architetti, selezionando persone che,
oltre ad essere straordinarie nei loro campi di interesse,
portano il proprio considerevole contributo alla comunità
interdisciplinare della BSR.
Siamo determinati a continuare a sostenere questa
straordinaria comunità. Entrando nel secondo secolo
dalla costruzione dell’attuale edificio della BSR, siamo
finalmente in grado di completare il restauro degli studi
per gli artisti, cominciato dal mio predecessore, con
nuovi lucernari, nuove porte e finestre in doppio vetro
e un miglior sistema di aerazione. Lasciandoci questo
alle spalle, il nostro obiettivo sarà quello di raggiungere
una posizione ancora più risonante per un nuovo secolo
di artisti alla BSR.
CHRISTOPHER SMITH — DIRECTOR
5
Introduction / Introduzione
This year, there have been numerous conversations
in the British School at Rome about ‘Inspiring creative
research’. With elegant simplicity, these three words
promote a strong and important message that stands
as a core value of the BSR; culture is a vital asset, which
needs constant and attentive support. The aim of the
Fine Arts residency programme is specifically to inspire
creative research. Our award-holders’ exhibitions, their
works, their lines of research truly stand out and impact
various aspects of our collective creative culture, within
Italy and in the rest of the world. This catalogue offers
us a brief glimpse into the work produced during their
stay and their numerous achievements.
Throughout the year, many people have
contributed to fostering the work of our award-holders:
the generous support of the funding bodies that make
such residencies possible; the hard work of all the BSR
staff; and the numerous curators and directors from
galleries and museums around Rome who come to meet
the award-holders in their studios, as well as visits by
BSR Council and Faculty of the Fine Arts members. The
numerous talks and lectures, as well as organised visits
to sites, museums and galleries, provide inspiration for
the resident artists, often taking their ideas and work
in new and exciting directions.
The on-going architecture programme, Meeting
Architecture: Architecture and the Creative Process,
curated by Marina Engel, provides a series of exciting
talks and conversations between architects and other
eminent individuals from various sectors of the creative
industries. Jacopo Benci, our Senior Research Fellow
in Modern Studies and Contemporary Visual Culture,
dedicated an event to Superstudio, the architecture
studio founded in Florence in 1966: a screening of
their two films — Supersurface: Life and Ceremony — was followed by a conversation between Superstudio
co-founder and archivist Piero Frassinelli and
Jacopo Benci.
Thanks to the support of the Craignish Trust,
the BSR was able to host a talk by the artist Nathan
Coley, with the title NEVER TRUST A LOVING GOD.
The artist discussed many of his earlier and current
works with the audience, exploring the ideas and lines
of research feeding into his practice. He also visited
many of the award-holders in their studios, developing
conversations that were initiated by his talk.
6
Quest’anno alla BSR si è molto parlato di ‘Inspiring
creative research’. Con elegante semplicità queste tre
parole lanciano un messaggio forte ed essenziale che
rappresenta il valore primario della BSR; la cultura
è un bene vitale, che necessita di un sostegno costante
ed attento. L’obiettivo del programma di arte visiva è
esattamente quello di ispirare ricerca creativa. Le mostre
dei nostri borsisti, le loro opere, i loro percorsi di ricerca,
si distinguono e influenzano realmente i diversi aspetti
della nostra cultura creativa collettiva, sia in Italia
che nel resto del mondo. Questo catalogo permette
di posare per un attimo lo sguardo sulle opere create
durante il soggiorno romano dei nostri borsisti e sui
risultati da loro ottenuti.
Nel corso dell’anno, molte persone hanno
contribuito a promuovere il lavoro dei nostri borsisti:
il generoso contributo degli enti che finanziano le
borse di studio, il lavoro di tutto il personale della BSR,
i numerosi curatori e direttori delle gallerie e dei musei
di Roma che si sono resi disponibili ad incontrare i nostri
artisti nei loro studi, e tutti i membri del Council e della
Faculty of the Fine Arts che sono venuti in visita alla
BSR. Fonte di ispirazione per gli artisti sono state le
numerose conferenze e convegni e le frequenti visite a
siti, musei e gallerie, attività che hanno spesso portato
le loro idee e il loro lavoro in nuove e stimolanti direzioni.
Nel programma di architettura Meeting
Architecture: Architecture and the Creative Process,
curato da Marina Engel, sono state inserite una serie
di interessanti conferenze e conversazioni tra architetti
ed altre illustri figure provenienti dai vari settori
dell’industria creativa. Jacopo Benci, nostro Senior
Research Fellow in Modern Studies and Contemporary
Visual Culture, ha dedicato un evento a Superstudio,
lo studio di architettura fondato a Firenze nel 1966:
alla proiezione di due loro film — Supersurface: Life
e Ceremony — è seguita una conversazione tra uno
dei fondatori e l’archivista di Superstudio, Piero
Frassinelli, e Jacopo Benci.
Grazie al sostegno del Craignish Trust, la BSR
ha potuto ospitare una conferenza dell’artista Nathan
Coley, dal titolo: NEVER TRUST A LOVING GOD,
durante la quale l’autore ha avuto uno scambio di
opinioni sulla sua produzione passata e recente, e ha
esposto le idee ed i percorsi di ricerca da cui nascono
i suoi lavori. L’artista ha anche incontrato molti dei
FINE ARTS 2014–15
December Mostra Installation view, 2014
MARCO PALMIERI — VISUAL ART RESIDENCY AND PROGRAMME CURATOR
7
December Mostra — both images
Installation view, 2014
8
FINE ARTS 2014–15
As a result of a generous grant from the Arts Club
Charitable Trust to the Abbey Council, we had the
privilege to welcome back Bernice Donszelmann and
Tim Renshaw, Vanessa Jackson, and Joey Bryniarska and
Martin Westwood, all former award-holders. In addition
to giving talks, they spent time with the award-holders
and made studio visits.
In June, Martin Westwood, together with Mick
Finch, organised a workshop, Headstone to Hard Drive
III. Spolia, Relic, Data. This ambitious one-day event
brought together a large and distinguished number
of artists, historians and art historians to explore the
concepts of spolia and relic.
Important highlights each year for the Fine Arts
residency programme are the three Mostre, which
take place in December, March and June. These group
exhibitions present the ongoing work of the current
award-holders, introducing the outcome of their stay
in Rome to the Roman audience. December Mostra
included work by Adam Nathaniel Furman, Rowena
Harris, Nancy Milner, Gill Ord, Florian Roithmayr
and Emily Speed. During March Mostra, the following
award-holders exhibited their work: Georges Audet,
Adam Nathaniel Furman, Paul James Gomes, Rowena
Harris, Gregory Hodge, David McCue, Gina Medcalf
and Nancy Milner. The final show of the academic year,
June Mostra, included work by Angela Brennan, Rowena
Harris, Alexi Keywan, Nancy Milner, Catherine
O’Donnell and Daniel Sinsel.
These three shows were made possible thanks
to the hard work of all the artists, and the support
of all the BSR staff. Further help was offered by the
generous technical support of the Fine Arts interns:
Giulia Carletti, Francesca Gallo, Stella Rendina and
Anne Stelzer dedicated numerous hours to helping
to install and invigilate the shows.
The Mostre offered many members of the Roman
audience an opportunity to see and further explore
the practice of our award-holders. These moments
of exchange between the BSR and the city of Rome
are important, but engagement with the city is not
limited to these three exhibitions. Many of our awardholders, present and past, have exhibited in Rome
throughout the year.
In January, former award-holder Eddie Peake
(Abbey Scholar in Painting 2008–9) visited Rome for
the opening of his solo show at Galleria Lorcan O’Neill.
In February, Eddie Peake and Rowena Harris (Sainsbury
Scholar in Painting and Sculpture) were included
in the group show Conversation Piece | Part 1 at the
Fondazione Memmo. In March the work of Ursula Burke
borsisti nei loro studi, portando avanti il dibattito nato
dalla sua conferenza.
Come risultato di una generosa donazione da
parte dell’Arts Club Charitable Trust all’Abbey Council,
abbiamo avuto il privilegio di accogliere nuovamente
i nostri ex borsisti Bernice Donszelmann e Tim Renshaw,
Vanessa Jackson, e Joey Bryniarska e Martin Westwood,
che, oltre a tenere le proprie conferenze, hanno avuto
modo di incontrare i borsisti nei loro studi.
