Final programme

Transcript

Final programme

General
Information
Final programme
www.milano2016.icom.museum
CONTENT
DOWNLOAD THE ICOM MILANO 2016
CONFERENCE APPLICATION
AND GET ACCESS TO:
Conference Programme
List of Speakers
Schnittmarke
Floor Plans
List of Exhibitors
Events
Social Media
Networking
With the “My Conference”
tool, access and bookmark
sessions, presentations
and exhibitors
Search for “ICOM Milano 2016” in
Apple App Store, Google Play Store
or Windows App Store
App generously
sponsored by:
Content
welcome / bienvenue / bienvenida / benvenuto
Invitation to ICOM Milano 2016
Invitation à ICOM Milano 2016
Invitación a ICOM Milano 2016
Invito a ICOM Milano 2016 Conference Venue
Floor Plan
6
8
10
12
14
16
General Information / English
22
23
24
25
26
28
30
34
40
Schnittmarke
Organisation
ICOM Italy
ICOM
Conference Theme
Keynote Speakers Where ICOM from
Social Programme
General Information A-Z
Opening times
INFORMATION GÉNÉRALE / franÇais
Organisation
ICOM Italie
ICOM
Thème de la conférence
Conférenciers Where ICOM from
Réceptions et activités
Information générale A-Z
Horaires d’ouverture
44
45
46
47
48
50
52
56
62
INFORMACIÓN GENERAL / Español
Organizadores
ICOM Italia
ICOM
Tema de la conferencia
Ponentes Where ICOM from
Programa social
Información general A-Z
horarios de apertura
66
67
68
69
70
72
74
78
84
3
Content
INFORMAZIONI GENERALI / ITALIANO
Organizzatori
ICOM Italia
ICOM
Tema della conferenza
Relatori principali Where ICOM from
Programma sociale
Informazioni generali A-Z
Orari di apertura
88
89
90
91
92
94
96
100
106
Detailed programme SUNDAY 3 JULY
SUNDAY 3 JULY
Programme Overview 110
Detailed Programme
112
Schnittmarke
Detailed programme MONDAY 4 JULY
Programme Overview
Detailed Programme
120
122
Detailed programme TUESDAY 5 JULY
Programme Overview
Detailed Programme
152
154
Detailed programme WEDNESDAY 6 JULY
Programme Overview
Detailed Programme
192
194
Detailed programme SaturDAY 9 JULY
Programme Overview
Detailed Programme
232
233
OFF-SITE MEETINGS
Off-Site Meetings 3, 5, 6 & 7 July
236
Partners, Sponsors & Exhibitors
Partners
Sponsors
Exhibitors
Exhibition Floor Plan
Institutional Partners Profiles
Company Profiles
4
242
243
244
245
246
248
Schnittmarke
Content to ICOM Milano 2016
Invitation
Welcome Message from the ICOM President
Hans-Martin Hinz
Dear colleagues of the international museum community,
Schnittmarke
The forthcoming 24th ICOM General Conference will be held
from 3 to 9 July, 2016 in Milan, Italy. We will be delighted
to welcome you for what is sure to be an exciting week of
discussions and events in a country that is world-renowned
for its incredibly rich and diverse cultural heritage.
The international museum community will gather together
in Milan around the theme of Museums and cultural
landscapes, which raises a number of issues dear to all of
us, as museums around the world strive to redefine their
roles and positions in relation to their communities and
with respect to the cultural heritage that lies beyond their
walls.
Packed
with
stimulating
sessions,
networking
opportunities and committee meetings, the week-long
ICOM General Conference is key in allowing ICOM’s 35,000
members from some 140 countries, alongside other
museum professionals from an array of cultural and
linguistic horizons, to maintain and expand their expertise
and leadership on cultural heritage issues.
6
In the year of ICOM’s 70th anniversary, I count on your
presence during this key moment for ICOM in Milan,
to celebrate our seven decades of commitment to the
protection, preservation and promotion of museums and
cultural heritage.
It will be my honour to welcome you, together with our
Italian hosts, to this momentous event. I am confident that
with the help of your contributions and participation, it will
be an unforgettable experience.
We look forward to gathering together in Milan in 2016!
Prof. Dr Hans-Martin Hinz
ICOM President
Invitation to ICOM Milano
Content
2016
Welcome Message from the President of the Italian Organising
Committee of ICOM Milano 2016, Alberto Garlandini
Welcome to Milan and thank you very much for being here.
Everything is ready for the 24th General Conference.
ICOM Milano 2016 offers not only world-renowned keynote
speakers, professional meetings, scientific discussions
and a museum fair, but also a wide array of social events,
visits and excursions to Italian museums and monuments.
Milan’s Castello Sforzesco will host the Opening Party of
the Conference. The castle houses seven museums and on
Monday, 4 July, 2016 it will be open exclusively to ICOM
Milano 2016 participants: you will have the chance to visit
the new Museum of Michelangelo’s Pietà Rondanini and
Leonardo’s recently restored frescos in the Sala delle Asse.
The Palazzo dell’Arte of La Triennale di Milano will host the
Closing Party on Saturday, 9 July, 2016. Participants will be
free to visit its park, the new Design Museum and the 2016
International Triennial Exhibitions for design, architecture,
visual and decorative arts and audio/video production.
Special openings and events at Milan’s museums have
been organised every evening. On Tuesday, 5 July the
National Museum of Science and Technology opens its
doors for an evening for ICOM Milano 2016 participants
and Milan residents. On Wednesday, 6 July participants
will be offered a free concert at the Duomo, Milan’s Gothic
cathedral, with free guided visits to the new Museo del
Duomo and access to the roofs of the cathedral, providing
astounding views over thousands of marble statues and
the cityscape. On Thursday evening, 7 July the 16th century
Brera Palace of Art and Science, the National Brera
Gallery, the Academy of Fine Arts, the Braidense National
Library, the Istituto Lombardo - Academy of Science and
Letters, the Botanic Garden and the Astronomical Museum
and Observatory will open with special events, exhibitions,
installations and guided tours, and a light dinner will be
offered to ICOM Milano 2016 participants.
Special free visits to the Leonardo’s Last Supper are
offered to ICOM Milano 2016 participants from 3 to 9 July
in special day and evening slots to be booked on the ICOM
Milano 2016 website.
Schnittmarke
Dear friends and colleagues,
Milan is a cosmopolitan and creative city – a city of culture,
design and fashion. From May to October 2015, Milan hosted
the successful World Exposition Milano 2015, and ICOM
Milano 2016 has greatly benefited from the work undertaken
for this event: new museums, new subway lines, new
infrastructure, new cultural and touristic attractions. With its
four subway lines, Milan has a highly efficient transportation
network. Participants will receive a free transport pass, and
access to a free bike share service allowing them to move
quickly and easily from the conference venue to the city’s
main museums and monuments. Milan is a gateway to Italy
and offers you a unique opportunity to visit some of Italy’s
most beautiful cities and landscapes. On Friday, 8 July
we are offering participants a great number of surprising
excursions in Milan, in Lombardy and in other regions in
North and Central Italy.
The ICOM Milano 2016 website gives you detailed
information about the Conference programme, the events
and the excursions we have organised for you.
Italian museum professionals and museums await you!
I hope you will enjoy your week in Milan and I’m looking
forward to everybody’s contributions to this great ICOM
event.
Dr Alberto Garlandini
President of the Italian Organising Committee
of ICOM Milano 2016
7
Content À ICOM MILANO 2016
INVITATION
Message de bienvenue du Président de l’ICOM
Hans-Martin Hinz
Chers collègues de la communauté internationale des
musées,
Schnittmarke
La 24e Conférence générale de l’ICOM aura lieu du 3 au
9 Juillet 2016 à Milan (Italie). Nous serons enchantés
de vous y accueillir durant une semaine de débats et
d’événements, qui promettent d’être passionnants, dans
un pays dont la richesse et la diversité du patrimoine
culturel sont célèbres dans le monde entier.
La communauté internationale des musées se réunira à
Milan autour du thème « Musées et paysages culturels »,
qui soulève une série de questions sur un sujet qui nous
est cher, les musées du monde entier s’efforçant sans
cesse de redéfinir leur rôle et leur position par rapport à
leurs communautés et au patrimoine culturel qui se trouve
au-delà de leurs murs.
Grâce aux réunions des comités, associées à des sessions
enrichissantes et des occasions d’élargir ses relations
et son réseau, la Conférence générale de l’ICOM est un
événement essentiel pour permettre aux 35 000 membres
originaires de plus de 140 pays, ainsi qu’à d’autres
professionnels des musées issus d’horizons culturels
et linguistiques variés, de préserver et améliorer leurs
compétences professionnelles et leur expertise sur les
questions relatives au patrimoine culturel.
8
En cette année où nous célébrons les 70 ans de l’ICOM, je
compte sur votre présence à Milan, à ce moment clé pour
l’ICOM, pour y célébrer nos sept décennies d’engagement
pour la protection, la préservation et la promotion des
musées et du patrimoine culturel.
Ce sera un grand honneur pour moi de vous accueillir à
Milan, avec nos hôtes italiens, pour cet événement majeur.
Je suis sûr que, grâce à vos contributions et à votre
participation, ce sera un moment inoubliable.
Nous vous attendons et nous réjouissons de pouvoir tous
nous réunir à Milan en 2016 !
Président de l’ICOM
INVITATION À ICOM MILANO
Content
2016
Message de bienvenue du Président du Comité d’organisation italien
dÍCOM Milano 2016, Alberto Garlandini
Bienvenue à Milan et un grand merci pour votre présence.
Tout est prêt pour la 24e Conférence générale.
ICOM Milano 2016 offre non seulement des conférenciers
reconnus, des rencontres professionnelles, des discussions
scientifiques et un salon professionnel des musées, mais
aussi un large éventail d’activités, de visites et d’excursions
dans les musées et monuments italiens. Le Castello
Sforzesco accueillera la soirée d’ouverture. Le château
héberge sept musées qui seront ouverts le lundi 4 juillet
exclusivement pour les participants d’ICOM Milano 2016.
Ainsi vous aurez la chance de visiter le nouveau Musée de la
Pietà Rondanini de Michel-Ange et les fresques récemment
restaurées de Leonardo dans la Sala delle Asse. Le Palazzo
dell’Arte de la Triennale de Milan accueillera la soirée de
clôture le samedi 9 juillet 2016. Les participants auront
l’occasion de visiter gratuitement son parc, le nouveau
Musée du Design et l’Exposition Internationale Triennale
2016 de design, d’architecture, des arts visuels et décoratifs,
et de la production audiovisuelle.
Des ouvertures spéciales et des événements seront
organisés chaque soir dans les musées de Milan. Le mardi 5
juillet, le Musée National de la Science et Technologie ouvre
ses portes pour une soirée spéciale dédiée aux participants
d’ICOM Milano 2016 et aux habitants de Milan. Le mercredi
6 juillet, un concert gratuit exceptionnel sera donné au
Duomo, la cathédrale gothique de Milan, ainsi que des visites
guidées gratuites du nouveau Musée du Duomo et l’accès
au toit de la cathédrale qui offre une vue à couper le souffle
sur des milliers de statues de marbres et sur le paysage
urbain. Le jeudi 7 juillet au soir, le Palais Brera des Sciences
et des Arts du XVIIe siècle, la Pinacothèque, lÁcadémie des
beaux-arts, la Bibliothèque Nationale de Brera, l’Institut
Lombard des Sciences et des Lettres, le Jardin Botanique,
le Musée et l’Observatoire Astronomique proposeront des
événements, des expositions, des installations, des visites
guidées et une collation sera offerte aux participants
dÍCOM Milano 2016. Du 3 au 9 juillet, des visites gratuites
de La Cène seront proposées aux participants, sur plusieurs
créneaux horaires à réserver sur le site Internet d’ICOM
Milano 2016.
Schnittmarke
Chers amis et collègues,
Milan est une ville créative et cosmopolite – une ville de
culture, de design et de mode. De mai à octobre 2015, Milan
a accueilli l’Exposition Universelle 2015, et ICOM Milano
2016 a grandement bénéficié de tout le travail réalisé à cette
occasion : nouveaux musées, lignes de métro, infrastructures
et offres touristiques et culturelles. Avec ses quatre lignes
de métro, Milan jouit d’un excellent réseau de transports
publics. Les participants recevront une carte de transport
gratuite, ainsi qu’un service gratuit d’utilisation de vélos qui
leur permettra de se déplacer rapidement et facilement du
centre des congrès aux différents musées et monuments de
la ville. Milan est une porte ouverte sur l’Italie, offrant une
opportunité unique de visiter les plus belles villes et paysages
d’Italie. Le vendredi 8 juillet, un grand nombre d’excursions
à Milan, en Lombardie et dans les régions du Nord et du
centre de l’Italie, seront proposées aux participants.
Les informations détaillées sur le programme de la Conférence, les événements et les excursions organisés pour
vous sont disponibles sur le site Internet ICOM Milano 2016.
Les professionnels des musées italiens et les musées
attendent votre arrivée !
J’espère que vous profiterez de votre semaine à Milan et
je me réjouis par avance de la contribution de chacun à ce
grand événement de l’ICOM.
Président du Comité d‘organisation
italien dÍCOM Milano 2016
9
Content A ICOM MILANO 2016
INVITACIÓN
Mensaje de bienvenida del presidente del ICOM
Hans-Martin Hinz
Estimados colegas de la comunidad museística internacional:
Schnittmarke
La próxima 24ª Conferencia general del ICOM se celebrará
del 3 al 9 de julio de 2016 en Milán (Italia). Nos complace
darles la bienvenida a la que será sin duda una apasionante
semana de debates y eventos en un país que goza de
fama mundial por la increíble riqueza y diversidad de su
patrimonio cultural.
La comunidad museística internacional se reunirá en
Milán en torno al tema Museos y paisajes culturales, el
cual plantea una serie de cuestiones apreciadas por todos
nosotros, puesto que los museos de todo el mundo luchan
por redefinir sus papeles y posiciones en relación con sus
comunidades y con respecto al patrimonio cultural que se
encuentra más allá de sus muros.
Repleta de sesiones estimulantes, oportunidades
para establecer redes de contactos y reuniones de
las comisiones, la Conferencia General de ICOM es el
instrumento que permite a los 35.000 miembros de ICOM
procedentes de casi 140 países, en compañía de otros
profesionales de museos procedentes de diferentes
horizontes lingüísticos y culturales, mantener y ampliar
sus conocimientos y su liderazgo en materia de patrimonio
cultural.
10
En este año en que se celebra el septuagésimo aniversario
del ICOM, cuento con su presencia en este momento tan
especial para el ICOM en Milán, para celebrar nuestras siete
décadas de compromiso con la protección, preservación y
promoción de los museos y el patrimonio cultural.
Será un honor para mí darles la bienvenida, junto a nuestros
anfitriones italianos, a este evento de gran importancia.
Estoy seguro de que, gracias a sus aportaciones y a su
participación, será una experiencia inolvidable.
Esperamos con gran entusiasmo reunirnos juntos en
Milán en 2016.
Presidente del ICOM
INVITACIÓN A ICOM MILANO
Content
2016
Mensaje de bienvenida del Presidente del Comité Organizador italiano
de ICOM Milano 2016, Alberto Garlandini
ICOM Milano 2016 no sólo ofrecerá discursos de ponentes
de fama mundial, reuniones profesionales, debates
científicos y una feria museal, sino también una gran
variedad de eventos sociales, visitas y excursiones a museos
y monumentos italianos.
El castillo Sforzesco de Milán acogerá la Fiesta de Apertura
de la Conferencia. El castillo alberga siete museos y, el
lunes 4 de julio de 2016, estará abierto exclusivamente
para los participantes de ICOM Milano 2016: tendrán la
posibilidad de visitar el nuevo Museo de la Piedad Rondanini
de Miguel Ángel y los frescos de Leonardo, recientemente
restaurados, en la Sallad elle Asse. El Palazzo dell’Arte de
La Triennale de Milán albergará la Fiesta de Clausura el
sábado 9 de julio de 2016. Los participantes de ICOM Milano
2016 podrán visitar libremente su parque, el nuevo Museo
del Diseño, y la Exposición Internacional de la Triennale
de 2016 sobre arquitectura, artes visuales y decorativas,
diseño, moda y producciones audiovisuales.
Se han organizado aperturas especiales y eventos en los
museos de Milán para cada noche. El martes 5 de julio, el
Museo Nacional de Ciencia y Tecnología abrirá sus puertas
durante la noche para los participantes de ICOM Milano 2016
y los residentes en Milán. El miércoles 6 de julio, se ofrecerá
a los participantes de ICOM Milano 2016 un concierto gratuito
especial en el Duomo, la catedral gótica de Milán, con visitas
guiadas al nuevo Museo del Duomo y acceso a los tejados
de la catedral, los cuales ofrecen unas vistas maravillosas
de miles de estatuas de mármol y de la ciudad. La noche
del jueves 7 de julio abrirán sus puertas el Palacio de Brera
de Arte y Ciencia del siglo xvi, la Galería Nacional Brera, la
Academia de Bellas Artes, la Biblioteca Nacional Braidense,
el Istituto Lombardo – Academia de Ciencias y Letras, el
Jardín Botánico y el Museo Astronómico y Observatorio con
eventos especiales, exposiciones, instalaciones y visitas
guiadas. Además, se servirá un cóctel para los participantes
de ICOM Milano 2016. Se ofrecerán vistas gratuitas
especiales a los participantes de ICOM Milano 2016 para ver
la Última Cena de Leonardo en franjas horarias especiales
que reservar en la página web de ICOM Milano 2016.
Schnittmarke
Estimados colegas y amigos:
Quisiera darles la bienvenida a Milán y aprovechar para darles
las gracias. Todo está listo para la XXIV Conferencia General.
Milán es una ciudad cosmopolita y creativa; una ciudad de
cultura, diseño y moda. De mayo a octubre de 2015, Milán
acogió la exitosa Exposición Universal de Milán 2015, e ICOM
Milano 2016 se ha beneficiado en gran medida de las obras
llevadas a cabo para este evento: nuevos museos, nuevas
líneas de metro, nuevas infraestructuras y nuevas ofertas
culturales y turísticas. Con sus cuatro líneas de metro, Milán
cuenta con una red de transporte público muy eficiente.
Los participantes disfrutarán de un abono gratuito para el
transporte público, así como también de acceso a un servicio
gratuito de alquiler de bicicletas que les permitirá moverse
con rapidez y facilidad entre la sede de la conferencia y los
principales monumentos y museos de la ciudad. Milán supone
una puerta de entrada a Italia y les brinda una oportunidad
única para visitar algunos de los paisajes o ciudades más
hermosos. El viernes 8 de julio ofreceremos a los participantes
un gran número de excursiones sorprendentes en Milán,
Lombardía y otras regiones del norte y centro de Italia.
La página web de ICOM Milano 2016 les ofrece información
detallada sobre el programa de la Conferencia, los eventos y
las excursiones que hemos preparado para usted.
Los profesionales de los museos y los museos italianos les
esperan.
Espero que disfruten de su semana en Milán y tengo muchas
ganas de conocer sus aportaciones a este gran evento.
Presidente del Comité Organizador
italiano de ICOM Milano 2016
11
INVITO A ICOM MILANO 2016
Messaggio di benvenuto del Presidente di ICOM
Hans-Martin Hinz
Cari colleghi della comunità museale internazionale,
Schnittmarke
La ventiquattresima Conferenza Generale di ICOM si terrà
dal 3 al 9 luglio 2016 a Milano. Saremo lieti di accogliervi
per quella che sarà sicuramente una settimana ricca di
discussioni, dibattiti e eventi nel paese famoso in tutto il
mondo per il suo patrimonio culturale incredibilmente
ricco e diverso.
La comunità museale internazionale si riunirà a Milano
trattando l’argomento “Musei e paesaggi culturali” che
solleva una serie di temi cari a tutti noi. In effetti, i musei di
tutto il mondo si sforzano di ridefinire il proprio ruolo e la
propria posizione riguardo alla loro comunità, rispettando
il patrimonio culturale che si trova al di fuori delle loro
mura.
La conferenza di una settimana offrirà una piattaforma
per la condivisione e il dialogo su progetti che coprono
numerosi campi d’interesse grazie alla presenza di partecipanti provenienti da diversi orizzonti culturali e linguistici,
e offrirà un’occasione per sviluppare quadri concettuali
inclusivi, interdisciplinari e innovativi in un ambientemuseale dinamico in continua evoluzione.
La Conferenza Generale di ICOM è la chiave per permettere
ai 35.000 membri ICOM provenienti da quasi 140 paesi
di mantenere e far crescere la loro competenza e la loro
leadership inmateria di patrimonio culturale grazie a
sessioni stimolanti, nuove reti di contatti e riunioni delle
commissioni.
12
Nellánno del 70° anniversario ICOM, conto sulla vostra
presenza durante i momenti più significativi di ICOM a
Milano, per celebrare 70 anni di impegno nella protezione,
preservazione e promozione dei musei e del patrimonio
culturale.
Sarà mio onore darvi il benvenuto insieme ai nostri ospiti
italiani a questo evento di grande importanza.
Sono sicuro che, grazie ai vostri contributi e alla vostra
partecipazione, rimarrà un momento indimenticabile.
Aspettiamo con grande entusiasmo questo incontro che ci
riunirà a Milano nel 2016!
Presidente di ICOM
INVITO A ICOM MILANO 2016
Messaggio di benvenuto del Presidente del Comitato Organizzatore
Italiano di ICOM Milano 2016, Alberto Garlandini
Benvenuti a Milano e grazie per essere qui. Tutto è ormai
pronto per la 24a Conferenza Generale ICOM.
ICOM Milano 2016 non solo offre keynote speaker di rilievo
internazionale, incontri professionali, dibatti scientifici e una
fiera museale, ma anche unámpia proposta di eventi sociali,
visite ed escursioni presso a musei e a monumenti italiani.
Il Castello Sforzesco di Milano ospiterà la Festa di Apertura
della Conferenza. Allínterno del Castello sono presenti
7 musei. Lunedí 4 luglio sarà aperto esclusivamente
per i partecipanti di ICOM Milano 2016, che avranno
lópportunità di visitare il nuovo museo della Pietà
Rondanini di Michelangelo e la Sala delle Asse di Leonardo,
recentemente restaurata. La Triennale di Milano, Palazzo
dellÁrte, ospiterà sabato 9 luglio la Cerimonia e la
Festa di chiusura. I partecipanti potranno visitare il suo
parco, il nuovo Museo del Design e la XXI Esposizione
Internazionale Triennale per il design, lárchitettura, le
arti visive e decorative e le produzioni audio-visive.
Aperture straordinarie ed eventi sono stati organizzati
ogni sera nei musei di Milano. Martedì 5 luglio il Museo
Nazionale della Scienza e della Tecnologia sarà aperto
per una serata speciale dedicata ai partecipanti di ICOM
Milano 2016 ed alla cittadinanza di Milano. Mercoledí 6
luglio sarà offerto ai partecipanti uno speciale concerto
gratuito in Duomo, la cattedrale gotica di Milano, con
visite guidate gratuite al Museo del Duomo ed accesso
alle terrazze da dove si gode una vista mozzafiato sulle
statue di marmo e sul panorama della città. Giovedì 7
luglio Brera invita i partecipanti della Conferenza a visitare
i molti spazi e le tante mostre del seicentesco Palazzo
delle Scienze e delle Arti: la Pinacoteca, l’Accademia di
Belle Arti, la Biblioteca Nazionale Braidense, l’Istituto
Lombardo di Scienze e Lettere, l’Orto Botanico ed il
Museo e l’Osservatorio Astronomico, con visite guidate ed
un rinfresco. I partecipanti di ICOM Milano 2016 avranno
inoltre la possibilità di visitare a titolo gratuito lÚltima
Cena di Leonardo in alcuni selezionati orari di visita a loro
riservati e prenotabili sul sito della Conferenza.
Milano è una città cosmopolita e creativa, una città di cultura,
design e moda. Da maggio ad ottobre 2015 Milano ha ospitato
con successo EXPO 2015 e ICOM Milano 2016 ha ampiamente
beneficiato dello sviluppo che la città ha avuto per questo
evento: nuovi musei, nuove linee della metropolitana, nuove
infrastrutture, nuove offerte culturali e turistiche. Con le sue
4 linee della metropolitana, Milano ha una rete di trasporti
altamente efficiente. I partecipanti riceveranno un pass
gratuito per il trasporto pubblico, così come la possibilità di
utilizzare gratuitamente il servizio di bike sharing, e potranno
muoversi velocemente ed agevolmente tra la sede della
Conferenza ed i luoghi e musei di Milano. Milano è una porta
di accesso allÍtalia ed offre lópportunità unica di visitare
alcune delle più belle città dÍtalia e dei più bei panorami.
Nella giornata di venerdí 8 luglio offriremo ai partecipanti un
gran numero di escursioni a Milano, in Lombardia e nel resto
del nord e centro Italia.
Schnittmarke
Cari amici e colleghi,
Sul sito della Conferenza trovate maggiori informazioni sul
Programma della Conferenza, gli eventi e le escursioni che
abbiamo organizzato per voi.
I professionisti museali e i musei italiani Vi aspettano!
Spero che possiate godere al meglio di questa settimana
milanese e non vedo lóra di accogliere il vostro contributo a
questo grande evento.
Ciao e arrivederci a Milano.
Presidente del Comitato Organizzatore
Italiano di ICOM Milano 2016
13
Conference Venue
MiCo - Milano Congressi is conveniently situated in
the centre of Milan, 4 km from the Duomo and just 5
minutes from Leonardo’s Last Supper. Four stops of the
metro (Portello, Amendola, Lotto, and Domodossola)
are located in proximity of the convention centre.
Malpensa and Linate airports are respectively 30
minutes and 25 minutes away from MiCo. Designed in
2002 and doubled in size in 2005, the current extension
will place MiCo - Milano Congressi among the largest
conference facilities in Europe and worldwide.
MiCo
Via Gattamelata 5, Gate 14
20149 Milano, Italy
Schnittmarke
www.micomilano.it
14
CC Milano Congressi
Conference
Content
Venue
M3
Politecnico
University
NIGUARDA
M5
Lancetti
MALPENSA
AIRPORT
Monte
Stella
Park
M1
Palazzo
Lombardia
Bosco
Verticale
Mac Mahon
Sondrio
Isola district
Monumentale
Cemetery
Portello
Pirelli
Skyscraper
Cenisio
San Giuseppe
della Pace
SANT’AMBROGIO
M1
Santa Maria
di Lourdes
Tre
Torri
Gerusalemme
Chinatown
Moscova
FATEBENEFRATELLI
San Marco
OLD
FASHION
MILANO
Pagano
Bande Nere
Missori
Cattolica University
Velasca
Tower
Sant ’Ambrogio
San Lorenzo
Rotonda
della Besana
Candia
Park
Zona Tortona
Basiliche Park
P.ta Genova
hotel
AIRPORT
Darsena
M2
Navigli
Porta Romana
Bocconi University
Basilica Sant’Eustorgio
NAVIGLIO PAVESE
Romolo
OFFICINE
DEL VOLO
Statale University
Colonne
underground
NAVIGLIO
GRANDE 3
metro
line yellow
Palazzina
Liberty
POLICLINICO
Porta Romana
S. Agostino
metro line green 2
Sinagoga
Guastalla Park
Don
Giussani
Park
metro line red 1
Corso XXII Marzo
S. Ambrogio
San Matteo
M1
M2
M3
M5
San Babila
Vittorio Emanuele Gallery
Cenacolo
The Last Supper
San Sepolcro
Santa Maria
del Rosario
San Babila
Museo del Novecento
Gallery of Modern Art
San Bernardino
alle ossa
Dome
Museum of Science
and Technology
San Benedetto
Santa Maria
della Passione
San Fedele
Duomo
Wagner
De Angeli
Palestro
Sforza Castle
Cadorna
PALAZZO
DELLE STELLINE
Santa Maria
delle Grazie
Primaticcio
Palazzo Reale
Conciliazione
San Protaso
Gambara
Via Castel
Morrone
Montenapoleone
Corso Vercelli
Vergani
Park
R1
Lanza
Triennale
Buonarroti
Baggio
Park
Montanelli
Park
R2
Scala Theatre
Santa Francesca
Romana
Porta Venezia
Brera Art Gallery
Sempione
Park
City Life
Amendola
SAN CARLO
H
Planetarium
PAC
Turati
Segesta
M1
Arena
Lotto
Giuseppe Meazza Stadium
San Siro
Ippodromo
Lima
Repubblica
Arco della Pace
Domodossola
Branca Tower
Lido di Milano
Unicredit Tower
Schnittmarke
Milano Congressi
Centrale FS
SPAZIO
EDIT
Sempione
Portello
Loreto
M2
Porta
Garibaldi
Monumentale
Ravizza Park
N
Milan Thermal Baths
Sant’Andrea
M3
Baravalle Park
Lodi
metro line lilla 5
shopping
bike
sharing
railway
station
romantic
cocktail
restaurant
university
R
dinner
ICOM Milano 2016
Entrance
15
Content
Floor
plan
Overview
South
Wing
South Wing - Level +2 Mezzanine
Suites 5 to 9
9
North
Wing
8
7
6
5
North Wing - Level +2
Silver Plenary
White Halls 1 and 2
4
3
3
2
2
1
4
8
3
7
2
Schnittmarke
1
6
1
5
South Wing - Level +2
Amber Halls 1 to 8
Suites 1 to 4
Yellow Halls 1 to 3
1
Brown Halls 1 to 3
2
1
Blue Halls 1 and 2
3
2
1
Red Halls 1 and 2
2
Museum Fair and Expo Forum
7
Main
Entrance
8
9
North Wing - Level 0
Meeting Rooms 7 to 9
First Aid Room
North Wing - Level -1
8
1
2
16
1
6
7
2
5
43
Green Halls 1 to 3
5
6
1
3
2
Orange Halls 1 to 3
3
Turquoise Halls 1 and 2
Offices 5 to 8
Floor
Content
plan
South Wing - Level +2 Mezzanine
Suites 5 to 9
Suite
6
Suite
5
Suite
7
Suite
8
Suite
9
Schnittmarke
Amber Halls 1 to 8
Brown Halls 1 to 3
Suites 1 to 4
Amber Amber
2
1
Amber Amber
3
4
Amber
5
Amber Amber
7
8
Amber
6
Speakers
Lounge
Suite
2
Brown
1
Brown
2
Suite
3
Brown
3
Suite
4
Connection passage to
17
Content
Floor
plan
Silver Plenary
Silver Plenary
White Halls 1 and 2
White Halls 1 and 2
Voting
Voting
Room
Room
MemberMembership
ship
Office
Office
Silver
Silver
Plenary
Plenary
Schnittmarke
Yellow Halls 1 to 3
Yellow Halls 1 to 3
Blue Halls 1 and 2
Blue Halls 1 and 2
Red Halls 1 and 2
Red Halls 1 and 2
Expo
Expo
Forum
Forum
Networking
Networking
Lounge
Lounge
Red
Red
2
2
Red
Red
1
1
„Where ICOM
„Where ICOM
from“
from“
Exhibition
Exhibition
Blue
Blue
1
1
Museum Fair
Museum Fair
and Expo Forum
and Expo Forum
Yellow
Yellow
3
3
Yellow
Yellow
2
2
Registration
Registration
18
Yellow
Yellow
1
1
ICOM
ICOM
Secretariat
Secretariat
First Aid Room
Floor
Content
plan
9
Meeting Rooms
8
7
Main
Entrance
North Wing - Level 0
First Aid Room
9
Meeting Rooms
8
7
Main
Entrance
Schnittmarke
North Wing - Level -1
Green Halls 1 to 3
Orange Halls 1 to 3
Turquoise
2
Offices 5 to 8
3
4
5
6
Meeting Rooms
Turquoise
1
Green Halls 1 to 3
Orange Halls 1 to 3
Orange
3
Orange Orange
Turquoise
2
1
2
Offices 5 to 8
3
4
5Green6
3
Meeting Rooms
Green
2
Green
1
Turquoise
1
8
7
6 Press Office
5
Orange
3
Orange
2
Orange
1
Green
3
Green
2
Green
1
Offices
8
7
Business
Centre
Offices
6 Press Office
5
Business
Centre
19
Schnittmarke
General
Information
General Information
Schnittmarke
English
ORGANISation
Conference Organiser
ICOM
ICOM Italy
Maison de l’UNESCO
1 rue Miollis
75732 Paris Cedex 15
France
Tel: +33 (0) 1 47 34 05 00
Fax: +33 (0) 1 43 06 78 62
Email: [email protected]
via Fabio Filzi, 22
20124 Milano
Italy
Tel/Fax:+39 (0) 2 4695693
Organising Committee
Schnittmarke
12 Universités de Lombardie
22
Organising Secretariat
For any specific questions on
ICOM MILANO 2016
Registration and Excursions:
Via K.I.T. Group GmbH
Association and Conference
Management
Kurfürstendamm 71
10709 Berlin
Germany
Tel:
+49 (0) 30 24 603 520
Fax:
+49 (0) 30 24 603 200
Accommodation:
Exhibition/Sponsoring:
General
Information
Icom Italy
The Italian National Committee of ICOM is the leading
professional association of the museum sector in
Italy. It takes care of all the problems closely related
to the development and the defense of the profession.
ICOM Italy promotes and also coordinates the
activities of the Permanent Conference for the Italian
Museum Associations. ICOM Italy is present on the
national territory thanks to the efforts of the Regional
Committees, the continuous research of Thematic
Committees studying and regulating the organisation
of some of the most important events in the industry,
such as the National Conference of Museums of Italy,
the ICOM Italy Award for the Museum of the year,
the National Assembly of ICOM and the International
Museum Day.
Schnittmarke
During the past 3 years, ICOM Italy organised
many side events, stimulated the debates and
selected interesting Italian best practices about the
Conference Theme. The results of this meticulous
and in-depth job will be presented during ICOM
Milano 2016. Check the online programme and the
App for all the information.
23
CC BY-SA 2.0 David Davies
Content
icom
ICOM AND ICOM GENERAL CONFERENCES
The International Council of Museums (ICOM), created
in 1946, is a worldwide organisation of museums and
museum professionals. ICOM is committed to promoting
and protecting natural and cultural heritage, present and
future, tangible and intangible. With 35,000 members in
almost 140 countries, the ICOM network is made up of
museum professionals from a wide range of museumand heritage-related disciplines.
ICOM promotes standards of excellence in the museum
field, in particular through its ICOM Code of Ethics for
Museums, a standard-setting tool for museums, which
includes basic principles for museum governance, the
acquisition and disposal of collections, and rules for
professional conduct. ICOM’s other activities include
fighting illicit traffic in cultural goods and promoting
risk management and emergency preparedness to
protect world cultural heritage in the event of natural or
man-made disasters.
Schnittmarke
Every three years, ICOM’s General Conference gathers the
international museum community around a theme chosen
by museum professionals.
Why attend the 24th ICOM General Conference?
Thanks to a rich conference programme stretching
over a week, including keynote speeches, International
Committees’ sessions, visits and off-site meetings in
local museums, and a museum fair, you will have the
opportunity to:
Meet over 3,000 participants from various cultural
backgrounds.
Learn from the experience and knowledge of museum
professionals from around the world.
Stay up-to-date with global issues and the latest trends
in your field.
Discover and share success stories, innovative
practices and challenges.
Make new contacts and catch up with old friends.
Listen to and brainstorm with the experts.
Inspire each other and benefit from a rich environment
of mutual learning.
24
Discover and rediscover what Milan and Italy
have to offer:
Milan is a gateway to Italy. Milan is cosmopolitan and
creative: the city of culture, design and fashion, lying in
the centre of an area with the highest density of museums
in the world. Coming to Milan will offer the chance to visit
some of the loveliest art cities in the world (Turin, Verona,
Padua, Venice, Genova, Bologna, Florence, Rome and
more). They are all well connected to Milan by high-speed
train in one to three hours. Coming to Milan will offer
participants a taste of the celebrated Italian hospitality,
Italian food and the uniquely Italian way of life.
How to make the most of your ICOM General
Conference experience?
Explore what Milan and Italy have to offer:
Choose an itinerary for Excursion Day: museums and
other cultural sites, walking tours around the city, etc.
Check the many social events that are planned in Milan
on the evenings of 5 and 6 July.
Extend your stay in Italy by choosing among the preand post-conference tours.
Examine the conference programme to spot sessions and
events of greatest interest to you:
Choose among the meetings and activities of ICOM’s 30
International Committees.
Be inspired by the daily keynote speeches to embrace
visionary and provocative insights and begin another
day of conference full of ideas.
“Jump” from one session to another to be sure of
attending the ones that interest you most.
Discover the sponsored sessions and presentations in
the Expo Forum, the Conference’s little agora inside the
museum fair area, and don´t miss the Panel Discussion
session and the Memorial Lecture on 5 July.
Meet as many people as possible outside the meeting rooms:
Seize the social opportunities by attending lunches,
receptions by National Committees, etc.
Make new contacts everywhere: during coffee breaks,
lunch breaks…
Don’t visit the city alone, explore with fellow
participants.
General
Information
CONFERENCE
Content
THEME
Who does not know the extraordinary range of
landscapes that make up the Italian peninsula, extending
from the Alps to the centre of the Mediterranean, with
its hinterlands and its rivieras? Who cannot conjure up
one of the countless monuments encountered while
traveling through Italy, a country unique in the wealth
of testimonies, it has accumulated over the ages, like so
many layers on a painting, from Antiquity to the Middle
Ages, from the Renaissance to the Baroque, from the
Neoclassical age to the present day?
Equally famous are Italy’s major museums, from
the Uffizi Gallery in Florence to the Brera Gallery in
Milan; from the Gallerie dell’Accademia in Venice, the
Capodimonte in Naples and the Savoia Gallery in Turin
to the Vatican Museums in Rome. Their masterpieces are
an essential part of the Imaginary Museum described by
André Malraux, along with many other works of art which
are preserved in churches, in palaces and in the towns
and villages of the Bel Paese. Most works are displayed
in art and archaeology museums, but also in sites and
historic buildings that make Italy a great museo diffuso:
an extended museum, an open air museum.
The Italian museum scenario is even richer than its
well established image. First of all, there are the great
museums born of the dynastic collections of pre-unification
States (before 1861, Italy was politically divided to several
independent states). Then there is the network of civic
museums of large and medium-sized towns, and finally,
hundreds of small local museums, mostly established in
the past few decades. In 2011, Italy had 4,588 museums
and similar institutions, breaking down as follows: 3,847
museums, 240 archaeological parks and areas, and 501
monuments and historic buildings. Nearly one out in
three municipalities houses at least one museum. Italy is
a country where, as André Chastel wrote, “the collection,
the building that hosts it and the town around the building
are deeply intertwined: these three forms of museums are
reflected in each other.” 1
1
Inviting colleagues from all over the world to the 24th
General Conference of ICOM, which will be held in Milan
from 3 to 9 July, 2016, the Italian National Committee
offers a theme dear to Italian museology: the relationship
between museums and cultural landscapes.
This is a central issue for Italy, but also a strategic
perspective for museums around the world as we enter
the third millennium.
Schnittmarke
The landscapes of Italy are world famous. It has been
much described and visited throughout the centuries.
Italy’s cultural landscapes have been changing.
Although endangered by urban and industrial
development, many of her celebrated landscapes have
been preserved: they may have changed but they have not
been deprived of their ancient charm. New landscapes
have also emerged, and their expressions of modernity
have already become a part of contemporary history,
while the very interpretation of landscape has changed
and been extended to encompass intellectual as well as
visual connotations.
This theme presents both an opportunity and a
challenge for museums to revive their mission and
strengthen their cultural and social role.
© Civico Museo Archeologico | Comune di Milano
MUSEUMS AND CULTURAL LANDSCAPES
Civico Museo Archeologico
A. Chastel, Italia museo dei musei, in I musei, TCI, Milano 1980, p. 14
25
Content Speakers
Keynote
ICOM Milano 2016 will feature five world-renowned keynote speakers, with different backgrounds
and approaches. A Nobel Prize-winning Turkish writer, an American artist, an Italian architect and
designer, an African political and cultural leader, and an Australian economist will present their
enriching, insightful views on culture, art, museums and cultural landscapes. Come to Milan and
get a unique chance to listen to and learn from the enlightening experiences of some of the greatest
intellectuals of the contemporary world!
4 July
Schnittmarke
Christo, USA
Christo was born in Gabrovo,
Bulgaria, on 13 June 1935
and spent his youth under
Communist rule. He studied Arts
in Sofia and Vienna. JeanneClaude (Jeanne-Claude Marie
de Guillebon 1935-2009), also born 13 June 1935, was
born of French parents in Casablanca, Morocco, and
grew up in Paris, Bern, Switzerland, and Gabès, Tunisia,
before finally settling with her family in Paris. In 1957,
Christo escaped from Eastern Europe to the West. He was
wrapping objects in various materials at that time, though
it was through portraiture that he primarily supported
himself. The couple met in Paris in 1958 when he was
making portraits of Jeanne-Claude‘s mother.
In 1961, the artists began collaborating on monumental
projects--endeavors in which the medium has largely
been fabric, chosen for its fluid and ephemeral qualities.
Christo and Jeanne-Claude share joint authorship of the
large-scale projects; however, Christo makes the wrapped
objects, packages, scale models, and drawings. The
projects are solely funded by the sale of these works, as
the artists do not accept sponsorship. The Christos‘ early
projects, mainly involving extant architecture, managed
to both conceal and underscore the essential character
and meaning of a site. Over time, their use of fabric
has become freer and more open. The realized projects
remain installed for a finite time, yet their impermanence
heightens their aesthetic appeal. Their works include
the wrapping of the Reichstag in Berlin and the PontNeuf bridge in Paris, the 24-mile (39 km)-long artwork
called Running Fence in Sonoma and Marin counties in
California, and The Gates in New York City‘s Central Park.
26
Orhan Pamuk, Turkey
Turkish novelist Orhan Pamuk
became the first Nobel laureate
in literature ever to emerge from
his country. Known for his epic,
multifaceted stories in which
the protagonist is often caught
between two worlds, Pamuk interweaves elements
from the West‘s pantheon of postmodern prose into his
fiction while also blurring the line between realism and
fantasy that is a hallmark of the greatest works of Arabic
literature. Orhan Pamuk‘s books have been translated
into 63 languages, including Georgian, Malayan, Czech,
Danish, Japanese, Catalan, as well as English, German
and French. Once a year, Pamuk gives lectures at Columbia
University. He created the Museum of Innocence in
Istanbul at the same time he wrote his novel, as a perfect
symbiosis between museology, literature and cultural
landscapes. In 2014, Museum of Innocence received the
European Museum of the Year Award (EMYA) given by the
European Museum Forum.
Pamuk was awarded The Peace Prize, considered the
most prestigious award in Germany in the field of culture,
in 2005. In the same year, Snow received the Prix Médicis
étranger, the award for the best foreign novel in France.
In 2006, TIME magazine chose him as one of the 100
most influential persons in the world. The same year,
he received the Nobel Prize for Literature, becoming the
second-youngest person to receive the award in its history.
General
Information
Keynote Speakers
Content
5 July
Nkandu Luo, Zambia
Nkandu Luo is the current
Minister of Gender and Child
Development. She has also
served as Minister of Health,
Minister of Transport and
Communications, Minister of
Local Government and Housing, Minister of Chiefs and
Traditional Affairs. The Honorable Professor Nkandu
Luo is Professor of microbiology and immunology and
has served as Head of Pathology and Microbiology at
the University Teaching Hospital, Lusaka, Zambia. Apart
from her training in Microbiology and Immunology,
she pursued studies in Immunopathology of infectious
Diseases and Epidemiology and Medical Statistics. Prof
Luo has carried out a lot of research on HIV/AIDS, TB.
Malaria and other infectious diseases. She has been
active in teaching of both undergraduate, postgraduate,
Biomedical and nursing students.
Schnittmarke
Michele De Lucchi, Italy
Michele De Lucchi is an Italian
architect, a prominent figure in
movements like Cavart, Alchimia
and Memphis. He has designed
lamps and furniture for renowed
Italian and European companies,
such as Artemide, Olivetti, Alias, Unifor, Hermès and Alessi.
He has designed working environments and corporate
identity for Deutsche Bank, Poste Italiane, Ferrovie dello
Stato, Enel, Piaggio, Olivetti, Telecom Italia, Novartis, Intesa
Sanpaolo and Unicredit. He has realized architectural
projects in Italy and worldwide, including residential,
industrial, corporate and cultural buildings, as well as
curating exhibitions for the Triennale di Milano, Palazzo
delle Esposizioni di Roma, the Neues Museum Berlin, the
Galleria d’Italia in Piazza Scala and Museo Pietà Rondanini
in Milan. He has recently realized a number of projects for
the city of Milan: the pavilions for Expo 2015 (Padiglione
Zero, Expo Center, Intesa Sanpaolo) and UniCredit Pavilion
in piazza Gae Aulenti.
6 July
David Throsby, Australia
David Throsby is internationally
acclaimed as one of the
inventors of cultural economics.
A Distinguished Professor in
the Economics Department of
Macquarie University in Sydney,
he is internationally recognized
for his research and publications on the economics of
art and culture. His current fields of research include
the economic situation of creative artists, the creative
industries, the economics of cultural heritage, culture
and sustainable development, and the links between
economic and cultural policy. He is the author of numerous
publications including The Economics of the Performing
Arts, with Glen Withers (1979), ‘The Production and
Consumption of the Arts: A View of Cultural Economics’
in the Journal of Economic Literature (1994), Economics
and Culture (2001), and The Economics of Cultural Policy
(2010). Together with Victor Ginsburgh he has co-edited
two volumes of the Handbook of the Economics of Art and
Culture (2006 and 2014)
27
Content
Where
ICOM From
An exhibition to celebrate 70 years
of ICOM!
By François Mairesse
What is an anniversary for? Is it to recall past times? Is
it to celebrate the experiences gleaned over the course
of time? Or is it to gather those dear to us for a pleasant
event? It is always interesting to take advantage of the
here and now to take a look back, and at 70, the age
of becoming (at least) a grandparent, the time is ripe to
recall the memories that have influenced our history,
and share them with our grandchildren through family
albums. Creating an exhibition about ICOM could seem
like a narcissistic exercise in patting ourselves on the
back, like a 3D selfie where we all try to fit in. In fact, it
is a more ambitious project. The history of ICOM has not
always been a long quiet river.
Schnittmarke
More than 40 years ago, after a sweeping contestation
movement in the museum field, noticeable during the
General Conference in Paris and Grenoble (1971), the
New Museology movement developed, as a response
to the museum crisis that highlighted the conventional
ways of a western, bourgeois institution. Forty years
later, the museum crisis seems long past, and there
are more museums than ever before. Alongside the
numerous smaller organisations, at times extremely
dynamic, but also extremely fragile, huge economic
machines have developed around globalised tourism.
Museums, vilified in the past due to their old-fashioned
approach, nowadays play an important role in global
geopolitical issues.
This exhibition in itself allows for a possible itinerary
evoking, if not all aspects (an impossible mission), some
of the dimensions of ICOM, blending places, important
events, keynote figures, etc. It is an incomplete tale that
it is not an “official” version of the adventure of ICOM, but
instead, a selection of stories from its archives that seek
to display some of the dimensions of this organisation.
An interactive tour
The exhibition Where ICOM from retraces, in almost
235m2, the evolution of ICOM over its 70 years of
existence, and raises questions about its future
directions. An immersive scenography links archive
documents – including pictures, posters and videos
– to illustrate the rich history of ICOM. A huge
timeline and a selection of important dates show the
growth of the ICOM network and the achievements
of the organisation over time. The main activities of
the organisation and the upcoming challenges are
addressed in stories and personal points of view
from ICOM members. Interactive devices will enable
visitors to take part in the debate and share their
thoughts.
Judging by the number of its employees, ICOM is a
small-scale organisation. Nevertheless, the number
and diversity of its committees, all of them managed
voluntarily, represent a vast and complex network that
represents the diversity of the world. Who can actually
claim to be familiar with its full scope?
28
© ICOM
The role of ICOM has also evolved. Established by a
small group of professionals in 1946, the organisation
now counts some 36,000 members from a wide array
of backgrounds, but united by a common question. The
exhibit “Where ICOM from” recalls some of the elements
that shape the nature of ICOM and museums, and ask
us about the future of this institution. In 1946, the world
was recovering from a global conflict followed by a long
cold war. Seventy years later, while the world has not
experienced another global war, it has never seemed so
close to widespread conflict. What role can museums
and ICOM play in this context?
Georges Henri Rivière playing the shamisen, 1960, Tokyo, Japan
General
Information
Where ICOM
Content
From
Exhibition Where ICOM from, 70 years of the
International Council of Museums, from 4 to
6 July 2016
Blue Hall 2, North Wing, level +1 (close to central
escalators). Opening expected on 4 July at 12:30 in the
exhibition site.
Schnittmarke
Event organised by the ICOM Endowment Fund,
jointly with student from University Paris 1 PantheonSorbonne, and with the generous support of Panasonic,
main sponsor of the exhibition.
© guerillagraphik
It is curious that ICOM, which identifies itself as the museum
forum par excellence, had never tried to communicate
and contribute to debates more frequently, through the
feature that sets it apart – exhibitions. Nevertheless, it
has done so through publications, talks, and now, its
website and social networks. If there is a defining feature
of museums, it is that they represent a unique, collective
way of thinking, which aims to spread knowledge in spatial
fashion, through objects, images and sounds. This is no
easy task: to develop an exhibition, space, time and means
are required. The one being presented in Milan does not
intend to respond to all of the questions asked here, but to
make each visitor wonder, at least for a few minutes, about
the facets of the organisation that brings us together, as
well as about this highly specific space that museums
represent.
29
Content
Social
Programme
OPENING PARTY – 4 July
CLOSING CEREMONY AND PARTY – 9 July
Castello Sforzesco
La Triennale di Milano
Monday, 4 July, 2016
19:30 – 23:30
Piazza Castello
Closest Metro Stations: Cairoli, M1, Red Line
Saturday, 9 July, 2016
19:30 – 00:00
Viale Emilio Alemagna, 6
Closest Metro Station: Cadorna, M1, Red Line
The Opening Party will be held on Monday 4 July at
Castello Sforzesco, the famous 15th century castle in
Milan’s centre. On that occasion, participants will have
the opportunity to visit all the museums in the Castle and
especially the new display of Michelangelo’s Pietà Rondanini and Leonardo’s newly restored frescos in the “Sala
delle Asse”.
A welcome cocktail will be offered, as well as musical
entertainment. The party will start at 19:30 and end at
23:30. Entrance will be guaranteed only upon showing
your ICOM Milano 2016 name badge.
The Closing Ceremony and Party will be held on Saturday
9 July at Triennale’s Palazzo dell’Arte. Starting from 19:30,
participants will be allowed to visit the Triennale’s Museum
of Design, its park and the 21st International Triennial
Exhibitions for architecture, visual and decorative arts,
design, fashion and audio/video production.
The Closing Ceremony will take place at 20:00. During the
ceremony, the ICOM flag will officially pass from ICOM
Milano 2016 to ICOM Kyoto 2019 and the 25th ICOM General
Conference will be presented. After the Ceremony the
Closing Party will start!
© EcilaAlice
© fedewild
Schnittmarke
30
General
Information
Social Programme
Content
SOCIAL EVENTS –
5 and 6 July evening (and more!)
GREAT CONCERT IN DUOMO –
The Veneranda Fabbrica del Duomo
Milan Cathedral
More than 40 museums in Milan will open exceptionallyduring the evening and organise special events for ICOM
Milano 2016!
The complete list of the social events, with the map and
all the details about opening times and other useful
information are available on the conference website
(http://network.icom.museum/icom-milan-2016/socialevents/social-events/) and are constantly updated. Some
events are open to a limited number of participants: no
reservation is needed and the participants will granted
access upon availability.
Some very special events are planned!
Wednesday, 6 July, 2016
20:00 – 21:00
Piazza del Duomo
The Duomo will host a special dedicated concert for ICOM
Milano 2016 participants.
OPEN NIGHT | Special ICOM Milano 2016
Concert programme
Special opening for the general public and ICOM Milano
2016 participants.
The National Museum of Science and Technology Leonardo
da Vinci, the largest technical and scientific museum in
Italy, opens its doors to the entire city during the 24th ICOM
General Conference in Milan.
A special OPEN NIGHT to discover the Museum’s collections, experiments and interactive workshops and enjoy
the evening in the 16th century monastery cloisters. Dive
into the world of the Enrico Toti submarine and experience
the life of sailors on-board. Discover Leonardo’s artistic
techniques and venture between new diets, DNA and the
major ingredients of our food. Relax with live classical, jazz
and rock and roll music. The Railway Pavilion comes alive
with contemporary dance and live music performances.
Atmospheres of a cathedral
“The great Duomo pipe organ and the majesty of the
brass instruments”
A dialogue in music
Nikolaj Rimskij-Korsakov (1844-1908)
(pipe organ and brass instruments)
Procession of Nobles
Georg Friedrich Haendel (1685-1759)
And the Glory of the Lord (brass instruments)
Giovanni Gabrieli (1557-1612)
Canzon Undicesimi Toni (pipe organ and brass instruments)
Edward Elgar (1857-1934)
Military March n.1 (pipe organ and brass instruments)
Gabriel Fauré (1845-1924) (brass instruments)
Pavane
Marcel Dupré (1886-1971)
Poème Héröique
Eugène Gigout (1844-1925)
Grand Choeur Dialogué
Alessandro La Ciacera
(second organist of the Duomo)
Doctor Brass Quintet
Giorgio Tosatti, trumpet
Matteo Macchia, trumpet
Jaime Carrasco, trombone
Marco Anastasio, bass tuba
Tommaso Ruspa, horn
© Museo Nazionale della Scienza e della Tecnologia Leonardo da
