docShadows of the South Venetian fragments from Ragnar travelogue
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Shadows of the South Venetian fragments from Ragnar travelogue
INTERNATIONAL SEMINAR Accademia Nazionale di San Luca, Rome 14th- 15th November 2013 Shadows of the South Venetian fragments from Ragnar Chiara Monterumisi Ph.D. candidate Alma Mater Studiorum. University of Bologna DA. Department of Architecture travelogue PAUL CLEMEN Thus in the Stockholm City Hall we meet shadows from the great municipal edificies of the whole Europe: but in the end all these are combined, enganced and surpassed by the force of this will to express a modern way of thinking in art. in Johnny Roosval, Stockholms stadshus vid dess invigning midsommarafton 1923, AB G. Tisells tekn. Förlag, Stockholm 1923 Ragnar Östberg, South portico of the City Hall, 1913 © Stockholm stadsarkivet Erik Gunnar Asplund Venice 1914 © Arkitektur och designcentrum arkivet From E. Cornell, Ragnar Östberg. Svenskt arkitekt, 1965 RAGNAR ÖSTBERG 1896-1899 TYSKLAND FRANKRIKE ITALIEN Berlin Dresden Praha München Sydtyskland Paris Reims Campaigne Pierrefonds Amiens Beauvois Rouen Charteres Blois Tours Caen Vire Mont St. Michel Dinan Normandie Bretagne Ploërmel Sérent Auray Angers Chinon Loches Amboise Paris Avignon Nimes Arles Marseilles Palermo Segesta Selinunte Agrigento Siracusa Taormina Napoli Paestum Amalfi Pompei Anacapri Roma Viterbo Perugia Orvieto Todi Assisi Chiusi Siena Firenze Pistoia Lucca Pisa Prato Pistoia Parma Piacenza Milano Bergamo Brescia Vicenza VENEZIA Padova Verona Mantova Bologna Imola Faenza Ferrara Cesena Ravenna Firenze Roma Brindisi GREKLAND BELGIEN ENGLAND SPANIEN Athene Patras Olympia Korint Egina Eleuisis Brussel Gent Brugge London Windsor Eton Oxford Northleach Barford Fairford Hampnett Iffley Minstrlovell Bristol Cambridge Peterborough Lincoln York Durnham Irún Burgos Salamanca Avila Madrid Toledo Cordoba Sevilla Paris October 1897 © Kungliga Akademien för de fria Konsterna © Kungliga Akademien för de fria Konsterna © Arkitektur och designcentrum arkivet VENICE Accademia di San Giorgio San Giorgio degli Schiavoni San Giovanni e Paolo San Marco Facades decoration and reliefs San Giorgio Mosaics Sculptures Museo civico Palazzo Loredan Johan Ludvig Heiberg, Italien: spredte studier og rejseskitser, 1904 San Zaccaria R. Östberg, Sketch of Piazzetta pattern, 1913 © Stockholms Stadsarkivet R. Östberg, Sketch of pavement parterre, 1913 1914 1921 © Stockholms Stadsarkivet Map of Venice, 1500 © Museo Correr, Venezia Map of Stockholm, 1640 © Stockholms Stadsarkivet . THE QUEEN OF LAKE MÄLAREN R. Östberg, Sketches about islands evolution in Stockholm throughout the centuries in En arkitekt antecknigar. Bilder och verk av författaren, 1928 (Eng. trans.. Notes of an architect. Drawings and projects of the author) OLAUS MAGNUS , , ROME 1544 Stockholm is of course is in the midst of the water as Venice, and it is well demonstrated how both of them are built on wooden logs... JAKOB ZIEGLER, 1532 city and capital of Sweden, is fortified by nature and art. It lies in the middle of the lake, such as Venice from which it gets its name, inasmuch as the piles or logs ERIK DAHLBERG, 1698-1703, VOLUME I -known and royal Swedish metropolis, rose up in the Svealand and was built in that portion of land between Baltic sea and Lake Mälaren inhabitated But as the city of Venice, it is composed of many islands, some of them BAEDECKER, , 1878 The situation of the town on islands, on a plain , and on rocky hills , surrounded by water and islands in almost every direction, is exceedingly picturesque. Stockholm has therefore not inaptly been called the ' Venice of the North', and has sometimes been compared with Genua also ; but no such comparison can convey an adequate idea of the place, which differs in many respects from all , STOCKHOLM 1909 RAGNAR JOSEPHSON, 1500, Stockholm was named the IN , 1923 the lagoon city gave just a few designing references to his admirer Scandinavian. Recently, though, the placement on the water has inspired a couple of projects in Stockholm. So, the Italian lagoon city has become a rare and valuable jewel for all its Scandinavian admirers. The National Museum of Stüler and Bolinder villa of Zettervall hark back those Venetian buildings reflect their marble splendor on the streams of the Grand Canal, as well as Rosenbad palace of Boberg with loggia faces to the water is clearly influenced by the Venetian style. But only the Stockholm City Hall, the nostalgia and desire of Venice were really satisfied. 