Nel mese di giugno, Martin Westwood e
Mick Finch hanno organizzato un seminario dal titolo
Headstone to Hard Drive III. Spolia, Relic, Data. Questo
ambizioso evento ha visto la partecipazione di un gran
numero di eminenti artisti, storici e storici dell’arte che
hanno preso in esame il concetto di spolia e reliquie.
Ogni anno il punto di forza del programma di
arti visive è costituito dalle tre Mostre, che si svolgono
a dicembre, marzo e giugno. Queste mostre collettive
presentano le opere dei borsisti e consentono di esporre
al pubblico romano i risultati del lavoro svolto durante
la residenza a Roma. Nella December Mostra erano
esposte le opere di Adam Nathaniel Furman, Rowena
Harris, Nancy Milner, Gill Ord, Florian Roithmayr ed
Emily Speed. Durante la March Mostra abbiamo visto
il lavoro di Georges Audet, Adam Nathaniel Furman,
Paul James Gomes, Rowena Harris, Gregory Hodge,
David McCue, Gina Medcalf e Nancy Milner. La mostra
finale dell’anno accademico, June Mostra, ha messo
insieme le opere di Angela Brennan, Rowena Harris,
Alexi Keywan, Nancy Milner, Catherine O’Donnell
e Daniel Sinsel.
Questi tre eventi sono stati realizzati grazie al
grande impegno degli artisti e al contributo di tutto il
personale della BSR, al quale si aggiunge il generoso
sostegno tecnico di diversi stagisti che hanno
dedicato molto del loro tempo aiutando nella cura
dell’allestimento e durante la vigilanza delle mostre:
Giulia Carletti, Francesca Gallo, Stella Rendina
e Anne Stelzer.
Le mostre offrono al nutrito pubblico romano
l’opportunità di vedere e studiare attentamente le
attività dei nostri borsisti. Questi momenti di scambio
tra la BSR e la città di Roma sono fondamentali, ma
il coinvolgimento con la città non si limita a questi tre
eventi. Molti dei nostri borsisti presenti e passati, infatti,
hanno avuto durante l’anno l’opportunità di allestire
mostre in altre sedi a Roma.
A gennaio il nostro ex borsista Eddie Peake
(Abbey Scholar in Painting 2008–9) ha inaugurato la
sua personale alla Galleria Lorcan O’Neill. In febbraio
Eddie Peake e Rowena Harris (Sainsbury Scholar in
MARCO PALMIERI — VISUAL ART RESIDENCY AND PROGRAMME CURATOR
9
March Mostra
Installation view, 2015
10
FINE ARTS 2014–15
March Mostra — both images
Installation view, 2015
MARCO PALMIERI — VISUAL ART RESIDENCY AND PROGRAMME CURATOR
11
(Arts Council of Northern Ireland Fellow 2013–14)
was included in the group show Displacements. The
Trouble With Being Human These Days at the gallery
Ex Elettrofonica. In June, Catherine O’Donnell (National
Art School, Sydney, Resident in Drawing) and Nancy
Milner (Abbey Scholar in Painting) were included in
the group show Spazi Aperti at the Romanian Academy.
The academic year ended with Rowena Harris’s solo
show in June, Being both on and within, as I said,
at the Gallery Apart.
This small selection of achievements provides
an impression of the sort of impact that the artists,
architects and filmmakers make in the city during and
after their residencies at the BSR. Needless to say, their
impact expands far beyond Rome. At this year’s Venice
Biennale, Helen Sear (Rome Awardee 1992–3, and
current member of the BSR’s Faculty of the Fine Arts)
is representing Wales, with her exhibition … the rest is
smoke. Further examples of the achievements of past
award-holders can be found in our Annual Review.
The ongoing dialogue with the city has also
developed this year through continuous studio visits
by various significant figures from the art world, to
engage directly with our award-holders: Anna d’Amelio
Carbone (director of Fondazione Memmo), Fabrizio
Del Signore (director of Gallery Apart), Adrienne Drake
(curator of Fondazione Giuliani), Hou Hanru (director
of MAXXI), Manuela Pacella (curator), Armando Porcari
(director of Gallery Apart), Carolina Pozzi (editor of
WheresArt), Marcello Smarrelli (curator of Pastificio
Cerere) and Carmen Stolfi (editor of WheresArt).
12
Painting and Sculpture) hanno partecipato alla mostra
collettiva Conversation Piece | Part 1 alla Fondazione
Memmo. Nel mese di marzo i lavori di Ursula Burke
(Arts Council of Northern Ireland Fellow 2013–14)
sono stati esposti nella collettiva Displacements. The
Trouble With Being Human These Days alla galleria Ex
Elettrofonica. A giugno, Catherine O’Donnell (National
Art School, Sydney, Resident in Drawing) e Nancy
Milner (Abbey Scholar in Painting) hanno partecipato
alla mostra collettiva organizzata dall’Accademia di
Romania: Spazi Aperti. Infine, l’anno accademico si è
concluso, sempre nel mese di giugno, con la personale
di Rowena Harris, Being both on and within, as I said,
alla Gallery Apart.
Questo rapido elenco di eventi può dare un’idea
del tipo di impatto che artisti, architetti e videomaker
hanno sulla città durante e dopo la loro residenza
alla BSR. Non c’è bisogno di dire che questo effetto
si espande ben oltre Roma. Alla Biennale di Venezia,
quest’anno, Helen Sear (Rome Awardee 1992–3
e attuale membro della Faculty of the Fine Arts della
BSR) rappresenta il Galles con la sua mostra … the
rest is smoke. Altri esempi dei risultati ottenuti dai nostri
ex borsisti si possono trovare nel nostro Annual Review.
Il dialogo aperto con la città quest’anno è
dimostrato anche dalle visite agli studi da parte di
eminenti figure del mondo artistico internazionale: Anna
d’Amelio Carbone (direttore della Fondazione Memmo),
Fabrizio Del Signore (direttore di Gallery Apart),
Adrienne Drake (curatore della Fondazione Giuliani),
Hou Hanru (direttore del MAXXI), Manuela Pacella
(curatore), Armando Porcari (direttore di Gallery Apart),
Carolina Pozzi (editore di WheresArt), Marcello Smarrelli
(curatore del Pastificio Cerere) e Carmen Stolfi (editore
di WheresArt).
