Fascism in Italian Cinema since 1945: The

A Bridge Too Far (Richard Attenborough, 1977)
Achtung Banditi! (Attention! Bandits!, Carlo Lizzani, 1951)
Aguirre, der Zorn Gottes (Aguirre: the Wrath of God, Werner Herzog, 1972)
Amarcord (Federico Fellini, 1973)
Anni Difficili (Difficult Years, Luigi Zampa, 1948)
Anni Facili (Easy Years, Luigi Zampa, 1953)
Anni Ruggenti (Roaring Years, Luigi Zampa, 1963)
Apa (Father, István Szabó, 1966)
Bengasi (Augusto Genina, 1942)
Bon Voyage (Jean-Paul Rappeneau, 2003)
Caccia Tragica (Tragic Hunt, Giuseppe De Santis, 1949)
Captain Corelli’s Mandolin (John Madden, 2001)
Carica Eroica (Heroic Charge, Francesco De Robertis, 1952)
Cefalonia (Riccardo Milani, 2005)
Claretta (Pasquale Squitieri, 1984)
Concorrenza Sleale (Unfair Competition, Ettore Scola, 2001)
Cristo si è Fermato a Eboli (Christ Stopped at Eboli, Francesco Rosi, 1979)
Cronache di Poveri Amanti (Chronicles of Poor Lovers, Carlo Lizzani, 1952)
Die Blechtrommel (The Tin Drum, Volker Schlöndorff, 1979)
Die Ehe der Maria Braun (The Marriage of Maria Braun, Rainer Werner Fassbinder,
1978)
Divisione Folgore (Folgore Division, Duilio Coletti, 1955)
El Alamein: Deserto di Fuoco (Tanks of El Alamein, Guido Malatesta, 1958)
El Alamein: La Linea del Fuoco (El Alamein, the Line of Fire, Enzo Monteleone, 2002)
Elle s’Appellait Sarah (Sarah’s Key, Gilles Pacquet-Brenner, 2010)
Era Notte a Roma (It Was Night in Rome, Roberto Rossellini, 1960)
Film d’Amore e d’Anarchia (Love and Anarchy, Lina Wertmüller, 1973)
Germania Anno Zero (Germany Year Zero, Roberto Rossellini, 1948)
Gli Indifferenti (Time of Indifference, Francesco Maselli, 1964)
Heimat – Eine deutsche Chronik (Heimat: a German Chronicle, Edgar Reitz, 1984)
I Due Colonnelli (The Two Colonels, Steno, 1962)
I Due Marescialli (The Two Marshals, Sergio Corbucci, 1961)
I Due Nemici (The Best of Enemies, Guy Hamilton, 1961)
I Piccoli Maestri (Little Teachers, Daniele Luchetti, 1998)
I Telefoni Bianchi (The Career of a Chambermaid, Dino Risi, 1976)
Idi i Smotri (Come and See, Elem Klimov, 1985)
Il Bandito (The Bandit, Alberto Lattuada, 1946)
Il Carro Armato dell’8 Settembre (The 8 September Tank, Gianni Puccini, 1960)
Il Conformista (The Conformist, Bernardo Bertolucci, 1970),
Il Cuore nel Pozzo (The Heart in the Well, Alberto Negrin, 2005)
Il Gattopardo (The Leopard, Luchino Visconti, 1963)
Il Generale della Rovere (Carlo Carlei, 2011)
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10.1057/9781137316622 - Fascism in Italian Cinema since 1945, Giacomo Lichtner
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Filmography
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Il Generale della Rovere (General della Rovere, Roberto Rossellini, 1959)
Il Giardino dei Finzi-Contini (The Garden of the Finzi-Continis, Vittorio De Sica,
1970)
Il Gobbo (The Hunchback, Carlo Lizzani, 1960)
Il Partigiano Johnny (Johnny the Partisan, Guido Chiesa, 2000)
Il Processo di Verona (The Verona Trial, Carlo Lizzani, 1962)
Il Sangue dei Vinti (The Blood of the Defeated, Michele Soavi, 2008)
Il Sole Sorge Ancora (Outcry, Aldo Vergano, 1946)
Il Tempo di Uccidere (Time to Kill, Giuliano Montaldo, 1989)
Il Terrorista (The Terrorist, Gianfranco De Bosio, 1963)
Il Tiro al Piccione (Pigeon Shoot, Giuliano Montaldo, 1962)
Italiani Brava Gente (Attack and Retreat, Giuseppe De Santis, 1964)
Jakob, der Lügner (Jacob the Liar, Frank Beyer and Jurek Becker, 1975)
Kanal (Andrzej Wajda, 1957)
Kapo (Gillo Pontecorvo, 1961)
Krajobraz Po Bitwie (Landscape After the Battle, Andrzej Wajda, 1970)
L’Agnese Va a Morire (And Agnes Chose to Die, Giuliano Montaldo, 1975)