Vinci di Milano
Tuesday, 5 July, 2016
18:30 – 23:30
Via San Vittore 21
Schnittmarke
© Pedro
National Museum of Science and Technology
Leonardo da Vinci, Milan
31
Content
Social
Programme
AN EVENING IN THE BRERA PALACE
FOR ICOM MILANO 2016
THE LAST SUPPER
Palazzo di Brera
Several time slots during the whole week.
Piazza Santa Maria delle Grazie, 2
Cenacolo Vinciano
The 17th century Palace of the Sciences and the Arts opens
its doors with a public event specially for ICOM Milan
2016. After a welcome by the Brera’s Directors, its leading
institutions – the Pinacoteca, the Academy of Fine Arts,
the Braidense National Library, the Istituto Lombardo Academy of Science and Letters, the Botanical Garden, the
INAF (Museum and Astronomical Observatory) – will stay
open exceptionally until 10:15 pm with events, exhibitions,
installations and guided tours. The Brera’s institutions will
be open to the public, and a light dinner will be offered
exclusively to ICOM 2016 guests while seats last – reservations are obligatory.
Schnittmarke
Reservation: [email protected]
The Last Supper is situated in Milan in the ex-refectory near the Sanctuary of Santa Maria delle Grazie.
It was painted between 1494 and 1498 by Leonardo da Vinci and it is known all over the world.
The Last Supper shows one of the most important scenes,
and the richest in meaning from the Gospel according to
John.
© On MiBACT Licence - PoloM useale della Lombardia
Thursday, 7 July, 2016
18:30 – 22:15
Via Brera 28, Milano
© Pinacoteca di Brera
Thanks to scientists, art critics and restorers from all
over the world, the original painting, altered by extensive
retouching that did not conform to the peculiar characteristics of Leonardo da Vinci’s work, was brought to light
again.
32
A special agreement with the Italian Ministry of Culture
Heritage Activities and Tourism will invite ICOM Milano
2016 participants to visit the Last Supper, thanks to the
reservation of several timeslots during the entire week. All
booking details are available on the Conference website.
General
Information
Social Programme
Content
LOMBARDIA
Valcamonica
Varese Crespi d’Adda Iseo Lake
Monza
Bergamo
Torino
Pavia
Monferrato
PIEMONTE
Vicenza
Lago di Garda
Brescia
Mantova
Piacenza
Musei del Cibo
Parma
Modena
Bologna
EMILIA-ROMAGNA
Genova LIGURIA
Lunigiana
Firenze
Schnittmarke
Milan
VENETO
Certaldo /
Castelfiorentino
TOSCANA
Excursion Day
Excursion Day is an ICOM General Conference tradition:
one day off to discover the host city as well as north and
central Italy! This year, Excursion Day will take place
on Friday, 8 July. For more information, please have a
look at the Conference website (http://network.icom.
museum/icom-milan-2016/excursion-day/excursionday-proposals/) or visit the “Social Programme” counter
in the registration area.
PRE- AND POST-CONFERENCE TOUR
The Organising Committee selected about 50 tours, proposed
and organised by experienced travel agencies and partners.
Tours are tailored-made for ICOM Milano 2016 participants.
Costs and details are available on the Conference website
(http://network.icom.museum/icom-milan-2016/tours/
pre-and-post-conference-tours/). All the information
about the organising travel agencies and partners are
available at the Tours desk located in the Museum Fair &
Expo Forum (Exhibition Area, North Wing, level +1).
TOURS FOR ACCOMPANYING PERSONS
Two different tours have been organised for accompanying
persons with the special partnership of Musement. Tours
are free of charge for regularly registered accompanying
persons. A limited number of tickets is available.
Discover more on the Conference website (http://network.
icom.museum/icom-milan-2016/tours/accompanyingpersons-tours/)!
33
Content Information A-Z
General
Accommodation
Should you need to book a hotel or have any questions
regarding your reservation, please visit the accommodation
counter in the registration area in the North Wing on level +1.
Accompanying persons
Accompanying persons will have a restricted access to the
conference. Entrance to the Museum Fair & Expo Forum
and conference sessions is not included.
Accompanying persons are allowed to join all the social
events taking place outside the conference centre (Opening,
Party, Special Open Night, Concert in Duomo, Excursions,
Closing Ceremony and Party and free tours).
ICOM Affiliated Organisations
Schnittmarke
The Affiliated Organisations are associations or
international bodies dedicated to museums and museum
professionals in a given region. These organisations
participate in ICOM’s activities and contribute to the
influence of the organisation and its network while
maintaining their autonomy.
Any international organisation made up of at least
two-thirds of museums or museum professionals can
become an ICOM Affiliated Organisation. The 21 Affiliated
Organisations are represented by their Presidents within
the Advisory Committee. Please find the ICOM Affiliated
Organisations below:
AEOMAssociation of European Open-Air Museums
AFRICOM International Council of African Museums
AIMA
International Association of Agricultural Museums
AMOIAssociation of Museums of the Indian Ocean
CAM
Commonwealth Association of Museums
CIMAM
International Committee for Museums and Collections of Modern Art
EXARC
International Organisation of Archaeological Open Air Museums and Experimental Archaeology
FIHRMFederation of International Human Rights Museums
HO!IHands On! International Association of Children’s Museums
IACCC
International Association of Corporate Collections of Contemporary Art
IACM
International Association of Customs/Tax Museums
34
IAMFA
International Association of Museum Facility Administrators
IAMH
International Association of Museums of History
IATM
International Association of Transport and Communications Museums
ICAM
International Confederation of Architectural Museums
ICMM
International Congress of Maritime Museums
MAC
Museums Association of the Caribbean
MINOM
International Movement for a New Museology
PIMA
Pacific Islands Museum Association
SADCAMSouthern Africa Development Community Association of Museums and Monuments
SIBMAS International Association of Libraries and Museums of the Performing Arts
Automated Teller Machine (ATM)
There is an ATM in the MiCo in the North Wing on level +1
right next to the entrance of the Museum Fair & Expo Forum.
When coming up the escalators, it is on your right hand side.
Badge Printing Terminals
Participants have the opportunity to scan the barcode
on their registration confirmation at the Badge Printing
Terminals in order to get their name badge printed.
The Badge Printing Terminals are generously sponsored
by the company ETT s.p.a..
Business Centre
The Business Centre is located in Office 5 in the North
Wing on level -1. Participants have the possibility to print
material, make copies, scan or fax during the following
opening hours:
Sunday, 3 July
Monday, 4 July
Tuesday, 5 July Wednesday, 6 July
Saturday, 9 July The following rates apply
Copy / Printing (single face):
A4 B&W € 0.20
A3 B&W € 0.30
A4 colour size € 0.50
A3 colour size € 0.70
08:00 – 19:00
08:00 – 19:00
08:00 – 19:00
08:00 – 19:00
08:00 – 18:00
General
Information
General Information
Content
A-Z
Outgoing faxes:Basic fixed rate € 1.50
Italy € 0.30
Europe € 0.60
Intercontinental € 1.00
Incoming faxes:Fixed rate € 0.20
Ream of paper:500 sheets € 5.00
Participants can visit the Triennale’s Museum of Design,
park and the 21st International Triennial Exhibitions for
architecture, visual and decorative arts, design, fashion
and audio/video production.
Coffee Breaks
Catering areas are located in the Museum Fair & Expo
Forum area in the North Wing on level +1. Lunch bags and
coffee breaks will be provided to all full registered participants from 3 to 6 July and on 9 July.
Certificate of Attendance
The official Certificate of Attendance for ICOM Milano 2016
will be available after the Conference. Participants will be
able to download it from the Participant Platform.
Charging Stations
There will be mobile phone charging stations located
throughout the conference venue and free of charge.
Cloakroom, Luggage
The cloakroom is located in the registration area in the
North Wing on level +1. The following rate apply: € 2.50 per
coat and € 3.00 for luggage. The cloakroom will be open
during the following times:
Sunday, 3 July
Monday, 4 July
Saturday, 9 July 08:00 – 19:00
08:00 – 19:00
08:00 – 19:00
08:00 – 19:00
08:00 – 18:00
Climate
Milan has a humid subtropical climate with continental
influences. Milan’s climate is similar to much of northern
Italy’s inland plains, with hot, humid summers and cold,
foggy winters. In summer, humidity levels are high and
peak temperatures can reach temperatures above 35 °C
(95 °F).
Closing Ceremony and Party
The Closing Ceremony (within the limit of the number
of places available on a first-come-first-served basis)
will be held on Saturday, 9 July, at 19:30 followed by the
Closing Party at 20:00 at Triennale Palazzo dell’Arte.
Coffee will be served to all registered delegates in the
Museum Fair & Expo Forum in the North Wing on level +1
from 4 to 6 July as well as on 3 and 9 July in the Silver Foyer
in the North Wing on level +2 during the following times:
Sunday, 3 July: Monday, 4 July: Tuesday, 5 July: Wednesday, 6 July Saturday, 9 July:
10:30 – 11:00 and 15:00 - 15:30 (Silver Foyer)
15:45 – 16:15
(Museum Fair & Expo Forum)
10:30 – 11:00 and 16:30 – 17:00 (Museum Fair & Expo Forum)
11:00 – 11:30 and 15:45 – 16:15 (Museum Fair & Expo Forum)
in the morning (Silver Foyer)
Schnittmarke
Catering Areas
Conference Bag
The conference bag will be available at the conference bag
counter in the registration area in the North Wing on level
+1. Exhibitors will get one conference bag per booth which
will be distributed to them during the first conference day.
The ICOM Milano 2016 Conference Bag is generously
supported by Haroutunian Foundation.
Currency
The Italian currency is the euro which comes in denominations of 5, 10, 20, 50, 100, 200 and 500 euro notes as well as
coins of 1, 2, 5, 10, 20, 50 cents and 1 and 2 euros.
Electricity
In Italy, the voltage is at 220v a/c. Plugs are 2 pins so an
adaptor may be necessary.
Excursion Day
Excursion Day is an ICOM General Conference tradition:
one day off to discover the host city as well as north and
central Italy! This year, Excursion Day will take place on
Friday, 8 July. For more information, please have a look at
the Conference website (http://network.icom.museum/
icom-milan-2016/excursion-day/excursion-day-proposals/).
35
General
Expo Forum
The Expo Forum is a separate area in the Museum Fair
& Expo Forum (North Wing, level +1) where exhibitors/
sponsors can give a presentation to participants. The
schedule is published in the programme part of this
brochure as well as on a designated sign in the Expo
Forum area.
Film, Photo and Video Recording
ICOM and K.I.T. Group work together to create a
comprehensive overview of the conference interactions
and events which may be of promotional interest to the
organisation. Accordingly, please be advised that you may
be filmed or photographed at any time (in the meeting
rooms, Expo Forum, during social events, etc.) and that any
presentations you deliver (keynote speech, presentation,
etc.) may be recorded.
Schnittmarke
First Aid
All security agents of the MiCo are trained in first aid. They
are your first contact point. A first aid room is situated in
the North Wing on level 0. You may also contact anyone at
the registration counter which is located in the North Wing
on level +1.
ICOM Milano 2016 Conference App
The ICOM Milano 2016 Conference App is designed to
enhance the experience of the participants before, during
and after the conference, by placing the following features
and information at their fingertips:
Interactive Conference Programme
List of Speakers and Exhibitors
Maps and Floor Plans
Social Programme
Networking
Social Media
Conference Survey
The ICOM Milano 2016 Conference App is generously sponsored by the company Guardian Glass Europe.
Insurance and Liability
The Conference Organiser, ICOM or ICOM Italy and the
MiCo shall not be held liable for personal injury or any
loss or damage to the belongings of conference delegates,
either during or as a result of the conference. Delegates
should check the validity of their own insurance.
36
ICOM International Committees
The International Committees bring together experts
of museum specialties. Chairpersons represents each
International Committee within ICOM’s Advisory Committee.
The 30 International Committees are global think tanks
on museum, and heritage matters. They define museum
professional’s standards, share scientific information,
establish partnerships with other organisations and develop
recommendations for ICOM members. Please find the
ICOM’s international committees below:
AVICOM Audiovisual and New Technologies of Image and Sound
CAMOC Collections and Activities of Museums of Cities
CECA Education and Cultural Action
CIDOC Documentation
CIMCIM Museums and Collections of Musical Instruments
CIMUSET Museums and Collections of Science and Technology
CIPEG Egyptology
COMCOL Collecting
COSTUME Museums and Collections of Costume
DEMHIST Historic House Museums
GLASS Museums and Collections of Glass
ICAMT Architecture and Museum Techniques
ICDAD Museums and Collections of Decorative Arts and Design
ICEE Exhibitions and Exchange
ICFA Museums and Collections of Fine Arts
ICLM Literary Museums
ICMAH Museums and Collections of Archaeology and History
ICME Museums and Collections of Ethnography
ICMEMO Memorial Museums in Remembrance of the Victims of Public Crimes
ICMS Museum Security
ICOFOM Museology
ICOM-CC Conservation
ICOMAM Museums of Arms and Military History
ICOMON Money and Banking Museums
ICR Regional Museums
ICTOP Training of Personnel
INTERCOM Museum Management
MPR Marketing and Public Relations
NATHIST Museums and Collections of Natural History
UMAC University Museums and Collections
General
Information
General Information
Content
A-Z
ICOM LAC PHOTOGRAPHIC EXHIBITION
Participants have the opportunity to visit a special photo
exhibition organised by ICOM LAC.
Place: Foyer Gold, South Wing, level +2
Title: Cultural Landscapes of Latin America and the
Caribbean Region
From Sunday, 3 July to Wednesday, 6 July 08:30 – 18:00
Museum Fair & Expo Forum
Wi-Fi will be available for all registered delegates free
of charge at the MiCo. You can connect to the network
“ICOM_Milano_2016” with the password below and upon
acceptance of the general conditions.
Conference delegates are invited to visit the Museum Fair
& Expo Forum which will be open during the following
times:
Monday, 4 July Tuesday, 5 July Wednesday, 6 July Password: icom2016
The ICOM Milano 2016 Wi-Fi network is generously sponsored by Hubei Provincial Museum.
Internet Area
The internet area is located in the Museum Fair & Expo
Forum area in the North Wing on level +1. It is free of
charge to all registered delegates. There is also a printer
available for printing e.g. boarding passes.
Language
The conference languages are English, French, Spanish,
and Italian.
12:30 – 18:00
09:00 – 18:00
09:00 – 18:00
Name Badge
A name badge is required for admittance to all official
conference sessions and events. Each delegate is required
to present the badge in order to gain access to the conference. The name badge must be clearly displayed. If an
attendee loses, misplaces or forgets their name badge, a
handling fee of € 50.00 will be charged for a new badge and
the lost badge will be invalidated. If someone claims that
the badge is in the hotel and will be brought back the next
day, we take € 40.00 and hand out a receipt. If the second
badge is given back the next day, the € 40.00 is refunded.
The name badge is generously sponsored by Haroutunian
Foundation.
Lunch
Lunch bags will be provided to all full registered
participants in the dedicated areas in the Museum Fair &
Expo Forum in the North Wing on level +1 from 4 to 6 July
as well as on 3 and 9 July in the Silver Foyer in the North
Wing on level +2 as follows:
Sunday, 3 July
Monday, 4 July Tuesday, 5 July Wednesday, 6 July Saturday, 9 July The Membership Office is located in the White 1 Hall in
the North Wing on level +2 and will be open during the
following times:
Schnittmarke
Internet Access
Membership Office
12:30 – 13:30 (Silver Foyer)
12:30 – 14:00
13:00 – 14:00
13:00 – 14:00
14:00 – 15:00 (Silver Foyer)
National Committees
The National Committees are the main tools of communication between the General Secretariat and ICOM
members. The 119 National Committees ensure that the
interests of the organisation are managed in their respective countries. The National Committees represent their
members within ICOM and they contribute to the implementation of the organisation’s programmes.
Networking Lounge
The Networking Lounge is located in the Museum Fair &
Expo Forum in the North Wing on level +1.
The Networking Lounge is generously sponsored by
Goppion S.p.A and Goppion MuseumLab, Paul Bernhard
Exhibit Design & Consulting, The Hettema Group and THK
Co., Ltd..
37
General
Opening Ceremony
The Opening Ceremony will take place in the Silver Plenary
on Monday, 4 July at 09:30 – 12:30. All registered delegates
are invited to attend this event.
Opening Party
The Opening Party will be held on Monday, 4 July from
19:30 at the Castello Sforzesco, the famous 15th century
castle in Milan’s centre. On that occasion, participants
will have the opportunity to visit all the museums of the
Castello including the new display of Michelangelo’s
Pietà Rondanini and Leonardo’s newly restored frescos in
the Sala delle Asse.
Off-Site Meetings
Schnittmarke
On Thursday, 7 July ICOM International Committees organise their meetings outside the conference venue. Unless
specified those meetings are dedicated for the members
of each specific Committee. A detailed schedule of the
Off-Site meetings can be found in the programme part of
this brochure.
People with Disabilities
The MiCo is accessible to conference participants with
disabilities.
Pre- and Post-Conference Tours
Pre- and post- conference tours are not organised by ICOM
Milano 2016. All tours have to be booked in advance based
on the deadlines indicated on the Conference website. You
can find all the information about the organising travel
agencies at the Tours desk located in the Museum Fair &
Expo Forum (Exhibition Area, North Wing, level +1).
Press / Media
The press office is located in the Office 6, North Wing,
level -1 and will be open during the following times:
Sunday, 3 July
Monday, 4 July
Tuesday, 5 July
Wednesday, 6 July
Saturday, 9 July
38
10:00 – 19:00
08:00 – 18:30
08:00 – 18:30
08:00 – 18:30
08:00 – 17:30
Press Contact:
Ms Maria Gatón Fraile
Head of Communications Department and Public Relations
ICOM - International Council of Museums
E-mail: [email protected]
Mr Stefano De Angelis / Mr Filippo Cristini
Head of Italian Press Agency (Studio De Angelis)
E-mail: [email protected], [email protected]
The press conference will take place on Thursday, 30 June
in the Museo Nazionale della Scienza e della Tecnologia
Leonardo da Vinci in the Biancamano room. For more
information, please visit the Conference website (http://
net wor k .icom.museum / icom-mil an-2016/media /
press/).
Programme Changes / Date of Print
The organisers shall not be held liable for any changes
in the programme due to external or unforeseen circumstances. Changes notified after the print deadline (6
June) are displayed online on the Conference website and
available through the conference application.
public transportation
The registration fee includes the public transportation
ticket of Milan. The ticket will be provided at the conference
bag desk at the MiCo (North Wing, level +1).
Regional Alliances
The Regional Alliances are forums designed to promote
dialogue and the sharing of information between the
National Committees, museums and the museum professionals of a given region.
The National Committees can be members of a Regional
Alliance established in their geographical area. The
Presidents of the five ICOM Regional Alliances sit on
the Advisory Committee. Please find the ICOM Regional
Alliances below:
ICOM ARABArab Countries Alliance
ICOM ASPACAsia-Pacific Alliance
ICOM EUROPE Europe Alliance
ICOM LACLatin America & Caribbean Alliance
ICOM SEESouth East Europe Alliance
General
Information
General Information
Content
A-Z
Registration
Voting Room
The registration counter is located in the registration area
in the North Wing on level +1 and will be open during the
following times:
The voting room is located in the White 2 Hall in the North
Wing on level +2 and will be open during the following
times:
Sunday, 3 July Monday, 4 July
Tuesday, 5 July Wednesday, 6 July Saturday, 9 July Monday, 4 July and Tuesday, 5 July
08:00 – 19:00
08:00 – 18:30
08:00 – 18:30
08:00 – 18:30
08:00 – 17:30
08:00 – 19:00
Water Dispensers
Water dispensers are located throughout the conference
venue and are free of charge.
social events (5 and 6 july)
More than 40 museums in Milan will exceptionally open
during the evening and organise special events for ICOM
Milano 2016!
Schnittmarke
The complete list of the social events, with the map and
all the details about opening times and other useful information are available on the Conference website (http://
net wor k .icom.museum / icom-mil an-2 016/socialevents/social-events-july-5-and-6/) and are constantly
updated. Some events are open to a limited number of
participants: no reservation is needed and the participants
will be granted access upon availability.
Some very special events are planned!
Speakers Lounge
The speakers lounge is located in Suite 1, South Wing, level
+2 and will be open during the following times:
Tuesday, 5 July Wednesday, 6 July Saturday, 9 July 08:00 – 19:00
08:00 – 18:30
08:00 – 18:30
08:00 – 18:30
08:00 – 17:30
Survey
A survey about the conference will be available through the
conference app after the conference. This survey will help
us better understand the needs and wishes of the participants.
VOLUNTEERS
Volunteers will assist you during the whole Conference.
They are all wearing a special t-shirt in order you can
easily recognise them.
The volunteers t-shirt is generously sponsored by the
company Arteria.
39
opening times
Press Office
Registration
08:00 – 18:30
08:00 – 18:30
08:00 – 18:30
08:00 – 17:30
12:30 – 18:00
09:00 – 18:00
09:00 – 18:00
Cloakroom, Luggage
08:00 – 19:00
08:00 – 19:00
08:00 – 19:00
08:00 – 18:00
Voting Room
Schnittmarke
Monday, 4 July
Tuesday, 5 July
08:00 – 19:00
08:00 – 19:00
Membership Office
Sunday, 3 July
Monday, 4 July
Tuesday, 5 July
Wednesday, 6 July
40
10:00 – 19:00
08:00 – 18:30
08:00 – 18:30
08:00 – 18:30
08:00 – 17:30
Speakers Lounge
Monday, 4 July Tuesday, 5 July Wednesday, 6 July Sunday, 3 July
Monday, 4 July
Tuesday, 5 July
Wednesday, 6 July Saturday, 9 July
08:30 – 18:00
08:30 – 18:00
08:30 – 18:00
08:30 – 18:00
08:00 – 18:30
08:00 – 18:30
08:00 – 18:30
08:00 – 17:30
Business Centre
08:00 – 19:00
08:00 – 19:00
08:00 – 19:00
08:00 – 18:00
General
Information
Borromean Islands
Schnittmarke
Prado Museum
Van Gogh Museum
Villa Panza
#1 ONLINE PARTNER FOR CULTURAL INSTITUTIONS
Reach new customers and increase your bookings through our website, app,
affiliate partners and offline travel agencies network; sell on your own website,
generating vouchers and e-tickets as well as accepting instant payments.
[email protected] - +39 02 4538 6900 - musement.com
Schnittmarke
INFORMATION
GÉNÉRALE
INFORMATION GÉNÉRALE
Schnittmarke
franÇais
Content
Organisation
Organisateurs de la conférence
ICOM
ICOM Italie
1 rue Miollis
France
Tel: +33 (0) 1 47 34 05 00
Fax: +33 (0) 1 43 06 78 62
via Fabio Filzi, 22
20124 Milan, Italie
Tel/Fax:+39 (0) 2 4695693
Comité d’organisation
Schnittmarke
44
Bureau organisateur
Pour toute question concernant
ICOM MILANO 2016
Inscription et excursions :
Management
Kurfürstendamm 71
10709 Berlin
Allemagne
Tel:
+49 (0) 30 24 603 520
Fax:
+49 (0) 30 24 603 200
Hébergement :
Exposition / Sponsoring :
Depuis 3 ans, ICOM Italie a organisé de nombreux
événements, a suscité des débats et a choisi les
meilleures pratiques italiennes en lien avec le thème
de la conférence. Les résultats seront présentés
durant ICOM Milano 2016. Pour plus d’information,
consultez le programme en ligne et l’application
dédiée.
CC BY-SA 3.0 Carlo Dell’Orto
Schnittmarke
Le Comité National de l’ICOM est la principale
association professionnelle du secteur des
musées en Italie. Il s’occupe de tous les problèmes
étroitement liés au développement et à la défense
de la profession. ICOM Italie cherche à promouvoir
et à coordonner les activités de la Conférence
Permanente pour les Associations de Musées
Italiens. ICOM Italie est représenté sur l’ensemble
du territoire grâce aux efforts des Comités
Régionaux, et à la recherche constante de Comités
Thématiques chargés de l’étude et de la régulation
de l’organisation des principaux événements de
l’industrie, tels que la Conférence nationale des
musées d’Italie, le Prix du Musée de l’Année accordé
par ICOM Italie, l’Assemblée nationale de l’ICOM et la
Journée internationale des musées.
INFORMATION
GÉNÉRALE
Icom Italie
Content
ICOM
ICOM ET LES CONFÉRENCES GÉNÉRALES
DE L’ICOM
Créé en 1946, le Conseil international des musées (ICOM)
est l’organisation internationale des musées et des professionnels des musées. L’ICOM s’engage à promouvoir et à
protéger le patrimoine culturel et naturel, actuel et futur,
tangible et intangible. Regroupant plus de 35 000 membres
répartis dans plus de 140 pays, l’ICOM constitue un réseau
de professionnels des musées et du patrimoine ou de
professionnels œuvrant dans des disciplines connexes.
Schnittmarke
L’ICOM promeut des normes d’excellence dans le domaine
muséal, en particulier grâce à son Code de déontologie
pour les musées qui fixe les normes minimales des
pratiques professionnelles en matière de gouvernance,
d’acquisition et de cession des collections, ainsi que les
règles de conduite professionnelle. Parmi les activités de
l’ICOM figurent la lutte contre le trafic illicite des biens
culturels, la gestion des risques et la préparation aux
situations d’urgence pour protéger le patrimoine culturel
mondial en cas de catastrophes naturelles ou d’origine
humaine.
Tous les trois ans, la Conférence générale de l’ICOM réunit
la communauté internationale des musées autour d’un
thème défini par les professionnels du domaine muséal.
Pourquoi participer à la 24e Conférence
générale de l’ICOM ?
Grâce à un programme très riche s’étalant sur
une semaine, composé de discours inauguraux, de
sessions de comités internationaux, de visites et de
rendez-vous dans les musées locaux, ainsi que d’un
salon professionnel des musées, vous pourrez :
Rencontrer plus de 3 000 participants issus de
contextes culturels variés.
Apprendre grâce à l’expérience des professionnels des
musées du monde entier
Rester informé sur les problématiques mondiales et les
dernières tendances dans votre domaine.
Découvrir et échanger sur les « success story »,
les pratiques novatrices et les défis à relever.
Nouer de nouveaux contacts et retrouver d’anciennes
connaissances.
Ecouter et interagir avec des experts.
Bénéficier d’un environnement d’apprentissage mutuel
riche.
46
Découvrir et redécouvrir ce que Milan et
lÍtalie ont à offrir :
Milan est une porte ouverte sur l’Italie. Milan est une ville
cosmopolite et créative, la ville de la culture, du design et
de la mode, qui se trouve au centre de la zone géographique
regroupant la plus grande densité de musées au monde.
Venir à Milan vous donnera l’opportunité de visiter
quelques-unes des villes d’art les plus aimées au monde
(Turin, Vérone, Padoue, Venise, Gênes, Bologne, Florence,
Rome…). Situées pour les plus éloignées d’entre elles à
trois heures de Milan, elles sont bien desservies par des
trains à grande vitesse. Venir à Milan vous donnera un
avant-goût de l’Italie, sa célèbre hospitalité, sa cuisine et
sa dolce vita unique.
Comment profiter pleinement de la
Conférence générale de l’ICOM ?
Explorez ce que Milan et l’Italie peuvent vous offrir :
Choisissez un parcours pour la journée d’excursions :
musées et sites culturels, promenade à travers la ville,
etc.
Renseignez-vous sur les événements planifiés à Milan,
les soirées des 5 et 6 juillet.
Prolongez votre séjour en Italie en choisissant l’un des
voyages organisés avant et après la conférence.
Choisissez dans le programme de la conférence ce qui
vous intéresse le plus :
Choisissez parmi les réunions et activités des 30
comités internationaux de l’ICOM.
Venez assister aux présentations de conférenciers
de renom qui vous feront partager leur point de vue
visionnaire et stimulant.
Passez d’une session à l’autre pour vous assurer
d’avoir choisi le thème qui vous intéresse le plus.
Découvrez les sessions sponsorisées et les
présentations dans le Forum situé à l’intérieur du
salon professionnel des musées, et ne manquez
pas les sessions de rencontre-débat et la Memorial
Lecture le 5 juillet.
Rencontrez un maximum de personnes en dehors des
salles de conférence :
Inscrivez-vous à des activités de réseautage: déjeuners
thématiques, réceptions des comités nationaux, etc.
Nouez de nouveaux contacts partout où vous allez: lors
des pauses café, des déjeuners ou des excursions…
Ne visitez pas la ville seul, joignez-vous à d’autres
participants.
THÈME DE LA CONFERENCE
Content
Ses grands musées sont tout autant célèbres : les Offices
à Florence, la Pinacothèque de Brera, les Galeries de
l’Académie à Venise, le Capodimonte à Naples, la Galerie
Sabauda ou les musées du Vatican, tous font partie
intégrante de cet immense patrimoine. Leurs œuvres
d’art comptent pour une part essentielle dans ce Musée
imaginaire que décrivait André Malraux, tout comme
celles que recèlent les églises, les palais seigneuriaux,
les villes et les bourgs du Bel Paese. Ces musées d’art
et d’archéologie, mais aussi les sites et monuments
historiques font de l’Italie un vaste « musée à ciel ouvert »,
le museo diffuso.
Le panorama muséal italien est bien plus riche et
diversifié qu’il n’est représenté habituellement. Il est
d’abord constitué de grands musées issus des collections
dynastiques des États pré-unitaires (avant 1861, l’Italie
était divisée en plusieurs États indépendants), mais aussi
d’un réseau majeur de musées municipaux des principales
villes italiennes. Il vient également s’enrichir de centaines
de petits musées locaux, dont la plupart ont été créés au
cours des dernières décennies. En 2011, l’Italie recensait
4 588 musées et établissements assimilés : 3 847 musées,
240 aires et parcs archéologiques, 501 sites et monuments
historiques. Près d’une municipalité sur trois compte au
moins un musée. L’Italie est un pays où, comme l’a décrit
André Chastel, « Tout est diffèrent quand par une sorte
d‘emboîtement exemplaire la collection s‘inscrit dans
l‘édifice qu‘enveloppe la cité et que se répondent ces trois
formes du musée». 1
1
En invitant leurs collègues du monde entier à la 24e
Conférence Générale de l’ICOM qui se tiendra à Milan du
3 au 9 juillet 2016, le comité national italien leur propose
de réfléchir à un thème cher à la muséologie italienne : le
rapport entre musées et paysages culturels.
Cést non seulement une question centrale pour l’Italie,
mais aussi une perspective stratégique pour les musées
du monde entier en ce troisième millénaire.
Ce thème constitue à la fois une opportunité et un défi
pour les musées, en vue de repenser la définition de
leur mission et renforcer leur rôle culturel et social.
Schnittmarke
Qui ne connaît pas l’extraordinaire diversité des
paysages de la péninsule italienne, avec ses rivieras et
ses arrière-pays, qui s’étend des Alpes jusqu’au cœur
de la Méditerranée ? Qui n’a pas gardé à l’esprit l’un
des innombrables monuments que l’on peut observer
en Italie, ce pays unique, sorte de tableau aux multiples
patines, où toutes les époques ont laissé leur empreinte,
de l’Antiquité à nos jours, en passant par le Moyen Âge, la
Renaissance, le Baroque, le néoclassicisme ?
Les paysages culturels italiens ont évolué.
Menacés par le développement urbain et industriel, ces
paysages célèbres ont toutefois été préservés. En dépit de
leur transformation, ils ont su conserver leur authenticité.
De nouveaux paysages ont aussi fait leur apparition,
expression d’une modernité déjà en partie historique. La
notion même de paysage a changé et ne cesse de gagner
de nouveaux territoires mentaux et visuels.
Le paysage italien est connu dans le monde entier. Il a
été décrit, représenté et visité à toutes les époques.
INFORMATION
GÉNÉRALE
MUSÉES ET PAYSAGES CULTURELS
47
CONFÉRENCIERS
ICOM Milano 2016 accueillera cinq personnalités de renom, venues d’horizons différents. Un écrivain turc
lauréat du prix Nobel, un artiste américain, un architecte et designer italien, une responsable politique
africaine, et un économiste australien présenteront leurs points de vue visionnaires et éclairants sur la
culture, l’art, les musées et les paysages culturels. Venir à Milan est une occasion unique de découvrir
et d’apprendre des expériences enrichissantes de certains des plus grands intellectuels du monde
contemporain !
4 juillet
Schnittmarke
Christo, USA
Christo est né le 13 juin 1935 à
Gabrovo en Bulgarie et a passé
son enfance sous le régime
communiste. Il a étudié l’art
à Sofia et à Vienne. JeanneClaude (Jeanne-Claude Marie de
Guillebon 1935-2009), est née, également le 13 juin 1935,
de parents français, à Casablanca au Maroc et a grandi à
Paris, à Bern en Suisse ainsi qu’à Gabès en Tunisie, avant
que sa famille ne s’installe définitivement à Paris. En 1957,
Christo s’échappe de l’Europe de l’Est vers l’Ouest. A cette
époque, il enveloppe des objets de différents matériaux
même s’il vit principalement de l’art du portrait. Le couple
se rencontre à Paris en 1958 lorsqu’il réalise le portrait de
la mère de Jeanne-Claude.
En 1961, les deux artistes démarrent leur collaboration
sur des projets monumentaux – dans lesquels le support
principal est le tissu, choisi pour son caractère éphémère
et sa fluidité. Si Christo et Jeanne-Claude créent ensemble
des projets à grande échelle, Christo réalise les objets
enveloppés, emballages, modèles réduits et dessins. Les
artistes n’acceptant pas de sponsoring, les projets sont
financés uniquement par la vente des œuvres.
Les premiers projets de Christo, impliquant principalement
de l’architecture existante, dissimulent autant qu’ils ne
soulignent le caractère essentiel et signifiant d’un site. Au
fil du temps, l’utilisation qu’ils font du tissu devient plus
libre et plus ouverte. Les projets réalisés sont temporaires
et leur caractère éphémère intensifie d’autant leur attrait
esthétique. Parmi leurs œuvres les plus marquantes on
peut citer l’emballage du Reichstag à Berlin et du PontNeuf à Paris, l’œuvre de 39 km de long, appelée Running
Fence dans les comtés de Sonoma et de Marin en
Californie et The Gates dans Central Park à New York.
48
Orhan Pamuk, Turquie
Romancier turc, Orhan Pamuk
est le premier lauréat du prix
Nobel de littérature de son
pays. Connu pour ses épopées,
histoires à multiples facettes
où le protagoniste est souvent
tiraillé entre deux mondes, Pamuk entrelace dans sa
fiction des éléments de prose occidentale post-moderne
en brouillant les frontières entre la réalité et l’imaginaire
caractéristique des plus grandes œuvres de la littérature
arabe. Ses livres sont traduits en 63 langues, anglais,
allemand et français mais aussi en géorgien, malais,
tchèque, danois, japonais, catalan. Chaque année, Pamuk
donne des cours à l’université Columbia.
En accord avec son roman éponyme, il créé le Musée
de l’Innocence à Istanbul, symbiose parfaite entre la
muséologie, les paysages littéraires et culturels, Prix du
musée européen de l’année 2014 décerné par le Forum
européen du musée. En 2005, il reçoit le Prix de la Paix,
récompense la plus prestigieuse dans le domaine de la
culture en Allemagne ainsi que le Prix Médicis étranger
pour son ouvrage Neige, meilleur roman étranger en
France. En 2006, le Time magazine le désigne comme
une des 100 personnalités les plus influentes au monde.
La même année, il reçoit le Prix Nobel de littérature,
devenant ainsi la deuxième personne la plus jeune à
recevoir cette distinction.
CONFÉRENCIERS
Nkandu Luo, Zambie
Nkandu Luo est actuellement
ministre du genre et du
développement de l’enfance.
Elle a également été ministre de
la santé, ministre des transports
et communications, ministre du
gouvernement local et du logement, ainsi que ministre
des chefferies et des affaires traditionnelles. Professeur
en microbiologie et en immunologie, Nkandu Luo a
dirigé le service de pathologie et microbiologie du Centre
hospitalier universitaire, Lusaka, Zambie.
En parallèle de sa formation en microbiologie et
immunologie, elle a suivi des études en immunopathologie
des maladies infectieuses, en épidémiologie et en
statistique médicale. Nkandu Luo a effectué de nombreuses
recherches sur le VIH/ Sida, la tuberculose, la malaria et
dáutres maladies infectieuses. Elle a également enseigné
à des étudiants de premier, second et troisième cycles ainsi
qu’à des étudiants en médecine et des étudiant infirmiers.
Schnittmarke
Michele De Lucchi, Italie
Architecte italien, Michele De
Lucchi a joué un rôle important
dans les mouvements comme
Cavart, Alchimia et Memphis.
Il a conçu des lampes et des
meubles pour des entreprises
italiennes et européennes les plus connues, comme
Artemide, Olivetti, Alias, Unifor, Hermès et Alessi. Il a
créé les environnements de travail et l’identité visuelle
de la Deutsche Bank, Poste Italiane, Ferrovie dello Stato,
Enel, Piaggio, Olivetti, Telecom Italia, Novartis, Intesa
Sanpaolo ainsi que d’Unicredit. Il a réalisé des projets
architecturaux, bâtiments résidentiels, industriels,
culturels et des entreprises, en Italie et dans le monde
entier, il a également assuré le commissariat d’exposition
pour la Triennale Di Milano, Palazzo delle Esposizioni di
Roma, le Neues Museum Berlin, la Galleria d’Italia à la
Piazza Scala et le Museo Pietà Rondanini à Milan. Plus
récemment, il a réalisé un certain nombre de projets pour
la ville de Milan : les pavillons pour l’Expo 2015 (Padiglione
Zero, Expo Centre, Intesa Sanpaolo) ainsi que le pavillon
UniCredit sur la place Gae Aulenti.
INFORMATION
GÉNÉRALE
5 juillet
6 juillet
David Throsby, Australie
David Throsby est inter-nationalement connu comme étant l’un
des inventeurs de l’économie de
la culture. Professeur émérite
au département d’économie
de l’université Macquarie à
Sydney, il est reconnu dans le monde entier pour ses
travaux et ses publications sur l’économie de l’art et de la
culture. Ses domaines de recherche actuels portent sur
la situation économique des artistes créateurs, les industries culturelles, l’économie du patrimoine culturel, la
culture et le développement durable ainsi que sur les liens
entre la politique économique et culturelle. Il est l’auteur
de nombreuses publications dont The Economics of the
Performing Arts, avec Glen Withers (1979), ‘The Produc-
tion and Consumption of the Arts: A View of Cultural
Economics’ in Journal of Economic Literature (1994),
Economics and Culture (2001), et The Economics of Cultural
Policy (2010). Il a par ailleurs rédigé, en collaboration
avec Victor Ginsburger, deux volumes de l’ouvrage Handbook of the Economics of Art and Culture (2006 et 2014).
49
Content
Where
ICOM From
Une exposition pour célébrer les
70 ans de l’ICOM !
Par François Mairesse
A quoi sert un anniversaire ? A évoquer le temps qui
passe ? A fêter l’expérience acquise au fil des années ?
A rassembler des êtres chers autour d’un événement
heureux ? Il est toujours intéressant de profiter du
moment présent pour faire le point et 70 ans, l’âge d’être
(au moins) grand-père, constitue une étape qui permet
d’évoquer les souvenirs marquants de son histoire à ses
petits-enfants, à travers ses albums de famille… Exposer
l’ICOM pourrait certes apparaître comme un exercice
d’autocongratulation un peu narcissique, sorte de selfie
en trois dimensions, en espérant que tout le monde soit
dans le champ. Mais c’est aussi potentiellement beaucoup
plus que cela.
Schnittmarke
L’histoire de l’ICOM n’a pas toujours ressemblé à un long
fleuve tranquille. Il y a un peu plus de quarante ans, après
un mouvement de contestation généralisé du musée
qui avait notamment transparu lors de sa Conférence
générale à Paris et Grenoble (1971), se développait
la Nouvelle muséologie, réponse à la crise muséale
qui pointait du doigt les manières compassées d’une
institution occidentale et bourgeoise. Quarante ans plus
tard, la crise muséale semble loin et les musées n’ont
jamais été aussi nombreux. A côté de nombre de petites
organisations parfois fort dynamiques mais aussi très
fragiles, quelques grandes machines économiques se
développent autour d’un tourisme mondialisé ; le musée
naguère vilipendé pour son caractère dépassé est revenu
au centre d’enjeux géopolitiques mondiaux.
la diversité du monde. Combien sont ceux qui peuvent
se targuer d’en connaître les contours ? Cette exposition
constitue, en soi, un possible itinéraire permettant
d’évoquer, sinon tous les aspects de l’ICOM (une mission
impossible), du moins certaines de ses dimensions, en
mêlant lieux, événements marquants, personnalités
attachantes, etc. Une histoire incomplète, qui ne constitue
pas la version « officielle » de l’aventure de l’ICOM, mais
plutôt une sélection de témoignages issus de ses archives,
cherchant à montrer quelques-unes des dimensions de
cette organisation.
Un parcours interactif
Sur près de 235m2, l’exposition Where ICOM from
retrace l’évolution de l’ICOM au cours de ses 70 années
d’existence et interroge sur ses orientations futures.
Une scénographie immersive associe des documents
d’archives – incluant photographies, affiches et
vidéos – pour illustrer la riche histoire de l’ICOM. Une
large frise chronologique et une visualisation data
de l’association montrent la croissance du réseau
ICOM et les réussites de l’organisation au fil des
années. Les principales activités de l’organisation et
ses défis à venir sont abordés au travers des récits
et points de vue personnels des membres de l’ICOM.
Des dispositifs interactifs permettent aux visiteurs de
participer à la discussion et de donner leur opinion.
Si l’on compte le nombre de ses employés, l’ICOM est
de taille bien modeste. Le nombre et la diversité de
ses comités nationaux ou internationaux, tous gérés
de manière bénévole, constitue cependant un réseau
considérable et d’une complexité extraordinaire, reflétant
50
© ICOM
Le rôle de l’ICOM a lui aussi évolué. Formée par un petit
groupe de professionnels en 1946, l’organisation fédère
aujourd’hui près de 36 000 membres, issus de milieux
parfois très différents, mais rassemblés autour d’une
problématique commune. L’exposition Where ICOM from
vient rappeler certains des éléments qui constituent la
nature de l’ICOM et du musée, et interroger sur le futur
de cette institution. En 1946, le monde se relevait d’un
conflit mondial et allait s’engager dans une longue guerre
froide. Soixante-ans plus tard, si le monde n’a pas connu
de nouveau conflit mondial, il n’a jamais semblé aussi
proche d’affrontements généralisés. Quel peut être le rôle
du musée et de l’ICOM dans ce contexte ?
Georges Henri Rivière jouant du shamisen, 1960, Tokyo, Japon
Where ICOM
Content
From
Exposition Where ICOM from, 70 ans du
Conseil international des musées, du 4 au
6 juillet 2016
INFORMATION
GÉNÉRALE
Blue Hall 2, aile Nord, niveau +1 (à proximité des
escalators centraux). Vernissage prévu le 4 juillet
2016, à 12h30, sur le site de l’exposition.
Schnittmarke
Un événement organisé par le Fonds de dotation
de l’ICOM, en coopération avec les étudiants de
l’université Paris 1 Panthéon-Sorbonne et avec le
généreux soutien de Panasonic, mécène principal de
l’exposition.
© guerillagraphik
Il est curieux que l’ICOM, se présentant comme le forum
par excellence du champ muséal, n’ait pas plus souvent
tenté de communiquer et de donner matière à réflexion par
le biais de ce médium qui fait sa spécificité – l’exposition
– plutôt que par des livres, des revues, des colloques ou
maintenant un site Internet et les réseaux sociaux. S’il est
bien une singularité du musée, c’est justement ce moyen
de réflexion particulier, collectif, visant à présenter de
manière spatiale des connaissances, par le biais d’objets,
d’images, de son. On sait que la chose n’est pas facile :
pour monter une exposition, il faut de l’espace, du temps
et des moyens. Celle présentée à Milan n’a pas pour
vocation de répondre à toutes les questions posées ici,
mais d’amener chacun des visiteurs à s’interroger, au
moins quelques minutes, sur les facettes de l’organisation
qui nous réunit aussi bien que sur ce lieu tellement
spécifique que constitue le musée.
51
RÉCEPTIONS ET ACTIVITÉS
SOIRÉE DÓUVERTURE – 4 juillet
CÉRÉMONIE ET SOIRÉE DE CLÔTURE –
9 juillet
Castello Sforzesco
Lundi 4 juillet 2016
19:30 – 23:30
Piazza Castello
La station de métro la plus proche : Cairoli, M1, ligne rouge
La soirée dóuverture se déroulera le lundi 4 juillet au
Castello Sforzesco, le célèbre château du XVe siècle situé
au centre de Milan. À cette occasion, les participants auront
lópportunité de visiter tous les musées du Castello, la
nouvelle présentation de Pietà de Michelangelo ainsi que
les fresques nouvellement restaurées de Léonardo dans
la “Sala Delle Asse”. Un cocktail de bienvenue sera offert,
accompagné de musique.
La soirée débutera à 19:30 et prendra fin à 23:30, láccès
sera seulement garanti sur présentation du badge ICOM
Milano 2016.
Samedi 9 juillet 2016
19:30 – minuit
La station de métro la plus proche: Cadorna, M1, ligne rouge
La cérémonie et la soirée de clôture se dérouleront le
samedi 9 juillet à la Triennale Palazzo dellÁrte. À partir
de 19:30, les participants auront la possibilité de visiter le
Musée du Design de la Triennale, son parc et la 21ème Exposition internationale de la Triennale sur lárchitecture, les
arts visuels et décoratifs, le design, la mode et la production audiovisuelle. La cérémonie de clôture sera célébrée
à 20:00, le drapeau de l’ICOM sera officiellement remis par
ICOM Milano 2016 à ICOM Kyoto 2019 qui présentera la 25
Conférence générale de l’ICOM. La soirée de clôture débutera après la cérémonie. © EcilaAlice
© fedewild
Schnittmarke
52
ÉVÉNEMENTS ET ACTIVITÉS – 5 et
6 juillet au soir (et plus !)
INFORMATION
GÉNÉRALE
CONCERT AU DUOMO –
La Veneranda Fabbrica del Duomo
Cathédrale de Milan
Plus de 40 musées à Milan seront exceptionnellement
ouverts le soir et organiseront des événements spécialement pour ICOM Milano 2016 !
La liste complète des événements, ainsi que la carte et tous
les détails concernant les horaires dóuverture et autres
informations utiles sont disponibles sur le site de la conférence (http://network.icom.museum/icom-milan-2016/
social-events/evenements-sociaux/L/2/) et sont mis à
jour régulièrement. Quelques événements sont ouverts à
un nombre limité de participants : accès dans la limite des
places disponibles et sans réservation.
D’autres événements spécifiques sont également
programmés !
Mercredi 6 juillet 2016
20:00 – 21:00
Piazza del Duomo
Le Duomo accueillera un concert spécialement dédié aux
participants dÍCOM Milano 2016.
OPEN NIGHT | Soirée spéciale ICOM Milano 2016
© Museo Nazionale della Scienza e della Tecnologia Leonardo
da Vinci di Milano
Mardi 5 juillet 2016
18:30 – 23:30
Via San Vittore 21
Ouverture spéciale pour le public et les participants dÍCOM
Milano 2016.
Le Musée National des Sciences et des Technologies
Léonard de Vinci, le plus grand musée scientifique et technique en Italie, ouvre ses portes à toute la ville durant la
24e Conférence générale de lÍCOM à Milan. Une OPEN
NIGHT spéciale pour découvrir les collections du musée, les
ateliers expérimentaux et interactifs, et profiter de la soirée
dans le monastère du XVIe siècle. Laissez-vous transporter
dans le sous-marin d’Enrico Toti et expérimentez la vie de
marins à bord. Découvrez les projets et techniques artistiques de Léonard mais aussi les nouveaux régimes alimentaires, lÁDN et les principaux ingrédients de la nourriture.
Détendez-vous au son de la musique classique, jazz et rock
and roll. Le Pavillon du chemin de fer sánimera avec de la
danse contemporaine et des performances de musique live.
Schnittmarke
© Pedro
Musée National des Sciences et des Technologies
Léonard de Vinci, Milan
Programme du concert
Látmosphère dúne cathédrale
“Les grandes orgues du Duomo et la majesté des cuivres”
Un dialogue en musique
(grandes orgues et cuivres)
Procession of the Nobles
And the Glory of the Lord (cuivres)
Canzon Undicesimi Toni (grandes orgues et cuivres)
Marche Militaire n°1 (grandes orgues et cuivres)
Gabriel Fauré (1845-1924) (cuivres)
Pavane
Poème Héröique
(deuxième organiste du Duomo)
Giorgio Tosatti, trompette
Matteo Macchia, trompette
Marco Anastasio, tuba
Tommaso Ruspa, cor
53
UNE SOIRÉE AU PALAIS BRERA
LA CÈNE
Palais Brera
Cenacolo Vinciano
Jeudi 7 juillet 2016
18:30 – 22:15
Via Brera 28, Milan
Plusieurs créneaux horaires proposés durant la semaine
La Cène est située à Milan dans láncien réfectoire près
Schnittmarke
Réservation : [email protected]
54
du Sanctuaire de Santa Maria delle Grazie. Connue dans
le monde entier, elle a été peinte entre 1494 et 1498 par
Léonard de Vinci. La Cène montre une des scènes les plus
importantes et significatives de l’Évangile selon Jean.
Le Palais des Sciences et des Arts, qui date du XVIIe siècle,
ouvre ses portes pour un événement public organisé
spécialement pour ICOM Milano 2016. Après un discours
de bienvenue du directeur de Brera, ses institutions principales – La Pinacothèque, lÁcadémie des beaux-arts, la
Bibliothèque Nationale de Brera, l’Institut Lombard des
Sciences et des Lettres, le Jardin Botanique, l’INAF (Musée
et Observatoire Astronomique) – resteront exceptionnellement ouvertes jusqu´à 22:15 proposant des événements,
des expositions, des installations et des visites guidées.
Les institutions de Brera seront ouvertes au public et un
dîner sera offert exclusivement aux invités dÍCOM Milano
2016 – sur réservation obligatoire.
Grâce aux scientifiques, aux critiques dárt et aux restaurateurs du monde entier, la peinture originale, modifiée
par de nombreuses retouches non conformes aux caractéristiques particulières du travail de Léonard de Vinci, a été
remise en lumière.
Grâce à un accord spécial avec le ministère italien des activités culturelles et du tourisme, les participants dÍCOM
Milano 2016 pourront visiter La Cène, plusieurs créneaux
horaires ont été réservés durant la semaine entière. Tous
les détails concernant les réservations sont disponibles
sur le site de la conférence.
Content
INFORMATION
GÉNÉRALE
LOMBARDIA
Valcamonica
Monza
Bergamo
Torino
Pavia
Brescia
Mantova
Piacenza
Monferrato
PIEMONTE
Vicenza
Lago di Garda
Musei del Cibo
Parma
Modena
Bologna
EMILIA-ROMAGNA
Genova LIGURIA
Lunigiana
Firenze
Schnittmarke
Milan
VENETO
Certaldo /
Castelfiorentino
TOSCANA
Journée d’excursion
La journée déxcursion est une tradition lors de la Conférence générale de l’ICOM : un jour libre pour découvrir la
ville d’accueil ainsi que l’Italie centrale et du Nord !
Cette année, le jour d’excursion aura lieu le vendredi 8
juillet. Pour plus d’informations, consultez le site Internet
de la conférence (http://network.icom.museum/icommilan-2016/excursion-day/journee-dexcursion/L/2/).
Circuits pré- et post-conférence
Le Comité d’organisation a choisi environ 50 excursions,
proposées et organisées par des agences de voyage
expérimentées et des partenaires. Les excursions sont
sur mesure pour les participants d’ICOM MILANO 2016.
Les coûts et les détails sont disponibles sur le site
Web de Conférence (http://network.icom.museum/
icom - mil an -2 016 / voy age s /circuit s- pre - et- p os tconference/L/2/). Toutes les informations concernant les
agences de voyage organisatrices et les partenaires sont
disponibles sur le stand dédié situé au salon professionnel
des musées et Forum d’Expo (espace d’exposition, aile
Nord, niveau +1).
EXCURSIONS POUR LES PERSONNES
ACCOMPAGNANTES
Deux excursions sont proposées gratuitement pour les
personnes accompagnantes inscrites à la conférence, en
partenariat avec Musement.
Nombre de places limité, plus d’information sur le site Internet
(ht tp: //net wor k .icom.museum / icom-mil an-2016/
voyages/visites-pour-les-accompagnants/L/2/) !
55
Information Générale A-Z
Accès Internet
Le Wi-Fi sera disponible gratuitement au MiCo pour les
participants inscrits. Vous devez rechercher le réseau
“ICOM_Milano_2016”, insérer le mot de passe ci-dessous
et accepter les conditions générales.
Mot de passe : icom2016
Le Wi-Fi est généreusement financé par Hubei Provincial
Museum.
Accompagnants
Schnittmarke
Les personnes accompagnantes auront un accès limité à
la conférence. L’accès au salon professionnel des musées
& Expo Forum ainsi qu’aux sessions de la conférence
n’est pas inclus. Les personnes accompagnantes sont
autorisées à participer à toutes réceptions et activités en
dehors du centre de conférence (cérémonie d’ouverture,
nocturnes spéciales, concert au Duomo, excursions,
cérémonie et soirée de clôture, et circuits gratuits).
Alliances régionales
Les Alliances régionales sont des forums ayant vocation à
participer du dialogue et de l’échange d’informations entre
les Comités nationaux, les musées et les professionnels
des musées d’une région donnée.
Les Comités nationaux peuvent être membres d’une Alliance régionale établie dans sa zone géographique. Les
Présidents des 5 Alliances régionales de l’ICOM siègent au
Comité consultatif.
ICOM ARABEAlliance régionale de l’ICOM pour les pays arabes
ICOM ASPACAlliance régionale de l’ICOM pour l’Asie-
Pacifique
ICOM EUROPEAlliance régionale de l’ICOM pour l’Europe
ICOM LACAlliance régionale de l’ICOM pour l’Amérique latine et les Caraïbes
ICOM SEEAlliance régionale de l’ICOM pour l’Europe du sud-est
Application de la Conférence ICOM
Milano 2016
L’application de la Conférence ICOM Milano 2016 a été
conçue pour améliorer l’expérience des participants avant,
pendant et après la conférence en leur offrant les fonctionnalités et informations suivantes :
56