FINE ARTS 2014–15
June Mostra
Installation view, 2015
MARCO PALMIERI — VISUAL ART RESIDENCY AND PROGRAMME CURATOR
13
Exhibitions
December Mostra
12–20 December 2014
Adam Nathaniel Furman, Rowena Harris, Nancy Milner, Gill Ord,
Florian Roithmayr, Emily Speed
March Mostra
13–21 March 2015
Georges Audet, Adam Nathaniel Furman, Paul James Gomes,
Rowena Harris, Gregory Hodge, David McCue, Gina Medcalf, Nancy Milner
June Mostra
12–20 June 2015
Angela Brennan, Rowena Harris, Alexi Keywan, Nancy Milner,
Catherine O’Donnell, Daniel Sinsel
14
FINE ARTS 2014–15
Exhibitors
Roma mi amor III
Ink on paper (map), 62 × 50 cm, 2015
16
GEORGES AUDET
The British School Room at Rome II
Paper bricks, ink on paper (maps), dimensions variable, 2015
17
the name in so far as it names a thing, is nothing but the thing insofar
as it is named by the name
Oil on linen, 220 × 183 cm, 2015
18
ANGELA BRENNAN
Stepping into the same river twice
Oil on linen, 64 × 57 cm, 2015
19
There was a greenness in the air #3
Oil on canvas, 14 × 14 cm, 2014
20
NIC BROWN
There was a greenness in the air #4
Oil on canvas, 10.5 × 16.5 cm, 2014
21
The Roman Singularity: City in Ceramics and Capriccio
Pencil and pen, 3-D printed glazed earthenware, stoneware
and porcelain, dimensions variable, 2015
22
ADAM NATHANIEL FURMAN
23
Roma Sub Rosa
2 channel video installation, HD, colour, stereo, 9.20 mins; 4.55 mins;
book pressed roses and dried petals, Rome / Scotland 2015
24
PAUL JAMES GOMES
Prego Selfie and Roma Sub Rosa — Installation shot
Prego Selfie
Video installation, 33 secs, HD, colour, Rome / Scotland 2015
25
Skin on skin (Outlines 1)
Steel, concrete, fabric, silicon rubber
and found materials, 186 × 45 × 30 cm, 2014
26
ROWENA HARRIS
Skin on skin (Outlines 2) — detail
Steel, concrete, fabric, elastic rubber, cast silicon rubber
and found materials, 190 × 30 × 15 cm, 2014
27
Untitled
Acrylic on paper mounted on pvc, 184 × 151 cm, 2015
28
GREGORY HODGE
Untitled
Acrylic on paper mounted on pvc, 184 × 148 cm, 2015
29
The passenger no. 17
Pen on paper, 62.5 × 53.5 cm, 2015
30
ALEXI KEYWAN
Absolution
Pinhole perforations on handmade paper, 49.5 × 32.5 cm, 2015
31
FACCIATA. Facade
Blacklight (UV) sensitive photograph, screenprinted on black & white
marble panels, ultraviolet floodlight, coin-operated timer switch,
dimensions variable, 2015
32
DAVID McCUE
33
Camerone 6
Acrylic on canvas, 68.6 × 45.8 cm, 2015
34
GINA MEDCALF
Camerone 7
Acrylic on canvas, 68.6 × 45.8 cm, 2015
35
Untitled
Oil on canvas, 60 × 75 cm, 2015
36
NANCY MILNER
June Mostra
Installation view, 2015
37
38
SUSAN NORRIE
39
Garbatella
Charcoal on paper, 78 × 180 cm (triptych), 2015
40
CATHERINE O’DONNELL
VIAE VMBRAE
Gouache and graphite on paper, 40 piece work, 100 × 350 cm, 2015
41
Sotterraneo 1
Oil on canvas, 180 × 125 cm, 2014
42
GILL ORD
Sotterraneo 3
Oil on canvas, 180 × 125 cm, 2014
43
Endstart
Mixed media, dimensions variable, 2014
44
FLORIAN ROITHMAYR
45
Clouded Object
Acrylic on leather, 27 × 18 cm, 2014
46
MONA RYDER
Occhio era qui
Acrylic on leather, 27 × 18 cm, 2014
47
untitled (Ä)
Oil on linen, coprolite, 9ct gold, 43 × 34 cm, 2015
48
DANIEL SINSEL
untitled (S)
Oil on linen, coprolite, 9ct gold, 32 × 26 cm, 2015
49
Garbuglio, Gomitolo, Gnommero, Groviglio, a series of studies
in terracotta, drawings, watercolours and performances for film
that consider the physical experience of being in the architecturallylayered sites of Rome — details
2014
50
EMILY SPEED
51
Biographies
GEORGES AUDET
ANGELA BRENNAN
Québec Resident, January–March 2015
www.georgesaudet.jimdo.com
[email protected]
Australia Council Resident Artist, April–June 2015
www.roslynoxley9.com.au
www.niagaragalleries.com.au
[email protected]
Education
1982
BArch, Architecture, Université Laval, Québec City
Selected one person exhibitions
2012
Labyrinthes, Joyce Yahouda Gallery, Montréal
2009
L’Enchantement IV, Centre national d’exposition,
Saguenay
2008
La Maison dans la maison, Est-Nord-Est, SaintJean-Port-Joli
Prelâ, Est-Nord-Est, Saint-Jean-Port-Joli
2007–8
L’Enchantement III, Maison de la culture de Côtedes-Neiges, Montréal
2007
L’Enchantement II, Musée d’art contemporain
des Laurentides, Saint-Jérôme
2006
L’Enchantement I, Joyce Yahouda Gallery,
Montréal
Selected group exhibitions
2015
March Mostra, British School at Rome
2014
Procession, Maison de la culture de Notre-Damede-Grâce, Montréal
2013
Papier 13, Contemporary Art Galleries Association,
Montréal
2012
Hospitalité, Biennale de sculpture de Saint-JeanPort-Joli
2011
Il était une fois, Joyce Yahouda Gallery, Montréal
IAAB Groupshow, iaab-Projektraum, Basel
Traces from IAAB, Dock, Basel
The Travelling Artist, Heidelberger Kunstverein,
Heidelberg
2010
Cube, Coopérative Lezarts, Montréal
Le Mur / The Wall Project, Transformations I and II,
Joyce Yahouda Gallery, Montréal
Residencies
2015
Conseil des arts et des lettres du Québec
Residency, British School at Rome
2013
Conseil des arts et des lettres du Québec
Residency, Finnish Artist’s Studio Foundation,
Espoo / Helsinki
2011
Conseil des arts et des lettres du Québec
Residency, Christoph Merian Stiftung — IAAB,
Basel
2008
Est-Nord-Est, Saint-Jean-Port-Joli
Education
1992
1982
BA, University of Melbourne
BA, Fine Arts, RMIT, Melbourne
Selected one person exhibitions
2015
Rustic Deities, Roslyn Oxley9 Gallery, Sydney
2013
On a Round Ball, China Art Projects, Hong Kong
2012
Stop Humming Glenn Gould, Niagara Galleries,
Melbourne
2011
Infinity Plus One, Roslyn Oxley9 Gallery, Sydney
To Whom Achilles, Swiftest of the Swift Replied:,
Orexart, Auckland
2006
Every Morning I Wake up on the Wrong Side of
Capitalism, Monash, University of Art, Melbourne
2005
Geranium Lake, Roslyn Oxley9 Gallery, Sydney
1992
Oh Tango, Angela Brennan, 200 Gertrude Street,
Melbourne
1989
Possible Worlds, George Paton, University
of Melbourne
Selected group exhibitions
2015
June Mostra, British School at Rome
Mr President, Parkside Avenue Jimmy Nuttall’s
Apartment Show, Brooklyn, New York
2014
Texts & Scrolls, Good Press Gallery, Glasgow
No Fond Return of Love, ICAN, Newtown, Sydney
Re-Raising Consciousness, TCB, Melbourne
2013
Heavenly Stems, Neon Parc, Melbourne
1988
Vasari Revisited, 200 Gertrude Street, Melbourne
Selected awards and residencies
2015
Australia Council Residency, British School at Rome
2012 Mentor, Australia Council / Next Wave JUMP
Mentoring Program
2008 Australia Council Studio, Milan
2006
Studio Residency, Cité Internationale des Arts, Paris
2002 Red Gate Gallery Artists Residency, Beijing Art
Academy
1998 AGNSW, Cité Internationale des Arts, Paris
1995 Blundstone Contemporary Art Award, Hobart
Teaching
2014–15
Public commissions
2012
Fragments pour un conte, a monumental mosaic
for an elementary school in Mercier, Québec
1993–5
Grants
1997, 1999,
2001, 2009 Conseil des arts et des lettres du Québec
1988–90,
2004, 2006 Canada Council for the Arts
1991
1992
Lecturer in Ceramics, Victorian College of the Arts
Secondary School, Melbourne
Lecturer in Painting, Victorian College of the Arts,
Melbourne
Lecturer in Painting, Prahran College of Art,
Melbourne
Lecturer in Drawing, Ormond College, University
of Melbourne
Collections
Allen, Allen and Hemsley, NSW; ANZ Bank; Art Bank, NSW;
BIOGRAPHIES
53
Art Gallery of South Australia; Benalla Art Gallery, Victoria; City
