PATRIZIA ORCIANI

PATRIZIA ORCIANI
Soprano
Patrizia Orciani started her vocal studies under the guidance of Vincenzo Cecchetelli, Leone Magiera,
Rodolfo Celletti, Sergio Bertocchi and Paola Molinari.
After her successful debut as Mimì in La bohème at the Corte Malatestiana in Fano, her native town, she has
established an extraordinary international career, performing regularly on the world’s most prestigious
concert stages and opera houses including Teatro alla Scala in Milano, Wiener Staatsoper, Opernhaus in
Zürich, Teatro Real and Teatro de la Zarzuela in Madrid, Mozarteum in Salzburg, Liceu in Barcelona,
Concertgebouw in Amsterdam, Opera in Bonn, Opera in Köln, Orquestra Sinfônica do Estado de São
Paulo, Bolshoi Theatre of Mosco, New National Theatre in Tokyo, Teatro “Perez Caldos” in Las Palmas,
Opera in Tenerife, Teatro Comunale di Bologna, Maggio Musicale Fiorentino di Firenze, Teatro La Fenice
di Venezia, Teatro dell’Opera di Roma, Teatro Regio in Parma, Teatro San Carlo in Napoli, Teatro Regio
in Torino, Teatro Carlo Felice in Genova, Teatro Massimo “V. Bellini” in Catania, Arena di Verona,
Accademia Chigiana in Siena, only to name a few.
She has worked with such important conductors as Claudio Abbado, Bruno Bartoletti, Daniele Callegari,
Frédéric Chaslin, Gianandrea Gavazzeni, Gustav Kuhn, Alain Lombard, Peter Maag, Lorin Maazel, John
Neschling, Daniel Oren, Stefano Ranzani, Donato Renzetti, Nello Santi, Hubert Soudant, Marc Soustrot.
She took part, as soprano soloist, in may world tours alongside Andrea Bocelli, with more than 30 concerts
in such venues as Madison Square Garden of New York, Toronto, Washington, Oslo, Stockholm,
Helsinki, Firenze, Taormina, just to name a few.
During the 2014/15 season she performed as Orsola in Il Campiello by Wolf-Ferrari at Teatro del Maggio
Musicale Fiorentino in Florence and at Teatro Verdi di Trieste, as well as Hanna Glawari in The Merry
Widow at Teatro Carlo Felice di Genova.
During her long and prestigious career she took part in important productions including Falstaff (Alice)
at Opernhaus in Zürich, Les Contes d’Hoffmann (Giulietta) at Wiener Staatsoper, Britten’s The Turn of the
Screw (Miss Jessel), Edgar (Fidelia) and Tannhäuser (Venere) at Teatro Comunale di Bologna, Evgenij
Onegin (Tatjana) and Pulcinella by Stravinskij at the Teatro Carlo Felice in Genova, Rusalka (Duchessa),
Francesca da Rimini and Amica at the Teatro dell’Opera di Roma, Carmen (Micaela), Les contes
d’Hoffmann (Giulietta) and The Turn of the Screw (Miss Jessel) at Teatro Regio di Parma, Les contes
d’Hoffmann at the Teatro Regio di Torino, Patto di Sangue (World premier) by Matteo D’Amico and
Pollicino (La Madre) at the Maggio Musicale Fiorentino in Florence, The Merry Widow (Hanna Glawari) at
the Teatro Filarmonico di Verona, Tannhäuser (Venere), Francesca da Rimini (Francesca) and L’amico
Fritz (Suzel) at the Teatro Verdi di Trieste, Help, Help, The Globolinks by Menotti, Tannhäuser (Venere),
Orleanskaya Deva (ruolo del titolo), Lakmé (Ellen) and Les Contes d’Hoffmann (Giulietta) at Teatro
Massimo di Palermo, Un ballo in maschera (Amelia), Andrea Chénier (Maddalena), Les Dialogues des
Carmélites (Lidoine), Don Giovanni (Donna Elvira) e Les Contes d’Hoffmann (Giulietta) al Teatro Massimo
Vincenzo Bellini di Catania.
Also active in the concert field, she held concerts in Italy and abroad. Her most recent recitals in Moscow
and Tokyo have gained tremendous success.
Her discography includes L’italiana in Londra (Livia) by Cimarosa and Nina, ossia la pazza per amore
(Nina) for Bongiovanni, Giulio Cesare (Cleopatra) for Nuova Era, Bianca e Falliero (Costanza) for
Ricordi and Il signor Bruschino (Sofia) for Claves.
January 2016
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