Programme interactif de la Conférence
Conférenciers
Liste des intervenants et des exposants
Cartes et plans d’accès
Réceptions et activités
Réseautage
Réseaux sociaux
Questionnaire d’évaluation de la Conférence
L’application de la Conférence ICOM Milano 2016 est généreusement financée par la société Guardian Glass Europe.
Assurance et responsabilité
Lórganisateur de la conférence, l’ICOM, ICOM Italie
et le MiCo ne pourront être tenus responsables des
blessures personnelles, des pertes ou des dégâts aux
effets personnels des participants à la conférence. Les
participants doivent vérifier la validité de leur propre
assurance.
Badge
Un badge nominatif sera exigé pour accéder à toutes
les sessions officielles de la conférence ainsi qu’aux
événements. Chaque participant est prié de présenter son
badge, celui–ci doit être visible. En cas de perte, des frais
de traitement de 50.00 € seront facturés pour la fabrication
d’un nouveau badge, le badge perdu ne sera plus valide. En
cas d’oubli, une caution de 40.00 € sera exigée en échange
dún badge temporaire, celle-ci sera remboursée le jour
suivant à la restitution du badge temporaire.
Le badge est généreusement financé par Haroutunian
Foundation.
Bornes d’impression des badges
Les participants pourront imprimer leur badge nominatif
en scannant le code barre qui figure sur leur confirmation
d‘inscription sur les bornes d’impression dédiées.
Les bornes d’impression des badges sont généreusement
financées par la société ETT s.p.a.
Bureau de vote
Le bureau de vote est situé dans la salle White 2 dans l’aile
Nord au niveau +2 et sera ouvert aux horaires suivants :
Lundi 4 juillet et mardi 5 juillet
08:00 – 19:00
Le bureau des membres est situé dans la salle White 1
dans l’aile Nord au niveau +2 et sera ouvert aux horaires
suivants :
De dimanche 3 juillet au mercredi 6 juillet
08:30 – 18:00
Bornes de recharge
Des bornes de recharge pour téléphones portables, en
accès gratuit, sont situées dans tout le centre de conférence.
Centre dáffaires
Le centre dáffaires est situé dans la salle Office 5
dans láile Nord au niveau -1. Les participants peuvent
imprimer, faire des photocopies, scanner ou faxer.
INFORMATION
GÉNÉRALE
Bureau des membres
Les participants pourront visiter le Musée de Design de la
Triennale, son parc et la 21e Exposition internationale de la
Triennale sur lárchitecture, les arts visuels et décoratifs,
le design, la mode et la production audiovisuelle.
Certificat de présence
Le certificat officiel de présence à ICOM Milano 2016 sera
disponible après la conférence. Les participants pourront
le télécharger depuis la plate–forme des participants.
Changement de programme
Les organisateurs ne pourront être tenus responsables
dáucun changement de programme survenu en raison de
circonstances externes ou imprévues.
Les changements notifiés après le délai dímpression (le 6
juin) seront actualisés sur le site Internet de la conférence
et disponibles sur lápplication de la conférence.
Horaires d’ouverture :
08:00 – 19:00
08:00 – 19:00
08:00 – 19:00
08:00 – 19:00
08:00 – 18:00
Tarifs :
Photocopie/Impression (recto) :
A4 noir et blanc 0.20 €
A3 noir et blanc 0.30 €
A4 couleur 0.50 €
A3 couleur 0.70 €
Fax sortant :Tarif de base 1.50 €
Italie 0.30 €
Europe 0.60 €
Intercontinental 1.00 €
Fax entrant :
Prix unique 0.20 €
Rame de Papier : 500 feuilles 5.00 €
Cérémonie dóuverture
La cérémonie dóuverture se déroulera dans la salle Silver
Plenary le lundi 4 juillet de 09:30 à 12:30. Tous les participants inscrits sont invités à participer à cet événement.
Cérémonie et soirée de clôture
La cérémonie de clôture (accès dans la limite des places
disponibles et selon l’ordre d’arrivée) se déroulera le
samedi 9 juillet à 19:30 et sera suivie de la soirée de clôture
à partir de 20:00 à la Triennale Palazzo dellÁrte.
Circuits pré- et post-conférence
Schnittmarke
Dimanche 3 juillet
Lundi 4 juillet
Mardi 5 juillet Mercredi 6 juillet
Samedi 9 juillet
Les circuits pré- et post-conférence ne sont pas
organisés par ICOM Milano 2016. Tous les circuits doivent
être réservés en avance selon les délais indiqués sur le
site Internet de la Conférence. Vous pourrez retrouver
toutes les informations concernant les agences de
voyages organisatrices au niveau du stand dédié situé au
salon professionnel des musées & Forum Expo (espace
d’exposition, aile Nord, niveau +1).
Climat
Milan a un climat subtropical humide avec des influences
continentales. Le climat de Milan est semblable aux plaines
intérieures d’une grande partie de l’Italie du Nord, avec
des étés chauds, étouffants et des hivers froids, brumeux.
En été, le niveau d’humidité est haut et les températures
maximales peuvent dépasser les 35°C (95 °F).
Comités internationaux
Les Comités internationaux rassemblent les experts
des spécialités muséales et sont représentés au sein
du Comité consultatif de l’ICOM par leurs Présidents.
Véritables centres de réflexion mondiale sur les questions
muséales et plus largement de patrimoine, les 30 Comités
internationaux de l’ICOM définissent les standards
professionnels des musées, échangent des informations
scientifiques, développent des collaborations avec d’autres
organisations et élaborent des recommandations qu’ils
transmettent aux membres de l’ICOM.
57
Schnittmarke
AVICOM
CAMOC
CECA CIDOC
CIMCIM CIMUSET
CIPEG
COMCOL
COSTUME
DEMHIST
GLASS
ICAMT
ICDAD
ICEE
ICFA
ICLM
ICMAH
ICME
ICMEMO
ICMS
ICOFOM
ICOM-CC
ICOMAM
ICOMON
ICR
ICTOP INTERCOM
MPR
NATHIST
UMAC
58
Comité international pour l’audiovisuel et les nouvelles technologies de l’image et du son
Comité international sur les collections et activités des musées des villes
Comité international pour l’éducation et l’action culturelle
Comité international pour la documentation
Comité international pour les musées et collections d’instruments de musique
Comité international pour les musées et collections des sciences et techniques
Comité international pour l’égyptologie
Comité international pour le développement des collections
Comité international pour les musées et collections du costume
Comité international pour les demeures historiques-musées
Comité international pour les musées et collections du verre
Comité international pour l’architecture et les techniques muséographiques
Comité international pour les musées des arts décoratifs et du design
Comité international pour les échanges d’expositions
Comité international pour les musées et collections des beaux–arts
Comité international pour les musées littéraires
Comité international pour les musées et collections d’archéologie et d’histoire
Comité international pour les musées et collections d’ethnographie
Comité international pour les musées à la mémoire des victimes de crimes publics
Comité international pour la sécurité dans les musées
Comité international pour la muséologie
Comité pour la conservation
Comité international des musées d’armes et d’histoire militaire
Comité international pour les musées ban
caires et monétaires
Comité international pour les musées régionaux
Comité international pour la formation du personnel
Comité international pour la gestion des musées
Comité international pour le marketing et les relations publiques dans les musées
Comité international pour les musées et collections des sciences naturelles
Comité international pour les musées et les collections universitaires
Comités nationaux
Les Comités nationaux constituent les principaux vecteurs
de communication entre le Secrétariat général et les
membres de l’ICOM. Les 119 Comités nationaux de l’ICOM
assurent la gestion des intérêts de l’ICOM dans leur pays
respectifs, représentent leurs membres au sein de l’ICOM
et contribuent à la réalisation des programmes de l’ICOM.
Déjeuner
Des boites-repas seront fournies à tous les participants
inscrits, dans les zones dédiées situées au salon professionnel des musées et Forum Expo dans láile Nord au niveau
+1 du 4 au 6 juillet ainsi que le 3 et le 9 juillet dans le Silver
Foyer dans láile Nord au niveau +2 aux horaires suivants :
Dimanche 3 juillet
12:30 – 13:30 (Silver Foyer)
Lundi 4 juillet
12:30 – 14:00 (Salon professionnel des musées et Forum Expo)
Mardi 5 juillet
13:00 – 14:00 (Salon professionnel des musées et Forum Expo
Mercredi 6 juillet
Samedi 9 juillet
14:00 – 15:00 (Silver Foyer)
Distributeur automatique de billets
Un distributeur automatique de billets est situé dans le
MiCo dans láile Nord au niveau +1, juste après léntrée
du salon professionnel des musées et Forum Expo, en haut
des escaliers roulants, sur votre droite.
Distributeurs déau
Des distributeurs déau, en accès gratuit, sont situés dans
tout le centre de conférence.
Electricité
En Italie, la tension fonctionne à 220V AC. Les prises ont 2
broches, un adaptateur peut être nécessaire.
Enregistrement
Le comptoir dénregistrement est situé dans la zone
dénregistrement dans láile Nord au niveau +1.
Dimanche 3 juillet
Lundi 4 juillet
Mardi 5 juillet
Mercredi 6 juillet Samedi 9 juillet 08:00 – 19:00
08:00 – 18:30
08:00 – 18:30
08:00 – 18:30
08:00 – 17:30
Espace de networking
Léspace de networking est généreusement financé par
Exhibit Design & Consulting, The Hettema Group et THK Co.,
Ltd..
Espace de restauration
Les zones de restauration sont situées dans le salon professionnel des musées et Forum Expo dans láile Nord au niveau
+1. Les boîtes-repas et les pauses café seront proposées,
du 3 au 6 juillet et le 9 juillet, à tous les participants inscrits.
Espace des conférenciers
L’espace des conférenciers est situé dans la Suite 1, aile
Sud, niveau +2.
Dimanche 3 juillet
Lundi 4 juillet
Mardi 5 juillet
08:00 – 18:30
08:00 – 18:30
08:00 – 18:30
08:00 – 17:30
Espace Internet
L’espace Internet est situé au salon professionnel des
musées et Forum Expo dans láile Nord au niveau +1.
Láccès à Internet est gratuit pour tous les participants
inscrits. Une imprimante est également disponible pour
imprimer des documents (cartes d’embarquement…).
Evènements sociaux (5 et 6 juillet)
Plus de 40 musées à Milan seront exceptionnellement
ouverts le soir et organiseront des événements spécialement pour ICOM Milano 2016 ! La liste complète des événements, ainsi que la carte et tous les détails concernant les
horaires dóuverture et autres informations utiles sont
disponibles sur le site de la conférence et sont mis à jour
régulièrement
(http://network.icom.museum/icommilan-2016/social-events/evenements-sociaux/L/2/).
Quelques événements sont ouverts à un nombre limité de
participants : accès dans la limite des places disponibles
et sans réservation. D’autres événements spécifiques sont
également programmés!
Les participants ont lópportunité de visiter une exposition spéciale de photographie organisée par ICOM LAC.
Lieu: Foyer Gold, Aile Sud, niveau +2
Titre: Les paysages culturels de lÁmérique Latine et des
Caraïbes
Film, Photo et enregistrement vidéo
ICOM et K.I.T. Group travaillent ensemble afin de créer un
panorama complet des échanges et des événements de la
conférence destiné à un usage promotionnel de l’organisation. Vous pouvez donc être filmés ou photographiés à
tout moment (dans les salles de réunion, le Forum Expo,
pendant les événements sociaux, etc.) et les interventions
que vous ferez (discours, présentations, etc.) sont susceptibles d’être enregistrées.
Forum Expo
Le Forum Expo est une zone séparée du salon professionnel
des musées où les exposants auront lópportunité de faire
une présentation destinée aux participants. Le programme
est publié dans la partie « Programme » dans cette brochure
ainsi que sur le panneau dans la zone du Forum Expo.
Schnittmarke
Léspace de networking est situé dans le salon professionnel des musées et Forum Expo dans láile Nord au niveau +1.
INFORMATION
GÉNÉRALE
EXPOSITION DE PHOTOGRAPHIE DÌCOM LAC
Hôtel
Si vous devez réserver un hôtel ou si vous avez des questions concernant votre réservation, un point dínformation pour les hôtels est situé au niveau du comptoir
dénregistrement dans láile Nord au niveau +1.
Journée déxcursion
La journée déxcursion est une tradition lors de la Conférence générale de l’ICOM : un jour libre pour découvrir la
ville d’accueil ainsi que l’Italie centrale et du Nord !
Cette année, le jour d’excursion aura lieu le vendredi 8
juillet. Pour plus d’informations, consultez le site Internet
de la conférence (http://network.icom.museum/icommilan-2016/excursion-day/journee-dexcursion/L/2/).
Langues
Les langues de la conférence sont lánglais, le français,
léspagnol et lítalien.
Monnaie
La monnaie italienne est l’euro, qui se compose de billets
de 5, 10, 20, 50, 100, 200 et 500 euros ainsi que de pièces de
monnaie de 1, 2, 5, 10, 20, 50 centimes,1 et 2 euros.
59
Organisations Affiliées d’ICOM
Les Organisations affiliées sont des associations ou des
conseils internationaux qui se consacrent aux musées
et aux professionnels des musées dans une région
donnée. Tout en gardant leur autonomie, ces organisations s’associent aux activités de l’ICOM et contribuent
au rayonnement de l’organisation et de son réseau.
Toute organisation internationale composée d’au
moins deux tiers de musées ou de professionnels de
musées peut devenir une Organisation affiliée de l’ICOM. Les 20 Organisations affiliées de l’ICOM sont représentées
par leur Président au sein du Comité consultatif.
Schnittmarke
AEOMAssociation des musées de plein air européens
AFRICOM Conseil international des musées africains
AIMA
Association internationale des musées d’agriculture
AMOIAssociation des musées de l’océan Indien
CAMAssociation des musées du Commonwealth
CIMAM
Comité international pour les musées et collections d’art moderne
EXARCOrganisation internationale des musées archéologiques de plein-air et d’archéologie expérimentale
FIHRMFédération internationale des musées des droits de l’homme
HO!IHands-On! International
L’association de musées des enfants
IACCCAAssociation internationale des collections d’entreprise d’art contemporain
IACMAssociation internationale des musées des douanes et des taxes
IAMFAAssociation internationale des administrateurs de bâtiments muséaux
IAMHAssociation internationale des musées d’histoire
IATMAssociation internationale des musées de transports et de communication
ICAM
Confédération internationale des musées d’architecture
ICMM
Congrès international des musées maritimes
MACAssociation des musées des Caraïbes
MINOM
Mouvement international pour une nouvelle muséologie
PIMAAssociation des musées des îles du Pacifique
SADCAMMAssociation des musées et des monuments de la communauté pour le développement de l’Afrique australe
SIBMASSociété internationale des bibliothèques et musées des arts du spectacle
60
Pauses café
Le café sera servi à tous les participants inscrits dans
les zones dédiées au salon professionnel des musées et
Forum Expo situé dans láile Nord au niveau +1, du 4 au 6
juillet ainsi que les 3 et 9 juillet dans le Silver Foyer dans
láile Nord au niveau +2 aux horaires suivants :
Dimanche 3 juillet
10:30 – 11:00 et 15:00 - 15:30 (Silver Foyer)
Lundi 4 juillet
Mardi 5 juillet
10:30 – 11:00 et 16:30 – 17:00 (Salon professionnel des musées et Forum Expo)
Mercredi 6 juillet
11:00 – 11:30 et 15:45 – 16:15 (Salon professionnel des musées et Forum Expo)
Samedi 9 juillet
dans la matinée (Silver Foyer)
Personnes à mobilité réduite
Le MiCo est accessible aux personnes à mobilité réduite.
Premiers soins
Tous les agents de sécurité du MiCo sont formés aux
premiers secours. Ils seront votre premier contact. Une
salle consacrée aux premiers secours est située dans
l’aile Nord au niveau 0 (niveau de l’entrée principale). Vous
pouvez également contacter les personnes travaillant à
lénregistrement situé dans láile Nord au niveau +1.
Presse / Médias
Le bureau de presse est situé dans la salle Office 6, aile
Nord au niveau -1et sera ouvert aux horaires suivants :
Dimanche 3 juillet
Lundi 4 juillet
Mardi 5 juillet
08:00 – 18:30
08:00 – 18:30
08:00 – 18:30
08:00 – 17:30
Contact presse :
Mme Maria Gatón Fraile
Responsable du service communication et relations
extérieures
Courriel : [email protected]
Responsable de l’agence de presse italienne
(Studio De Angelis)
Courriel : [email protected]
[email protected]
Un questionnaire d’évaluation destiné à mieux comprendre
les besoins et les souhaits des participants sera disponible
sur lápplication à l’issue de la conférence.
Réunions hors les murs (Off-Site
Meetings)
Le jeudi 7 juillet, les Comités internationaux de lÍCOM
organisent leurs réunions en dehors du centre de conférence. Sauf indication contraire, ces réunions sont réservées aux membres de chaque Comité international. Le
programme est publié dans la partie « Programme » dans
cette brochure.
Sac de la conférence
Les sacs de la conférence seront disponibles au comptoir
dédié situé dans la zone d’enregistrement dans l’aile Nord
au niveau +1. Les exposants recevront un sac par stand
qui leur sera distribué lors du premier jour de conférence.
Línscription comprend l’accès aux transports publics de
Milan, le ticket sera distribué au comptoir d’enregistrement, remise des sacs, au MiCo (aile Nord, niveau +1).
Vestiaire et bagages
Le vestiaire est situé dans la zone d’enregistrement dans
l’aile Nord au niveau +1. Tarifs : 2,50 € par manteau et 3,00
€ par bagage.
Dimanche 3 juillet
Lundi 4 juillet
Samedi 9 juillet
08:00 – 19:00
08:00 – 19:00
08:00 – 19:00
08:00 – 19:00
08:00 – 18:00
VOLONTAIRES
Des volontaires vous aideront pendant toute la Conférence.
Ils portent tous un t-shirt spécifique afin que vous puissiez
facilement les reconnaître.
Schnittmarke
Questionnaire
Transports publics
INFORMATION
GÉNÉRALE
La conférence de presse se déroulera le jeudi 30 juin au
Musée National des Sciences et Technologies Léonard de
Vinci dans la salle Biancamano. Pour plus de renseignements, consultez le site internet de la conférence (http://
net wor k .icom.museum / icom-mil an-2016/media /
presse/L/2/).
Le t-shirt des volontaires est généreusement financé par
la compagnie Arteria.
Les sacs de la conférence sont généreusement financés
par Haroutunian Foundation.
Salon professionnel des musées et
Forum Expo
Les participants à la conférence sont invités à visiter le
salon professionnel des musées et Forum Expo qui sera
ouvert aux horaires suivants :
Lundi 4 juillet Mardi 5 juillet
Mercredi 6 juillet
12:30 – 18:00
09:00 – 18:00
09:00 – 18:00
Soirée dóuverture
La soirée dóuverture se déroulera le lundi 4 juillet dès
19:30 au Castello Sforzesco, le célèbre château du XVe
siècle situé au centre de Milan. A cette occasion, les participants auront lópportunité de visiter tous les musées du
Castello ainsi que la nouvelle présentation de la Pietà de
Michelangelo et les fresques nouvellement restaurées de
Leonardo dans la “Sala Delle Asse”.
61
horaires d’ouverture
Enregistrement
Dimanche 3 juillet
Lundi 4 juillet
Mardi 5 juillet
Mercredi 6 juillet Samedi 9 juillet Bureau de presse
08:00 – 19:00
08:00 – 18:30
08:00 – 18:30
08:00 – 18:30
08:00 – 17:30
Salon professionnel des Musées et Forum Expo
Espace des conférenciers
Lundi 4 juillet Mardi 5 juillet
Mercredi 6 juillet
Dimanche 3 juillet
Lundi 4 juillet
Mardi 5 juillet
09:00 – 18:00
09:00 – 18:00
Vestiaire et bagages
Dimanche 3 juillet
Lundi 4 juillet
Samedi 9 juillet
08:00 – 19:00
08:00 – 19:00
08:00 – 19:00
08:00 – 19:00
08:00 – 18:00
Bureau de vote
Schnittmarke
Lundi 4 juillet
Mardi 5 juillet
08:00 – 19:00
08:00 – 19:00
Bureau des membres
Dimanche 3 juillet
Lundi 4 juillet
Mardi 5 juillet
Mercredi 6 juillet
62
Dimanche 3 juillet
Lundi 4 juillet
Mardi 5 juillet
08:30 – 18:00
08:30 – 18:00
08:30 – 18:00
10:00 – 19:00
08:00 – 18:30
08:00 – 18:30
08:00 – 18:30
08:00 – 17:30
08:00 – 19:00
08:00 – 18:30
08:00 – 18:30
08:00 – 18:30
08:00 – 17:30
Centre dáffaires
Dimanche 3 juillet
Lundi 4 juillet
Samedi 9 juillet
08:00 – 19:00
08:00 – 19:00
08:00 – 19:00
08:00 – 19:00
08:00 – 18:00
© Musée Rodin Paris FR
CELEBRATING 190 YEARS OF CRAFTSMANSHIP IN ENGINEERING DISPLAY SOLUTIONS
This year Meyvaert is celebrating its 190th anniversary. All the more reason to highlight two of our latest achievements.
In November 2015, the prestigious Musée Rodin reopened in Paris and our company was selected to create, deliver and
erect the display cases and museum furniture. Meyvaert’s contribution has enabled the museum to beautifully present
In March 2016, the Grammy Museum Mississippi was inaugurated. Meyvaert produced, transported and installed
numerous custom-made display solutions for this fascinating new museum. The high-quality freestanding cases and
wall recessed showcases are equipped with the latest security mechanisms and conservation systems, enabling the
Grammy Mississippi to offer the public an engaging and unforgettable museum visit.
VISIT US AT OUR BOOTH
N°25 .
WE LOOK FORWARD TO MEE TING YOU.
DOK NOORD 3
9000 GENT BELGIUM
CONTACT FRANK BOOT
T: +32 9225 5427 E: [email protected]
http://www.meyvaertmuseum.be
Schnittmarke
© Grammy Museum Mississippi
more than 600 works of sculpture inside the renovated 18th century Hôtel Biron.
Schnittmarke
Schnittmarke
ESPAÑOL
INFORMACIÓN
GENERAL
INFORMACIÓN GENERAL
ORGANIZADORES
Organizadores de la conferencia
ICOM
ICOM Italia
1 rue Miollis
Francia
Tel: +33 (0) 1 47 34 05 00
Fax: +33 (0) 1 43 06 78 62
via Fabio Filzi, 22
20124 Milano
Italia
Tel/Fax:+39 (0) 2 4695693
Comité Organizador
Schnittmarke
Secretaría de Organización
ICOM MILANO 2016
Via K.I.T. GroupGmbH
Management
Kurfürstendamm 71
10709 Berlín
Alemania
Tel:
+49 (0) 30 24 603 520
Fax:
+49 (0) 30 24 603 200
66
Para cualquier pregunta
relacionada con
Inscripciones y excursiónes:
Alojamiento:
Exposición/Patrocinio:
Icom Italia
INFORMACIÓN
GENERAL
El Comité Nacional Italiano del ICOM es la principal
asociación profesional del sector museístico en
Italia. Este Comité vela por todos los problemas
estrechamente relacionados con el desarrollo y
la defensa de la profesión. ICOM Italia promueve y
coordina las actividades de la Conferencia Permanente
para las Asociaciones de Museos Italianos. ICOM
Italia está presente en el territorio nacional
gracias a los esfuerzos de los Comités Regionales
y la investigación constante por parte de Comités
Temáticos que estudian y regulan la organización de
algunos de los más importantes acontecimientos de
la industria, tales como la Conferencia Nacional de
los Museos de Italia, el Premio al Museo del Año de
ICOM Italia, la Asamblea Nacional del ICOM y el Día
Internacional de los Museos.
Schnittmarke
Durante los 3 últimos años, ICOM Italia ha organizado
numerosos eventos, ha promovido los debates y ha
escogido las mejores prácticas más interesantes de
Italia sobre el Tema de la Conferencia. El resultado
de este trabajo se presentará durante ICOM Milano
2016. Consulte en el programa en línea y en la
aplicación toda la información.
67
CC BY 2.0 John Picken
ICOM
ICOM Y LAS CONFERENCIAS GENERALES
ICOM
El Consejo Internacional de Museos (ICOM), fundado
en 1946, es una organización mundial de los museos y
los profesionales de los museos. El ICOM se dedica a la
promoción y protección del patrimonio natural y cultural,
presente y futuro, material e inmaterial. Con más de 35.000
miembros en casi 140 países la red del ICOM está formada
por profesionales de los museos que abarcan un gran
abanico de disciplinas relacionadas con la museística y el
patrimonio.
Schnittmarke
El ICOM promueve normas de excelencia en el ámbito
museístico, en particular a través del Código de Deontología
del ICOM para los Museos, una herramienta que establece
normas para los museos, que incluye los principios básicos
para la gerencia de museos, la adquisición y disposición
de colecciones y las normas de conducta profesional. Las
otras actividades del ICOM incluyen la lucha contra el tráfico
ilícito de bienes culturales y la promoción de la prevención
y la gestión en situaciones de emergencia para proteger
el patrimonio cultural mundial provocado por desastres
naturales o el ser humano.
La Conferencia General de ICOM reúne cada tres años a la
comunidad museal internacional para debatir acerca de un
tema elegido por los profesionales de los museos.
¿Por qué asistir a la 24 a conferencia general del
ICOM?
Gracias al interesante programa de la Conferencia, que dura
toda una semana y se compone de ponentes destacados,
sesiones organizadas por los Comités internacionales,
visitas y reuniones “off-site” en museos locales, así como
también la gran feria museal, usted podrá:
Reunirse con más de 3.000 participantes de diferentes
ámbitos culturales.
Aprender de la experiencia y el conocimiento de
profesionales de museos del mundo entero.
Mantenerse al día con los problemas mundiales
actuales y las últimas tendencias en su campo.
Descubrir y compartir historias de éxito, prácticas
innovadoras y desafíos.
Establecer nuevos contactos y retomar amistades con
viejos conocidos.
Escuchar a expertos y reflexionar con ellos.
Inspirarse mutuamente y beneficiarse de un ambiente
de aprendizaje mutuo.
68
Descubrir y Redescubrir Qué ofrecen Milán e
Italia:
Milán es la puerta de entrada a Italia. Milán es una ciudad
cosmopolita y creativa. Milán es una ciudad de cultura,
diseño y moda, y está situada en el centro del área con la
mayor concentración de museos de todo el mundo. Al venir
a Milán podrá visitar algunas de las ciudades artísticas más
hermosas del mundo: Turín, Verona, Padua, Venecia, Génova,
Bolonia, Florencia o Roma entre otras, a las que se puede
llegar desde Milán en tres horas como máximo gracias a los
trenes de alta velocidad. Si viene a Milán podrá disfrutar de la
famosa hospitalidad italiana, así como de la comida y el estilo
de vida italiano.
¿Cómo aprovechar al máximo su experiencia
en la Conferencia general del ICOM?
Explora lo que Milán e Italia tienen para ofrecerle
Seleccione un itinerario para el Día de excursión:
museos y otros lugares culturales, recorrido a pie por la
ciudad, etc.
Descubra los muchos eventos sociales que tendrán
lugar las noches de los días 5 y 6 de julio.
Prolongue su estancia en Italia al escoger entre los
tours anteriores o posteriores a la Conferencia
Analice el programa de la conferencia para escoger las
sesiones y eventos que más le interesan:
Escoja entre las reuniones y actividades de los treinta
Comités internacionales del ICOM.
Déjese inspirar por los ponentes destacados de
las sesiones plenarias y aceptar ideas visionarias y
provocadoras, para empezar otro día de la conferencia
lleno de ideas.
“Salte” de una sesión a otra para asistir a aquellas que
le son de interés.
Descubra las sesiones patrocinadas y las presentaciones
en el Expo Forum, el pequeño ágora de la Conferencia,
dentro del área donde se ubica la feria museal y no
se pierda los paneles de discusión y las “Memorial
Lectures” previstas para el martes 5 de julio.
Conozca a tantos profesionales como le sea posible, fuera
de las salas de reuniones
Aproveche los momentos para socializar al asistir a
comidas, recepciones de los Comités nacionales, etc.
Haga nuevos contactos en cualquier lugar, pausas para
café, comidas…
No visite la ciudad solo, hágalo junto a otros
participantes.
TEMA DE LA CONFERENCIA
De igual fama gozan los principales museos italianos,
desde la Galería Uffizi en Florencia hasta la Galería Brera en
Milán; desde la Galería de la Academia en Venecia, el Museo
de Capodimonte en Nápoles y la Galería Saboya en Turín
hasta los Museos Vaticanos en Roma. Sus obras maestras
son una parte esencial del museo imaginario descrito por
André Malraux, junto con muchas otras obras de arte que
se conservan en iglesias, palacios y ciudades y pueblos del
Bel Paese. La mayoría de las obras se exponen en museos
de arte y arqueológicos, pero también en sitios y edificios
históricos que hacen de Italia un gran museo difuso: un
museo extenso, un museo al aire libre.
El panorama museístico italiano es incluso más rico que la
buena imagen que se tiene de él. En primer lugar, existen
excelentes museos nacidos de las colecciones de las
dinastías anteriores a la unificación de los estados (antes
de 1861, Italia se dividía políticamente en varios estados
independientes). En segundo lugar está la red de museos
municipales de las ciudades de gran o mediano tamaño y,
por último, se encuentran los cientos de pequeños museos
locales, la mayoría de ellos creados en las últimas décadas.
En 2011 Italia tenía 4588 museos e instituciones similares:
3847 museos, 240 parques y espacios arqueológicos y 501
monumentos y edificios históricos. Aproximadamente uno
de cada tres municipios alberga por lo menos un museo.
Italia es un país en el que, tal y como André Chastel
escribió, "la colección, el edificio que la alberga y la ciudad
que rodea el edificio están ligados profundamente: estas
tres formas de museos se reflejan las unas en las otras." ¹
1
INFORMACIÓN
GENERAL
¿Quién no conoce la extraordinaria variedad de paisajes
que conforman la península itálica, que se extiende
desde los Alpes hasta el centro del Mediterráneo, con sus
paisajes de interior y de costa? ¿Quién no tiene en mente
al menos uno de los innumerables monumentos que se
pueden encontrar al viajar por Italia, un país que ofrece
un palimpsesto estratificado único de testimonios que
van desde la Antigüedad hasta la Edad Media, desde el
Renacimiento hasta el Barroco y desde el Neoclasicismo
hasta la actualidad?
En su invitación a colegas de todo el mundo para la 24a
Conferencia general del ICOM, que tendrá lugar en Milán
del 3 al 9 de julio de 2016, el Comité nacional italiano
propone un tema apreciado por la museología italiana: la
relación entre los museos y los paisajes culturales.
Se trata de un asunto clave en Italia, pero también de una
perspectiva estratégica para los museos del tercer milenio
de todo el mundo.
El tema supone tanto una oportunidad como un
desafío para los museos a la hora de revivir su
misión de reforzar su papel cultural y social.
Schnittmarke
El paisaje italiano es famoso en el mundo entero y ha sido
descrito y visitado en todas las épocas.
Los paisajes culturales italianos han ido cambiando.
A pesar de la amenaza del desarrollo urbanístico e
industrial, muchos de sus célebres paisajes se han
conservado y, aunque han cambiado, no han perdido su
antiguo encanto. También han surgido nuevos paisajes y
su expresión de modernidad ya ha pasado a formar parte
de la historia, al tiempo que la idea de paisaje ha cambiado
y se ha ampliado hasta comprender nuevos territorios
que atraen tanto a la razón como a los sentidos.
Museos y Paisajes Culturales
A. Chastel, Italia museo dei musei, in I musei, TCI, Milano 1980, p.14.
69
PONENTES
La 24a Conferencia general del ICOM contará con la presencia de cinco ponentes destacados de
renombre mundial, con formación y enfoques diferentes. Un Premio Nobel turco de Literatura, un artista
americano, un arquitecto y diseñador italiano, una líder política y cultural africana y un economista
australiano expondrán sus reflexiones agudas y enriquecedoras sobre cultura, arte, museos y temática
cultural. ¡Venga a Milán y no pierda la oportunidad de escuchar y aprender de las enriquecedoras
experiencias de algunos de los mayores intelectuales del mundo contemporáneo!
4 de julio
Schnittmarke
70
Christo, EE. UU.
Christo nació el 13 de junio de
1935 en Gabrovo, Bulgaria, y
pasó su infancia bajo el régimen
comunista. Estudió arte en Sofía
y Viena. Jeanne-Claude (19352009) también nació el 13 de
junio de 1935, aunque lo hizo en Casablanca, Marruecos.
Su infancia discurrió entre París, Berna (Suiza) y Gabes
(Túnez), antes de que su familia se instalara definitivamente
en París. En 1957, Christo escapa de Europa del Este hacia
el oeste. En aquel entonces, Christo envolvía los objetos
en diferentes materiales, aunque vivía principalmente del
arte del retrato. La pareja se encuentra en 1958 mientras
él pinta el retrato de la madre de Jeanne-Claude.
Orhan Pamuk, Turquía
Novelista turco, Orhan Pamuk
es el primer Premio Nobel de
Literatura de su país. Conocido
por sus epopeyas, historias
multifacéticas en las que el
protagonista se ve atrapado en
dos mundos, Pamuk une en su ficción elementos de la
prosa occidental postmoderna al difuminar los límites
de la realidad y el imaginario característico de las obras
más importantes de la literatura árabe. Sus obras se han
traducido en 63 idiomas, como el inglés, alemán y francés,
aunque también en georgiano, malayo, checo, danés,
japonés o catalán. Cada año, Pamuk imparte clases en la
Universidad de Columbia.
En 1961, los dos artistas dan comienzo a sus colaboraciones
en proyectos monumentales: proyectos en los que el
material principal es el tejido por su carácter efímero y
su fluidez. Mientras Christo y Jeanne-Claude conciben
juntos proyectos a gran escala, Christo también se dedica
a los objetos envueltos, embalajes, modelos y dibujos.
Los artistas no aceptan patrocinadores, los proyectos se
financian únicamente mediante la venta de obras.
Los primeros proyectos de Christo dependían
principalmente de la arquitectura existente, por lo
que no destacaban la identidad y el carácter de sus
ubicaciones. Con el paso del tiempo, el uso que hacen de
los tejidos pasa a ser más libre y abierto. Los proyectos
en los que trabajan son temporales y su carácter efímero
intensifica a la vez su atractivo estético. Entre sus obras
más destacadas podemos nombrar los envoltorios del
Reichstag en Berlín y del Pont-Neuf en París, la obra de
39km de largo, titulada Running Fence, en los condados
californianos de Sonoma y Marin, o The Gates en Central
Park, New York.
De acuerdo con su novela epónima, funda el Museo de
la Inocencia en Estambul: una combinación perfecta de
museología, paisajes literarios y culturales galardonada
con el premio de Museo Europeo del Año 2014 que concede
el Foro Europeo de los Museos. En 2005 recibió el Premio
de la Paz, el distintivo más importante en el ámbito de la
cultura en Alemania, así como también el Premio Médicis
extranjero por su obra Nieve, mejor novela extranjera en
Francia. En 2006, la revista Time le escoge entre las 100
personas más influyentes del mundo. Ese mismo año,
Pamuk recibe el Premio Nobel de Literatura, por lo que
se convierte en la segunda persona más joven en recibir
tal distinción.
PONENTES
5 de julio
Aparte de su formación en microbiología e inmunología,
también ha estudiado la inmunopatología de enfermedades
infecciosas, y la epidemiología y estadísticas médicas. La
Prof.ª Luo ha llevado a cabo numerosas investigaciones
sobre el VIH/SIDA, la tuberculosis, la malaria, y otras
enfermedades infecciosas. También ha desempeñado un
papel activo en la formación de estudiantes de biomedicina
y enfermería, tanto de grado como de posgrado.
Schnittmarke
De Lucchi ha acometido proyectos arquitectónicos en Italia
y en todo el mundo, entre los que se incluyen edificios
residenciales, industriales, corporativos y culturales,
además de organizar exposiciones para la Triennale de
Milán, el Palazzo delle Esposizioni de Roma, el Neues
Museum de Berlín, o la Gallerie d’Italia en la Piazza Scala y
el Museo Piedad Rondanini en Milán. En los últimos años,
De Lucchi ha ejecutado varios proyectos para la ciudad
de Milán: pabellones para la Expo 2015 (Padiglione Zero,
Expo Center, Intesa Sanpaolo) y el pabellón Unicredit en
Piazza Gae Aulenti.
Nkandu Luo, Zambia
Nkandu Luo es la actual
ministra de Género y Desarrollo.
Luo también ha sido ministra de
Transporte y Comunicaciones, de
Administración Local y Vivienda
y ministra de Líderes y Asuntos
Tradicionales. Nkandu Luo destaca en el ámbito académico
por ser catedrática de microbiología e inmunología, y ha
dirigido el Departamento de Patología y Microbiología del
Hospital Universitario de Lusaka, Zambia.
INFORMACIÓN
GENERAL
Michele De Lucchi, Italia
Michele De Lucchi es un
arquitecto italiano que destacó
en movimientos como Cavart,
Alchimia y Memphis. Diseñó
lámparas y mobiliario para las
marcas italianas y europeas
más conocidas, como Artemide, Olivetti, Alias, Unifor,
Hermès o Alessi. También concibió ambientes de trabajo
e identidades corporativas para Deutsche Bank, Poste
Italiane, Ferrovie dello Stato, Enel, Piaggio, Olivetti,
Telecom Italia, Novartis, Intesa Sanpaolo y Unicredit.
6 de julio
David Thorsby es conocido
internacionalmente
como
uno de los “inventores” de la
economía cultural. Catedrático
distinguido del Departamento
de Economía de la Universidad de Macquarie en
Sídney, se le reconoce en el plano internacional por sus
investigaciones y publicaciones sobre la economía del
arte y la cultura. Sus campos de investigación actual
abarcan la situación económica de artistas creativos, las
industrias creativas, la economía del patrimonio cultural,
la cultura y el desarrollo sostenible, y los vínculos entre
políticas económicas y culturales. Thorsby es autor de
numerosas publicaciones, entre las que se incluyen. The
Economics of the Performing Arts, con Glen Withers
(1979), The Production and Consumption of the Arts: A
View of Cultural Economics’ en el Journal of Economic
Literature (1994), Economics and Culture (2001), y The
Economics of Cultural Policy (2010). Thorsby también
ha coeditado conjuntamente con Victor Ginsburgh dos
volúmenes del Handbook of the Economics of Art and
Culture (2006 y 2014).
71
Where icom from
Por François Mairesse
¿Para qué sirve un aniversario? ¿Para rememorar otros
tiempos? ¿Para conmemorar la experiencia adquirida
durante el transcurso de los años? ¿Para reunir a seres
queridos en un evento agradable? Siempre resulta
interesante aprovechar el momento actual para hacer una
recapitulación y, 70 años, la edad de ser (al menos) abuelo,
supone un buen momento para evocar los recuerdos que
han marcado su historia y contarlos a sus nietos, a través
de los álbumes de familia… Hacer una exposición sobre el
ICOM podría parecer un ejercicio de autocongratulación
algo narcisista, como un “selfie” en tres dimensiones en
el que todos queremos aparecer.
Schnittmarke
En realidad, se trata de un desafío mucho más ambicioso.
La historia del ICOM no ha sido siempre la de un río largo
y tranquilo. Hace algo más de cuarenta años, después de
un movimiento contestatario generalizado en los museos,
que se pudo observar durante la Conferencia General de
París y Grenoble (1971), se desarrolló la Nueva Museología,
como respuesta a la crisis de los museos que señalaba las
formas sobrias de una institución occidental y burguesa.
Cuarenta años más tarde, la crisis de los museos parece
lejana y nunca han existido tantos museos como ahora.
Junto a las numerosas organizaciones a veces pequeñas y
frágiles, aunque también fuertes y dinámicas en algunos
casos, se han desarrollado grandes máquinas económicas
en torno a un turismo mundializado. Los museos, antaño
atacados por su carácter desfasado, se encuentran hoy en
el centro de desafíos geopolíticos mundiales.
El papel del ICOM también ha evolucionado. Formada
por un pequeño grupo de profesionales en 1946, la
organización integra hoy a casi 36.000 miembros,
procedentes de ambientes en ocasiones muy diferentes,
pero unidos alrededor de una problemática común. La
exposición “Where ICOM from” nos recuerda algunos
de los elementos que conforman la naturaleza del ICOM
y de los museos, y nos pregunta sobre el futuro de esta
institución. En 1946, el mundo se recuperaba de un
conflicto mundial, al que le seguiría una larga guerra fría.
Sesenta años más tarde, a pesar de que el mundo no ha
vivido otro conflicto bélico mundial, en ningún momento
ha estado tan cerca de enfrentamientos generalizados.
¿Cuál puede ser el papel de los museos y del ICOM en este
contexto? Si nos fijamos en el número de empleados, el
ICOM es más bien una organización de tamaño modesto.
No obstante, el número y la diversidad de sus comités,
todos ellos gestionados de forma voluntaria, conforman
una red considerable.
72
¿Cuántos de estos pueden jactarse de conocer los límites?
Esta exposición constituye, en sí misma, un itinerario
posible que permite evocar, si no todos los aspectos
(una misión imposible), algunas de las dimensiones del
ICOM, puesto que mezcla lugares, eventos importantes,
personalidades entrañables, etc. Una historia incompleta,
que no constituye una versión “oficial” de la aventura del
ICOM, pero sí es una selección de testimonios procedentes
de sus archivos que pretenden mostrar algunas de las
dimensiones de esta organización.
Un recorrido interactivo
La exposición Where ICOM from rastrea, en casi
235m2, la evolución del ICOM durante sus 70 años
de existencia y hace preguntas sobre su futura
orientación. Una escenografía inmersiva que asocia
documentos de archivo – entre los que se incluyen
fotografías, paneles y videos – para ilustrar la rica
historia del ICOM. Un gran friso cronológico y una
muestra de fechas importantes que muestran el
crecimiento de la red del ICOM y los éxitos de la
organización a lo largo de los años. Las actividades
principales de la organización y los desafíos por venir
se tratan en relatos y puntos de vista personales de
los miembros del ICOM. Los dispositivos interactivos
permitirán a los visitantes participar en el debate y
dar su opinión.
© ICOM
¡Una exposición para celebrar los
70 años del ICOM!
Georges Henri Rivière tocando el shamisen, 1960, Tokio, Japón
Where ICOM From
Exposición Where ICOM from, 70 años del
Consejo Internacional de Museos, del 4 al
6 de julio de 2016
Blue Hall 2, Ala Norte, nivel +1 (cerca de las escaleras
mecánicas centrales). Inauguración prevista el 4 de
julio de 2016 a las 12:30 en el lugar de la exposición.
INFORMACIÓN
GENERAL
Schnittmarke
Evento organizado por el Fondo de Dotación del
ICOM, en colaboración con los estudiantes de la
Universidad París 1 Panteón-Sorbona y con el apoyo
generoso de Panasonic, patrocinador principal de la
exposición.
© guerillagraphik
Resulta curioso que, el ICOM, que se presenta como el foro
por excelencia de los museos, no haya intentado comunicar
y aportar a la reflexión, con más frecuencia, a través de
la particularidad que lo hace diferente – la exposición –,
mientras que si lo ha hecho, a través de libros, revistas,
coloquios o, en la actualidad, páginas web o redes sociales.
Si hay una singularidad de los museos, es que constituyen
justamente un medio de reflexión particular, colectivo, que
pretende divulgar de forma espacial conocimientos por
medio de objetos, imágenes o sonidos. Es evidente que no
es una cuestión fácil: para montar una exposición, hacen
falta espacio, tiempo y medios. Esta que se presenta en
Milán no pretende dar respuesta a todas las preguntas que
se hacen aquí, pero sí llevar a cada uno de sus visitantes
a preguntarse, por lo menos durante unos minutos, acerca
de las facetas de la organización que nos agrupa, así como
también acerca de este lugar tan específico que constituyen
los museos.
73
PROGRAMA SOCIAL
FIESTA DE APERTURA – 4 de julio
CEREMONIA DE CLAUSURA Y FIESTA –
9 de julio
Castello Sforzesco
La Triennala di Milano
Lunes, 4 de julio, 2016
19:30 – 23:30
Piazza Castello
Estaciones de metro: Cairoli, M1, línea roja
Sábado, 9 de julio, 2016
19:30 – 24:00
Estación de metro: Cadorna, M1, línea roja
La Fiesta de Apertura tendrá lugar el lunes 4 de julio en
el Castillo Sforzesco, el famoso castillo del siglo xv en el
centro de Milán. Para tal occasion, los participantes tendrán
la oportunidad de visitar todos los museos del Castillo, en
especial la nueva exposición de la Piedad Rondanini de
Miguel Ángel y los frescos recientemente restaurados de
Leonardo en la “Sala delle Asse”. Se ofrecerá un cóctel de
bienvenida, y habrá música en directo.
La fiesta dará comienzo a las 19:30 y concluirá a las 23:30.
Solo se podrá acceder mostrando el distintivo con nombre
de ICOM Milano 2016.
La Ceremonia de Clausura y Fiesta tendrá lugar el sábado
9 de julio en el Palazzo dell’Arte de la Triennale. Los participantes, a partir de las 19:30, podrán visitar el Museo del
Diseño, el parque y las exposiciones de la xxi Exposición
Internacional de la Triennale sobre arquitectura, artes
visuales y decorativas, diseño, moda y producciones audiovisuales. La Ceremonia de Clausura se celebrará a las
20:00. Durante la ceremonia, la bandera del ICOM pasará
oficialmente de ICOM Milano 2016 a ICOM Kyoto 2019 y se
presentará la xxv Conferencia General del ICOM. La Fiesta
de Clausura comenzará al término de la Ceremonia.
© EcilaAlice
© fedewild
Schnittmarke
74
programa social
EVENTOS SOCIALES – Noches del 5 y 6
de julio (¡y más!)
Catedral de Milán
Miércoles, 6 de julio, 2016
20:00 – 21:00
Piazza del Duomo
INFORMACIÓN
GENERAL
¡Más de 40 museos en Milán abrirán de forma extraordinaria
por las noches y oganizarán eventos especiales para ICOM
Milano 2016!
La lista completa de eventos sociales, con mapa y todos los
detalles sobre horarios e información están disponibles en
la página web de la conferencia (http://network.icom.
museum/icom-milan-2016/social-events/eventossociales/L/1/), y se actualizan constantemente. Algunos
eventos tienen aforo reducido: no es necesario reservar y
los participantes accederán según la disponibilidad.
¡Hay previstos algunos eventos muy especiales!
GRAN CONCIERTO EN EL DUOMO –
La Veneranda Fabbrica del Duomo
El Duomo acogerá un concierto especial dedicado a los
participantes en ICOM Milano 2016.
OPEN NIGHT | Especial para ICOM Milano
2016
Museo Nacional de Ciencias y Tecnología
Leonardo da Vinci, Milán
Una aperture especial para el público en general y los paricipantes en ICOM Milano 2016. El Museo Nacional de Ciencias y Tecnología Leonardo da Vinci, el museo científicotécnico más grande de Italia, abre sus puertas para toda
la ciudad durante la xxiv Conferencia General del ICOM en
Milán. Una OPEN NIGHT especial para descubrir las colecciones del museo, los experimentos, los talleres interactivos y disfrutar la noche en los claustros del monasterio
del siglo xvi.
Sumérjase en el mundo del submarino Enrico Toti y conozca
la vida de sus marineros a bordo. Descubra las destrezas
artísticas de Leonardo y sorpréndase con nuevas dietas,
el AND y los ingredientes principales de nuestra comida.
Relájese con música clásica, jazz y rock and roll en directo.
El Pabellón Ferroviario cobra vida con la danza contemporánea y actuaciones musicales en directo.and live music
performances.
Schnittmarke
© Museo Nazionale della Scienza e della Tecnologia Leonardo
da Vinci di Milano
© Pedro
Martes, 5 de julio, 2016
18:30 – 23:30
Via San Vittore 21
Programa del concierto
Atmósferas de una cathedral
“El gran órgano de tubo del Duomo y la majestuosidad de
los instrumentos de viento-metal”
Diálogo musical
(órgano de tubo e instrumentos de viento-metal)
Procesión de Nobles
Georg Friedrich Händel (1685-1759)
Y La Gloria de Dios (instrumentos de viento-metal)
Giovanni Gabrieli (1557-1612) Canzon Undicesimi Toni
Marcha Militar n.º 1 (órgano de tubo e instrumentos de
viento-metal)
Gabriel Fauré (1845-1924)
(instrumentos de viento-metal) Pavane
Poème Héröique
(segundo organista del Duomo)
Quinteto Doctor Brass
Giorgio Tosatti, trompeta
Matteo Macchia, trompeta
Jaime Carrasco, trombón
Marco Anastasio, tuba
Tommaso Ruspa, trompa
75
PROGRAMA SOCIAL
NOCHE EN EL PALACIO BRERA PARA ICOM
MILANO 2016
LA ÚLTIMA CENA
Palazzo di Brera
Varias franjas temporales durante toda la semana.
Cenacolo Vinciano
El Palacio de las Ciencias y de las Artes de siglo xvii abre
sus puertas con un evento especial para ICOM Milan 2016.
Tras una bienvenida por los directores del Brera, sus
instituciones principales – la Pinacoteca, la Academia de
Bellas Artes, la Biblioteca Nacional Braidense, el Istituto
Lombardo – Academia de las Ciencias y las Letras, el
Jardín Botánico, el INAF (Museo y Observatorio Astronómico) – permanecerán abiertos de forma excepcional hasta
las 22:15 con eventos, exposiciones, instalaciones y visitas
guiadas. Las instituciones del Brera estarán abiertas al
público y se servirá una cena ligera exclusiva para los
invitados de ICOM 2016 en función de la disponibilidad –
las reservas son obligatorias.
La Última Cena se encuentra en Milán, en el antiguo refectorio
cerca del Santuario de Santa Maria delle Grazie. Leonardo da
Vinci la pinto entre 1494 y 1498 y es conocida en todo el mundo.
La Última Cena refleja una de las escenas más significativas
del Evangelio de San Juan.
Jueves, 7 de julio, 2016
18:30 – 22:15
Schnittmarke
Reservas: [email protected]
Gracias a científicos, críticos de arte y restauradores de
todo el mundo, la pintura original, alterada por muchos
retoques que no se ajustaban a las particularidades de la
obra de Leonardo da Vinci, volvió a salir a la luz.
76
Un acuerdo especial con el Ministerio de Bienes y
Actividades Culturales y Turismo de Italia permitirá a los
participantes en ICOM Milano 2016 visitar la Última Cena,
gracias a la reserva de varias franjas temporales durante
toda la semana. Todos los detalles sobre las reservas se
encuentran disponibles en la página web de la conferencia.
programa social
LOMBARDIA
Valcamonica
Monza
Bergamo
Pavia
Monferrato
PIEMONTE
Mantova
Piacenza
Musei del Cibo
Parma
Modena
