and the Photographie Memory - Kunsthistorisches Institut in Florenz

Transcript

and the Photographie Memory - Kunsthistorisches Institut in Florenz
Photo Archives
and the Photographie Memory
of Art History
Edited by
Costanza Caraffa
DEUTSCHER KUNSTVERLAG
Summary
Foreword
7
Photo Archives and the Photographie
Memory of Art History: the Project
9
Costanza Caraffa
From 'photo libraries' to 'photo archives'.
On the epistemological potential
of art-historical photo collections
11
On Photo Archives
Elizabeth Edwards
Photographs: Material Form
and the Dynamic Archive
47
Tiziana Serena
The Words of the Photo Archive
57
Griselda Pollack
Aby Warburg and Mnemosyne:
Photography as aide-memoire,
Optical Unconscious and Philosophy
73
Collecting Photographs,
Shaping Art History
Pascal Griener
Pour une nouvelle histoire des images
scientifiques. Eugcne Müntz,
la Renaissance et la nouvelle fonction
de la photographie d'art
101
Graham Smith
From Album to Archive:
The Alinari Catalogues of 1856 and 1857
117
Dorothea Peters
From Prince Albert's Raphael Collection
to Giovanni Morelli: Photographyand
the Scientific Debates on Raphael
in the Nineteenth Century
129
Geraldine A. [ohnson
Using the Photographic Archive:
On the Life (and Death) ofImages
145
Machtelt Israels
The Bercnsons, Photography,
and the Discovery of Sassetta
157
Edith Struchholz
Von der Anschauung ausgehen Iacob Burckhardts Fotosammlung
und seine kunsthistorischen Texte
169
Giovanni Pagliarulo
Photographs to Read:
Berensonian Annotations
181
Giulio Manieri Elia
Giulio Cantalamessa, le Regie Gallerie
di Venezia e la fotografia
193
Si/via Paoli
Fotografia come documento,
Luca Beltrami architetto, storico dell'arte,
collezionista, fotografo
20 5
Summary
6
Andrea Mattiello
Giacomo Boni: A Photographie Memory
for the People. Documenting Architecture
through Photographic Surveys in
Post-Unification Italy
217
Alessandra Sarchi
Sulle tracce di Lanyi e Malenotti.
Il fondo Brogi su Donatello
nella Fototeca Zeri
227
Per Rumberg
Aby Warburg and the Anatomy
of Art History
241
We Make Dur Photo Archives
and Dur Photo Archives Make Us
Ann Jensen Adams
The Rijksbureau voor Kunsthistorische
Documentatie and the Subject
of Dutch Art History: The Market,
the Scholar, and National Identity
Anthony Hamber
Observations on the Classification
and Use ofPhotographs at
the South Kensington Museum:
1852-1880
Ewa Manikowska
Building the Cultural Heritage of aNation:
The Photo Archive of the Society for
the Protection of Ancient Monuments
at the Twilight of the Russian Empire
Dominique Morelon
L'image documentaire et
ses metamorphoscs : les collections
photographiques de la bibliotheque
del'INHA
Hubert Locher
Harnann's Canon: The Illustration
ofthe Geschichte der Kunst (1933)
and the Photo Archive ofthe Kunstgeschichtliches Seminar in Marburg
Pepper Stetler
Art History without Words:
The Photographic Books of
the Marburg Archive
253
265
279
289
297
313
Melissa Beck Lemke
A Connoisseur's Canvas:
The Photographic Collection
of Clarence Kennedy
323
Regine Schallert
I tesori nascosti d'Italia: ]'archivio
dello studio Foto Arte Minore
di Max Hutzel
335
Angela Matyssek
Memory and the Archive: Photography,
Conservation and Restoration
347
Mary Bergstein
Italian Painting in
Proust's Imaginary Archive
359
Kelley Wilder
Locating the Photographie Archive
ofScience
369
In A Photo Archive
lnge Reist
Photograph Archives and Scholarship:
Past, Present, and Future
381
Valentina Branchini
The Photograph Study Collection
of the Metropolitan Museum of Art:
A Change ofReference
389
Dorothea Peters
Raphael Revisited: On the Authenticity
of the Early Photography of Drawings.
A research project in the Photothek of the
Kunsthistorisches Institut in Florenz
395
Matthias Bruhn
Bilder außer Dienst? Transformationen
der Gebrauchsfotografie
405
Quoted Bibliography
415
Index
441
Creditlines
451
Authors Biographies
453