L’Arte di Arrangiarsi (The Art of Getting Along, Luigi Zampa, 1954)
L’Onorevole Angelina (Angelina, Luigi Zampa, 1947)
L’Oro di Roma (The Gold of Rome, Carlo Lizzani, 1961)
L’Uomo che Verrà (The Man Who Will Come, Giorgio Diritti, 2009)
La Ciociara (Two Women, Vittorio De Sica, 1960)
La Famiglia (The Family, Ettore Scola, 1987)
La Grande Guerra (The Great War, Mario Monicelli, 1959)
La Lunga Notte del ’43 (It Happened in 1943, Florestano Vancini, 1960)
La Marcia su Roma (The March on Rome, Dino Risi, 1962)
La Rafle (The Round Up, Rose Bosch, 2010)
La Strategia del Ragno (The Spider’s Stratagem, Bernardo Bertolucci, 1970)
La Terra Trema (The Earth Trembles, Luchino Visconti, 1948)
La Villeggiatura (Black Holiday, Marco Leto, 1973)
La Vita è Bella (Life is Beautiful, Roberto Benigni, 1997)
Lacombe, Lucien (Louis Malle, 1974)
Ladri di Biciclette (Bicycle Thieves, Vittorio De Sica, 1948)
Laissez Passer (Safe Conduct, Bertrand Tavernier, 2002)
Le Chagrin et la Pitié (The Sorrow and the Pity, Marcel Ophuls, 1971)
Le Quattro Giornate di Napoli (The Four Days of Naples, Nanny Loy, 1962)
Le Rose del Deserto (The Roses of the Desert, Mario Monicelli, 2006)
Libera, Amore Mio (Libera, My Love, Mauro Bolognini, 1975)
Lion of the Desert (Moustapha Akkad, 1981)
Lo Scemo di Guerra (Madman at War, Dino Risi, 1985)
Marrakesh Express (Gabriele Salvatores, 1989)
Matrimonio all’Italiana (Marriage Italian Style, Vittorio De Sica, 1964)
Mediterraneo (Gabriele Salvatores, 1991)
Monsieur Batignole (Gerard Jugnot, 2002)
Non c’è Pace Tra gli Ulivi (No Peace Under the Olive Tree, Giuseppe De Santis, 1950)
Novecento (1900, Bernardo Bertolucci, 1976)
Nuovo Cinema Paradiso (Cinema Paradiso, Giuseppe Tornatore, 1988)
Obchod na Korze (The Shop on Main Street, Ján Kadár and Elmar Klos, 1964)
Paisá (Paisan, Roberto Rossellini, 1946)
10.1057/9781137316622 - Fascism in Italian Cinema since 1945, Giacomo Lichtner
Copyright material from www.palgraveconnect.com - licensed to npg - PalgraveConnect - 2016-09-29
Filmography
Filmography
Pasqualino Settebellezze (Seven Beauties, Lina Wertmüller, 1975)
Pokolenie (A Generation, Andrzej Wajda, 1955)
Polvere di Stelle (Stardust, Alberto Sordi, 1973)
Popiół i Diament (Ashes and Diamonds, Andrzej Wajda, 1958)
“s (Renzo Martinelli, 1997)
Porzu
Prima della Rivoluzione (Before the Revolution, Bernardo Bertolucci, 1962)
Puerto Escondido (Gabriele Salvatores, 1992)
Riso Amaro (Bitter Rice, Giuseppe De Santis, 1949)
Riusciranno i Nostri Eroi A Ritrovare l’Amico Scomparso in Africa (Will Our Heroes
Be Able to Find Their Friend Who Has Mysteriously Disappeared in Africa?, Ettore
Scola, 1968)
Roma (Federico Fellini, 1972)
Roma Città Aperta (Rome, Open City, Roberto Rossellini, 1945)
Salò o le 120 Giornate di Sodoma (Salò or the 120 Days of Sodom, Pier Paolo Pasolini,
1975)
Salvatore Giuliano (Francesco Rosi, 1962)
Samson (Andrzej Wajda, 1961)
Sanguepazzo (Wild Blood, Marco Tullio Giordana, 2008)
Senso (Livia, Luchino Visconti, 1954)
Szerelmesfilm (Lovefilm, István Szabó, 1970)
The Dam Busters (Michael Anderson, 1955)
The Great Escape (John Sturges, 1963)
The Night Porter (Liliana Cavani, 1974)
Tutti a Casa (Everybody Go Home!, Luigi Comencini, 1960)
Umberto D (Vittorio De Sica, 1952)
Un Secret (A Secret, Claude Miller, 2007)
Una Giornata Particolare (A Special Day, Ettore Scola, 1977)
Vaghe Stelle dell’Orsa (Sandra, Luchino Visconti, 1965)
Vincere (Marco Bellocchio, 2009)
Vivere in Pace (To Live in Peace, Luigi Zampa, 1947)
10.1057/9781137316622 - Fascism in Italian Cinema since 1945, Giacomo Lichtner
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