Bologna
EMILIA-ROMAGNA
Genova LIGURIA
Lunigiana
Firenze
Schnittmarke
Torino
Vicenza
Lago di Garda
Brescia
INFORMACIÓN
GENERAL
Milan
VENETO
Certaldo /
Castelfiorentino
TOSCANA
Día de excursión
El Día de Excursión es una tradición de la Conferencia
General del ICOM: un día para descubrir la ciudad sede,
así como también el norte y centro de Italia. Este año,
el Día de Excursión tendrá lugar el viernes 8 de julio.
Para más información, consulte la página web de la conferencia (http://network.icom.museum/icom-milan-2016/
excursion-day/dia-de-excursion/L/1/) o visite el
mostrador de Programas Sociales en el área de registro.
Tour pre y post conferencia
El Comité Organizador ha escogido alrededor de 50 tours,
propuestos y organizados por agencias de viajes y socios
con experiencia. Los tours están diseñados a medida para
los participantes de ICOM Milano 2016. Los detalles y los
precios están disponibles en la página web de la Conferencia
(http://network.icom.museum/icom-milan-2016/tours/
tour-pre-y-post-conferencia/L/1/). Toda la información
sobre las agencias de viajes y socios organizadores estará a
su disposición en el mostrador de Tours, situado en la Feria
Museal y Foro de la Exposición (Zona de Exposición, Ala
Norte, nivel +1).
TOURS PARA ACOMPAÑANTES
En asociación especial con Musement, se han organizado
dos tours diferentes para acompañantes. Los tours no
tienen coste alguno para los acompañantes debidamente
inscritos. La disponibilidad de plazas es limitada.
¡Descubra más en la página web (http://network.icom.
museum/icom-milan-2016/tours/visitas-para-losacompanantes/L/1/)!
77
Información General A-z
Abono del Transporte Público
El transporte público se incluye en la tarifa de inscripción. El abono del transporte público se entregará en el
mostrador de bolsas de la conferencia en MiCo (Ala Norte,
nivel +1).
Acceso a Internet
Habrá wifi disponible para todos los delegados inscritos
sin coste adicional en MiCo. Busque la red “ICOM_
Milano_2016”, introduzca la contraseña que aparece a
continuación y acepte las condiciones generales.
Contraseña: icom2016
Aplicación de la Conferencia ICOM
Milano 2016
La aplicación de la Conferencia ICOM Milano 2016 está
diseñada para mejorar la experiencia de los participantes
antes, durante y después de la conferencia, al presentar
las características y la información que se detalla en sus
pestañas:
Programa Interactivo de la Conferencia
Ponentes Destacados
Lista de Ponentes y Expositores
Planos y Mapas
Programa Social
Redes de Trabajo
Redes Sociales
Encuesta de la Conferencia
El wifi está patrocinado por Hubei Provincial Museum.
Acompañantes
Schnittmarke
El acceso de los acompañantes tendrán acceso restringido a la conferencia. La entrada a Feria Museal y Foro
de la Exposición no está incluida. No obstante, los acompañantes sí podrán asistir a los eventos sociales que se
celebren fuera del centro de conferencias (Ceremonia y
Fiesta de Apertura, Noche Especial de Puertas Abiertas,
Concierto del Duomo, Excursiones, Ceremonia y Fiesta de
Clausura, y tours sin coste adicional).
Alianzas Regionales
Las Alianzas Regionales suponen foros concebidos para
promover el diálogo y la difusión de información entre
los Comités Nacionales, museos y profesionales de los
museos de una región en concreto. Los Comités Nacionales pueden ser miembros de una Alianza Regional de
su área geográfica. Los Presidentes de las cinco Alianzas
Regionales del ICOM forman parte del Comité Consultivo.
A continuación, encontrará una lista de las alianzas regionales del ICOM:
ICOM ARABAlianza para los Países Árabes
ICOM ASPACAlianza para Asia-Pacífico
ICOM EUROPEAlianza para Europa
ICOM LACAlianza para América Latina y el Caribe
ICOM SEEAlianza para el Sureste de Europa
Alojamiento
En caso de que necesite reservar hotel o tenga preguntas
sobre su reserve, visite el mostrador de información sobre
alojamiento en la zona de inscripción del Ala Norte, en el
nivel +1.
78
La aplicación de la Conferencia ICOM Milano 2016 está
patrocinada por la empresa Guardian Glass Europe.
Bolsa de la Conferencia
La bolsa de la conferencia estará disponible en el mostrador
de bolsas de la conferencia de la zona de inscripción en el
nivel +1 del Ala Norte. Los expositores recibirán una bolsa
de conferencia por cada stand, que se les repartirá durante
el primer día de la conferencia.
La bolsa de la conferencia está patrocinada por Haroutunian
Foundation.
Cambios en el Programa / Fecha de
Impresión
Los organizadores no se responsabilizarán de ningún
cambio en el programa por razones externas o improvistas. Los cambios notificados tras la fecha de impresión
(6 de junio) se mostrarán en línea en la página web de la
conferencia y disponibles a través de la aplicación de la
conferencia.
Cajero Automático
Hay un cajero automático en MiCo, en el nivel +1 del Ala
Norte, junto a la entrada de la Feria Museal y Foro de la
Exposición. Si sube por las escaleras mecánicas, lo encontrará a su derecha.
Centro de Negocios
El Centro de Negocios se ubica en la Oficina Cinco del Ala
Norte, en el nivel -1. Los participantes tienen la posibilidad de imprimir materiales, hacer fotocopias, escanear o
enviar un fax durante el horario de apertura:
08:00 – 19:00
08:00 – 19:00
08:00 – 19:00
08:00 – 19:00
08:00 – 18:00
Copia / Impresión (una cara):
Tamaño A4 € 0.20
Tamaño A3 € 0.30
Tamaño A4 color € 0.50
Tamaño A3 color€ 0.70
Envío de faxes:Envío básico € 1.50
Italia € 0.30
Europa € 0.60
Intercontinental € 1.00
Recepción de faxes: Precio único € 0.20
Paquete de folios:
500 folios € 5.00
Ceremonia de Apertura
La Ceremonia de Apertura tendrá lugar en el Plenario
Plata el lunes 4 de julio, de 09:30 a 12:30. Todos los delegados inscritos están invitados a asistir a este evento.
Ceremonia de Clausura y Fiesta
La Ceremonia de Clausura (sala con aforo limitado que se
completará por orden de llegada) tendrá lugar el sábado 9
de julio a las 19:30, seguida de la Fiesta de Clausura a las
20:00 en el Palazzo dell’Arte de la Triennale. Los participantes podrán visitar el Museo del Diseño de la Triennale,
su parque y la xxi Exposición Internacional de la Triennale
sobre arquitectura, artes visuales y decorativas, diseño,
moda y producciones audiovisuales.
Certificado de Asistencia
El Certificado oficial de Asistencia a ICOM Milano 2016
estará disponible tras la conferencia. Los participantes
podrán descargarlo desde la Plataforma del Participante.
Clima
Milán tiene un clima subtropical húmedo con influencias
continentales. El clima de Milán se asemeja al del interior del norte de Italia, con veranos calurosos y sofocantes,
e inviernos fríos y nebulosos. En verano, los índices de
humedad son altos y las temperaturas máximas pueden
llegar a superar los 35 °C (95 °F).
Las bolsas de comida se entregarán a todos los participantes inscritos en las zonas dedicadas de la Feria Museal
y Foro de la Exposición, en el nivel +1 del Ala Norte del
4 al 6 de julio, así como también el 3 y el 9 de julio en el
Vestíbulo Plata, en el nivel +2 del Ala Norte como se indica
a continuación:
INFORMACIÓN
GENERAL
Se aplicarán las siguientes tarifas:
Comida
Domingo, 3 de julio
12:30 – 13:30 (Vestíbulo Plata)
Lunes, 4 de julio
12:30 – 14:00
(Feria Museal y Foro de la Exposición)
Martes, 5 de julio
13:00 – 14:00
Miércoles, 6 de julio 13:00 – 14:00
Sábado, 9 de julio
14:00 – 15:00 (Vestíbulo Plata)
Comités Internacionales de ICOM
Los Comités Internacionales reúnen a expertos de las
especialidades museales. Los Presidentes representan
a cada comité en el Comité Consultivo del ICOM. Los 30
Comités Internacionales constituyen gabinetes estratégicos
globales sobre museos, y por lo general, sobre asuntos de
patrimonio. Definen las normas de los profesionales de
los museos, comparten información científica, establecen
asociaciones con otras organizaciones y desarrollan recomendaciones para los miembros del ICOM. A continuación,
encontrará la lista de Comités Internacionales del ICOM:
Schnittmarke
Domingo, 3 de julio
Lunes, 4 de julio
Martes, 5 de julio
Miércoles, 6 de julio
Sábado, 9 de julio
AVICOMAudiovisual y Nuevas Tecnologías de Imagen y Sonido
CAMOC
Colecciones y Actividades de Museos de Ciudades
CECAEducación y Acción Cultural
CIDOCDocumentación
CIMCIM
Museos y Colecciones de Instrumentos Musicales
CIMUSET
Museos y Colecciones de Ciencia y Tecnología
CIPEGEgiptología
COMCOLColeccionismo
COSTUME
Museos y Colecciones de Vestidos
DEMHIST
Museos de Casas Históricas
GLASS
Museos y Colecciones de Vidrio
ICAMTArquitectura y Técnicas Museográficas
ICDAD
Museos y Colecciones de Artes Decorativas y Diseño
ICEEExposiciones e Intercambio
ICFA
Museos y Colecciones de Bellas Artes
ICLM
Museos Literarios
ICMAH
Museos y Colecciones de Arqueología e Historia
79
ICME
Museos y Colecciones de Etnografía
ICMEMO
Museos Conmemorativos en Recuerdo de Víctimas de Crímenes Públicos
ICMSSeguridad de los Museos
ICOFOMMuseología
ICOM-CCConservación
ICOMAM
Museos de Armas e Historia Militar
ICOMON
Museos del Dinero y la Banca
ICR
Museos Regionales
ICTOPFormación del Personal
INTERCOMGestión de Museos
MPR
Mercadotecnia y Relaciones Públicas
NATHIST
Museos y Colecciones de Historia Natural
UMAC
Museos de Universidad y Colecciones
Comités Nacionales
Schnittmarke
Los Comités Nacionales son las herramientas principales de comunicación entre la Secretaría General y los
miembros del ICOM. Los 119 Comités Nacionales garantizan que los intereses de la organización se gestionan
en dichos países. Los Comités Nacionales representan a
sus miembros en el ICOM y contribuyen a implementar los
programas de la organización.
Día de Excursión
El Día de Excursión es una tradición de la Conferencia
General del ICOM: un día para descubrir la ciudad sede,
así como también el norte y centro de Italia. Este año, el
Día de Excursión tendrá lugar el viernes 8 de julio. Para
más información, consulte la página web de la conferencia (http://network.icom.museum/icom-milan-2016/
excursion-day/dia-de-excursion/L/1/).
Distintivo con nombre
Se requerirá un distintivo con nombre para entrar a todos
los eventos y sesiones oficiales de la conferencia. Cada
delegado deberá presentar su distintivo para acceder a la
conferencia. El distintivo deberá mostrarse de forma clara.
Si un asistente pierde u olvida su distintivo con nombre,
se le cobrará una tasa de 50.00€ para obtener un nuevo
distintivo, mientras que el distintivo anterior quedará
anulado. En el supuesto de que alguien afirme que su
distintivo se encuentra en el hotel y lo traerá al día siguiente, se le cobrarán 40.00€ y se le entregará un recibo. Si
el distintivo (el segundo) se devuelve al día siguiente, se
reembolsarán estos 40.00€.
El distintivo está patrocinado por la empresa Haroutunian
Foundation.
80
Electricidad
El voltaje en Italia es de 220v a/c. Los enchufes son de 2
clavijas, por lo que un adaptador sería necesario.
Encuesta
Una encuesta sobre la conferencia estará disponible en
la aplicación de la conferencia tras la finalización de la
misma. Esta encuesta nos servirá para entender mejor las
necesidades y los deseos de los participantes.
EVENTOS SOCIALES – Noches del 5 y 6
de julio (¡y más!)
¡Más de 40 museos en Milán abrirán de forma extraordinaria
por las noches y oganizarán eventos especiales para ICOM
Milano 2016!
La lista completa de eventos sociales, con mapa y todos los
detalles sobre horarios e información están disponibles en
la página web de la conferencia (http://network.icom.
museum/icom-milan-2016/social-events/eventossociales/L/1/), y se actualizan constantemente. Algunos
eventos tienen aforo reducido: no es necesario reservar y
los participantes accederán según la disponibilidad.
¡Hay previstos algunos eventos muy especiales!
Feria Museal y Foro de la Exposición
Los delegados de la conferencia podrán visitar la Feria
Museal y Foro de la Exposición, que se encontrará abierto
en el siguiente horario:
Lunes, 4 de julio
Martes, 5 de julio
12:30 – 18:00
09:00 – 18:00
09:00 – 18:00
Fiesta de Apertura
La Fiesta de Apertura se celebrará el lunes 4 de julio desde
las 19:30 en el Castillo Sforzesco, el famoso castillo del siglo
xv en el centro de Milán. Para tal ocasión, los participantes
tendrán la oportunidad de visitar la nueva exposición de la
Pietà Rondandini de Miguel Ángel y los frescos recientemente restaurados de Leonardo en la Sala delle Asse.
Foro de la Exposición
El Foro de la Exposición es una parte separada de la zona
Feria Museal y Foro de la Exposición (Ala Norte, nivel +1),
en la que los expositores/patrocinadores pueden organizar
presentaciones ante los participantes.
Fuentes de Agua
El guardarropa estará situado en la zona de inscripción,
en el nivel +1 del Ala Norte. Se aplicarán las siguientes
tarifas: 2.50€ por abrigo y 3.00€ por maleta. El guardarropa estará abierto durante los siguientes horarios:
08:00 – 19:00
08:00 – 19:00
08:00 – 19:00
08:00 – 19:00
08:00 – 18:00
ICOM LAC EXPOSICIÒN FOTOGRÁFICA
Los participantes tienen la oportunidad de visitar una
exposición fotográfica especial organizada por ICOM LAC.
Lugar: Foyer Gold, Ala Sur, nivel +2
Título: Paisajes Culturales de América Latina y del Caribe
Idioma
Los idiomas oficiales de la conferencia son el inglés, el
francés, el español y el italiano.
Inscripción
El mostrador de inscripción se encuentra en la zona de
inscripción del Ala Norte, en el nivel +1, y estará abierta
durante el siguiente horario:
08:00 – 19:00
08:00 – 18:30
08:00 – 18:30
08:00 – 18:30
08:00 – 17:30
Moneda
La moneda italiana es el euro, que se reparte en billetes de
5, 10, 20, 50, 100, 200 y 500, así como también en monedas
de 1, 2, 5, 10, 20, 50 céntimos, y de 1 y 2 euros.
08:30 – 18:00
INFORMACIÓN
GENERAL
Guardarropa y Equipaje
Domingo, 3 de julio
Lunes, 4 de julio
Martes, 5 de julio
Miércoles, 6 de julio Sábado, 9 de julio
La Oficina de Miembros estará ubicada en el Recibidor
White Hall 1 del nivel +2 del Ala Norte, y estará abierta en
el siguiente horario:
Del domingo 3 al miércoles 6 de julio Habrá fuentes de agua repartidas por toda la sede de la
conferencia, sin coste adicional.
Domingo, 3 de julio
Lunes, 4 de julio
Martes, 5 de julio
Sábado, 9 de julio
Oficina de Miembros
Organizaciones Afiliadas del ICOM
Las Organizaciones Afiliadas constituyen asociaciones o
consejos internacionales dedicadas a los museos, o bien
profesionales de los museos en una región concreta.
Estas organizaciones participan en las actividades del
ICOM y contribuyen a la influencia de la organización y su
red, a la vez que mantienen su autonomía.
Toda organización que se componga de, al menos, dos
tercios de museos o de profesionales de los museos
pueden convertirse en Organización Afiliada del ICOM.
Las 21 Organizaciones Afiliadas están representadas
por sus presidentes en el Comité Consultivo del ICOM. A
continuación, encontrará un listado con las Organizaciones
Afiliadas del ICOM:
Schnittmarke
El horario se publicará en la parte de programación de
este folleto, así como también en un cartel concreto de la
zona de Foro de la Exposición.
AEOMAsociación de Museos al Aire Libre Europeos
AFRICOM
Consejo Internacional de Museos Africanos
AIMAAsociación Internacional de Museos de Agricultura
AMOIAsociación de Museos del Océano Índico
CAMAsociación de los Museos de la Mancomunidad
CIMAM
Comité Internacional para Museos y Colecciones de Arte Moderno
EXARCOrganización Internacional de Museos de Arqueología al Aire Libre y de Arqueología Experimental
FIHRMFederación Internacional de Museos de Derechos Humanos
HO!IHands On! Asociación Internacional sobre los Niños en los Museos
IACCCAsociación Internacional de Colecciones Corporativas de Arte Contemporáneo
IACMAsociación Internacional de Museos Aduaneros
IAMFAAsociación Internacional de Administradores de Instalaciones Museales
IAMHAsociación Internacional de Museos de Historia
81
IATMAsociación Internacional de Museos de Transporte y Comunicaciones
ICAM
Confederación Internacional de Museos de Arquitectura
ICMM
Congreso Internacional de Museos Marítimos
MACAsociación de Museos del Caribe
MINOM
Movimiento Internacional para una Nueva Museología
PIMAAsociación de Museos de las Islas del Pacífico
SADCAMAsociación Comunitaria para el Desarrollo de Museos y Monumentos en África Austral
SIBMASAsociación Internacional de Bibliotecas y Museos para las Artes Escénicas
Pausas para el Café
Schnittmarke
El café se servirá a todos los delegados inscritos en la
Feria Museal y Foro de la Exposición, en el nivel +1 del Ala
Norte del 4 al 6 de julio, así como también el 3 y el 9 de
julio en el Vestíbulo Plata del Ala Norte, en el nivel +2 en
los horarios siguientes:
Domingo, 3 de julio:
10:30 – 11:00 y 15:00 - 15:30
(Vestíbulo Plata)
Lunes, 4 de julio: 15:45 – 16:15
Martes, 5 de julio:
10:30 – 11:00 y 16:30 – 17:00
11:00 – 11:30 y 15:45 – 16:15
Sábado, 9 de julio: durante la mañana (Vestíbulo Plata)
Película, Fotografías y Grabación de
Video
El ICOM y K.I.T. Group trabajan juntos para crear una
perspectiva general de los hechos y eventos de la conferencia que puedan ser de interés promocional para la
organización. Por ello, le informamos que podrá ser
grabado o fotografiado en cualquier momento (en las salas
de reunión, Foro de la Exposición, eventos sociales, etc.)
y que toda presentación que realice (discurso destacado,
presentación, etc.) podrá ser grabado.
Personas con Discapacidades
El MiCo es accesible para los participantes en la conferencia discapacitados.
82
Prensa / Medios
La oficina de prensa se encontrará en la Office 6 del Ala
Norte, nivel -1 y estará abierta en el siguiente horario:
Domingo, 3 de julio
Lunes, 4 de julio
Martes, 5 de julio
10:00 – 19:00
08:00 – 18:30
08:00 – 18:30
08:00 – 18:30
08:00 – 17:30
Contacto de Prensa:
Srta. Maria Gatón Fraile
Responsable del Departamento de Comunicación y
Relaciones Públicas del ICOM – Consejo Internacional de
Museos
Correo electrónico: [email protected]
Head of Italian Press Agency (Studio De Angelis)
E-mail: [email protected], [email protected]
La rueda de prensa se celebrará el jueves 30 de junio en el
Museo Nazionale della Scienza e della Tecnologia Leonardo
da Vinci, en la sala Biancamano. Para más información,
consulte la página web de la conferencia (http://network.
icom.museum/icom-milan-2016/media/prensa/L/1/).
Primeros Auxilios
Todos los agentes de seguridad de MiCo tienen formación
en primeros auxilios. Ellos suponen su primer punto
de contacto. En el nivel 0 del Ala Norte hay una sala de
primeros auxilios. También podrá contactar con cualquiera
del mostrador de inscripción, que estará situado en el
nivel +1 del Ala Norte.
Puntos de carga
Habrá puntos de carga de teléfonos móviles repartidos por
toda la sede de la conferencia, sin coste alguno.
Reuniones Fuera de la Sede
El jueves 7, los Comités Internacionales del ICOM organizarán
sus reuniones fuera de la sede de la conferencia. Salvo que
se indique lo contrario, dichas reuniones estarán dedicadas
para los miembros de cada comité específico. El horario
se publicará en la parte de programación de este folleto.
Tours Pre y Post conferencia
La sala de votación se encuentra en el Recibidor White
Hall 2 del Ala Norte, en el nivel +2, y se encontrará abierta
durante el siguiente horario:
Los tours pre- y postconferencia no los organiza ICOM
Milano 2016. Todos los tours deben reservarse por
anticipado, de conformidad con los plazos estipulados
en la página web de la Conferencia. Encontrará toda
la información sobre las agencias organizadoras en
el mostrador de Tours de la Feria Museal y Foro de la
Exposición (Zona de Exposición, Ala Norte, nivel +1).
08:00 – 19:00
Salón de Contactos
El Salón de Contactos estará situado en la zona Feria
Museal y Foro de la Exposición, en el nivel +1 del Ala Norte.
El Salón de Contactos está patrocinada por Goppion S.p.A
and Goppion MuseumLab, Paul Bernhard Exhibit Design &
Consulting, The Hettema Group y THK Co., Ltd..
Los voluntarios estarán a su disposición durante toda la
Conferencia. Todos ellos vestirán una camiseta especial
para poderlos reconocer fácilmente.
La camiseta de los voluntarios está patrocinada por la
empresa Arteria.
Salón de Ponentes
El salón de ponentes estará ubicado en la Suite 1 del Ala
Sur, en el nivel +2, y estará abierto durante el siguiente
horario:
Domingo, 3 de julio
Lunes, 4 de julio
Martes, 5 de julio
Sábado, 9 de julio
VOLUNTARIOS
08:00 – 19:00
08:00 – 18:30
08:00 – 18:30
08:00 – 18:30
08:00 – 17:30
Seguro y Responsabilidad
El Organizador de la Conferencia, el ICOM, ICOM Italia
o MiCo no se responsabilizarán de daños personales
o cualquier pérdida o daño en las pertenencias de los
delegados de la conferencia, ya sea durante o como
resultado de la conferencia. Los delegados deberán
comprobar la validez de su propio seguro.
Zona de Internet
La zona de Internet estará situada en el área de Feria
Museal y Foro de la Exposición en el nivel +1 del Ala Norte.
No tiene coste adicional para los delegados inscritos.
También hay disponible una impresora para imprimir, por
ejemplo, tarjetas de embarque.
Schnittmarke
Lunes 4 y Martes 5 de julio
INFORMACIÓN
GENERAL
Sala de Votación
Zonas de Restauración
Las Zonas de Restauración se encontrarán en la zona de
la Feria Museal y Foro de la Exposición del Ala Norte, en el
nivel +1. Las bolsas de almuerzo y las pausas para el café
se ofrecerán a todos los participantes inscritos del 3 al 6
y el 9 de julio.
Terminales de Impresión de
Distintivos
Los participantes tendrán la oportunidad de escanear
el código de barras que figura en su confirmación de
inscripción en los Terminales de Impresión de Distintivos
para imprimir sus distintivos con nombre.
Los Terminales de Impresión de Distintivos están
patrocinada por la empresa ETT s.p.a.
83
horarios de apertura
Prensa / Medios
Inscripción
Domingo, 3 de julio
Lunes, 4 de julio
Martes, 5 de julio
08:00 – 19:00
08:00 – 18:30
08:00 – 18:30
08:00 – 18:30
08:00 – 17:30
12:30 – 18:00
09:00 – 18:00
09:00 – 18:00
Guardarropa, Equipaje
Domingo, 3 de julio
Lunes, 4 de julio
Martes, 5 de julio
Sábado, 9 de julio
08:00 – 19:00
08:00 – 19:00
08:00 – 19:00
08:00 – 19:00
08:00 – 18:00
Sala de Votación
Schnittmarke
Lunes, 4 de julio
Martes, 5 de julio
08:00 – 19:00
08:00 – 19:00
Oficina de Miembros
Domingo, 3 de julio
Lunes, 4 de julio
Martes, 5 de julio
84
10:00 – 19:00
08:00 – 18:30
08:00 – 18:30
08:00 – 18:30
08:00 – 17:30
Salón de Ponentes
Feria Museal y Foro de la Exposición
Lunes, 4 de julio
Martes, 5 de julio
Domingo, 3 de julio
Lunes, 4 de julio
Martes, 5 de julio
08:30 – 18:00
08:30 – 18:00
08:30 – 18:00
08:30 – 18:00
Domingo, 3 de julio
Lunes, 4 de julio
Martes, 5 de julio
Sábado, 9 de julio
08:00 – 19:00
08:00 – 18:30
08:00 – 18:30
08:00 – 18:30
08:00 – 17:30
Centro de Negocios
Domingo, 3 de julio
Lunes, 4 de julio
Martes, 5 de julio
Sábado, 9 de julio
08:00 – 19:00
08:00 – 19:00
08:00 – 19:00
08:00 – 19:00
08:00 – 18:00
Concept: Paola Marras - Niklas Events
Visit our new division
Arterìa Safe_Tech at
ICOM 2016 Hall B, Box 39
Frames, display cases,
conservation technologies
and more...
www.arteriasafetech.it
Milano | Roma | Firenze | Venezia | Torino | Malpensa
www.arteria.it
Schnittmarke
INFORMACIÓN
GENERAL
the Italian Leading Company in the Art Logistics
Schnittmarke
INFORMAZIONI GENERALI
ITALIANO
Schnittmarke
INFORMAZIONI
GENERALI
ORGANIZZATORI
Organizzatori della conferenza
ICOM
ICOM Italy
1 rue Miollis
France
Tel: +33 (0) 1 47 34 05 00
Fax: +33 (0) 1 43 06 78 62
via Fabio Filzi, 22
20124 Milano
Italy
Tel/Fax:+39 (0) 2 4695693
Comitato Organizzatore
Schnittmarke
88
Segreteria Organizzativa
Per qualsiasi domanda riguardo a
ICOM MILANO 2016
Iscrizioni ed escursioni:
Management
Kurfürstendamm 71
10709 Berlin
Germany
Tel:
+49 (0) 30 24 603 520
Fax:
+49 (0) 30 24 603 200
Hotel:
Mostra/Sponsorizzazione:
Icom Italia
INFORMAZIONI
GENERALI
Il Comitato Nazionale Italiano ICOM è l’associazione
professionale leader in Italia nel settore dei Musei.
ICOM Italia si occupa dei problemi connessi allo
sviluppo ed alla difesa della professione museale.
ICOM Italia promuove e coordina le attività della
Conferenza Permanente delle Associazioni Museali
Italiane. ICOM Italia è presente sul territorio grazie
all’impegno dei Coordinamenti Regionali, alla
continua ricerca delle Commissioni Tematiche per
lo studio e la regolamentazione dell’organizzazione
di alcuni dei più importanti eventi del settore, come
la Conferenza Nazionale dei musei d’Italia, il Premio
ICOM Italia-Musei dell’anno, l’Assemblea Nazionale
ICOM e l’International Museum Day.
Schnittmarke
Durante gli ultimi 3 anni, ICOM Italia ha organizzato
molti eventi, ha stimolato il dibattito ed ha selezionato
interessanti best practice italiane sul Tema della
Conferenza. Il risultato di questo lavoro meticoloso
ed approfondito sarà presentato durante ICOM Milano
2016. Verificate tutte le informazioni sul programma
on-line e sulla App.
89
GFDL License Jakub Halun
icom
ICOM E LE CONFERENZE GENERALI ICOM
Il Consiglio Internazionale dei Musei (ICOM), creato nel
1946, è un’organizzazione internazionale di musei e di
professionisti museali. ICOM è dedita a promuovere e
proteggere il patrimonio naturale e culturale, presente e
futuro, tangibile ed intangibile. Con 35.000 membri in quasi
140 Paesi, il network ICOM è composto di professionisti
museali afferenti a molti ambiti disciplinari diversi, dei
musei e del patrimonio culturale.
ICOM promuove standard di eccellenza nel campo
museale, in particolare attraverso il suo Codice etico
per i musei, uno strumento che fornisce un quadro di
riferimento per gli standard museali, che include linee
guida per la governance dei musei, l’acquisizione e la
disposizione delle collezioni e norme per la condotta
professionale. Tra le altre attività svolte da ICOM si
annoverano la lotta al traffico illecito di beni culturali e la
promozione della gestione del rischio e delle emergenze,
al fine di proteggere il patrimonio culturale mondiale in
caso di disastri naturali o causati dal’uomo.
Ogni tre anni, la Conferenza Generale di ICOM riunisce la
comunità museale internazionale su un tema scelto dai
professionisti museali.
Perché partecipare alla 24a Conferenza
Generale ICOM ?
Schnittmarke
Grazie ad un programma della Conferenza ricco e
che si estende per un’intera settimana, composto di
relatori di alto livello, sessioni organizzate dai Comitati
Internazionali, visite e meeting “off-site” in musei locali e
la grande fiera museale, sarete in grado di:
Incontrare oltre 3.000 partecipanti di diversa
formazione culturale.
Imparare dall’esperienza e dalle conoscenze dei
professionisti museali di tutto il mondo.
Mantenersi aggiornati sulle questioni globali e le
ultime tendenze del settore.
Scoprire e condividere successi, pratiche innovative e
nuove sfide.
Creare nuovi contatti e ritrovare vecchi amici.
Ascoltare e confrontarsi con gli esperti.
Ispirarsi a vicenda approfittando di un ambiente ricco
di insegnamenti reciproci.
90
Scoprire e riscoprire cosa Milano e l’Italia
hanno da offrire:
Milano è la porta di accesso all’Italia. Milano è una citta
cosmopolita e creativa. Milano è una città di cultura,
design e moda e si trova al centro dell’area con maggiore
concentrazione di musei del mondo. Venendo a Milano
avrete la possibilità di visitare alcune tra le più belle città
d’arte del mondo (Torino, Verona, Padova, Venezia, Genova,
Bologna, Firenze, Roma.. ), tutte raggiungibili da Milano con
massimo tre ore di viaggio, grazie ai treni ad alta velocità.
Venendo a Milano avrete la possibilità di sperimentare la
celebre ospitalità italiana, così come il cibo e lo stile di vita
italiano.
Come sfruttare al meglio la tua esperienza
alla Conferenza Generale di ICOM?
Esplora l’Italia e la città di Milano:
Scegli il programma per la giornata di escursione:
visite di musei e altri siti culturali, escursioni a piedi
per la città, etc.
Scopri i molti eventi sociali che si terranno il 5 e 6
luglio sera.
Prolunga il tuo soggiorno in Italia: scegli di fare un tour
prima o dopo la conferenza.
Individua e scegli gli eventi di maggiore interesse per te:
Scegli tra le riunioni e le attività dei 30 Comitati
internazionali di ICOM.
Lasciati ispirare dai keynote speakers delle sessioni
plenarie, accogliendo la sfida di idee visionarie
e provocatorie, iniziando così un altro giorno di
Conferenza pieni di idee.
“Salta” da una sessione all’altra per essere sicuro di
partecipare al tema che ti interessa di più.
Scopri le sessioni sponsorizzate e le presentazioni
all’Expo Forum, la piccola agora della Conferenza,
collocata nell’area che ospita la fiera museale, e non
perdetevi le Panel Discussion e le Memorial Lecture
previste per martedì 5 luglio.
Incontra quante più persone possibile, fuori dalle sale
riunioni
Iscriviti alle sessioni di networking: pranzi a tema,
ricevimenti di Comitati Nazionali, etc.
Crea nuovi contatti durante le pause caffè, pause
pranzo, anche in coda…
Visita la città in compagnia degli altri partecipanti.
TEMA DELLA CONFERENZA
Il paesaggio italiano è universalmente noto. È stato
descritto, rappresentato, visitato in ogni tempo e in ogni
modo.
Chi, al mondo, non ha presente la straordinaria gamma
di paesaggi di questa penisola che dalle Alpi si prolunga
sino al centro del Mediterraneo con il suo entroterra e
le sue riviere? Chi non ha nella mente almeno uno degli
innumerevoli monumenti che si incontrano percorrendola,
nello stratificato palinsesto di testimonianze che vanno
dall’antichità al medioevo, dal rinascimento al barocco,
dall’età neoclassica fino ai giorni nostri?
Nell’invitare i colleghi di tutto il mondo alla 24a Conferenza
generale di ICOM che si terrà a Milano dal 3 al 9 luglio 2016,
il Comitato nazionale italiano ha proposto loro di affrontare
un tema caro alla museologia italiana: il rapporto tra
musei e paesaggi culturali.
Una questione centrale per l’italia, ma anche una
prospettiva strategica per i musei del Terzo Millennio in
tutto il mondo.
Un’occasione e una sfida per il rilancio e il rinnovamento
della loro missione e per il rafforzamento del loro
ruolo culturale e sociale.
Il panorama museale italiano è più ricco e diversificato
della sua immagine consolidata: accanto ai grandi musei
nati dalle collezioni dinastiche degli Stati preunitari e alla
rete maggiore dei musei civici dei grandi e medi centri,
sono oggi centinaia i piccoli musei locali, nati soprattutto
negli ultimi decenni. in italia esistono – il dato si riferisce
al 2011 – 4588 musei e istituti “similari”: 3847 musei, 240
aree e parchi archeologici, 501 monumenti e complessi
monumentali. Quasi un comune su tre ospita almeno un
museo e in alcune regioni vi è almeno un museo ogni due
comuni in un paese in cui, come ha scritto André Chastel
“grazie a una sorta d‘incastro esemplare, la collezione
s‘iscrive nell‘edificio che la città riveste, e queste tre forme
di museo si rispondono mutualmente” ¹
1
INFORMAZIONI
GENERALI
Altrettanto celebri sono i suoi grandi musei, dagli Uffizi
a Brera, alle Gallerie dell’Accademia di Venezia, da
Capodimonte alla Galleria Sabauda fino ai Musei Vaticani,
parte integrante di tale enorme patrimonio. Le loro opere
d‘arte sono parte essenziale di quel Museo immaginario
descritto da André Malraux, insieme alle tantissime altre
custodite nelle chiese, nelle dimore signorili, nelle città
e nei borghi del Bel paese. Musei d’arte e d’archeologia
soprattutto, ma non solo e anche siti e complessi
monumentali che fanno dell’Italia un grande museo
diffuso, un “museo a cielo aperto”.
I paesaggi culturali italiani sono andati cambiando.
Pur aggrediti dallo sviluppo urbano e industriale, molti
degli scorci ammirati dal mondo si sono conservati,
mutati ma non per questo deprivati del loro fascino
antico. E sono anche sorti nuovi paesaggi, espressione di
una modernità divenuta in parte già storia, mentre l’idea
stessa di paesaggio è cambiata e si estesa a sempre nuovi
territori della mente e dello sguardo.
Schnittmarke
MUSEI E PAESAGGI CULTURALI
91
Relatori Principali
La 24a Conferenza Generale ICOM ospiterà cinque relatori di fama internazionale, di differenti formazioni
e con differenti approcci. Un premio Nobel turco per la letteratura, un artista americano, un architetto
e designer italiano, una donna africana leader politica e culturale e un economista australiano
presenteranno le loro visioni acute e capaci di arricchire le nostre prospettive su cultura, arte, musei e
paesaggi culturali. Venite a Milano e non perdete l’opportunità di ascoltare ed imparare dalle illuminanti
esperinze di alcuni dei più grandi intellettuali del mondo contemporaneo!
4 luglio
Christo, Stati Uniti dÁmerica
Christo è nato a Gabrovo,
Bulgaria, il 13 giugno 1935 ed ha
passato la sua gioventù sotto le
regole comuniste. Ha studiato
arte a Sofia e a Vienna. Anche
Jeanne-Claude (Jeanne-Claude
Marie de Guillebon 1935-2009) era nata il 13 giugno 1935,
da genitori francesi a Casablanca, Marocco. Prima di
stabilirsi definitivamente con la famiglia a Parigi, è cresciuta a Berna in Svizzera ed a Gabès in Tunisia. Nel 1957
Christo fugge dallÉuropa dellÉst verso Ovest. A quel
tempo avvolgeva già gli oggetti in vari materiali, anche se
principalmente si manteneva facendo ritratti. La coppia si
incontrò a Parigi nel 1958, quando Christo stava facendo
ritratti della madre di Jeanne-Claude.
Schnittmarke
Nel 1961, gli artisti hanno iniziato a collaborare su progetti
monumentali, imprese in cui il principale materiale
utilizzato è stato il tessuto, scelto per le sue qualità fluide ed
effimere. Christo e Jeanne-Claude condividono la paternità
congiunta dei progetti su larga scala; tuttavia, è Christo ad
impacchettare gli oggetti e realizzare pacchetti, modelli in
scala e disegni. I progetti sono finanziati esclusivamente
dalla vendita di queste opere, dal momento che gli artisti
non accettano sponsorizzazioni. I primi progetti di Christo,
che coinvolgevano principalmente l’architettura esistente,
miravano sia a nascondere che a sottolineare il carattere
essenziale ed il significato di un sito. Nel corso del tempo
l’uso del tessuto è diventato più libero e aperto. I progetti
realizzati restano installati per un tempo finito, eppure il
loro provvisorietà accresce il loro fascino estetico. Le loro
opere includono l’avvolgimento del Reichstag a Berlino
e il Pont-Neuf a Parigi, lópera lunga 24 miglia (39 km)
chiamato Running Fence nelle contee di Sonoma e Marin
in California, e The Gates nel Central Park di New York City.
92
Orhan Pamuk, Turchia
Lo scrittore turco Orhan Pamuk
è stato il primo premio Nobel
per la letteratura del suo paese.
Noto per le sue storie epiche e
sfaccettate, in cui il protagonista
è spesso preso tra due mondi,
Pamuk intreccia elementi dal Pantheon occidentale della
prosa postmoderna con la sua narrativa, sfocando la linea
tra realismo e fantasia, che è una caratteristica delle più
grandi opere della letteratura araba. I libri di Orhan Pamuk
sono stati tradotti in 63 lingue, tra cui georgiano, malese,
ceco, danese, giapponese, catalano, oltre che in inglese,
tedesco e francese.
Pamuk tiene una volta all’anno una lettura alla Columbia
University. Nel 2014, il Museo dell’Innocenza di Orhan
Pamuk ha ricevuto il Premio del museo europeo dell’anno
(EMYA) proposta dal Forum europeo Museum di Tallinn,
in Estonia. Nel 2005 Pamuk ha ricevuto il Peace Prize,
considerato il premio più prestigioso in Germania nel
campo della cultura. Nello stesso anno, Snow riceve Le
Prix Médicis étranger, il premio per il miglior romanzo
straniero in Francia. Nel 2006 la rivista TIME lo sceglie come una delle 100 persone più influenti del mondo. Ha
ricevuto il premio Nobel 2006 per la letteratura, diventando
la seconda persona più giovane a ricevere il premio nella
sua storia.
Relatori Principali
5 luglio
Michele De Lucchi, Italia
Michele De Lucchi è un architetto
italiano. È stato una figura
di spicco di movimenti come
Cavart, Alchimia e Memphis. Ha
disegnato lampade e arredi per
le più famose aziende italiane ed
europee, come Artemide, Olivetti, Alias, Unifor, Hermès
ed Alessi. Ha progettato ambienti lavorativi e definito la
corporate identity di aziende quali Deutsche Bank, Poste
Italiane, Ferrovie dello Stato, Enel, Piaggio, Olivetti,
Telecom Italia, Novartis, Intesa Sanpaolo, Unicredit.
INFORMAZIONI
GENERALI
Ha realizzato progetti architettonici in Italia e nel mondo:
edifici residenziali, industriali, aziendali e culturali. Ha
curato lállestimento di mostre presso la Triennale di
Milano, il Palazzo delle Esposizioni di Roma, il Neues
Museum Berlin, le Gallerie d’Italia in Piazza Scala e il nuovo
Museo Pietà Rondanini a Milano, oltre a realizzare diversi
importani progetti per la città di Milano: i padiglioni di Expo
2015 (Padiglione Zero, Expo Center, Intesa Sanpaolo) e il
palazzo UniCredit in piazza Gae Aulenti.
Nkandu Luo, Zambia
LÓnorevole Professore Nkandu
Luo è láttuale Ministro per le
Pari Opportunità e lo Sviluppo
dei Bambini. Precedentemente
ha ricoperto la carica di Ministro
della Salute, Ministro dei
Trasporti e delle Comunicazioni,
Ministro degli Enti Locali e degli Alloggi, il Ministro dei
Capi e degli Affari Tradizionali. L’Onorevole Professore
Nkandu Luo è professore di microbiologia e immunologia
e ha servito come Direttore della facoltà di Patologia e
Microbiologia presso lo University Teaching Hospital a
Lusaka, Zambia.
Oltre alla sua formazione in Microbiologia e Immunologia,
ha proseguito gli studi in Immunopatologia delle malattie
infettive e Epidemiologia e Statistica Medica. L’Onorevole
Professore Luo ha effettuato molta ricerca su HIV / AIDS,
sulla tubercolosi, sulla malaria e su altre malattie infettive.
E´stata attiva nell’insegnamento di studenti universitari e
laureati nel campo della biomedica e dellínfermieristica.
6 luglio
Schnittmarke
David Throsby è internazionalmente riconosciuto come uno
degli inventori delléconomia
della cultura. Illustre professore presso il Dipartimento di
Economia dellÚniversità di
Macquarie a Sydney, Throsby è
riconosciuto a livello globale per le sue ricerche e pubblicazioni sull’economia dell’arte e della cultura. I suoi
attuali ambiti di ricerca includono la situazione economica
degli artisti creativi, le industrie creative, l’economia del
patrimonio culturale, la cultura e lo sviluppo sostenibile
ed i legami tra la politica economica e culturale. È autore
di numerose pubblicazioni tra cui The Economics of the
Performing Arts con Glen Withers (1979), The Produc-
tion and Consumption of the Arts: A View of Cultural
Economics’ nel Journal of Economic Literature (1994),
Economics and Culture (2001) e The Economics of Cultural
Policy (2010). Insieme a Victor Ginsburgh ha co-curato due
volumi del Handbook of the Economics of Art and Culture
(2006 e 2014).
93
Where ICOM From
Una mostra per celebrare i 70 anni
di ICOM!
di François Mairesse
Qual è lo scopo di un anniversario? È quello di ricordare i
tempi andati? È quello di celebrare le esperienze raccolte
nel corso del tempo? Oppure è quello di raccogliere le
persone a noi care per un evento piacevole? È sempre
interessante cogliere spunto dal qui e ora per dare uno
sguardo al passato e all’età di 70 anni – quando si è ormai
nonni - i tempi sono maturi per richiamare i ricordi che
hanno influenzato la nostra storia e condividerli con i
nostri nipoti attraverso album di famiglia.
Creare una mostra su ICOM potrebbe sembrare un esercizio narcisistico in cui darci da soli compiaciute pacche
sulle spalle, una sorta di selfie 3D in cui tutti noi cerchiamo
di comparire. Nella realtà si tratta di un progetto molto
più ambizioso. La storia di ICOM non è sempre stata un
corso d’acqua che scorre tranquillo. Oltre 40 anni fa,
dopo un movimento di contestazione radicale nel campo
museale particolarmente evidente durante la Conferenza
Generale di Parigi e Grenoble (1971), il movimento “New
Museology” si sviluppa come una risposta alla crisi dei
musei, che evidenzia gli approcci convenzionali di un’istituzione occidentale e borghese. Quaranta anni dopo la
crisi dei musei sembra ampiamente superata e ci sono
ora nel mondo sempre più musei.
Oltre alle numerose piccole organizzazioni - al tempo
estremamente dinamiche, ma anche estremamente
fragili – si è sviluppata intorno al mondo del turismo
globalizzato una macchina economica enorme. I musei,
in passato denigrati a causa del loro approccio ormai
superato, giocano oggi un ruolo imporante nelle questioni
geopolitiche globali.
Se dovessimo giudicarla per il numero dei suoi dipendenti,
ICOM dovrebbe essere considerata un’organizzazione di
piccole dimensioni. Tuttavia, il numero e la diversità dei
suoi Comitati, tutti gestiti a livello volontario – rappresentano una rete vasta e complessa, corrispondente alla
diversità del mondo. Chi può realmente affermare di avere
familiarità con tutta la sua portata? Questa mostra vuole
evocare un possibile itinerario che coinvolga, se non tutti
gli aspetti di ICOM (missione impossibile), almeno alcune
delle sue dimensioni principali, eventi importanti, figure
di spicco, luoghi di condivisione, ecc. E‘ una storia incompleta che non è una “versione ufficiale” dell’avventura di
ICOM, bensì una selezione di storie dai suoi archivi che
cercano di visualizzare alcune delle dimensioni di questa
organizzazione.
Un tour interattivo
La mostra Where ICOM from ripercorre - in quasi
235m2 - l’evoluzione di ICOM lungo i suoi 70 anni
di esistenza e solleva domande sulle sue direzioni
future. Una scenografia coinvolgente mette insieme
vari documenti d’archivio - comprese immagini,
locandine e video – al fine di illustrare la ricca storia
di ICOM. Attraverso una cronologia degli eventi ed
una selezione di date importanti viene mostrata
la crescita del network ICOM e le conquiste della
organizzazione nel corso del tempo. Le principali
attività dell’organizzazione e le prossime sfide
vengono raccontate attraverso storie e punti di
vista personali di membri ICOM. Alcuni dispositivi
interattivi permetteranno ai visitatori di prendere
parte al dibattito e condividere i loro pensieri.
Schnittmarke
© ICOM
Anche il ruolo di ICOM si è evoluto. Fondata da un piccolo
gruppo di professionisti nel 1946, l’organizzazione conta
oggi circa 36.000 membri provenienti da molti ambiti
diversi, ma uniti da una domanda comune. La mostra
“Where ICOM from” richiama alcuni degli elementi che
caratterizzano la natura di ICOM e dei musei e ci pone
delle domande sul futuro di questa istituzione. Nel 1946
il mondo si stava riprendendo da un conflitto globale,
seguito da una lunga guerra fredda. Settanta anni dopo,
sebbene il mondo non abbia visto accadere un’altra
guerra mondiale, ci troviamo in una situazione di conflitto
diffuso. Quale ruolo possono i musei ed ICOM svolgere in
questo contesto?
Georges Henri Rivière suona lo shamisen, 1960, Tokyo, Giappone
94
Where ICOM From
Mostra Where ICOM from, 70 anni di
International Council of Museums, dal 4 al
6 luglio 2016
In Blue Hall 2, ala Nord, livello + 1 (vicino alle scale
mobili). Inaugurazione: 4 luglio alle ore 12:30 presso
l’area espositiva.
Evento organizzato da ICOM Endowment Fund, in
collaborazione con gli student dell’Università Parigi
1 Pantheon-Sorbonne e con il generoso supporto di
Panasonic, sponsor principale della mostra.
© guerillagraphik
Schnittmarke
INFORMAZIONI
GENERALI
È curioso come ICOM - che si identifica come il forum
dei musei per eccellenza - non abbia mai cercato di
comunicare e contribuire più frequentemente ai dibattiti
anche attraverso uno dei suoi tratti distintivi, ovvero le
mostre. Tuttavia lo ha fatto attraverso pubblicazioni,
conferenze e più recentemente attraverso il suo sito
web ed i social network. Se c’è una caratteristica che
contraddistingue i musei è che essi rappresentano in
maniera unica un modo di pensare collettivo, che ha lo
scopo di diffondere la conoscenza in modo spaziale,
attraverso oggetti, immagini e suoni. Questo non è un
compito facile: per sviluppare una mostra sono necessari
spazio, tempo e mezzi. Quella che viene presentata
a Milano non ha la pretesa di rispondere a tutte le
domande poste qui, ma di mettere ciascun visitatore nella
condizione di interrogarsi, almeno per qualche minuto,
sugli aspetti che tengono insieme ICOM e sulla specificità
di cosa rappresentano i musei.
95
programma sociale
FESTA DI APERTURA – 4 LUGLIO
ceremonia e festa di chiusura –
9 LUGLIO
Castello Sforzesco
Lunedi 4 liglio
19:30 – 23:30
Piazza Castello
Metro: Cairoli, M1, Linea Rossa
Sabato 9 liglio
19:30 – 24:00
Metro: Cadorna, M1-M2, Linea Rossa-Linea Verde
Schnittmarke
96
La Ceremonia e Festa di Chiusura si terrà sabato 9 luglio
presso il Palazzo dell’Arte di Milano. A partire dalle 19:30, i
partecipanti potranno visitare il Museo del Design, il parco
e la XXI Esposizione Internazionale della Triennale per
l’architettura, le arti visive e decorative, il design, la moda
e le produzioni audiovisive. La Cerimonia di Chiusura si
terrà alle 20:00. Durante la Cerimonia la bandiera ufficiale
di ICOM passerà da ICOM Milano 2016 a ICOM Kyoto 2019
e verrà presentata la 25° Conferenza Generale ICOM. Dopo
la cerimonia avrà inzio la festa.
© EcilaAlice
© fedewild
La Festa di Apertura si terrà lunedì 4 luglio al Castello
Sforzesco, il famoso castello del 15° secolo situato nel
centro di Milano. In questa occasione i partecipanti
avranno l’opportunità di visitare tutti i Musei del Castello e
specialmente il nuovo allestimento della Pietà Rondanini di
Michelagelo e la Sala delle Asse con gli affreschi di Leonardo,
recentemente restaurati. Accoglieranno i partecipanti un
cocktail di benvenuto e un accompagnamento musicale. La
festa inzierà alle 19:30 e finirà alle 23:30. L’ingresso sarà
garantito solo dietro l’esibizione del badge nominale ICOM
Milano 2016.
programma sociale
EVENTI SOCIALI SERALI – 5-6 LUGLIO
(e oltre!)
Grande Concerto in Duomo – Veneranda
Fabbrica del Duomo
Duomo di Milano
Mercoledì 6 Luglio 2016
20:00 21:00
Piazza del Duomo
Il Duomo ospiterà un concerto speciale e riservato per i
partecipanti alla Conferenza ICOM Milano 2016.
INFORMAZIONI
GENERALI
Più di 40 musei a Milano saranno aperti la sera in via straordinaria e organizzeranno eventi speciali per ICOM Milano 2016.
La lista completa degli eventi sociali, con la mappa e i
dettagli degli orari di apertura e altre informazioni utili
sono disponibili sul sito ufficiale della Conferenza (http://
net wor k .icom.museum / icom-mil an-2 016/socialevents/programma-sociale/L/7/) a sono costantemente
in aggiornamento. Alcuni eventi sono aperti per un numero
limitato di persone: la prenotazione, salvo pochi casi, non
è necessaria e i partecipanti saranno ammessi secondo la
disponibilità dello spazio.
In programma molti eventi speciali!
OPEN NIGHT | Speciale ICOM Milano 2016
Museo Nazionale della Scienza e della Tecnologia
Leonardo da Vinci, Milano
Apertura speciale al pubblico e ai partecipanti alla
Conferenza Generale.
Il Museo Nazionale della Scienza e della Tecnologia
Leonardo da Vinci, il più grande museo tecnico scientifico
in Italia, apre le sue porte a tutta la città in occasione
della Conferenza Generale ICOM Milano 2016. Una OPEN
NIGHT speciale per scoprire le collezioni, sperimentare
nei laboratori interattivi e godersi la serata nei chiostri
del monastero del 16° secolo. Immergiti nel mondo del
sottomarino Enrico Toti tra periscopio, sonar e camere e
rivivi le avventure dei marinai durante la navigazione. Scopri
la tecnica dell’affresco di Leonardo o avventurati tra nuovi
cibi, DNA e gli ingredienti principali dei nostri alimenti.
Per rilassarsi musica dal vivo tra classica, jazz e Rock and
Roll. Il Padiglione Ferroviario si animerà tutta la sera con
performance di danza contemporanea e live music.
Programma Musicale
Atmosfere di una Cattedrale
“Il Grande Organo del Duomo e la solenne regalità degli
Ottoni”
Un dialogo in musica
(organo e ottoni)
Procession of Nobles
And the Glory of the Lord (ottoni)
Canzon Undicesimi Toni (organo e ottoni)
Military March n.1 (organo e ottoni)
Gabriel Fauré (1845-1924)
(ottoni) Pavane
(organo e ottoni)
Poème Héröique
(organo e ottoni)
(secondo organista del Duomo di Milano)
Giorgio Tosatti, tromba
Matteo Macchia, tromba
Marco Anastasio, Basso Tuba
Tommaso Ruspa, Corno
Schnittmarke
© Museo Nazionale della Scienza e della Tecnologia Leonardo da Vinci di Milano
© Pedro
Martedì 5 luglio 2016
18:30 – 23:30
Via San Vittore 21
97
programma sociale
Una serata a Palazzo di Brera per Icom 2016
Ultima Cena
Palazzo di Brera
Cenacolo Vinciano
Giovedì 7 luglio 2016
18:30 – 22:15
Diversi turni disponibili durante tutta la settimana
Gli istituti sono aperti al pubblico mentre la partecipazione
agli eventi e al buffet è strettamente riservata ai soci ICOM
Milano 2016 e esclusivamente su prenotazione, fino a
esaurimento posti.
Per prenotazioni: [email protected]
L’Ultima Cena si trova a Milano nell’ex-refettorio nei pressi
del Santuario di Santa Maria delle Grazie. E ‘stato dipinto
tra il 1494 e il 1498 da Leonardo da Vinci ed è conosciuta
in tutto il mondo.