of Yarra, Victoria; Collection of Sir James and Lady Cruthers, Perth;
Council of Adult Education; Deakin University Collection, Victoria;
Deloitte Foundation, Sydney; Goldman Sachs JBWere; KPMG,
Melbourne; LaTrobe University, Victoria; Leeuwin Estate, Western
Australia; Monash University; Mont Blanc Art Collection,
Switzerland; National Bank; National Gallery of Australia,
Canberra; National Gallery of Victoria; Queen Victoria Museum
and Art Gallery, Launceston; RACV, Melbourne; TarraWarra
Museum of Art, Victoria; The Arts Centre, Melbourne; The Vizard
Foundation, Victoria; Trinity Grammar School, NSW; University
of Melbourne; University of Queensland Art Museum; University
of Western Australia Western Mining Collection, Victoria; World
Bank, New York; private collections in Australia, Canada, France,
Hong Kong, Israel, Japan, Korea, Singapore, United Kingdom,
USA and elsewhere
NIC BROWN
Australian Experimental Art Foundation Cibo Espresso Resident,
July–September 2014
www.nic-brown.com.au
Education
2010
2008
Grad. Cert., Art History, University of Adelaide,
Adelaide
BVA (Honours), Adelaide Central School of Art,
Adelaide
Selected one person exhibitions
2013
Forestal, Mallee Garden, Adelaide Botanic
Garden, Adelaide
2011
Nic Brown: Recent Paintings, Adelaide Central
Studio Gallery, Adelaide
2010
Glasslands, Palm House, Adelaide Botanic Garden,
Adelaide
2009
Somewhere Between Waking and Dreaming,
A Room of Her Own, Adelaide
Selected group exhibitions
2014–17
Handheld, Country Arts SA, multiple venues across
regional South Australia
2014
Heysen Sculpture Biennial, The Cedars, Hahndorf
Florabotanica, Adelaide Central Gallery, Adelaide
2013
FELTmaps, Vitalstatistix, Port Adelaide
My roots will set off to seek another land, South
Australian Living Artists Festival, Adelaide Airport,
Adelaide
Grounded, Adelaide Central Gallery in partnership
with Fisher Jeffries, Adelaide
2012
Conversations in Ellipsis, SASA Gallery — University
of South Australia & Adelaide Botanic Garden,
Adelaide
The Kick Ass Painting Show, Fontanelle Gallery,
Adelaide
Museum Interventions, Hahndorf Academy,
Hahndorf
2011
Arts SA Curatorial Program, Adelaide
Desiccated Magic, Format, Adelaide
54
2010
Theirs Yours Mine, Light Square Gallery, ACArts,
Tafe SA, Adelaide
SALA Moving Image Project, Queens Theatre,
South Australian Living Artists Festival, Adelaide
ArtWest, Renew Adelaide and West End
Association, Worlds End Hotel, Adelaide
Structural Integrity, FELTspace Pavilion, Next Wave
Festival, Melbourne
Hedgemaze, Prospect Gallery, Adelaide
Selected awards and residencies
2014
Australian Experimental Art Foundation Cibo
Espresso Studio Residency, British School at Rome
2013
Arts SA Public Art and Design Grant, Adelaide
Finalist, Adelaide Fringe Bank SA Award, Best
Visual Art and Design, Adelaide
Finalist, Adelaide Fringe Eran Svigos Award for Best
Visual Art, Adelaide
2010
Winner, SALife Emerging Artist Award, South
Australian Living Artist Festival, Adelaide
Finalist, Best Exhibition by a Collective
(Hedgemaze), Adelaide Fringe Festival, Adelaide
2009
Artist-in-residence, Carclew, KidZone,
WOMADelaide, Adelaide
Winner, Watercolour Prize, Kidman Art Show,
Kapunda
2007
Scholarship, Adelaide Central School of Art,
Adelaide
Teaching
2015
2010–
Lecturer, Adelaide Central School of Art, Adelaide
Collections Manager, Flinders University Art
Museum, Bedford Park
Collections
Country Arts SA; private collections nationally
ADAM NATHANIEL FURMAN
Rome Prize in Architecture (incorporating the Bernard Webb
Studentship), October 2014–March 2015
www.adamnathanielfurman.com
Education
2009
2008
2002
Postgraduate Diploma, Art and Spatial
Performance, Architectural Association, London
Diploma with Honours, Architectural Association
School of Architecture, London
Foundation Diploma (with Merit), Fine Art and
Spatial Design, Central St Martins, London
Selected group exhibitions
2015
March Mostra, British School at Rome
2014
December Mostra, British School at Rome
2013–14
Designers in Residence at the Design Museum,
Design Museum, London
Selected awards and residencies
2014–15
Rome Prize in Architecture (incorporating the
FINE ARTS 2014–15
2014
2013
2008
2007
2006
2005
Bernard Webb Studentship), British School at Rome
Blueprint Award for Design Innovation
Designer in Residence, Design Museum, London
Architectural Association Honours
Architectural Association Prize
RIBA Bronze Commendation, President’s Medals
Architectural Association Nicholas Boas
Scholarship, British School at Rome
PAUL JAMES GOMES
Creative Scotland document 24 Fellow, January–March 2015
www.pauljamesgomes.wordpress.com
[email protected]
Education
2011
2001
2000
MA, Film Directing, Edinburgh College of Art,
Edinburgh
MSc, Anthropology, Jahangirnagar University,
Dhaka
BSc, Anthropology, Jahangirnagar University,
Dhaka
Selected one person exhibition
2011
Bengaals Vuur (Bengal Fire), Nieuwe Oogst,
Rotterdam
Selected group exhibitions
2015
March Mostra, British School at Rome
2011
Degree Show, Edinburgh College of Art, Edinburgh
2002
JPS Group Show, Jahangirnagar University, Dhaka
Selected film festivals
2013
Where is Billet?, 13th RAI Film Festival, Edinburgh
2012
Where is Billet?, 12th International Short &
Independent Film Festival, Dhaka
Selected awards and residencies
2015
Creative Scotland document 24 Fellowship, British
School at Rome
2012
Short-listed, One World Media Award for Student
Films, London
ROWENA HARRIS
Sainsbury Scholar in Painting and Sculpture, October 2014–
September 2015
www.rowenaharris.com
[email protected]
Education
2010
2008
MFA, Fine Art, Goldsmiths College, University
of London, London
BA (Hons), Fine Art, University College Falmouth,
Falmouth
Selected one person exhibitions
2015
Being on and within, as I said, Gallery Apart,
Rome
2013
2011
P.A.R.T.S, Coleman Project Space, London
Believing in Things, Van Horbourg Gallery, Basel
Sculptures, Schwartz Gallery, London
Selected group exhibitions
2015 June Mostra, British School at Rome
And so we gape (solo performance event), curated
by Nero, Rome
Conversation Piece | Part 1, Fondazione Memmo,
Rome
March Mostra, British School at Rome
Film Screening, Karst, Plymouth
2014
December Mostra, British School at Rome
Image Object, curated by Kirsty Ogg for Artuner
C(h)roma, Indiranagar, Bangalore
Chronoviser: Archive, South Kiosk, London
Synchronise. Accelerate. Disperse. II, MJ Gallery,
Geneva
2013
The Starseed Transmission, Enclave Projects,
London
Post Post, St James’s Church, Goldsmiths, London
Believing (in) Objects, 134 Middleton Road,
London
Hack the Barbican, The Barbican, London
Systems Failure, The Contemporary at Great
Western Studios, London
The Open Cube, The White Cube, London
MC 1&2, Vanhorbourg Gallery, X Marks the
Bökship & Enclave Projects, Zurich and London
2012
Cold Compress, Drei Gallery, Cologne
Fustration, Flat Time House, London
Today the Collection is, Bethnal Green Library,
London
Punctuating (two-person show with Vera Kox),
La Scatola Gallery, London
No More Icons, Rod Barton Gallery, London
Syndicate 1, Food Face Projects, London
2011
I Pity Inanimate Objects, Goldstein Gallery,
London
KNOW HOW, Campbell Works, London
SAGS, The Woodmill, London
Site of Flesh and Stone, Uzay Galeri, Istanbul
2010
New Contemporaries, The A Foundation and ICA,