1901 and 1909 | TRADITION AS AN EXPRESSIVE ANTOLOGY FOR A REFOUNDATION OF NATIONAL ARCHITECTURE 1901 continues to erect its buildings without harmony and appropriateness, freed from any artistic ostentation, and so not independent of foreign language, they will have to speak again the language of our Swedish past culture . 1909 The cosmopolitan character of the 19th century brought to Sweden, perhaps in a greater degree than to other civilized nations, a mixture of historic style [ ] In our country, as in many other lands, the excessive amount of foreign material has prevented the development of a uniform national type of architecture. PAUL CLEMEN Stockholm City has often been called «the Venice of the North»; but it is not till now this description has become fact. The Piazzetta is to be found in the garden of the City Hall. The open colonnade of the southern facade carries thoughts to Venice, but more Palazzo Correr than in Johnny Roosval, Stockholms stadshus vid dess invigning midsommarafton 1923, AB G. Tisells tekn. Förlag, Stockholm 1923 E.G. ASPLUND, , IN , N 49, 1919 [Eng. trans. Another proposal for resolving the area of railway station] .. Klara Sjö has a great potential to become one of the most beautiful parts of the capital, his "Grand Canal" C. JOHANSSON, , IN [Eng. trans. , N 49, 1919 ] ... The West Wing ends with Nämndshuset and city hall with its towers. One would be almost tempted to make a comparison between Riddarholmen and the Isola di San Giorgio Maggiore in front Piazzetta in Venice ... AND THE «WATER SQUARE» Doge Ph. author loggiato frames the view of the Isola di San Giorgio G. W. Cronquist, A view of Riddarholmen from the South portico of the Stockholm City Hall, 1934 © Stockholm Stadsarkiv STROLLING ALONG THE STREETS OF Ragnar Östberg, Photographs of Riddarholmen church © Arkitektur och designcentrum arkivet Ragnar Östberg, Sketch of pavement pattern for City Hall courtyard , 1918 © Stockholms Stadsarkivet FLOATING THE : ARCHITECTURAL Fabbriche nuove Venetian Palaces Procuratio nuove and Doge palace Isola di San Giorgio STOCKHOLM NÄMNDHUSET, 1909-1940 1909 1913 1930 1933 1936 1939 1940 1940 Siteplan of the Diplomatstaden, 1919 © Stockholms Stadsarkivet Designing sketch, 1912 © Stockholms Stadsarkivet Ground floor Stadshuset, December 1916 Plan of the Piazza di San Marco in L. Cicognara, A. Diedo e G. Selva, Le © Arkitektur ochdesigncentrum, fabbriche e i monumenti cospicui di Venezia, 1838-1840 1909 View of the model in Arkitektur, n 41, 1911 1930 View from the Stockholm City Hall entrance © Stockholms Stadsarkivet 1939 R. Östberg, Photomontage © Arkitektur -ochdesigncentrum 1940 Sketch © Stockholms Stadsarkivet in L. Cicognara, A. Diedo e G. Selva, Le fabbriche e i monumenti cospicui di Venezia, 1838-1840 J. Sansovino, Fabbriche nuove di Rialto, Venezia 1554-1556 1909 1930 1939 1940 VILLA GEBER, 1911-1913 : PROVING PROJECT Ground floor, 1912 © Stockholms Stadsarkivet Scketches about the Stockholm Stadshuset entrance, August 1909 © Stockholms Stadsarkivet Estract of Carta di Venezia. Canal Grande, 1500 Panorama of the Diplomatstaden, 1925 © Stockholms Stadsarkiv A VENETIAN PALACE ALONG THE FRESH MÄLAREN STREAMS Villa Geber, 1913 Diplomatstaden, 1921 © Stockholm Stadsarkivet © Kungliga biblioteket PRIENE, III-II CENTURY B.C. POMPEI, II CENTURY B.C. The essence of the villa is to overlook the city from a distant slope outside the walls. J. Ackerman M. SANMICHELI, F. Ronzani e G. Luciolli, Le fabbriche civili, ecclesiastiche e militari di Michele Sanmicheli, 1823 Ragnar Östberg, villa Geber, 1913 JACOPO SANSOVINO, AND L. Cicognara, A. Diedo e G. Selva, Le fabbriche e Hypothetical plan of the palace, in M. Tafuri, Ricerca i monumenti cospicui di Venezia, 1838-1840 del Rinascimento. Principi, città, architetti, 1992) Ragnar Östberg, villa Geber, 1913 ANDREA PALLADIO, , 1570 , II libro, Venezia 1570 VENETIAN ECHOES IN DECORATIVE APPARATUS Courtyard, 1918 Courtyard, 1927 © C. G. Rosenberg © C. G. Rosenberg Palazzo Priuli a San Severo, Venice TESSIN THE YOUNGER, Drawings and engravings taken from O.Sirén, Tessinska palatset, in Ord och Bild 1913 1694-1700 simile Renaissance artist dressing, though Swedish cloths... in Hakon Ahlberg, Ragnar Östberg på avstånd , in Arkitektu, 1965 (Eng. trans. Ragnar Östberg from distance ) Ragnar Östberg, 1915 © Arkitektur -och designcentrum Francesco Sansovino, Venetia città nobilissima et singolare, 1581 "Each city lives on its own memories... The Mediterranean cities do so more than their own shadows. Venice has become an ide itself, sometimes tending to blend together or react against one another. Venice and that other Venice stand side by side or inside each other. But each is vital to the other, neither can survive alone, both are Venice and the Serenissima, image and simulacrum, history and myth , 2003
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