Il seicentesco Palazzo delle Scienze e delle Arti di Brera
apre le sue porte con un evento pubblico dedicato a ICOM
Milano 2016. Dopo il saluto istituzionale dei Direttori,
la Pinacoteca, l’Accademia di Belle Arti, la Biblioteca
Nazionale Braidense, l’Istituto Lombardo di Scienze
e Lettere, l’Orto Botanico, il Museo e l’Osservatorio
Astronomico restano aperti eccezionalmente fino alle ore
22:15 con una serie di eventi, mostre, installazioni e visite
guidate dedicate. Nel corso della serata verrà offerto un
light dinner esclusivo riservato agli ospiti di Icom prenotati.
Schnittmarke
L’Ultima Cena mostra una delle scene più importanti
e più ricca di significato dal Vangelo secondo Giovanni.
Grazie a scienziati, critici d’arte e restauratori di tutto il
mondo, si è potuta riscoprire l’originalità del dipinto che
era stata manomessa dai tanti ritocchi non conformi alle
caratteristiche peculiari di Leonardo da Vinci.
98
Un accordo speciale con il Ministero dei Beni e delle Attività
Culturali e del Turismo consentirà ai partecipanti a ICOM
Milano 2016 di visitare il Cenacolo, grazie alla possibilità
di prenotare alcuni turni durante tutta la settimana. Tutti
i dettagli della prenotazione sono disponibili sul sito della
conferenza.
programma sociale
LOMBARDIA
Valcamonica
Monza
Bergamo
Milan
Torino
Pavia
Monferrato
Vicenza
Lago di Garda
Brescia
Mantova
Piacenza
Musei del Cibo
Parma
INFORMAZIONI
GENERALI
PIEMONTE
VENETO
Modena
Bologna
EMILIA-ROMAGNA
Genova LIGURIA
Lunigiana
Firenze
Certaldo /
Castelfiorentino
TOSCANA
excursion day (GIORNATA DI
ESCURSIONE)
Tour pre- e post-conferenza
Il Comitato Organizzatore ha selezionato circa 50 tour,
proposti ed organizzati da tour operator e partner di
esperienza. I tour sono stati pensati su misura per i
partecipanti di ICOM Milano 2016. Costi e dettagli sono
disponibili sul sito dell Conferenza (http://network.icom.
museum/icom-milan-2016/viaggi/viaggi-pre-e-postconferenza/L/7/). Tutte le informazioni su tour operator e
partner sono disponibili presso il punto informativo “Tour”,
situato nellárea della Fiera Museale e dellÉxpo Forum
(ala nord, livello +1).
Schnittmarke
LÉxcursion Day è una tradizione delle Conferenze
Generali ICOM: un giorno al di fuori del centro congressi
per scoprire la città ospitante, così come il nord e centro
Italia! LÉxcursion Day è venerdí 8 luglio. Per maggiori
informazioni, consultare il sito web (http://network.
icom.museum/icom-milan-2016/excursion-day/
excursion-day/L/7/) oppure rivolgersi al desk “Social
Programme” situato nellárea di registrazione.
Tour per accompagnatori
Grazie al supporto di Musement, sono stati organizzati due
tour gratuiti per gli accompagnatori. I tour sono grauiti per
gli accompagnatori regolarmente registrati. I tour sono a
numero chiuso.
Per saperne di più, visitare il sito (http://network.
i c o m . m u s e u m / i c o m - m i l a n -2 0 16 / v i a g g i / v i s i t e accompagnatori/L/7/)!
99
Informazioni Generali A-Z
accessibilità
Il MiCo è accessibile ai partecipanti con disabilità.
Accompagnatori
Gli accompagnatori avranno un accesso limitato alla conferenza. Língresso alla Fiera Museale e allÉxpo Forum e alle
sessioni della conferenza non sono incluse. Gli accompagnatori possono prendere parte agli eventi sociali che avvengono
fuori del centro congressi (Festa di Apertura e di Chiusura,
Eventi Sociali, Escursioni, Tour per Accompagnatori).
Alleanze Regionali
Le Alleanze Regionali sono dei forum che hanno lóbiettivo
di promuovere il dialogo e la condivizione delle informazioni
tra i Comitati Nazionali, i musei ed i professionisti museali
di una specifica area geografica.
I Comitati Nazionali possono essere membri di una
Alleanza Regionale. I presidenti delle cinque Alleanze
Regionali fanno parte dellÁdvisory Committee.
Le Alleanze Regionali sono:
ICOM ARAB Arab Countries Alliance
ICOM ASPACAsia-Pacific Alliance
ICOM EUROPE Europe Alliance
ICOM LACLatin America & Caribbean Alliance
ICOM SEE South East Europe Alliance
App di ICOM Milano 2016
Schnittmarke
LÁpp di ICOM Milano 2016 è pensata per migliorare
lésperienza dei partecipanti prima, durante e dopo
la Conferenza, grazie alle seguenti funzionalità ed
informazioni a portata di dito:
Programma interattivo della Conferenza
Relatori principali (Keynote Speakers)
Lista dei relatori e degli espositori
Mappe
Programma Sociale
Networking
Social Media
Questionario di valutazione
LÁpp di ICOM Milano 2016 è generosamente sponsorizzata da azienda Guardian Glass Europe.
Aree Ristoro
Le aree ristoro sono posizionate allínterno dellárea
della Fiera Museale e dellÉxpo Forum, ala Nord, livello
+1. I lunch box ed i Coffee Break saranno distribuiti dal
3 al 6 luglio ed il 9 luglio a tutti i partecipanti registrati.
100
Assicurazione e responsabilità
Gli organizzatori della conferenza, ICOM o ICOM Italia ed
il MiCo non possono essere considerati responsabili per
danni personali o per qualsiasi perdita o danno procurato
alle proprietà dei partecipanti alla Conferenza, né durante
la conferenza né come causa di attività legate alla Conferenza. I partecipanti debbono verificare la validità della
propria assicurazione.
Attestato
Láttestato di partecipazione ufficiale di partecipazione
per ICOM Milano 2016 sarà disponibile dopo la Conferenza.
I partecipanti avranno la possibilità di scaricarlo dalla Piattaforma dei Partecipanti.
Badge nominativo
I partecipanti debbono indossare il badge nominativo per
accedere al Centro Congressi, alle sessioni ed agli eventi
della Conferenza. Il badge nominativo deve essere facilmente visibile. In caso di perdita o di dimenticanza del bage
nominativo, sarà possibile richiederne uno nuovo a fronte
del pagamento di € 50.00. Il vecchio badge sarà disattivato. Se il partecipante ha dimenticato il badge in hotel,
può chiedere di portarlo il giorno successivo: in questo
caso sará trattenuto un deposito di € 40.00 e rilasciata una
ricevuta. Il deposito sarà restituito quando sarà mostrato il
badge nominativo precedentemente dimenticato.
Il badge nominativo è generosamente sponsorizzata da
Haroutunian Foundation.
Bancomat
Allínterno del MiCO è disponibile un bancomat. È situato
al livello +1 dellála Nord, vicino allíngresso dellárea
dedicata alla Fiera Museale ed allÉxpo Forum, salendo
dalle scale mobili a destra.
Borse Congressuali
Le borse congressuali saranno distribuite presso lómonimo
banco, situato nellárea di registrazione (ala Nord, livello +1).
Agli espositori sarà distribuita, durante il primo giorno di
conferenza, una borsa per ciascuno stand.
Le borse congressuali è generosamente sponsorizzata da
Haroutunian Foundation.
Il Business Centre si trova nellÓffice 5, ala Nord, livello -1.
I partecipanti hanno la possibilità di stampare, fare copie,
fare scansioni o inviare un fax durante i seguenti orari:
Domenica 3 luglio Lunedì 4 luglio
Martedì 5 luglio
Mercoledì 6 luglio
Sabato 9 luglio
08:00 – 19:00
08:00 – 19:00
08:00 – 19:00
08:00 – 19:00
08:00 – 18:00
Vengono applicate le seguenti tariffe:
Cambio di programma / data di stampa
Gli organizzatori non possono essere considerati responsabili per qualsiasi cambio nel programma dovuto a circostanze esterne o impreviste. I cambi notificati dopo la data
di stampa (6 giugno) sono aggiornati sul sito web della
conferenza e disponibili tramite lÁpp della conferenza.
Cerimonia di Apertura
La Cerimonia di Apertura avrà luogo nella sala Silver,
lunedì 4 luglio dalle 09:30 alle 12:30. Tutti i partecipanti
sono invitati a prendere parte a questo evento.
Clima
Milano ha un clima umido subtropicale con influenze continentali, simile a quello delle pianure del nord Italia, con
estati calde e afose, e inverni freddi e nebbiosi. In estate
il livello di umidità è molto alto e la temperatura può
raggiungere temperature sopra i 35 °C.
coffee break
I Coffee Break saranno servite a tutti i partecipanti registrati nellárea della Fiera Museale e dellÉxpo Forum,
situata nellála Nord, al livello +1, dal 4 al 6 luglio così
come il 3 ed il 9 luglio nel Silver Foyer nellála Nord al
livello +2. Le Coffee Break sono previste nei seguenti orari:
10:30 – 11:00 e 15:00 - 15:30 (Silver Foyer)
15:45 – 16:15 (Fiera Museale ed Expo Forum)
10:30 – 11:00 e 16:30 – 17:00 (Fiera Museale ed Expo Forum)
11:00 – 11:30 e 15:45 – 16:15 (Fiera Museale ed Expo Forum)
la mattina (Silver Foyer)
Comitati Internazionali
I Comitati Internazionali riuniscono esperti di diverse
specialità museali. Ciascun Comitato Internazionale è
rappresentato allínterno dellÁdvisory Committee di
ICOM dal proprio Presidente. I 30 Comitati Internazionali
sono luoghi dove ragionare apertamente sui musei e, più in
generale, sulle questioni relative al patrimonio culturale.
Definiscono gli standard per i professionisti museali,
condividono informazioni scientifiche, stabiliscono
partnership con altre organizzazioni e sviluppano
raccomandazioni per i membri ICOM. Di seguito la lista dei
30 Comitati Internazionali:
INFORMAZIONI
GENERALI
COPIE / STAMPE (un lato)
formato A4 b/n € 0.20
formato A3 b/n € 0.30
formato A4 a colori € 0.50
formato A3 a colori € 0.70
INVIO FAX
Quota fissa € 1.50
Italia € 0.30
Europa € 0.60
Intercontinentale € 1.00
RICEZIONE FAX Prezzo singolo € 0.20
RISMA DI CARTA 500 sheets € 5.00
Domenica 3 luglio
Lunedì 4 luglio
Martedì 5 luglio
Mercoledì 6 luglio
Sabato 9 luglio
AVICOM Audiovisual and New Technologies of Image and Sound
CAMOC Collections and Activities of Museums of Cities
CECA Education and Cultural Action
CIDOC Documentation
CIMCIM Museums and Collections of Musical Instruments
CIMUSET Museums and Collections of Science and Technology
CIPEG Egyptology
COMCOL Collecting
COSTUME Museums and Collections of Costume
DEMHIST Historic House Museums
GLASS Museums and Collections of Glass
ICAMT Architecture and Museum Techniques
ICDAD Museums and Collections of Decorative Arts and Design
ICEE Exhibitions and Exchange
ICFA Museums and Collections of Fine Arts
ICLM Literary Museums
ICMAH Museums and Collections of Archaeology and History
ICME Museums and Collections of Ethnography
ICMEMO Memorial Museums in Remembrance of the Victims of Public Crimes
ICMS Museum Security
ICOFOM Museology
Schnittmarke
Business CentRE
101
ICOM-CC Conservation
ICOMAM Museums of Arms and Military History
ICOMON Money and Banking Museums
ICR Regional Museums
ICTOP Training of Personnel
INTERCOM Museum Management
MPR Marketing and Public Relations
NATHIST Museums and Collections of Natural History
UMAC University Museums and Collections
Comitati Nazionali
I Comitati Nazionali sono il principale strumento di comunicazione tra il Segretariato Generale ed i membri di
ICOM. I 119 Comitati Nazionali assicurano che gli interessi
dellórganizzazione siano gestiti al meglio nelle respettive
nazioni. I Comitati Nazionali rappresentano i loro membri
allínterno di ICOM e contribuiscono allímplementazione
del programma dellórganizzazione.
Distributori di acqua
Diversi distributori di acqua a titolo gratuito sono distribuiti
nel Centro Congressi.
Elettricità
In Italia, il voltaggio è 220v a/c. Le prese hanno 2 buchi,
quindi può essere necessario un adattatore.
Eventi sociali serali (5-6 Luglio)
Schnittmarke
Più di 40 musei a Milano saranno aperti la sera in via straordinaria e organizzeranno eventi speciali per ICOM Milano 2016.
La lista completa degli eventi sociali, con la mappa ed i
dettagli degli orari di apertura ed altre informazioni utili
sono disponibili sul sito ufficiale della Conferenza (http://
net wor k .icom.museum / icom-mil an-2 016/socialevents/programma-sociale/L/7/) e sono costantemente
in aggiornamento. Alcuni eventi sono aperti per un numero
limitato di persone: la prenotazione, non è necessaria ed
i partecipanti saranno ammessi secondo la disponibilità
dello spazio.
Sono in programma molti eventi speciali!
102
Excursion Day (giornata di
escursione)
L´ Excursion Day è una tradizione delle Conferenze Generali ICOM: un giorno al di fuori del centro congressi per
scoprire la città ospitante, così come il nord e centro
Italia! LÉxcursion Day è venerdí 8 luglio. Per maggiori
informazioni, consultare il sito web (http://network.
icom.museum/icom-milan-2016/excursion-day/excursion-day/L/7/).
Expo Forum
LÉxpo Forum è unárea separata nella Fiera Museale e
dellÉxpo Forum (Ala Nord, livello +1) dove gli espositori/
sponsor possono fare un presentazione ai partecipanti.
Lórario è pubblicato nella parte dedicata al programma
in questa brochure così come su un´ insegna dedicata
nellárea del Expo Forum.
Festa di apertura
La Festa di Apetura si terrà lunedì 4 luglio dalle 19:30
al Castello Sforzesco, il famoso castello del 15° secolo,
situato nel centro di Milano. I partecipanti avranno lópportunità di visitare tutti i musei del Castello, inclusa la
nuova collocazione della Pietà Rondanini e la Sala delle
Asse di Leonardo, recentemente restaurata.
Festa e cerimonia di chiusura
La cerimonia di chiusura (accesso nel limite dei posti
disponobili e secondo lórdine di arrivo) si terrà alle
19:30 sabato 9 luglio seguita dalla festa di chiusura alle
20:00 presso la Triennale Palazzo dellÁrte. I partecipanti
potranno visitare il Museo del Design, il parco e le mostre
della XXI Triennale Esposizione Internazionale per lárchitettura, le arti visive e decorative, il design, la moda e le
produzioni audio-video.
Fiera Museale ed Expo Forum
I partecipanti sono invitati a visitare la Fiera Museale ed
a seguire la programmazione dellÉxpo Forum. Láera è
aperta ai visitatori con i seguenti orari:
Lunedì 4 luglio
Martedì 5 luglio Mercoledì 6 luglio 12:30 – 18:00
09:00 – 18:00
09:00 – 18:00
Fotografie e video riprese
MOSTRA FOTOGRAFICA DI ICOM LAC
ICOM e K.I.T. Group lavorano insieme al fine di creare
una panoramica esaustiva della Conferenza e degli
eventi che potrebbero avere un interesse promozionale per lórganizzazione. Pertanto La informiamo che
potrebbe essere ripreso e/o fotografato in qualsiasi
momento (nelle sale, presso lÉxpo Forum, durante gli
eventi sociali, etc.) e che le Sue presentazioni a titolo di
relatore possono essere registrate.
Internet Point
LÍnternet Point è situato nellárea della Fiera Museale e
dellÉxpo Forum, ala Nord, livello +1. È gratuito per tutti i
partecipanti registrati. È disponibile anche una stampante
per stampare (es. stampa della carta di imbarco).
Iscrizioni
I desk di registrazione sono situati nellála Nord, livello +1
e sono aperti secondo i seguenti orari:
08:00 – 19:00
08:00 – 18:30
08:00 – 18:30
08:00 – 18:30
08:00 – 17:30
Lingue
Le lingue ufficiali della Conferenza sono inglese, italiano,
francese e spagnolo.
OFF-SITE MEETINGS
Giovedì 7 luglio i Comitati Internazionali di ICOM organizzano i loro meeting al di fuori del Centro Congressi.
Salvo differenti indicazioni, questi meeting sono dedicati ai
membri dei rispettivi Comitati. Lórario è pubblicato nella
parte dedicata al programma in questa brochure.
Organizzazioni Affiliate
Le Organizzazioni Affiliate sono associazioni o consigli
internazionali dedicati ai musei ed ai professionisti
museali di una specifica area geografica. Queste organizzazioni partecipano alle attività ICOM e contribuiscono
allínfluenza dellórganizzazione e del suo network, pur
tuttavia mantenendo la loro autonomia.
Qualsiasi organizzazione internazionale i cui membri
siano per almeno due terzi musei o professionisti museali
può diventare una Organizzazione Affiliata. Le 21 Organizzazioni Affiliate sono rappresentate dai loro Presidenti
allínterno dellÁdvisory Committee. Di seguito lélenco
delle Organizzazioni Affiliate:
Schnittmarke
08:00 – 19:00
08:00 – 19:00
08:00 – 19:00
08:00 – 19:00
08:00 – 18:00
La Networking Lounge è generosamente sponsorizzata da
Exhibit Design & Consulting, The Hettema Group e THK
Co., Ltd..
INFORMAZIONI
GENERALI
Il guardaroba è situato nellárea registrazione, ala Nord,
livello +1. Il costo per le giacche è di € 2.50 cad. ed il costo
per i bagagli è di € 3.00 cad. Il guardaroba è aperto secondo
i seguenti orari:
Domenica 3 luglio
Lunedì 4 luglio
Martedì 5 luglio Mercoledì 6 luglio Sabato 9 luglio Networking Lounge
La Networking Lounge è situata presso lárea della Fiera
Museale e dellÉxpo Forum, ala Nord, livello+1.
Guardaroba, bagagli
Domenica, 3 luglio
Lunedí, 4 luglio
Martedí, 5 luglio MercoledÌ, 6 luglio
Sabato, 9 luglio I partecipanti hanno lópportunità di visitare una speciale
mostra fotografica organizzata da ICOM LAC.
Luogo: Foyer Gold, Ala Sud, livello +2
Titolo: Paesaggi culturali dellÁmerica Latina e delle
Regioni Caraibiche
AEOMAssociation of European Open-Air Museums
AFRICOM International Council of African Museums
AIMA
International Association of Agricultural Museums
AMOIAssociation of Museums of the Indian Ocean
CAM
Commonwealth Association of Museums
CIMAM
International Committee for Museums and Collections of Modern Art
EXARC
International Organisation of Archaeological Open Air Museums and Experimental Archaeology
103
FIHRMFederation of International Human Rights Museums
HO!IHands On! International Association of Children’s Museums
IACCC
International Association of Corporate Collections of Contemporary Art
IACM
International Association of Customs/Tax Museums
IAMFA
International Association of Museum Facility Administrators
IAMH
International Association of Museums of History
IATM
International Association of Transport and Communications Museums
ICAM
International Confederation of Architectural Museums
ICMM
International Congress of Maritime Museums
MAC
Museums Association of the Caribbean
MINOM
International Movement for a New Museology
PIMA
Pacific Islands Museum Association
SADCAMSouthern Africa Development Community Association of Museums and Monuments
SIBMAS International Association of Libraries and Museums of the Performing Arts
Pranzi
I partecipanti regolarmente registrati riceveranno un coupon
per il ritiro di un lunch box presso le aree dedicate: dal 4 al 6
luglio presso la zona della Fiera Museale e dellÉxpo Forum
(ala Nord, livello +1), mentre il 3 ed il 9 luglio presso la sala
Silver (ala Nord, livello +2). La distribuzione dei lunch box
avverrà secondo i seguenti orari:
Schnittmarke
Domenica 3 luglio 12:30 – 13:30 vicino alla sala Silver
Lunedì 4 luglio
12:30 – 14:00 Fiera Museale e dellÉxpo Forum
Martedí 5 luglio 13:00 – 14:00 Fiera Museale e dellÉxpo Forum
Mercoledí 6 luglio
13:00 – 14:00 Fiera Museale e dellÉxpo Forum
Sabato 9 luglio 14:00 – 15:00 vicino alla sala Silver
Prenotazioni alberghiere
Per qualsiasi informazione relativa alle prenotazioni alberghiere, rivolgersi al desk Accommodation situato nellárea
di registrazione a livello +1 dellála Nord.
104
Primo soccorso
Tutto il personale di Sicurezza del MiCo è formato per dare
assistenza di primo soccorso e sono le prime persone a cui
rivolgersi in caso di necessità. Un punto di primo soccorso
è situato nellála Nord al livello 0. È possibile inoltre
contattare il personale ai desk di registrazione, situati
nellála Nord, al livello +1.
Questionario di valutazione
Al termine della Conferenza sullÁpp sarà disponibile un
questionario di soddisfazione sulla Conferenza stessa.
Il questionario aiuterà gli organizzatori a comprendere
meglio le necessità ed i desideri dei partecipanti.
Sala di voto
La sala di voto è situata nella sala White 2 nellála Nord al
livello +2 e sarà aperta secondo i seguenti orari :
Lunedì 4 luglio e martedì 5 luglio
08:00 – 19:00
Sala relatori (Speakers Lounge)
La Speaker Lounge è situata nella Suite 1, ala Sud, livello
+2 e sarà aperta secondo i seguenti orari:
Domenica 3 luglio
Lunedí 4 luglio
Martedì 5 luglio
Mercoledì 6 luglio Sabato 9 luglio
08:00 – 19:00
08:00 – 18:30
08:00 – 18:30
08:00 – 18:30
08:00 – 17:30
Stampa e media
La sala stampa è situata nellÓffice 6, ala Nord, livello – 1
e seguirà i seguenti orari di apertura:
Domenica 3 luglio
Lunedí 4 luglio
Martedì 5 luglio
Mercoledì 6 luglio
Sabato 9 luglio
10:00 – 19:00
08:00 – 18:30
08:00 – 18:30
08:00 – 18:30
08:00 – 17:30
Contatti:
Ms Maria Gatón Fraile
Direttore del Dipartimento Comunicazione e Pubbliche
relazioni
E-mail: [email protected]
Stefano De Angelis / Filippo Cristini
Capo Ufficio Stampa dellÁgenzia Stampa Italiaba
(Studio De Angelis)
Email: [email protected], [email protected]
La Conferenza Stampa si terrà giovedì 30 giugno, presso
il Museo Nazionale della Scienza e della Tecnologia
Leonardo da Vinci, nella sala Biancamano. Per maggiori
informazioni, consultare il sito web http://network.icom.
museum/icom-milan-2016/media/giornalisti/L/7/ .
Stazioni di ricarica
Terminali per la stampa dei badge
I partecipanti possono stampare il proprio badge autonomamente, scansionando il codice a barre contenuto nella
conferma di registrazione presso i terminali appositi.
Molti volontari assisteranno i partecipanti durante líntera
Conferenza. I volontari indossano una maglietta speciale
che consentirà di riconoscerli facilmente.
La maglietta dei volontari è generosamente sponsorizzata
dallázienda Arteria.
WI-FI
I partecipanti regolarmente registrati possono accedere
ad Internet tramite la rete WI-FI gratuita del MiCo. Per
navigare, selezionare la rete “ICOM_Milano_2016”,
inserire la password indicata qui di seguito ed accettare
le Condizioni Generali.
INFORMAZIONI
GENERALI
Ci saranno stazioni di ricarica per i telefoni cellulari localizzate in tutta la sede del convegno e sono gratuite.
VOLONTARI
Password: icom2016
La rete Wi-FI è generosamente sponsorizzata da Hubei
Provincial Museum.
I terminali per la stampa dei badge sono generosamente
sponsorizzati dallázienda ETT s.p.a.
Tour Pre- e Post-Conferenza
I tour pre- e post- Conferenza non sono organizzati da
ICOM Milano 2016. Tutti i tour debbono essere prenotati
anticipatamente, in base alle scadenze indicate sul sito
della Conferenza. Nellárea dedicata alla Fiera Museale
ed allÉxpo Forum (ala Nord, livello + 1) si trova un punto
informazioni sui Tour, dove sono disponibili i contatti delle
varie agenzie di viaggio.
Trasporti
Schnittmarke
Un pass settimanale per i trasporti pubblici di Milano è
incluso nella quota di registrazione. Il pass sarà distribuito ai
desk di borse congressuali (ala Nord, livello +1).
Ufficio soci
Lúfficio soci è situato nella sala White 1 nellála Nord al
livello +2 e sarà aperto secondo i seguenti orari:
Da domenica 3 luglio al mercoledì 6 luglio
08:30 – 18:00
Valuta
La valuta italiana è lÉuro, che circola in banconote da 5,
10, 20, 50, 100, 200 e 500 ed in monete da 0.1, 0.2, 0.5, 10,
20, 50 centesimi e da 1 e 2 Euro.
105
orari di apertura
Iscrizioni
Domenica 3 luglio
Lunedì 4 luglio
Martedì 5 luglio Mercoledì 6 luglio Sabato 9 luglio
Sala stampa
08:00 – 19:00
08:00 – 18:30
08:00 – 18:30
08:00 – 18:30
08:00 – 17:30
Fiera Museale ed Expo Forum
Lunedì 4 luglio
Martedì 5 luglio Mercoledì 6 luglio 08:00 – 19:00
08:00 – 19:00
08:00 – 19:00
08:00 – 19:00
08:00 – 18:00
Sala di voto
Lunedì 4 luglio Martedì 5 luglio
08:00 – 19:00
08:00 – 19:00
Ufficio soci
Domenica, 3 luglio
Lunedí, 4 luglio
Martedí, 5 luglio
MercoledÌ, 6 luglio
Schnittmarke
106
10:00 – 19:00
08:00 – 18:30
08:00 – 18:30
08:00 – 18:30
08:00 – 17:30
Sala relatori (Speakers Lounge)
12:30 – 18:00
09:00 – 18:00
09:00 – 18:00
Guardaroba, Bagagli
Domenica, 3 luglio
Lunedí, 4 luglio
Martedí, 5 luglio MercoledÌ, 6 luglio
Sabato, 9 luglio Domenica 3 luglio
Lunedí 4 luglio
Martedì 5 luglio
Mercoledì 6 luglio
Sabato 9 luglio
08:30 – 18:00
08:30 – 18:00
08:30 – 18:00
08:30 – 18:00
Domenica 3 luglio
Lunedí 4 luglio
Martedì 5 luglio
Mercoledì 6 luglio Sabato 9 luglio
08:00 – 19:00
08:00 – 18:30
08:00 – 18:30
08:00 – 18:30
08:00 – 17:30
Business Center
Domenica 3 luglio Lunedì 4 luglio
Martedì 5 luglio
Mercoledì 6 luglio
Sabato 9 luglio
08:00 – 19:00
08:00 – 19:00
08:00 – 19:00
08:00 – 19:00
08:00 – 18:00
Schnittmarke
Legend
ICOM Presentation for Newcomers
ICs, NCs, RA, AO SPECIALIST MEETING / OFF-SITE MEETING
Internal ICOM Meeting
Schnittmarke
Internal ICs, NCs, RA Meeting
Lunch / Coffee Break
Memorial Lectures
Mentoring Session for Young Professionals
Official Partner Session
Panel Discussion
Plenary Session
Registration / Voting
Social Events
Sponsored Session
„Where ICOM from“ Exhibition
Detailed programme
SUNDAY 3 JULY
Schnittmarke
Detailed programme
SUNDAY 3 JULY
SUNDAY 33 JULY
JULY
North Wing
ROOM Registration
Area
LEVEL +1
Silver
Plenary
+2
White
Hall 1
+2
Turquoise
Hall 1
-1
Turquoise
Hall 2
-1
Orange
Hall 1
-1
Orange
Hall 2
-1
Orange
Hall 3
-1
NATHIST
CIPEG
ICLM
CIMUSET
ICMEMO
8:00
8:30
9:00
Registration
Membership Office
9:30
Advisory
Committee Meeting
10:00
10:30
Coffee Break
(Foyer Silver)
11:00
11:30
Advisory
Committee Meeting
12:00
12:30
Lunch
(Foyer Silver)
13:00
13:15
13:30
13:45
Advisory
Committee Meeting
14:00
14:30
15:00
Coffee Break
(Foyer Silver)
15:15
15:30
15:45
NCs Chairs
Meeting
(ICs Chairs Meeting
is held in Amber
Hall 5, South
Wing, level +2)
16:00
16:30
17:00
17:30
18:00
18:30
19:00
South Wing
ROOM Suite 2
Suite 3
Suite 4
Suite 5
Suite 6
Suite 7
Suite 8
LEVEL +2
+2
+2
+2 M
+2 M
+2 M
+2 M
CIDOC – WG Meeting
EXHIBITION DOC
LIDO
CRM
RESEARCH
ENVIRONMENTS
LIDO
CRM
9:00
9:30
10:00
10:30
11:00
11:30
12:00
Schnittmarke
12:30
13:00
13:30
14:00
14:15
14:30
14:45
15:00
15:15
DEMHIST
15:30
15:45
16:00
CIMCIM
16:30
17:00
17:15
CIDOC
17:30
18:00
18:30
110
ICMS
ICMAH
ICOM Europe
ICAMT
GLASS
SUNDAY 3 JULY
North Wing
Green
Green
Hall 1
Hall 2
-1
-1
Green
Hall 3
-1
Meeting
Room 3
-1
Meeting
Room 4
-1
Meeting
Room 5
-1
Meeting
Room 6
-1
Meeting
Room 7
0
Meeting
Room 8
0
Meeting
Room9
0
ROOM
LEVEL
8:00
8:30
9:00
9:30
10:00
10:30
11:00
11:30
12:00
12:30
13:00
13:15
13:30
13:45
14:00
14:30
15:00
Detailed programme
SUNDAY 3 JULY
15:15
15:30
15:45
16:00
ICR
16:30
17:00
17:30
AVICOM
ICOMAM
ICTOP
ICOFOM
CAMOC
ICME
ICEE
ICOM Arab
ICOM
Switzerland
18:00
18:30
19:00
South Wing
Suite 9
Amber Hall 1
Amber Hall 2
Amber Hall 5
Amber Hall 6
Amber Hall 8
ROOM
+2 M
+2
+2
+2
+2
+2
LEVEL
9:00
9:30
ARCHAEOLOGICAL
SITES
10:00
10:30
11:00
11:30
12:00
12:30
Schnittmarke
13:00
13:30
14:00
DIGITAL
PRESERVATION
14:15
UMAC
14:30
14:45
15:00
15:15
15:30
15:45
ICs Chairs Meeting
16:00
16:30
17:00
17:15
17:30
MPR
ICOMON
COSTUME
INTERCOM
18:00
18:30
111
SUNDAY 3 JULY 2016
08:00 – 19:00 | Registration Area (North Wing - Level +1)
Registration
Notes
08:30 – 18:00 | White Hall 1 (North Wing - Level +2)
Membership Office
09:00 – 10:30 | Silver Plenary (North Wing - Level +2)
Advisory Committee Meeting
09:00 – 13:00 | Suite 6 (South Wing - Level +2 M)
CIDOC – WG Meeting EXHIBITION DOC
Exhibition and Performance documentation
Chair: Gabriel Bevilcqua
CIDOC – WG Meeting LIDO
09:00-10:00
Welcome and introduction
10:00-11:00
Implementing LIDO
Gordon McKenna
11:00-12:00
The common catalogue of data fields for prints and drawings:
A guide to high-quality LIDO data
Angela Kailus
12:00-13:00
Two case studies to the enriched, LIDO-based description of objects:
The context of the 19th-century ornamental prints and of the plaster casts
Julia Katona
CIDOC – WG Meeting CRM
Schnittmarke
CIDOC – WG Meeting ARCHAEOLOGICAL SITES
09:00-13:00
Archaeological Archive Standard
Archaeological projects generate records that help users comprehend the results.
Some projects, like excavations, are destructive processes and therefore the subsequent
archive is the only evidence remaining of the archaeology encountered. It is vital, therefore,
that the archive facilitates future research, particularly by those with no direct involvement
in the original project. The nature of archaeological archives has changed dramatically
since the early 1990s. This has resulted in changing demands on digital and physical
access, long-term preservation, standardization of documentation and interoperability
for searching across databases and digital publications. A number of excellent national
and local standards and detailed guidance on the creation, preparation and deposition of
archaeological archives have been produced by large and small organizations.
The aim of this standard is to outline the common international requirements.
112
SUNDAY 3 JULY 2016
10:30 – 11:00 | Silver Foyer (North Wing - Level +2)
Coffee Break
Notes
Lunch Break
CIDOC – WG Meeting EXHIBITION DOC
Chair: Gabriel Bevilcqua
CIDOC – WG Meeting LIDO
Detailed programme
SUNDAY 3 JULY
14:00-15:00
Collaborative development of LIDO terminology
Angela Kailus
Regine Stein
15:00-16:00
LIDO Terminology: Discussion and approval of first set of recommendations
16:00-17:00
AOB: Issues, ideas, questions, suggestions from participants
CIDOC – WG Meeting CRM
14:00-14:10
Introduction to the WissKI
Guenther Goertz
Siegfried Krause
Schnittmarke
CIDOC – WG Meeting DIGITAL PRESERVATION
Chair: Susanne Nickel
14:00-14:45
Chairs report
14:45-15:30
Follow up PERSIST guidelines
15:30-16:15
Communication and membership
16:15-17:00
Agenda for 2016-2019
113
SUNDAY 3 JULY
14:00 – 18:00 | Amber Hall 1 (South Wing - Level +2)
UMAC – University Museums and Collections
Board Meeting
Notes
Coffee Break
DEMHIST – Historic House Museums
Board Meeting
NCs Chairs Meeting
15:30 – 17:00 | Suite 2 (South Wing - Level +2)
CIMCIM – Museums and Collections of Musical Instruments
Board Meeting
ICs Chairs Meeting
16:00 – 18:30 | Meeting Room 9 (North Wing - Level 0)
ICR – Regional Museums
Board Meeting
CIDOC – Documentation
Board Meeting
ICMS – Museum Security
Board Meeting
17:30 – 18:30 | Turquoise Hall 1 (North Wing - Level -1)
NATHIST – Museums and Collections of Natural History
Board Meeting
Schnittmarke
CIPEG – Egyptology
Board Meeting
17:30 – 18:30 | Orange Hall 1 (North Wing - Level -1)
ICLM – Literary Museums
Board Meeting
CIMUSET – Museums and Collections of Science and Technology
Board Meeting
ICMEMO – Memorial Museums in Remembrance of the Victims of Public
Crimes
Board Meeting
114
SUNDAY 3 JULY
17:30 – 18:30 | Green Hall 1 (North Wing - Level -1)
AVICOM – Audiovisual and New Technologies of Image and Sound
Board Meeting
Notes
ICOMAM – Museums of Arms and Military History
Board Meeting
ICTOP – Training of Personnel
Board Meeting
17:30 – 18:30 | Meeting Room 3 (North Wing - Level -1)
ICOFOM – Museology
Board Meeting
Detailed programme
SUNDAY 3 JULY
CAMOC – Collections and Activities of Museums of Cities
Board Meeting
ICME – Museums and Collections of Ethnography
Board Meeting
ICEE – Exhibitions and Exchange
Board Meeting
ICOM Arab
Board Meeting
ICOM Switzerland
Board Meeting
Schnittmarke
ICMAH – Museums and Collections of Archaeology and History
Board Meeting
ICOM Europe
Board Meeting
ICAMT – Architecture and Museum Techniques
Board Meeting
GLASS – Museums and Collections of Glass
Board Meeting
115
SUNDAY 3 JULY
MPR – Marketing and Public Relations
Board Meeting
Notes
ICOMON – Money and Banking Museums
General Assembly and Board Meeting
COSTUME – Museums and Collections of Costume
Board Meeting
INTERCOM – Museum Management
Board Meeting
Facilitating public access to the
prussian cultural heritage using
cutting edge technology
Wednesday July 6, 2016 | 11:15 - 12:00
Expo Forum area in Exhibition Area
Schnittmarke
Affiliate
Partner
Integration
Reseller
6JGYGNEQOGUQNWVKQP
Web based software
for visitor management
www.gomus.de
Detailed programme
SUNDAY 3 JULY
Schnittmarke
Notes
117
Legend
Schnittmarke
Memorial Lectures
Panel Discussion
Plenary Session
Social Events
Sponsored Session
Detailed programme
MONDAY 4 JULY
Schnittmarke
Detailed programme
MONDAY 4 JULY
MONDAY 4 JULY
North Wing
ROOM Registration Exhibition Silver
Area
Area
Plenary
LEVEL +1
+1
+2
White
Hall 1
+2
White
Hall 2
+2
Red
Hall 1
+1
Red
Hall 2
+1
Blue
Hall 1
+1
Blue
Hall 2
+1
Yellow
Hall 1
+1
Yellow
Hall 2
+1
8:00
8:30
9:00
Registration
Voting Room
Membership
Office
9:30
10:00
Opening
Ceremony
and
Keynote
Speeches
10:30
11:00
11:30
12:00
12:15
12:30
12:45
13:00
Case Study
Panasonic
Business
Museum Fair
and Expo
Forum*
(Lunch Break
12:30 - 14:00)
13:15
13:30
13:45
Panel
Discussion
„Where
ICOM from“
Exhibition
Case Study
Fulldome.pro
ICOM
Presentation
for
Newcomers
14:00
14:15
NATHIST
14:30
Joint Session
INTERCOM
and FIHRM
Case Study
Intesa Sanpaolo
14:45
Joint Session ICMS
ICOFOM,
CAMOC, and
MINOM
15:00
15:15
15:30
15:45
Coffee Break
16:00
16:15
16:30
Museum Fair
and Expo
Forum*
17:00
17:15
17:30
18:00
18:30
19:00
South Wing
ROOM Suite 3
Suite 4
Suite 5
Suite 6
Suite 7
Brown Hall 1
Brown Hall 2
Brown Hall 3
LEVEL +2
+2
+2 M
+2 M
+2 M
+2
+2
+2
ICR
MPR
CIDOC
13:30
Schnittmarke
14:00
ICAMT
14:30
Joint Session
ICDAD
ICMEMO and The
University of Exeter
15:00
15:30
16:00
16:30
17:00
CIDOC
CIDOC
17:30
18:00
19:30
23:30
Opening Party (Castello Sforzesco)
*The schedule of the Expo Forum can be found in the „Detailed Programme“ part.
120
MONDAY 4 JULY
North Wing
Yellow
Turquoise Turquoise Orange
Hall 3
Hall 1
Hall 2
Hall 1
+1
-1
-1
-1
Orange
Hall 2
-1
Orange
Hall 3
-1
Green
Hall 1
-1
Green
Hall 2
-1
Green
Hall 3
-1
Meeting
Room 3
-1
Meeting
Room 4
-1
Meeting
Room 5
-1
ROOM
LEVEL
8:00
8:30
9:00
9:30
10:00
10:30
11:00
11:30
12:00
12:15
12:30
12:45
13:00
Open Forum
on ICOM
Resolutions
2016
13:15
13:30
13:45
14:00
ICOMON
GLASS
CIPEG
ICLM
CIMUSET
Joint
Session
COMCOL
and ICFA
AVICOM
ICOMAM
ICOM Russia ETHCOM
ICTOP
14:15
14:30
14:45
15:00
15:15
15:30
15:45
16:00
Detailed programme
MONDAY 4 JULY
16:15
16:30
17:00
17:15
17:30
GLASS
18:00
18:30
19:00
South Wing
Amber Hall 1
Amber Hall 2
Amber Hall 3
Amber Hall 4 Amber Hall 5
Amber Hall 6
Amber Hall 7
Amber Hall 8
ROOM
+2
+2
+2
+2
+2
+2
+2
LEVEL
+2
13:30
14:00
CIMCIM
CECA
ICEE
Joint Session
COSTUME
and ICME
ICMAH
UMAC
14:30
Schnittmarke
DEMHIST
15:00
15:30
16:00
16:30
17:00
ICEE
Opening Party (Castello Sforzesco)
17:30
18:00
19:30
23:30
121
MONDAY 4 JULY
Registration
Notes
Voting
Membership Office
Opening Ceremony and Keynote Speeches
09:30 – 11:00
Welcome
Hans-Martin Hinz, President of ICOM, Germany
Alberto Garlandini, President of the Italian Organising Committee, Italy
Daniele Jalla, President of ICOM Italy, Italy
Dario Franceschini, Minister of Cultural Heritage and Activities and Tourism, Italy
Mario Giro, Deputy Minister of Foreign Affairs and International Cooperation, Italy
Francesco Bandarin, Assistant Director-General for Culture, UNESCO, Italy
Roberto Maroni, President of the Regional Government of Lombardy, Italy
Mayor of Milan, Italy
ICOM’s 70th Birthday
Presentation of “Where ICOM from” exhibition
François Mairesse, Chair of ICOFOM, Université Sorbonne Nouvelle, France
Presentation of “Museums, Ethics and Cultural Heritage” (Routledge, 2016)
Bernice Murphy, former Vice President of ICOM
11:00 – 11:20
Introduction
Galina Alekseeva, Chair of ICLM-Literary Museums, Russia
Keynote Speech (video)
Orhan Pamuk, Turkey
Schnittmarke
Turkish novelist, screenwriter, academic and recipient of the 2006 Nobel Prize
in Literature
11:20 – 12:25
Introduction
Luigi Di Corato, Director of Fondazione Brescia Musei, Italy
Keynote Speech
Christo, United States
The environment artists Christo and Jeanne-Claude (1935-2009) created
some of the most spectacular largescale artworks of the 20th century
12:25 – 12:30
Invitation to the opening of the “Where ICOM from” Exhibition & Museum Fair
and Expo Forum
122
MONDAY 4 JULY
12:30 – 14:00 | Red Hall 2 (North Wing - Level +1)
Case Study Panasonic Business
Ancient times seen through a modern lens - How to enrich the visitor
experience with todays’ technology
Chair: Hartmut Kulessa, Germany
Notes
Johan Ahrenfeldt, Denmark
Jonas Oxenbøll Petersen, Denmark
Hartmut Kulessa, Germany
12:30 – 18:00 | Exhibition Area (North Wing - Level +1)
Museum Fair & Expo Forum (Lunch Break 12:30-14:00)
12:30 – 13:15 | Expo Forum (Exhibition Area)
Expo Forum: Empreinte, Presence, Sycomore
3 leading French companies in museum communication
12:30 – 12:45
PRESENCE: Visitor’s expectations and immersive technologies
Mattias Delattre, La Madeleine, France
12:45 – 13:00
SYCOMORE: Enhancing the visitor experience
Fabrizio Di Maria, Italy
Detailed programme
MONDAY 4 JULY
13:00 – 13:15
Empreinte: Empreinte-signes des temps: Seal of quality for integrated outdoor
signage systems
Rosaria Puglisi, Italy
12:30 – 18:00 | Blue Hall 2 (North Wing - Level +1)
“Where ICOM from” Exhibition
12:30 – 13:45 | Yellow Hall 3 (North Wing - Level +1)
Resolutions Committee – Open Forum on ICOM Resolutions 2016
Schnittmarke
12:45 – 13:00
Introduction
Anne-Catherine Robert-Hauglustaine, General Director, ICOM
13:00 – 13:15
Presentation of ICOM and the General Conference
Maria Gaton Fraile, Head of Communications Department and Public Relations,
ICOM
13:15 – 13:30
Presentation of ICOM Milano 2016
Alberto Garlandini, President of the Italian Organising Committee, Italy
Barbara Landi, Italian Project Manager, ICOM 2016 Milano
123
MONDAY 4 JULY
13:30 – 13:45
Presentation of ICOM membership and its advantages
Notes
Matteo Tassi, Head of Membership Department, ICOM
Panel Discussion
What does the new UNESCO Recommendation on the Promotion and
Protection of Museums and Collection, their diversity and role in society
mean for museums?
Francesco Bandarin, Assistant Director-General for Culture, UNESCO
Paola Marini, Director of the Gallerie dell‘Accademia in Venice, Italy
Tereza Scheiner, Prof., UNIRIO, Brazil
Case Study Fulldome.pro
Digital Art and the Art of Digital
Chair: Yana Fedorova, Thailand
13:00 – 13:15
Fulldome as a new media format, provides a multitude of possibilities for art
and creative people. No longer constrained by traditional frame or screen,
artwork can fully engage the audience, capture attention, promote better
understanding and even awaken deeper feelings.
Yana Fedorova, Thailand
13:15 – 13:22
Showcasing Samskara project
Andrew Jones, United States
13:22 – 13:29
Showcasing Black Shoals project
Lise Autogena, United Kingdom
Schnittmarke
Expo Forum: Zeutschel GmbH
Presentation of Digital Objects in 3D
Michael Luetgen, Germany
13:30 – 13:45
Opening
Jean Hilgersom
13:45-14:00
Lecture, Triennale
Giuliana Ricci
124
MONDAY 4 JULY
14:00-14:15
The architecture and the prospectives
Notes
Margherita Guccione
14:15-14:30
Architecture archives and museum project
Elena Pelosi, Italy
14:30-14:45
Architecture competitions for the Ministry of cultural and heritage in Italy
Elena Pelosi, Italy
14:45-15:00
Architecture competition for the Guggenheim in Helsinki, Finland
Antonello Alici, Italy
15:00-15:15
Presentation 1
15:15-15:30
Presentation 2
15:30-15:45
Presentation 3
Detailed programme
MONDAY 4 JULY
15:45-16:00
Presentation 4
16:00-18:00
Building museums: Lessons learned
Martha Morris
Schnittmarke
14:00 – 14:30
Welcome Speech
14:30 – 15:30
Italian Museums’ sense of nature
Michele Lanzinger, Italy
15:30 – 15:45
Beware of the stuffed animals! Exploring the role and use of taxidermy
specimens in some permanent exhibitions in natural history museums in
the Netherlands, France and UK
Anneke Groen, The Netherlands
15:45 – 16:15
Coffee Break
125
MONDAY 4 JULY
Exhibition, education and outreach
16:15 – 16:30
Science as culture – Connecting traditional museums with contemporary
science
Notes
Paul Smith, United Kingdom
16:30 – 16:45
Out of the (rhetoric) box. Fine tuning the strategic planning of NHM’s cultural
actions to upgrade the institution to the multiple needs of current society
Antonia Caola, Italy
Massimo Bernardi, Italy
16:45 – 17:00
WHY and HOW museums and colleges benefit schools by sharing the
preparation of science teachers
Maritza Macdonald, United States
17:00 – 17:15
Art/Nature. A pilot project at the museum für Naturkunde Berlin
Anita Hermannstädter, Germany
17:15 – 17:30
Breaking the borders between nature and culture : Anthropocene as an
opportunity to enrich the collections and the exhibitions
Nicolas Kramar, Switzerland
17:30 – 17:45
On Expedition: An interdisciplinary project engaging museums, classrooms
and community in learning through art and nature
Roberta Altman, United States
17:45 – 18:00
Panel Discussion
Schnittmarke
Joint Session INTERCOM (Museum Management) and FIHRM
(Federation of International Human Rights Museums)
Welcome and keynote speeches
14:00 – 14:17
Welcome: Management and ethics – What and why?
Ole Winther, Denmark
14:17 – 14:34
Welcome: The ethical museum
David Fleming, Director of the Museums of Liverpool, Chair of the Human
Rights Museums Association, United Kingdom
14:34 – 14:51
The economy of culture in postindustrial times
Pier Luigi Sacco, Italy
126
MONDAY 4 JULY
14:51 – 15:08
New models of participatory management in local museums
Notes
Lourena Sancho Querol, Portugal
15:08 – 15:25
Whose Global Village? Cross-cultural perspectives on the Future of the Internet
Ramesh Srinivasan, United States
15:25 – 15:42
Questions and answers
15:42 – 16:12
Break
Ethical perspectives and museum management
Chair: Ida Brændholt Lundgaard, Denmark
16:15 – 16:35
Learning from success
Tali Gavish, Israel
16:35 – 16:55
To fund or not to fund – Some critical reflections from a governing body
Marie Skoie, Norway
Detailed programme
MONDAY 4 JULY
16:55 – 17:15
Many considerations to make – Many needs to balance
Kathrin Pabst
17:15 – 17:35
Ancient carvings, living symbols an sacred space - Returning to today’s
American Indians the sacred truths of the Jeffers Petroglyphs
Andrea Kaier
17:35 – 17:55
Panel debate
Schnittmarke
Joint Session ICOFOM (Museology), CAMOC (Collections and
Activities of Museums of Cities), and MINOM (New Museology)
Museums and urban cultural landscapes
Chairs:
Marlen Mouliou, Greece
Joana Sousa Monteiro, Portugal
François Mairesse, France
Mário Moutinho
Eric Sandweiss, United States
14:00 – 14:15
Opening speeches
127
MONDAY 4 JULY
14:15 – 14:35
Home-Town & other ambiguous constructs
Notes
Jette Sandahl, Denmark
14:35 – 14:55
Musealizing the world: Museums devouring landscapes and cultures
Bruno Brulon Soares, Brazil
14:55 – 15:15
UN 2030 Agenda – Rethinking ecomuseology and urbanism
Amareswar Galla, India
15:15 – 15:30
15:30 – 16:00
Coffee Break
16:00 – 16:15
The urban bias of the museum : Cities devouring museums and cultures
Saena Sadhighian, France
16:15 – 16:30
The creative cultural landscape
Rainey Tisdale, United States
Linda Norris, United States
16:30 – 16:45
Socio-museology approaches to engaging with contested spaces
Robert Heslip, Ireland
Schnittmarke
16:45 – 17:15
17:15 – 18:00
Final debate: “Museums and urban cultural landscapes in the contemporary
world: Conceptual issues, critical challenges”
14:00 – 14:10
Opening speech chairperson ICMS for ICMS conference
Willem Heckman, Canada
14:10 – 14:15
Break
14:15 – 14:45
Year in review
Bob Combs, United States
128
MONDAY 4 JULY
14:45 – 14:50
Break
Notes
14:50 – 15:30
Building partnerships to protect the world’s cultural heritage and landscapes
Vernon Rapley, United Kingdom
15:30 – 16:00
Coffee Break
16:00 – 16:30
Museum as active protection site: The shared responsibility in cultural
landscape
Tiziana Maffei, Italy
16:30 – 18:00
Business meeting for members of ICMS, including election of board
2016 – 2019
Developing numismatic landscapes: Exploring display, management and education
14:00 – 14:15
Introduction to ICOMON and today’s sessions
Detailed programme
MONDAY 4 JULY
Mieka Harris
Effrosyni Nomikou, United Kingdom
14:15 – 14:40
Mind, money and miniatures
Francine Farr, United States
14:40 – 15:05
Moneda e historia
Juan Christóbal Diax Negrete, Mexico
Schnittmarke
15:05 – 15:30
Establishing banking museums. Challenges and opportunities
Rajib Locahn Sahoo, India
15:30 – 15:55
Developing museum bank Indonesia’s display
15:55 – 16:20
Break
16:20 – 16:45
Connecting coins and classroms
Mieka Harris
16:45 – 17:10
Coin collections of Banbhore museum: The epic story of local landscape
Zahida Quadri, Pakistan
129
MONDAY 4 JULY
17:10 – 17:35
Plenary and networking
Notes
Mieka Harris
17:35 – 18:00
Plenary and networking
Museums and cultural landscapes
14:00 – 14:15
The technology museum of Glass in La Granja and his social and cultural environment
Paloma Pastor, Spain
14:15 – 14:30
Glass production and its influence on the cultural landscape
Jože Rataj, Slovenia
14:30 – 14:45
Czech Glass and the cultural landscape
Milan Hlaveš, Czech Republic
14:45 – 15:00
From Murano to Brazil: The path of Mario Seguso
Regina Lara, Brazil
Marcello Kammer, Brazil
15:00 – 15:15
New cultural approaches to glass museums
Teresa Almeida, Portugal
15:15 – 15:30
The history of the Hermitage collection of Western European Glass
Schnittmarke
Elena Anisimova, Russia
15:30 – 15:45
Discussion
15:45 – 16:15
Break
Updates on glass museums and collections
16:15 – 16:30
Medieval glass collections from Bosnia and Herzegovina
Aleksandar Jasarevic, Bosnia and Herzegovina
16:30 – 16:45
Glass conservation, an intricate matter: Three situations, different answers
but the same thread
Silvia Ferucci, Italy
Lamberto Tronchin, Italy
130
MONDAY 4 JULY
16:45 – 17:00
Study the deterioration resulting from Burial environment on archaeological
Glass of Fayoum Egypt Excavations
Notes
Rasha Taha, Egypt
17:00 – 17:15
Discussion and conclusions
General Assembly
Egyptological landscapes
14:00 – 14:45
CIPEG Opening session
Gabriele Pieke
Daniela Picchi
Detailed programme
MONDAY 4 JULY
14:45 – 15:45
Reports of the institutions
15:45 – 16:45
Keynote lecture
Christian Greco, Italy
16:45 – 17:15
Coffee Break
17:15 – 17:30
The Egyptian collection of the Civic Archaeological Museum of Milan –
Works in progress towards a new permanent Egyptian gallery
Anna Provenzali
Sabrina Ceruti
Schnittmarke
17:30 – 18:00
Past and Future of the egyptian collection of the National Archaeological
Museum in Naples
Stefania Manieri
Rosanna Pirelli
Valeria Sampaolo
Shaping the cultural landscapes: The role of writers’ and composers’ museums
14:00 – 14:20
Introductory word & Questions and answers
Galina Alekseeva, Chair of ICLM-Literary Museums, Russia
131
MONDAY 4 JULY
14:20 – 14:40
Mapping out a literary landscape. A paradigm & Questions and answers
Notes
Maria Gregorio, Italy
14:40 – 15:00
The State A.S. Pushkin Museum in changeable city landscape
Evgeny Bogatyrev, Russia
15:00 – 15:20
The House Museum as a home of culture
Giuseppe Albano, Italy
15:20 – 15:40
The Role of Guo Moruo Memorial Museum in Shicha Lake cultural
landscapes
Wang Jing, China
Chen Yu, China
15:40 – 16:10
Coffee Break
16:10 – 16:30
Authors/Composers museums and town identities. From Wienna and Bonn to
Stockholm and Karlskoga & Questions and answers
Stefan Bohman, Sweden
16:30 – 16:50
Shaping the cultural landscapes: The role of writers’ and composers’
museums & Questions and answers
Francesca Allegri, Italy
Adriano Rigoli
16:50 – 17:10
Music as a hostage of word, or shift of musical landscape after the end of the
Soviet era & Questions and answers
Alla Bayramova, Azerbaijan
Schnittmarke
17:10 – 17:30
From museum exhibits to theater performance. Musical performance as a
means of preservation and actualization of the creative heritage of the
composer Nazib Zhiganov & Questions and answers
Alexej Egorov, Russia
17:30 – 17:50
The museum’s border expansion
Antra Medne, Latvia
Maira Valtere, Latvia
Contemporary heritage: Shaping the landscape of future memory
132
MONDAY 4 JULY
14:00 – 14:10
Welcome
Notes
Jytte Thorndahl, Denmark
14:10 – 14:30
Scene setting from the chair
Laura Ronzon, Italy
14:30 – 15:00
Keynote speech
Yves Winkin, France
15:00 – 15:30
Keynote speech
Catherine Cuenca, France
15:30 – 15:50
Foodtopia: Museum Boerhaave and The First Artificial Hamburger
Dirk van Delft, The Netherlands
15:50 – 16:10
The most beautiful road in Finland – The landscape of a modern society and
the construction of the Tarvo motorway
Linda Leskinen, Finland
Detailed programme
MONDAY 4 JULY
16:10 – 16:30
Wind turbines as part of the cultural landscape in Denmark
Jytte Thorndahl, Denmark
16:30 – 16:50
Scientific temper or scientific heritage: Some reflections on the role of history
(or lack thereof) at the National Council of Science Museums, India
Anwesha Chakraborty, India
16:50 – 17:10
Engaging with contemporary social issues – The challenges and complexity for
a national natural science museum
Schnittmarke
Wen-Ling Lin, United Kingdom
17:10 – 17:30
Particular landscapes of science museums
Bernard Blache, France
17:30 – 17:50
An historic opportunity for science centers and collection based museums
Anthony Bud Rock, United States
17:50 – 18:00
133
MONDAY 4 JULY
Notes
Joint Session ICFA (Museums and Collections of Fine Arts)
and COMCOL (Collecting)
Meaning of heritage
Chair: Léontine Meijer-van Mensch
14:00 – 14:20
Introduction
14:20 – 14:40
Creating a ‘sense of place’. Art in the public space,
private collecting and the museum
Stefanie Knoll, Germany
14:40 – 15:00
Mapping and sharing collections. A COMCOL initiative in Brazil
Claudia Porto, Brazil
15:00 – 15:20
Moving beyond objects: ways to communicate a sense of place, in the
representation of cultural heritage in ethnography museums
Yee-Yin Yao, Sweden
15:20 – 15:40
The Keir Collection and convivencia: a Jewish, Muslim and Christian art
collection’s engagement with the Cultural
Texas Landscape
Virginia Curry, United States
Schnittmarke
15:40 – 16:00
Discussion
16:00 – 16:20
Coffee Break
16:20 – 16:40
Intangible Heritage 2.0. How to collect, curate and present the digital