Liverpool and London
To Look is to Labour, Laden Fuer Nichts, Leipzig
Say What, What Way, Shop@34, London
2009
Off Modern, Corsica Studios, London
Selected awards and residencies
2014–15
Sainsbury Scholarship in Painting and Sculpture,
British School at Rome
2013
Atelier Salzamt Residency, Linz
2010
New Contemporaries
Teaching
2014–15
2011
BIOGRAPHIES
Visiting Lecturer, University of Hertfordshire,
Hatfield
Visiting Tutor, Camberwell College of Arts, London
55
GREGORY HODGE
ALEXI KEYWAN
Australia Council Resident Artist, January–March 2015
www.gregoryhodge.com
William Fletcher Foundation Scholar, April–June 2015
www.australiangalleries.com.au
www.alexikeywan.wordpress.com
[email protected]
Education
2012 2005 PhD Candidate (Fine Arts), School of Art,
Australian National University, Canberra
BFA Honours (1st Class), School of Art, Australian
National University, Canberra
Selected one person exhibitions
2015
A Fabled Gesture, Canberra Contemporary Art
Space, ACT
2014
Unfolding, Sullivan + Strumpf, Sydney
2013
Slide, Sullivan + Strumpf, Sydney
Introduction, Firstdraft, Sydney
2012
Monsoon Crossing, TCB, Melbourne
Selected group exhibitions
2015
March Mostra, British School at Rome
The Infinite Everything, Egg and Dart, Thirroul
2014
Mind the Gap, Casula Powerhouse, Sydney
SSFA 2014, Sullivan + Strumpf, Sydney
2013
Low Relief, Damien Minton Gallery, Sydney
Future Proof, Canberra Contemporary Art Space,
ACT
Art on Paper, Hazelhurst Regional Gallery,
Sydney
2012
Word of Mouth, Canberra Museum and Gallery,
ACT
You Give Good Colour, Sophie Gannon,
Melbourne
Clean Living, Contemporary Art Space Tasmania,
Hobart
Selected awards and residencies
2015
Australia Council Residency, British School
at Rome
2014
Finalist, Fishers Ghost Art Award, Campbeltown
Arts Centre, Sydney
2013
Winner, Art on Paper, Hazelhurst Emerging Artist
Award, Sydney
2012
Australian Postgraduate Award
2011
Studio Residency, Basso, Berlin
2010
Finalist, Brett Whitleey Travelling Art Scholarship
Teaching
2013
2010–15
Collections
Artbank
56
Tutor, Art Theory, School of Art, Australian National
University, Canberra
Sessional Lecturer, School of Art, Australian
National University, Canberra
Education
2010
2006
2005
MFA, Printmaking, National Art School, Sydney
Honours, National Art School, Sydney
BFA, National Art School, Sydney
Selected one person exhibitions
2014
Survey of Works, Sydney Grammar School, Sydney
2013
Some Place Else, Australian Galleries, Melbourne
2011
Anywhere / nowhere, Australian Galleries, Sydney
2009
Facts and Fictions, Australian Galleries, Sydney
2007
Excess and Decay, Australian Galleries, Sydney
Selected group exhibitions
2015
June Mostra, British School at Rome
Auditory Visions, Lismore Regional Gallery, Lismore
2014
Rick Amor Drawing Prize, Art Gallery of Ballarat,
Ballarat
2013
Geelong Acquisitive Print Awards, Victoria
Corporeal — a Print Exchange folio, Geelong
Regional Gallery, Geelong
CPM National Print Awards, Tweed River Regional
Art Gallery, Murwillumbah South
2012
Impressions, Australian Print Workshop, Melbourne
Imaginary Worlds, Australian Print Workshop,
Melbourne
Beautiful Soup, St Helliers Street Gallery,
Melbourne
2011
Large Exhibition of Small Works, Australian
Galleries, Melbourne
Nature of the Mark, Australian Galleries,
Melbourne
Scholarships Exposed: Where Are They Now?,
Australian Print Workshop, Melbourne
2010
Adelaide Perry Prize for Drawing, The Croydon
Centre for Art, Design and Technology, Croydon
2009
Windows on Pain, Carriageworks Art Centre, Ewart
Gallery, Parramatta Riverside Theatre and Arts
Centre, Gosford Regional Art Gallery, Gosford East
Drawcard, National Art School, Sydney
Summer Stock Show, Australian Galleries, Sydney
2008
The International Exchange Exhibition of Prints,
Hongik University, Seoul
Stock Show, Australian Galleries, Sydney
2007
The Capitals Project, Hongik University, Seoul
ABN Amro Emerging Artists Award Exhibition, ABN
Amro Limited, Sydney
Agendo, Gardner Galleries, Melbourne
The Hutchins Works on Paper Prize, Long Gallery,
Hobart
The Prometheus Visual Arts Award, All Saints
Anglican School, Queensland
2006
Three Graduates from National Art School,
Australian Galleries, Sydney
FINE ARTS 2014–15
2005
Drawcard, National Art School, Sydney
Graduate Exhibition, National Art School, Sydney
Selected Graduate Drawing Students, National Art
School, Sydney
Packsaddle, New England Regional Art Museum,
Armidale
Selected awards and residencies
2015
William Fletcher Foundation Scholarship, British
School at Rome
2014
Copyright Agency Grant to undertake Photogravure
Workshop, Crown Point Press, San Francisco
2013
Winner, CPM National Print Award, Northern
Rivers
2011–12
APW Collie Print Trust Scholarship for Emerging
Victorian Printmaker, Melbourne
2007
Winner, The Hutchins Works on Paper Artery
Student Award
Commended, Willoughby Art Prize
2005
Outstanding Achievement in Printmaking, Awarded
by Australian Galleries at the National Art School,
Sydney
2004
Akky van Ogtrop Scholarship Award
Teaching
2014
2008
Etching Masterclass, Sydney Grammar School,
Sydney
Art and Art History, Sydney Grammar School,
Sydney
Printmaking Lecturer, National Art School, Sydney
Collections
Camberwell Grammar School, Melbourne; City of Melbourne
Collection; Geelong Regional Gallery; National Gallery of
Australia, Canberra; Tweed River Art Gallery, Northern Rivers;
University of Sydney Union Art Collection, Sydney; University
of Wollongong
DAVID MCCUE
2010
Triumphant? The Art of The Deal, Menie Estate,
Aberdeenshire
Selected group exhibitions
2015
March Mostra, British School at Rome, Rome
2013
Drawing From Life, The Glasgow Art Club, Glasgow
Selected awards and residencies
2015
Creative Scotland document Fellowship, British
School at Rome
2014 Nominated, MACK First Photo Book Award
2012
Creative Scotland Professional Development Award
2009
Creative Skillset Professional Development
Investment
2007
Reserve, British Antarctic Survey Artist in Residence
2003–5
British Broadcasting Corporation Graduate
Traineeship, London
2000
British Animation 2000 Award, Channel 4
Television, London
Public speaking and interviews
2015
Public Presentation, Street Level Photoworks,
Glasgow
2014
Invited Speaker at HATTI, Glasgow University
MSc Museum Studies
2013
Interview with US author Michael D’Antanio
of Macmillan Publishers
2012
Filmed interview with Montrose Pictures at the
Phoenix Centre, Glasgow
You’ve Been Trumped (US Press Preview), The Core
Club, New York
You’ve Been Trumped (US Premiere), Angelika Film
Center, New York
2011
In conversation with Director Anthony Baxter
at Glasgow Film Theatre
2010
Filmed interview with Midas Media at the Menie
Estate in Aberdeenshire
2009
Artist’s talk at ‘Glasgow Ruckus’ Artists Forum,
Napiershall St, Glasgow
Creative Scotland document Fellow, January–March 2015
www.davidmccue.co.uk
[email protected]
Collections
Private collection (Aberdeenshire)
Education
2002
GINA MEDCALF
1999
BDes (Hons), Animation & Electronic Media,
Duncan of Jordanstone College of Art & Design,
Dundee
BA (Foundation), Animation, Surrey Institute of Art
& Design, Farnham
Selected one person exhibitions
2012
The History Room, The Phoenix Centre, Glasgow
Triumphant? The Art of The Deal, Angelika Film
Center, New York
2011
