Peter Tiboris

IUMA MANAGEMENT
Peter Tiboris
PROUDLY INTRODUCES
CEO, GENERAL AND ARTISTIC DIRECTOR (1984)
MIDAMERICA PRODUCTIONS
ORCHESTRA CONDUCTOR
PETER TIBORIS
FOUNDER, MUSIC DIRECTOR AND CONDUCTOR
(1988)
MANHATTAN PHILHARMONIC
FOUNDER, ARTISTIC DIRECTOR (2000)
INTERNATIONAL FESTIVAL OF THE AEGEAN
HERMOUPOLIS, ISLAND OF SYROS, GREECE
HONORARY CONDUCTOR (2008)
PRINCIPAL GUEST CONDUCTOR (1992-2004)
BOHUSLAV MARTIN PHILHARMONIC
ZLIN, CZECH REPUBLIC
Peter Tiboris, CEO, General Director and Artistic Director of MidAmerica Productions,
has pursued a career of remarkable diversity, both as an orchestra conductor and as
the creator of innovative musical organizations.
Mr. Tiboris made his New York conducting debut in January of 1984 with the American Symphony Orchestra at Lincoln Center and his European debut in June of 1985 in
Dubrovnik. He has led some 250 concert performances, not only in New York (in
Carnegie Hall, with the American Symphony Orchestra or with his own Manhattan
Philharmonic), but in such cities as Washington, Montréal (Société Philharmonique),
Mexico City (Sinfonica del Estado de Mexico), London (Royal Philharmonic, Philharmonia), Rome (Rome Philharmonic and Rome Opera House Orchestra), Palermo (Orchestra Sinfonica Siciliana di Palermo), Hannover (Niedersächsische Orchester), Prague (Virtuosi di Praga), Warsaw (Warsaw Philharmonic), Sofia (Sofia Opera Orchestra),
Istanbul (Millî Reasürans Chamber Orchestra), St. Petersburg (Glinka Capelle Philharmonic), and Moscow (Radio and Television Orchestra of Moscow) as well as throughout the Czech Republic, Poland (Silesian Philharmonic in Katowice, Poznan Philharmonic), Portugal (Orquesta Classica da Madeira, Orquestra Cåmara de Cascais e
Oeiras), Italy (Vincenzo Bellini Symphony Orchestra of Catania, Orchestra Sinfonica
della Magna Grecia in Taranto, Orchestra Sinfonica Citta di Grossetto, Firenze Opera
Orchestra) and in Vienna. Critics all along the way have hailed his performances.
Those in The New York Times have described them as "sizzling and precise," and
"Vigorous...alert and energetic."
Mr. Tiboris's repertoire consists to date of well over 150 orchestral, choral and operatic works. Among these are ones for which he gave their world premieres (by Constantinides and Magarshak), their USA premieres (by Taneyev, Tchaikovsky, and Theodorakis), and their New York premieres (by Beethoven, Bruckner, Dello Joio, Dohnányi, Effinger, Glass, Mascagni, Rossini, Schnittke, Schubert, Tchaikovsky, and
Verdi). He has been one of the few conductors to explore Mahler's "retouchings" of
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PETER TIBORIS
Beethoven Symphonies. He has
striking success in presenting
concert performances in Carnegie
Hall of such rare operas as
Mascagni's
Silvano,
Rossini's
Ermione, and Theodorakis's Elektra.
For such treatments of Cherubini's
Medée and Taneyev's Agamemnon,
the drama was enhanced by
interspersing the musical score
with
segments
spoken
by
distinguished
acting
casts
(including Olympia Dukakis and
Louis Zorich). And in all such
ventures, exciting young singers from here and abroad were introduced to New York
audiences.
Extending his concert work, Mr. Tiboris has preserved many of his interpretations in
recordings--some twelve of them, on the Bridge, Albany, and Elysium labels (including four Symphonies and two Overtures by Beethoven, two Mozart Symphonies, and
one by Schubert, all incorporating the Mahler Retuschen).
In addition to his wide podium activities, however, Mr. Tiboris has become one of today's important musical entrepreneurs. In 1984 he founded MidAmerica Productions.
This has developed into New York's largest independent company for concert
production. Through its work, thousands of musicians--professional and amateur;
singers, choirs, ensembles, and directors--have been enabled to perform on the finest of New York's stages, including Avery Fisher Hall, Carnegie Hall, and the latter's
Weill Hall.