landscape as the new public space
Matthias Henkel, Germany
16:40 – 17:00
The influence of Waqf on the development of museums in Iran
Roshanak Saadati, Iran
Hadi Zandkarimi, Iran
17:00 – 17:20
Sense of place and political transformation: a perspective from South Africa
Helene Vollgraaff, South Africa
17:20 – 17:40
(Re)shaping national memory: A study on the National Palace Museum
and its South Branch Museum, Taiwan
Pang-Yen Cheng, Taiwan
134
MONDAY 4 JULY
17:40 – 18:00
Discussion
Notes
History of multimedia in museums
Chair: Bob Haroutunian
14:00 – 14:30
Guides us in an excursus on the experiments in technology for museums
Marco Tonon, Founder of AVICOM in 1991
14:30 – 15:00
Early years of AVICOM and the importance of social media for communication
with the public as a new task of AVICOM
Michael Faber, Founder vice president of AVICOM
15:00 – 15:30
Changing the technological interpretation of cultural heritage in museums,
pilot study result of winners 2000 and
2015 F@imp festivals in Budapest
Janòs Tari, Chair of AVICOM
15:30 – 16:00
Challenging, mapping and forging the digital transformation in museums 1975-2015
Detailed programme
MONDAY 4 JULY
Stephane Bezombes
16:00 – 17:00
Discussion and conclusion
Schnittmarke
Up to date research work, new projects
14:00 – 15:45
General Assembly
15:45 – 16:00
Coffee Break
16:00 – 16:15
The highly fashionable ethnic uniforms of the Zouaves: An early example
of cultural exchange
Ilse Bogarts, Belgium
16:15 – 16:30
“Extremely temperamental” – Revisiting the cossack uniform from
the Powerhouse Museum.
Zoe Scott, Australia
16:30 – 16:45
Engineer Helge Palmcrantz and the Swedish Machine Gun
Andreas Ohlsson, Sweden
135
MONDAY 4 JULY
16:45 – 17:00
Questions and discussions
17:00 – 17:15
Museum collecting work and international activities
Notes
Elena Porodina, Russia
17:15 – 17:30
War comes to the museum: Collections management in the Royal Museum of
the Armed Forces and Military History (Brussels) from 1923 to the present.
Natasja Peters, Belgium
17:30 – 17:45
The “Churchill’s yacht” in Canada – How to restore, preserve and put on display
a naval witness of WW2 when nobody can tell us the complete and true story!
André Kirouac, Canada
17:45 – 18:00
ICOM Russia
ETHCOM - Ethics Committee
Annual Board Meeting
14:00 – 18:00 | Meeting Room 4 + 5 (North Wing - Level -1)
Schnittmarke
Joint Session ICMEMO (Memorial Museums in Remembrance of
the Victims of Public Crimes) and The University of Exeter
Memory of dictatorships in Latin America, Eastern Europe and Post- Soviet States
14:00 – 14:05
Opening of ICMEMO Conference/Greetings - Acknowledgements/Introductions
Karen Franklin
Ophelia Leon
14:05 – 14:30
Commemorating the victims of Stalinist repressions: Case of two memorial
sites in Minksk and Astana
Nelly Bekus, United Kingdom
14:30 – 14:55
Memory of women – Prisoners in Alzhir museum
Anar Khassenova, Kazakhstan
14:55 – 15:15
Practicing Democracy at Memorial Sites? A training experience (not only)
in Belarus
Barbara Thimm
136
MONDAY 4 JULY
15:15 – 15:30
15:30 – 15:50
Coffee Break
Notes
15:50 – 16:15
Cultural landscapes of war? Reconstruction, museification and
memorialisation in post-Yugoslav cities
Gruia Badescu, United Kingdom
16:15 – 16:40
Memory dilemmas and debates: Examples of Argentina, Chile and Peru
Ricardo Brodsky
16:40 – 17:05
Didactics of Trauma: How to represent and transmit narratives in museums
dedicated to Memory and Human Rights. The case of Villa Grimaldi in Chile.
Roberto Fuertes, Chile
17:05 – 17:55
Round table – Questions and answers
Detailed programme
MONDAY 4 JULY
ICDAD – Museums and Collections of Decorative Arts and Design
Board Meeting
Historic houses and the interpretation of the cultural, social and urban landscape
14:00 – 14:10
Institutional greetings
John Barnes
14:10 – 14:40
Introduction to the conference
Schnittmarke
Rosanna Pavoni
Gianluca Kannes
Annalisa Zanni
Margherita Pellino
14:40 – 15:00
Relational landscapes and vision of the territory between objects, biographies
and expository writing
Mario Turci
15:00 – 15:20
Reversed historic house museum: Yugodom rental apartment in Belgrade
Sanja Iguman
Milos Nicic
137
MONDAY 4 JULY
15:20 – 15:40
The Casa Martelli Museum in Florence: An example of interaction with
the social landscape
Notes
Monica Bietti
15:40 – 16:00
Coffee Break
16:00 – 16:20
FAI for Casa Campatelli. From the Middle Ages to the 20th century, a paradigm
of cultural and social themes in the heart of San Gimignano
Lucia Mannini
Lucia Borromeo
16:20 – 16:40
The space of identity and the poetry of Marino Moretti
Manuela Ricci
16:40 – 17:00
The House-Museums of Italian immigrants in Brazil as a cultural landscape
nucleus
Karin Magnavita de Carvalho
17:00 – 17:20
Changing ownerships and hidden ‘others’: The development of a cultural
landscape focused on, enclosed around and surveyed by Petworth House
Janet Sinclair
17:20 – 18:00
Discussion
Schnittmarke
Musical instrument museums: Interpreting the present
14:00 – 14:30
Beyond education – Models of musical instruments and their meanings for
research and the public
Frank P. Bär, Germany
14:30 – 15:00
A museum, an experience, or both?
Darryl Martin, United Kingdom
15:00 – 15:30
100 years of symbiosis between museum research and contemporary
instrument making
Klaus Martius, Germany
15:30 – 16:00
Coffee Break
138
MONDAY 4 JULY
16:00 – 16:30
The various faces of the ‘Authentic’ in musical instrument collections:
A problem or an opportunity?
Notes
Panagiotis Poulopoulos, Germany
16:30 – 17:00
Interpreting the past through the present and stimulating the present through
the past
Sabine K. Klaus, United States
17:00 – 17:30
The use of history for vitalisation of contemporary musical life
Madeleine Modin, Sweden
17:30 – 18:00
Musical instrument museums: Interpreting the present.
Whose present – And whose past?
Marie Martens, Denmark
14:00 – 18:00 | Amber Hall 3 + 4 (South Wing - Level +2)
CECA – Education and Cultural Action
City museums/Local history
Chair: Nicole Gesché-Koning
Detailed programme
MONDAY 4 JULY
14:00 – 14:30
CECA Opening session
Emma Nardi
Silvia Mascheroni
14:30 – 15:00
About time, metamorphosis and creativity, natural dynamics and ways
of looking
Nicolas Gilsoul, France
15:00 – 15:15
A content proposal for the historic town of Rishon Lezion:
An open urban museum
Schnittmarke
Tsila Hayun, Israel
15:15 – 15:30
Creating the Montreal archaeology and history complex: A museum’s
importance and responsibility in preserving and protecting a heritage district
Francine Lelièvre, Canada
15:30 – 15:45
The Museum of Republic and the Cultural Landscapes
Magaly Cabral, Brazil
15:45 – 16:15
Coffee Break
16:15 – 18:00
General Assembly
139
MONDAY 4 JULY
Communicating, connecting and innovating with style
14:00 – 14:15
Opening remarks
14:15 – 15:00
Keynote Speaker
Notes
Communicating with style
15:30 – 16:00
New styles in audience engagement/exhibition design
Hillary Spencer, United Kingdom
16:00 – 16:30
Exploring history through a life-size graphic novel: The mankind of
deadly skies – Air War, 1914-1918
Caroline Dromaguet
16:30 – 17:00
A History of the world in 100 objects: Tailoring content for audiences at
home and abroad
Amanda Mayne
Board Meeting
Joint Session COSTUME (Museums and Collections of Costume)
and ICME (Museums and Collections of Ethnography)
The future of the ethnographic museum and COSTUME collections:
Addressing colonialism and its legacies
Chairs:
Schnittmarke
Ulf Dahre
Sylvia Wackernagel
14:00 – 14:15
The Sardinian Ethnographic and Costume Museum
Paolo Piquereddu
14:15 – 14:30
Kyoto, a treasure house of traditional Japanese costume
Aki Yamakawa, Japan
14:30 – 14:45
The ethnographic holdings of the von Parish Costume Library in Munich
Esther Sophia Sünderhauf, Germany
14:45 – 14:55
140
MONDAY 4 JULY
14:55 – 15:10
Fabrication de mannequins pour porter son identité –
La collection Premiers Peuples
Caroline Bourgeois, Canada
15:10 – 15:25
Do we still need an 15 of Siberian clothing in the museum in the age of
globalization? About a loan of ethnographic objects from animal materials and
the issue of their contaminant loads
Christine Müller-Radloff, Germany
15:25 – 15:40
The Costume of queen Tamar as a symbol of Georgian political orientation
and strength
George Kalandia, Georgia
Detailed programme
MONDAY 4 JULY
15:40 – 15:50
15:50 – 16:10
Coffee Break
16:10 – 16:15
Introduction and welcome
16:15 – 16:25
Innovative curatorial practices in Indian ethnographic museums
Supreo Chanda, India
16:25 – 16:35
The blind spot: Effects of global trade, patronage and collecting history in the
Colonial period
Desiree Nanuses, Namibia
16:35 – 16:45
Reflections on museum interventions addressing the legacies of colonialism
Sylvia Wackernagel
Schnittmarke
Notes
16:45 – 16:55
Repatriation, geography and mediation
Brittany Lauren Wheeler, United States
16:55 – 17:05
17:05 – 17:15
Africa accessioned
Jeremy Silvester, Namibia
141
MONDAY 4 JULY
17:15 – 17:25
The museum is (not) just a building III: In whose name (do) we speak?
Identifying an absent “African” and present “Museum” community at the
Museum of African Art in Belgrade
Notes
Emilia Epštajn, Serbia
Zdravko Pečar, Serbia
17:25 – 17:35
How can we protest our misrepresentation in museums of foreign countries?
Takibata Mariko, Japan
17:35 – 17:45
Making a difference by intermediating differences: The ethnographic
collections of Ghent University
Pauline van der Zee, Belgium
17:45 – 17:55
17:55 – 18:00
Closing speech
Jean Druesedow
Viv Golding
Site museums, territory, city: Definitions and contents
14:00 – 14:40
The museum of Bibracte
Vincent Guichard, France
14:40 – 15:20
Grasse perfume museum and its territory
Marie Grasse, France
Schnittmarke
15:20 – 16:00
The History Museum of Marseille in 1983, a political project
Myriame Morel-Deledalle, France
16:00 – 16:40
Identify, recognize, and conservation of territory: The example of Carthage
Archaeological Park
Leïla Sebai, Tunisia
16:40 – 17:20
The National Archaeology Museum of Spain, past between national identity
and social diversity
Gonzalo Ruiz Zapatero, Spain
17:20 – 18:00
Landscapes for the future?
Daniele Jalla, Italy
142
MONDAY 4 JULY
Connected landscapes 14:00 – 14:20
University museums. Visibility and social impact.
L. F. Rico Mansard
14:20 – 14:40
University collections as an important part of the German cultural landscape.
C. Weber
M. Stricker
14:40 – 15:00
Bring to life the sleeping academic heritage in universities and high school
institutes.
I. M. García
L. Mayo
M.J. Gómez
15:00 – 15:20
Reconfiguring the landscape as a tool for understanding and interpreting
the territory starting from the collections of the Italian university museums
network.
Detailed programme
MONDAY 4 JULY
E. Corradini
E. Endrighi
15:20 – 15:40
Building the history of the Rios region from its museums: Associative work
experience driven by the university
museums.
K. Weil
M. Godoy
15:40 – 16:10
Coffee Break
16:10 – 16:17
Sorting and preservation of faunal remains from the archaeological contexts
to identify economy of Neolithic people in north east China. Case studies:
Shangjifangyingzi and Wangbabozi.
Schnittmarke
Notes
Suratissa Dissanayake
Tang Zhuo-Wei
Zhu Hong
16:17 – 16:24
Preserving the intangible past for future generations.
J. McKenzie-Clark
S. McKenzie-Clark
143
MONDAY 4 JULY
Notes
16:24 – 16:31
Overcoming the collections – A new perspective for museums of agricultural
history in Italy
L. Mariani
G. Forni
O. Failla
Gianpiero Fumi
T. Maggiore
Eduardo Rovida, Italy
16:31 – 16:38
How to reconstruct and analyse landscapes through an university research
centre and archive of contemporary communication.
F. Zanella
16:38 – 16:45
Universidad Tecnológica de El Salvador: A development of a new cultural
landscape of San Salvador historical center.
M. R. Campos Solórzano
16:45 – 16:52
Kemeiede in the pursuit of the research and the protection of cultural
landscapes of school past.
S. Trouli
A. Hourdakis
16:52 – 16:59
Reconstruct cultural landscape and local identity? Case study of the museum
of Kaohsiung Medical University historical archives and southern Taiwan
medical
history in Taiwan.
Yi-Jen Chen
16:59 – 17:06
A Toulouse university project to reconstruct its past scientific landscape.
Schnittmarke
N. Séjalon-Delmas
A. C. Jolivet
17:06 – 17:13
Cultural landscape and the vision of the international Christian university
as the “university for tomorrow”.
A. Fukuno
M. Gushima
17:13 – 17:20
Above and below: A case study on the Protection of Puerto Galera’s cultural
landscape.
E. C. Bunquin
17:20 – 17:27
The University of Eastern Philippines Centre for Samar Studies (Uep Css):
Preserving and promoting the Samareño cultural landscape.
L. M. E. de la Rosa
144
MONDAY 4 JULY
17:27 – 17:34
Asutosh Museum of Indian art and the cultural landscape.
Notes
Indrani Bhattacharya
17:34 – 17:41
One museum – Two landscapes: Medical and historical.
M. Grassmann
17:41 – 17:48
The cultural heritage of marine life: The case of the museum “G. Olivi” in Chioggia.
M. González Moreno
17:48 – 17:55
The cultural heritage and its role in Cuban universities. The CUJAE.
A. E. Portero Ricol
M. Cristóbal Fariñas
R. Machado Jardo
M. González Moreno
14:00 – 18:00 | Brown Hall 1 (South Wing - Level +2)
Museums, landscapes and horizons – Understand what you have, know where
you are, see where you´re going
Chair: Yiannis Markakis
Detailed programme
MONDAY 4 JULY
14:00 – 14:15
Welcome
Rune Holbek
14:15 – 14:30
ICR´s newest publications
Jean Aase
Sue Hanna
Metka Fjus
Irena Žmuc
Schnittmarke
14:30-14:50
The historic Ox road
Tuulia Tuomi, Finland
14:50-15:10
The Olympics for peace and tolerance at Gan-Hashlosha museum of archaeology
Dror Segal, Israel
15:10-15:30
The Pumapungo museum and Ancestral park and their relation with Cuenca
and surrounding height structures
Jonathan Koupermann, Ecuador
15:30-15:50
Seeds of future
Mazhar Naveed, Pakistan
145
MONDAY 4 JULY
15:50-16:10
The museum and “The Others” – 2016-2018
Notes
Christina Miedico, Italy
16:10-16:40
Coffee Break
16:40-17:00
A Milan museum accessible for all
Claudia Carraro, Italy
Anna Pericoli, Italy
Isabella Tiziana Steffan, Italy
17:00-17:20
A wire fence dividing the cultural landscape of Tyrol
Sylvia Mader, Austria
17:20-17:40
Inclusion – New challenges for museums
Dagmar Bittricher, Austria
17:40-18:00
The Haciendas Route: A historical landscape in Yucatán
Blanca González, Mexico
Telling stories that connect
14:00 – 14:30
Welcome to MPR programme
Marjo-Riitta Saloniemi
14:30 – 15:30
Telling stories that connect
Clare Hughes
Schnittmarke
15:30 – 16:00
Coffee Break
16:00 – 16:15
Linking the past and the present to create a heritage narrative and attract
new audiences
Nina Zdravič Polič
16:15 – 16:30
Two major masterpieces
Elles Kamphuis
16:30 – 16:45
Birthplace of the Soviet Union? The new story for the Lenin Museum
Minna Karhunsaari
146
MONDAY 4 JULY
16:45 – 17:00
Dark tourism in Sarajevo and the role of the historical museum of Bosnia and
Herzegovina
Notes
Marija Kamber
Theofanis Karafotias
Theodora Tsitoura
17:00 – 17:15
Tell a good story of Beijing – Promoting Beijing culture in museum
Bai Jie
17:15 – 17:30
Good stories are the glue between museums and audience – To use good stories
to connect with audiences
Yan Hongbin
17:30 – 17:45
One website for everyone?
Simona , Ph.D. Juračková,
17:45 – 18:00
Detailed programme
MONDAY 4 JULY
Welcome to work with CIDOC
Chair: Monika Hagedorn-Saupe
14:00 – 15:30
An overview of CIDOC’s ten active working groups and their current projects
Monika Hagedorn-Saupe
15:30 – 15:40
Archaeology Working Group
Stephen Stead
Schnittmarke
15:40 – 15:50
Research environments and CRM SIG presentation for newcomers :
Presenting applications and demo, discussing collaborations
Martin Doerr
15:50 – 16:14
Co-reference working group
Mika Nyman
16:14-16:38
Digital preservation
Susanne Nickel
16:38-17:02
Exhibition documentation
Gabriel Bevilacqua
147
MONDAY 4 JULY
17:02-17:26
Intangible cultural heritage WG
Notes
Manvi Seth
17:26-17:50
Information centers WG
Monika Hagedorn-Saupe
Case Study Intesa Sanpaolo
Expo Forum: Semantika
Mastering Web & Mobile: 5 easy tools to engage your visitors
Sašo Zagoranski, Slovenia
Expo Forum: opificio della luce
The illuminator of the Mona Lisa: The history and adventure in the
project Toshiba
Paolo De Vecchi, Italy
Marco Angelini, Italy
Coffee Break
Expo Forum: Tianyu Cultural Group
www.chinamuseum.com: Your perfect gateway to the Chinese museum
community
Schnittmarke
www.chinamuseum.com or Museum Exhibitions on Tour, acts as a bridge
between Chinese museums and you. The session will present some key figures
and facts about Chinese museums and exhibitions and walk you through the
main functionalities of the platform which can benefit your museums
Introductory Workshop: Introduction to LIDO – Lightweight Information
Describing Objects
Chairs:
Erin Coburn
Regine Stein
Emmanuelle Delmass-Glass
Introduction to documentation standards
Chair: Jonathan Whitson-Cloud
148
MONDAY 4 JULY
16:00 – 16:10
Spreading the word: Explaining what Museum Documentation is –
And why it’s important
Notes
Angela Kipp
Rupert Shepherd
16:10 – 16:20
International Image Interoperability Framework (IIIF) supporting research
projects at the Yale Centre for British Art
Emmanuelle Delmas-Glass
16:20 – 16:30
A textile thesaurus – Merging and enlarging the existing vocabularies
Dorothee Haffner
16:30 – 16:40
Mind the gaps: Missing connections in museum documentation
Michael Jones
16:40 – 18:00
Workshop exploring the themes of papers presented
Detailed programme
MONDAY 4 JULY
Schnittmarke
TM
Uniquely - Patented and engineered - Made in Germany
Only FRANK EUROPE provides the ultimate aesthetic and truly easy-to-use demountable showcases.
The FRANK showcase system is light and highly stable. Patented and award winning.
The NEW ABSOLUTE cases are the most minimalistic glass demountable cases for all purposes.
FIND OUT FOR YOURSELF
So, it's available in Acrylic (FRANK) and now also in Glass (ABSOLUTE) … but always unique!
Legend
Memorial Lectures
Schnittmarke
Panel Discussion
Plenary Session
Social Events
Sponsored Session
Detailed programme
TUESDAY 5 JULY
Schnittmarke
Detailed programme
TUESDAY 5 JULY
TUESDAY 5 JULY
North Wing
Area
Area
Plenary
LEVEL +1
+1
+2
White
Hall 1
+2
White
Hall 2
+2
Red
Hall 1
+1
Red
Hall 2
+1
Blue
Hall 1
+1
Blue
Hall 2
+1
Yellow
Hall 1
+1
Yellow
Hall 2
+1
Yellow
Hall 3
+1
ICOFOM
NATHIST
ICOMON
8:00
8:30
9:00
Registration
9:30
Voting Room
Membership
Office
Museum
Keynote
Fair and
Speeches
Expo
Forum*
Coffee Break
10:00
10:30
11:00
11:30
„Where
ICOM from“
Exhibition
Museum
Fair and
Expo
Forum*
12:00
12:30
MPR
Joint
Session
INTERCOM
and FIHRM
12:45
13:00
Lunch
Break
13:15
13:30
Case Study Case Study
ETT s.p.a. Goppion
MuseumLab ICOM
Memorial
Lectures
13:45
14:00
14:15
Museum
Fair and
Expo
Forum*
14:30
14:45
15:00
Panel
Discussion
Case Study
SOYO Technology Development
Co., Ltd.
Case Study Case Study
MiBACT
Goppion
MuseumLab
15:15
15:30
15:45
MPR
16:00
ICOFOM
NATHIST
16:30
Coffee Break
17:00
17:30
Museum Fair &
Expo Forum*
18:00
18:30
19:00
South Wing
ROOM Suite 2
Suite 3
Suite 4
Suite 7
Suite 9
Brown Hall 1 Brown Hall 2
Brown Hall 3
LEVEL +2
+2
+2
+2 M
+2 M
+2
+2
+2
CIDOC
CIDOC
ICAMT
ICR
CAMOC
ICMS
CIDOC
9:00
9:30
10:00
10:30
11:00
11:30
ICOM US
12:00
12:30
13:00
13:30
14:00
14:15
ICMS
Schnittmarke
14:30
14:45
15:00
ICDAD
ICR
15:30
16:00
16:30
ICOM LAC
CIDOC
CIDOC
CIDOC
17:00
17:30
18:00
18:30
18:30
23:30
152
Special Open Night (National Museum of Science and Technology Leonardo Da Vinci) and many other events in Milan!
Joint Session
ICOM-CC, ICMS
and DRTF
Joint Session
CIDOC and
ICOMON
TUESDAY 5 JULY
North Wing
Hall 1
Hall 2
Hall 1
-1
-1
-1
Orange
Hall 2
-1
Orange
Hall 3
-1
Green
Hall 1
-1
Green
Hall 2
-1
Meeting
Room 3
-1
Meeting
Room 4
-1
Meeting
Room 5
-1
Meeting
Room 6
-1
ROOM
LEVEL
8:00
8:30
9:00
9:30
10:00
10:30
11:00
Joint Session GLASS
and ICDAD
CIPEG
ICLM
CIMUSET
Joint Session AVICOM
ICFA and
COMCOL
Joint Session ICOM Arab
ICOMAM and
ICMEMO
ICTOP
WG ICOM France/
ICOM Italy
11:30
12:00
12:30
12:45
13:00
13:15
Case Study
Fondazione
cassa di
risparmio
di firenze
Mentoring
Sessions for
Young
Professionals
ICOM SEE
13:30
13:45
14:00
14:15
14:30
14:45
15:00
15:15
ICOM
Arab
ICOM-ASPAC Meeting of
CIMUSET
the international
museum
organisations
ICFA and
COMCOL
Joint Session
ICOMAM and
ICMEMO
15:30
ICTOP
Conferenza
permanente
delle associazioni
museali italiane
15:45
16:00
16:30
17:00
17:30
18:00
18:30
19:00
South Wing
Amber Hall 2
Amber Hall 3
Amber Hall 4
Amber Hall 5
Amber Hall 6
Amber Hall 7
Amber Hall 8
ROOM
+2
+2
+2
+2
+2
+2
+2
+2
LEVEL
Detailed programme
TUESDAY 5 JULY
Amber Hall 1
9:00
9:30
CIMCIM
10:00
10:30
11:00
DEMHIST
CECA
ICEE
COSTUME
ICMAH
UMAC
11:30
12:00
12:30
13:00
13:30
14:00
14:15
14:30
14:45
CIMCIM
Schnittmarke
DEMHIST
15:00
15:30
ICMAH
CECA
ICEE
COSTUME
UMAC
16:00
16:30
17:00
17:30
18:00
18:30
Special Open Night (National Museum of Science and Technology Leonardo Da Vinci) and many other events in Milan!
18:3023:30
153
TUESDAY 5 JULY
Registration
Notes
Voting
Membership Office
Keynote Speeches
09:00 – 09:45
Introduction
Claudio Salsi, Director, Civic Museums and Castello Sforzesco, Italy
Keynote Speech
Michele De Lucchi, Italy
Architect, and was a prominent figure in movements such as Cavart,
Alchimia and Memphis
09:45 – 10:30
Introduction
Hans-Martin Hinz, President of ICOM
Keynote Speech
Nkandu Luo, Zambia
Minister of Gender and Child Development and former Minister of Culture
and Traditional Affairs in Zambia
“Where ICOM from” Exhibition
09:00 – 09:30
Ethno-organology in Italy in the 21st century
Cristina Ghirardini, Italy
Schnittmarke
09:30 – 10:00
Speaking for themselves: Ethnography as an avenue for representing
cremonese luthiery
Kathleen R. Wiens, United States
10:00 – 10:30
Sounds from the past, resounding in the present
Veleria Bellomia, Italy
154
TUESDAY 5 JULY
10:30 – 11:00
Coffee Break
Notes
11:00 – 12:00
Musical instruments in museums of different origins and profiles:
An assessment of new displays
L. Torp
B. Strauchen-Scherer
V. Villa
G. Rossi Rognoni
D. Martin
S. Berdux
M. Ruiz
N. Emelina
12:00 – 12:30
The land of accordions: Considerations for a survey to build the first
ecomuseum of mechanical bellow aerophones in Italy
Raffaele Pinelli, Italy
12:30 – 13:00
Layers and presentation of the connotations of music instrument collection.
Case study of the chime-bell of marquis Yi of Zeng
Xiang Zhang, China
Anna Wang
Coffee Break
ICOM US
Meet and Greet area
Detailed programme
TUESDAY 5 JULY
Expo Forum: Frank Europe GmbH
Demountable Frank showcases: Now, also in glass (Absolute)
Philippe Plessers, Belgium
Deepening connections
11:00 – 11:15
#startdrawing
Schnittmarke
Marieke de Klein
11:15 – 11:30
“Virtual museums: Know time” – A concept for a virtual museum,
its stakeholders and its marketing
Prof. Dr. Bernd Günter
155
TUESDAY 5 JULY
11:30 – 11:45
Working together gives better returns in marketing and business by looking
different: The Story of the Amsterdam Museums
Notes
Björn Stenvers
11:45 – 12:00
Staying connected between visits – Telling great stories to deepen affinity and
build loyalty
Meghan Curran
12:00 – 12:15
How can a local cultural institution be united? A case study on the Ueno
Welcome Passport as a tool for local cultural connection
Yasuhiro Sekiya
12:15 – 12:30
Radio Museum, a wing toward cultural connections
Damon Monzavi, Iran
12:30 – 12:45
The role of events at the Rijksmuseum the Netherlands
Gaby Laudy
12:45 – 13:00
Ethics in current museum landscapes
Chair: David Fleming, Director National Museums Liverpool, President of
Federation of International Human Rights Museum and President of Museums
Associoation, United Kingdom
11:00 – 11:20
Welcome
David Fleming, Director National Museums Liverpool, President of
11:20 – 11:40
Practical guide to museum ethics
Sally Yerkovich, United States
Schnittmarke
11:40 – 12:00
The revised Code of Ethics in the UK
Alistair Brown, United Kingdom
12:00 – 12:20
ICOM’s code of practice and illicit trafficking
France Desmarais
156
TUESDAY 5 JULY
12:20 – 12:40
Women’s Museums are important for women’s education, empowerment and
self-confidence
Notes
Astrid Schönweger
12:40 – 13:00
Panel Debate
The predatory museum
11:00 – 11:10
Opening speeches
Lynn Maranda
11:10 – 11:48
En amont et en aval du musée cannibale
Marc-Olivier Gonseth, Switzerland
11:48 – 12:25
Inside the Belly of the museum, metabolism of heritage action
André Gob, Belgium
12:25 – 12:45
12:45 – 13:00
Opening of the poster session
Detailed programme
TUESDAY 5 JULY
11:00 – 12:00
A natural history museum of the community, by the community,
for the community
Ian Miller, United States
Mathern Miller, United States
Andréa Giron, United States
12:00 – 13:00
Posters
Schnittmarke
Developing numismatic landscapes: Exploring digital numismatic landscapes
11:00 – 11:10
Outline of today’s sessions
157
TUESDAY 5 JULY
11:10 – 11:35
Kyprios character: Concept and realization of an educational website with
open access tools and linked data associations
Notes
Evangeline Markou, Greece
11:35 – 12:00
La numismatique au musee: Collections, expositions, reseau
Joelle Bouvry, France
12:00 – 12:25
Studying changes in the cultural landscape with the help of coins finds
from the territory of Slovenia
Alenka Miškec, Slovenia
12:25 – 13:00
Plenary: Exploring numismatic landscapes
Joint Session GLASS (Museums and Collections of Glass) and
ICDAD (Decorative Arts and Design)
Cooperation and sharing in decorative arts
11:00 – 11:15
Reflections on glass. The historical and archaeological glass collection
of the Antwerp Museum aan de Stroom, collectie Vleeshuis, Antwerp (Belgium).
Danielle Caluwé, Belgium
Annemie De Vos, Belgium
11:15 – 11:30
Light and Glass Society – Research and cooperation on the history of glass
chandeliers.
Helena Koenigsmarková, Czech Republic
11:30 – 11:45
Sebastian Herkner – Glasswork. Contemporary Design and traditional
craftsmanship: Sharing the experience.
Rosita Nenno, Germany
11:45 – 12:00
Gomide´s stained glass windows installed at Parque da Água Branca´s
Entrance Portal
Regina Lara Silveira Mello, Portugal
Paula Eduardo Barbosa, Brazil
Schnittmarke
12:00 – 12:15
The museum and the arts and crafts workshop. Interaction and renewal of
local tradition in the local landscape.
Nirit Shalev-Khalifa, Israel
12:15 – 12:30
The Triumph of Amphitrite: A story of resurrection through creative partnerships
Reino Liefkes
158
TUESDAY 5 JULY
12:30 – 13:00
Discussion
Notes
11:00 – 11:30
Unveiled Egypt in Lombardia. Digging in LBC Lombardia Beni Culturali Portal
Anna Maria Ravagnan, Italy
11:30 – 12:00
An Egyptian collection in the landscape of recently united municipal museums:
The Hanover case
Christian Loeben
12:00 – 12:30
Egyptian collections in Japan, an overview
Nozumo Kawai
12:30 – 12:45
A new Near Eastern collection of the Archaeological Museum in Bologna
Daniela Picchi
12:45 – 13:45
Lunch Break
13:45 – 14:15
Egyptian archives and collections in the Reiss-Engelhorn-Museen Mannheim
Eva Gervers
Detailed programme
TUESDAY 5 JULY
14:15 – 14:45
Between the museum and the archive: Photography, archaeology, and histories
of Egyptology
Christina Riggs
Shaping the cultural landscapes: The role of writers’ and composers’ museums
11:00 – 11:15
The Open Space Novel
Alexander Sholokhov, Russia
Schnittmarke
11:15 – 11:30
A literary voyage in Odense & Questions and answers
Ejnar Stig Askgård, Denmark
11:30 – 11:45
The Hans Christian Andersen Trail & Questions and answers
Ane Grum-Schwensen, Denmark
159
TUESDAY 5 JULY
11:45 – 12:15
Coffee Break
12:15 – 12:30
When the building of the museum is narrating
Notes
Narine Khachaturyan, Armenia
12:30 – 12:45
Literature Museums leading the way with Social Media & Questions and
answers
Nadia Kulakova, Russia
12:45 – 13:00
Museum houses and their historic, architectural and cultural ties with the
territory: A few examples of writers and musicians
Massimo Tosi, Italy
Digital landscapes and digital cultures
11:00 – 11:10
Paolo Cavallotti, Italy 11:10 – 11:30
Re-aligning digital for the responsive and participatory museum
Kajsa Hartig, Sweden
11:30 – 11:50
The material of the digital: Interpreting and participating in technoscientific
heritage
Tilly Blyth, United Kingdom
11:50 – 12:10
Revenge of the Nerds. Rebooting industrial heritage in the digital age
Ann Cronin, New Zeland
12:10 – 12:30
Displaying digital culture
Johanna Vähäpesola, Finland
Schnittmarke
12:30 – 12:50
The new role of museums in encouraging continuous learning in the
contemporary digital age
Yoshikazu Ogawa, Japan
12:50 – 13:00
160
TUESDAY 5 JULY
Shared responsibility
Chair: Klaus Weschenfelden, Germany
11:00 – 11:20
Common heritage - Divided responsibility: An introduction
Notes
Klaus Weschenfelden, Germany
11:20 – 11:40
Public art in the city of Athens: Shared responsibility as a new form of
collecting and caring
Alexandra Bounia, Greece
11:40 – 12:00
Shared responsibility in preservation of objects of art, monuments and
archaeological sites: Rules, practices and new perspectives in Italy
Adelaide Maresca Compagna, Italy
12:00 – 12:20
ICOM France and Museums, territorial systems and urban landscapes as
the new public space
Jacques Kuhnmunch, France
12:20 – 12:40
The Ceilãndia’s Water Reservoir and the heritage relations in Brasilia
Vinicius Carvalho Pereira, Brazil
12:40 – 13:00
Discussion
Detailed programme
TUESDAY 5 JULY
Technological cultural landscapes
Chair: Simona Caraceni
11:00 – 11:15
Introduction of the topic
Simona Caraceni
11:15 – 12:00
The landscape of the Hungarian Museums by data visualisation.
Ildikó Fejes, Head of department, Hungarian National Museum
Schnittmarke
12:00 – 12:30
“Agile Museums? Yes!” - A lecture on how Agile IT projects catalyze
the museums to transform rapidly and thus influence their positive change of
management and organizational culture
Gábor Tatai
161
TUESDAY 5 JULY
12:30 – 13:00
Nanjing Museum: Chinese Museum’s Development under condition of
new technologies
13:00 – 13:30
Internet +: The future development strategy of the Digital Shanghai Museum
on behalf of the digitization committee of Chinese Museums Association
Notes
Jiang Hu, China
Joint Session ICOMAM (Museums of Arms and Military History)
and ICMEMO (Memorial Museums in Remembrance of the Victims
of Public Crimes)
The ethical and educational issue of dark tourism
11:00 – 11:10
Introduction and greetings
Julie Higashi, Japan
11:10 – 11:40
Thana-Tourism: Journeys to the dead
Jörg Skriebeleit, Germany
11:40 – 12:05
New face of Katy Museum - The monument
Slawomir Frattczak, Poland
12:05 – 12:20
The house of Katyn relics as a tourist attraction on the map of Warsaw
museums – An ethical dimension
Magdalena Sasal, Poland
12:20 – 12:50
Discussion
ICOM Arab
General Assembly & Elections
WG ICOM France/ICOM Italy
Schnittmarke
Paper Presentations: CIDOC CRM SIG and research environments WG, part 1
Chair: Christian-Emil Ore
11:00 – 11:30
Using CIDOC CRM in “150 years of Canadian art” linked open data demonstration project
Heather Dunn
162
TUESDAY 5 JULY
11:30 – 12:00
Documenting buildings archaeology with CIDOC CRM. The CRMba extension
Notes
Paola Ronzino
12:00 – 12:30
Using the CIDOC CRM to evaluate an ontology on narratives
Carlo Meghini
12:30 – 13:00
CRMarchaeo: A CIDOC CRM extension to support archaeological excavations”
Achille Felicetti
Encyclopaedia of museum practice wiki
11:00 – 11:10
Implementing standards at Sao Paulo State secretariat of Culture museums
Alexandre Matos
Renata Vieira Motta
11:10 – 11:20
EEXCESS – The practical tools for museum professionals
Gordon McKenna
11:20 – 13:00
Discussion
Detailed programme
TUESDAY 5 JULY
Paper Session
11:00 – 11:15
Lecture
Mr Camuflo
11:15 – 11:30
Lecture
Mr Joppolo
11:30 – 11:45
Lecture
Ms Corbellani-Valentini
Schnittmarke
11:45 – 12:00
Lecture
Ms Rostago
12:00 – 12:15
Paper Presentation 5
163
TUESDAY 5 JULY
12:15 – 12:30
12:30 – 12:45
12:45 – 13:00
Notes
Museums, landscapes and horizons – Understand what you have,
know where you are, see where you´re going
Chair: Jane Legget
11:00 – 11:20
Cultural landscapes and museums as a prospering interactive dependence
Otto Lohr, Germany
11:20 – 11:40
Rethinking regional geological heritage: From museum objects to
interdisciplinary tourist routes
Yulija Glazyrina, Russia
11:40 – 12:00
Aperture of need
Wafa Akhtar, Pakistan
12:00 – 12:20
A new museum for an old cultural landscape: The Museo Altepepialcalli case
Paulina Sánchez Rojas, Mexico
12:20 – 12:40
The nature park Lonjsko Polje – A historical rural landscape
Jasmina Uroda Kutlić, Croatia
12:40 – 13:00
Climate vs History: The creation of a modern European Capital and the
challenge of reality
Leonidas Argyros, Greece
Historic houses and the interpretation of the cultural, social and urban landscape
Schnittmarke
11:00 – 11:30
Keynote Speaker
11:30 – 11:50
Vizcaya Museum and Gardens: Reflections on relevance in a changing
landscape
Remko Jansonius
164
TUESDAY 5 JULY
11:50 – 12:10
Musical soundscapes in the historic house museum
Notes
Jeanice Brooks
12:10 – 12:30
The count’s residence at Larvik and its importance for urban development over
the centuries
Aina Aske
12:30 – 13:00
Discussion
Community/Participation/Interpretation
Chair: Emma Nardi
11:00 – 11:15
Shared memory between Spain and Morocco throught landascape and heritage education
Rosa María Hervás Avilés, Spain
Elena Tiburcio Sánchez, Spain
Francisca Navarro Hervás, Spain
11:15 – 11:30
The Museum of Civilizations and the cultural landscape in Grassland –
Cameroon: Impact, limits and challenges in the XXIth century
Tatuébu Zacharie Duflot, Cameroon
11:30 – 11:45
Inside outside and vice versa
Arja van Veldhuizen, The Netherlands
Detailed programme
TUESDAY 5 JULY
11:45 – 12:00
Pachacamac Archaeological Sanctuary: Teaching for conservation
Denise Pozzi-Escot, Peru
12:00 – 12:15
Learning together: A collaborative project on community traditional knowledge
Subhra Devi, India
12:15 – 12:30
Museum and community
Anna Soffici, Italy
Nicoletta Matteuzzi
Schnittmarke
12:30 – 12:45
Ecomuseu da AmazOnia: An instrument of valorization and appropriation which
is responsible for the heritage at Cotijuba Island – Pará-Belém
Maria Terezinha Resende Martins, Brazil
Alvaro Campelo, Portugal
12:45 – 13:00
Discussion
165
TUESDAY 5 JULY
Innovating with style
11:00 – 11:30
Thinking outside the box to deliver powerful temporary exhibitions
Notes
Manon Delaury, United Kingdom
11:30 – 12:00
How to keep it up with touring exhibitions?
Agnès Ruiz, France
12:00 – 12:30
Investigation into the new style of contemporary museum exhibitions
Feng-Ying Ken, Taiwan
Shin-Chieh Tzeng, Taiwan
12:30 – 13:00
Fashion at the museum
Yoonji Kim, Korea
General Forum
Eco museums, natural and cultural parks, community museums,
interpretation centers
11:00 – 11:24
FEMS/Fresnes Ecomuseum
Alexendre Delarge
11:24 – 11:48
The new project of Albert Kahn Museum and Garden
Valerie Perles
11:48 – 12:12
Territory museums, new perspectives for Tunisia ?
Taher Ghalia, Tunisia
Schnittmarke
12:12 – 12:36
Community museums and interpretation centers in cultural landscapes,
exemples from Senegal
Abdoulaye Camara, Senegal
12:36 – 13:00
Territory and society Museums Projects, exemples of Mayotte and Guyane
Michel Colardelle
166
TUESDAY 5 JULY
Campus landscapes
11:00 – 11:20
Museums beyond the wall, landscapes beyond the architecture.
Notes
Hu Ying
11:20 – 11:40
The value and strategies of preserving campus landscape at Cheng-Kung
university museum
Mei-Fang Kuo
11:40 – 12:00
Museology evaluation: Diagnosis and outlines of university museal landscapes.
L. Julião
P. Roberto Sabino
E. C. de Freitas Rocha
12:00 – 12:20
Hard edges: Challenges in preserving the cultural landscape of Ust Manila.
I.C. Abano
A.M.H. Bautista
12:20 – 12:40
Cultural goals of the new permanent 15 of the University of Tartu Natural
History Museum: Visions from 15 authors.
R. Mägi
12:40 – 13:00
Reshaping the cultural landscape of research in the museum with ‚the study‘.
Detailed programme
TUESDAY 5 JULY
H.-L. Chalk
M. Munro
General Assembly and Elections
Chair: Jelena Savic
11:00 – 11:30
Lynda Albertson, Italy
Schnittmarke
11:30 – 12:00
Internal controls in the handling of museum objects and specimens key
to securing museum collections
Lovemore Mazibuko, Malawi
167
TUESDAY 5 JULY
12:00 – 12:30
Some aspects of protecting the martyrdom museums in Poland
Notes
Paulina Florjanowicz, Poland
Krzysztof Osiewicz, Poland
12:30 – 13:00
Problems facing museums in the changing Kenyan landscape
Freda Nkirote, Kenya
Session Workshop/clinic: How to capitalize on museum documentation
Is your documentation an expensive necessity, or a valuable resource?
Nicholas Crofts
Christian Greco, Italy
This workshop clinic, aimed at museum directors and documentation
managers, provides practical tips, innovative solutions and awe-inspiring
insights to help release the full potential of your collections information.
Lunch Break
Expo Forum: Collège Montmorency
The training of the complete museum technician : Versatility at your grasp
Josianne Blouin, Canada
Michel Paradis, Canada
Case Study Goppion MuseumLab
The Living Museum: A Collaborative Work Model for Building Museums and
Facilitating Client Vision
Harlow Tighe, Director of Museum Services, Goppion MuseumLab, Italy
Fabrizio Bardelli, Architect and Site Manager, Goppion SpA , Italy
Katrina Smith, Business Development Manager Middle East Region,
Goppion SpA, Italy
Schnittmarke
Panel Discussion
How can museums contribute to countering illicit traffic in cultural goods?
Moderator: France Desmarais, ICOM`s Director of Programmes and
Partnerships
Eric Dorfman, Director of Carnegie Museum of Natural History,
Chair of NATHIST, United States
Khaled El-Enany, Minister of Antiquities, Egypt
Markus Hilgert, Director of the Ancient Near East Museum in the Pergamon,
Germany
168
TUESDAY 5 JULY
Case Study Fondazione cassa di risparmio di firenze
Cultural landscapes and museums: Foundations and local authorities for
integrated territorial development Chair: Cristina Acidini, Italy
13:15 – 13:25
Opening speech
Notes
Cristina Acidini, Italy
13:25 – 13:35
Institutional greetings
Monica Barni, Italy
Umberto Tombari, Italy
13:35 – 13:42
Bank foundations in Italy and policies for local museums
Marco Cammelli, Italy
13:42 – 13:50
Tuscan museum enhancement schemes
Luciano Barsotti, Italy
13:50 – 14:02
The Widespread Museum of Tuscany
Antonio Paolucci, Italy
14:02 – 14:15
Best practices and impacts
Barbara Tosti, Italy
Detailed programme
TUESDAY 5 JULY
13:15 – 13:30
Luigi Di Corato, Director of Fondazione Brescia Musei, Italy
13:30 – 13:45
13:45 – 14:00
Yousef Khacho, Head of Exhibitions at Qatar Olympic and Sports Museum,
Qatar Museums, ICEE board member, Qatar
Schnittmarke
14:00 – 14:15
case study ett s.p.a.
A new organization for Italian Museums
169
TUESDAY 5 JULY
ICOM SEE – South East Europe
Board meeting
Notes
ICOM Memorial Lectures
Convened by ICOM Austria, CECA, ICEE, ICTOP, INTERCOM, and ICOM Italy
13:30 – 13:45
Opening/Welcome/Commemoration
Danielle Spera, Austria
Hans-Martin Hinz, President of ICOM
13:45 – 13:55
Introduction to the ICOM Memorial Lectures 2016
Anne-Catherine Hauglustaine-Robert, Director General of ICOM 13:55 – 14:15
An ethical vision of nature, culture, heritage, and museums’ continuing social
mission – ICOM 70 years´ jubilee lecture
Bernice Murphy, Immediate Past President, INTERCOM, Australia
14:15 – 14:30
Museums and changing cultural landscapes – Fourth Alma S. Wittlin memorial
lecture
René Rivard, Canada
14:30 – 14:45
Revisiting Weil´s cabinet of curiosity – Eleventh Stephen E. Weil Memorial
Lecture
Cristina Vannini, Italy
14:45 – 14:55
Discussion
David Fleming, Director National Museums Liverpool, President of
14:55 – 15:00
Closing remarks
Lynne Teather, President, ICTOP
Schnittmarke
Expo Forum: PropaGroup spa
PROPADYN: The innovative humidity stabilizer
Davide Salvatore, Italy
Case Study SOYO Technology Development Co., Ltd.
Smart Tour Guide Technology, the most important tool to discover the museums
Chair:John Tang
170
TUESDAY 5 JULY
14:00 – 14:30
4 November 1966; Florence
Notes
Simona Tordi, Italy
14:30 – 15:00
The implications of culture on international security
Erika Jensen, United States
15:00 – 15:30
Break
Case Study MiBACT
A new organization for italian museums
Chair: Ugo Soragni, Italy
14:15 – 14:30
Opening speech
Ugo Soragni, Italy
14:30 – 15:10
Peter Aufreiter, Italy
Angela Tecce, Italy
15:10 – 15:30
Discussing
Marilena Pirrelli, Italy
Detailed programme
TUESDAY 5 JULY
15:30 – 15:45
The Living Museum: Exhibition Design, Facsimile Fabrication and Collection
Presentation
Paul Bernhard, President, Paul Bernhard Exhibit Design & Consulting, United States
Troy Woods, Paul Bernhard Exhibit Design & Consulting, United States
Adeline Rispal, Architect and Exhibition Designer, Studio Adeline Rispal, France
Michael Dunn, Architect and Exhibition Designer, Tropman & Tropman Architects, Australia
Schnittmarke
Cultural landscapes from arts and crafts to decorative arts and design
14:30 – 15:00
A birds-eye view: Management landscapes from arts and crafts to design
to the fine arts
James Bradburne
171
TUESDAY 5 JULY
15:00 – 15:15
The Embriacchi workshop of North Italy. Caskets with Certosina patterns.
Notes
Pall Martina, Austria
15:15 – 15:30
Temptation and fall. Figurative gilded decoration on leather caskets around 1600.
Focus on a North Italian writing desk in the collections of the German Leather Museum.
Rosita Nenno, Germany
15:30 – 15:45
Because of Tuberculosis. History and contemporary situation in production
of tapestries and gobelins in Czech Republic.
Martina Lehmannová, Czech Republic
15:45 – 16:00
The Handicrafts Museums and its role in the shaping of Russian cultural
landscape at the turn 19th/20th century.
Elena Titova, Russia
16:00 – 17:00
Coffee Break
General Assembly
17:00 – 17:15
Summer kimono born in the snow: The Changing landspape of Echigo Jōfu.
Melissa Rinne, Japan
17:15 – 17:30
The birth of the Ubiquitous landscape in Japanese Lacquers
Nagashima Meiko, Japan
17:30 – 17:45
Artistic and cultural landscape within an economic opportunity:
A brief view to Iranian decorative art verity
Golnaz Tayeebeh Golsabahi, Iran
17:45 – 18:00
Protection of landscapes in dynamic networks with visitors and the center of
museums. Proposal for the upgrading of museums utilisation and realization.
Rovetta Alberto, Italy
Eduardo Rovida, Italy
Gabriele Guidi, Italy
Schnittmarke
Museums, landscapes and horizons – Understand what you have, know where
you are, see where you´re going
Chair: Carrie-Ann Lunde
14:30 – 14:50
Scanning cultural Horizons – Past, present and future
John Magnussen, Australia
Jaye McKensie-Clark, Australia
172
TUESDAY 5 JULY
14:50 – 15:10
Evolving tradition – Social participation for the symbolic revival of the regional
museum of Anthropology Palacio canton
Notes
Giovanna Elizabeth Jaspersen García, Mexico
15:10 – 15:30
Archaeology and museum: Strategies for the valorization and protection of
archaeological Iron Age sites in Côte d’Ivoire
Héléne Kiénon-Kaboré, Cote DÌvoire
15:30 – 15:50
How can shared responsibility for the cultural and physical landscape be
organized between museums and their source communities?
Wilbard Lema, Tanzania
15:50 – 16:10
The Tower of Ouranoupolis, a landmark of various worlds
Eleni Stoumpou-Katsamouris, Greece
16:10 – 16:30
Challenges and choices in Pennsylvania’s forests
Susan E. Hanna, United States
16:30 – 17:00
Coffee break
17:00-17:20
Regional city museum and garden city – Exhibition as a catalyst for action
Kenjii Saotome, Japan
17:20 – 17:40
Radio museum, a wing toward new horizons of cultural landscapes
Detailed programme
TUESDAY 5 JULY
Damon Monzavi, Iran
Reza Dabirinezhad
17:40 – 18:00
Summary: ICR Sessions 1, 2 and 3
Jean Aase, Norway
Historic houses and the interpretation of the cultural, social and urban
landscape
Schnittmarke
14:30 – 14:50
The establishment of a house museum saves a neighborhood and initiates
a new appreciation for preserving historic buildings
Ann Scheid
14:50 – 15:10
Painful pasts, a diversefuture, Karen Blixen House (Kenya)
Josephine MuthoniThang’wa
173
TUESDAY 5 JULY
15:10 – 15:30
Come for the views, stay for noucentisme: How a house museum
offers multiple access points
Notes
Jordi Falgàs
15:30 – 15:50
La Casa Museo del Greco y su papel en la configuración de la ciudad y el
turismo de Toledo
Ana Carmen Lavín
15:50 – 16:30
Coffee Break
16:30 – 18:30
General meeting
14:30 – 15:00
Creative programming within an uncreative budget
Mimi S. Waitzman, United Kingdom
15:00 – 15:30
‘Fanfare’ and the art of music in the Metropolitan Museum of Art’s reframed
musical instrument galleries
Bradley Strauchen-Scherer, United States
15:30 – 16:00
History of the Musikinstrumenten-Museum Berlin between 1933 and 1945
Heike Fricke, Germany
16:00 – 16:30
The Development of a new kind of audio controller. Linking historic musical
instrument technologies with up-to-date sound generation and control
Thomas Lerch, Germany
16:30 – 17:00
An extended stage: NCPA performing arts museum
Gao Hongbo, China
17:00 – 17:30
The museo del Paesaggio Sonoro at the crossway between past and present
Schnittmarke
Guido Raschieri, Italy
17:30 – 18:00
Museo Fernandez Blanco Art Museum: Interpreting the present
Leila Makarius, Argentina
ICOM Arab
Meeting of the new board
174
TUESDAY 5 JULY
ICOM LAC
Board meeting
Notes
Scriptwriting and animation of natural scenery/culture
15:00 – 15:36
„Roman Limes on the Rhine“
Renger De Bruin, The Netherlands
15:36 – 16:12
The Memorial of Waterloo – 1815
Jean-Pierre Garrabos, Belgium
16:12 – 16:48
„Recovery/reconstruction of cultural landscapes „“in situ““ or displaced
example of Africa House, El Jem“
Myriame Morel-Deledalle, France
16:48 – 17:24
Strategy of communication on the national archaeological Georgian sites:
Dmanisi, Dzaliza, Vani
Natia Khuluzauri, Georgia
17:24 – 18:00
The relation of museums to cultural landscape on conflict territories,
south-east boarders Turkish examples
Burçak Madran, Turkey
Detailed programme
TUESDAY 5 JULY
Making cultural connections
15:30 – 16:30
Making Cultural Connections
Zefeng You
16:30 – 16:45
Coffee Break
16:45 – 17:00
From elderly to bebè: Enlarge museum audience, enlarge community
Romina Mancuso
Schnittmarke
17:00 – 17:15
Marketing the Museum as a landscape of cultural memory
Carol Scott
175
TUESDAY 5 JULY
17:15 – 17:30
Museums as marketing instruments for cultural quarters
Notes
Dr. Adla Ragab
Dr. Nora Ebeid
17:30 – 17:45
Open-Air Novel: Developing connections – Cultural connections
Natalia Trofimenko
17:45 – 18:00
Art in Village – Turn a city into a museum
Susan Lin
18:00 – 18:15
Abbonamento Musei a successful network to enhance the relationship
between citizens and museums
Francesca Leon
18:15 – 18:30
15:30 – 16:00
Predatory museums in specific cultural landscapes
Tereza Scheiner, Brazil
16:00 – 16:30
Predatory Museology: Theoretical approaches and focuses for the building of
a specific field and object
Luciana Menezes de Carvalho, Brazil
Tereza Scheiner, Brazil
16:30 – 17:00
Conscious museum
Anna Leshchenko, Russia
17:00 – 17:30
Ecomuseology in Scotland and Costa Rica: Paradigm or predator?
Karen Brown
Schnittmarke
17:30 – 18:00
El museo como depredador de otros espacios culturales, una reflexión sobre
las políticas culturales del Estado Mexicano
Scarlet Galindo
18:00 – 18:30
Museo depredador: Co-constructor de paisaje, México
Freire Rodríguez Saldaña
176
TUESDAY 5 JULY
Natural history collections
15:30 – 15:45
Fatal relationship between natural history collections and society in Slovenia
Breda Činč Juhant, Slovenia
15:45 – 16:00
Type specimens in the insect collections of the Vietnam National Museum
of Nature, Hanoi
Hong-Thai Pham, Vietnam
16:00 – 16:15
The numerical revolution in the Paris “Museum” naturalist collections
Pierre-Yves Gagnier, France
16:15 – 16:30
DNA Barcoding – A new role of museum collections
Ivona Kautmanova, Slovakia
Jan Kautman, Slovakia
16:30 – 16:45
Developing new touring exhibitions: Pivot points of science and culture
Amina Darwish, United Kingdom
16:45 – 17:00
Panel discussion
17:00 – 17:30
Coffee Break
Detailed programme
TUESDAY 5 JULY
Natural history exhibitions
17:30 – 17:40
Crossover - When nature & art intersect
Linda Carioni, Italy
17:40 – 17:50
Monkey business
Alanna Davidson, United Kingdom
17:50 – 18:00
The “International Nature Exhibition” – A new concept for a worldwide
exhibition format
Christopher Garthe, Germany
18:00 – 18:10
Developing new touring exhibitions: Pivot points of science and culture
Schnittmarke
Notes
Amina Darwish, United Kingdom
177
TUESDAY 5 JULY
18:10 – 18:20
Fish, fishing and fishing-depedent communities: A travelling exhibition to
commonwealth Small Island Developing States (SIDS)
Notes
Nicolas Watts, United Kingdom
18:20 – 18:30
Panel discussion
ICOM-ASPAC – Asia-Pacific
ICOM-ASPAC Work Report
Dr. Song Xinchao, Chair of ICOM-ASPAC

