Facie ad Faciem
Transcript
Facie ad Faciem
Facie ad Faciem for Piano Trio (2011/2012) Kyle Shaw Videmus nunc per speculum Now we see as if through a mirror in aenigmate; tunc autem in riddles; but then [we will see] facie ad faciem. face to face. Nunc cognosco ex parte, Now I know in part; tunc autem cognoscam but then I shall understand [fully] sicut et cogitus sum. just as I have been understood. —1 Corinthians 13:12, as set by Orlande de Lassus in his motet Cum essem parvulus for Curtis Macomber, Chris Finckel and Stephen Gosling on their visit to Brigham Young University, Feb. 2012 Facie ad Faciem (2011/2012) Kyle Shaw £ £ 19 8 ££ pp con sord. e sul tasto £ £ 19 8 ££ pp £££ 19 8 £££ £££ H £££ 19 £ 8 q = 84 con sord. e sul tasto Violin Cello Piano Vc Pno Vln Vc £££ £ £££ £ £££ ££ ££ H £££ £££ ord. sff sff sff sff (move bow gradually from sul tasto) 2 Vln q Pno qq £££ £ £££ £ £££ ££ ££ £££ £££ £££ £ £ £££ £ ff qq ££ ££ ££ £££ ££ £££ 2 Vln Vc Pno sempre pp Vc Pno remove mute Vln £ f £ mp £ sul A £ £ f cresc. ££ ££ f £ 7 4 4 4 f 7 4 sempre cresc. over pressure! £ 7 4 p sff £ 7 4 8vb Sost. Ped. remove mute 4 4 4 4 4 4 7 Vln 4 4 Vc £ f 4 4 9 Vln 44 4 4 4 4 6 4 sempre p 6 4 sul D 44 6 4 3 4 £ 4 Vc 4 4 6 4 sul D 44 Pno Pno 44 3 sul A 3 3 47 pp sul A 7 4 pp 3 cantabile £ 7 4 mf£ 7 ££ 4 Ô 3 4 4 44 3 7 4 7 4 3 7 4 7 4 10 Vln Vc Pno 3 3 £ 3 3 3 3 £ 4 11 Vln Vc 3 3 £ Pno 3 £ £ £ mp harm. gliss. £ mp 3 3 3 3 Vln Vc Pno 14 Vln Vc Pno £ f 5 4 45 f 5 4 3 3 4 4 £ 5 4 f £ £ £ ff 4 4 ff£ 4 £ 4 ff 4 4 q harm. gliss. 12 3 8vb mp £ 16 Vln 3 3 3 mp £ £ £ Vc 3 decresc. Pno 5 19 Vln Vc mp 3 mp cresc. Pno ££ £ f £ £ f £££ £ f 3 3 Majestic, more broadly 21 Vln Vc Pno ££ £ ££ ££ £ £ £ ££ £ £ £ 8vb £ £ ££ ££ £ 6 4 £ £ sub. 6 £ 4 £ 6 4 decresc. mp decresc. ££ £ sub. mp decresc. £ £ £ sub. 6 4 mp 6 24 Vln Vc Pno Vc Pno Vc Pno ££ £ £ ££ £ £ ££ £ £ mp pizz. 4 £ 4 mp 44 £ 4 4 29 Vln 26 Vln a tempo 44 £ £ cantabile 4 4 pp 4 4 pp ppp £££ 44 £ pp £ £ £ £ 4 £ 4 £ £ £ £ £ 5 4 p 5 4 p 3 5 4 5 4 sempre pp 3 32 Vln Vc Vln Vc Pno £ £ mp q Slower ( = 66) 19 8 £ 19 8 19 8 4 4 7 3 4 rit. 3 4 sul-C 3 dim. e rit. 4 4 19 8 3 4 19 8 3 4 rit. 19 8 19 8 8vb £££ £ £££ £ ££ £ £££ £££ ££ £££ pp £££ £ £ £ 4 4 4 4 arco, sul-C 19 8 37 Vc £ 36 Vln 3 Pno Pno 3 8va £££ £ £££ £ ££ £££ ££ £££ £ £ £ 8 pizz. 38 Vln f! £ ££ £ £ ! ££ ! £ f £ ££ ££ arco pizz. £££ £ £ £ ££ £ f f 8va £ £££ £ £ £££ ££ £££ ££ ££ £ £££ £ ££ £££ Vc Pno Vln Vc £££ £ £££ £ £ £ ££££ £ £££ p £££ f £ £££ £ Pno Vln Vc Pno £ £ p 7 4 7 4 7 ££££ 4 mf p 7 4 ££ £££ £ £ 42 Vln ! p mf Pno £ # # # # # # ! ! p f £ f Vln Vc £ £ q Pno 44 f 4 4 (etc.) sul G 44 p 4 4 jeté ! Tempo I ( = 84) 46 Vc " sff # # # # # # f jeté 44 Vln £££ ££ £ £ £ £ £ £ £ £ £ Vc Pno 9 arco " sff 4 4 4 4 44 arco pizz. £ £ f (sul D) 4 4 10 49 Vln £ Vc 52 Vln decresc. poco a poco cresc. £ £ decresc. Pno poco a poco cresc. Vc £ Pno Vln poco a poco cresc. Vc Pno pp ££ mp £ £ £ Majestic, more broadly again ££ £ ff £ £ ££ £ ff ££ ££ ff £ £ £ poco a poco cresc. 56 pp £ 59 ££ Vln £ Vc £ ££ £££ Pno 6 4 6 4 6 4 £ £ 6 4 £ £ £ sub. mf £ ££ sub. mf £ ££ sub. mf £ ££ Vln 4 £ £ 4 poco allargando £ £ pp ££ pp £££ Vc Pno 67 Vln Vc Pno ££ pp 4 4 poco allargando 4 4 5 4 3 4 5 4 ££ £ £ $ £ ££ q £ £ ££ £ 5 4 8vb % pizz. % 3 4 3 4 p sempre pp arco pp q Tempo I ( = 84) 5 4 4 4 43 £ 3 4 43 £ £ £ decresc. 8vb 62 decresc. 11 3 4 3 4 6 4 pp £ col legno batt. 6 & 4 & mf 6 4 12 70 Vln Vc Pno 72 Vln Vc Pno Vc Pno 6 4 £ £ pp ppp batt. £ # col legno & & # # p sul G G # 4 # £ 4 f sul G 4 4 f 4 4 mf 4 4 74 Vln sul Vln Vc Pno 78 Vln Vc Pno Vc Pno sul D 13 £ £ £ sempre p sempre p 80 Vln p mp £ p mf £ £ £ 76 14 82 Vln Vc Pno £ 84 Vln 5 6 Vc Pno £ q Slower ( = 56) 86 Vln Vc Pno f f mp 6 5 4+1 4 8 5 4 pizz. £ £ 45 p 5 4 + 1 4 4 8 p 4+1 4 8 4+1 4 8 5 4 88 Vln 5 4 Vc 3 45 ££ £ Pno Vln Vc ! ! ! pp f l.h. £ 3 4 4 4 4 ! 3 4 4 ! ! r.h. 4 4 5 ££ 4 £ 90 Pno 45 ! ! 3 4 ! ! ! ! ! £ 4 3 4 3 4 15 3 4 £££ £ pp ppp pp arco