Under the MidAmerica umbrella, Mr. Tiboris has developed further undertakings,
such as the Elysium recording label (issuing performances both his own and by others), the Manhattan Philharmonic Orchestra, the Elysium Chamber Ensemble, and
Just Tenors, Inc., a management company for singers.
As a second-generation Greek-American, Mr. Tiboris particularly cherishes his work
with Greek musicians, whom he has brought here to perform and with whom he
works abroad. In 1998 he launched a music festival, first on the island of Mykonos,
then renamed the Festival of the Aegean. In 2000 he created Opera Aegean, initially
based in Athens as a training and touring company. Since then, Opera Aegean has
offered a summer festival on the island of Syros, presenting operatic, theatrical, and
concert events. In 2005, the festival presented Rossini’s Il Barbiere di Siviglia and in
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PETER TIBORIS
the summer of 2006, Mozart’s Don
Giovanni. There were four concerts
in 2006 and eleven in 2007,
including Mascagni’s opera Zanetto
and appearances by Taximi, Stratos
Vougas Jazz Quartet, and Human
Touch featuring David Lynch.
Maestro
Tiboris
was
recently
honored by the Italian dance
magazine Danza e Danza. Teatro
dell'Opera di Roma's production of
Peer Gynt, conducted by Mr.
Tiboris, received the 2007 Gli
Award for Production of the Year.
Mr. Tiboris received a bachelor's and master's degree from the University of Wisconsin-Madison, and a doctorate from the University of Illinois at Urbana-Champaign.
Watch the video clips from “Peer Gynt” live in
Rome Opera ‘ 08 starring the star dancer Carla
Fracci and Alessio Carbone
(click on the links below)
http://www.youtube.com/watch?v=UkCccDaXoAs&feature=PlayList&p=196AC9CCD1CBC3B5&index
=2
http://www.youtube.com/watch?v=KW5B8s0c6iE
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PETER TIBORIS
DISCOGRAPHY EXCERPTS
Mascagni: Zanetto and
L'amico Fritz—Intermezzo
Cavalleria rusticana—Intermezzo
Elysium GRK726
Peter Tiboris, Conductor
Jennifer Larmore, Mezzo-soprano (Zanetto)
Eilana Lappalainen, Soprano (Sylvia)
Bohuslav Martin Philharmonic
Music for Doubles:
Krommer: Concerto for Two Clarinets and Orchestra,
Op. 35
Saint-Saëns: La Muse et le poète
Martinu: Double Concerto for Two String Orchestras,
Piano and Timpani
Elysium GRK714
Peter Tiboris, Conductor
Stanley & Naomi Drucker, Clarinets
Charles Rex, Violin; Christopher Rex, Cello
Jacqueline Schiller, Piano;
Gregor Kruyer, Timpani
Bohuslav Martin Philharmonic
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Beethoven:
Symphony No. 5 in C minor, Op. 67; Symphony No. 7 in A, Op. 92
(incorporating Mahler’s Retuschen)
Elysium GRK712
Peter Tiboris, Conductor
Warsaw Philharmonic Orchestra
(Rerelease from Albany Records)
Mozart:
Symphony No. 40 in G minor, K.550; Symphony No. 41 in C
(“Jupiter”), K.551;
Beethoven: Leonore Overture No. 3
(incorporating Mahler’s Retuschen)
Elysium GRK710
Peter Tiboris, Conductor
Bohuslav Martin Philharmonic
Dvorak: The Spectre’s Bride
Elysium GRK700
Peter Tiboris, Conductor
Jitka Sobehartova, Soprano;
Jan Markvart, Tenor;
Jiri Kubik, Baritone
Bohuslav Martin Philharmonic & Bratislava Chorus
All Dvorak:
The Water Goblin, Op. 107;
Symphonic Variations, Op. 78;
Slavonic Rhapsody, Op. 45, No. 2;
Scherzo Capriccioso, Op. 66
Elysium GRK701
Peter Tiboris, Conductor
Jitka Sobehartova, Soprano;
Jan Markvart, Tenor;
Jiri Kubik, Baritone
Bohuslav Martin Philharmonic &
Bratislava Chorus
All Beethoven:
Symphony No. 3 in E flat, Op. 55 (“Eroica”); Coriolan Overture, Op. 62; Leonore Overture No. 2, Op. 72A
(incorporating Mahler’s Retuschen)
Elysium GRK702
Peter Tiboris, Conductor
Bohuslav Martin Philharmonic