Activity Report from National Committees
Discussion
Election for the ICOM-ASPAC Board (2016-2019)
Short speech from the new Chair
Meeting of the international museum organisations
Work and Industry in the heritage of modern landscapes
Chair: Irena Marušič, Slovenia
15:30 – 15:40
Introduction
Irena Marušič, Slovenia
15:40 – 15:48
Partnering to engage: Steam and the cultural landscape of Thirlmere
Judith Coombes, Australia
15:48 – 15:56
The heritage of coal mining in the Netherlands: when memory turns into
history
Mijke Harst Van den Berg, The Netherlands
15:56 – 16:04 The Museum as the vehicle of communication between technology – Industry
and cultural landscapes: The case of the network of Museums of the Piraeus
Bank Cultural Foundation
Kostis Kalapothakis, Greece
Schnittmarke
16:04 – 16:12
The heritage of coal mining in the Netherlands: When memory turns into history
Serge Langeweg, The Netherlands
16:12 – 16:20
A new conception of Reserve store for scientific and technical heritage.
Cooperation between museums and territory development policy :
A challenge for a landscape
Juliette Raoul-Duval, France
178
TUESDAY 5 JULY
16:20 – 16:28
Dolní oblast Vitkovice – From Steelworks to Cultural and Science Centre
Anna Schaefers, Germany
16:28 – 16:36
Cultural heritage in planning
Mette Kristine Slyngborg, Denmark
Digital landscapes and digital cultures
Chair: Paolo Cavallotti, Italy
16:45 – 16:55
Introduction
Paolo Cavallotti, Italy
16:55 – 17:03
Technological social network for cultural heritage
Tania Basterrica, Chile
17:03 – 17:11
The research on learning with digital technologies in exhibitions
Hong Liao, China
17:11 – 17:19
Communication of “circles of friends”: Function and application of WeChat in
science and technology museums
Yuhua Liu, China
17:19 – 17:27
Let the digitization of museum beyond the significance of text
Ximing Pan, China
Detailed programme
TUESDAY 5 JULY
Contemporary heritage: Shaping the landscape of future memory
Chair: Laura Ronzon, Italy
17:30 – 17:40
Introduction
Laura Ronzon, Italy
17:40 – 17:48
Departmental museums of communication in Russia’s cultural landscape
Nina Borisova, Russia
17:48 – 17:56
The visitors’ behavior of an experimental project for reviving scientific
instruments in a new science museum
Schnittmarke
Notes
Jeng-Horng Chen, Taiwan
17:56 – 18:04
Sustainability in museums: Local approaches for community impact
Stacey Freeman, United States
179
TUESDAY 5 JULY
18:04 – 18:12
Towards invisibility – Three dimensional models and institutional memory
Notes
Jane Insley, United Kingdom
18:12 – 18:20
The role of collaboration between museum professionals and educators in the
teaching history of science and technology courses
Olga Krasnyak, South Korea
18:20 – 18:28
The museum of Astronomy and Related – MASTSciences in the landscape of
São Cristóvão neighborhood
Maria Esther Valente, Brasil
Isabel Henze, Brasil
Historic houses and their fine art
Chair: Giuliana Ericani
15:30 – 15:50
Collecting fine art to cultural landscapes. Participatory frameworks of
interpretation and display
Nicole Moolhuijsen, Italy
15:50 – 16:10
Museum building as the meaning maker in the case of IRHM
Aysegul Guchan, Turkey
16:10 – 16:30
Interpreting the artistic heritage of a cathedral. The case of the Skovgaard
Museum and Joakim Skovgaard‘s decoration of Viborg Cathedral
Anne-Mette Villumsen, Denmark
16:30 – 16:50
Discussion
16:50 – 17:10
Experience of the collecting and the development of collections in
Grassland-Cameroon: An analysis from the actions of the project COE/IFA
Zacharie Duflot Tatuebu, Cameroon
Schnittmarke
17:10 – 17:30
A scenario of public behaviors in art museums of Shanghai
Xianya Xu, China
17:30 – 17:50
The sense of place. An experiment of Museum Civico di Bracciano with the children
Cecilia Sodano, Italy
17:50 – 18:10
Discussion
180
TUESDAY 5 JULY
General Assembly
Notes
Joint Session ICOMAM (Museums of Arms and Military History) and ICMEMO
(Memorial Museums in Remembrance of the Victims of Public Crimes)
The ethical and educational issue of dark tourism
15:30 – 15:40
Summary of morning session 2 introduction of session 3
Eva-Sofii Ernstell
15:40 – 16:05
Wewelsburg castle – An attraction pole of “Dark Tourism”. How to deal with
this phenomenon at a memorial site?
Kirsten John-Stucke, Germany
16:05 – 16:30
“Let there be Light!”, the German tank museum as a failed dark exhibition?
Ralf Raths, Germany
16:30 – 17:00
Discussions
17:00 – 17:30
Coffee Break
17:30 – 17:50
A new perspective on a dark chapter: Tuol Sleng Genocide Museum for Peace Education
Chhay Visoth, Cambodia
Detailed programme
TUESDAY 5 JULY
17:50 – 18:10
War museums in Iran
Maysam Abdoly, Iran
18:10 – 18:30
Discussions
Schnittmarke
Conferenza permanente delle associazioni museali italiane
Different views on a common theme „Museums and cultural landscapes“:
AMACI (Associazione Musei Arte Contemporanea Italiani)
AMEI (Associazione Musei Ecclesiastici Italiani)
ANMLI (Associazione Nazionale Musei Locali e Istituzionali)
ANMS (Associazione Nazionnale Musei Scientifici)
MUSEIMPRESA
CASE DELLA MEMORIA
ICOM ITALIA (International Council of Museums Italia)
SIMBDEA (Società Italiana per la Museografia e i Beni Demoantropologici)
181
TUESDAY 5 JULY
Training session: Introduction to Museum Processes WG MPI
15:30-16:30
Introduction to museum process
Notes
Walter Koch
▪ Introduction and explanation of basic definitions
▪Domain (museum) specific issues and requirements
▪Application (process/procedures) related standards and frameworks (e.g. SPECTRUM)
▪ Use case: “Modelling the Object Entry Procedure” (group exercise)
▪ Discussion of implementation issues
▪ The SOOM-Project: Implementation of a “Service Oriented Object Management”
system as baseline for an adaptive Museum Collection Management System
16:30-17:00
Discussion
17:00-17:30
Break
Session, introductory workshop
17:30-18:30
Introduction to digital preservation
Susanne Nickel
The session will start with a short introduction to the work of the WG.
A discussion on current projects on digital preservation will follow. The second
hour we will work on a definition of digital preservation and its documentation
starting from existing definitions as for example in UNESCO guidelines.
Paper Presentations: CIDOC CRM SIG and research environments WG, part 2
Chair: Christian-Emil Ore
15:30 – 16:06
Selected WissKI projects at the Germanic National Museum in Nuremberg
Siegfried Krause
16:06 – 16:42
Designing an appication ontology for architectural 3D reconstruction
Schnittmarke
Piotr Kuroczynski
16:42 – 17:18
Researchspace
Dominic Oldman
17:18 – 17:54
Modelling the iconographic discourse
George Bruseker
182
TUESDAY 5 JULY
17:54 – 18:30
Discussion about the future of the research environments working group
Notes
Poster session
Chair: Marie-Clarté O´Neill
15:30 – 17:00
Best practice session
Marie-Clarté O´Neill
17:00 – 17:05
Celebrating our city’s riches: Three stories from Logan
Robyn Daw, Australia
17:05 – 17:10
The digital contents design for people with hearing impairment in science
museums based on collaboration with a University
Ryohei Egusa, Japan
17:10 – 17:15
Meeting the public outside the museum
Nicole Gesché-Koning
17:15 – 17:20
“Discover Permian period!”: Museum beneath their feet
Yuliya Glazyrina, Russia
17:20 – 17:25
Acts into saving the old short-wave station in suburban Pori (Finland)
Pia Hovi Assad, Finland
Detailed programme
TUESDAY 5 JULY
17:25 – 17:30
The creation of the Sugar Cane Museum
Leila Heck, Brazil
Alice Registro Fonseca, Brazil
Tania Cristina Registro, Brazil
17:30 – 17:35
Promoting cultural continuity through revitalizing museum collections.
A case study of collaboration between museum of Xiaolin Pinpu indigenous
people and their community inTaiwan
Yiping Lu, Japan
Schnittmarke
17:35 – 17:40
Archival material in private hands. The case of the Educational Museum
in Belgrade
Maja Nikolova, Serbia
17:40 – 17:45
European conference “L‘Europe des musées”, Paris, 21-24 June 2017
François Parain, France
183
TUESDAY 5 JULY
17:45 – 17:50
Museums and cultural landscapes, special reference to Sigiriya Museum
Notes
Kamani Perera, Sri Lanka
17:50 – 17:55
Bringing the inside out: Reaching new audiences
Piyanan Petcharaburanin, Thailand
Pantira Suwansatit, Thailand
17:55 – 18:00
Maramures living treasure within European cultural heritage
Rodica Silvia Pop, Romania
Livia Sima
18:00 – 18:05
Museum education as (in)visibility of boundaries
Raska Pranskuniene, Lithuania
18:05 – 18:10
The creation of the House Museum of Italian Memory and the visitors
Alice Registro Fonseca, Brazil
18:10 – 18:15
The social technologies of community ecomuseums and museums:
Innovation, recognition, praxis
Maria Terezinha Resende Martins, Brazil
18:15 – 18:20
The Milan model of youth engagement
Elyse Resnick, United States
Martha Friel, United States
Gualtiero Carraro, Italy
18:20 – 18:25
The Museum of Contemporary Art of Crete as a vehicle to familiarize children
with ist surrounding cultural landscape
Sofia Trouli, Greece
Anastasiadis Panagiotis, Greece
Kostas Xristidis, Greece
18:25 – 18:30
Artistic education for the heritage – Building cultural tourism routes
Nicoleta Zagura, Romania
Schnittmarke
Connecting with audiences in style
15:30 – 16:00
Interactive exhibitions as a means of informal film education for the public
Terazi Krizkovska, Czech Republic
184
TUESDAY 5 JULY
16:00 – 16:30 „Geneva at the heart of time“ by Capital Museum – Beijing in collaboration
with the Museum of Art and History, Geneva – Geneva & Vacheron Constantin
Notes
Laura Zani, Switzerland
16:30 – 17:00
Break
17:00 – 17:30
Creating the experience of Alexander McQueen: Savage Beauty
Rachel Murphy, United Kingdom
17:30 – 18:00
Kids deserve good design too
Megan Smith, United States
18:00 – 18:30
Connecting audience at the heart of China’s museum boom
Yu Zang, China
Social landscapes
15:30 – 15:40
University museums, cultural identity and social responsibility
B. Rothermel
J. Hartz
J. Deupi
15:40 – 15:50
Museums of engagement – Communities of diversity
Detailed programme
TUESDAY 5 JULY
N. Scott
15:50 – 16:00
Coffee Break
Inform-all Landscapes
Chair: Barbara Rothermel
17:00 – 17:05
The Utrecht University Museum.
P. Voogt
Schnittmarke
17:05 – 17:10
The Student Engager project.
K. Guyan
17:10 – 17:15
University and other education museums as the chance for discussion on
the changing pedagogical part of the cultural landscape.
Š. Branko
185
TUESDAY 5 JULY
Notes
17:15 – 17:20
The role of university museums in the study of cultural landscapes.
I. K. Karaia
17:20 – 17:25
University museum as a platform for inter-disciplinary cooperation and
integration: Applying photogrammetry and 3D modeling on artifacts and
cultural landscape for exhibition, rescue, and research
Jeng-Horng Chen
17:25 – 17:30
University campus and collections combining as a cultural landscape –
Nudging and critical thinking
M.N. Lanng
L. Zwisler
A.B. Sørensen
17:30 – 17:35
Connecting the dots: Shaping the cultural landscape of San Fernando City,
Pampanga.
A.M.H. Bautista
E. M. A. Castro
17:35 – 17:40
Designing a scientific landscape. Integrated management of the University of
Pavia museum system.
M. Montanari
C. Berizzi
S. Maggi
17:40 – 17:45
From past to present landscape: Collections, multimedia interaction and
cultural activities for an unique experience throughthe territory resources.
SMA University of Camerino (Italy).
M. Invernizzi
A. Blasetti
M.L. Magnoni
G. Crocetti
R. Tacchi
17:45 – 17:50
UMACs and cultural landscapes.
K. Van Dyke
Schnittmarke
17:50 – 17:55
The Asutosh Museum of Indian art of the University of Calcutta.
I. Bhattacharya
17:55 – 18:00
Heritage built the moral landscape: The University City of Bogotá (1936-2015).
E. Castell
186
TUESDAY 5 JULY
18:00 – 18:05
Audience, lens, participation and museum – How to modify a cultural
landscape?.
Notes
M. Bukowski
18:05 – 18:10
University landscape as a specific part of cultural landscape
O. Dostál
18:10 – 18:15
University landscape: A challenge for university collections?
M. Heruc
18:15 – 18:20
General discussion
Intagible heritage
Chair: Manvi Seth
Joint Session ICOM-CC (Conservation), ICMS (Museum Security),
and DRTF (Disaster Relief Task Force)
Disaster Risk Reduction for Museums in Crisis
15:30 – 16:30
Disaster Risk Reduction for Museums
Corine Wegener, United States
Willem Heckman, Canada
Marco Ciatti, Italy
Detailed programme
TUESDAY 5 JULY
16:30 – 16:45
Coffee Break
16:45 – 17:45
Panel Discussion – Museum Leadership in Safeguarding Heritage at Risk
around the World – moderated by France Desmarais, Director of Programmes at ICOM
Markus Hilgert, Germany
Corine Wegener, United States
Lisa Pilosi
17:45 – 18:30
Cultural Property Protection in conflict – CIMIC (civil-military cooperation)
Schnittmarke
Peter Stone, United Kingdom
Capitano Francesco Provenza, Italy
Joint Session CIDOC (Documentation) and ICOMON (Money
and Banking Museums)
Workshop: An encyclopaedia of museum practice, how to collaborate over
language barriers
187
TUESDAY 5 JULY
15:30 – 18:30
How to collaborate over language barriers
Notes
Jonathan Whitson-Cloud
Session, introductory workshop
17:30 – 17:40
Introduction to digital preservation
Susanne Nickel
Coffee Break
Expo Forum: Cincinnati USA & ICMEMO
ICMEMO 2017 & ICOM meetings in Cincinnati USA
Douglass McDonald, United States
Karen Franklin
Schnittmarke
An impeccable piece of superb craftsmanship.
And behind it some dragon thing.
The undetectable glass for exhibition display.
Visit us at stand #41 or learn more at guardianclarity.com.
CLARIT Y
Detailed programme
TUESDAY 5 JULY
Schnittmarke
Notes
189
Legend
Memorial Lectures
Panel Discussion
Plenary Session
Schnittmarke
Social Events
Sponsored Session
Detailed programme
WEDNESDAY 6 JULY
Detailed programme
WEDNESDAY 6 JULY
Schnittmarke
WEDNESDAY 6 JULY
North Wing
Area
Area
Plenary
LEVEL +1
+1
+2
White
Hall 1
+2
Red
Hall 1
+1
Red
Hall 2
+1
Blue
Hall 1
+1
Blue
Hall 2
+1
Yellow
Hall 1
+1
Yellow
Hall 2
+1
Yellow
Hall 3
+1
ICOFOM
NATHIST
ICOMON
8:00
8:30
9:00
Registration
9:30
Museum Fair Keynote
and Expo
Speech
Forum*
and Panel
Discussion
10:00
10:30
Membership
Office
„Where
ICOM from“
Exhibition
11:00
Coffee Break
11:30
12:00
Museum Fair
and Expo
Forum*
12:30
13:00
ICMS
Joint Session
INTERCOM
and FIHRM
Lunch Break
13:15
13:30
Case Study
Case Study
Case Study
Goppion
YXLON Inter- MAE
MuseumLab national GmbH
13:45
14:00
14:15
Case Study
MiBACT
Case Study
Goppion
MuseumLab
Museum Fair
and Expo
Forum*
14:30
15:00
ICMS
15:30
15:45
Joint Session
INTERCOM
and FIHRM
ICOFOM
NATHIST
ICOMON
Coffee Break
16:00
16:15
16:30
Museum Fair
and Expo
Forum*
16:45
17:00
17:30
17:45
18:00
18:30
South Wing
ROOM Suite 3
Suite 4
Suite 5
Suite 6
Suite 7
Suite 8
Brown Hall 1 Brown Hall 2 Brown Hall 3
LEVEL +2
+2
+2 M
+2 M
+2 M
+2 M
+2
+2
+2
CIDOC
ICMEMO
ICDAD
ICAMT
CAMOC
ICLM
MPR
CIDOC
ICDAD
Eco-museums
Eco-museums
Joint Session
MPR
CAMOC and ICR
CIDOC
9:00
9:30
10:00
10:30
11:00
11:30
12:00
12:30
CIDOC
13:00
13:15
13:30
14:00
14:30
15:00
Eco-museums
15:30
15:45
16:00
16:15
16:30
Schnittmarke
16:45
17:00
17:15
CIDOC
CECA
17:30
17:45
18:00
192
18:30
18:30
23:30
Concert in Duomo of Milan (20:00 - 21:00) and many other events in Milan!
WEDNESDAY 6 JULY
North Wing
Hall 1
Hall 2
Hall 1
-1
-1
-1
Orange
Hall 2
-1
Orange
Hall 3
-1
Green
Hall 1
-1
Green
Hall 2
-1
Green
Hall 3
-1
Meeting
Room 3
-1
Meeting Meeting Meeting
Room 4 Room 5 Room 6
-1
-1
-1
ROOM
LEVEL
8:00
8:30
9:00
9:30
Disaster Risk
Management
Committee
10:00
10:30
11:00
11:30
Ecomuseums
CIPEG
ICR
CIMUSET
ICFA and
COMCOL
ICOMAM
ICME
MDWG
12:00
ICTOP
12:30
13:00
13:15
13:30
Mentoring
Sessions for
Young
Professionals
13:45
Blue Shield
Netherlands
14:00
14:15
ICMAH
ICOM-CC
CIPEG
14:30
CIMUSET
ICFA
AVICOM
ICOMAM
COMCOL
ICTOP
ICOM Russia
15:00
15:30
15:45
16:00
16:15
16:30
16:45
17:00
17:30
17:45
„The Destruction of Memory“
realised by
Tim Slade
18:00
18:30
South Wing
Amber Hall 1
Amber Hall 2
Amber Hall 3
Amber Hall 4
Amber Hall 5
Amber Hall 6 Amber Hall 7 Amber Hall 8
ROOM
+2
+2
+2
+2
+2
+2
LEVEL
+2
+2
9:00
9:30
CIMCIM
10:00
10:30
11:00
11:30
ICEE
CIMCIM
CECA
CECA
COSTUME
UMAC
12:30
Detailed programme
WEDNESDAY 6 JULY
ICOM Slovenia
12:00
13:00
13:15
13:30
Joint Session ICOM
Netherlands, CECA,
ICOMOS NL, EXARC
and ICOM MPR
ICEE
CIMCIM
CECA
14:00
14:30
COSTUME
ICLM
UMAC
UMAC
15:00
15:30
15:45
16:00
16:15
16:30
16:45
Schnittmarke
Workshop on
Guidelines for
Women’s and
Gender-related
museums
17:00
17:15
17:30
17:45
18:00
18:30
Concert in Duomo of Milan (20:00 - 21:00) and many other events in Milan!
18:30
23:30
193
WEDNESDAY 6 JULY
Registration
Notes
Membership Office
Keynote Speech and panel discussion
09:00 – 09:45
Introduction
George Abungu, Vice-President of ICOM Executive Council
Keynote Speech
Australian economist, particularly well known as a cultural economist
09:45 – 10:40
Panel discussion „Social role of museums: New migrations, new challenges“
David Fleming, Director National Museums Liverpool, President of Federation
of International Human Rights Museums and President of Museums
Association, United Kingdom
Robin Hirst, Director Collections, Research and Exhibitions Museum Victoria, Australia
Marlen Mouliou, CAMOC Chair, Faculty of History and Archaeology, National
and Kapodistrian University of Athens, Greece
Giusi Nicolini, Mayor of Lampedusa and Linosa, Italy
The discussion will be led by Brenda Emmanus, BBC London News’ Art,
Culture and Entertainment Correspondent
10:40 – 11:00
ICOM‘s new visual identity
09:00-11:00 | Turquoise Hall 1 (North Wing - Level -1)
Disaster Risk Management Committee
09:00 – 09:30
A new exhibition model for Museum Collections: The TIDE Project
Eric De Visscher, France
Schnittmarke
09:30 – 10:00
The Soldier’s Musical Arsenal
Cleveland Johnson, United States
194
WEDNESDAY 6 JULY
10:00 – 10:30
The preservation of electronic musical instruments, a challenge in the face of
technological obsolescences
Notes
Thierry Maniguet, France
10:30 – 11:00
The MUSICES-Project: Making 3D-CT imaging more accessible to a wide range
of stakeholders
Sebastian Kirsch, Germany
11:00 – 11:30
Coffee Break
General Assembly
Expo Forum: smARTravel
Chair: Alessandro D’Amatto, Switzerland
10:40-11:00
smARTravel – Art in the palm of your hand!
Alessandro D’Amatto, Switzerland
Enhancing the value of museum artworks through qualitative content written by
industry experts and audio content registered in mother tongue by professionals, this
easy-to-use smartphone application will make visitors experience unique. smARtravel
is not only a multimedia guide, but a complete service tailored to customers needs.
Coffee Break
Detailed programme
WEDNESDAY 6 JULY
Expo Forum: Giant Monkey Software Engineering GmbH
Facilitating public access to the prussian cultural heritage using cutting edge technology
Chair: Lion Vollnhals, Germany
How the deployed technology facilitates visitors access to the divers offering of 19
museums in a single online shop. (Lion Vollnhals, Berlin, DE)
How the deployed technology facilitates affiliate and reseller structures thereby
increasing the museums reach. (Lion Vollnhals, Berlin, DE)
How the deployed technology facilitates online booking of individual group
offerings trough live availability checks. (Lion Vollnhals, Berlin, DE) Schnittmarke
11:30 – 12:00
Virtual reality and immersive environment for security of Movable Cultural Heritage
Sergio Olivero, Italy
195
WEDNESDAY 6 JULY
12:00 – 12:30
Making use of new technology to protect cultural heritage
Notes
Stephane Thefo, France
12:30 – 13:00
The ICMS annual conference in Boston (USA) in 2017
Stephen St. Laurent, United States
Politics and display
Chair: Francoise McClafferty
11:30 – 11:40
Dancing with Lenins
Kalle Kalio
11:40 – 11:50
Manichaen Museums
Camilo Sánchez, Colombia
11:50 – 12:00
Ethics, social activism, and Human Rights
Carla Prat, Mexico
12:00 – 12:10
The making of the museum for international democracy – Changing politics
Susana Meden, Argentina
12:10 – 12:20
From the historical reflection to civil consciousness: An experimental project
to connect a history museum with present day issues
Guido Vaglio, Italy
12:20 – 12:30
Panel debate
11:30 – 12:00
Do predators go digital? Discussing museum ethics in the digital habitat
Georgios Papaioannou
Sofia Paschou
Schnittmarke
12:00 – 12:30
Du musée prédateur au musée symbiotique : L’enrichissement de la collection
des œuvres nouveaux médias dans les institutions muséales
Ji Eun Park
196
WEDNESDAY 6 JULY
12:30 – 13:00
Predatory act and story construction in art museums. About exhibitions display
and its meaning
Notes
Susanna Muston, Italy
Academic landscape
11:30 – 11:40
Outside the museum: Formative and interdisciplinary experiences
Luciana Pasqualucci, Brazil
11:40 – 11:50
Enabling the urban landscape museum of architecture projects: Architetural
project case studies of Natural History Museums done by graduate students
the FIAM FAAM - UNIVERSITY CENTER - São Paulo - Brazil
Ivanise Lo Turco, Brazil
Dimas Bertolotti, Brazil
Fernando Mauro Neto, Brazil
Andrea Bartkevicius Cruz, Brazil
11:50 – 12:00
The geological time in Natural History Museums´ narrative: A comparative
analysis
Rebeca Bombonato, Brazil
12:00 – 12:15
Panel discussion
Thematic landscape of ICOM NATHIST´s meeting
12:15 – 12:30
Current challenges in the Natural History Museum sector: Results from a
targeted focus group
Eric Dorfman, United States
Detailed programme
WEDNESDAY 6 JULY
12:30 – 12:45
Museums in the Anthropocene: Toward the history of humankind within
biosphere & technosphere
Osamu Kamei, Japan
12:45 – 13:00
Evolution in our museums: Contributing to the cultural and scientific
landscape for the XXI century
Maria Isabel Landim, Brazil
13:00 – 13:15
Panel discussion
Schnittmarke
11:30 – 13:00 add separatioon | Yellow Hall 3 (North Wing - Level +1)
General Assembly
197
WEDNESDAY 6 JULY
Eco-museums
Plenary Session
11:30 – 12:30
Introduction of the theme „Museums and cultural landscapes” organized by
the Network of Italian ecomuseums
12:30 – 13:30
Library of publications edited by the ecomuseums
Notes
11:30 – 12:00
Egyptology at the department of ancient orient in Pushkin Museum:
Our first 100 years
Olga Vassilieva
12:00 – 12:30
Ramesses the Great in Karlsruhe
Anna Gnyp
12:30 – 13:00
Cosmogony and Theology of Hermopolis Magna. Tuna el-Gebel as part of a
ritual landscape from the Late to the Roman Period
Regine Schulz
General Assembly and elections
General Assembly
Historic houses and their fine art
Chair: Peter van Mensch
11:30 – 11:50
Interior ensembles: The added values of objects in their surroundings
Eloy Koldeweij, The Netherlands
Schnittmarke
11:50 – 12:10
The Karen Blixen House: Contextualizing the interactions and collections
of a baroness in Kenya
Kiprop Lagat, Kenya
198
WEDNESDAY 6 JULY
12:10 – 12:30
Fine art collection for Buddhist temple
Notes
Tsogbayar Orkhon, Mongolia
12:30 – 12:50
The art of making art exhibitions. Giving new meaning and significance
to the former artists residence of H.W. Mesdag
Pascal Arts, The Netherlands
12:50 – 13:00
Discussion
„Internet festival of museum multimedia „Media Geek: Cultural heritage“
Chair: Natalia Tolsataya
11:30 – 12:00
Internet Festival of Museum Multimedia „Museum Geek „: From national to
international festival, a new communication channel with museum community:
“virtual and real”
Tatyana Pchelyanskya, Russia
Olga Kissel, Russia
12:00 – 12:30
F@IMP 2.0 online platform development of the pilot festival in november 2016
(MUZEUM@DIGIT)
Benedek Varga, Director of HNM Budapest
Ildikó Fejes, Head of department, Hungarian National Museum
Discussion
12:30 – 13:00
Preserving, sharing, and using sound and image content across cultures
the SOIMA way ICCROM/SOIMA practice preservation and sharing
Aparna Tandon
Samuel Franco Arce
Detailed programme
WEDNESDAY 6 JULY
„Dark memories as attractions in the cultural landscape; Good or bad
examples of collections and items, monuments, memories, battlefields,
forteresses, etc. „
11:30 – 11:45
Ways of peace – Le vie delle Pace, dedicated to the history of the former
battlefield and serve not only as places of memory, but also a reminder to peace
Christoph Hatschek, Austria
Schnittmarke
11:45 – 12:00
A bench, a mirror, a street-sign: Language of WWII‘s sensitive memory
Dr. Pnina Rosenberg, Israel
199
WEDNESDAY 6 JULY
12:00 – 12:15
The influence of the Soviet ideology on museum activities in Latvia during the
1940s – 1960s and nowadays situation
Notes
Juris Ciganovs, Latvia
12:15 – 12:30
Learning from the errors of the past: The Mob museum
Marta Soligo, United States
12:30 – 12:45
Patarei – A well-known but untold story of dark tourism in the context of
architectural and cultural heritage.
Hellar Lill, Estonia
12:45 – 13:00
ICME – Museums and Collections of Ethnography
Borderlands and bridges: Art and identity
Chair: Pauline van der Zee, Belgium
11:30 – 11:50
Multiculturalism and Ethnographic Museums in Israel: The case of a regional
Bedouin Museum
Havazelet Yahel, Israel
Ruth Kark, Israel
Noam Perry, United States
11:50 – 12:00
Migration as Art (MasA)
Stephen Copland, Australia
12:00 – 12:10
Beyond the borders – The museum as a pretext to encourage relation
Sarah Gamaire, France
12:10 – 12:20
Developing a ‘home place’ and interpretative communities in museums to
challenge racism
Dr. Patrizia Schettino, Switzerland
12:20 – 12:30
12:30 – 13:00
Elections
Schnittmarke
MDWG
Working Session
200
WEDNESDAY 6 JULY
Notes
Project presentations: Archaeological archive standard and international core
data standard for archaeological and architectural heritage
Chair: Stephen Stead
Pierre Choffe
International core data standard for archeological and architectural heritage (CS)
The documentation of buildings, monuments and archaeological sites, plays an
essential role in promoting the understanding, conservation, preventive maintenance
and preservation of the archaeological and architectural heritage. Within Europe,
a wide range of recording methods are employed in the compilation of inventories,
often within a national framework. The compilation of these inventories may have
occurred for a variety of reasons. However, some of these reasons enjoy a more
widespread currency, in particular those relating to the protection of cultural
heritage, and to providing some form of public access to the information held.
Museum process implementation
Chair: Walter Koch
11:30 – 12:00
„The change of the museum documenting work processes in the digital era.
The actual practices (e.g. SPECTRUM-Procedures, Business Process or
Workflow Management, ...) in this field.“
Walter Koch
12:00 – 12:30
Condition reporting in the digital era: A case study of articheck‘s applications in
Fine Art collections and 15s
Jennifer Hefner
Detailed programme
WEDNESDAY 6 JULY
12:30 – 13:00
Using modern technology to support museum activities.
Case study: Estonians Deported to Siberia: Soviet Red Terror 1940-1960
Andres Uueni
ICMEMO – Memorial Museums in Remembrance of the Victims of
Public Crimes
Member presentations
11:30 – 11:32
Introduction
Daniel Dratwa
Schnittmarke
11:32 – 11:40
Memory, identity, patrimony, commemorations
Gabriela Römer
201
WEDNESDAY 6 JULY
11:40 – 11:48
Museum of Memory and Human Rights in Chile, cultural landscapes for
memorial pedagogies
Notes
Sigal Meirovich
11:48 – 11:56
People, place, and our past: Curatorial reflections on the interpretation of
difficult histories
Laura-Edythe Coleman
11:56-12:04
Finding the tone to speak on GULAG nationwide: Gulag History Museum and
the Association of Memory Museums of Russia
Anna Stadinchuk
12:04-12:12
The Memorial Park Kragujevački oktobar: Memorial park, museum and
cultural events
Katarina Babić
12:12-12:20
Artificial landscapes and meaning
Jane E. Klinger
12:20-12:28
Challenging the social amnesia and politics of oblivion through the Hrant Dink
Site of Memory, Istanbul
Nayat Karakose
12:28-12:44
12:44-13:00
ICMEMO Membership Meeting
11:30 – 11:45
Exchange Museum – The new face on Bridgetowns´ cultural landscape.
Allison-Faith Callender, Barbados
11:45 – 12:00
From craftsman to the designers-history of the Decorative Arts Museum in
Georgia
Irina Koshoridze, Georgia
Schnittmarke
12:00 – 12:15
Reframing ancient skills in present Chinese cultural museum landscapes
Sofia Bollo
202
WEDNESDAY 6 JULY
12:15 – 12:30
An ordinary extraordinare. A case study on Wazir Khan Mosque.
Notes
Fatima Farooq, Pakistan
12:30 – 12:40
Discussion
Detailed programme
WEDNESDAY 6 JULY
11:30 – 13:15 add separatin| Suite 7 (South Wing - Level +2 M)
Some players museums
11:30 – 11:40
11:40 – 11:50
11:50 – 12:00
12:00 – 12:10
12:10 – 12:20
12:20 – 12:30
12:30 – 12:40
12:40 – 12:50
12:50 – 13:00
13:00 – 13:10
Emerging strategies, state-of-the-art project examples
11:30 – 11:35
Welcome and introduction
Jelena Savic
Schnittmarke
11:35 – 11:40
Museum taking us into the city
Jerneja Batič, Slovenia
203
WEDNESDAY 6 JULY
11:40 – 11:45
Scotland’s urban past
Notes
Rebecca Bailey, United Kingdom
11:45 – 11:50
Immigraton and representation in São Paulo
Carolina Vasconcellos Vilas Boas, Brazil
11:50 – 11:55
The concept of cultural landscapes in the Immigration Museum of the State of Sao Paulo
Marília Bonas, Brazil
11:55 – 12:00
Nigeria’s Brazilian quarters, the mandate of preserving public monuments and
the issue of sustainable development in Nigeria
Louisa Nnenna Onouha, Nigeria
12:00 – 12:05
Around the corner, how MAS uses its collections to connect to its diverse
cultural landscapes
Lieve Willekens, Belgium
12:05 – 12:10
Baraka – A quarter for refugees. A best practice example how to design cultural landscape
Susanne Anna, Germany
12:10 – 12:25
Discussion
Looking into the future, new territories for city museums
12:25 – 12:30
Future of city museums in India
Abdur Rasheed, India
12:30 – 12:35
The cultural heritage of suburbia – The case of Greater Copenhagen 1945-2015
Mette Tapdrup Mortensen, Denmark
12:35 – 12:40
The cultural landscape of street art in Italy
Paola Boccalatte, Italy
12:40 – 12:45
The city museum and city Planning: The Museum of the city’s experience
Chet Orloff, United States
12:45 – 12:50
Reach - out Museum. New practices inside and outside the museum spaces
Schnittmarke
Michela Bassanelli, Italy
Francesca Lanz, Italy
12:50 – 13:00
Discussion
204
WEDNESDAY 6 JULY
Business Meeting and Elections
Notes
Community/Participation/Interpretation
Chair: Arja van Veldhuizen, The Netherlands
11:30 – 11:45
Cultural landscapes: Researching and promoting heritage education with a link
between art and science
Franca Zuccoli, Italy
11:45 – 12:00
Museum done by us: The cultural landscape as a product of an educational
community
Odalice Priosti,, Brazil
Márcio Pinto De Oliveira, Brazil
Nelson Pereira Mendonça Junior, Brazil
12:00 – 12:15
Find your public by bringing the collection to them
Michael Fuhr, Germany
Schools and environment
Chair: Arja van Veldhuizen, The Netherlands
12:15 – 12:30
Museo Escolar Hugo Gunckel
Marta Cerda Silva, Chile
Miguel Hernández Mella, Chile
Lita Vega Trujillo, Chile
12:30 – 12:45
Student reports from a historical flooding
Anna Tiedink, The Netherlands
Detailed programme
WEDNESDAY 6 JULY
12:45 – 13:00
Discussion
Chair: Colette Dufresne-Tassé
11:30 – 11:45
Displaying & engaging visitors in difficult issues:
A study of visitors comments on “when the South wind blows” exhibition
Schnittmarke
Chia-Li Chen, Taiwan
Hsu Huang, Taiwan
205
WEDNESDAY 6 JULY
11:45 – 12:00
Impacts’ assessment of the Delphi’s Region candidate for cultural capital of
Europe on the local community
Notes
Georgios Panagiaris, Greece
12:00 – 12:15
The museum as a local development environment.
An experience of citizen participation
Rosa María Hervás Avilés, Spain
Antonia María Sánchez Lázaro, Spain
Magdalena Castejón Ibáñez, Spain
12:15 – 12:30
The role of Rice Science Museum in Philippine rice research and development
Diadem Gonzalez-Esmero, Philippines
12:30 – 12:45
Multi-sensory engagement of museums’ publics: Research into docents’
training at the Montreal Museum of Fine Arts
Manon Douesnard, Canada
Jean-Luc Murray, Canada
12:45 – 13:00
Discussion
Community landscapes
11:30 – 11:45
Re-imagining university heritage through virtual cultural landscapes
Karen Brown
A. Miller
11:45 – 12:00
Cultural landscapes: A challenge for university museums.
The potential of thematic routes
G. Weisinger Cordero
M. del Carmen Maza
12:00 – 12:15
Museum for each one, heritage of every one of us: Playing of building ideas
about museums and heritages in south of Minas Gerais: heritage education,
perspectives and practices in a university museum.
Luciana Menezes de Carvalho, Brazil
Schnittmarke
12:15 – 12:30
Connecting classical heritage with present city life – A case study.
V. Norskov
206
WEDNESDAY 6 JULY
12:30 – 12:45
The role of the science and technology museum in the development of Patras
University cultural landscape.
Notes
P. Theologi-Gouti
Pr E. Vitoratos
12:45 – 13:00
(Re) contextualizing ethnic landscape: Chinese ethnographic museum of
university from 1945 to 1980.
Hui Du
Shaping the cultural landscapes: The role of writers‘ and composers‘
museums
11:30 – 11:40
The role of the Thomas Bernhard House in the Austrian Cultural Landscape &
Sàrolta Schredl, Austria
11:40 – 11:50
The joint Hungarian-Chinese exhibition titled The Power of Poetry
Gulyás Gabriella, Hungary
11:50 – 12:00
The Literary Museum and Urban Renaissance: The Moscow State Museum of
S.A. Yesenin and Moscow‘s New Urbanism & Questions and answers
Svetlana Shetrakova, Russia
12:00 – 12:30
Coffee Break
12:30 – 12:40
Jorasanko Heritage Hub: Preserving the history of Bengal renaissance &
Baisakhi Mitra
Detailed programme
WEDNESDAY 6 JULY
12:40 – 12:50
Between place and time – The Word and the Image – The Sigfrido Bartolini
Home in Pistoia
Simonetta Bartolini, Italy
12:50 – 13:00
Promoting a district‘s tourism, economy and cultural heritage through virtual
technology in the third millennium
Marco Capaccioli, Italy
Schnittmarke
General Assembly
207
WEDNESDAY 6 JULY
Panel: UNESCO/PERSIST Guidelines
11:30 – 12:00
The UNESCO PERSIST content taks force and the Guidelines for the selection
of digital heritage for longterm-preservation
Notes
Clement Oury
12:00 – 12:50
Panel discussion
12:50– 13:00
ICOM Slovenia
12:00 – 12:15
Introduction
Tanja Roženbergar, Slovenia
12:15 – 12:30
The Wheel, museums and galleries of Ljubljana
12:30 – 12:45
The Flute, National Museum of Slovenia
12:45 – 13:00
Discussion
Lunch break
Expo Forum: Les Films Grain de Sable
13:00 – 13:10
Short presentation of the Baghdad 3D, the future of our origins project,
characters, partners, purpose, schedule
Ivan Erhel, France
13:10 – 13:13
Broadcasting of the teaser Bagdad 3D, the Future of our Origins
Ivan Erhel, France
13:13 – 13:16
Presentation of the SUMER VR application, an experience of immersive virtual
reality inside the most beautiful sites of Iraq
Schnittmarke
Ivan Erhel, France
208
WEDNESDAY 6 JULY
13:16 – 13:19
Presentation of the Mesopotamia 3D exhibition, an exhibition of 3D printed and
holographic artefact masterpieces
Notes
Ivan Erhel, France
13:19 – 13:23
Questions and demonstration of different experiences of VR immersion inside
some of the most beautiful sites of Iraq
Ivan Erhel, France
The Living Museum. New Technology: Smart Solutions and Multimedia
Innovations for Enhancing Visitor Experience
Anthony Pruett, Senior Vice President, The Hettema Group, United States
Phil Hettema, President and Creative Executive, The Hettema Group, United States
Alain Dupuy, President, Innovision, France
Stephen CK Petri, Architect and Exhibition Designer, Reich+Petch, Design
International, Canada
Giancarlo Cotrufo, Project Manager, Goppion SpA, Italy
Case Study YXLON International GmbH
Condition diagnosis and 3D-data analysis of cultural property using X-ray CT at
a Japanese museum
Setsuo Imazu, Japan
Dr. Imazu talks about his 10 years of experience of Japanese cultural heritage
inspection with X-ray and CT (Computed Tomography).
Case Study MAE
Case Study MiBACT
Sleeping Beauty. Proposal for Italian Museums in the World
Detailed programme
WEDNESDAY 6 JULY
13:15 – 13:30
Opening speech
Ugo Soragni, Italy
13:30 – 14:00
Sleeping Beauty: Proposal for Italian Museums in the world
Fabio Pagano, Italy
14:00 – 14:15
Schnittmarke
209
WEDNESDAY 6 JULY
13:15 – 14:15 | yellow Hall 3 (North Wing - Level +1)
Goppion EducationLab: Conservation Issues, Solutions and Innovations
Notes
Andrea Sartori, Business Development Manager, Goppion SpA, Italy
Pamela Hatchfield, Head of Objects Conservation at Museum of Fine Arts,
Boston and President of the American Institute for Conservation, USA
Giuseppe Ciccaldo, Branch Manager, THK GmbH Italian Branch, Italy
Peter Hohenstatt, Business Development Manager, Goppion SpA, Italy
13:15 – 13:30
Eiji Mizushima (Japan), Professor, University of Tsukuba, Founder & CEO,
MARC ASPAC: Museum & Culture
Advanced Research Center in Asia Pacific, Former Vice-Chair ICOM Japan,
Board member ICOFOM
13:30 – 13:45
13:45 – 14:00
Luis Reppeto Malaga (Peru), Director, Museo de artes y tradiciones populares, Lima
14:00 – 14:15
Joint Session ICOM Netherlands, CECA (Education and Cultural Action),
ICOMOS NL (Monuments and Sites), EXARC (Archaeological Open Air
Museums and Experimental Archaeology) and ICOM MPR
The Roman Frontier along the River Rhine, the role of museums in revitalizing
cultural landscapes
Chairs:
Drs. Astrid Hertog (board member ICOM NL)
Prof. Dr. Renger De Bruin (board member ICOM NL, The Netherlands)
13:15 – 13:35
Introduction to the Roman Frontiers in Europe and along the River Rhine.
Tourism, museums, lessons from the past.
Prof. David Breeze
13:35 – 13:55
Castellum Hoge Woerd , other site examples in NL and the Museum’s role
Drs. Erik Graafstal
13:55 – 14:15
Xanten and the Museums’s Role in interpreting the Roman Limes.
Schnittmarke
Dr. Martin Müller
14:15 – 14:35
Coffee Break
210
WEDNESDAY 6 JULY
14:35 – 14:55
Making the invisible visible: Interpretation Frameworks and museum projects
along the Roman Limes in Southern Germany
Notes
Dr. Christof Flügel
14:55 – 15:15
The Roman Limes, a memoryscape which can be developed into a challenging
tourist destination by using storylines as a connecting thread between
landscape and museums in order to make the past visible and tangible
Drs. Frederike van Ouwerkerkk
15:15 – 15:30
Value of WHS for governing bodies, cooperation between two countries,
differences in the heritage ‘landscapes’ especially concerning museums
Tamar Leene MA
Dr. Thomas Otten
15:30 – 15:35
ICOMOS NL, UNESCO and museums
Drs. Jurn Buisman
15:35 – 15:55
Coffee Break
15:55 – 16:15
Panel discussion
Expo Forum: rsf
In search for the Ideal Guiding solutions in a Multimedia age
Bechara Yared, Owner, and manager of RSF
In a Multimedia age, it is easy to forget and ignore the real operational needs for a
guiding solution. It is also difficult to decide on how much and what multimedia to
use? And on the best tools to communicate these medias.
Detailed programme
WEDNESDAY 6 JULY
The presenter will reflect on RSF’s more than 40 years experience developing audio
visual solutions dedicated to the museum fields. He will share survey results in the
search for the “Ideal Audioguide”. He will then explore the question of „What is an
Ideal Multimedia guide”?
Blue Shield Netherlands
Inspiration and network meeting Blue Shield National Committees
Chairs:
Robyn Riddett, Australia
Kristel Witkam
Schnittmarke
13:30 – 14:00
Welcome by Blue Shield Netherlands
Angela Dellebeke, The Netherlands
211
WEDNESDAY 6 JULY
14:00 – 14:30
Keynote Blue Shield Italy
Notes
Tiziana Maffei, Italy
14:30 – 15:00
Keynote Blue Shield International Karl Habsburg-Lothringen
15:00 – 15:30
Keynote Blue Shield International Peter Stone, United Kingdom
15:30 – 16:00
Best Practices
16:00 – 16:30
Challenges and possibilities for mutual support
16:30 – 17:00
Discussion, summary and outcome of the workshops
14:30 – 15:00
Changes in Chinese cultural landscapes
Tian Kai, China
15:00 – 15:30
Developing an effective emergency management plan. A proposal
Isabella Fiorentini, Italy
15:30 – 16:00
Coffee Break
16:00 – 16:30
Security Games. Cultural Heritage and Museum Protection in Card and Board
Games
Elena Franchi, Italy
16:30 – 17:00
Protection of Cultural Heritage against Cyber Threats in the new Digital
Cultural Landscapes
Kim Jongsok, Korea
Schnittmarke
17:00 – 17:30
Risk Analysis
Dick Drent, The Netherlands
212
WEDNESDAY 6 JULY
14:30 – 18:00 | Blue Hall 1 (North Wing - Level +1) Joint Session
INTERCOM (Museum Management) and FIHRM
Sustainability and ethics
Chair: Sharon Granville, United Kingdom
14:30 – 14:40
Ethical challenges for museum modernization –The National Museum of History
Notes
Yui Tan Chang, Taiwan
14:40 – 14:50
Collecting biological material: Borders and definitions
Ekaterini Malea, Greece
Georgios Panagiaris, Greece
14:50 – 15:00
Strangeness and acceptance of minority groups in Science Museums
Silvania Nascimento, Brazil
15:00 – 15:10
Panel debate
15:10 – 15:20
Coffee Break
Social responsibility and engagement
Chairs: Rosario Ramos, Mexico
Nicoleta Zagura, Romania
16:15 – 16:32
Welfare stories from the edge of society - The ethical dilemmas
Sarah Smed, Denmark
Jakob Knage Rasmussen, Denmark
16:32 – 16:49
The values and achievements of the Juming Museum
Wu Shun-Ling, Taiwan
Detailed programme
WEDNESDAY 6 JULY
16:49 – 17:06
The new Museum Tommaso Crudeli and Article 18 of the Universal Declaration
for Human Rights
Raoul Crudeli, Italy
17:06 – 17:23
Responding to ethical demands through curating
Irene Capolmi, Denmark
17:23 – 17:40
Nigeria Museum’s work against illicit trafficking of Nok Terracotta
Schnittmarke
Adeniyi Jude Aribido, Nigeria
17:40 – 17:57
Panel debate
213
WEDNESDAY 6 JULY
14:30 – 14:55
En finir avec le musée prédateur? Les métamorphoses du musée ethnologique