Triumphant? The Art of The Deal, British Film
Institute, London
Triumphant? The Art of The Deal, Churchill Theatre,
Edinburgh
Abbey Fellowship in Painting, January–March 2015
www.ginamedcalf.com
[email protected]
Education
1969
NDD, Fine Art Painting, Central School of Art
and Design, London
Selected one person exhibitions
2009
Unground, Chelsea Futurespace, London
Unground, The Cut, Halesworth, Suffolk
Selected group exhibitions
2015
March Mostra, British School at Rome
BIOGRAPHIES
57
2014
2013
2012
2009
2008
2001
2000
Hommage and Transcription, Kapil Jariwala, London
Summer Exhibition, Royal Academy of Art, London
ING Discerning Eye, Mall Galleries, London
Bath Society of Artists Featured Artist, Victoria Art
Gallery, Bath
The Perfect Nude, Wimbledon Space, London
HaHa What Does This Represent, Standpoint
Gallery, London
Summer Exhibition, Royal Academy of Art, London
Summer Exhibition, Royal Academy of Art, London
‘… Same As It Ever Was’ Painting at Chelsea
1990–2007, Arts Gallery, London
British Abstract Painting 2001, Flowers East,
London
Cultural Ties, Jariwala Westzone Gallery, London
Selected awards and residencies
2015
Abbey Fellowship in Painting, British School at Rome
2008
Pollock-Krasner Foundation Award, New York
1984
New York State Council of the Arts Research Grant,
International Centre of Photography, New York
1983
National Endowment for the Arts Research Grant,
International Centre of Photography, New York
1969
Italian Government Research Scholarship, Museo
di Capodimonte, Naples
Teaching
1994–2006 Senior Lecturer, Kingston University, Kingston
1990–2013 Associate Lecturer, University of the Arts London,
Chelsea, London
Collections
Private collections in the USA and the UK
NANCY MILNER
Abbey Scholar in Painting, October 2014–June 2015
www.nancymilner.com
Education
2013
2009
2012
Artists’ Collecting Society Bursary, Royal Academy
Schools, London
Jerwood Purchase Prize, Premiums Interim Projects,
Royal Academy Schools, London
Collections
Hiscox Collection; Jerwood Collection
SUSAN NORRIE
Australia Council Resident Artist, October–December 2014
www.susannorrie.com
Selected one person exhibitions
2011
Notes for TRANSIT, Giorgio Persano Gallery, Turin
2009
SHOT, Edinburgh International Festival, Collective
Gallery, Edinburgh
2007
Havoc, 52nd Venice Biennale, Palazzo Giustinian
Lolin, Venice
Selected group exhibitions
2014
Rules of Play, La Biennale de Montréal, Montréal
L’avenir (looking forward), Musée d’art
contemporain de Montréal, Montréal
2011
Transit, Our Magic Hour, Yokohama Triennale, Bank
Art, Yokohama
2008 Molten States, GSK Contemporary, Royal Academy
of Art, London
Selected awards and residencies
2014
Australia Council Residency, British School at Rome
2011 Solarun Hoass Documentary Award
2007 Sally and Don Lucas Artist Residency Programme,
Montalvo
2001
Artist in Residence, (dis)Location Project, ZKM,
Karlsruhe
CATHERINE O’DONNELL
Postgraduate Diploma in Fine Art, Royal Academy
Schools, London
BA (Hons), Fine Art, University of Reading, Reading
Selected group exhibitions
2015
June Mostra, British School at Rome
March Mostra, British School at Rome
2014
December Mostra, British School at Rome
Marcelle Joseph Projects; At Home Salon 2014,
Ascot
2013
Royal Academy Schools Show 2013, Royal
Academy of Arts, London
Form from Form, Matthew’s Yard, London
Selected awards and residencies
2014–15
Abbey Scholarship in Painting, British School
at Rome
2013
Keepers Print Prize, Royal Academy Schools,
London
58
National Art School, Sydney, Resident, April–June 2015
www.catherineodonnell.com.au
[email protected]
Education
2014
2006
MFA, National Art School, Sydney
BFA (Distinction), University of Western Sydney,
Sydney
Selected one person exhibitions
2015
Homefront, Penrith Regional Gallery, Penrith
2014
A Notion of Home, National Art School, Sydney
2013
Estates of Tomorrow, Flinders Street Gallery,
Sydney
2012
Venetian Visions, Grafton Regional Gallery, Grafton
2011
Catherine O’Donnell, Recent Drawings, Flinders
Street Gallery, Sydney
C Block, Penrith Regional Gallery & Lewers
Bequest, Penrith
Venetian Visions, Albury Regional Gallery, Albury
FINE ARTS 2014–15
2010 2009
2006
Light and Shadow (New Zealand International Arts
Festival), Pataka Museum, Porirua
Light and Shadow, Blacktown Art Centre, Blacktown
Dripstone, Elizabeth Farm, Historic Houses Trust,
Parramatta (with writer Naomi McCarthy)
Erasing the Darkness, Wallspace Gallery, Sydney
Selected group exhibitions
2015
June Mostra, British School at Rome
Hazelhurst Art on Paper Award, Gymea
2014
A General Map of Caves, Hawkesbury Regional
Gallery, Windsor
Rick Armor Prize for Drawing, Ballarat Regional
Gallery, Ballarat
2013
New Work, Flinders Street Gallery, Sydney
The Edge, Annandale Gallery, Annandale
Sextet, Delmar Gallery, Ashfield
Middlehead, 33° 50’ S, 151° 14’ E, Mosman Art
Gallery, Mosman
Story, Penrith Regional Gallery, Penrith
Hazelhurst Art on Paper Exhibition, Gymea
2012
Gold Coast Art Prize, The Arts Centre, Gold Coast
Jacaranda Acquisitive Drawing Award, Grafton
Regional Gallery, Grafton
Catherine O’Donnell, Dianne Tanzer Gallery + Projects, Melbourne
Still Life, Parramatta Artist Studios, Parramatta
2011
Adelaide Perry Prize for Drawing, PLC, Croydon
The Hutchins Art Prize, Salamanca Art Centre,
Hobart
2010
Dobell Drawing Prize, Art Gallery of NSW, Sydney
Freehand Recent Australian Drawings, Heidi
Museum of Modern Art, Melbourne
No Right Turn, Penrith Regional Gallery, Penrith
Living Liverpool, Bicentennial Exhibition, Casula
Powerhouse, Casula
2009
Kedumba Drawing Award, Wentworth Falls, Blue
Mountains
Albury Art Prize, Albury Regional Gallery, Albury
Selected awards
2015
National Art School, Sydney, Residency in Drawing,
British School at Rome
2011
Highly commended, City of Hobart Art Prize,
Hobart
2010
Highly commended, William Fletcher Foundation
Rome Art Fellowship
Highly commended, Sunshine Coast Art Prize
(SCAP09)
Highly commended, Works on paper, BSG Gallery,
Fitzroy
2009
Albury Art Prize, International Art Residency
Highly commended, Sunshine Coast Art Prize
(SCAP09)
2007
First prize and highly commended, Blacktown City
Acquisitive Art Exhibition
2006 Deans Medal for Bachelor Fine Arts (Distinction),
University of Western Sydney
Sydney, City of Village, Exhibition and Prize, Sydney
2005
2004
2003
2002
Highly commended, Blackheath Art Society Spring
Exhibition, Blackheath
Highly commended, Contempo, Exhibition
of Contemporary Art
Highly commended, Blackheath Art Society
Watercolour and Drawing Exhibition
Highly commended, Holroyd City Art Exhibition
Commended, Blacktown City Acquisitive Art
Exhibition, Blacktown
Selected residencies
2015
Parramatta Artist Studios Residency
National Art School, Sydney, Residency in Drawing,
British School at Rome
2014
Artist in Residence, Penrith Regional Gallery, Emu
Plains
2013
Bilpin International Ground for Creative Initiatives
(the Big C), Bilpin
Artist in Residence, Penrith Regional Gallery, Emu
Plains
2011
Artist in Residence, Nepean Creative and
Performing Arts High School, Emu Plains
2010
Artist in Residence, Scuola Internazionale di
Grafica, Venice
Artist in Residence, Casula Powerhouse
2009
Artist in Residence, Elizabeth Farm, Historic Houses
Trust, Parramatta
Artist in Residence, Blacktown Art Centre
Collections