Haydn and Hellenic Antiquity:
Symphony No. 43 (“Mercury”), Scena di Berenice, Ariadne Auf Naxos Cantata, Aria from Orfeo, Insertion Aria for Traetta’s Iphigenia
Elysium GRK706
Peter Tiboris, Conductor
Eleni Matos, Mezzo-soprano;
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Jeff Prillaman, Tenor
Virtuosi Di Praga
Bohuslav Martin Philharmonic
Mascagni: Silvano
Elysium GRK707
Peter Tiboris, Conductor
Joseph Wolverton, Tenor (Silvano)
Rachel Sparer, Soprano (Matilde)
Bojan Knezevic, Baritone (Renzo)
Lorraine DiSimone, Mezzo-soprano (Rosa)
Pro Arte Chorale (Bart Folse, Director)
Bohuslav Martin Philharmonic
Verdi: Requiem
(Critical Edition)—Including the 1874 “Liber scriptus” for fugue chorus
Elysium GRK708
Peter Tiboris, Conductor
Maria Belcheva, Soprano;
Stefka Mineva, Mezzo-soprano;
Roumen Doykov, Tenor;
Dimiter Petkov, Bass
Sofia National Opera House Chorus and Orchestra
PERFORMANCE REVIEWS
Cherubini: Overture to Lodoiska and Médéa (selections)
Tchaikovsky: Symphony No. 5 in E minor, Op. 64
Oxford Philomusica,
Sheldonian Theater
“Before the arias, the Oxford Philomusica played two Cherubini overtures, Lodoïska and the overture to Médée itself.
Both lull you into a sense of false security, with a leisurely start before the music whips into a frenzy. Guest conductor
Peter Tiboris drummed up lots of dramatic expression and emotion from Cherubini’s scores...
“The second half of the concert was a completely different kettle of fish in every way. Conductor Tiboris, now working
without a score in front of him, seemed liberated by Tchaikovsky’s relaxed and optimistic fifth symphony. While the
symphony opens with a haunting, mournful clarinet melody (beautifully played by Lorraine Schulman and Julian Farrell),
much of the music is in warm, major-key mode. Tiboris drew an open, transparent sound from the Philomusica (not always an easy thing to do in the Sheldonian), and expertly judged the underlying march tempi, so that woodwind solo
passages had time to breathe.
“The fifth is not without Tchaikovsky’s trademark periods of desire and passion, and these, too, were well marked, as
were the blazing brass highlights – the orchestra’s brass section was in particularly exuberant form. Throughout,
ensemble was tight and controlled. “Bravo!” shouted Philomusica music director Marios Papadopoulos, sitting near me
in the audience, at the end of the performance. Quite right too.”
Giles Woodforde, The Oxford Times, Oxford, UK
February 4, 2009
__________
Beethoven: Overture to Fidelio, Op. 72
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PETER TIBORIS
Beethoven: Piano Concerto No. 3 in C minor, Op. 37
Beethoven: Symphony No. 5 in E minor, Op. 6
Orchestra Sinfonica della Provincia di Bari, Teatro Curci,
Barletta, Italy
“TIBORIS’ MUSIC HELD THE PUBLIC AT CURCI SPELLBOUND"
Over the past few days, at the Curci Theater of Barletta an extraordinary concert took place. The show was organized by
the Friends of the Music "M.Giuliani," together with the Rotary Club Andrea Castelli Svevi e Trani, and the Club of Inner
W. of Tranie il Rotaract.
“The Symphony Orchestra of the Province of Bari led by the masterly skills of the great Greek-American music director
Peter Tiboris, started the concert with the Ouverture of "Fidelio" and immediately caught the attention of a public that in
Barletta is getting always more competent yet demanding.
“The penetrating and expressing rhythmic force that Tiboris gave to the execution clearly produced the intent of the great composer of Bonn, and utilized to the fullest the all the sections of the Barese's orchestra….
The performance, thanks to the excellent accompaniment of Tiboris, came out charged with meaning yet quite contagious."