Notes
Fabien Van Geert, Belgium
14:55 – 15:20
Reformulating the museum discourse in critical ethnology exhibitions.
Limits and ambiguities in the reform at the Museum der Kulturen, Basel and
the Musée d‘ethnographie de NeuchâteL
Gaëlle Crenn, France
15:20 – 15:45
L’achat, nouveau terrain de chasse du musée d’ethnographie ?
Audrey Doyen, Switzerland
15:45 – 16:15
Coffee Break
16:15 – 16:40
L’Autre en Nous, le cas des Premières Nations dans les musées de société
et d’histoire au Québec
Marie-Charlotte Franco, Canada
16:40 – 17:00
Expérimenter une zone de contact autour d’objet venus d’ailleurs (Imagine
a contact zone on objects from elsewhere)
Emmanuelle Cadet
17:00 – 17:20
Exposing the predator, recognising the prey: New institutional strategies for
a reflexive museology
Camilla Pagani
17:20 – 17:45
Images and indigeneous voices from the „field“. Museum Representions
of the world of Benin City and its Palace in Contemporary Displays of Royal
Objects Taken by British Military Forces in 1897
Felicity Bodenstein
17:45 – 18:30
Mnemosophy
Tomislav Sola, Croatia
Schnittmarke
Natural history museums & landscape
14:30 – 15:30
AGM 2016
214
WEDNESDAY 6 JULY
15:30 – 15:45
„Natural History Museums in cultural landscapes” –
The example Ruhr Museum
Notes
Ulrike Stottrop, Germany
15:45 – 16:00
The edible landscape in the century-old Camphor Factory as museum’s
devotion in conservation of farmland biodiversity
Chi-Ming Chen, Taiwan
16:00 – 16:15
Panel discussion
16:15 – 16:45
Coffee Break
16:45 – 17:00
Arctic Gallery 2017 - New approaches to describing natural history in a cultural
landscape
Ailsa Barry, Canada
17:00 – 17:15
Urban naturalist project: Citizen exploration of urban nature in historic
landscape
Phaedra Hui-Shih Fang, Taiwan
17:15 – 17:30
Museological strategies of the landscape representation. The case museum of
human evolution (BURGOS, SPAIN)
Raquel Nogal, Spain
17:30 – 17:45
The museum territory as an educational platform
Anna Klukina, Russia
17:45 – 18:00
Nuestra señora de la natividad del Acaray, a forgotten mission
Ana Elisa Burrò, Paraguay
Detailed programme
WEDNESDAY 6 JULY
18:00 – 18:15
Yes – In my backyard – Being relevant to the community
Dorit Wolenitz, Israel
18:15 – 18:30
Panel discussion
Schnittmarke
Professional development workshop lead by money and medals network UK
14:30 – 15:00
Establishing National Networks
Henry Flynn
215
WEDNESDAY 6 JULY
Notes
Notes
15:00 – 16:30
Skills development workshop: Display techniques
Henry Flynn
16:30 – 17:00
Coffee Break
17:00 – 18:30
Discussion on standards for collections and museums
ICOM-CC – Conservation
Loans and environmental guidelines – Current procedures and perspectives
14:30 – 14:46
Welcome
Kristiane Strætkvern, Denmark
14:46 – 15:02
Objects that travel: What risks? What rules? What to wear?
Stefan Michalski
15:02 – 15:18
Museum experience
J. Sengupta, India
15:18 – 15:34
The conservators’ role in loans
Kristiane Strætkvern, Denmark
15:34 – 15:50
Museum exhibitions and loans
Roberta Saraiva Coutinho, Brazil
15:50 – 16:15
Coffee Break
16:15 – 16:30
Case studies
L. Souza, Brazil
16:30 – 18:15
Open dialogue with participants
W. Wei
18:15 – 18:30
Closing
W. Wei
L. Souza, Brazil
Schnittmarke
216
WEDNESDAY 6 JULY
Notes
Notes
14:30 – 15:00
Amenhotep CIT 10, rescue and restoration
Rania El-Atfy
15:00 – 15:30
Evaluation of Modified Laponite Solvent-Gel as a Poultice in removing papyrus
attachment with poor quality cardboard backing
Amr Mostafa
15:30 – 16:00
Coffee Break
16:00 – 16:30
Refurbishment of the Tutankhamen permanent display
Mohamed Gamal
16:30 – 17:00
Break
17:00 – 18:30
General Assembly
Work and industry in the heritage of modern landscapes
14:30 – 14:50
Kalle Kallio, Finland
14:50 – 15:10
Darjeeling Himalayan Railway – Dream, development, promotion and
integration in the cultural landscape
Indrani Bhattacharya, India
Detailed programme
WEDNESDAY 6 JULY
15:10 – 15:30
Industrial heritage making in Taiwan: The hybrid landscape of modernity and
colonial narrative
Chao-Shiang Li, United Kingdom
15:30 – 15:50
Semiotic and ethnographic approachment to industrial heritage
Veronica Ortega Ortiz, Mexico
Schnittmarke
15:50 – 16:10
The industrial heritage of the Anthropocene
Jana Golombek, Germany
Torsten Meyer, Germany
217
WEDNESDAY 6 JULY
16:10 – 16:30
Notes
Renè Capovin, Italy
16:30 – 16:50
What future for museums of and for the people?
Christopher Burgess, United Kingdom
16:50 – 17:10
The good, the bad and the ugly: Labour heritage in Tampere
Kalle Kallio, Finland
17:10 – 17:30
Landscape with people. The “Heritage-isation” of the Ruhr area
Dagmar Kift, Germany
17:30 – 17:50
Integrating the industrial landscape through the regional narrative –
The heritage of industry and labour and the landscape in the Rupel area
Bruno De Corte, Belgium
17:50 – 18:30
ICFA – Museums and Collections of Fine Arts
Board Meeting and General Assembly
„Internet festival of museum multimedia „“Media Geek: Cultural heritage“““
Chair: Simona Caraceni
14:30 – 15:00
Introduction
15:00 – 15:30
MuseoMix: A French paradigm applied in italian museums
Davide Baruzzi
Rosanna Spanò
15:30 – 16:00
SvegliaMuseo: The main italian Social Network community
Francesca Gottardo
Valeria Gasparotti
16:00 – 16:30
Osservatori.net: An institutional insight on web strategies and social network
museum experiences
Schnittmarke
Michela Arnaboldi
Eleonora Lorenzini
218
WEDNESDAY 6 JULY
16:30 – 17:00
Notes
17:00– 18:00
Meeting of the italian Coordinamento Audio-Visivi and Nuove Tecnologie ICOM
Italia
„Dark memories as attractions in the cultural landscape; Good or bad
examples of collections and items, monuments, memories, battlefields,
forteresses, etc.”
14:30 – 14:45
The Polish Army Museum in Warsaw: A study of the significance of location and
historic environment
Marcin Ochman, Poland
14:45 – 15:00
Fortifications and landscape in the Montefeltro and Emilia Romagna at the end
of the Middle age.
Mario Scalini, Italy
15:00 – 15:15
Warsaw Citadel: Location of the complex of museums in the place of Polish
Martyrology
Aleksandra Dzwonek, Poland
15:15 – 15:30
15:30 – 15:45
Unesco Heritage site of Suomenlinna and the museums located on it
Lauri Haavisto, Finland
15:45 – 16:00
First World War’s Christmas Battles: Inside out
Robert Linis, Latvia
Detailed programme
WEDNESDAY 6 JULY
16:00 – 16:15
Cultural landscapes and the heritage of first world war. Remembering the
Isonzo Front 1915-17 in museums and cultural preservation
Kaja Sirok, Slovenia
Schnittmarke
16:15 – 16:45
Coffee Break
16:45 – 17:00
17:00 – 17:15
For memoration and in the name of Etarnal Glory
Svetlana Uspenskaia, Russia
219
WEDNESDAY 6 JULY
17:15 – 17:30
Extremely far and incredibly quiet, the Jewish
Notes
Tal de Lange, Israel
17:30 – 17:45
Beyond the gable wall: Creating balance and bite in representations of
Northern Ireland at the National Army Museum
Rebecca Newell, United Kingdom
17:45 – 18:00
A new museum in a military-historical landscape
Paul van Brakel, The Netherlands
18:00 – 18:15
18:15 – 18:30
Summary of all sessions
COMCOL – Collecting
General Assembly and Board Meeting
ICOM Russia
Board Meeting
Eco-museums
Laboratories
14:30 – 16:30
Comparing experiences about the theme of the Conference
16:30 – 18:30
Conclusion of the workshop
Schnittmarke
14:30 – 14:45
Plastic bags as elements of urban landscapes and museum collections
Christian Hoerack, Switzerland
220
WEDNESDAY 6 JULY
14:45 – 15:00
Radio museum, a wing toward cultural landscapes
Notes
Damon Monzavi, Iran
15:00 – 15:15
Posters and cityscape. The poster collection at Vienna City Library.
Julia Koenig, Austria
15:15 – 15:30
House Museum „Three Roofs“. A surprising multi-sensorial balcony in
Lombard landscape
Anna Maria Ravagnan, Italy
15:30 – 15:55
Final discussion
Eco-museums
Workshop
Eco-museums
Workshop
Market place of exhibitions and ideas
17:30 – 18:30
Travel story telling workshop for audioguides
14:30 – 15:00
Old violin versus old violin
Martin Kirnbauer, Switzerland
Detailed programme
WEDNESDAY 6 JULY
15:00 – 15:30
Inside a Stradivari. New insights by means of high resolution computed
tomography
Rudolf Hopfner, Austria
15:30 – 16:00
A study on the timbral quality of violins based on descriptors extracted from
the sound
Fabio Antonacci, Italy
Schnittmarke
16:00 – 16:30
Coffee Break
221
WEDNESDAY 6 JULY
Notes
16:30 – 17:00
A computer aided approach for the analysis of UV-Induced fluorescence
images of historical violins
Marco Malagodi, Italy
17:00 – 17:30
Neutron imaging: An alternative perspective into musical instruments
Davis Mannes, Germany
17:30 – 18:00
Understanding futuristic materials of the past: A technical study of ebonite and
vulcanite in the collection of Musical Instruments of the Metropolitan Museum of Art
Adriana Rizzo, United States
18:00 – 18:30
Brass sheets for the manufacture of Replica
Adrian V. Steiger, Switzerland
Research session
Chair: Pino Monaco
14:30 – 14:45
Museum of People’s Free Thinking
Niovi-Vasiliki Zarampouka-Chatzimanou, Greece
Marina Tsekou, Greece
14:45 – 15:00
This is horrible! Do negative emotions have to be proscribed during a visit to a
Fine Arts Museum
Elisabeth Meunier, Canada
Colette Dufresne-Tassé
15:00 – 15:15
Three cases of using object-based learning with university students:
A comparison of their rationales, impact and effectiveness
Cheung-on Tam, Hong Kong, China
15:15 – 15:30
Museums Without Walls – Cultural heritage study for public school children of
Pakistan
Farida Syeda, Pakistan
15:30 – 15:45
Creating transformative collectors for heritage sustainability: Experience from
Black Tai village in Petchaburi province, Thailand
Jitjayang Yamabhai
Patoo Cusripituck, Thailand
Schnittmarke
15:45 – 16:00
Engaging with members of migrant comunities through interviews
Insa Müller, Norway
222
WEDNESDAY 6 JULY
16:00 – 16:15
Can exhibitions change the climate? Looking for the impact of natural history
museums on their visitors
Notes
Stephanie Wintzerith
16:15 – 16:45
Coffee Break
Digital solutions
Chair: Stephanie Wintzerith
16:45 – 17:00
Beyond museum walls. Education and cultural actions in support of a dialogue
between museums and the cultural landscape where they belong
Alexandra Tranta, Greece
17:00 – 17:15
Museum without Walls application, used by 40 finnish museums
Leena Tornberg, Finland
17:15 – 17:30
A multimedial storytelling for a silk museum
Sarah Orlandi, Italy
Marco Boldrini
Paolo Pioltelli
17:30 – 18:00
Discussion
18:00 – 18:30
Book Presentation
Individuality versus tradition
Detailed programme
WEDNESDAY 6 JULY
General Meeting and presentation of the new book of proceedings
General Assembly
Joint Session CAMOC (Collections and Activities of Museums of
Cities) and ICR (Regional Museums)
Museums and landscape communities
Chair: Sue Hanna
Schnittmarke
Maria Ignez Mantovani Franco
Afsin Altayli, Turkey
223
WEDNESDAY 6 JULY
Notes
14:30 – 14:45
Opening Addresses
14:45 – 15:00
Navigating freedom: Social cohesion policies and the democratic cultural
landscape of Durban’s Liberation Heritage Route
Bonginkosi Zuma, South Africa
Steven Kotze, South Africa
15:00 – 15:15
Interpretation, inheritance and development of regional cultural landscapes:
A case of the new hunan provincial museum
Chen Jianming, China
15:15 – 15:30
Helsinki City Museum as an expert of cultural environment and challenges of
participation and open society
Tiina Merisalo, Finland
15:30 – 15:45
From the museum to the landscape
Irena Žmuc
15:45 – 16:00
Cemeteries in the city of Stockholm: A culture-historical characterization/
Slaughterhouse District: Stockholm city museum and the transformation of
an urban cultural landscape
Lena Lundberg, Sweden
Sebastian Ulvsgärd, Sweden
16:00 – 16:15
Regional identity as shaped by physical and cultural landscapes
Carrie-Ann Lunde
16:15– 16:30
Coffee Break
16:30 – 16:45
Planning culture & cultural planning: Museums and cultural landscapes
Afsin Altayli, Turkey
16:45 – 17:00
A regional museum in a city of volcanoes: Auckland Museum’s cultural
landscape – A case study
Jane Legget
17:00 – 17:15
Cityscape as a marketing tool or as life space of residents?
Makiko Ruike, Austria
Schnittmarke
17:15 – 17:30
Where the orange trees grow – A challenging cultural landscape in Argolid,
Greece
Stefanos Keramidas, Greece
224
WEDNESDAY 6 JULY
17:30 – 17:45
Preserve cultural heritage and landscape through city museum
Notes
Chunni (Jenny) Chiu, Japan
17:45 – 18:00
18:00 – 18:30
Closing session
Using values to connect
14:30 – 16:00
Using values to connect workshop
Jay Geneske
16:00 – 16:30
Coffee Break
16:30 – 16:45
Marketing and branding at the core of strategic change
Javier Jimenez
16:45 – 17:00
Stedelijk X – Influencer marketing at the museum
Karin Sommerer
Frederike van Dorst
17:00 – 17:15
Building relationships on broken relationships – A (hundred year old) new
museum making emotional connections
Tove Vesterbacka
17:15 – 17:30
Developing museum work with audience
Päivi Partanen
Detailed programme
WEDNESDAY 6 JULY
17:30 – 17:45
Exhibition co-creation and rebranding the Sarawak Museum –
Establishing a sense of belonging by co-sharing oral histories
Hans van de Bunte
17:45 – 18:00
18:00 – 18:30
MPR Programme Wrap-up, details for July 7 study trip
Schnittmarke
General Assembly
225
WEDNESDAY 6 JULY
Notes
Special UMAC Landscapes
15:30 – 15:35
UMAC TFT, a plan of action
D. Verschelde
15:35 – 15:40
Protecting university museum collections: A task force
L. King
15:40 – 15:45
The Polish Association of University Museums
H. Kowalski
M. Grassmann
M. Bukowski
15:45 – 15:50
University museums network in Japan and the Kyoto 2019 conference
Y. Kurihara
Defined landscapes
16:00 – 16:20
University museums and the urban landscape: Islands or lighthouses?
Y. Winkin
16:20 – 16:40
The role of university museums on the process of new cultural layers in case of Istanbul.
N. Özdemir
H. Sivri Gökmen
16:40 – 17:00
University museums and collections as keepers of the history of (their)
landscape and surroundings
N. Nyst
17:00 – 17:20
Building a new university: The changing educational landscape of the late 18th
and early 19th centuries, at the University of St Andrews.
J. Burdge
17:20 – 17:40
University cultural heritage of CUJAE in Havana city (Cuba). A methodology to
preserve and promote the movable goods and the landscape.
C. Marrero Leivas
Schnittmarke
17:40 – 18:00
Activity of Jagiellonian university museum in discovering and studying the
history and culture of Cracow city and its alma mater.
J. Ślaga
K. Stopka
226
WEDNESDAY 6 JULY
18:00 – 18:20
The role of the university in shaping the cultural landscape of Strasbourg: Past,
present and future.
Notes
S. Soubiran
D. Issenmann
Coffee break
Workshop on Guidelines for Women’s and Gender-related
museums
16:45 – 17:45 | suite 5 (South Wing - Level +2 M)
Market of ideas
Chair: Zeljka Jekavic
16:45 – 16:52
Open School
Michael Gyldendal, Denmark
16:52 – 16:59
Discover culture and heritage at your doorstep – The School Heritage Corners
Programme
Asmah Alias, Singapore
16:59 – 17:06
The role of museums on labor and maltreated children’s culturalization
Negar Sagharichi, Iran
Maryam Almasi, Iran
17:06 – 17:13
Sustainability in museums: Local approaches for community impact
Stacey Freeman
17:13 – 17:20
(Un)Real engagement: Reality gaming and youth in museums
Detailed programme
WEDNESDAY 6 JULY
JooKyung Rheea, Korea
Hosan Kim, Korea
17:20 – 17:27
The Getty College Night: Interdisciplinary partnerships beyond the museum’s walls
Peter Tokofsky, United States
Irina D. Costache, United States
J. Andrew Morris, United States
Schnittmarke
17:27 – 17:34
Flipped museum, how visual thinking strategies and collaborative work
improve competence skills and engage in museum visit
Vincenza Ferrara, Italy
227
WEDNESDAY 6 JULY
17:34 – 17:41
A museum as large as a city
Notes
Meysam Abdoli, Iran
Documentary „The Destruction of Memory“
Realised by Tim Slade (Vast Productions)
Over the past century, cultural destruction has wrought catastrophic results
across the globe. This war against culture is not over - it‘s been steadily
increasing. Based on the book of the same name by Robert Bevan, “The
Destruction of Memory” tells the whole story - looking not just at the ongoing
actions of Daesh (ISIS) and at other contemporary situations, but revealing the
decisions of the past that allowed the issue to remain hidden in the shadows
for so many years.
http://destructionofmemoryfilm.com
Schnittmarke
228
Detailed programme
WEDNESDAY 6 JULY
Schnittmarke
Notes
229
Legend
Memorial Lectures
Panel Discussion
Plenary Session
Social Events
Sponsored Session
Schnittmarke
Detailed programme
SaturDAY 9 JULY
Detailed programme
Saturday 9 July
Schnittmarke
SaturDAY 9 JULY
North Wing
ROOM Registration Area
Silver Plenary
Meeting Room 3
LEVEL +1
+2
-1
8:00
8:30
9:00
9:30
10:00
Registration
Extraordinary General Assembly
followed by General Assembly
10:30
11:00
11:30
12:00
12:30
13:00
13:30
14:00
14:30
15:00
15:30
16:00
ICOFOM
Lunch
(Foyer Silver)
16:30
17:00
17:30
18:00
19:30 20:00 19:30 – 20:00 Closing Ceremony (Sala d’Onore, La Triennale)
20:00 00:00 20:00 – 00:00 Closing Party (La Triennale)
Executive Council Informal Meeting
Schnittmarke
Saturday 9 JULY
Registration
Notes
Extraordinary General Assembly followed by General Assembly
(Coffee Break included)
Extraordinary General Assembly
Presentation of the revised Statutes of ICOM (Per Rekdal, Chair of the
Working Group on Governance)
General Assembly
President’s Annual Report 2015
Finances
Resolutions
Approval of the Strategic Plan 2016 – 2022
Approval of a new Honorary Member
The dates and venues of the 32nd Ordinary General Assembly
Results of the election of the Executive Council for 2016 – 2019 and appointment of
the President of ICOM for 2016 – 2019
General Assembly
Lunch Break
Advisory Committe Meeting
Executive Council Informal Meeting
Schnittmarke
Detailed programme
Saturday 9 JULY
233
Legend
Memorial Lectures
Panel Discussion
Plenary Session
Social Events
Sponsored Session
Schnittmarke
Off-site Meetings
SunDAY 3 JULy
TueSDAY 5 JULy
WEDNESDAY 6 JULY
THURSDAY 7 JULy
OFF-SITE
MEETINGS
Schnittmarke
Off-site Meetings
Notes
SunDAY 3 JULy
17:30 – 18:30 | OFF-SITE
ICOM-ASPAC
Melià Milano Hotel, 17:30-18:30
TueSDAY 5 JULy
15:30 – 18:30 | OFF-SITE
CAMOC and ICAMT
Mudec, 15:30-18:30
CIPEG
Visit University Archives, 15:30-18:30
WednesDAY 6 JULy
08:00 – 21:00 | OFF-SITE
ICMEMO
Museo della Memoria, Milan, 8:00 – 21:00
DEMHIST
Storie Milanesi museums, 11:30 – 18:00
GLASS
11:30 – 18:00
ICDAD
Museo Bagatti-Valsecchi, 17:00 – 19:00
ThursdAY 7 JULy
07:30 – 21:00 | OFF – SITE
AVICOM
Biella, 11:00 – 18:00
CAMOC and ICR
Bologna, 7:30 – 21:00
Palazzo Pepoli and Bologna Urban Center, Bologna, 11:00 – 18:00
CECA
Museo di Storia Naturale, 10:00 – 11:30
Triennale di Milano, Triennale Design Museum, 10:00 – 11:30
Mudec – Museo delle Culture, 10:00 – 16:30
Orto Botanico di Brera, Università di Milano, 10:00 – 16:30
Palazzo Moriggia, Museo del Risorgimento, 12:00 – 13:30
Museo del Novecento, 14:30 – 16:30
Museo Nazionale Scienza e Tecnologia “Leonardo da Vinci”, 14:45 – 16:30
Università Cattolica del Sacro Cuore, 15:00 – 16:30
Pinacoteca di Brera, 15:30 – 18:00
Schnittmarke
236
Off-site Meetings
CIDOC
Turin, 11:30 – 13:00
Egyptian Museum, 14:00 – 16:00
CIMCIM
Violin Museum, Cremona, 9:00 – 18:00
CIMUSET
Villaggio Crespi, Crespi d’Adda (BG), 08:00-19:00
Taccani Hydroelectric powerplant, Trezzo d’Adda (MI), 08:00-19:00
Museum of the Hydroelectric power, Cedegolo (BS), 08:00-19:00
CIPEG
Visit Egyptian Collection, 11:00 – 13:00
Visit Palazzoo Morando, 14:30 – 15:45
Pinacoteca di Brera, 16:15 – 18:15
Gallerie d’Italia and the exhibition, 19:30 – 21:00
COMCOL
11:00 – 18:00
COSTUME
Duomo di Milano, 9:00 – 10:30
La Scala Museum, 11:00 – 12:00
Teatro alla Scala, 12:00 – 14:00
Laboratori Scala Ansaldo or Fondation Ferré, 15:00 – 16:30
Armani Museum, 17:00 – 18:00
DEMHIST
Casa Museo Ugo Da Como, 8:00 – 21:00
GLASS
Glass collections,Turin, 11:00 – 18:00
ICAMT
Politecnico, 9:30 – 16:30
ICDAD
Castello Sforzesco, 9:00 – 10:30
Museo dei Mobile e delle Sculture Lignee/Museo delle Arti Decorative, 9:00 – 10:30
Fondazione Prada, 11:00 – 12:30
Villa Necchi Campiglio, 14:30 – 15:30
Triennale, 16:30 – 18:30
Fondazione Achille Castiglione, 19:00 – 20:00
OFF-SITE
MEETINGS
ICEE
Milano, 10:00 – 12:00
Mudec, 15:00 – 19:00
ICFA
11:00 – 18:00
237
Schnittmarke
Notes
Off-site Meetings
Notes
ICLM
Museo Donizetti, Bergamo, 11:00 – 18:00
ICMAH
Museum of Science, Trento, 10:00 – 18:00
ICME
Mudec, 11:30 – 14:30
ICMEMO
Fossoli Camp, Carpi, 11:00 – 18:00
Modena, 11:00 – 18:00
Museo del Deportato, 11:00 – 18:00
ICMS
Visit Museo Poldi Pezzoli, 10:00 – 11:00
ICOFOM
Università Cattolica del Sacro Cuore, 9:00 – 14:30
ICOM-CC
Pinacoteca di Brera, Milan, 9:00 – 11:00
Milan, 11:00 – 18:00
ICOMAM
The Royal Armoury, Turin, 11:00 – 18:00
The Artillery Museum, Turin, 11:00 – 18:00
The Museo Pietro Micca and the Siege of Turin 1706, Turin, 11:00 – 18:00
ICOMON
Visit to Museum of Savings, Turin, 11:00 – 18:00
ICTOP
11:00 – 18:00
INTERCOM
11:00 – 18:00
MPR
11:00 – 18:00
NATHIST
11:00 – 18:00
UMAC
University Museums, Turin, 11:00 – 18:00
ICOM US
Reception, Hosted by the US Consulate General in Milan (The Residence), 18:30 – 20:30
(invite only)
Schnittmarke
238
Saturday Notes
9 JULY
Schnittmarke
OFF-SITE
MEETINGS
239
Schnittmarke
partners, Sponsors
& Exhibitors
Partners, Sponsors
& Exhibitors
Saturday 9 July
Partners
Institutional Partners
Excursion day partners
Ministero degli Affari Esteri
e della Cooperazione Internazionale
We thank all the partners that supported the great
number of Excursion Day proposals. The complete
list is available on the
Conference website.
pre- and post- conference tours
partners
We thank all the partners that supported the great
number of Pre- and Post- Conference Tours.
The complete list is available on the
Conference website.
tours for accompanying persons
A special thanks to MUSEMENT for the Accompanying
Persons Tours.
MUSEMENT is ICOM Milano 2016 Travel Partner.
main media partners
Partners
The complete list of Media Partners is available on the
Conference website.
242
Saturday
Sponsors
9 july
Main sPONSORS
Gold sPONSORS
sILVER sPONSORS
bRONZE sPONSORS
EXPERIENCING YOUR STORY
sPONSORS
Giant Monkey Software Engineering GmbH
Haroutunian Foundation
Partners, Sponsors
& Exhibitors
243
Saturday 9 July
Exhibitors
Exhibitor
Booth number
Absolute Museum & Gallery Products
AFSP - Atelier des Fac-Similés du Périgord
AKZU LIGHTSYSTEM CO., LTD.
Alfavision
ART & CULTURE TRANSLATED
ARTERIA SAFETECH
ARtGlass
ARTIS VIVENDI
Beijing Auto Museum
Beijing Qiyi Wenbo Culture Co.,Ltd (MPT-EXPO)
Bresciani srl - Materials and Equipment for the
Restoration and Conservation
BROADMESSE CREATIVE INTERNATIONAL COMPANY
(HK) LIMITED
Capital Museum
Capitale Cultura Group
Chen Yun Memorial
China Science and Technology Museum
Chinese Association of Museums
Chinese Museums Association - Hubei Provincial
Museum
Chongqing Hongyan Revolution History Museum
Cincinnati USA & ICMEMO
CITTA‘ DI TORINO
ClickNetherfield
Collège Montmorency
CP & EXPONA EXHIBITIONS
Cultural Heritage Partners
DACA vetrina d’autore
Eco-Counter
Effektschmiede GmbH
Empreinte ETT s.p.a.
FORTECHO™ ARTWORK PROTECTION SOLUTIONS
FRANK EUROPE
Fulldome.pro
Groglass
Gsnet Group
Guardian Glass Europe
Goppion MuseumLab
hongbowang.net
ICOM ITALY
IDU INTERACTIVE
Inbolun ∧ China
INNER MONGOLIA MUSEUM
International Museum Construction Congress
ITALVETRINE S.R.L.
Jiangsu Da Mei Tian Di Cultural Industry Co.,Ltd
Kern Studer AG
KVORNING DESIGN & COMMUNICATION
MARCO PIERI
MEYVAERT
MiBACT - Direzione generale Musei
monalitag® by EDITAG
244
12
4d
14
24
43c
39
70
58
57
49
36
49
54
70
52
48
65
7
46
13
91
31
21
62
70
20
23
13a
68
18
85
84
3
26
70
41
29
49
41b
11
95
44
16
73
56
63
5b
37
25
42
3c
Exhibitor
Booth number
Musement
Museo Internazionale delle Ceramiche in Faenza - MIC
museofabber.com
MUSEUM CONNECTIONS
Museum International, ICOM/Wiley
MUSEUM MANUFACTORY
Museumspartner
MyTemplArt®
Nanjing VITA Information Technology Co., Ltd
NOMAD EXHIBITIONS OPIFICIO DELLA LUCE
OTT ART & APICE & ARTSYSTEM
Panasonic Business
Paul Bernhard Exhibit Design & Consulting
Peking Man Site Museum at Zhoukoudian
Présence Preservatech
PROMPERÚ
PROPAGROUP SpA
Regione Lombardia
Routledge
RSF
SAFIR
Self Electronics Germany GmbH
SHANXI MUSEUM
SKINSOFT
smARTravel
Sooeasy Penguin Pass
SOYO Technology Development Co., Ltd.
Suzhou Museum
Sycomore
T&D Corporation Japan
Testo Spa
The Administration Bureau of Dr.Sun Yat‘-sen‘s
Mausoleum
The Hettema Group
The Japanese National Committee for ICOM
THK CO., LTD
Tianjin Hengda Wenbo Science&Technology Co., Ltd.
Tianjin Wangda Displaying Tools Co., Ltd.
TIANYU CULTURAL GROUP
TOMORROW LTD
Tru Vue, Inc.
TUOMI
Universcience
University Products/ Lineco
Vastari
Vitrinen- und Glasbau REIER GmbH
Xergy Inc.
XPONIA
YXLON International GmbH
Zeutschel GmbH
ZHEJIANG PROVINCIAL MUSEUM
Zone Display Cases
22
43a
19
10
41a
60
15
43b
69
5a
59b
8
35
29
47
68
87
76
40
27
17
83
9
4c
53
28
3b
70
32
45
68
33
93
55
29
4b
29
51
90
50
86
61
2b
94
6
38
82
2a
3a
59a
34
53
4a
Exhibition
Saturday
Floor9Plan
july
Museum Fair
and Expo Forum
3c
Expo
Forum
20 15
21 16
3a
2b
5a
8
12
13
18
2a
3
22 17
23
3b
11
9
5b
10
6
13a
24 19
34
92
93
91
94
90
14
7
29
Networking
Lounge
33
35
95
38
73
Exhibitor
Help
Desk
69
27
4d
25
28
26
61
51
44
41a
62
52
45
41b
53
63
76
59a
65
59b
54
46
55
47
56
48
57
49
41
42
50
60
68
4b
32
37
58
70
4a
31
36
39
40
4c
43a
43b
China Pavilion
43c
Museum Fair
and Expo Forum
87
86
85
84
83
82
Partners, Sponsors
& Exhibitors
245
INSTITUTIONAL PARTNERS PROFILES
MiBACT - Ministero dei beni e delle attività
culturali e del turismo
The Ministry of Cultural Heritage and Activities and Tourism is the Ministry of
culture of the Italian Republic. The vast national tangible and intangible heritage,
constituting the country’s identity, has determined the development of a complex
and pervasive system for its protection and management.
Ministero degli Affari Esteri
e della Cooperazione Internazionale
This system embodies a comprehensive and holistic approach whereby
protection, maintenance, valorisation and promotion of national heritage
are tools for the administration and for the development of the territory. The
Ministry operates at the national level in close cooperation with the local
administrations, municipalities, academies and universities. It has a capillary
structure composed of Central Institutes, regional museums networks,
museums, Regional Secretariats, sectorial Superintendences, State Archives
and Libraries.
MAECI
The Ministry of Foreign Affairs and International Cooperation is responsible for
the State’s functions, tasks and duties in matters concerning Italy’s political,
economic, social and cultural relations with other countries. Our duty, therefore,
is to ensure that the international and European activities of Italy’s other
ministries and government offices are consistent with the country’s international
policy objectives.
Our Ministry operates through a network of offices throughout the world:
embassies, permanent missions to the international organisations, special
diplomatic delegations, consular offices and Italian cultural institutes.
Regione Lombardia
Regione Lombardia is the regional government of a dynamic and competitive
land, situated in the North of Italy with a population of nearly 10 million
inhabitants, distributed over an area of approx. 24,000 km². The role of the
government authority is to guide, plan, coordinate and control the management
of the territory.
Regione Lombardia has always paid particular attention to the preservation and
enhancement of cultural heritage and to the promotion of cultural events. With
more than 360 museums and cultural institutes, over 1.300 public libraries,
around 2.000 catalogues of local authorities, 10 World Heritage sites, 69.000
creative and cultural companies, around 1.000 theaters, auditoriums and
cinemas, Lombardia has a leading role on the Italian cultural scene.
246
INSTITUTIONAL PARTNERS PROFILES
THE CITY OF MILAN
Milan is an international city, a crossroads of economic, financial and cultural
exchange, at the forefront on innovation. It is the European city that hosts
the highest number of diplomatic missions and consular offices. 18% of its
population comes from other countries: Milan is home to about 300,000 citizens
of different nationalities, belonging to over 150 different ethnic groups, and over
500 associations that refer to foreign communities.
Arts, literature and the sciences flourish in Milan during the centuries. The city
is now open to the influences of European culture and overseas and credited as
one of the most active centers for the dissemination of ideas. The Milan Museum
System is a diversified aggregation of artistic and historical venues and sites of
great significance and value, comprising public museums and spaces managed
by the city administration or by private entities and foundation that together
provide a wide ranging and multifaceted cultural offer. A common heritage that
aims to become ever more widespread and accessible.
The Administration is the reference point for international and cultural
strategies, essential to the development of the city future.
Partners, Sponsors
& Exhibitors
247
company profiles
ARTERIA SAFETECH
Arterìa, the Italian leading company in the art logistics, with branches in Milan,
Rome, Florence, Venice, Turin and Malpensa, is today offering a wide range
of services and products dedicated to museums, galleries and art dealers
through its exclusive “secure” network. Packing and transportation, storage
and shipping, handling and installation, frames and display cases and more…
Arterìa l’arte viaggia con noi.
Artis Vivendi
ARTIS VIVENDI is supplier of museum shops with a concept of different items in
highest quality. Scarfs, bags, spectacle cases, mirrors, pins, boxes & fans.
culture innovation trust
Culture Innovation Trust is a network devoted to management and innovation
for culture, promoted by Capitale Cultura Group (Italy-Switzerland) and involving
the top consultancy firm Cultural Heritage Partners (US); ARtGlass (Italy),
leader in Wearable Augmented Reality for heritage sites; Sooeasy-Penguin Pass
(Switzerland, Italy), developing revolutionary smart access mobile services;
Gsnet Group (Italy) with its unique 3&4D interactive lab for museums.
Ett s.p.a.
ETT is a digital and creative company specialising in technological, cultural and
scientific knowledge integration. Our wide-ranging solutions, awarded as best
practices at the international level, include New Media innovative platforms
and products for the creative and cultural industry. People and Technology: an
international corporation with the Italian Touch.
Fulldome.pro
Fulldome.pro is a creator and of 360° immersive fulldome cinema experiences.
We provide the best value in the industry – unbeatable visuals at the best price.
Our revolutionary software and cutting edge manufacturing have allowed us
make an incredible 360° experience simpler and more accessible than ever.
Goppion MuseumLab, PBE, THG and THK
Goppion S.p.A. is the recognized global leader in the field of museum casework
engineering and design, and collaborates with the world’s most prominent
museums, protecting the greatest icons of cultural heritage, including the
Mona Lisa, the Crown Jewels of England and Leonardo da Vinci manuscripts.
Goppion MuseumLab provides design-assist and museum planning services
with specialized teams composed of curators, designers, architects and expert
consultants. It is main sponsor for ICOM 2016 with Paul Bernhard Exhibit Design
& Consulting (PBE), The Hettema Group (THG) and THK Co., Ltd. PBE creates
exhibitions with its diverse team of designers, artists, fabricators, animators,
programmers, media producers, writers and content specialists.
248
company profiles
THG is the premiere place-making and experiential design studio in the multimedia
industry, creating acclaimed projects worldwide. THK has developed many unique
products, including seismic isolation systems that protect important artworks
worldwide, including Michelangelo‘s Pietà Rondanini at Castello Sforzesco.
Company links
Exhibitor names:
www.goppion.com
www.pbexhibits.com
www.thehettemagroup.com
www.thk.com
Goppion S.p.A. and Goppion MuseumLab
Paul Bernhard Exhibit Design & Consulting
The Hettema Group
THK Co., Ltd.
Guardian Glass Europe
Guardian Industries offers outstanding Clarity™ for museum showcases. As
a leading global manufacturer of float glass and fabricated glass products,
Guardian produces its Guardian Clarity™ double-sided, anti-reflective glass
using a state-of-the-art, magnetron sputtering glass coating technology.
Clarity glass enables a light transmission of 97% and a reflection of less than
1%, compared to architectural float glass, which offers a light transmission
of 90% and a reflection of 8%. Museum operators across Europe are opting
to use Clarity glass in some of their most demanding applications. For more
information, please visit www.guardianclarity.com.
Hubei Provincial Museum
Hubei Provincial Museum is one of China’s most famous and impressive
attractions. Standing by the beautiful East Lake, the museum was opened
in 1956 to showcase diverse of Hubei’s incredible archaeological finds. It is
the only provincial comprehensive museum in the province. The museum
collects, protects, and exhibits the cultural relics discovered in the province.
Since 1953, the museum has collected over 200,000 cultural relics, including
pottery, porcelains, jade, bronze vessels, ancient weapons, and ancient musical
instruments. Among these cultural relics, 812 are listed as first-class relics of
China, and 16 are considered national treasures.
During the recent 8 years, Hubei Provincial Museum actively in international
exhibition exchanges, imported and exported numbers of exhibitions and created
phenomenal audience attendance figures around the world, and frequently
cooperated with great international museums, such as British Museum, the
Uffizi Gallery in Florence, the Metropolitan Museum, Los Angeles County
Museum of Art, and Russian Pushkin National Museum.
Partners, Sponsors
& Exhibitors
249
company profiles
INTESA SANPAOLO
The Bank’s commitment to culture is seen in a host of projects which fall under
its Progetto Cultura plan. The values which have inspired it involve protecting,
promoting and increasing awareness of the artistic and cultural assets which
make up Italy’s incomparable heritage, and returning them to public display. The
Group has therefore created three hubs where art and culture can be enjoyed
and promoted, each one part of “Gallerie d’Italia”: Gallerie di Piazza Scala in
Milan, Gallerie di Palazzo Leoni Montanari in Vicenza and Gallerie di Palazzo
Zevallos Stigliano in Naples.
Another key objective for Progetto Cultura is to help safeguard Italy’s cultural
heritage. The Bank’s commitment is put into practice through the “Restituzioni”
Project, launched in 1989. This restoration programme for Italy’s artworks
and monuments is promoted, sponsored and overseen by Intesa Sanpaolo in
conjunction with the country’s national Superintendencies.
Meyvaert
Meyvaert has been producing museum grade showcases for 70 years. Our
cutting-edge engineering and manufacturing solutions provide our worldwide
customers with the latest exhibition possibilities to optimally present, preserve
and protect collections.
From large-scale museum projects to individual showcases, we deliver high
quality display solutions conforming to stringent conservation standards.
Museum Manufactory
EXPERIENCING YOUR STORY
Museum Manufactory is the first French-German group specialized in setting
up innovative exhibition venues such as museums, showrooms, visitor centers,
touring exhibition, etc.
Museum Manufactory brings a 360 degree expertise in order to offer fullintegrated services including study, design, manufacture, installation and
maintenance.
Panasonic Business
Panasonic Business’ goal is to improve the working lives of business professionals
through technology. We help capture and communicate information through
security and Pro AV cameras, PBX telephones, projectors, displays and much
more…. In the museum world, we deliver innovative lamp-free projection and
resistant high quality professional screens creating a truly unforgettable visitor
experience.
RSF
RSF is a French manufacturer of AV equipment dedicated for museums
and exhibitions. RSF offers the most innovative range of audioguides and AV
solutions. References include prestigious sites such as the Uffizi in Florence
and the Prado in Madrid. RSF supplies the multimedia guides for the new “Meet
Vincent Van Gogh” exhibitions. 250
company profiles
SOYO TECHNOLOGY DEVELOPMENT CO., LTD
SOYO Technology Development Co.,Ltd is a leading solution provider on smart
tour guide area for Museum,touism market. We have engaged in this area for
over 12 years and now we can complete over 50 smart tour guide system for
museum a year. SOYO technology offers complete solutions from product to
service, include digital wireless audio/video tour guide system smart APP tour
guide system, 3D VR show technology and the related service such as language
translation, audio record, video program according to the document provided by
customer.
SOYO is the Topthree smart tour guide solution provider in the world. We can
install the digital wireless tourism guide system in more than 50 museums and
tourist attractions a year all over the world.
You‘re welcome to contact us
Web: www.tp-wireless.com
Tel: +86-755-83866822-815
fondazione cassa di risparmio di firenze
The Fondazione Cassa di Risparmio di Firenze (FCRF) is a foundation with banking
origins. Its history goes back to 1829, when a group of 100 citizens decided on
their own initiative to set up the “Società della Cassa di Risparmio”, that was to
encourage saving and a prudent approach to money among the less affluent.
Continuing in the footsteps of the original Cassa, today the FCRF operates
directly through its own projects or through operating entities or by making
contributions to initiatives proposed by third parties that pursue objectives
aligned with its own statutory and programmatic aims. The performance of its
activity is directed in particular towards fostering culture and art, conserving
and enhancing the cultural, landscape, environmental and agricultural heritage,
furthering scientific research and technological innovation even in the medical
and health field and the education of young people. It also supports voluntary
work and associations and is committed to helping those in need of solidarity,
care and rehabilitation.
Tianyu Cultural Group
Tianyu Cultural Group provides its expertise to Chinese museums in areas of
exhibition production, exhibition exchange, museum education and design
of cultural products. The website www.chinamuseum.com acts as a bridge
between Chinese museums and you: it is your perfect gateway to the Chinese
museum community.
YXLON
YXLON International designs and produces radioscopic and CT inspection
systems for the widest variety of applications and fields. Not only the largest
producers in the aviation & aerospace, automotive or electronics industry belong
to YXLON’s customers, but museums, universities and institutes worldwide
benefit from the advanced X-ray technology as well.
Partners, Sponsors
& Exhibitors
251
Notes
252
Notes
Partners, Sponsors
& Exhibitors
253
Notes
254
Tianyu Cultural Group
As the only company in China providing specialised full-range services to museums, Tianyu Cultural Group is
dedicated to the professional management of Chinese museums. It provides services ranging from museum
planning and the production of permanent exhibitions to the daily maintenance of museums. Since its creation
in 2003, Tianyu Cultural Group has delivered premium services to more than one hundred museums in China,
including the National Museum, the Palace Museum, the Capital Museum and the Summer Palace.
www.tysmchina.com
Its services encompass:
Exhibition planning, design, production and mounting
Touring exhibitions
Museum educational programming
Museum cultural products
Design and maintenance of digital museums
Management of museums’ social media profiles
Platform of information exchange for museums
www.chinamuseum.com
The platform is a free service provided by the Chinese
Museums Association for its members. Member
museums can publish exhibitions on the platform,
creating an information exchange network. It is
furthermore a bridge between Chinese museums and
their international partners for exhibition exchanges.
The platform introduces Chinese exhibitions to the
world and showcases exhibitions from around the
world to Chinese museums. The platform is run and
supported by Tianyu Cultural Group.
Tianyu Cultural Group is seeking out museums and
institutions serving museums as partners. Together,
we can work better with Chinese museums.
Promoting Chinese exhibitions to the world, Tianyu
Cultural Group aims to share the essence of Chinese
culture and history with you.
Chinese Museums Association, Art Exhibitions China,
Chinese Academy of Cultural Heritage, Weekly of
Chinese Cultural Relics
Paris:
Beijing:
[email protected]
[email protected]
+33 611779540
+86 18911559780
Cover photo: © Roberto Mascaroni

Final programme

Transcript

Documenti analoghi

CLAUDIO BALDASSARRE

scarica scheda iscrizione

James Bradburne, "Invitare i tassisti in pinacoteca.."

IC 7851 - RadioKit

percentuale di immobili venduti per fascia prezzo in Pinellas County

Modifica al microfono Icom SM2

VITRA Design Museum - Museo dell`Ara Pacis

26 luglio 2009

rinascimento fiorentino - Leonardo da Vinci Art school