Albury Regional Gallery; Art Bank, Australia; Blacktown City
Council, Blacktown; Kedumba Collection of Contemporary
Drawings; Pataka Museum, Porirua; Penrith Regional Gallery;
private collections
GILL ORD
Abbey Fellow in Painting, October–December 2014
www.gillord.co.uk
[email protected]
Education
1981 1980 1976–7 MA, Painting, Manchester Polytechnic, Manchester
BA (Hons), Fine Art, Winchester School of Art,
Winchester
Middlesbrough College of Art
Selected one person exhibitions
2015
Sotterraneo, Paintings from Rome, Studio1.1, London
2009 A Country of Wonders, Studio1.1, London
2004 An Experiment with Time, Studio1.1, London
2001 Project Space, Debs & Co, New York
2000 New Paintings, North House Gallery, Manningtree
Selected group exhibitions
2014
December Mostra, British School at Rome
2013
Even Clouds, Studio1.1, London
Ten out of Ten, Studio1.1, London
2012 30 Artists, Studio1.1, London
BIOGRAPHIES
59
2011 2010 2008 2006 2003 2002 Flight, Braziers Park, Oxfordshire
Bakers Dozen, CGP, London
Painting Out, Studio1.1, London
Summary, Studio1.1, London
Zoo Art Fair, Studio1.1, London
29.09.03, Flaca, London
Inaugural show, K3, Zurich
Superfluity, British Artists at the Academy of Art,
Art Academy of Latvia, Riga
Selected awards and residencies
2015
Abbey Fellowship in Painting, British School at Rome
2005 AIWA Workshop Lebanon
2000 Wasanii Workshop, Kenya
1990 Triangle Workshop, New York
1984 Arts Council Residency, Hull
1979 Hampshire Travel Award, Rome
FLORIAN ROITHMAYR
Rome Fellowship in Contemporary Art, October–December 2014
Education
2005 2004
MA, Fine Art, Goldsmiths College, London
BA, Fine Art, Slade School of Fine Art, University
College London, London
Selected one person exhibitions
2015
Service, MOT International, Brussels
2014
Matter of Engagement, Site Gallery, Sheffield
2013
Florian Roithmayr, Treignac Projet, Treignac
Assault, The Schtip, Sheffield
The Y, Rowing Projects, London
2012
Like Plugging In, MOT International, London
2011 You Want to Borrow My Shades, Don’t Complain
About Their Tint, Sunday Art Fair, MOT
International, London
2009
Florian Roithmayr, The Russian Club Gallery, London
2007
Eventually Everything Happens, Galerie Neue Alte
Brücke, Frankfurt
Selected group exhibitions
2015
Things that Tumble Twice, Tenderpixels, London
2014
December Mostra, British School at Rome
Proprioception, Laure Genillard Gallery, London
Hey I’m Mr. Poetic, Wysing Art Centre, Cambridge
The Influence of Furniture on Love, Wysing Art
Centre, Cambridge
Annals of the 25th Century, Wysing Art Centre,
Cambridge
2013 Grand Magasin, French Riviera, London
£5.34, Carl Freedman Gallery, London
O Chair / O Flesh, Treignac Projet, Treignac
Burg, Laure Genillard Gallery, London
2012 I Don’t Feel Like It: the Indifference of Objects,
Camberwell College of Art, London
Solid on our Source Planet, Wysing Art Centre,
Cambridge
AHF at V22 Gallery, London
60
2011 2010
2009 2008 2007 Centrefold 8: the Circle of Manias, 176
Zubladowicz Collection, London
Fifteen, S1 Artspace, Sheffield
2010, MOT International, London
Bold Tendencies IV, Hannah Barry Gallery, London
Continuous Movement of Idea, Galerie Nicolas
Silin, Paris
Something Blue, Pilot Issue, Galerie Neue Alte
Brücke at Archive Kabinett, Berlin
Something Blue, Landings Project Space, Oslo
8fold Publications, London. AA2A 2010,
Camberwell College of Art Gallery, London
The Young Visitors to Ruins Do Not See Anything
But a Style, Galleria d’Arte Moderna, Turin
What Is Not But Could Be If, Part II, Galerie Neue
Alte Brücke, Frankfurt
What Is Not But Could Be If, Galerie Neue Alte
Brücke at Caribic Residency, Frankfurt
Kalender, Kornhäuschen Aschaffenburg
Under:Construction, SC Gallery, Zagreb
Feeling Gave Way to Structure, The Approach
Gallery, London
Salon of Revolution, House of the Artist, Zagreb
Slimevolume, Hotel Gallery, London, and Neue Alte
Brücke, Frankfurt
Electro Harmonix, The Black Mariah, Cork
Eventually Everything Happens, Galerie Neue Alte
Brücke, Frankfurt
Die Blaue Blume, Grazer Kunstverein, Graz
Auktion, Neuer Aachener Kunstverein, Aachen
When Something Becomes Nothing, S1 ArtSpace,
Sheffield
Ice Trade, Chelsea Space, Chelsea School of Art,
London
Aspen 11, Galerie Neue Alte Brücke, Frankfurt
Selected awards and residencies
2015
Rome Fellowship in Contemporary Art, British School
at Rome
2014 8Fold and Institute of Enquiring Minds, Munich
Site Gallery Platform Residency, Sheffield
International Archaeological Project Sudan, El Kurro
2013
Treignac Projet, Treignac
Convention T, Wysing Art Centre, Cambridge
2009–10
Artist in residence AA2A, Camberwell College
of Art, London
2007
Residency with city of Zagreb Department of Art
and Galerija Miroslav Kraljevich, Zagreb
2006
Helsinki International Artists Programme (HIAP),
Helsinki
MONA RYDER
Australia Council Resident Artist, July–September 2014
[email protected]
Education
1991
FINE ARTS 2014–15
BA, Visual Arts, Queensland University
of Technology, Brisbane
1980
Associate Diploma of Visual Arts, Queensland
University of Technology, Kelvin Grove
Selected one person exhibitions
2014
Mona Ryder Prints 1970’s–87, Grahame Galleries,
Brisbane
2009
Hook Line and Sinker, Alcaston Art Gallery,
Melbourne
2008
Holding Zone, Horus & Deloris Contemporary Art
Space, Sydney
Props for Barcelona Twostep, Kick Arts
Contemporary Art Space, Cairns
Props for Barcelona Twostep, Perc Tucker Regional
Art Gallery, Townsville
2007
Barcelona Twostep, Horus & Deloris Contemporary
Art Space, Sydney
2004
Rawhide, Peloton, Sydney
1996
Have a Nice Day, Invited Artist, Gomboc Gallery,
Perth
1995
Mother Other Lover, Queensland Art Gallery,
Brisbane
1992
Return to Paradise, Gold Coast City Art Gallery,
Gold Coast
1987
Mona Ryder: Recent Works, The Gold Coast City
Art Gallery, Gold Coast
Passing On, Michael Milburn Galleries, Brisbane
1985–6
Mona Ryder: a Survey Travelling Exhibition,
Queensland Arts Council
1984
Mona Ryder: a Survey, University Art Museum,
University of Queensland, Brisbane
Selected group exhibitions
2013
Blow Out, Kick Arts Contemporary Art Space,
Cairns
2011
21 New, Banyule Arts Space, Banyule City Council,
Melbourne
2008–9
Head Hunters, Redeeming the Ruin: the Art
of Consumption, Banyule Art Space, Ivanhoe
(travelling to venues, Victoria)
2008
Left Overs, a Sense of Fabrication of Things …,
Shajah (UAE) and Toowoomba
‘Where Are You, Can You Hear Me?’, Horus
& Deloris Contemporary Art Space, Sydney
2005–7
Pricked, Regarding Retro, Blacktown Arts Centre,
Sydney, touring Queensland, New South Wales,
Canberra
2005
Les Animaux Sauvage, National Sculpture Prize,
National Gallery, Canberra
Sufferance, Artist’s Book Commission & Exhibition,
State Library of Queensland, Queensland Craft
Gallery, Brisbane
2004–8
3rd, 4th, 5th Fibre Art Biennale Exhibition, from
Lausanne to Beijing, Suzhou, Shanghai
2002
Stretched ‘Grip’, NIE, Nan Yang Technical
University Singapore, Singapore
1986
Biennale of Sydney, Penrith Regional Art Gallery,
Penrith
1985
Australian Perspecta, Art Gallery of New South
Wales, Sydney
Queensland Works 1950–1985, University Art
Museum, University of Queensland, Brisbane
Selected awards and residencies
2002
Arts Queensland Development Grant to travel
overseas (awarded 1999)
1996
Selected artist for maquette stage, Brisbane City
Council, Inner City Sculpture Award