La Gazetta del Nordbarese, Barletta, Italy
30 gennaio 2009
__________
Mascagni: Zanetto (Elysium Recordings)
Bohuslav Martinu Philharmonic
Jennifer Larmore (Zanetto), Eilana Lappalainen (Sylvia)
“Peter Tiboris guides the piece with style. He doesn't mistake this smaller scale writing for full-blown verismo of the Cavalleria variety, and he allows the climaxes to build steadily and surely. The Bohuslav Martinu Philharmonic... sounds
warm and vibrant, without [an] air of swarthiness and heaviness..."
Stephen Francis Vasta, Opera News
August 2008
__________
Adam: Il Corsaro
Orchestra e Corpo di Ballo del Teatro Dell'Opera
Teatro dell'Opera di Roma, Rome, Italy
“...the dramatic pace remains dynamic and always tight, thanks to the book, here "lightened", and by the lively musical
direction of Peter Tiboris ..."
Fabiana Raponi, Noti da Leon
May 31, 2008
__________
Mozart: Requiem
Basilica di San Nicola
Bari, Italy
"From the beginning, the work that Tiboris had done to obtain the best results was clear. His vision of the oratorio (intended as a creation pervaded by a passionate emotion, a warm humanity, and free from inner excesses) was completely
realized, with an involving ardor, that was enlivened again with a sincere guiding of the soloists, chorus, and orchestra.
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PETER TIBORIS
The perfect balance of the artists in playing their role was clearly worthy of the director, who was able to sculpt the phrasing and melodic lines for a passionate and involoving expressivity, absolutely worthy of the sublime dramatic tension
that animates the score."
Nicholas Baisa, La Gazzetta del Mezzogiorno
November 23, 2007
__________
Edvard Grieg: Peer Gynt
Teatro dell'Opera di Roma
(Theater Premiere, new ballet production)
Rome, Italy
"Much attention was paid to detail and a connection with the stage was made by orchestra director Peter Tiboris."
Avvenire
November 10, 2007
__________
"The conducting of Peter Tiboris was incisive and tasteful."
Il Giornale
November 10, 2007
__________
Mascagni: Zanetto (Greek Premiere)
Arias and duets by Verdi, Ponchielli, Bellini, Cilea, Rossini, and Donizetti
Festival of the Aegean
Island of Syros, Greece
"The gala revealed Tiboris to be a fine conductor. The overtures went with a swing, while he was a considerate colleague
to his singers."
TheStage.co.uk
__________
Cherubini: Médée
Carnegie Hall
"Mr. Tiboris's effort...brought us something literate, comprehensible..."
Bernard Holland, The New York Times
__________
Taneyev: Agamemnon
Carnegie Hall
"Mr. Tiboris moved the performance along ably, drawing some fine playing...and a robust choral sound."
Allan Kozinn, The New York Times
__________
"Tiboris conducted with dauntless energy..."
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PETER TIBORIS
Martin Bernheimer, Financial Times
Rossini: Ermione
Carnegie Hall
“The Manhattan Philharmonic…played…with great passion and accuracy for conductor Peter Tiboris…. The audience
went understandably wild at the opera’s close.”
Robert Levine, ClassicsToday.com
__________
Mikis Theodorakis: Electra
Carnegie Hall
“[Peter Tiboris] drew a polished and unflaggingly energetic performance from the Manhattan Philharmonic.”
Allan Kozinn, The New York Times
__________
Mozart: The Magic Flute
Knoxville Opera Company
“Maestro Peter Tiboris…led the orchestra and singers seamlessly through the work. Directing with crisp, definite cues,
he ensured that the singers on stage and the musicians in the orchestra pit stayed right with each other.”
Bob Barrett, The Knoxville News-Sentinel
__________
Dvorak: Te Deum
Beethoven: Symphony No. 9, Op. 125 ("Choral")
Montreal, Quebec
“ Under the direction of American conductor Peter Tiboris, the orchestra of La Société Philharmonique de Montréal staged a rather rare event: Beethoven’s Ninth Symphony in the edition retouched by Gustav Mahler…. The results were, all
in all, spectacular.”
Carol Bergeron, Le Devoir
__________
Beethoven: “Coriolan” Overture
Beethoven: Symphony No. 7
Saint-Saëns: Piano Concerto
Bydgoszc Philharmony (Poland)
“ Peter Tiboris[’s] powerful and highly emotional interpretation had such an emotional impact on the audience…. What
became the most important was a vivid action, dramatic narration and well-executed high point of the drama…. The interpretation of the American conductor showed the deep understanding not only of the musical forms of the separate
movements, but also in the whole piece….”
