for violin solo christopher burns

weft
for violin solo
christopher burns
Weft is dedicated to Mark Menzies.
duration 9' 30"
Performance notes:
Dynamic changes are instantaneous unless explicitly connected by hairpins.
Accidentals persist through the measure of their appearance. In instances of composite meter, accidentals
persist through the complete measure. Many reminder accidentals are included in the score.
Grace notes are to be performed on the beat, with the main note following immediately after the last grace note.
Bow positions:
m.s.t. : molto sul tasto
s.t. : sul tasto
s.p. : sul ponticello
m.s.p. : molto sul ponticello
on bridge : bow directly on bridge (noise only, no pitch)
scratch: bow with overpressure, producing a mixture of tone and noise
lateral bow motion: maximize bow motion along the string, minimizing motion across the string
slow bow motion: reduce bow speed to the point where tone becomes discontinuous
harmonic pressure: touch string at (non-nodal) point specified as though producing a harmonic
_2
pull harmonic
pull harmonic: use finger touching node to bend
string slightly, producing an upwards glissando
subharmonic: bow G string at the midpoint with
overpressure, while fingering the pitch indicated
with the black diamond notehead. Sounding pitch
should be one octave lower.
allow harmonic to break up as finger moves away
from node. Do not increase finger pressure.
flat seventh harmonic
*
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ord.
s.t.
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m.s.p.
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non vib.
m.s.t.
s.t.
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ord.
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ord.
battuto
m.s.t.
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ord.
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7:8
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non vib.
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ord. vib.
non vib.
m.s.t.
:
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s.t.
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ord.
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5
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7:8
ord.
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M _ MM MM
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on bridge
[_
[ _ M M
M M
125
Gƒ
MM
3
[ _ ™ B _ [ _ _
132
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MM
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s.t.
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b
2
[ h_ molto vib.
m.s.p.
3
m.s.p.
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ord.
battuto
G
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ord.
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¶
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‡ †
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3:4
5
s.p.
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m.s.t.
s.p.
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non vib.
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7
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3"
col legno tratto
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fragile
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139
B _P
3
5
bP
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:
149
154
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159
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I [ I Ia I I _ [ _ _a _ _ P
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PP 5
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P
B _P _P B _
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7_
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crumbling
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Q
5
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[[ -_ -_ _ -_ -_ -_ -_ _ _
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5
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8
B _P _P
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3
P_ B _P
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m.s.p.
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2
Q
B _P ord.
% _P
LP 
:
Q
% IP bP :
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[ [ -_ _
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ord.
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2
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P
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B _P bP
B- ^ | B-
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ord.
s.p.
2
Q
Q
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2
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P P 3 P P
_P B _ _ B _ _ _P _P _P ^ _P _P _P
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s.p.
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B:
bP
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5
_P
m.s.p.
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Q
m.s.p.
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bP
s.p.
pull harmonic
5
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% bP
bP
% _P
2
a:
Œ
ord.
B _P _P
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5
2
P
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Q
non vib.
m.s.p.
5
 2
:
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:
:
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5
_P B bP
_P
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:
_P
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:
Q
ord.
pull harmonic
Œ
I
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G
5
_P
Œ
B _P
-_ C _P
-b
:
L
P
5
%_
¶ |
_P [ [ -_ P
_
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:
[_ _
sul A
non vib.
harmonic pressure
S
I BI I
_
ΠG B_ _
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:
non vib.
m.s.t.
% _P _P
5
% _P |™ ™
:
P
% _P
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[- C-
bP
:
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5
5
[ _ : B _ :
Q ΠQ
:
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_P
_P ord.

5

7I
7_
G
_
5
_P
:
_P
_ _
_P
144
:
sul A
non vib.
harmonic pressure
Q 
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% bP B _P
ord.
_P
|
_P
:
3
_P _P ^ ^
- ^ [-
(
s.p.
:
:
lateral bow motion
m.s.p.
m.s.t.
7I
7b
G
- b Q
P
%_
P
bP
ord. bow pressure
(scratch as necessary for subharmonic)
3
5
_
[I
164
[_
G
I
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5
K
_ _ _ [ _ ™ I aI I
_ a_
_
I
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,
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_ _ _ I [I
5
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,
_
I
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3
5
P P
_P B _ _
B _P
169
:
:
2
B _P
173
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Q
3
_P
%_P _P
[ [ -_ -_ -_ -_
,
:
Q
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[- 7 [ _ _ _ _ b
BI
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B_
G
_P
7I
7_
G Q

_P
:
™
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7:8
ord. bow pressure
pull harmonics
(scratch as necessary)
3
[ _
BI B_
_
I I
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5
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G
I
_
P
_
S
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^
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^
_
5
5
_
[I
[_
2
[:
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4
5
Q
176
[I
[_
G
sempre
3
I ™ ¶
_
5
™ _ _
_ _
5
bb _ [ I I
_ [_ _
_
_
_
_
5
9
3
on bridge
[I
[_
G
5
5
ord.
K
M M I I 7 I I
_ _ 7_ _
I
_
^
:
_
2
P
%_ 3
m.s.t.
_P
BI
B_
,
:
_P P
_
I
_
™ _P
:
P
_
s.p.
[-
P
_
P
_
bP
_ [_
4
5
3
K
CI
C_
3
slow bow motion
ord.
P P P
P
P P B_ _ _
_ ^ _ _ _P
™
:
- ^ CŒ
Q 
5
m.s.p.
B:
2
3
:
5
5
(scratch as necessary)
bb [ I
[I
[_ _
5
P
C_
_P
:
:
3
3
B _P _P B _P _P
% _P
P_ _P
,
™ :
:
:
:
Q
Œ
_P
:
I
_
G 
5
3
ord.
lateral bow motion
m.s.t.
m.s.p.
5
3
3
pull harmonic
B _P
3
_P _P [ _
_P b
3
5
5
slow bow motion
_
_ 4
5
5
P
P
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:
7 7 _-
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