1995
Project Grant, Arts Queensland, for Q.A.G.,
Mother Other Lover
1993
Individual Development Grant, Arts Queensland
1990
Caloundra Art Prize, Caloundra Regional Art
Gallery, Caloundra
1987
The Andrew and Lillian Pedersen Memorial Prize,
Queensland Art Gallery
1986
Gold Coast Art Prize (printmaking), Gold Coast Art
Gallery, Gold Coast
Visual Arts Board Studio Grant, Residency at Vence,
France, and travel through Italy
Public art commissions
2002
Arcadian Illusions, Cairns City Council, Water
Features, City Centre, Cairns
2001
Atherton Shire Council, Atherton, Halloran’s Hill,
Kinetic Sculptures
2000 Sentinels Attempting Flight, Griffith Artworks,
Griffith University, Logan Campus, two 3 metre
external sculptures
1995
Crossover Guardians, State Government &
Brisbane City Council, Statement sculptures
(2–10.5 metre H), Thornton Street, Ferry Terminal,
Kangaroo Point Boardwalk, Kangaroo Point,
Brisbane
Books
2001
1996
1993
1992
1990
Allen, T., Cross Currents in Contemporary Australian
Art (Craftsman House, Fine Art Press)
Voight, A., New Visions, New Perspectives
(Craftsman House, Fine Art Press)
Drury, N., New Sculpture: Profiles of 40 Australian
Sculptors (Craftsman House, Fine Art Press)
Kirby, S., Sight Lines: ‘Women’s Art and Feminist
Perspectives: Feminism in Australia (Craftsman
House, Fine Art Press)
Drury, N., A Visual Sourcebook of Contemporary
Australian Painting (Craftsman House, Fine Art
Press)
Drury, N., Images in Contemporary Australian
Painting (Craftsman House, Fine Art Press)
Drury, N., New Art Six, Profiles in Contemporary
Australian Art (Craftsman House, Fine Art Press)
Collections
Agnes Etherington Art Centre, Kingston; Australian National
Gallery; Banyule City Council; Brisbane City Council Art Gallery,
Brisbane; British Library, London; Grammar School, Brisbane;
Griffith Artworks; Gold Coast City Art Collection, Gold Coast;
Griffith University, Brisbane; Ipswich Regional Art Gallery, Ipswich;
KickArts Contemporary Art Space, Cairns; Parliament House
BIOGRAPHIES
61
Collection, Canberra; Perc Tucker Regional Art Gallery Townsville;
South Australian State Library Queensland, Brisbane; The
Hardie Collection, State Library of Queensland, Brisbane; PLC,
Design Centre, Croydon, Sydney; Art Gallery, Brisbane; University
Art Museum, University of Queensland, Brisbane; University
of Melbourne Library, Melbourne; Western Australia Art Gallery,
Perth
DANIEL SINSEL
Abbey Fellow in Painting, April–June 2015
[email protected]
Education
2004
2002
MA, Painting, Royal College of Art, London
BA, Painting, Chelsea College of Art and Design,
London
Selected one person exhibitions
2013
DINGDONG, Micky Schubert, Berlin
2012
Daniel Sinsel, Sadie Coles HQ, London
2011
Daniel Sinsel, Chisenhale Gallery, London
Selected group exhibitions
2015
June Mostra, British School at Rome
2014
Mirrorcity: 23 London Artists, Hayward Gallery,
London
Somewhat Abstract: Selections from the Arts
Council Collection, Nottingham Contemporary,
Nottingham
Somos Libres II: Works from the Mario Testino
Collection, Pinacoteca Giovanni e Marella Agnelli,
Turin
Selected residencies
2015
Abbey Fellowship in Painting, British School
at Rome
Teaching
2012–
Associate Lecturer in Painting, Camberwell College
of Arts, London
Selected group exhibitions
2015
Indefinable Cities, Airspace Gallery, Stoke-on-Trent
and Osaka
Concrete Dreams, new public artwork for Art Across
the City with LOCWS, Swansea
2014
December Mostra, British School at Rome
Cities of Ash, g39, Cardiff
Silence Unbound, Center for Artists Books, New
York
The Land has Many Parts, Jane Deering Gallery,
Santa Barbara
2013
Drawing Biennial, Drawing Room, London
Head to Head (two-person show with Hayley
Newman), Castlefield Gallery, Manchester
Tightrope, Sumarria Lunn Gallery, London
Northern Art Prize Exhibition, Leeds Art Gallery,
Leeds
STILL / Life, Ecologies of Perception, Tyntesfield
(National Trust), Bristol
2012
Camp Out, Laumeier Sculpture Park, St Louis
Selected residencies
2015
Public Arts Residency, Women’s Studio Workshop,
Rosendale, New York
2014
Derek Hill Foundation Scholarship, British School
at Rome
Standpoint Futures Residency, London
2012
Explore, Expand, Expose Residency, Salzamt
Atelierhaus, Linz
2010
A Curriculum Residency, A Foundation, Liverpool
Collections
Arts Council England; Collection of the City of Linz; Edinburgh
College of Art; Indiana University; Leeds College of Arts &
Design; Library of Congress; Manchester Metropolitan University
Special Collection; Rochester Institute of Technology; Royal
Scottish Academy; Tate Artists’ Book Collection; University of
Delaware; University of Northampton, Special Books Collection;
University of West England, Centre for Fine Print Research Artists’
Books Collection; University of Utah; Vassar College; Virginia
Commonwealth University; Yale University
Collections
Arts Council Collection
EMILY SPEED
Derek Hill Foundation Scholar, October–December 2014
www.emilyspeed.co.uk
Education
2006
2001
MA, Fine Art: Drawing, Wimbledon College of Art,
University of the Arts, London
BA, Drawing and Painting, Edinburgh College
of Art, Edinburgh
Selected recent one person exhibitions
2014
Littoral Zone, Plymouth Arts Centre, Plymouth
2011
MAKE SHIFT, Yorkshire Sculpture Park, Wakefield
62
FINE ARTS 2014–15
BSR Faculty of the Fine Arts and Staff
FACULTY OF THE FINE ARTS, 2014 AND 2015
STAFF
Stephen Chambers
Maria Chevska
Prue Chiles
Sacha Craddock
Penelope Curtis
Caroline Douglas
Roger Hiorns
Vanessa Jackson
Penny Johnson
Isobel Johnstone
Vivien Lovell (Chair)
Tim Marlow
Hugh Petter
Thomas J. Price
Karsten Schubert
Helen Sear
Stephen Witherford
Christopher Smith, Director
Library
Valerie Scott, Librarian
Beatrice Gelosia, Deputy Librarian
Francesca De Riso, Francesca Deli, Library Assistants
Alessandra Giovenco, Archivist
Cecilia Carponi, Patrizio Gianferro, Packard Humanities Institutefunded Library staff
London office
Gill Clark, Registrar & Publications Manager
Elizabeth Rabineau, Development Director
Kirsten Amor, Administrative Assistant
Rome office
Natalie Arrowsmith, Communications Manager
Stefania Peterlini, Director’s Assistant & Permissions Officer
Isabella Gelosia, Accounts Clerk
Susan Rothwell Smith, Systems Consultant
Chloe Lewis, Administrative Assistant
Residence
Christine Martin, Residence Manager
Renato Parente, Domestic Bursar
Fulvio Astolfi, Maintenance Officer
Donatella Astolfi, Alba Coratti, Cleaning Staff
Luca Albanese, Giuseppe Parente, Cooks
Dharma Wijesiriwardana, Cook & Gardener
Giuseppe Pellegrino, Residence Assistant & IT Support
Antonio Palmieri, Residence Assistant
Research and award-holder support
Stefania Gerevini, Assistant Director (Humanities)
Jacopo Benci, Senior Research Fellow in Modern Studies and
Contemporary Visual Culture
Marina Engel, Architecture Curator
Marco Palmieri, Visual Art Residency and Programme Curator
Robert Coates-Stephens, Cary Fellow
Giulia Carletti, Francesca Gallo, Stella Rendina, Anne Stelzer,
Fine Arts Programme Interns
Archaeology
Simon Keay, Research Professor in Archaeology
Stephen Kay, Archaeology Officer
Sophie Hay, Geophysics Officer, Southampton APSS
Matthew Berry, Eleanor Maw, Research Assistants
Published by the British School at Rome, London
ISSN 1475-8733
ISBN 978-0-904152-73-9