Gazeta Regionalna , Poland
Translated by Aleksandra Klaput
__________
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Tchaikovsky: Symphony No. 5
Rzeszow Philharmony (Poland)
“ Peter Tiboris…conducted with tremendous impetus and dynamic passion. I must admit it has been a long time since I
have heard the introduction to the first movement being rendered in this incredibly dense, collected, undistracted spirit,
full of awe, as if a premonition of something tragic and frightful to happen…and then those undescribably passionate
outbursts of the tempestuous drama in the otherwise lyrical second movement!”
Jozef Kanski, Ruch Muzyczny, Poland
Translated by Leon Unger
__________
Barber: Overture to The School for Scandal, Op. 5
Barber: Adagio for Strings, Op. 11
Barber: Second Essay for Orchestra, Op. 17
Glass: The Canyon; A Dramatic Episode for Orchestra
Tchaikovsky: Symphony No. 4 in F minor, Op. 36
Niedersächsisches Staatsorchester Hannover (Germany)
Avery Fisher Hall
“At Avery Fisher Hall, the [Niedersachsisches Staatsorchester Hannover] gave the American conductor Peter Tiboris…alert, lush-toned playing…. The bright textures of the Overture to ‘The School for Scandal’ (Op. 5) came through
with unusual transparency, and the thematic expansions and elaborations of the ‘Second Essay' (Op. 17) were rendered
cohesively…. Mr. Tiboris led the Adagio for Strings…[and] elicited a dignified, tonally rich performance…. Mr. Tiboris
closed the concert with a sizzling and precise… performance of the Tchaikovsky Fourth Symphony.”
Allan Kozinn, The New York Times
__________
“…a first-rate…conductor…. In…the Overture to ‘The School for Scandal,’ ‘Adagio for Strings’ and ‘Second Essay for
Orchestra,’ every measure was alive with love for the music, and the playing was as technically expert as enthusiastic….”
Bill Zakariasen, Daily News (NY)
__________
Prokofiev: Romeo and Juliet (scenes from the ballet)
Schnittke: Concerto for Piano and Strings
Tchaikovsky: Symphony No. 1 in G minor, Op. 13 ("Winter Dreams")
Carnegie Hall
"Tiboris Ambitious As Ever" [Headline]
"It would have been foolhardy to begin with six scenes from Prokofiev's ballet Romeo and Juliet, because of its exposed
brass and often raw sound, but all went exceedingly well. Tiboris led with a thorough understanding of the music
and…we had a performance that was virile, lyric, compassionate and lush…. The concert ended with an idiomatic, enjoyable reading of Tchaikovsky's First Symphony, 'Winter Dreams.'"
Bert Wechsler, Daily News (NY)
__________
Dello Joio: Nativity: A Canticle for the Child
Handel: Messiah (Christmas portions)
Carnegie Hall
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PETER TIBORIS
“Tiboris’ upbeat, bracing conducting of ‘Messiah’ paid dividends—his tempos…were markedly similar to those of Sir
Thomas Beecham.”
Bill Zakariasen, Daily News (NY)
__________
Verdi: Requiem
Carnegie Hall
“Mr. Tiboris was clearly at home in the score, and the quality of choral tone in the fortissimo climaxes was thrilling.
Throughout the concert, the choruses seemed strikingly well prepared for such a large and heterogeneous group.”
Will Crutchfield, The New York Times
__________
Beethoven/Mahler: Symphony No. 9, Op. 125 ("Choral")
Avery Fisher Hall
“Tiboris’ performance was one of the most exciting and inspiring I’ve ever heard of this masterwork, whatever the edition.”
Bill Zakariasen, Daily News (NY)
__________
Tchaikovsky: Ode to Joy
Beethoven: Symphony No. 9, Op. 125 ("Choral")
Avery Fisher Hall
“Mr. Tiboris relished any opportunity to turn his chorus loose …. [H]e elicited from his orchestra a smooth, gentle introduction to the ‘Ode to Joy’ section, and it was stirring to hear all those singers at full tilt roaring out the symphony’s climax.”
Michael Kimmelman, The New York Times
__________
Walton: Coronation Te Deum
Bruckner: Te Deum
Berlioz: Te Deum
Avery Fisher Hall
“Mr. Tiboris led strong, secure performances, with solid playing from the orchestra and sure singing from the nine…choruses involved. The Walton, with its antiphonal effects, was especially stirring. But the Bruckner took on a nice,
almost strident urgency, too, and the Berlioz sounded grand and moving….”
John Rockwell, The New York Times
__________
“An added plus was the admirably well-paced conducting of Tiboris and the splendid orchestral playing—virtues which
would remain constant throughout the program…. The finest performance, though, was granted Berlioz’ massive masterwork—not only were the sonics often grand in the extreme, but the vast performing lineup sang and played with amazing alertness and precision.”
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PETER TIBORIS
Bill Zakariasen, Daily News (NY)
__________
Handel: Israel in Egypt
Avery Fisher Hall
“There was no pretense at instrumental ‘authenticity’: great choral music was fervently, eagerly, and accurately sung, it
proved stirring…. There was life and warmth in the music-making.”
Andrew Porter, The New Yorker
__________
“The Polished Fire of Verdi’s Requiem” [Headline]
“Verdi’s Requiem as performed by the American Symphony Orchestra…under conductor Peter Tiboris…was sheer fire.
Tiboris’ execution of the massive score…was alive with such sincerity as must transport any expression…. Polished fire.
Great Performance.”
Emerson Randolph, “The World and I,” Washington Times
__________
Verdi: Messa da Requiem
Avery Fisher Hall
“Tiboris is far more than a talented maestro…to combine strengths and ameliorate the differences of visiting ensembles;
to perform as a united and thrilling whole.”
Harriett Johnson, New York Post
__________
Kodaly: Budarvi Te Deum
Nielsen: Hymnus Amoris, Op. 12
Chopin: Piano Concerto No. 1 in E minor
Carnegie Hall
“Tiboris is a Pied Piper who is able to get hundreds and even hundreds more with a singing heart to follow his baton
down an endless line.”
Harriett Johnson, New York Post
__________
“Tiboris…proved to be a conductor of decisive authority…. [T]he choruses in two tiers of boxes on either side of the hall
contributed to an enchanting effect.”
The Daily News
__________
Peter Tiboris' New York Debut at Lincoln Center
Rossini: Stabat Mater
Constantinides: Antigone
Constantinides: Hymnus Tou Pnevmatos
“…vigorous…alert, energetic conducting…the ‘Lament of Antigone’ in a New York Premiere, proved an impassioned
utterance.”
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The New York Times
__________
CD REVIEWS
Mozart: Symphony No. 40 in G minor, K.550
Symphony No. 41 in C major, K.551 ("Jupiter")
Beethoven: Leonora Overture No. 3, Op. 72a
“… widely recognized as the foremost proponent of Mahlerian performance editions. He secures solid
and…accomplished performances here…. This release triumphs time after time. I can only commend it to you in the
strongest possible terms.”
Michael Jameson, Fanfare
__________
Dvorák: The Spectre's Bride
“…a fine collection of…Dvorák tone poems and overtures including The Water Goblin, Symphonic Variations, Slavonic
Rhapsody and Scherzo Capriccioso. Keep your eye on Elysium; future releases will include Mahler's rearrangements of
well-known symphonies and a number of unjustly neglected Romantic and Classical-era masterpieces. This is good
news for anyone who has already 'done' the top 100 classics."
Richard Halley, "CD Picks," On The Air Magazine
__________
“Peter Tiboris conducts the Bohuslav Martinu Philharmonic and Bratislava Chorus with feeling and no little poetry."
Barrymore Laurence Scherer, Gramophone
Listen few audio clips (click the icons below)
From the brand new cd “ZANETTO”
Mascagni: Zanetto and
L'amico Fritz—Intermezzo
Cavalleria rusticana—Intermezzo Elysium GRK726, Peter Tiboris, Conductor, Bohuslav
Martin Philharmonic
P.Mascagni : Zanetto Prelude
P. Mascagni : L’Amico Fritz Intermezzo
P. Mascagni : Cavalleria Rusticana Intermezzo
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PETER TIBORIS
FOR INFORMATIONS AND BOOKING :
IUMA MANAGEMENT
Via Montecassiano 157 A/7 00156 Rome, Italy
Tel. 0039 06 64508732, telefax 4115308
cell. 0039 320 0780326, 338 1029430
[email protected] or [email protected]
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